Love Happy

en
00:00:04 Don't anyone leave this theatre.
00:00:18 I am Sam Grunion, private eye,
00:00:22 Secrecy is my motto - I never tell.
00:00:25 You will notice even my business card
00:00:28 has nothing on it.
00:00:31 I am the same Sam Grunion who solved
00:00:35 Scotland Yard was baffled,
00:00:38 They sent for me
00:00:41 I confessed.
00:00:43 The Romanov diamonds still missing
00:00:47 For eleven years I trailed them, through
00:00:51 round the Cape of Good Hope
00:00:55 From Gimbel's basement, the trail led me
00:00:57 to a group of struggling young actors
00:01:01 Did the diamonds bring them luck? Money?
00:01:03 Hardly. Once again was repeated
00:01:07 a story of danger, cruelty, black violence,
00:01:10 mystery, murder!
00:01:12 By the way, what do you suppose
00:01:17 Love Happy.
00:01:19 # I'm love happy
00:01:21 # It's wonderful to know
00:01:24 # And if I do
00:01:27 # It's all because of you
00:01:31 # Heart happy, I'm kiss happy
00:01:33 # Whoever would believe
00:01:37 # Why are skies blue?
00:01:40 # It's all because of you
00:01:43 # Oh, my darling, my daisy, I may be crazy
00:01:47 # But haven't you found
00:01:49 # That we're doing what we like
00:01:53 # Kids on a merry-go-round
00:01:56 # Night happy and day happy
00:01:59 # I see a future where I'm gonna stay happy
00:02:02 # And I know why
00:02:05 # All my dreams come true
00:02:08 # Cos you're love happy too
00:02:12 # Doo-doo-doo #
00:02:48 That's Mike Johnson.
00:02:51 Interesting dance, isn't it? He
00:02:59 That's Maggie Phillips.
00:03:02 She's a dancer too, but it's hard to tell
00:03:16 This is Maggie's best friend, Bunny Dolan.
00:03:19 She invested her last $300 in the show.
00:03:21 It looks Iike a cold winter ahead so
00:03:40 These love happy kids who were struggling
00:03:45 they were underfinanced
00:03:48 Today they had already missed breakfast
00:03:50 and their hopes for lunch
00:03:53 Harpo, the strolling delicatessen.
00:03:56 Here he is, shopping!
00:03:59 Looks Iike a classy store, doesn't it?
00:04:02 Well, in the front they specialise
00:04:05 but in the back they specialise
00:04:19 Bless you, my man, bless you.
00:04:25 Thank you.
00:04:32 Thank you very much.
00:04:44 Quietly, please, darling.
00:05:09 Madame Egelichi, you are just in time.
00:05:13 Relax. And wipe that smirk off your face,
00:05:17 - Yes, madame.
00:05:19 Yes, madame.
00:05:29 Thank you.
00:06:08 It's all right, boys, just leave them there.
00:06:12 OK, sign here.
00:06:15 Thank you, boys, thank you.
00:07:24 At last. At last.
00:07:28 You little darling. You're here.
00:08:06 - Is the pelican jelly in yet?
00:08:12 - I have it, I have it!
00:08:14 - It's in the third crate.
00:08:20 I want to enjoy this moment.
00:08:24 I have gone through a great deal.
00:08:28 How many commissars did I marry,
00:08:30 - Five, Madame Egelichi.
00:08:33 Yes, the Grand Duke
00:08:38 Eight weddings in three months
00:08:41 before I could track down
00:08:45 on its trail from bridegroom to bridegroom.
00:08:50 And now the jewels
00:08:55 If you please, Lefty.
00:09:00 The Royal Romanov necklace.
00:09:04 One million dollars in matchless diamonds.
00:09:10 I have outdone even myself.
00:09:18 - There is something wrong, Lefty.
00:09:22 - This is not the right can.
00:09:25 - Where is the can with the Maltese cross?
00:09:28 This has no Maltese cross
00:09:31 It can't be. The Maltese cross was on it,
00:09:35 It was put on with special adhesive paint.
00:09:38 A generation of rubbing
00:09:42 Mr Throckmorton,
00:09:46 They take care of people I do not like.
00:09:49 Oh, no, let me open it.
00:10:06 Those hardly look like
00:10:11 - You may proceed, gentlemen.
00:10:14 Ooh!
00:10:17 Arrgh!
00:10:28 Eight marriages wasted.
00:10:31 The other leg, Hannibal.
00:10:41 I am afraid you have to stop, I cannot
00:10:45 Mr Throckmorton is too feeble
00:10:49 Revive him.
00:10:57 I can't understand it.
00:11:00 I can't understand.
00:11:02 - I can't understand.
00:11:04 Who was present when you found the tin?
00:11:07 No one, not a soul. The door was locked.
00:11:10 Wait. Yes, there was someone.
00:11:13 A strange-looking creature,
00:11:24 You will call the police.
00:11:26 Inform them that a bushy-haired shoplifter
00:11:31 Give them a full description.
00:11:33 Offer a reward of $1, OOO for his capture.
00:11:37 Have all the suspects brought
00:11:43 Police headquarters, please.
00:12:33 Say kids, take five minutes.
00:12:38 Excuse-a me. You Mike Johnson?
00:12:40 - What do you want?
00:12:43 - Wrong number, I'm all cast.
00:12:46 You're missing a big band. Somebody told
00:12:50 You're hiring-a people
00:12:53 I'm the most unheard of actor
00:12:57 - What's your name?
00:12:59 - You never heard of me, huh?
00:13:01 - What did I tell you?
00:13:04 I no like-a to brag, but the thing
00:13:08 I give you demonstration.
00:13:11 - You are thinking of something...
00:13:16 You are thinking of a nice juicy steak
00:13:20 - The exit's over there.
00:13:24 - Maybe you need a juggler.
00:13:26 An usher? I bring-a my own flashlight.
00:13:30 - Hello, Lyons.
00:13:33 - You're looking wonderful.
00:13:37 Mr Yorkman supposed to be here at ten.
00:13:40 Don't worry, partner, he'll show.
00:13:42 Don't tell me to don't worry,
00:13:45 I am removing all my costumes and scenery
00:13:48 He's mad, pulling out of the biggest
00:13:52 Don't tell me about smashes. Mr Yorkman
00:13:56 - I told you exactly what he told me.
00:14:00 Now the next step.
00:14:03 or $1100, or I move the stuff off the stage.
00:14:07 - As of now.
00:14:10 Excuse me. You Mr Lyons?
00:14:12 - That's right.
00:14:15 I was just talking to Max Yorkman
00:14:18 - Are you a friend of Mr Yorkman?
00:14:22 - Two heads on the same neck.
00:14:25 You know, Max said to me,
00:14:28 "Go see Mike Johnson. I'm backing
00:14:32 - That's what he said, Mr Johnson.
00:14:36 He's backing the show?
00:14:38 Use-a your common sense.
00:14:42 I've been trying to call Mr Yorkman
00:14:44 You don't have to bother
00:14:48 OK. Maybe I was a little hasty
00:14:52 That's only natural.
00:14:56 Maybe he really knows Mr Yorkman.
00:14:59 It's a buggy ride,
00:15:02 - Am I hired?
00:15:04 Thanks, thanks. How much-a you pay me?
00:15:08 - That kind of talk's gonna get you nowhere.
00:15:11 - Not till we open and click.
00:15:16 I'm-a no ham.
00:15:19 Ham.
00:15:21 Ham! Something's happened.
00:15:24 - Who isn't here?
00:15:26 Hey, Jim.
00:15:28 Have you see any funny-faced tramps
00:15:31 There's a $1, OOO reward.
00:15:38 Harpo, everybody's waiting,
00:16:11 Now we eat!
00:16:29 Hello, Harpo. You got-a something for me?
00:16:33 You want I should read your mind again?
00:16:36 All right, start thinking.
00:16:38 You're thinking the same thing you thought
00:16:42 That's the only thought-a you got, huh?
00:17:01 You're in love.
00:17:02 A beautiful girl is-a going to smile at you.
00:17:05 That's the only thing you want,
00:17:09 All right, stop thinking.
00:17:14 I no want-a sardines.
00:17:20 Mmm, ice cream.
00:17:23 Tutsi frutsi ice-a cream.
00:18:39 A royal feast.
00:18:48 I'll have these tomorrow.
00:18:54 Bunny Dolan, next number.
00:19:00 Rehearsal!
00:19:05 # Gather round me, my children
00:19:09 # Lift up your curly blonde heads
00:19:14 # Cos Mommy's got something to ask you
00:19:19 # Before you crawl into your nice warm beds
00:19:26 # Mama wants to know, who stole that jam?
00:19:29 # Who's been in her nice clean kitchen,
00:19:33 # Was it little Tom or Sue or Mabel
00:19:36 # Who snucked it off the table,
00:19:40 # Mama wants to know,
00:19:44 # Mama's gonna kick some teeth in
00:19:47 # Mama wasn't lookin'
00:19:51 # None o' you had better scram
00:19:55 # Mama's not the type that gets excited
00:19:58 # She slugged those groceries home
00:20:01 # But mama's gotta find that guilty party
00:20:05 # One o' you kids has to talk!
00:20:08 # Mama wants to know, who stole that jam?
00:20:12 # Who's been rifling all those goodies,
00:20:15 # Seems to me you're acting
00:20:19 # Bet you ate that custard
00:20:22 # Mama wants to know,
00:20:25 # Mama's gonna kick some teeth in
00:20:29 # You're that little el-ef,
00:20:33 # I don't want that lollipop
00:20:36 # Mama's gonna blow her top
00:20:40 # You stole that jam #
00:21:46 I'm sorry, Officer, but this creature's
00:21:50 - Yes, sir.
00:21:56 Wrong one again.
00:21:58 Answer it.
00:22:00 If ever I lay my hands on that thief,
00:22:07 I picked him up, thought you might
00:22:10 - Bushy hair and funny face, they told me.
00:22:13 Excuse me, Officer.
00:22:18 - That's the one.
00:22:21 He's our man, I tell you. What do we do?
00:22:51 - So nice of you to take this trouble.
00:22:54 - Is this the fella?
00:22:59 - OK, beat it.
00:23:01 Don't send him away. The poor man looks
00:23:07 And he looks so intelligent.
00:23:10 - Would you mind leaving him here?
00:23:15 - You can't trust characters like these.
00:23:20 - Please, Officer.
00:23:23 Thank you, Officer, goodbye.
00:23:25 - You grubby little warthog!
00:23:28 I must ask you to leave.
00:23:32 Yes, madame.
00:23:35 Puh!
00:23:44 She's giving him the whammy.
00:24:35 I am Madame Egelichi.
00:24:38 I have been looking for you for a long time.
00:24:43 Because I think
00:24:52 Alphonse, Hannibal, search him.
00:26:38 Alphonse, Hannibal!
00:26:40 You will wait in the other room.
00:26:53 I think we'll be more comfortable alone.
00:27:00 I like you.
00:27:03 I like you very much.
00:27:06 I don't want you to be lonesome
00:27:10 I want to ask you a few questions.
00:27:14 A few personal questions.
00:27:17 But you mustn't lie to me.
00:27:22 I do not like it when people lie to me.
00:27:28 I get offended.
00:27:35 Alphonse, Hannibal!
00:27:37 This creature won't talk.
00:27:42 - There are ways of making him talk.
00:27:45 - Wind of the devil...
00:27:50 What did you do with the sardine cans?
00:27:52 Answer me.
00:27:54 Oh, take him away.
00:27:58 Give him everything.
00:28:01 But she was doomed to failure.
00:28:03 For right now the sardines are on a table
00:28:07 For three days
00:28:10 smoked chicken, canned turkey, tuna fish.
00:28:13 If only she'd developed a taste for
00:28:17 Meanwhile the cast went on with dress
00:28:22 All right, let's get set
00:30:46 Hey, bobo. Toodle-a-bop-bop...
00:32:15 That was fine, Maggie.
00:32:20 Madame Egelichi, wearing
00:32:24 was desperately trying to make Harpo talk.
00:32:28 First came the Hungarian rope torture.
00:32:32 For six hours, Harpo sat in the chair
00:32:57 And four hours on the hideous rack.
00:33:00 An original from the workshop of
00:33:09 Place your bets, place your bets!
00:33:16 When Harpo wouldn't talk, Madame
00:33:21 That meant only one thing,
00:33:24 the insidious food and water torture.
00:33:59 - Has he spoken yet?
00:34:02 - Has he slept? Eaten?
00:34:04 Three days without breaking.
00:34:08 After I've finished eating, bring him in,
00:34:16 You have refused to speak.
00:34:18 We shall keep on firing until you tell me
00:34:24 Fire.
00:34:34 Put that apple back on your head!
00:34:37 Ooh!
00:34:47 Nothing must happen to him. He is the only
00:34:54 - The gun isn't loaded, is it, Alphonse?
00:35:03 - There were only four bullets in it?
00:35:09 Grab him. The gun is empty.
00:35:34 We have been fooled. He can speak.
00:35:36 - I'll stop him.
00:35:40 I'll listen in.
00:35:48 You, you got-a no heart.
00:35:50 They wanna sing and dance, but what
00:35:55 Who's-a you? Toscanini?
00:36:01 Harpo!
00:36:04 Some sort of code.
00:36:07 Mr Lyons, stop-a the noise,
00:36:10 Where is he?
00:36:11 Shh! I'm-a reading his mind.
00:36:18 Clear your head, you talk-a too fast.
00:36:41 That's-a better.
00:36:48 He's-a havin' a party.
00:36:52 That's-a lots of fun, huh?
00:36:57 Hey, what do you think? A beautiful woman
00:37:05 What? You don't say!
00:37:13 How much-a money she's got?
00:37:17 Tell her to come to the Windsor Theatre.
00:37:21 Lefty, they are at the Windsor Theatre.
00:37:26 He says she's a rich woman.
00:37:28 Stop-a thinking and listen.
00:37:30 We're in-a trouble. Bring her to the theatre
00:37:45 Alphonse, Hannibal!
00:37:54 Everything is-a fine. Harpo save the show.
00:37:58 - I ain't fall for any more stalls.
00:38:01 - It's-a love. She's-a bringing the money.
00:38:06 Hey, are you a musician?
00:38:09 - Well, I used to play.
00:38:13 I say to myself, "This Mr Lyons,
00:38:18 "He's got something inside.
00:38:20 "Something that comes from the heart. "
00:38:22 What kind of music you like?
00:38:24 Uh, I like Gypsy music.
00:38:27 Gypsy music! That's magnifico.
00:38:31 Stop the moving, stop the noise,
00:38:34 Mr Lyons, he's going to play. Here.
00:38:36 Uh, do you know Play Gypsy Play?
00:38:39 - No, I don't know that.
00:38:43 - No.
00:38:45 - I know Gypsy Love Song.
00:38:47 - I only know the chorus.
00:38:51 - You play and I'll noodle around.
00:38:55 - Like this...
00:38:58 You noodle on that, I macaroni on this.
00:39:10 Now, look, Mr Lyons, I know you want
00:39:14 but please don't play better than me.
00:39:52 Are we playing the same thing?
00:40:34 Ha-ha, one too much!
00:40:56 Ha-ha, that's very good.
00:40:58 Now we try the chorus,
00:41:02 - You know what pianissimo is?
00:41:04 - How long you study music?
00:41:07 15. Two more years
00:41:11 All right, never mind the pianissimo,
00:41:15 We play it allegro pizzicato.
00:41:17 That's what-a you call
00:41:20 - You know allegro pizzicato?
00:41:23 You know Jimmy Pizzicato?
00:41:25 - No.
00:41:28 - No.
00:41:30 Er, I know pistachio.
00:41:32 Pistachio? We'll play it!
00:43:35 Two, three, four, five, six, seven.
00:43:45 Very good. Very good.
00:43:52 Now we play one more chorus. Come on.
00:44:01 Well, boys and girls,
00:44:06 Our show isn't opening.
00:44:08 We're closing tonight,
00:44:11 Mr Lyons, a man of small faith,
00:44:14 is removing the scenery and costumes
00:44:18 Mr Johnson, may I suggest that we do
00:44:22 since before the days of
00:44:24 perform without scenery or costumes
00:44:32 Sorry, I can't go on
00:44:35 Curtain's down, school's out.
00:44:38 Better luck next time.
00:44:42 Oh, I'm sorry, Mr Johnson,
00:44:47 Uh-huh.
00:44:52 Well, go ahead, say it.
00:44:55 - I wasn't going to say anything.
00:45:00 I'm yellow, no guts.
00:45:02 - No, Mike, you're just what you are.
00:45:04 A nice, sweet young man
00:45:08 You'd look stunning in an apron
00:45:15 - Here, have some sardines.
00:45:18 I'm not throwing a bare turkey on the stage.
00:45:20 I'm quitting, Maggie,
00:45:24 - Relax, it's over.
00:45:28 We're going to open without scenery,
00:45:31 just with talent and people.
00:45:35 - Hallelujah.
00:45:38 - What's to celebrate?
00:45:40 Don't change the subject.
00:45:44 What do you think life is? A fairy tale?
00:45:46 Yes, it is.
00:45:49 Fairy tales, sardines...
00:45:59 What do you want?
00:46:05 Could you tell me, please,
00:46:09 - You're speaking to the gentleman.
00:46:13 - What can I do for you?
00:46:17 - You mean in the show?
00:46:21 - Too bad, Miss...
00:46:24 - Mr Johnson, you must have a place for me.
00:46:27 - But why?
00:46:31 What I'm trying to say, without breaking
00:46:37 calling it a day.
00:46:38 - Better luck next time, Madame Egelichi.
00:46:41 Er, you mean the show will not open
00:46:44 Oh, no.
00:46:46 - How much money do you need?
00:46:50 Mr Johnson, I am serious.
00:46:53 This is over my head, Mike.
00:46:55 What's going on?
00:46:57 It's simple.
00:47:00 Well, here's our fairy godmother
00:47:04 And what a wand!
00:47:05 Madame Egelichi, I need $1100 to raise
00:47:10 - Shall we go to your office, Mr Johnson?
00:47:13 You are going to make me so happy.
00:47:43 He's taking a long time for a business deal.
00:47:46 - He'll be back.
00:47:49 Sorry, Bunny, I promised...
00:47:56 I said never to eat your dinner in this room.
00:48:03 Cheer up, honey. Maybe he's breaking your
00:48:27 Well, baby, we're opening.
00:48:30 - That's wonderful.
00:48:32 She's mad about the theatre and she liked
00:48:37 - You can tell me all about it at dinner.
00:48:42 Rita and I still have a lot to discuss
00:48:46 But, baby, I know it's your birthday
00:48:49 Now be a trouper.
00:48:53 It would look better
00:48:55 Don't get any ideas. I was so excited when
00:49:01 I've got to run. See you tomorrow.
00:49:04 Happy birthday.
00:49:21 - Do you want all these cans open?
00:49:23 But these open cans will attract attention.
00:49:25 - Then put them in the alley.
00:49:34 - You like-a sardines?
00:49:36 - Why, have you got any?
00:49:39 I got something that's worth
00:49:42 - Really? What is it?
00:49:45 It come to me like a flash.
00:49:47 The first minute I see you, it's, what
00:49:51 It's the kind of love
00:49:54 - Would you do something for me?
00:49:56 I climb the highest mountain,
00:49:59 I put my arm in the fire
00:50:02 Er, go and get me all the sardine cans
00:50:07 Sardines? Ha! That's nothing.
00:50:11 I'm going to cover you with sardines.
00:50:14 That's how much I love you.
00:50:16 Watch-a my smoke.
00:51:26 Darling!
00:51:30 My favourite animals, cats. I collect them.
00:51:33 Darling. Darling!
00:51:40 Madame Egelichi, our search is over.
00:51:42 - Here is the can.
00:51:44 - Where is the necklace?
00:51:46 - Really, Throckmorton.
00:51:48 He was eating sardines and swallowed it.
00:51:50 - That is impossible.
00:51:57 I no get-a sardines, I
00:52:00 - What?
00:52:02 - I have no use for them.
00:52:06 Smelts? Smoked whitebait?
00:52:08 I get you any kind of fish you like!
00:52:10 I love you!
00:52:45 Go away!
00:52:52 Go away! I'm sure your new partner's
00:52:57 Oh, Harpo, I thought it was...
00:53:12 This is where you live, isn't it, Harpo?
00:53:17 It must be wonderful to be like you, Harpo.
00:53:21 You live alone.
00:53:23 That is... you don't need other people.
00:53:27 You don't depend on them.
00:53:29 You never get hurt.
00:54:10 Oh, Harpo, you're wonderful.
00:54:16 Harpo, I've got an idea.
00:54:19 I've been a fool,
00:54:24 But it's not too late.
00:54:26 He'll still give me the part,
00:54:29 Mr Hammerstein.
00:54:31 Can you imagine me
00:54:35 A star. A real star.
00:54:39 And I'll work.
00:54:43 I'll work, and keep going, and get famous.
00:54:46 And we'll be rich together.
00:54:49 And, Harpo, you'll be with me.
00:54:51 Because you've always loved me.
00:54:55 I haven't anyone except you.
00:54:58 And, from now on,
00:55:00 We'll be famous together. We'll scale
00:55:06 A star and her manager.
00:55:09 We'll be important people. Harpo.
00:55:11 You'll be the most influential manager
00:55:15 You'll have a whole suite of offices
00:55:18 and a great, big, shiny mahogany desk.
00:55:22 You'll be just as famous as me, Harpo.
00:55:25 Everyone will come to your office
00:55:29 all the great stars
00:55:32 to beg you to help them.
00:55:34 You'll audition
00:55:36 They'll want advice about new plays,
00:55:40 begging to work in your productions,
00:55:44 You'll be rich and important, Harpo.
00:55:48 We'll have everything we ever dreamed of.
00:56:05 I'm sorry, Harpo.
00:56:07 I'm afraid everything isn't very much
00:56:13 And on my birthday too.
00:56:16 He had to do it on my birthday.
00:56:19 Yes, and he knew it was.
00:56:22 I hope I never...
00:56:24 never have another birthday!
00:58:11 Oh...
00:58:13 Harpo.
00:58:17 Oh, Harpo.
00:58:20 Oh, what would I do without you?
00:58:25 You've made this the nicest birthday
01:01:35 At last the show was opening.
01:01:38 When Mackinaw reported that Madame
01:01:42 I knew a crisis was at hand.
01:01:45 Now I was close to what I had
01:01:48 Madame Egelichi.
01:01:52 Immediately, I started for the theatre.
01:01:56 Mackinaw, I have a full record of the case
01:01:59 and tonight at the opening,
01:02:02 For Madame Egelichi will be in the front box,
01:02:08 But, if you take away his silk hat,
01:02:11 you'll have me, shivering in my underwear.
01:02:14 - How jolly!
01:02:16 We will be just in time
01:02:24 - Good evening.
01:02:26 Don't fret about it. You can always change
01:02:32 Hey, that's not my suit you're pulling.
01:02:34 Give me the diamond necklace.
01:02:36 We've only just met
01:02:39 I am from the Romanovs. To recover
01:02:44 Zlotys. Did you ever try to spend a zloty
01:02:48 The diamonds.
01:02:49 Or in one hour you die.
01:02:52 Mackinaw, allow me to introduce
01:03:06 At the next musical note,
01:03:08 the end of my life will be brought to you
01:03:12 Is your watch fast? I'll
01:03:14 A few more grains of sand to fall
01:03:18 I think I am ready.
01:03:27 Come in.
01:03:40 Is there anything I can do for you?
01:03:44 Mr Grunion, I want you to help me.
01:03:47 I have a little sand left,
01:03:50 Some men are following me.
01:03:52 Really? I can't understand why.
01:03:59 - I advise you to leave.
01:04:02 If I'm not back tonight, go ahead without me.
01:04:09 That's been the history of all my romances.
01:04:38 Curtain time five minutes.
01:04:54 - All right, I'm a heel.
01:04:57 Could you love a heel that's been repaired?
01:05:00 I came back last night to get you,
01:05:03 - You did?
01:05:08 - What's all that?
01:05:11 - I thought it might improve the costume.
01:05:16 Tomorrow, if we're not stoned to death
01:05:20 I'll get you a real gem
01:05:22 for the proper finger.
01:05:25 Mike...
01:05:49 - Faustino, get ready, you're on soon.
01:06:02 We want the diamonds!
01:06:04 You had them on.
01:06:06 - I don't know.
01:06:09 - She'll talk to Madame Egelichi.
01:06:12 Let go of me, let me go!
01:06:15 Here, Bill.
01:06:20 Where'd you hide 'em?
01:06:22 Maggie...
01:06:24 What's going on here? You let go of her!
01:06:31 Let's search the place
01:06:38 You want I should read your mind?
01:06:41 I'm-a too busy now,
01:06:44 You're too excited, I can't read your mind.
01:06:46 All right, I read-a your mind.
01:06:50 Yeah, it's a dame.
01:06:52 All the time you got a dame on your mind.
01:06:55 It's-a no dame, it's a nice gal.
01:06:58 Yeah, what about a nice gal?
01:07:02 Ha-ha, that's what you call a nice gal?
01:07:06 A dog? What about a dog?
01:07:09 A big dog? A police dog?
01:07:11 A big, big dog?
01:07:13 Saint Bernardo! Even bigger?
01:07:16 Great Dane!
01:07:18 What about a Great Dane?
01:07:20 Great Dane got a dimple? Whiskers?
01:07:23 That's my jaw. Great Dane, jaw.
01:07:28 Great Dane jaw, Great Dane jaw...
01:07:30 Great danger!
01:07:32 Who's the girl in great danger?
01:07:37 I can't read-a your hand,
01:07:42 Ha, that's a billy goat.
01:07:45 That's-a Jolson. You sing-a mammy,
01:07:49 Mammy. Mammy.
01:07:51 Mammy. Ma...
01:07:55 Ma. Ma?
01:07:57 Ma? Ma? Ma what?
01:08:01 Ma what? Ma what?
01:08:06 You open the door... with a key.
01:08:10 Ma, key.
01:08:12 Ma, key. Ma, key. Ma, key. Ma, key. Ma, k...
01:08:16 Maggie! Maggie!
01:08:19 Oh, smart, huh? Oh, I catch on quick.
01:08:23 Maggie's in-a great danger.
01:08:28 That's a bird. A seagull?
01:08:30 A bigger bird? A turkey bird?
01:08:32 A big, big bird? A stool pigeon!
01:08:35 Yankee Doodle. Yankee Doodle bird!
01:08:39 That's the flag.
01:08:42 On top of the flag. It's-a eagle! Eagle!
01:08:45 Eagle. What about an eagle?
01:08:47 Eagle scratch? Eagle tickle?
01:08:49 Eagle got fleas? Eagle nervous?
01:08:52 Ah, stop, you making me itchy.
01:08:54 Ltchy? Eagle, itchy. Eagle, itchy.
01:08:58 Egelichi! Egelichi!
01:09:00 Oh, Egelichi.
01:09:04 A horse. A horse run away with Maggie?
01:09:10 Hammer and nail.
01:09:12 No hammer. A nail.
01:09:14 A big nail. A little nail.
01:09:16 Little bitsy nail. Little bitsy...
01:09:18 Tack. A tack. Tack.
01:09:21 Wet tack.
01:09:23 Wet tack. Wet tack.
01:09:26 Horse, wet tack. Horse, wet tack.
01:09:29 Horse, wet track. Horse, wet track.
01:09:31 Mudder! Mudder!
01:09:33 Mudder. Mudder. Mudder.
01:09:37 A mudder? A mudder?
01:09:38 A mudder? A mudder?
01:09:41 A murder? A murder? A murder?
01:09:43 Murder! Murder!
01:09:46 Oh! Come on, let's go.
01:09:50 - Good luck, Bunny.
01:09:56 Give us the diamonds
01:09:58 They want-a diamonds!
01:10:01 - What are we gonna do?
01:10:05 This is opening night, let's hear those
01:10:10 Perfumes from Hindustan.
01:10:12 Oils from Arabia.
01:10:14 Diamonds from Africa.
01:10:28 - We'll take her to the hotel.
01:10:31 We'll keep her till she tells us
01:10:35 Don't take her away!
01:10:38 - Where are they?
01:10:41 Don't let them escape!
01:10:46 Harpo, this way!
01:10:51 Help me hold the door.
01:10:56 If they find out we no got the diamonds,
01:11:00 Now I gotta get back. Hurry, you go!
01:11:09 That way, Hannibal!
01:11:36 Aha, there he is!
01:11:51 Hurry up, hurry up!
01:12:09 Grab him!
01:12:11 - He was right here.
01:12:17 What are you doing, you idiots? Grab him!
01:12:19 Oh!
01:12:36 There he is!
01:12:39 That's where I saw him.
01:12:58 Head him off at the other roof.
01:15:39 Beautiful, beautiful! Go take your bow!
01:15:42 I gotta no time. I gotta give 'em
01:15:45 - Who's got diamonds?
01:15:47 I save-a Harpo, I save-a the show!
01:15:49 I'm-a the hero, nobody else!
01:17:19 Hey! Hey! I got 'em!
01:17:22 Hey! Hey! Leave Harpo alone!
01:17:25 Here's the real diamonds. Look! Look!
01:17:30 I got him.
01:17:44 Ooh! Oh!
01:18:04 The odds were stacked against me,
01:18:12 At the risk of death, I fearlessly
01:18:41 Ah, Madame Egelichi.
01:18:45 Yes, I do.
01:18:48 - No, I mean before that.
01:18:51 This time I am going to get the diamonds,
01:18:54 and nobody's going to stop me.
01:19:02 No, I'm not gonna follow you and get shot.
01:19:04 If I was half-shot, I'd follow you.
01:19:34 I'll take those.
01:19:38 - Give me those diamonds, you fool.
01:19:42 Now, what are you going to give me?
01:19:45 - That's not what I want.
01:19:48 Those are the real ones.
01:20:12 He's up there!
01:20:15 There he is again!
01:20:22 - Where is he?
01:20:24 - That's where I saw him.
01:20:26 There he is. After him!
01:20:29 Where is he?
01:20:32 - Right there.
01:20:36 Where is he?
01:20:40 There he is!
01:20:43 I'll get him.
01:21:04 No!
01:21:29 Good work, my man,
01:21:32 From now on I'll take care of you.
01:21:47 I'm in complete command of the situation.
01:21:58 I didn't see a thing,
01:22:00 Search him.
01:22:04 Oh, no, I'm not going to get into that.
01:22:08 If this were a French picture I could do it.
01:22:13 - I'll search him myself.
01:22:15 The diamonds kept us apart too long.
01:22:22 I'd kill anyone
01:22:32 Grunion, darling.
01:22:35 Careful, you're singeing my coat.
01:22:37 I don't care about the diamonds.
01:22:41 So you finally fell for me, eh?
01:22:44 Yes. This is the sweetest moment of my life.
01:22:47 Come, my darling.
01:22:48 Goodbye, old man. It was nice knowing you.
01:22:53 - You're tickling my change pocket!
01:22:57 What fun we'll have.
01:23:02 First we'll stop at the unemployment
01:23:18 And that's how it ended,
01:23:20 with the diamonds in the pocket
01:23:23 who disappeared with them,
01:23:28 That was six cases ago. I'm now on
01:23:33 I have tracked them down
01:23:36 Answer that, my man.
01:23:41 I'm busy.
01:23:46 Gin, huh?
01:23:48 10, 30, 40, 47, 50, 60...
01:23:50 A fine assistant.
01:23:52 There goes-a my coat.
01:23:56 Yes?
01:23:57 Yes, dear. Yes, I'll be home, dear.
01:24:00 No, I won't be late, dear.
01:24:03 Yes, dear. Goodbye, dear.
01:24:07 My wife.
01:24:09 Formerly Madame Egelichi.
01:24:13 # Love happy, I'm love happy
01:24:16 # It's wonderful
01:24:19 # And I know why
01:24:21 # All my dreams come true
01:24:24 # Cos you're love happy too #