|
Los Abrazos Rotos Broken Embraces
|
| 00:01:12 |
BROKEN EMBRACES |
| 00:01:42 |
(Newspaper sheets) |
| 00:01:55 |
What's your name? |
| 00:01:58 |
"Harry Caine" |
| 00:02:00 |
(Voiceover)" I used to be called Mateo |
| 00:02:04 |
From very young I was tempted about the idea |
| 00:02:10 |
Living only one life was not enough, |
| 00:02:17 |
An adventurer that, because of the destiny, |
| 00:02:22 |
As of now, I made him sign all the scripts |
| 00:02:27 |
For years, Mateo Blanco and Harry Caine |
| 00:02:35 |
but there was a moment in which, |
| 00:02:41 |
I became my pseudonym, |
| 00:02:48 |
There was only a detail that I hadn't forseen, |
| 00:02:57 |
Oh dear... Ernesto Martel has died! |
| 00:02:59 |
Who? |
| 00:03:01 |
Ernesto Martel. |
| 00:03:05 |
So he's dead... |
| 00:03:07 |
Yes. Did you knew him? |
| 00:03:09 |
No... |
| 00:03:13 |
Let's see... What does interest you? |
| 00:03:19 |
You interest me. |
| 00:03:21 |
How are you? |
| 00:03:30 |
What are you interested on? |
| 00:03:32 |
Your measures, for example? |
| 00:03:35 |
Em... 90, 68, 90 (cms). |
| 00:03:40 |
What is the colour of your eyes? |
| 00:03:43 |
Green, and in summer a bit blue. |
| 00:03:47 |
And your hair? |
| 00:03:52 |
I'm blond, with long and straight hair. |
| 00:03:59 |
I'm wering a purple t-shirt, |
| 00:04:06 |
Tight? |
| 00:04:09 |
Yes, tight. |
| 00:04:12 |
And high heels. |
| 00:04:13 |
High? |
| 00:04:14 |
Very high. |
| 00:04:19 |
Let's see..., blond, long hair. |
| 00:04:28 |
Let's see... the eyes, green eyes... |
| 00:04:36 |
And the skin... Mmmm, delicious skin! |
| 00:04:47 |
fleshy... |
| 00:05:03 |
(pleasure grunts) |
| 00:05:41 |
May I go to the toilet? |
| 00:05:43 |
(Breatheless) Yes, yes, of course! |
| 00:05:49 |
(Doorbell) |
| 00:05:59 |
(Keys) |
| 00:06:02 |
Sorry, I thought you were alone. |
| 00:06:05 |
May I come in, or you are going for a second one? |
| 00:06:07 |
No, no, come in. |
| 00:06:13 |
She helped me to cross the road... |
| 00:06:17 |
Of course... |
| 00:06:24 |
What are you looking for? |
| 00:06:25 |
My polo. |
| 00:06:28 |
There you go, the polo. |
| 00:06:30 |
Thanks. |
| 00:06:31 |
Anything else? The socks? |
| 00:06:34 |
Yes, thanks. |
| 00:06:37 |
There you go. |
| 00:06:38 |
Thanks. |
| 00:06:40 |
(WC flushing) |
| 00:06:48 |
(Surprised) Hello... |
| 00:06:50 |
(Unfriendly) Hi. |
| 00:06:54 |
Well then, Harry, |
| 00:06:59 |
Thanks for crossing me. |
| 00:07:00 |
No problem. |
| 00:07:02 |
You're standing on my feet. |
| 00:07:03 |
Oops, Soory! sorry... |
| 00:07:06 |
No, it has been a pleasure. |
| 00:07:08 |
Same. |
| 00:07:09 |
Thank you very much. |
| 00:07:13 |
So..., I have to go. |
| 00:07:15 |
I hope we will meet again. |
| 00:07:17 |
Yes... |
| 00:07:26 |
Harry, you can't bring home the first |
| 00:07:31 |
One day something will happen! |
| 00:07:32 |
Everything that has to happen to me has already |
| 00:07:41 |
Diego told me that you and him finished |
| 00:07:45 |
I'd like to add a final epilogue. |
| 00:07:48 |
I had agreed to bring the final version |
| 00:07:52 |
You will have it tomorrow, have no fear |
| 00:07:56 |
Ernesto Martel has died. |
| 00:08:03 |
I think he was very sick... |
| 00:08:05 |
We haven't spoken about him for a long time... |
| 00:08:11 |
Yes, is true. |
| 00:08:13 |
(doorbell and keys) |
| 00:08:17 |
You look terrible! |
| 00:08:19 |
I came running. |
| 00:08:20 |
Today is Monday. Don't run for me, Diego. |
| 00:08:26 |
I am, I had made an arrangement. |
| 00:08:29 |
You will have it tonight, don't worry. |
| 00:08:33 |
Now? |
| 00:08:35 |
Yes. |
| 00:08:37 |
Start thinking on the next script. |
| 00:08:39 |
Something with fantasy or terror for kiddies, |
| 00:08:45 |
I'm not sure if I'll know... |
| 00:08:48 |
I thought of following the story |
| 00:08:54 |
The writer who married Marilyn? |
| 00:08:56 |
Yes. |
| 00:08:57 |
He was in "Vanity Fair", |
| 00:09:01 |
After Marilyn, he married the photojournalist |
| 00:09:06 |
The kid was born with Down Syndrome |
| 00:09:11 |
He doesn't even mention him in his memories |
| 00:09:16 |
Despite his wife begging, |
| 00:09:21 |
How terrible! |
| 00:09:24 |
But one day they met by chance. |
| 00:09:27 |
Arthur Miller was giving a conference |
| 00:09:31 |
who had been sentenced to death |
| 00:09:35 |
Amidst the public there was his son |
| 00:09:39 |
After the conference, the son went to the |
| 00:09:44 |
Arthur Miller had no idea how to |
| 00:09:48 |
until the unknown man released him |
| 00:09:52 |
"I'm your son Daniel |
| 00:09:59 |
I don't think we can write about Arthur |
| 00:10:05 |
About the guy, the thing is not the meanness, but the strenght |
| 00:10:10 |
that survives without the slight resentment |
| 00:10:14 |
No, no, yes... the topic is really interesting... |
| 00:10:22 |
and I to sell your scripts, you said you wouldn't |
| 00:10:28 |
(Nervous) I remember perfectly, |
| 00:10:31 |
But this wouldn't be a biopic, but a story |
| 00:10:35 |
(Doorbell) |
| 00:10:37 |
Yes, no, of course. I'll go and open. |
| 00:10:41 |
Hey, I've bought yogurts, but you're still |
| 00:10:46 |
And remember, the clothes from the laundry. |
| 00:10:49 |
Hey, guys, I'm off! |
| 00:10:52 |
OK, OK, fine. |
| 00:10:53 |
We'll talk about it, Harry. |
| 00:10:55 |
Ok, Judith, Ok.. |
| 00:10:59 |
(Song: "Vitamin C" By "CAN" |
| 00:11:16 |
Hey! |
| 00:11:18 |
Fine, and you? Fine. |
| 00:11:22 |
Very hot, just brought here by "the donkey" (emule). |
| 00:11:27 |
Hey, do you want a bit of "crystal"? (type of methamphetamine) |
| 00:11:32 |
Nah. I need to sleep from time to time. |
| 00:11:38 |
Be more discreet. |
| 00:11:47 |
Hey, invite me to a drink, no? |
| 00:11:53 |
Do you want anything? |
| 00:11:58 |
Sorry! |
| 00:12:00 |
(Computer Voice) "Applications, |
| 00:12:02 |
up, arrow down, escape, error, |
| 00:12:06 |
configure applications, explore internet, |
| 00:12:14 |
The businessman Ernesto Martel has died. Obituary. |
| 00:12:22 |
died yesterday in his residence |
| 00:12:25 |
Living in Spain since kid, Martel was one |
| 00:12:29 |
"Ermar Capital", empire created at the end |
| 00:12:34 |
of important public infrastructures |
| 00:12:37 |
Married twice and father of two, his |
| 00:12:41 |
when he was involved in the financial scandal |
| 00:12:44 |
Accused of fraud and tax evasion, |
| 00:12:49 |
of which he only served four months |
| 00:12:51 |
Yes... I've just spoken with the Ministry of |
| 00:12:57 |
Yes, we're going to do the metro of Caracas... |
| 00:13:03 |
Well, at least five years. |
| 00:13:08 |
Listen, I'm looking for a qualified company |
| 00:13:14 |
Sure. Everything will go through me, |
| 00:13:22 |
(Hears his mother calling) |
| 00:13:32 |
I'll call you later, ok? |
| 00:13:35 |
(internal line) |
| 00:13:36 |
Yes, mister Martel. |
| 00:13:38 |
Lena, would you mind coming to my office? |
| 00:13:44 |
Yes, I'm on my way. |
| 00:14:01 |
Hi, Lena. |
| 00:14:02 |
Good morning. |
| 00:14:04 |
The letter is for the Ministrer of Industry. |
| 00:14:06 |
Right... |
| 00:14:07 |
Dear Antonio: I have the pleasure... |
| 00:14:10 |
Excuse me, sorry... |
| 00:14:12 |
Are you feeling all right? |
| 00:14:13 |
Yes, yes. |
| 00:14:15 |
I have the pleasure of telling you that shortly |
| 00:14:22 |
Sorry. |
| 00:14:24 |
Why don't you tell me what's happening? |
| 00:14:29 |
My father is very sick. He's being discharged |
| 00:14:34 |
Of course. |
| 00:14:38 |
He has a cancer in the stomach, |
| 00:14:42 |
Oh, I'm sorry. |
| 00:14:46 |
Thank you. |
| 00:15:00 |
Where's dad? |
| 00:15:03 |
He's inside, waiting. |
| 00:15:05 |
I can't believe |
| 00:15:08 |
that they have let you out |
| 00:15:10 |
Wasn't he going to be operated this week |
| 00:15:13 |
Of course, that is what it was supposed to be! |
| 00:15:15 |
He arranged a meeting this morning to |
| 00:15:18 |
I asked him what he meant. |
| 00:15:20 |
He says: "Ah, very easy. |
| 00:15:23 |
What do you mean on holidays? |
| 00:15:25 |
I said: "Are we being kicked out?". |
| 00:15:26 |
And he said: "No, madam, I'm discharging him |
| 00:15:31 |
"But, as he is how, what do I do with him at |
| 00:15:36 |
He added: "I'm off on holidays". |
| 00:15:40 |
"Then let him die relaxedly |
| 00:15:44 |
But you can't have him being tortured for 20 days |
| 00:15:48 |
(Whispers) Girls, have you forgotten about me? |
| 00:15:53 |
Don't say such rot, dad! |
| 00:15:55 |
Nobody could ever forget about you! |
| 00:15:58 |
Let's do it slowly. |
| 00:16:00 |
What a pleasure to go out, isn't it? |
| 00:16:02 |
Let's go home... |
| 00:16:14 |
Come on, I'll put the bags in. |
| 00:16:44 |
(Whispers) You are at home. What a pleasure... |
| 00:16:47 |
I'll bring you the "Sosegón". |
| 00:16:50 |
Rest... |
| 00:16:56 |
Mum, I'm going. I've got to do plenty |
| 00:16:59 |
Ok, darling. |
| 00:17:00 |
If anything happens, you call me, anytime. |
| 00:17:05 |
Thank you. |
| 00:17:07 |
It's ok, mum. |
| 00:17:10 |
Be careful. |
| 00:17:31 |
¿Madame Milene? |
| 00:17:34 |
Severine! How long! |
| 00:17:38 |
I need money. |
| 00:17:39 |
When? |
| 00:17:40 |
Well, now! I've got the weekend off. |
| 00:17:44 |
I'll see what I can do for you, darling. |
| 00:17:48 |
Can I call you tonight if I |
| 00:17:50 |
Yes, yes, of course. |
| 00:17:57 |
(Phone) |
| 00:18:02 |
Yes? |
| 00:18:04 |
Severine? |
| 00:18:06 |
Who is this? |
| 00:18:07 |
I'm phoning on behalf of Madame Milene. |
| 00:18:10 |
(they recognize their voices) You have the wrong number, |
| 00:18:14 |
I must have dialled the wrong number. |
| 00:18:23 |
The slices, madame. |
| 00:18:26 |
(Phone) |
| 00:18:28 |
(off) Who? |
| 00:18:29 |
The customer! Who is it going to be? |
| 00:18:31 |
But... How dare you to give my |
| 00:18:33 |
I couldn't reject. |
| 00:18:35 |
Things can't be done this way! |
| 00:18:38 |
He knows everything about you. And I haven't told him a thing, |
| 00:18:42 |
He knows you did your attempts as actress |
| 00:18:48 |
Months ago he make me promise that, if you were to get |
| 00:18:53 |
I couldn't refuse, he is my best customer. |
| 00:18:55 |
(Hangs) |
| 00:18:58 |
(Phone) |
| 00:19:07 |
Yes? |
| 00:19:09 |
Magdalena, daughter! |
| 00:19:10 |
Mum! How is dad? |
| 00:19:12 |
Very bad. We've had a terrible night |
| 00:19:18 |
He's vomiting blood, and everything... |
| 00:19:24 |
I'm on my way. |
| 00:19:29 |
(Phone) |
| 00:19:39 |
Yes? |
| 00:19:41 |
Mister Martel? |
| 00:19:43 |
Good day... Lena. |
| 00:19:45 |
Good day. |
| 00:19:47 |
You never bother me. |
| 00:19:48 |
Look, I'm calling you because my |
| 00:19:52 |
We must take him somewhere, |
| 00:19:56 |
He was discharged yesterday from the Manzanares Hospital |
| 00:20:01 |
Don't worry. We will take him into Emergency |
| 00:20:08 |
Relax, madam. Doctor Blasco is the best |
| 00:20:12 |
Here he is... |
| 00:20:17 |
How's the patient? |
| 00:20:18 |
You brought him in the worst conditions... |
| 00:20:22 |
Will you be able to save him? |
| 00:20:25 |
We will try our best, mister Martel, |
| 00:20:28 |
And tomorrow? |
| 00:20:30 |
Tomorrow, maybe. |
| 00:20:32 |
We are feeding him via parenteral, |
| 00:20:36 |
Do all you can to save him, doctor. |
| 00:20:38 |
Don't doubt it. It's my obligation. I will inform you |
| 00:20:44 |
Can I stay, doctor? |
| 00:20:46 |
(Surprised) Yes, of course... You can stay with |
| 00:20:49 |
Thank you very much. |
| 00:20:51 |
I'll see you later. |
| 00:20:53 |
I don't know how to thank you for |
| 00:20:56 |
I'm here for whatever you need, madame. |
| 00:20:59 |
Mum, Do you want me to stay with you? |
| 00:21:01 |
No, go, darling. |
| 00:21:05 |
Shall I bring you something to eat? |
| 00:21:07 |
Yes... no, leave it, |
| 00:21:11 |
I'll call you later. |
| 00:21:16 |
(Whispers) Thanks... |
| 00:21:31 |
(doorbell) |
| 00:21:54 |
Who is it? |
| 00:21:56 |
It's Ray X. |
| 00:21:57 |
Ray X? |
| 00:22:00 |
It's a nickname. |
| 00:22:04 |
What do you want? |
| 00:22:05 |
I'd like to write a script with you, |
| 00:22:09 |
Are you a director? |
| 00:22:10 |
I did a very good documentary 14 years ago. |
| 00:22:16 |
Call Judith Garcia, my agent, |
| 00:22:19 |
If she finds it convenient, |
| 00:22:22 |
And now I'd like to have a shower, |
| 00:22:31 |
Hey, are you going to stay there all day long? |
| 00:22:34 |
Well, you haven't given me Judith García's |
| 00:22:36 |
You figure it out. She's a well known |
| 00:22:40 |
Am I going? |
| 00:22:41 |
(Off) Yes, go, go. |
| 00:22:54 |
(mobile phone) |
| 00:23:00 |
Yes? |
| 00:23:01 |
Hi, Harry. It is I. |
| 00:23:03 |
Hi, Judit. |
| 00:23:04 |
I've received a phone call from a young director. His |
| 00:23:09 |
Does it ring any bells? |
| 00:23:11 |
Yes. |
| 00:23:12 |
He wants to see you this afternon, |
| 00:23:15 |
I've asked him an advancement, and he has agreed, |
| 00:23:18 |
but I won't be able to come because |
| 00:23:21 |
Well, I'll speak with him |
| 00:23:25 |
I hope you like him, he looks |
| 00:23:27 |
Have you seen him? |
| 00:23:29 |
No, because of his voice. And because of the cheque |
| 00:23:33 |
I'll send Diego so you are not alone. |
| 00:23:41 |
Well, ¿Alicante or Barcelona? |
| 00:23:44 |
Barcelona. |
| 00:23:45 |
The director really wants Barcelona. |
| 00:23:57 |
(Doorbell) |
| 00:24:03 |
Hello. |
| 00:24:04 |
I've got a meeting with Mr. Harry. |
| 00:24:22 |
Hello, it's Ray X. |
| 00:24:25 |
How are you? |
| 00:24:42 |
Well, you tell me. |
| 00:24:44 |
I like your work a lot, |
| 00:24:48 |
Thank you. If you don't mind, let's get to the point. |
| 00:24:55 |
(doorbell) |
| 00:24:58 |
Well... |
| 00:24:59 |
Yes? |
| 00:25:00 |
I'd like to write a story about the vengeance |
| 00:25:07 |
Why does the son want vengeance? |
| 00:25:12 |
Because the father nullified and |
| 00:25:15 |
How? |
| 00:25:17 |
The father is a violent man, homophobic, |
| 00:25:23 |
The son, is a sensitive boy, with artistic |
| 00:25:29 |
He tries to please his father in everything. |
| 00:25:32 |
Despite being homosexual, he marries twice, |
| 00:25:38 |
He has a son that hates him as much |
| 00:25:42 |
When the father dies, |
| 00:25:47 |
This is his salvation, his revenge, |
| 00:25:53 |
Yeah... I'm afraid I'm not the |
| 00:25:56 |
You are... You don't know to what extent. |
| 00:26:02 |
It's too personal. |
| 00:26:04 |
Bring it to your ground. |
| 00:26:06 |
Thanks, but no. And now, if you don't mind... |
| 00:26:14 |
I will leave my phone number. |
| 00:26:17 |
Please... |
| 00:26:21 |
If you change your mind... |
| 00:26:23 |
Please. |
| 00:26:28 |
I'm sure we will see each other again. |
| 00:26:30 |
In my case, that would be a miracle. |
| 00:26:32 |
Please, would you come with me... |
| 00:26:33 |
I'm on my way! |
| 00:26:35 |
Good bye. |
| 00:26:40 |
(leaves and closes the door) |
| 00:26:46 |
Son of a bitch! |
| 00:26:51 |
Don't you think he was talking about himself? |
| 00:26:53 |
I guess so... |
| 00:26:55 |
Look in the first drawer, |
| 00:27:00 |
Maybe he's in any... |
| 00:27:24 |
Keep looking. |
| 00:27:43 |
There he is! |
| 00:27:45 |
Describe me the picture. |
| 00:27:47 |
He's with you in the filming. He has long hair |
| 00:27:53 |
I was almost sure. |
| 00:27:55 |
Who is he? |
| 00:27:56 |
Ernesto Martel's son. |
| 00:28:03 |
You can put the pictures back |
| 00:28:29 |
(phone) |
| 00:28:35 |
(Off Ex wife) "Hi Ernesto, it is I. I'm phoning you |
| 00:28:39 |
I can't talk now, Rosana. |
| 00:28:41 |
(Off) "I've caught him |
| 00:28:43 |
It's your fault, |
| 00:28:46 |
(Off) "I'm going to send him to you. |
| 00:28:49 |
If I haven't been a good father in 19 years, I |
| 00:28:54 |
I need to go. And tell Ernesto that if |
| 00:29:01 |
Don't be so hard with them, Ernesto. |
| 00:29:03 |
Blackmailers! |
| 00:29:05 |
Come on, help me with the necklace. |
| 00:29:06 |
Yes, of course. |
| 00:29:08 |
Why don't you invite your son |
| 00:29:10 |
That's what his mother has just said. |
| 00:29:13 |
(whispers) But it would be better if |
| 00:29:17 |
He will do me company. |
| 00:29:21 |
A lot, I think... |
| 00:29:24 |
The mother has told me that he's a bit gay. |
| 00:29:27 |
If I invite him over I'd like you to tell me |
| 00:29:33 |
And how am I going to know? |
| 00:29:35 |
I'm not asking you to fuck him... |
| 00:29:36 |
Well, thank you. |
| 00:29:37 |
But you notice about that sort of |
| 00:29:39 |
Look, call him, but don't |
| 00:29:44 |
(Off) |
| 00:29:46 |
"I'm not recriminating that we've divorced, |
| 00:29:49 |
"What are your sons going to think!" |
| 00:29:50 |
That his dad is gay and that he has |
| 00:29:55 |
If they love me and you don't put them against me, |
| 00:29:58 |
(Off) "You should have told me that |
| 00:30:01 |
If only you hadn't been so obsessed |
| 00:30:03 |
you would have noticed on your own |
| 00:30:05 |
(Off) "What do you mean?" |
| 00:30:12 |
I hope is not your other ex-wife. |
| 00:30:16 |
Don't ever marry, Mario. |
| 00:30:20 |
(Off) Hello? |
| 00:30:22 |
It's Judit García. |
| 00:30:23 |
Ah, hi, Judit. |
| 00:30:26 |
I don't want it! I've just resent it to you. |
| 00:30:31 |
Wasn't your name Ray? |
| 00:30:34 |
Artistic? |
| 00:30:38 |
Erase my father's name. |
| 00:30:40 |
What's that got to do with Harry? |
| 00:30:42 |
I wanted to see him for a long time. |
| 00:30:44 |
And it's true that I want to film a movie |
| 00:30:48 |
I've got the lead actor... |
| 00:30:52 |
You are not a director! |
| 00:30:54 |
You should watch my documentary, |
| 00:30:57 |
Ernesto, forget about us! |
| 00:31:01 |
Don't be afraid of me. |
| 00:31:04 |
Don't get close to Harry. If you appear 'round |
| 00:31:12 |
I don't fancy at all having to go searching for |
| 00:31:15 |
but the Americans are paying us a lot |
| 00:31:19 |
Go relaxed. |
| 00:31:22 |
Give me Tonino Guerra's book. I worry about |
| 00:31:29 |
I've got other things to do, mum. |
| 00:31:33 |
It's only two weeks! |
| 00:31:34 |
Harry can manage perfectly on his own. |
| 00:31:37 |
I'm worried about Ernesto JR. |
| 00:31:40 |
I'd like you to be around, to see if he comes |
| 00:31:44 |
Why are you so worried? |
| 00:31:46 |
He's crazy. |
| 00:31:48 |
Why? |
| 00:31:50 |
It's a long story. |
| 00:31:51 |
Do a resume! |
| 00:31:53 |
Diego, please, it's not the time. |
| 00:31:57 |
It's never the time with you! |
| 00:31:59 |
If you are so concerned about taking care of Harry, |
| 00:32:03 |
Or I could hire someone. |
| 00:32:05 |
No, mum, I'm not annoyed about going with Harry |
| 00:32:13 |
When's your mother coming back? |
| 00:32:15 |
I didn't get it quite clear, |
| 00:32:23 |
What are you looking at? |
| 00:32:25 |
A billboard that says "Give blood". |
| 00:32:27 |
Do you want to give blood? |
| 00:32:28 |
No, no... I just thought that "Dona" (give, in spanish) |
| 00:32:32 |
And "Dona Sangre" (give blood) is a good name for a movie. |
| 00:32:34 |
Yeah, it sounds allright. |
| 00:32:36 |
Sounds like a vampire movie. |
| 00:32:39 |
It's true. |
| 00:32:40 |
Imagine that after that ad |
| 00:32:43 |
working in hospitals and clinics |
| 00:32:46 |
they receive from the donors, |
| 00:32:49 |
Your mother would like that story. |
| 00:32:53 |
"Dona Sangre"("Give Blood") |
| 00:32:56 |
Vampires live like chinese people, |
| 00:32:59 |
but without being noticed and, like the chinese, |
| 00:33:04 |
Back sunglasses, for example. |
| 00:33:06 |
And night businesses: |
| 00:33:10 |
As they don't need to be high to stay awake |
| 00:33:14 |
And the industry of sun lotions! |
| 00:33:16 |
The vampires are worried about |
| 00:33:20 |
Their solar blocking creams are.. |
| 00:33:23 |
That is really good... |
| 00:33:25 |
It must be a very dense cream, like an armor, |
| 00:33:29 |
The story would go like that... |
| 00:33:34 |
applying her superdense cream |
| 00:33:37 |
before going to work to the clinic. |
| 00:33:40 |
Her body ressembles white velved, |
| 00:33:44 |
What a good start! |
| 00:33:48 |
A mixed love story, |
| 00:33:53 |
She works in one of those clinics in which blood |
| 00:33:57 |
And the guy goes to donate blood to that clinic. |
| 00:34:01 |
After the first needle goes in his vein, |
| 00:34:06 |
So, they start dating. |
| 00:34:09 |
these vampires don't go against people |
| 00:34:13 |
Unless it's absolutely necessary... |
| 00:34:15 |
But they like sex, don't they? |
| 00:34:17 |
Of course. That is going to be one of their problems, |
| 00:34:24 |
The couple loves each other a lot, but when it's time |
| 00:34:29 |
But why? |
| 00:34:30 |
Because she's afraid of not being able to control herself |
| 00:34:34 |
When they're randy, |
| 00:34:36 |
From the front, from behind... |
| 00:34:39 |
And their breasts? |
| 00:34:41 |
Those are high risk practices. |
| 00:34:44 |
When he's with her breasts, |
| 00:34:47 |
and end up ripping it appart with her teeth |
| 00:34:50 |
And when she's sucking his cock? |
| 00:34:52 |
No, Harry, nothing of sucking cocks. |
| 00:34:55 |
So how does he react? |
| 00:34:56 |
A man can skip the kissing, |
| 00:35:00 |
Since he's very much in love |
| 00:35:03 |
When they get confident, she wears a |
| 00:35:08 |
Because when she gets excited, she has |
| 00:35:11 |
and it grows, like if she |
| 00:35:14 |
Ha ha! |
| 00:35:19 |
You will sign this one. I will do as sparring, for |
| 00:35:31 |
¡Dude, the music you play is really good! |
| 00:35:37 |
Hey, I want us to be great friends. |
| 00:35:42 |
Let me work. |
| 00:35:44 |
Hey, you need to tell me everything. |
| 00:35:48 |
I need liquid. |
| 00:35:54 |
Forgive him, dud, he's got "GHB" up to his eyeballs. |
| 00:36:00 |
Hey, do you want a bit of "MDMA"? |
| 00:36:04 |
Only a bit. |
| 00:36:11 |
We're writing a script about vampires that |
| 00:36:14 |
Are you? |
| 00:36:15 |
(Plays "Robot Ouef" By "Uffíe") |
| 00:36:33 |
Do you want some "GHB"? |
| 00:36:35 |
I've taken a bit of "MDMA". |
| 00:36:49 |
Alex, I think your best friend likes me. |
| 00:36:51 |
What happens? Diego! What is happening? |
| 00:36:57 |
Is that yours? |
| 00:36:59 |
You are an asshole! |
| 00:37:04 |
What the fuck has happened? What the fuck happened? |
| 00:37:08 |
Bring some ice! |
| 00:37:13 |
(ambulance) |
| 00:37:29 |
(Diego's mobile rings) |
| 00:37:34 |
Hello? |
| 00:37:35 |
(Off Harry) Diego? |
| 00:37:37 |
Yes... no. No, it's a friend. |
| 00:37:40 |
We're taking him to the hospital. |
| 00:37:42 |
(Off Harry) To hospital? What has happened? |
| 00:37:45 |
No... no... is that... |
| 00:37:47 |
(Off Harry) Where are you taking him? |
| 00:37:49 |
Where are you taking him? |
| 00:37:50 |
To Hospital Quirón. |
| 00:37:54 |
Come on, get in. |
| 00:37:58 |
Listen, that is his jacket. |
| 00:38:25 |
I'll leave you. There's a man that needs |
| 00:38:31 |
Yes, yes, please... |
| 00:38:32 |
Well, I'll leave you. Are you coming to the hospital? |
| 00:38:34 |
Yes, yes. |
| 00:38:35 |
I'll come with you. |
| 00:38:36 |
I'll take him. |
| 00:38:40 |
Are you going to the front desk? |
| 00:38:42 |
Yes, yes, to reception. |
| 00:38:45 |
I'm here to see Diego García. |
| 00:38:49 |
I'll leave you, ok? |
| 00:38:51 |
Thank you. |
| 00:38:53 |
Has he been admitted in emergencies? |
| 00:38:54 |
Yes... |
| 00:39:10 |
How are you? |
| 00:39:13 |
I don't know... dizzy |
| 00:39:18 |
Yes. |
| 00:39:20 |
Did you tell her about the coma? |
| 00:39:22 |
No, are you crazy! |
| 00:39:27 |
If you ever tell her, tell her that |
| 00:39:33 |
I told her that you had food |
| 00:39:38 |
Did she believe it? |
| 00:39:41 |
I don't know. She wanted to come here immediately, |
| 00:39:51 |
Are you sleepy? |
| 00:39:53 |
No, I'm not. |
| 00:39:56 |
Do you want to talk? |
| 00:39:58 |
No... |
| 00:40:01 |
Do you want me to talk? |
| 00:40:03 |
I don't know, if you want... |
| 00:40:06 |
I'm just saying to distract you. |
| 00:40:09 |
When I was young, before making movies, |
| 00:40:15 |
So, would you mind telling me why my |
| 00:40:21 |
Is she afraid of him? |
| 00:40:23 |
Before she went, she made me promise to keep an eye |
| 00:40:29 |
Didn't she tell you why? |
| 00:40:32 |
She never explains anything. |
| 00:40:36 |
It's a long story... |
| 00:40:39 |
Judit says the same. |
| 00:40:45 |
We met her 14 years ago... |
| 00:40:49 |
in an office we were renting |
| 00:40:55 |
After having written and directed |
| 00:40:59 |
I finally had the script of |
| 00:41:03 |
I wanted to change genre... |
| 00:41:07 |
And I promise you I managed it, |
| 00:41:16 |
Mateo... there's a young girl here. |
| 00:41:21 |
How is she? |
| 00:41:24 |
Too beautiful to be funny |
| 00:41:27 |
Is she? |
| 00:41:28 |
She's Ernesto Martel's lover, the businessman. |
| 00:41:32 |
And she's an actress? |
| 00:41:34 |
If she's been two years with that man, |
| 00:41:37 |
Anyway, come out and say hi, |
| 00:41:41 |
One must behave with important men, |
| 00:41:43 |
I'm on my way. |
| 00:42:06 |
Hi... Lena. |
| 00:42:09 |
I'm Mateo. |
| 00:42:11 |
I'm Ernesto Martel, son. |
| 00:42:13 |
How are you? |
| 00:42:15 |
I'm sorry we're being presented like this. |
| 00:42:16 |
I've heard that you're testing for |
| 00:42:19 |
Yes. |
| 00:42:20 |
And I'd like to be tested |
| 00:42:25 |
No, no, no. |
| 00:42:28 |
Ok... |
| 00:42:32 |
(Whispers) Where are you going? |
| 00:42:42 |
(Off Harry)" The reading didn't work. |
| 00:42:48 |
The first encounter |
| 00:42:52 |
that the mere presence of that women, |
| 00:43:03 |
Sir. |
| 00:43:05 |
Thank you. |
| 00:43:07 |
Where have you been this morning? |
| 00:43:09 |
Hasn't Ernesto told you? |
| 00:43:11 |
I haven't asked him. |
| 00:43:14 |
We've been to see a film director, |
| 00:43:18 |
A test? What for? |
| 00:43:21 |
Ernesto... I want to work! |
| 00:43:23 |
Weren't you going to redecorate the house? We have to change |
| 00:43:28 |
I've no idea about that, I've never lived |
| 00:43:31 |
Even if I call a decorator, you'll have |
| 00:43:35 |
Ernesto, what I want to be is an actress. |
| 00:43:41 |
You already tried it... |
| 00:43:46 |
That was a cheap shot. |
| 00:43:50 |
I'm sorry, darling. |
| 00:43:54 |
Well, I'm going to the bedroom. |
| 00:43:58 |
Lena, please... Lena, don't be angry, treasure. |
| 00:44:03 |
Anyway, don't worry |
| 00:44:08 |
(Knocks on the door) |
| 00:44:12 |
Come in!, come in! |
| 00:44:15 |
He insists that it's very important. |
| 00:44:17 |
(listens) Yes? Yes, yes, of course... |
| 00:44:33 |
He was the film director. He said that the |
| 00:44:39 |
What are you going to do? |
| 00:44:41 |
I'm going to see him. I need to do something, |
| 00:44:48 |
And what will happen to me? |
| 00:44:51 |
Hi, I'm Magdalena Rivero. I was calling to |
| 00:44:55 |
I'll call you some other time. |
| 00:44:59 |
I haven't been given the role yet. |
| 00:45:01 |
They'll give it to you... |
| 00:45:03 |
If they gave it to me, nothing would change, |
| 00:45:07 |
And at night we'd tell each other |
| 00:45:12 |
Why don't we marry? |
| 00:45:14 |
What? |
| 00:45:15 |
I'm asking you to marry me... |
| 00:45:18 |
Don't you think you've married |
| 00:45:21 |
It would be the first time with you. |
| 00:45:24 |
Ernesto, we've been two years living together. |
| 00:45:33 |
It doesn't seem that you are.. |
| 00:45:36 |
(Off Harry) "Ernesto Martel offered to produce |
| 00:45:40 |
We were waiting a subvention |
| 00:45:43 |
Are you sure you don't want me to help you? |
| 00:45:44 |
No, no. |
| 00:45:46 |
And a pre-sale to the TV, |
| 00:45:51 |
and I was suffering with |
| 00:45:54 |
Like "Audrey". |
| 00:45:56 |
(Portuguese accent) Is totally "Audrey"! |
| 00:45:58 |
Yes, yes, it's true. |
| 00:45:59 |
Huh! So picky! Please... |
| 00:46:01 |
Stand up and come closer to the mirror. |
| 00:46:07 |
Get some light in your face. Look at me. Put |
| 00:46:15 |
Ok. Like that? |
| 00:46:17 |
Yes. Come on... |
| 00:46:21 |
More smile in the eyes, |
| 00:46:29 |
Very good... another... Let's go. Mouth a bit |
| 00:46:39 |
Art! |
| 00:46:41 |
Very good. I'd like to try something more |
| 00:46:48 |
I have! I have! I've got one like |
| 00:46:53 |
Which looks gorgeous... |
| 00:46:55 |
Yes, but that doesn't look like a poodle |
| 00:46:57 |
Poodle, no? If it's not poodle, it's not "Goldie". |
| 00:47:00 |
Then we'd rather not... |
| 00:47:01 |
I told you "Goldie" wouldn't like, |
| 00:47:04 |
He wears it, when he's getting dressed... |
| 00:47:06 |
So, gold blonde? |
| 00:47:08 |
Yes, yes, yes... |
| 00:47:09 |
I'll change your make up |
| 00:47:11 |
Ouch, go away! |
| 00:47:13 |
Look at the wig. Is fake, very crap, |
| 00:47:19 |
Very good, very good, let's see. |
| 00:47:21 |
It's ok... You'll be amazed. |
| 00:47:27 |
Put those earrings. |
| 00:47:42 |
Judit, do you mind moving a bit |
| 00:47:56 |
Are you tired? |
| 00:47:58 |
No. |
| 00:48:01 |
Don't smile, the wig is fake enough... |
| 00:48:06 |
There... Wonderful! |
| 00:48:10 |
(Off Mateo) "From the beggining Judit |
| 00:48:13 |
However, |
| 00:48:17 |
Ernesto Junior liked me, too |
| 00:48:22 |
His father had asked him to film |
| 00:48:28 |
Regarding Ernesto father, I haven't met |
| 00:48:34 |
He produced the movie in a desperate act |
| 00:48:40 |
(far away voices, cutting off) |
| 00:48:41 |
Bollocks! |
| 00:48:44 |
(shouting) Action! |
| 00:48:46 |
(Off Mateo) "Amidst that emotional |
| 00:48:55 |
Now I think in all the times I've done |
| 00:49:01 |
And that hurts you a lot... |
| 00:49:27 |
Now we will do the first time you come back home |
| 00:49:31 |
As you open the door, |
| 00:49:35 |
If blinks, there might be a message from Ivan. |
| 00:49:38 |
(reading lips) If it doesn't, |
| 00:49:41 |
because you've been searching for him two days. |
| 00:49:44 |
Of course, Ok, Ok. |
| 00:49:49 |
Yes, a lot. It has moved me. |
| 00:49:52 |
It has moved me really. It's incredible that |
| 00:49:57 |
It wasn't the tomatoes, but the nice things you |
| 00:50:04 |
Do you think they like each other? |
| 00:50:08 |
If you think they like each other? |
| 00:50:10 |
Me? I know nothing, |
| 00:50:17 |
Shows... what do you think? |
| 00:50:27 |
Cut! |
| 00:50:28 |
Very good. Check. |
| 00:50:33 |
Are you going to do anything? |
| 00:50:35 |
No, no. You may go. |
| 00:50:36 |
I don't mind staying. |
| 00:50:38 |
It would be better if you go. |
| 00:50:41 |
Wigs? I love wigs! |
| 00:50:42 |
No! You don't love it! You have hours |
| 00:50:47 |
And Lena? |
| 00:50:51 |
After trying the new wigs she's |
| 00:50:56 |
Contractures? I don't have contractures! |
| 00:51:00 |
Ernesto, please, don't be annoying and go already! |
| 00:51:04 |
See you tomorrow... |
| 00:51:10 |
Edurne... |
| 00:51:11 |
Tell me. |
| 00:51:12 |
I'm going to talk to Lena for a second. |
| 00:51:15 |
Don't worry, I'll be alert. |
| 00:51:39 |
Hold on, is the son around? |
| 00:51:42 |
No, I've sent him home. |
| 00:51:51 |
Mateo, this is madness! |
| 00:51:54 |
(pleasure grunts) |
| 00:52:49 |
Hello. |
| 00:52:50 |
Hello. |
| 00:52:52 |
What are you doing? |
| 00:52:54 |
Nothing, waiting for you... |
| 00:52:57 |
I didn't know that in film people worked so much. |
| 00:53:00 |
Yes, it's a non-stop. |
| 00:53:05 |
Aren't you tired? |
| 00:53:07 |
Chocolate gives me energy. I love |
| 00:53:13 |
I meant the filming, not the chocolate... |
| 00:53:16 |
A lot. At the end of th week I'm very tired, |
| 00:53:22 |
I was thinking that we should |
| 00:53:24 |
A weekend off, you and I, in |
| 00:53:29 |
We have rehearsals on the weekends. |
| 00:53:32 |
Don't you rehearse as well during the filming? |
| 00:53:34 |
Yes. |
| 00:53:36 |
What happens? |
| 00:53:39 |
Well, it's the way movies are made! |
| 00:53:41 |
How about the life of the rest? You |
| 00:53:44 |
Ernesto, the movie dictates. |
| 00:53:48 |
I'm sorry, I dictate... |
| 00:53:53 |
Any problems? |
| 00:53:54 |
Yes, we need some small atrezzo. |
| 00:53:57 |
One thing is that I'm asking for a graphic decorator, |
| 00:54:01 |
Should I speak to Antxon? |
| 00:54:03 |
No, no. I'll speak with him myself. |
| 00:54:05 |
What's wrong with you? |
| 00:54:08 |
Dieguito... I couldn't breathe for the whole night. |
| 00:54:15 |
Don't you know yet what is it? |
| 00:54:17 |
Some doctors say it's Asthma, others |
| 00:54:22 |
They keep investigationg, |
| 00:54:26 |
Well, take as as long as you need. Even if |
| 00:54:31 |
Thanks. |
| 00:54:35 |
One thing, I've been speaking to |
| 00:54:38 |
And? |
| 00:54:39 |
He's complaining that the filming is |
| 00:54:44 |
So how does he think movies are made? |
| 00:54:47 |
Ernesto is a businessman, |
| 00:54:50 |
Well, maybe he shouldn't have gotten |
| 00:54:54 |
It's too late to discuss this now. |
| 00:54:59 |
This weekend he's off with her to Ibiza, |
| 00:55:05 |
Son of a bitch! |
| 00:55:08 |
(Off Harry) "Well, let's see... |
| 00:55:12 |
The chairs out! I've asked for |
| 00:55:21 |
(grunts and groans) |
| 00:55:41 |
(Deep breathe) |
| 00:56:22 |
(Deep breathe) |
| 00:56:45 |
(Groan) |
| 00:56:58 |
( ) |
| 00:57:09 |
Oh dear! What a face, |
| 00:57:57 |
(SCREAM) |
| 00:58:00 |
Are you scared because I touch you... |
| 00:58:06 |
I didn't think you were dead. |
| 00:58:12 |
I usually snore... |
| 00:58:15 |
If I thought you were dead, I wouldn't |
| 00:58:19 |
Any man of my age could have a heart attack |
| 00:58:25 |
You are not a man of your age... |
| 00:58:33 |
I wouldn't mind dying after fucking |
| 00:58:42 |
I'm crazy for you, Lena. |
| 00:58:49 |
Yes, I think I know... |
| 00:58:53 |
(Shouting) Action! |
| 00:58:56 |
Look what I found in the kerb, |
| 00:59:00 |
(Serious, not acting) |
| 00:59:02 |
But you can't do this, Miss Pina. |
| 00:59:07 |
In Naples, on New Year's eve, |
| 00:59:11 |
My granny was napolitan |
| 00:59:14 |
But this is not Naples, and |
| 00:59:18 |
I was nervous, and it relaxes me to throw things... |
| 00:59:23 |
Ah, it's quite convenient... |
| 00:59:31 |
Cut! |
| 00:59:32 |
Should we check? |
| 00:59:34 |
What the fuck are we going to check! |
| 00:59:35 |
Come on, and I'll give you some touches afterwards, eh? |
| 00:59:44 |
You're in a very low tone, Magdalena. |
| 00:59:47 |
Yes, I know... |
| 00:59:48 |
What's wrong? |
| 00:59:50 |
(Crying) I'll tell you later |
| 00:59:53 |
Let's have a lunch break. |
| 00:59:54 |
30 minutes? |
| 00:59:56 |
Yes, yes, yes... |
| 00:59:56 |
Guys, 30 minute break for a |
| 00:59:58 |
Let's clear this a bit, and let's |
| 01:00:16 |
(Off lip reader) |
| 01:00:20 |
"I've had a dreadful weekend". |
| 01:00:23 |
"We haven't rehearsed so |
| 01:00:27 |
"Rest? I've had that son of a bitch |
| 01:00:32 |
"He hasn't given me a second for a break, |
| 01:00:39 |
"No lips" |
| 01:00:43 |
"No, no. I'll recover and do it." |
| 01:00:47 |
"Are you sure?" |
| 01:00:49 |
"You have to be sparking..., and light" |
| 01:00:54 |
"Of course... Light... Light!" |
| 01:01:01 |
You don't know what it is to have that |
| 01:01:09 |
"Better not to imagine it. |
| 01:01:14 |
"That melon, better not to open it" |
| 01:01:21 |
What is he doing with his notebooks? |
| 01:01:24 |
I write on them until the end. |
| 01:01:26 |
And afterwards? |
| 01:01:27 |
I burn them. |
| 01:01:28 |
If you don't mind, I |
| 01:01:32 |
Notebooks sleep? |
| 01:01:33 |
Leave them here. You'll recover them tomorrow |
| 01:01:37 |
And when you've finished |
| 01:01:40 |
Very good. Whatever you say. |
| 01:01:45 |
At what time should I come tomorrow? |
| 01:01:46 |
They will call you once the material is ready. |
| 01:01:49 |
I assume that you are conscious |
| 01:01:53 |
Of course. |
| 01:02:13 |
Hi, Lena! |
| 01:02:15 |
Hello... |
| 01:02:17 |
My father asks me why I don't go to yoga |
| 01:02:21 |
Well, you tell him that I'm grown up and free |
| 01:02:26 |
You know I can't tell him that. |
| 01:02:27 |
Try it. It wouldn't hurt you. |
| 01:02:30 |
I can't. |
| 01:02:31 |
Look, do what you want, but you |
| 01:03:32 |
Ernesto? What are you doing there! |
| 01:03:35 |
Working! |
| 01:03:37 |
Switch that off! Hasn't Mateo told you |
| 01:03:41 |
My father has told me to ignore it. |
| 01:03:45 |
You have no morals, none of you two! |
| 01:03:49 |
I'm reminding you that I'm filming this. |
| 01:03:52 |
Stop, I'm telling you! |
| 01:03:57 |
I'm telling you to stop! |
| 01:03:59 |
You are crazy! Let go! |
| 01:04:03 |
Let it go for fuck's sake! |
| 01:04:09 |
( ) |
| 01:04:24 |
(Door slamming) |
| 01:04:26 |
Focus on me. |
| 01:04:36 |
Ernesto, listen up. |
| 01:04:42 |
I've just been with the man I love, and |
| 01:04:49 |
because that man also loves me.... |
| 01:04:53 |
Don't worry, because I'm going to leave you |
| 01:04:57 |
There is no need for you to spy on us. |
| 01:05:01 |
There's nothing to hide... |
| 01:05:11 |
(door slam) |
| 01:05:30 |
(steps getting closer) |
| 01:05:42 |
(steps walking away) |
| 01:05:59 |
(wood cracks) |
| 01:06:13 |
(ice clings) |
| 01:06:28 |
I don't know if today you arrived a bit |
| 01:06:32 |
It started to rain and we were unable to film. |
| 01:06:34 |
Where are you going? |
| 01:06:37 |
I'm leaving you, Ernesto. |
| 01:06:39 |
Shouldn't we talk about this before? |
| 01:06:41 |
I've already told you everything |
| 01:06:43 |
Lena, please! |
| 01:06:46 |
Good bye... |
| 01:06:47 |
Lena, listen to me, Lena! |
| 01:06:50 |
Let me go! |
| 01:07:16 |
(grunts) |
| 01:07:30 |
Turn around, my love. I'll help you. |
| 01:07:36 |
Don't worry, relax, I'll help you. |
| 01:07:40 |
You could have broken something. |
| 01:07:48 |
You'll be more comfortable that way. |
| 01:07:52 |
I'll take care of everything. Cheer up. |
| 01:08:20 |
My love, careful... |
| 01:08:26 |
Sit down, carefully... treasure. |
| 01:08:32 |
Like that... good... |
| 01:09:11 |
My wife fell down the stairs! |
| 01:09:16 |
Let's see... |
| 01:09:17 |
Careful. |
| 01:09:19 |
The head... |
| 01:09:22 |
Relax, relax. |
| 01:09:26 |
Careful... Careful with the legs. |
| 01:09:31 |
We'll take her to trauma. |
| 01:10:15 |
May I use the phone? |
| 01:10:17 |
Not here, in the doctor's office. |
| 01:10:19 |
It's rather urgent. |
| 01:10:20 |
Don't worry. |
| 01:10:25 |
Mateo? |
| 01:10:26 |
Yes. What's the matter? Are you not coming? |
| 01:10:30 |
No, not tonight no. |
| 01:10:32 |
Is everything OK? |
| 01:10:34 |
There has been an accident. |
| 01:10:39 |
We've got afternoon filming tomorrow. |
| 01:10:42 |
No, I won't be able to. I've got plenty of stuff |
| 01:10:48 |
You sound weird, Magdalena. |
| 01:10:52 |
Yes. I'll see you tomorrow. |
| 01:11:00 |
(Off) Well, they're here. |
| 01:11:11 |
Are you OK, madam? |
| 01:11:13 |
I'm fine. |
| 01:11:14 |
Can I help you? |
| 01:11:15 |
It's not necesary, thanks. |
| 01:11:17 |
It hasn't been anything. |
| 01:11:19 |
Martin, please. |
| 01:11:32 |
Thanks for your discretion. |
| 01:11:37 |
Could you please remove your glasses? |
| 01:11:50 |
What do you want me to do? |
| 01:11:55 |
Take me to the studio. |
| 01:11:56 |
You shouldn't move. |
| 01:11:58 |
If you don't take me, I'll go. |
| 01:12:00 |
What are you going to say? How are |
| 01:12:06 |
Depends on you. |
| 01:12:07 |
On me? |
| 01:12:13 |
I'll do whatever you ask me, |
| 01:12:20 |
I will stay with you if you let |
| 01:12:25 |
according to whatever he decides. |
| 01:12:26 |
He will start asking questions, |
| 01:12:30 |
I'll say I tripped. |
| 01:12:33 |
How are you going to film, if you can't walk? |
| 01:12:35 |
He will decide that, but I want to make sure |
| 01:12:40 |
no matter the cost, or |
| 01:13:06 |
I live there. |
| 01:13:17 |
And that's it. Ernesto is ready to |
| 01:13:22 |
Decide, what? |
| 01:13:23 |
I can't go from a shot of you walking normal to |
| 01:13:28 |
How long do you have to wear the plaster? |
| 01:13:31 |
Three weeks. |
| 01:13:33 |
Do you mind if I speak a second with Lena |
| 01:13:53 |
Tell me the truth! |
| 01:13:56 |
People don't fall off the stairs, |
| 01:14:01 |
(whispers) Be quiet, Mateo. |
| 01:14:03 |
We need to finish the filming as soon as |
| 01:14:07 |
Why not? He's a psychopath! |
| 01:14:13 |
My god! |
| 01:14:25 |
I can't go. |
| 01:14:28 |
in exchange that you finish the movie with |
| 01:14:34 |
No. There must be another solution. |
| 01:14:37 |
Which one? The only one is that I keep |
| 01:14:41 |
What have you compromised to, exactly? |
| 01:14:44 |
To live under the same roof, he in his own bedroom, and |
| 01:14:48 |
He has no right to anything else. |
| 01:14:50 |
Do you think he's going to abide only to that? |
| 01:14:53 |
I don't know, but the sooner we finish |
| 01:15:04 |
We only have got one stair scene |
| 01:15:08 |
We would have to repeat the ending... |
| 01:15:11 |
23 retake, one, first. |
| 01:15:17 |
(shouts) Action! |
| 01:15:23 |
So you are Ivan's ex wife? |
| 01:15:26 |
The one that has been in a physichiatric ward |
| 01:15:32 |
Yes, but I'm not in any ward anymore. |
| 01:15:35 |
Now I'm here with you... |
| 01:15:40 |
According to the note, it seems that |
| 01:15:44 |
Yes, but you walk first... |
| 01:15:46 |
No, the one in a hurry is you. |
| 01:15:52 |
Come on... |
| 01:16:04 |
As I was telling you... |
| 01:16:08 |
I went to the street and I found a |
| 01:16:12 |
What an arse, feet... Well, I brought him |
| 01:16:19 |
You know I'm very interested in sex |
| 01:16:22 |
And how was it? |
| 01:16:24 |
In bed, godly, a virtuous. |
| 01:16:28 |
This is the good one. |
| 01:16:29 |
What a big toe! |
| 01:16:33 |
(Off Mateo) "Every morning, |
| 01:16:37 |
Based on repetition, there was always a shot |
| 01:16:43 |
The convivence with Martel |
| 01:16:46 |
Lena didn't tell me anything, |
| 01:16:50 |
When the filming had finished, I asked him to drop it, |
| 01:16:56 |
She didn't want to leave him, not until I had chosen |
| 01:17:01 |
(Phone) |
| 01:17:02 |
(Off) Hello? |
| 01:17:04 |
(Off) It's Magdalena. |
| 01:17:05 |
(Off) Is everything ok, Magdalena? |
| 01:17:07 |
(Off) No. I'm down here, and I've forgotten |
| 01:17:10 |
I'm on my way. |
| 01:17:34 |
She is in the toilet. |
| 01:17:43 |
But..., but what has happened? |
| 01:17:48 |
We've had a big fight. |
| 01:17:51 |
Finally, he ripped my clothes off |
| 01:17:56 |
Give the driver a tip, he has lended me his |
| 01:18:02 |
Son of a bitch! Right now we're |
| 01:18:05 |
No, Mateo! |
| 01:18:11 |
Yes, yes, yes, of course. As you wish. |
| 01:18:25 |
("Werewolf" by Cat Power) |
| 01:18:50 |
Give me the camera. |
| 01:19:35 |
What are you writing? |
| 01:19:39 |
"El secreto de la Playa del Golfo" (The secret of the Gulf Beach). |
| 01:19:46 |
And what is their secret? |
| 01:19:48 |
I don't know, I need to write it to figure out. |
| 01:19:55 |
That couple is us... |
| 01:20:08 |
(Off TV) "What is it? |
| 01:20:15 |
(Off TV) It's an arm! |
| 01:20:53 |
(beeps) |
| 01:21:09 |
(Off Harry) "Without noticing, |
| 01:21:12 |
I knew that, sooner or later, |
| 01:21:17 |
I was only worried about mum and you. I hadn't even |
| 01:21:22 |
and you were with your allergies |
| 01:21:26 |
(In english) Ok. The man with the bleach is |
| 01:21:31 |
Hi, sorry to interrupt... I just wanted to ask if you |
| 01:21:40 |
Well, we could use the help, especially now that |
| 01:21:46 |
Have you got any experience? |
| 01:21:48 |
Yes, I have worked as a secretary in Madrid. |
| 01:21:54 |
She could start working here in the |
| 01:21:58 |
Wonderful! |
| 01:22:00 |
Excuse me, excuse me. We were just saying |
| 01:22:13 |
No. It's not me. |
| 01:22:23 |
I was wondering how long it would take to appear! |
| 01:22:26 |
But they can't do the premiere so soon, can they? |
| 01:22:28 |
No, I did it to annoy us, it's a trap |
| 01:22:32 |
The advertisment only needs a label that |
| 01:22:35 |
So what are we going to do? |
| 01:22:36 |
Nothing. Fuck him. |
| 01:23:27 |
What? |
| 01:23:31 |
The only intelligent thing we've done |
| 01:23:35 |
Bastards! |
| 01:23:50 |
(Off Harry) "Judit, it is I. |
| 01:23:57 |
Call me, please! |
| 01:24:05 |
28... |
| 01:24:06 |
Sorry... 28845132. Ah, and ask for Harry |
| 01:24:15 |
Are you there? |
| 01:24:22 |
And mum didn't answer? |
| 01:24:24 |
No. |
| 01:24:25 |
Why? |
| 01:24:28 |
Because she was upset, I guess. |
| 01:24:32 |
But even if she was really angry, she |
| 01:24:37 |
Yeah, the matter is that she didn't, and |
| 01:24:44 |
And weren't you curious? |
| 01:24:46 |
Me? I was dying f curiosity! |
| 01:24:49 |
For two days I had been calling your mother and |
| 01:24:56 |
So I decided to go back to Madrid and see with |
| 01:25:06 |
It's the first time we split. |
| 01:25:09 |
Anyway, I'll be back on the weekend. |
| 01:25:13 |
But if you are going to stay here |
| 01:25:17 |
No, I'm better off here. |
| 01:25:50 |
(Sinister metallic screeches) |
| 01:26:24 |
( ) |
| 01:26:34 |
(Off Harry) "Magdalena's death didn't |
| 01:26:38 |
as we'd dreamed, |
| 01:26:43 |
I was even surprised, leaving me alive." |
| 01:26:48 |
Mateo... |
| 01:26:54 |
Mateo is dead, Judit. |
| 01:26:58 |
Don't say that... |
| 01:27:01 |
We call him with his name, but he refuses to |
| 01:27:08 |
The pictures are the basis of his work. |
| 01:27:12 |
Living in darkness, I guess was like death for him. |
| 01:27:21 |
None. His is what we call cortical blindness, |
| 01:27:28 |
(Strong wind) |
| 01:27:30 |
That is, very good, very good... |
| 01:27:37 |
There are some stairs on the right side. |
| 01:27:42 |
But it's not here, we have to go a |
| 01:27:48 |
Come on, I'll guide you |
| 01:27:51 |
Come on, that is... very good... |
| 01:28:02 |
Now there are some steps until we get to the car |
| 01:28:05 |
and we're going to walk them slowly |
| 01:28:08 |
They are 25cm , I measured them before. |
| 01:28:15 |
Come on, let's go... |
| 01:28:22 |
The first one is the hardest |
| 01:28:31 |
That is, slide your feet. |
| 01:28:41 |
Very good... |
| 01:28:43 |
Come on, now the second. |
| 01:28:51 |
A bit more. |
| 01:28:57 |
Did you go to see Lena's mother in town? |
| 01:29:00 |
Yes. |
| 01:29:02 |
What did she say? |
| 01:29:07 |
She was very pleased with Ernesto |
| 01:29:15 |
Is he there? |
| 01:29:17 |
Yes. She was buried with his father. |
| 01:29:21 |
Did you see the tomb? |
| 01:29:24 |
Yes. |
| 01:29:28 |
How was it? |
| 01:29:31 |
Simple. |
| 01:29:46 |
Look, mum, the sea! |
| 01:29:50 |
We're in "Famara". |
| 01:29:53 |
Please, stop! |
| 01:29:55 |
No, wait a second. |
| 01:29:59 |
You go to the reception and do whatever |
| 01:30:04 |
I want to get off here, too! |
| 01:30:06 |
But how are you going to get off with this strong wind? |
| 01:30:08 |
I'm not bothered by the wind. |
| 01:30:10 |
Shut up, Diego, shut up! |
| 01:30:15 |
Stop the car, please. |
| 01:30:30 |
Mum, please. Let me stay, it's the first time |
| 01:30:37 |
Well, well..., all right. But be careful. |
| 01:30:40 |
And don't get too close to the sea. |
| 01:30:41 |
Give him your hand and don't let go, please. |
| 01:30:56 |
Careful, there's a step! |
| 01:31:10 |
Please, let's go. |
| 01:31:21 |
Wait here, please. |
| 01:31:35 |
Good morning... |
| 01:31:38 |
Good morning. |
| 01:31:39 |
I am here to pay the Mateo Blanco's bill, please. |
| 01:31:42 |
Who? |
| 01:31:44 |
Mateo Blanco. |
| 01:31:45 |
We dont have anyone here registered |
| 01:31:49 |
Its the man who had the accident. |
| 01:31:53 |
You mean Harry Caine? |
| 01:31:56 |
Yes... of course... |
| 01:33:18 |
(Barking and wind) |
| 01:33:41 |
(Shouts) Harry! Harry Caine! |
| 01:33:47 |
We're here, Judit! |
| 01:34:00 |
We have to go, Harry. |
| 01:34:03 |
Let's go, Dieguito. |
| 01:34:10 |
Can't we stay here for a while longer? |
| 01:34:13 |
No, you've had enough wind for today. |
| 01:34:22 |
(whispers) I'm here... Harry. |
| 01:34:25 |
Careful, don't trip over. |
| 01:34:42 |
Do you remember "Famara", Diego? |
| 01:34:46 |
Perfectly. |
| 01:34:47 |
It was the first time I saw the sea. I remember |
| 01:34:55 |
I remember that dog barking as well... |
| 01:35:07 |
What are you doing? |
| 01:35:09 |
I'm trying to reconstruct your pictures... |
| 01:35:30 |
I have almost one complete... |
| 01:35:36 |
What do you want to do to cheer you up a bit? |
| 01:35:38 |
I'd like to hear Jeanne Moreau's voice. |
| 01:35:41 |
Well I don't have the phone. |
| 01:35:42 |
Search "Ascensor para el cadalso" by Louis Malle. |
| 01:35:46 |
Ok.Fritz Lang, Jules Dassin, |
| 01:35:50 |
Search on the top. |
| 01:35:55 |
"Fanny and Alexander", "Fellini Eight and a half", |
| 01:35:59 |
"Ascensor para el cadalso", I've got it here. |
| 01:36:03 |
I hope you like it. |
| 01:36:09 |
(TV) |
| 01:36:12 |
What I have to do is to make the police find it |
| 01:36:14 |
Leave that! That is "Chicas y maletas"! |
| 01:36:17 |
But I don't understand... |
| 01:36:20 |
Well that's pretty clear. |
| 01:36:22 |
If the police finds in my place 15 kilos of |
| 01:36:29 |
Yes, but I don't understand how that suitcase |
| 01:36:36 |
Sounds strange, doesn't it? |
| 01:36:42 |
As I was telling you..., after breaking appart with |
| 01:36:48 |
And I saw that guy who was glncing at me, |
| 01:36:51 |
What an ass, and his feet... |
| 01:36:57 |
They are totally out of tune... |
| 01:36:59 |
In bed, a virtuous. |
| 01:37:03 |
Look at my goosebumps... |
| 01:37:05 |
How could I take those shots as good? |
| 01:37:12 |
What do you want to to today? |
| 01:37:14 |
I have to go home. My mother has left a message |
| 01:37:19 |
ready to celebrate your birthday. |
| 01:37:22 |
Is it my birthday? |
| 01:37:25 |
So she says. |
| 01:37:26 |
If Judit says so... |
| 01:37:29 |
Congratulations, man! |
| 01:37:30 |
So, I will have to invite you for supper. |
| 01:37:38 |
Is there anybody at home? |
| 01:37:42 |
Yes. |
| 01:37:44 |
Oh, my son, I wanted to see you so much! |
| 01:37:51 |
What happens? Is it very noticeable? |
| 01:37:55 |
Well, yes. |
| 01:37:56 |
I haven't even had time to wipe |
| 01:38:00 |
Well, don't look at me like that... |
| 01:38:04 |
Yes, sorry... |
| 01:38:06 |
You are beautiful, very beautiful. Are you ok? |
| 01:38:12 |
I'm fine. |
| 01:38:15 |
Mateo? |
| 01:38:20 |
Yes... |
| 01:38:23 |
We have to buy him a birthday |
| 01:38:28 |
Well..., what have you been doing all this time? |
| 01:38:31 |
Nothing... watch movies... |
| 01:38:36 |
Talk? |
| 01:38:38 |
Yes. |
| 01:38:39 |
(Dry) What about? |
| 01:38:41 |
My God, mum! |
| 01:38:49 |
Well..., what did you have? |
| 01:38:51 |
I don't know if I should believe the gastroenteritis... |
| 01:38:56 |
I had... an accident. |
| 01:39:01 |
An accident? |
| 01:39:05 |
It's hard to explain. |
| 01:39:07 |
Try it! I'm not THAT stupid! |
| 01:39:09 |
We'll leave it for another |
| 01:39:14 |
Well, I'm going to buy some DVDs to Mateo. |
| 01:39:27 |
We're closing. |
| 01:39:29 |
I know, this is the last one. |
| 01:39:31 |
Thanks. |
| 01:39:45 |
Thank you. |
| 01:39:52 |
I don't know what have you been |
| 01:39:57 |
But I know what I haven't told you all |
| 01:40:01 |
I've never asked you... |
| 01:40:04 |
But you might have wondered it |
| 01:40:07 |
This is my bithday present, Mateo. |
| 01:40:11 |
The present is also for you, Diego. |
| 01:40:19 |
After your vanishing, Ernesto Sr. only |
| 01:40:23 |
Drop it, Judit. |
| 01:40:25 |
No. |
| 01:40:26 |
You've had a bad day today. |
| 01:40:27 |
That's why, I'd like to finish it a bit better. |
| 01:40:33 |
Ernesto had a delusional plan to take vengeance |
| 01:40:38 |
he had to bribe us, at least, |
| 01:40:44 |
Despite the delusional bit, there was no problem, |
| 01:40:54 |
With me, well, he gave me an alibi, |
| 01:40:59 |
he proposed me to go a month and |
| 01:41:02 |
to the Clínica Mayo, so Dieguito |
| 01:41:07 |
that way, I wouldn't be there whist |
| 01:41:13 |
Because that was his plan, |
| 01:41:24 |
I prefered to stay in Madrid and cure Diego |
| 01:41:31 |
If I was going to betray you, I wanted |
| 01:41:39 |
It was a torture to see how Ernesto |
| 01:41:45 |
and Luis was mounting them, transforming |
| 01:41:51 |
The only way to resist all of that |
| 01:41:56 |
I sold myself to Ernesto for pain and jealousy! |
| 01:42:03 |
for abandoning "Cinearte" with |
| 01:42:07 |
With my treason, I took vengeance upon you, |
| 01:42:17 |
Sorry, son, for all the bitterness |
| 01:42:24 |
Nobody deserves to grow like that... |
| 01:42:44 |
May I have another G&T, please? |
| 01:42:55 |
Don't look at me like that. |
| 01:43:08 |
Thank you. |
| 01:43:22 |
Please, Judit, don't continue. |
| 01:43:25 |
Yes. Now that your name is Mateo again |
| 01:43:30 |
You have told us everything. |
| 01:43:33 |
No... not everything. |
| 01:43:45 |
Nobody knew where you were. |
| 01:43:49 |
Ernesto prepared everything, the premiere, |
| 01:43:55 |
His vengeance had no meaning |
| 01:44:01 |
Ernesto was asking me constantly |
| 01:44:04 |
but I knew nothing, either, |
| 01:44:08 |
I didn't want to call you for that, |
| 01:44:13 |
Ernesto hired some detectives |
| 01:44:18 |
But, before they found you, |
| 01:44:28 |
I was too shocked to answer your call. |
| 01:44:35 |
I still am. |
| 01:44:39 |
When ernesto asked about you again, |
| 01:44:52 |
Ernesto sent his son to |
| 01:45:04 |
It was Ernesto Jr the one who found you |
| 01:45:10 |
Did he had anything to do with the accident? |
| 01:45:12 |
No! But I can't stop thinking that should I |
| 01:45:18 |
maybe nothing would have happened... |
| 01:45:24 |
Why do you think that? |
| 01:45:28 |
I don't know... bad conscience, I guess. |
| 01:45:32 |
Well it's enough, then! 14 years of |
| 01:46:04 |
Wait, I'll help you. |
| 01:46:07 |
No, thanks. |
| 01:46:17 |
Call if you need anything! |
| 01:46:39 |
(mobile phone) |
| 01:46:46 |
(Off answering machine) |
| 01:46:50 |
Hi Diego, is Mateo... |
| 01:46:55 |
I'm sorry about calling you so early. Tell your |
| 01:47:34 |
Harry, so early. How comes? |
| 01:47:36 |
I couldn't sleep. |
| 01:47:37 |
Oh... Coffee and toast? |
| 01:47:39 |
Yes, but before, |
| 01:47:45 |
Ray X? |
| 01:47:54 |
Here... |
| 01:47:55 |
Thanks. |
| 01:47:57 |
I'll bring you the coffee. |
| 01:47:59 |
Ernesto? |
| 01:48:00 |
(Off) Who is this? |
| 01:48:01 |
I'm sorry to bother you, |
| 01:48:20 |
What nonsense! |
| 01:48:23 |
One has to start the day with the good foot. |
| 01:48:28 |
How are you feeling? |
| 01:48:30 |
A bit hangover, but fine. I think that |
| 01:48:37 |
Come on, let me help you. |
| 01:48:39 |
No, sit down, sit down... |
| 01:48:44 |
Diego, I only needed to tell you |
| 01:48:48 |
You'll tell me later. |
| 01:48:51 |
If I don't tell you now, maybe |
| 01:48:56 |
At the end of the 80's, Mateo and I |
| 01:49:03 |
But I imagined that already, even |
| 01:49:07 |
Did you? |
| 01:49:08 |
Mum, it's obvious! |
| 01:49:10 |
The same curtains in his bedroom |
| 01:49:12 |
memorabilia from Mexico and the Caribbean |
| 01:49:15 |
Of course... |
| 01:49:22 |
Mateo is your father. |
| 01:49:25 |
Mateo, my dad? |
| 01:49:27 |
Yes. |
| 01:49:30 |
And your lover who went, my supposed |
| 01:49:37 |
No... I can't hide things, |
| 01:49:43 |
The lover existed. We had an adventure. |
| 01:49:53 |
Does Mateo know? |
| 01:49:55 |
No. Are you crazy! In that time, he |
| 01:50:01 |
I didn't press him, I didn't want our relationship |
| 01:50:06 |
In the end, I didn't ask him either |
| 01:50:10 |
Ha! Bastard! |
| 01:50:15 |
By the way, he phoned early this |
| 01:50:18 |
Mateo? What did he want? |
| 01:50:21 |
He wanted you to call him as soon as you could. |
| 01:50:22 |
Why didn't you wake me up? |
| 01:50:24 |
Because after yesterday you needed some |
| 01:50:27 |
You can call him now. |
| 01:50:29 |
Come on, give me the phone. |
| 01:50:36 |
Hello? |
| 01:50:37 |
Hi. Diego told me to call you. |
| 01:50:42 |
I'm not fine, Judit. |
| 01:50:46 |
The 40.000 metres of negative that we recorded |
| 01:50:52 |
I'm at Ernesto Jr's home and I have just been |
| 01:50:59 |
I imagined something like that, but I didn't |
| 01:51:03 |
What are you doing at Ernesto's? |
| 01:51:05 |
I think I'm going to blackmail him. |
| 01:51:10 |
I don't want Diego to go back to that |
| 01:51:17 |
Mateo, don't be crazy! |
| 01:51:18 |
I can't figure out anyone else to blame |
| 01:51:22 |
My god! |
| 01:51:27 |
Leave it, you said enough yesterday. |
| 01:51:30 |
Listen, Mateo! I was the production |
| 01:51:34 |
the only person who had access to |
| 01:51:39 |
After Ernesto gave the order for it to be destroyed, |
| 01:51:44 |
I have everything at home. |
| 01:51:46 |
You're lying. |
| 01:51:48 |
I didn't tell you yesterday because I didn't know |
| 01:51:52 |
I kept it. All the double shots, |
| 01:51:59 |
You can have everything whenever you want! |
| 01:52:01 |
That changes everything. |
| 01:52:02 |
Get out of there, Mateo, and leave Ernesto alone. |
| 01:52:07 |
He still has to tell me what he was doing in |
| 01:52:21 |
Ernesto and his camera... |
| 01:52:27 |
Yes, but I never wanted to kill you. |
| 01:52:31 |
I'm not so sure about that. |
| 01:52:34 |
I have here a copy of the "making of" |
| 01:52:39 |
Why do I want that? |
| 01:52:41 |
Someone you trust should watch it and |
| 01:52:46 |
With this pictures the documentary about |
| 01:52:49 |
also called Harry Caine... |
| 01:53:37 |
What do you think of the documentary, |
| 01:53:42 |
Very interesting. |
| 01:53:45 |
What do you see now? |
| 01:53:48 |
The last night, |
| 01:53:51 |
How was he able to film us? |
| 01:53:56 |
His car's lights and the lighting from the |
| 01:54:01 |
to see what happened. Anyway, he has touched digitally |
| 01:54:08 |
Mateo, Ernesto not only did not provoke |
| 01:54:11 |
but he was also the first person who |
| 01:54:14 |
How was he able to film and drive at the same time? |
| 01:54:17 |
I don't know... |
| 01:54:19 |
Is there anything else that I need to know? |
| 01:54:27 |
You are waiting in the roundabout for a car to go through |
| 01:54:33 |
A kiss? I don't remember... |
| 01:54:36 |
It's a normal kiss, one of those that couples |
| 01:54:42 |
The last kiss... |
| 01:54:45 |
Yes... Lena didn't die in your arms, as |
| 01:54:52 |
but the last feeling she had in this |
| 01:55:07 |
Is it there? |
| 01:55:09 |
Yes. |
| 01:55:13 |
Play it frame by frame, so it |
| 01:55:57 |
(Off Harry) 14 years after the filming, |
| 01:56:13 |
On my way! |
| 01:56:18 |
I've left thousands of notes! |
| 01:56:19 |
Yes, a thousand yours, and none from Ivan. |
| 01:56:21 |
And that case! |
| 01:56:23 |
It's Ivan's. I'm borowing it. |
| 01:56:25 |
And the crutches? |
| 01:56:27 |
His ex wife, the bitch. She pushed me down the stairs. |
| 01:56:30 |
Wow, what a pair of us! |
| 01:56:32 |
Oh, I'm sorry. Listen, I was doing coffee, |
| 01:56:36 |
No. |
| 01:56:38 |
I've spent the whole night searching for Ivan, |
| 01:56:41 |
and I've had no sleep yet. |
| 01:56:43 |
Neither have I! |
| 01:56:45 |
Hey, when did you split? |
| 01:56:46 |
Four days ago. Sugar? |
| 01:56:49 |
No. |
| 01:56:50 |
I foresaw it. |
| 01:56:53 |
I go out to the street and I discover |
| 01:56:55 |
Oh, gazpacho! I'm going to serve myself a glass. |
| 01:56:58 |
(Shouts) No! |
| 01:56:59 |
I've put a whole box of sleeping pills in there. |
| 01:57:02 |
Why so? |
| 01:57:03 |
Just in case Ivan came, he likes |
| 01:57:07 |
My dear, Pina! |
| 01:57:08 |
That's nothing! Since he wasn't calling, |
| 01:57:11 |
I've stumbled upon it, and |
| 01:57:13 |
because I didn't want to ask too much... |
| 01:57:16 |
But... that bed? |
| 01:57:20 |
The match fell, and started burning, and |
| 01:57:26 |
Bring your coffee! |
| 01:57:31 |
You were telling me something, Chon? |
| 01:57:34 |
Ah, yes..., yes! |
| 01:57:41 |
I was telling you... |
| 01:57:47 |
Your husband's? |
| 01:57:48 |
No. |
| 01:57:49 |
A case with 15 kilos of coke, |
| 01:57:54 |
Are you now a drug dealer, Chon? |
| 01:57:56 |
I'm still chancellor of Social Services. |
| 01:58:03 |
I have to dispose of those |
| 01:58:07 |
With the time schedule we have in |
| 01:58:09 |
Between the members of the party and in |
| 01:58:13 |
But what do I do with the rest?! |
| 01:58:15 |
Throw it away! |
| 01:58:16 |
Are you mad! |
| 01:58:17 |
What I need to do is avoid the |
| 01:58:20 |
But, I don't know how... |
| 01:58:22 |
Well it's very clear to me! |
| 01:58:23 |
If the police catches me with 15 kilos of |
| 01:58:26 |
they could get me arrested. |
| 01:58:27 |
Yeah, Chon, but I don't understand how that |
| 01:58:35 |
As I was telling you... |
| 01:58:38 |
I went outside, and I met a guy who |
| 01:58:43 |
What an arse, feet... Well, I brought him |
| 01:58:49 |
You know that I'm very interested in sex, |
| 01:58:53 |
And how was he? |
| 01:58:55 |
In ved? A virtuoso. |
| 01:58:57 |
I've never seen anything like that! |
| 01:59:05 |
So what happened afterwards? |
| 01:59:07 |
Nothing, after fucking he asked me if he |
| 01:59:11 |
Do you have magdalenas? |
| 01:59:13 |
Yes, there, up in the cabinet. |
| 01:59:15 |
And I have a lovely flan. |
| 01:59:17 |
I'll eat that afterwards! |
| 01:59:20 |
So, he asked me if he could stay at home. |
| 01:59:23 |
I said well, but I couldn't |
| 01:59:25 |
I didn't want him to think that I was an easy woman. |
| 01:59:28 |
Thing is, he appeared at home with a case |
| 01:59:32 |
I was yesterday evening watching TV... |
| 01:59:36 |
And I learned that the police has caught |
| 01:59:41 |
and that he's one of the most wanted |
| 01:59:45 |
No way! |
| 01:59:47 |
With the tingling nose, I open the case and |
| 01:59:59 |
I took one... went out the street |
| 02:00:06 |
What a story, my God! |
| 02:00:08 |
It was strange that he fucked so good! |
| 02:00:12 |
For men who live in that sort of risky life, |
| 02:00:16 |
And, of course, there's no colour! |
| 02:00:20 |
I saw it before... |
| 02:00:24 |
The case... well, I wanted to ask you... |
| 02:00:32 |
Can you hear me? |
| 02:00:33 |
(Off) Yes, I can hear you. |
| 02:00:34 |
I'm going to bring it here. If it's found in |
| 02:00:39 |
which is not the ideal thing |
| 02:00:41 |
but do you imagine the shock to the |
| 02:00:45 |
My party can't bear any more scandals! |
| 02:00:47 |
Don't shout, Chon! |
| 02:00:49 |
(doorbell) |
| 02:00:50 |
(whispers) The police! |
| 02:00:51 |
Ssh! How is it going to be the police? |
| 02:00:54 |
I'm a very noticeable woman, Pina, |
| 02:00:57 |
Look like you only came for coffee. |
| 02:01:16 |
This is like what we have defined. |
| 02:01:19 |
Do you think I should keep mounting it, |
| 02:01:23 |
What? I was laughing my ass off! |
| 02:01:31 |
(Emotional) |
| 02:01:34 |
Is hilarious. |
| 02:01:37 |
No, the important thing is to finish it. |
| 02:01:39 |
Movies have to be finished, |
