Lost The

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00:01:25 So, DID, or dissociative identity disorder,
00:01:31 an abused child, to defend itself
00:01:35 And if you could imagine this little child
00:01:37 with this little framework,
00:01:40 Well, now, you shock that foundation, okay?
00:01:44 The mind has the ability to fracture itself,
00:01:50 what we call the alter.
00:01:51 And what does the mind do?
00:01:54 It delegates the authority,
00:01:56 it delegates the power
00:02:00 Now, you take the case of Reed.
00:02:02 Reed, here, was charged
00:02:05 He had not one memory,
00:02:09 as to the nature of his own crime.
00:02:12 Well, a lawyer can step up
00:02:14 "You know what? It was not Reed
00:02:17 "with a loaded M1 carbine,
00:02:19 "It was Auggie. Auggie was the split.
00:02:23 "a foundation built by abuse. "
00:02:52 How are you sleeping, Kevin?
00:02:54 Okay.
00:02:56 No dreams?
00:02:58 She's still there.
00:03:02 Running. She's always running from me.
00:03:06 As long as you refuse to let go,
00:03:11 It's been three years, Kevin.
00:03:13 Well, it's not as if I haven't let go.
00:03:16 You have?
00:03:19 Are you still carrying her ring?
00:03:43 Dr Khoury? Hi.
00:03:46 I'm really sorry to bother you.
00:03:48 I was at your signing earlier today,
00:03:51 and the line was just so long.
00:03:54 - Would you mind?
00:03:58 It's a fascinating book.
00:04:01 - Who would you like this made out to?
00:04:06 - Pretty name.
00:04:08 - Classic.
00:04:10 It's not too common any more.
00:04:13 You know any other Janes?
00:04:15 Not that I can recall. Just you.
00:04:18 - Yeah. That's what I thought.
00:04:22 I'm Mira.
00:04:27 You don't remember this Jane, Doctor?
00:04:34 Three years ago
00:04:37 You diagnosed her with DID.
00:04:39 This girl torched a professor's home.
00:04:43 - Yeah.
00:04:46 - Jane.
00:04:49 She's at St Avila Hospital now.
00:04:53 How is her progress?
00:04:55 Progress?
00:04:59 Well, there really isn't any progress
00:05:07 She's drugged to the
00:05:10 so she never gets better.
00:05:18 And if she never gets better,
00:05:22 - I'm sorry to hear that.
00:05:25 I don't quite see
00:05:33 - This is what it has to do with you.
00:05:35 This is a letter to the editor of every city
00:05:41 Wow.
00:05:43 Why do I think I'm not gonna like
00:05:47 Because you are obviously
00:05:51 when it comes to
00:05:56 The letter documents
00:05:58 and, well, if you read down to the end,
00:06:00 you'll see that I've hired an attorney
00:06:08 It's not a very good way
00:06:14 Do you understand she could have done
00:06:17 Well, at least if she was in jail,
00:06:22 She's gonna die in that hospital, Doctor.
00:06:25 What do you want from me?
00:06:27 See for yourself that she doesn't have DID,
00:06:30 so that she can finally get
00:06:34 And how are you sure
00:06:36 Well, DID needs some sort of abuse
00:06:39 I think you wrote something
00:06:41 - That's correct, yeah.
00:06:42 Well, Jane was not abused.
00:06:44 - How do you know that?
00:06:49 There's a problem.
00:06:52 I just write books.
00:06:53 Yeah, well, you'll do neither of
00:06:59 I'm heading back to Spain in the morning.
00:07:16 What are we looking for exactly?
00:07:18 Will you sit down?
00:07:19 Ever notice any drastic changes
00:07:27 Ever lose track of time?
00:07:31 Sometimes.
00:07:32 For how long?
00:07:35 I don't know, like, a couple of minutes.
00:07:39 I mean,
00:07:43 For six... Six months.
00:07:48 Ever since I moved into the guesthouse.
00:07:52 Jane? Jane?
00:08:00 - What happened?
00:08:10 Okay, now watch. Look at her eyes.
00:08:14 Shit! Is that normal?
00:08:17 It's not completely abnormal. I mean, alters,
00:08:19 sometimes they've been known to have
00:08:22 I mean, sometimes you see a slight variation
00:08:27 but this is bizarre.
00:08:31 How come you didn't see this before, then?
00:08:38 Last night was the first time
00:08:44 She's got a case, hasn't she?
00:08:45 It's not unusual to take an associate's
00:08:48 - especially when you're in the middle of...
00:08:50 Or how about 110 other patients?
00:08:54 We're talking about
00:08:56 Place is so understaffed,
00:09:00 I'm paying you to be my manager, man.
00:09:04 At the moment, as much as she wants.
00:09:12 Going to St Avila, huh?
00:09:14 Guess that makes you
00:09:18 Some kind, yeah.
00:09:20 Does it ever get to you, Doc?
00:09:22 - How's that?
00:09:26 Doesn't it get to you?
00:09:28 I try not to hang out with whackos,
00:09:30 Yeah, but what I mean is
00:09:31 you must be exposed to a lot of stuff
00:09:36 It's liable to turn you into one of them,
00:09:38 You sound like you might have
00:09:41 Let's just say I've seen things
00:09:48 Sorry about that.
00:09:50 We'll be there in a few minutes.
00:10:21 You must be Dr Khoury from the States.
00:10:24 Dr Delgado?
00:10:26 - Right, Delgado.
00:10:27 - All right. How you doing?
00:10:29 - Sign here, please.
00:10:32 I hear you did good work when you were
00:10:35 Who told you that?
00:10:37 I haven't had a chance to read your book.
00:10:40 I heard good things, though.
00:10:43 Jeez, don't believe everyone.
00:10:45 I don't.
00:10:52 So, are you looking at Jane
00:10:55 No.
00:10:57 I was part of the team
00:11:01 I just want to ask a few questions.
00:11:03 Well, I don't know that you'll find her
00:11:07 Why is that?
00:11:08 There are patients who can be helped,
00:11:26 That was the three alters? Correct?
00:11:29 And only minimal contact with each,
00:11:31 Got the names but little else.
00:11:33 Well, that's a shame.
00:11:37 Well, sorry to disappoint.
00:11:45 Do you think we might pull her off
00:11:47 and maybe I could come back
00:11:49 Well, I don't know if I'm comfortable
00:11:52 But I'd assume full responsibility.
00:11:55 You're still practising?
00:11:56 In New York. Yes, of course.
00:11:58 Hugo?
00:12:02 Hugo, we have a bit of a celebrity
00:12:07 - This is Dr Khoury.
00:12:10 Nice to see you.
00:12:11 We're going to change Jane's meds
00:12:14 Okay? Lower most of it.
00:12:16 All right. I'll draw up the papers
00:12:20 Your responsibility.
00:12:22 I appreciate it. Thank you very much.
00:12:24 Sure.
00:12:30 Here we have over 300 patients.
00:12:34 Almost 100 in this wing,
00:12:36 all of them watched by six technicians,
00:12:43 You're understaffed.
00:12:44 Understatement.
00:12:47 Do you think that's why
00:12:52 Let's just say Dr Delgado's very pragmatic
00:12:58 It's a nice way to put it.
00:13:09 Well, so nice to see you, Doctor.
00:13:13 - Well, blackmail has a way of motivating.
00:13:17 You prefer extortion?
00:13:23 Sit.
00:13:24 - So where are we?
00:13:27 Come on, you know what I'm talking about.
00:13:30 Yeah, I had him
00:13:32 - so we can communicate.
00:13:35 I have no reason
00:13:41 You know, since you're here, would
00:13:44 - No.
00:13:47 - Sure.
00:13:54 Jane's childhood.
00:13:57 - Your mom and dad were around?
00:13:59 How about your father?
00:14:01 US Air Force stationed in Madrid.
00:14:03 He was killed during manoeuvres
00:14:08 I'm sorry.
00:14:09 Did your mom remarry?
00:14:12 No.
00:14:15 Any regular male visitors over the house?
00:14:19 - No other men in your mother's life?
00:14:22 We were her priority
00:14:28 - How about you?
00:14:30 No, I mean, you get stuck
00:14:32 Sometimes.
00:14:34 You ever bring boys over to the house
00:14:37 - Maybe leave them alone with Jane?
00:14:39 I think determining
00:14:41 is gonna be sifting through
00:14:43 Nothing happened to her.
00:14:45 That is what I'm trying to tell you.
00:14:48 As far as me with boys,
00:14:50 I was kind of a late bloomer
00:14:53 Well, you bloomed okay.
00:14:55 Why don't we get back to Jane?
00:14:59 Okay. Any other problems with drugs
00:15:02 - or alcohol?
00:15:04 Did she ever undergo
00:15:06 Other than now? No.
00:15:08 Do you recall any physical examinations
00:15:13 No.
00:15:21 My love.
00:15:26 Kevin, let me go.
00:15:31 Kevin.
00:15:34 Kevin, let me go!
00:15:53 - Hello.
00:15:55 How are things on the other side
00:15:57 - Are you in Paris, yet?
00:15:59 I might have to... I might have
00:16:01 A few more weeks? Are you joking?
00:16:04 Everything's planned.
00:16:06 You're meant to be in Paris this afternoon
00:16:09 Do I have to remind you this was your idea?
00:16:11 No, no, no, no. My idea was that
00:16:15 and you kiss the sister's arse,
00:16:18 I know. Life doesn't always work
00:16:21 Hold on a second. Wait a second.
00:16:22 - Hello.
00:16:26 - She is?
00:16:27 That's great, man.
00:16:31 - See you then.
00:16:33 Barry. Listen,
00:16:35 Let me talk to you in a few days,
00:16:48 Now, Jane's still a little bit groggy,
00:16:52 Coherent though?
00:16:54 Largely, yes.
00:17:02 Hi, sweetie.
00:17:05 Hey.
00:17:11 Janie.
00:17:17 Janie.
00:17:21 This is Dr Khoury.
00:17:23 Hi.
00:17:27 My associates and I did
00:17:30 I'm Kevin.
00:17:35 Would you two mind
00:17:39 No.
00:17:42 Hey, I'm gonna go put these in some water.
00:17:48 Okay?
00:18:01 Well, your sister's very concerned.
00:18:02 She feels your initial diagnosis
00:18:07 I've been looking over your case.
00:18:09 Your particular condition usually stems
00:18:15 sometimes very severe abuse.
00:18:17 And your sister insists
00:18:23 Anyway, I made you a little diagram
00:18:29 You could see this as the conscious mind.
00:18:34 That has the capacity to suppress whatever
00:18:39 Unfortunately we have
00:18:42 And that keeps a record of all that pain.
00:18:45 And if we can just access those records,
00:18:51 Anyway, I'll leave that for you.
00:18:56 I know how hard it is to trust right now,
00:19:10 I thought everyone forgot about me.
00:19:16 No, no.
00:19:19 And certainly not your sister.
00:19:43 Dr Khoury?
00:19:45 - Hey, Inspector...
00:19:47 Molina, yeah. How do you do?
00:19:49 You looking for information
00:19:52 Yeah. I'm researching that case.
00:19:56 - On the fire?
00:19:58 She has a multiple personality disorder.
00:20:01 Well, I'll give you what I got,
00:20:03 but I have to tell you
00:20:06 Well, if you have arrest reports,
00:20:08 anything you might remember,
00:20:10 If it's all the same to you,
00:20:14 I'm sure.
00:20:15 Come with me, please.
00:20:25 Hey, Doc, how are things going
00:20:28 Good. Good.
00:20:30 Yeah. Try talking to her as a person,
00:20:39 Hey.
00:20:41 I stopped by the cafeteria,
00:20:45 got you some food.
00:20:47 I didn't know if you'd be hungry.
00:20:52 So how are we feeling today?
00:20:56 Never better, Doc.
00:20:58 Hey, call me Kevin. I'm not what you'd call
00:21:03 Then why are you here?
00:21:06 Well...
00:21:08 I'm gonna try to help.
00:21:11 I'm gonna try.
00:21:14 I'll tell you a little story.
00:21:16 I had a patient a few years back.
00:21:20 Whenever she'd hear a particular song
00:21:21 I mean, she would just freak.
00:21:24 So what did you do?
00:21:26 Well, we agreed to hypnosis, and it worked.
00:21:31 We regressed her back
00:21:33 that I told you about yesterday,
00:21:36 the source, you know,
00:21:37 that actually was triggering
00:21:43 Anyways, it turned out when she was four,
00:21:45 who was in a rather compromising position
00:21:51 So you can imagine
00:21:56 The Beatles?
00:21:59 Yeah.
00:22:03 Yep.
00:22:07 So, you really think that
00:22:10 hypnosis may work for me.
00:22:15 My hair is salty.
00:22:17 It's gross.
00:22:24 You're not at home?
00:22:27 No. At the bay.
00:22:30 You sailing?
00:22:31 Yes.
00:22:34 Just got back. The boat's at the dock.
00:22:39 We camp there sometimes.
00:22:41 - Whose boat?
00:22:45 She says Sofia's her best friend, but
00:22:50 I know that I am.
00:22:52 So no one else is with you?
00:23:06 I have to pretend I'm sleeping.
00:23:08 Why?
00:23:11 Why do you have to pretend?
00:23:13 Listen, he's coming.
00:23:17 - Who's with you?
00:23:18 - Who is there with you, Jane?
00:23:20 - Answer me. Who is there with you?
00:23:24 Please go away. Please go away.
00:23:27 Who?
00:23:29 Who do you want to go away?
00:23:32 - Him.
00:23:35 - Him.
00:23:38 - Tell me, don't be afraid...
00:23:41 - No! No! Please don't do this!
00:23:44 - Don't touch me. Please don't.
00:23:47 Look at me. Look at me. Jane. Jane.
00:23:49 - Don't touch me!
00:23:51 - Look at me. Look at me.
00:23:53 We're gonna go back to our space now.
00:23:55 No! No! No! No! Please don't touch me.
00:24:01 I'm gonna count to three. One.
00:24:06 Two.
00:24:09 Three.
00:24:15 Your sister was molested.
00:24:16 What? She didn't tell you that.
00:24:18 Yeah, under hypnosis she did.
00:24:21 What did she say?
00:24:22 It was the father of a friend.
00:24:24 - Happened more than once.
00:24:26 I didn't get a name.
00:24:28 - I had to wake her.
00:24:30 She stayed with this family
00:24:32 - A boat?
00:24:34 - on a boat.
00:24:36 You have to accept the fact
00:24:37 for every moment of your sister's life.
00:24:39 Look, when we were kids our parents
00:24:43 Janie nearly drowned.
00:24:45 The paramedics said
00:24:48 and she's been terrified of the water
00:24:51 Now, I don't know who you were talking to
00:24:56 Maybe it's... I don't know.
00:24:58 It was a memory of one of the other
00:25:00 - or something. I don't know.
00:25:02 - Why is that?
00:25:09 Hi, Kevin, please tell me
00:25:13 - Not quite yet.
00:25:16 I need you to cover six dates
00:25:18 Hey, Barry. Listen, I'm thinking
00:25:22 You can't stay there longer. This was meant
00:25:25 a PR job, for Christ's sake.
00:25:26 Yeah, that's my point. Exactly. Okay?
00:25:31 and this girl wasn't abused, who knows,
00:25:35 Really?
00:25:38 - You been crying?
00:25:41 - You look like you've been crying.
00:25:47 You wanna talk?
00:25:50 I look like this because I can't sleep.
00:25:53 - It's normal.
00:25:55 - Yeah, it is normal.
00:25:57 Insomnia is normal after having medication.
00:26:00 Yeah, but it's not the insomnia.
00:26:01 So what is it, then?
00:26:03 It's the dreams.
00:26:05 Why don't we just
00:26:07 What's the point?
00:26:10 Then how do you know you're dreaming?
00:26:12 Because I wake up screaming.
00:26:14 I think it's an indication
00:26:16 - Now, who is hurting you in these dreams?
00:26:19 You don't remember
00:26:21 Don't talk to me like that, Kevin!
00:26:22 Don't talk to me like I'm some crazy person.
00:26:24 Why can't you just talk to me
00:26:26 Like I'm not some kind of a freak,
00:26:45 You look familiar.
00:26:48 Three years ago, right?
00:26:52 After the fire. That's when I met Jane.
00:26:56 I'm Kevin.
00:27:04 Do you remember the fire?
00:27:10 Maybe.
00:27:13 Did you start it?
00:27:18 Okay. Let's go back
00:27:21 I'm Kevin.
00:27:22 You said that already.
00:27:26 Maria.
00:27:27 Maria?
00:27:30 - We have been expecting you.
00:27:37 You are going to help us leave.
00:27:41 That's the goal. That's the goal, yeah.
00:27:50 So why are you here?
00:27:52 Search for the truth?
00:27:54 Yeah. I want the truth.
00:27:57 "There is nothing
00:28:01 "and in comparison with it,
00:28:09 Friedrich Nietzsche.
00:28:12 You've got quite an education.
00:28:15 I've been kicked out of
00:28:21 It seems I have issues.
00:28:24 Go back to the question.
00:28:27 Why are you here?
00:28:29 The little one might know,
00:28:34 Who is the little one?
00:28:37 Is it Isabelle? Is it Kaya? Who is it?
00:28:41 Kaya.
00:28:43 Where is she?
00:28:46 I wanna speak with her.
00:28:48 Like I said, that's difficult.
00:28:52 Why?
00:28:55 She's afraid of the outside.
00:28:56 Afraid of it? Why? Why would she be afraid?
00:28:59 - She won't say.
00:29:04 Let me speak with her, come on.
00:29:08 Let me speak with her,
00:29:11 I'll get you a cigarette.
00:29:16 Maria.
00:29:23 Maria?
00:29:44 We have to sedate her, Doc.
00:29:56 It's all right.
00:30:38 Mrs Alonso? I'm sorry, I'm Kevin Khoury.
00:30:44 Yeah. On the phone. Right.
00:30:46 I guess that's the guesthouse
00:30:48 Yes, but it has been empty since the fire.
00:30:52 Of course.
00:30:54 - Such a beautiful property.
00:30:57 - How far do the trees go back?
00:31:00 You know, there is an old salt mine
00:31:03 or so I'm told. I've never seen it myself.
00:31:05 - You're treating Jane?
00:31:09 How is she?
00:31:10 It's hard to say, it's...
00:31:14 It's unique.
00:31:17 It must be difficult to talk openly
00:31:18 about someone
00:31:21 I'm a dualist.
00:31:23 I know how a pure mind can be infected
00:31:30 Jane has my sympathy.
00:31:35 There.
00:31:36 Now that we have allayed
00:31:41 how can I help?
00:31:48 I don't know.
00:31:52 You ever notice any changes
00:31:59 Not that I could recognise.
00:32:02 Truth is, we didn't have a lot of contact.
00:32:06 I realised a 19-year-old student
00:32:11 probably wanted to be left
00:32:15 Alex may be able to answer your questions.
00:32:17 Who's Alex?
00:32:18 My son.
00:32:19 He's 25 now. Took Jane out a few times.
00:32:23 Does he still live here?
00:32:24 You can try him at Enercat.
00:32:26 - Enercat, what's that?
00:32:31 I remember Tornado.
00:32:33 That was a monopoly.
00:32:35 Almost chewed everyone up around here.
00:32:38 Corporate merger.
00:32:40 Tornado was absorbed by Enercat.
00:32:43 Alex has been through both regimes.
00:32:47 That's great.
00:32:52 So as far as you can recall,
00:32:55 - Jane was always Jane.
00:32:59 Well, you never witnessed
00:33:02 You know, every girl I've ever been with
00:33:08 Well...
00:33:11 Anything you could do to help.
00:33:14 This is my cell.
00:33:16 It'd be a big plus, man.
00:33:19 I'd appreciate it.
00:33:20 You know,
00:33:26 I'm not really interested.
00:33:31 You realise she's mentally ill.
00:33:33 So are you if you think I want anything to do
00:34:27 Hello.
00:34:30 Hi.
00:34:34 So where did you learn the Chinese?
00:34:38 - Chinese?
00:34:41 One of your alters speaks Chinese.
00:34:44 I've seen people speak in voices before,
00:34:47 I have to say, a language was a first.
00:34:52 Pretty startling stuff.
00:34:54 How is that possible?
00:34:57 Well.
00:34:59 If you blackout,
00:35:05 and learn a few things.
00:35:07 Like how to smoke?
00:35:08 Yeah.
00:35:12 You wouldn't happen to know
00:35:22 Would you know who drew these?
00:35:25 Jane?
00:35:37 That's the little one.
00:35:42 And who are you?
00:35:43 - I'm Isabelle.
00:35:46 That's a pretty name.
00:35:48 Actually my Christian name is Isabelle Ann,
00:35:52 Isabelle Ann Bataille.
00:35:54 Bataille?
00:36:02 Is something wrong?
00:36:04 Do you know what these mean?
00:36:07 I didn't draw them.
00:36:11 - That's the little one.
00:36:18 How long do I have to stay here?
00:36:21 Isabelle,
00:36:25 I think something happened.
00:36:28 Do you wanna tell me what happened?
00:36:31 I don't know what it is.
00:36:35 - I don't remember.
00:36:39 I'm sure.
00:36:40 Does Kaya?
00:36:45 I don't want to talk any more.
00:36:47 Does Kaya remember?
00:36:50 Please don't.
00:36:51 - Don't what?
00:36:54 Please don't make me remember.
00:37:00 What is it? Isabelle?
00:37:03 What is it?
00:37:09 Hugo! Hugo!
00:37:14 Look at me.
00:37:18 You all right?
00:37:21 What happened? Is she...
00:37:23 She was choking.
00:37:25 What happened?
00:37:26 Well, let's just say it's one of the most
00:37:30 I've ever been privileged to.
00:37:32 Add to the fact one of her alters
00:37:35 It's an unusual degree of comprehensive
00:37:39 What you call comprehensive,
00:37:41 It sounds to me like
00:37:43 Okay. Maybe I'm delusional,
00:37:46 You have one week.
00:37:48 Then Jane goes back
00:37:50 - I have a message for you.
00:37:52 Dr Kripke called about 45 minutes ago.
00:37:56 - Thank you very much. I appreciate that.
00:37:58 That wouldn't be Dr Brian Kripke?
00:38:00 - Yeah. Do you know Brian?
00:38:03 - Is he still in Chicago?
00:38:06 We're both in New York. Okay.
00:38:09 - A week.
00:38:12 Do you want to keep it open, Mr Khoury?
00:38:14 Yeah.
00:38:16 That's Dr Khoury to you, Marco.
00:38:23 The taxi ride to St Avila, remember?
00:38:26 Yeah.
00:38:29 Off the clock I get my own identity.
00:38:32 Eneko Gil.
00:38:35 - Eneko?
00:38:38 Eneko.
00:38:40 - Marco, another round for me and my friend.
00:38:44 You are cut off, Gil.
00:38:48 Me and the doc go way back.
00:38:51 - I'm not bothering you, am I?
00:38:53 All right that's it, Gil. Out.
00:38:56 Come on, Marco.
00:39:00 Out.
00:39:05 See you later, Doc.
00:39:09 I'm sorry about that. This is a small town.
00:39:17 Evening, Doctor.
00:39:24 So, how goes the research?
00:39:27 Little bit like police work, I'd imagine.
00:39:32 In my experience, I've found the simplest
00:39:37 Well, I've exhausted mine.
00:39:40 Something happened with this girl.
00:39:44 But today was unique. It was unique.
00:39:46 I actually had one who gave me a full name.
00:39:50 - Is that rare?
00:39:53 I've spoken to 50 personalities
00:39:55 I never got one with a first, a middle
00:40:03 Isabelle Ann Bataille.
00:40:08 - Strange.
00:40:12 Yeah.
00:40:14 Strange.
00:40:16 Don't talk to me like that, Kevin!
00:40:18 Don't talk to me like I'm some crazy person.
00:40:19 Why can't you just talk to me
00:40:21 Like I'm not some kind of a freak,
00:40:25 Jane?
00:40:32 Don't talk to me like that, Kevin!
00:40:33 Don't talk to me like I'm some crazy person.
00:40:35 Why can't you just talk to me
00:40:37 Like I'm not some kind of a freak,
00:40:41 Jane?
00:40:48 Yeah.
00:40:49 It's Inspector Molina, we need to talk.
00:40:52 Did she give you any other names?
00:41:01 Isabelle Bataille.
00:41:02 Last seen waiting for a ride back
00:41:06 Case was relegated to the archives
00:41:09 so you can imagine my surprise
00:41:17 That's the only Maria who disappeared
00:41:22 Last seen getting into some type of blue car.
00:41:30 And also found a Kaya.
00:41:36 Kaya Tachiki disappeared
00:41:39 We retraced her steps
00:41:42 Pieces of scalp in it
00:41:45 Ran the prints and got a partial. Not hers.
00:41:52 You brought a psychic in on this case.
00:41:55 Eneko Gil.
00:41:57 Eneko Gil. Why do I know that name?
00:42:00 I saw you talking to him last night
00:42:04 At the... That clown?
00:42:08 - He's a psychic?
00:42:11 From what I see, he spends more time
00:42:16 Hasn't been able
00:42:18 Well...
00:42:21 Fascinating.
00:42:30 Can it be a coincidence?
00:42:32 I don't think so.
00:42:39 You ever seen anything like this?
00:42:45 What is it?
00:42:47 Jane's drawings.
00:42:54 Why do I have the feeling
00:42:57 Because she drew them.
00:43:01 This Kaya.
00:43:07 Strange.
00:43:09 Well, her case received a lot of press,
00:43:13 Yeah.
00:43:14 So, maybe she saw her case
00:43:16 That's how these things work, right?
00:43:21 You're brilliant.
00:43:24 What do you mean?
00:43:25 She's retained
00:43:28 She's projecting the plight of the kids
00:43:32 - So what do I do next?
00:43:34 You break them down. You interrogate them
00:43:36 the same way police interrogate people.
00:43:37 You got to literally force them out
00:43:41 You got to confront them.
00:43:59 Maria Muñoz.
00:44:05 Very formal tonight, aren't we, Kevin?
00:44:11 So what's the last thing you did?
00:44:15 When?
00:44:17 Before they stuck you in this hole.
00:44:19 I was probably out with friends,
00:44:24 and looking to get laid.
00:44:28 I can't wait to do those things again.
00:44:33 You a bad girl?
00:44:36 Are you a bad girl, Maria?
00:44:43 - Yes.
00:44:46 Yes.
00:44:49 Yeah.
00:44:51 It's funny 'cause I pulled your record.
00:44:56 It seems your life ended five years ago.
00:45:00 My life?
00:45:03 This is your life.
00:45:06 You can read all about it.
00:45:45 Jane?
00:45:49 Jane?
00:45:51 Jane?
00:45:57 Kevin, let me go.
00:46:03 What did you say?
00:46:12 Did you just say something?
00:46:14 What did you just say?
00:46:19 What did you say?
00:46:20 I didn't say anything.
00:46:25 Why am I...
00:46:35 Please... Please don't leave me.
00:46:41 I won't.
00:46:44 Please don't leave me.
00:46:47 I won't.
00:47:01 She loved soccer. Very talented.
00:47:05 Always play hard.
00:47:08 She was a good teammate.
00:47:11 How can we help you, Doctor?
00:47:14 Well, I have a patient
00:47:17 surrounding Isabelle's disappearance,
00:47:21 and it may or may not have contributed
00:47:26 but she's been known to use her name.
00:47:32 Do you think she might know
00:47:36 Well, at least, not yet.
00:47:37 I mean, nothing more
00:47:41 Then what do you want from us?
00:47:43 I just had a couple of questions,
00:48:24 Good evening.
00:48:26 I've been waiting.
00:48:29 - You're smoking, huh?
00:48:34 She steals them from a lady down the hall.
00:48:36 I spoke to your parents tonight.
00:48:40 My parents?
00:48:42 They're very concerned about you.
00:48:45 You ever broken a bone?
00:48:51 How are they? My parents?
00:48:53 They're not too good.
00:48:55 - It seems their daughter has been missing...
00:48:57 ...now for over four years.
00:49:00 And you're the one
00:49:03 I am their daughter.
00:49:06 - I know who I am.
00:49:10 Have you broken a bone?
00:49:13 - What?
00:49:15 Answer the question.
00:49:17 Have you broken any bones?
00:49:19 Let me help you out. You did.
00:49:21 Now, all you have to do
00:49:24 - Stop it, slow down...
00:49:27 Too many to choose from? Isabelle?
00:49:30 My tibia, all right! My shinbone!
00:49:34 then had pins in my leg for six months.
00:49:37 - This can't be.
00:49:40 but I know who I am.
00:49:52 Kaya?
00:49:55 Could you tell me what you're drawing?
00:50:04 Christ!
00:50:05 Jesus Christ!
00:50:08 God damn her!
00:50:10 I need help! Let's go!
00:50:21 She's gonna sleep for a while.
00:50:24 It's pretty normal after a seizure like that.
00:50:29 She's never had seizures before.
00:50:32 Well, it's withdrawal.
00:50:34 Anyone who has been kept under
00:50:36 I know what the definition
00:50:40 Her immune system is
00:50:47 So, you knew this might happen?
00:50:54 Your sister has been held here
00:50:58 I'm just trying to pull her out of it.
00:50:59 - If you can't handle it...
00:51:04 Doctor, I don't think you can handle it.
00:51:08 In fact, I think you're
00:51:12 In fact, I don't think you know
00:51:15 You didn't know what you were dealing with
00:51:17 when you misdiagnosed her
00:51:18 You still don't know what's going on,
00:51:19 and I am not going to just stand here
00:51:22 What are... What are you doing?
00:51:26 What?
00:51:50 "History of epilepsy. " That's impossible.
00:51:59 Tachiki, Kaya.
00:52:02 Worked this one for about a week.
00:52:05 The mother hired me,
00:52:08 then fired me because of the cops.
00:52:15 Where did you get these?
00:52:18 - I drew them.
00:52:24 - What are they supposed to mean?
00:52:30 I used to do what's called "psychometry. "
00:52:34 Give me a personal item.
00:52:38 a connection to the person that I can read...
00:52:42 In this case, it was the girl's hair clip.
00:52:47 A piece of evidence.
00:52:51 You gonna say what this has to do with me?
00:52:53 I treat a patient with
00:52:58 and all three of them have
00:53:02 and one of them is this girl.
00:53:05 Kaya.
00:53:06 And she draws this, you know?
00:53:08 I mean, over and over and over again.
00:53:10 I mean, is there anything
00:53:13 maybe, that you could share with me?
00:53:17 It was a while ago.
00:53:20 A while ago? And do you know
00:53:26 If I knew that,
00:53:30 I just see victims,
00:53:32 the one associated with the object.
00:53:38 You've got a half an hour
00:53:41 After that, you may have a guard
00:53:44 - Okay?
00:53:53 If you want them to leave her,
00:53:54 then I'm guessing
00:53:58 In this case, they are trapped.
00:54:02 Unable to move on.
00:54:04 You've got three dead girls but no bodies.
00:54:06 I'd say you need to find some bodies.
00:54:11 Why did they pick me?
00:54:14 Hard to say.
00:54:15 Maybe you remind them of someone,
00:54:18 maybe you've come into contact
00:54:22 with places they lived,
00:54:24 with places they died.
00:54:25 Places they died?
00:54:29 Yes.
00:54:33 Maybe they were trapped
00:54:37 and you happened to be
00:54:42 Or the wrong place.
00:54:45 It's really hard to say.
00:54:47 It depends on so many different factors.
00:54:50 Heredity, religion,
00:54:54 - a near-death experience.
00:54:57 Your accident at the lake.
00:55:01 Gil, we've worked very hard, all right,
00:55:06 to try to communicate
00:55:10 Can you make an attempt,
00:55:13 at least make an attempt,
00:55:17 What makes you think
00:55:19 Could you try? Please.
00:55:22 Please.
00:55:23 Just try to communicate with them.
00:55:26 - It's like you said, they can't remember.
00:55:31 - You need to remember for them.
00:55:33 - You need to figure it out.
00:55:36 Help me. Please.
00:55:39 No, I'm sorry.
00:55:40 - Gil.
00:55:50 I mean, what kind of drugs they got you on?
00:55:51 Look, I cannot do
00:55:54 I told you,
00:55:57 hopefully give you an idea
00:55:59 Enough of this psychometry
00:56:02 Even the cops had you pegged
00:56:04 I've never conned anybody,
00:56:07 You don't, huh?
00:56:09 You know what,
00:56:11 prove to me you're nothing but
00:56:13 Here. Take that.
00:56:15 - What's that?
00:56:17 - Who?
00:56:18 - Your wife?
00:56:19 Who she run off with? Take it.
00:56:21 Take it. Divine it!
00:56:34 It's no good.
00:56:38 - It's been too long.
00:56:50 So, do you
00:56:55 Finding the bodies?
00:56:57 I think this is all we've got to work with.
00:57:00 I'm at a loss.
00:57:02 You know,
00:57:04 I think tonight, we should try to focus
00:57:08 Yeah, me too.
00:57:17 You know, you haven't told me her name.
00:57:19 Who?
00:57:21 Your ex-wife.
00:57:23 Andrea.
00:57:25 I woke up one day, and she left me her ring.
00:57:31 And a note.
00:57:33 You didn't see it coming?
00:57:35 - I mean, there were no signs?
00:57:38 Maybe I didn't give her
00:57:40 What do you mean?
00:57:43 I wanted my life.
00:57:46 I wanted my work,
00:57:49 I wanted my patients,
00:57:51 and I got it.
00:57:54 She didn't take much.
00:57:57 Just a suitcase.
00:57:59 Well, where did she go?
00:58:01 I haven't a clue.
00:58:03 Wait, so you didn't try to contact her?
00:58:07 Tried.
00:58:10 - I'm sorry.
00:58:14 has this way of deflecting pain,
00:58:18 a remarkable instrument.
00:58:29 Thanks.
00:58:31 Well, thank you for a lovely evening.
00:58:34 The pleasure was mine.
00:58:43 Thanks for coming.
00:58:48 - Good night.
00:58:58 - Hey, do you mind if I grab my keys?
00:59:01 Thank you.
00:59:09 Excuse me, Doc.
00:59:14 Hey, Doc.
00:59:16 How you doing?
00:59:27 Tornado Power was bought out
00:59:33 The time of the abductions.
00:59:35 Yeah, that's right.
00:59:39 Strange that kid's been waltzing around
00:59:41 for the past three years, though.
00:59:43 Tornado employed a lot more people
00:59:46 There are probably 50 guys
00:59:49 Yeah, but he dated the kid.
00:59:51 He drove the blue car.
00:59:53 Sorry to break it to you, Doc,
00:59:57 Well, you said if I found evidence,
01:00:00 that I was to bring it to you
01:00:03 When you bring me evidence, I will.
01:00:05 So you see no correlation to the fact
01:00:07 that this kid just might be
01:00:10 and the obvious symbolism
01:00:13 Now, you listen to me.
01:00:15 I'm not going to bring someone in
01:00:17 just because your patient draws something
01:00:21 I need more than this, and you know it.
01:00:26 This Eneko Gil is putting crazy thoughts
01:00:29 That's just going to lead you to trouble.
01:00:35 Hey, Doc. It's Eneko.
01:00:37 - Sorry about the other day.
01:00:39 Don't even worry about it.
01:00:41 Hey, listen, I need your help,
01:00:44 Can we meet?
01:01:00 Hey, that's a new one.
01:01:05 Hey, easy.
01:01:07 I'm not gonna hurt you.
01:01:08 Okay, it's okay.
01:01:10 It's okay. It's okay.
01:01:12 It's okay.
01:01:33 You're sure this is it? 'Cause I'm going in.
01:01:35 Yeah, Rambla Jardín, that's it.
01:01:42 All right, my phone's on page.
01:01:45 Give me your cell.
01:01:54 Kevin,
01:01:56 listen, I have to talk to you.
01:01:57 - When we were at the hospital...
01:02:01 Now, you see anyone, just press "send. "
01:02:04 - You got it?
01:02:07 - You got a light?
01:04:32 Doc?
01:04:34 What the fuck are you doing here?
01:04:46 - Hello, Hugo.
01:04:48 I've been looking for you.
01:04:56 Why did Kevin bring the taxi driver
01:04:59 Oh yes, I don't know.
01:05:02 I thought he was related to the patient.
01:05:06 You know, being trained in human
01:05:11 But the best is the ability to know
01:05:14 The doctor said he was a relative,
01:05:18 Because your job depends on it.
01:05:29 Well, congratulations.
01:05:32 You've got yourself a bona fide
01:05:39 - Do I get to post bail here or something?
01:05:43 Why?
01:05:45 Because Alex Alonso isn't pressing charges.
01:05:56 Exactly what were you hoping to find
01:06:05 I don't know.
01:06:10 I just think that kid's been damned.
01:06:12 - I'll tell you...
01:06:15 I understand.
01:06:16 But you are a doctor.
01:06:18 Leave investigating to us,
01:06:22 This is your last warning. Understand?
01:06:28 Completely.
01:06:31 Yeah, Mira, this is Kevin.
01:06:33 No, no. I'm out.
01:06:35 Molina was good enough to let me go.
01:06:37 I made a mistake. It's a long story.
01:06:40 Hey, let me call you back, all right?
01:06:47 Hey! Eneko!
01:06:51 Eneko.
01:06:53 Hey.
01:06:55 - Doc?
01:06:58 What are you doing here?
01:07:00 Come on, let's get you out of here
01:07:02 - Let them come. I don't care any more.
01:07:05 Myself and the images I see.
01:07:07 The images you see
01:07:10 - You need... Look at me!
01:07:15 You can exchange a gift, Doc,
01:07:17 return it if you don't like it,
01:07:19 even give it away.
01:07:22 This is no gift.
01:07:25 I'm stuck with it.
01:07:28 Here's a story for you.
01:07:31 Mom loses a five-year-old son
01:07:37 The cops bring me in,
01:07:40 bring me a baseball cap.
01:07:43 And I get something off it.
01:07:47 I could see this boy
01:07:50 but not his face,
01:07:52 never his face.
01:07:56 I told them I couldn't be sure,
01:08:01 I took them to a riverbed
01:08:03 north of here.
01:08:06 And that's where we found him.
01:08:09 Know why I couldn't see the kid's face?
01:08:14 Some sick son of a bitch
01:08:22 There are things a mother shouldn't see.
01:08:28 Well, you gave her closure.
01:08:31 Closure?
01:08:34 She killed herself six weeks later.
01:08:37 That was her closure.
01:08:41 She had a right to know.
01:08:45 You really believe that?
01:08:48 Yeah, I do.
01:08:53 Your wife,
01:08:56 she's got dark hair?
01:08:57 Brown eyes?
01:09:00 She's dead.
01:09:04 What are you doing?
01:09:07 The ring.
01:09:09 I lied.
01:09:12 I saw her.
01:09:16 What do you mean, you saw her?
01:09:19 I'm sorry, Kevin.
01:09:21 Think about it, Kevin.
01:09:23 When is the last time you heard from her?
01:09:32 You're drunk.
01:09:34 You're drunk, man. Come on.
01:09:37 Let's get you home. Come on.
01:09:44 Come on.
01:10:12 What is this?
01:10:16 Delgado has had me start her
01:10:18 He did what?
01:10:20 Jane?
01:10:23 I need you to focus.
01:10:27 What is it you've been keeping from me?
01:10:30 Who is the voice?
01:10:33 If it's an alter, let her speak.
01:10:38 Is there a fourth alter? Please, let her speak.
01:10:42 - Let her speak.
01:10:44 She's not going to tell you anything.
01:11:27 Dr Khoury, this is Leonard Kinderman
01:11:32 We've received charges
01:11:35 from a Dr Delgado of Spain.
01:11:38 We're convening a licence review hearing
01:11:44 How's next Wednesday for you,
01:11:47 Until that time, we must insist you stop
01:11:53 Please get back to me
01:12:10 Hello, Jane. How are we feeling today?
01:12:14 I understand you won't
01:12:19 - I want to see Kevin.
01:12:25 Come on now, be a good girl.
01:12:28 I'm not taking any more pills
01:12:33 - Kevin does not run this facility.
01:12:38 - The courts would beg to differ.
01:12:41 - Come on, you two. Now just take the pills.
01:12:45 Just take the pills!
01:12:47 - No. Please. Please.
01:12:51 Please stop.
01:13:00 Jane.
01:13:03 Jane.
01:13:32 Clean this up.
01:13:43 No. Please. Please don't do this.
01:13:46 Please. I promise.
01:13:48 It's not my fault. I'm sorry.
01:13:49 - Relax, Jane. It's for your own good.
01:13:53 Please don't. Please don't. Please. Please.
01:13:58 Please don't.
01:13:59 Please, please, please. Please,
01:14:09 Please. Please don't do this.
01:14:51 Kevin, let me go. Let me go, Kevin.
01:14:55 Bye, love.
01:15:06 Hello.
01:15:08 Hugo?
01:15:11 He did what?
01:15:14 He gave her...
01:15:16 No, no, no, no. No, I'll deal with it.
01:15:24 Open the gate.
01:15:30 Open this gate, please.
01:15:32 Hugo, what is going on?
01:15:34 - I'm sorry, Mira. You can't see her now.
01:15:36 - Delgado is being very strict on this.
01:15:41 Please.
01:15:45 When Delgado leaves, I'll get you in.
01:15:49 - I need you to give this to Kevin.
01:15:53 Come back around 8:00.
01:15:56 Okay, thank you.
01:15:58 I owe you an apology.
01:15:59 It seems to me it's Alex
01:16:02 I wanted to see you first,
01:16:04 and I should have told you
01:16:09 Anyway, I'm sorry and
01:16:13 I guess I'm consumed.
01:16:17 It's like they're reaching out to me.
01:16:21 Asking for help.
01:16:27 Yeah.
01:16:30 - These are all students of yours.
01:16:42 That one is from Greece.
01:17:49 It's right next to Alonso's office.
01:17:54 And?
01:17:56 Serial killers do not choose victims
01:17:58 They watch. They observe.
01:18:00 So, you gonna break into
01:18:02 And why doesn't Alonso even mention
01:18:05 she was one of his students,
01:18:07 Because he's never been a suspect.
01:18:09 You wanted a motive as to why
01:18:11 - then I just gave you one.
01:18:14 Look, I told you,
01:18:18 And that means eyewitnesses,
01:18:22 Did you run Javier's prints
01:18:23 against everything you've collected now
01:18:26 I don't have Javier's prints to run.
01:18:28 - Why not?
01:18:30 Far as I know,
01:18:34 Neither did Ted Bundy.
01:18:37 - Don't go doing anything stupid!
01:18:50 Flowers. How nice.
01:18:55 Secret admirer.
01:19:00 Thank you.
01:19:05 Cheap pervert.
01:19:17 Molina's running Alonso's fingerprints
01:19:20 Hopefully they'll match the clip.
01:19:24 Almost forgot.
01:19:29 - Some of Jane's recent drawings.
01:19:35 It looks different than the vortex, doesn't it?
01:19:42 Listen, I have to get back to the hospital,
01:19:48 - Say hi for me.
01:20:08 There is an old salt mine
01:20:15 Yeah, Inspector Molina, please.
01:20:18 Can you get him a message?
01:20:21 Behind the property belonging to
01:20:57 Kevin.
01:21:27 Janie.
01:21:32 Janie.
01:21:37 Janie.
01:21:41 Kevin.
01:21:45 - Kevin.
01:21:51 Kevin, why?
01:22:01 Can you tell me why?
01:22:06 Can you tell me why?
01:22:13 Kevin.
01:22:16 Kevin.
01:22:19 Kevin.
01:22:25 Here you are.
01:22:27 What is this?
01:22:29 From the lab, we compared the new prints
01:22:33 - Oh yes, quick work.
01:22:37 - And nothing, right?
01:23:17 Let me go.
01:23:33 Kevin.
01:23:48 Let me go!
01:23:56 Where are the rest?
01:24:05 This is
01:24:08 my wife.
01:24:12 I know.
01:24:15 I got a report back from the lab.
01:24:18 Ran our partial on
01:24:21 And you know what? We got a match.
01:24:26 You got a match?
01:24:28 You.
01:24:30 Alonso had never been in the system
01:24:34 You had never been in the system before
01:24:40 It was your print on that hair clip.
01:24:56 You killed them.
01:25:16 It's impossible.
01:25:20 - She left me.
01:25:35 In fact, she...
01:25:37 She left a note.
01:25:44 You packed up some of her things,
01:25:49 Maybe you couldn't live with yourself
01:25:54 So you blocked it out and forgot everything.
01:26:00 But now I need you to remember, Doc.
01:26:06 Where are the rest?
01:26:37 Jane. Jane.
01:26:42 Hugo!
01:26:43 Jane.
01:26:46 Hugo!
01:27:24 Jane!
01:27:33 Jane! Jane!
01:27:55 Jane, are you okay?
01:28:01 Jane.
01:28:03 It's okay.
01:28:09 It's just me now.
01:28:46 Mr and Mrs Bataille.
01:28:48 Sorry.
01:28:49 - It was a nice ceremony.
01:28:54 - Thank you, Inspector.
01:29:07 How is he?
01:29:10 Same. He hasn't said a word.
01:29:16 It's like he's dead to the world.
01:29:23 I guess it all makes sense.
01:29:25 The way I feel it is, Kevin became obsessed
01:29:28 with the diseased minds
01:29:31 That obsession opened the door
01:29:35 Pretty soon, the man who spent all his time
01:29:40 had become the monster.
01:29:43 Stop!