|
Love In The Time Of Cholera
|
| 00:01:39 |
sub2srt by ¿³ë(Yeolno) |
| 00:01:44 |
Ah, little scoundrel. |
| 00:01:48 |
There you are. |
| 00:01:51 |
Come on. |
| 00:01:55 |
Like you always do. |
| 00:02:09 |
Holy sacraments! |
| 00:02:30 |
Only God knows how much |
| 00:02:53 |
- Someone has died. |
| 00:02:56 |
- It's Pentecost. |
| 00:03:01 |
if they are ringing |
| 00:03:05 |
Florentino, lay down. |
| 00:03:10 |
Let's do it again. |
| 00:03:12 |
Please? |
| 00:03:14 |
Tolling like that must |
| 00:03:18 |
Or... |
| 00:03:20 |
What? |
| 00:03:25 |
What is it? |
| 00:03:42 |
America, you must |
| 00:03:48 |
My driver will take you. |
| 00:03:53 |
My deepest |
| 00:03:57 |
Your father |
| 00:04:05 |
- My condolences. |
| 00:04:09 |
We would still |
| 00:04:11 |
if it had not |
| 00:04:15 |
My sympathies, |
| 00:04:26 |
Let's go, Mom. |
| 00:04:35 |
- See you all later, gentlemen. |
| 00:04:38 |
Mama, I'll stay |
| 00:05:06 |
Fermina, I have waited |
| 00:05:09 |
for this opportunity |
| 00:05:12 |
nine months |
| 00:05:16 |
That is how long |
| 00:05:19 |
from the first moment |
| 00:05:24 |
I repeat |
| 00:05:26 |
my vow |
| 00:05:30 |
and everlasting love. |
| 00:05:36 |
Florentino Ariza... |
| 00:05:41 |
get out of here! |
| 00:05:46 |
Get out! |
| 00:05:50 |
And don't show your face again for |
| 00:05:57 |
And I hope there are |
| 00:07:29 |
Florentino Ariza! |
| 00:07:38 |
Florentino! |
| 00:07:42 |
Ah! |
| 00:07:43 |
- That's not a telegram, Carlos. |
| 00:07:46 |
Deliver this, please, |
| 00:07:51 |
Old house, |
| 00:07:53 |
New in town, |
| 00:07:56 |
Owns mules, |
| 00:08:00 |
Thank you, Lotario. |
| 00:08:06 |
Thank you. |
| 00:08:09 |
Yes yes, I'm coming. |
| 00:08:23 |
Last time you charged me |
| 00:08:26 |
that's double what I paid for this |
| 00:08:29 |
Senor Lorenzo Daza. |
| 00:08:31 |
Yes. |
| 00:08:38 |
Oh, good news. |
| 00:08:43 |
No reply. |
| 00:08:45 |
Look at the shape |
| 00:08:47 |
Not "U" but "A." |
| 00:08:49 |
M-me... |
| 00:08:52 |
M-m... me... |
| 00:08:55 |
mis... |
| 00:08:57 |
mist... |
| 00:09:00 |
mistook... |
| 00:09:03 |
Senor, Senor! |
| 00:09:05 |
Tak... mistook... |
| 00:09:09 |
mistake-taken... |
| 00:09:11 |
Good. |
| 00:09:13 |
Very good. |
| 00:09:20 |
Mistook, mistake, |
| 00:09:23 |
mistaken. |
| 00:09:25 |
- What do you want? |
| 00:09:41 |
Don't you greet |
| 00:09:46 |
Florentino, |
| 00:09:48 |
Have you eaten? |
| 00:09:58 |
"Fermina Daza, |
| 00:10:00 |
for I have learned |
| 00:10:02 |
that is your majestic |
| 00:10:05 |
immortal name. |
| 00:10:09 |
I write |
| 00:10:12 |
in order |
| 00:10:17 |
that I love you." |
| 00:10:19 |
- You haven't been to bed. |
| 00:10:21 |
- Are you ill? |
| 00:10:23 |
You are so pale, my son. |
| 00:10:25 |
- I'm not ill. |
| 00:10:28 |
Let me feel your head. |
| 00:10:30 |
What are you writing, |
| 00:10:33 |
No, a letter. |
| 00:10:36 |
All these pages, |
| 00:10:40 |
But what kind of a letter? |
| 00:10:43 |
Holy Mother. |
| 00:10:48 |
It is a love letter. |
| 00:10:51 |
Oh, my son, |
| 00:10:54 |
Her name is... |
| 00:10:58 |
Fermina Daza. |
| 00:11:00 |
They're new in town. |
| 00:11:02 |
Her mother is dead. |
| 00:11:05 |
And, Mama, I have discovered |
| 00:11:09 |
Don't talk such |
| 00:11:12 |
That's it! |
| 00:11:13 |
Come on, come on, |
| 00:11:15 |
But there is money in mules. |
| 00:11:19 |
Does Fermina Daza |
| 00:11:21 |
"I've discovered..." |
| 00:11:23 |
I don't know. |
| 00:11:24 |
That's why I'm writing |
| 00:11:26 |
If I can find the opportunity, |
| 00:11:29 |
but she's always |
| 00:11:31 |
Then you must |
| 00:11:40 |
It's him! |
| 00:11:43 |
Walk on. |
| 00:12:13 |
Eh-hh. |
| 00:12:39 |
- Let me stand next to her. |
| 00:12:46 |
Senorita Daza, |
| 00:12:48 |
all I ask is that you accept |
| 00:12:51 |
- Not now. |
| 00:12:53 |
Afterwards. |
| 00:12:57 |
Corpus Christi. |
| 00:13:01 |
- Corpus Christi. |
| 00:13:24 |
Welcome, Fernando! |
| 00:13:29 |
Papa, I'm going |
| 00:13:32 |
Mother Superior |
| 00:13:39 |
This is the greatest moment |
| 00:13:42 |
Give it to me. |
| 00:13:44 |
It was very long. |
| 00:13:48 |
Wait! |
| 00:13:50 |
It's a flower |
| 00:13:52 |
Go. |
| 00:13:54 |
And don't see me again |
| 00:14:27 |
My Holy Mother. |
| 00:14:31 |
It is cholera, my son. |
| 00:14:33 |
- No, Mama. |
| 00:14:35 |
I gave her the letter. |
| 00:14:41 |
Now I must wait |
| 00:14:43 |
Yeah. |
| 00:14:47 |
Take advantage of it now |
| 00:14:51 |
And suffer, my son, |
| 00:14:54 |
because these things don't |
| 00:15:00 |
May she answer soon. |
| 00:15:04 |
She won't. |
| 00:15:17 |
Florentino! |
| 00:15:19 |
Florentino! |
| 00:15:22 |
What the hell |
| 00:15:25 |
It's not an American ship, |
| 00:15:28 |
It's the mail from Liverpool. |
| 00:15:33 |
Come here. |
| 00:15:38 |
What is wrong with you? |
| 00:15:41 |
It's madness. |
| 00:15:46 |
Up up up up. |
| 00:15:48 |
No, wait wait. |
| 00:15:54 |
Fly now, go. |
| 00:15:59 |
What is wrong |
| 00:16:08 |
You need to take |
| 00:16:10 |
Come with me |
| 00:16:26 |
Yes? |
| 00:16:27 |
Oh, how much is it |
| 00:16:30 |
to the village |
| 00:16:33 |
- Piedras de Moler? |
| 00:16:37 |
Uh... let me see. |
| 00:16:43 |
It's... |
| 00:16:45 |
You don't... you don't |
| 00:16:50 |
- No. |
| 00:16:57 |
good day to you. |
| 00:17:06 |
Senorita! |
| 00:17:22 |
"Dear Florentino Ariza... |
| 00:17:25 |
I am sorry that I have |
| 00:17:27 |
made you wait so long |
| 00:17:30 |
I ask your forgiveness. |
| 00:17:32 |
Please, write to me |
| 00:17:39 |
"Crowned goddess, I enclose |
| 00:17:42 |
what I know is |
| 00:17:44 |
I also write this verse |
| 00:17:51 |
"I think of you every moment. |
| 00:17:54 |
Now that spring is here, |
| 00:17:59 |
I will love you forever. |
| 00:18:01 |
Forever." |
| 00:18:46 |
Shh-hhh. |
| 00:18:55 |
Shhh. |
| 00:19:22 |
- It's him. |
| 00:19:29 |
- Senorita Escolastica? |
| 00:19:31 |
Senorita Escolastica, |
| 00:19:34 |
please turn apart so I can talk |
| 00:19:38 |
I have something important |
| 00:19:40 |
What impertinence! |
| 00:19:43 |
There's nothing that has to do with her |
| 00:19:47 |
Then I will not |
| 00:19:49 |
But I warn you, |
| 00:19:51 |
you will be responsible |
| 00:19:58 |
- Fermina Daza. |
| 00:20:01 |
We've written |
| 00:20:03 |
and too much time |
| 00:20:06 |
So now... |
| 00:20:08 |
crowned goddess, |
| 00:20:11 |
I make this vow. |
| 00:20:13 |
I swear to you |
| 00:20:16 |
and everlasting love, |
| 00:20:19 |
and I ask in all humility |
| 00:20:22 |
to do me the great honor |
| 00:20:27 |
You... |
| 00:20:29 |
you must give me time. |
| 00:20:32 |
Fermina, say yes! |
| 00:20:35 |
Fermina, I may not be married, |
| 00:20:38 |
Even if you're |
| 00:20:40 |
even if you are sorry later, |
| 00:20:42 |
you will be sorry |
| 00:20:45 |
Believe me, I know |
| 00:20:58 |
Yes, very well. |
| 00:21:00 |
I will marry you |
| 00:21:02 |
if you... if you promise |
| 00:21:05 |
eggplant. |
| 00:21:17 |
Who is he? |
| 00:21:19 |
Who is he? |
| 00:21:23 |
Who is this |
| 00:21:25 |
Huh? |
| 00:21:27 |
And Mother Superior |
| 00:21:30 |
And you... you! |
| 00:21:32 |
You are to blame. |
| 00:21:50 |
No! |
| 00:21:52 |
Aunt! |
| 00:22:04 |
No! |
| 00:22:06 |
No! |
| 00:22:24 |
Daughter, daughter, |
| 00:22:26 |
Listen to your father. |
| 00:22:29 |
I do it because... |
| 00:22:31 |
because I... |
| 00:22:33 |
okay, I'll try. |
| 00:22:35 |
but I have to... I have to ex... |
| 00:22:39 |
I have to explain myself. |
| 00:22:46 |
But ever since |
| 00:22:48 |
you've been... |
| 00:22:50 |
you've been... |
| 00:22:52 |
a daughter... |
| 00:22:55 |
Is a jewel. I'm... |
| 00:22:58 |
you're... |
| 00:23:01 |
And I don't... I don't... |
| 00:23:03 |
We didn't come here for me. |
| 00:23:07 |
For you! |
| 00:23:09 |
But you don't know how... |
| 00:23:11 |
You-you-you... |
| 00:23:13 |
you're much too beautiful |
| 00:23:19 |
We have bigger fish to fry, |
| 00:23:22 |
at your age, |
| 00:23:30 |
Christ, by Christ I swear, |
| 00:23:31 |
I swear, |
| 00:23:58 |
Good morning, |
| 00:24:03 |
You and I must talk... |
| 00:24:13 |
Ahhhh. |
| 00:24:15 |
When my wife died |
| 00:24:18 |
One goal... |
| 00:24:20 |
to turn my daughter |
| 00:24:23 |
Now that's... that's a long road |
| 00:24:27 |
I've never had a drink |
| 00:24:30 |
Better start now. |
| 00:24:38 |
I came to this town |
| 00:24:40 |
well, here was the possibility |
| 00:24:43 |
Then an unforeseen |
| 00:24:46 |
to the plan that I have |
| 00:24:50 |
you. |
| 00:24:54 |
So I've come to make |
| 00:24:58 |
Get out of our way. |
| 00:25:00 |
Have you spoken to her? |
| 00:25:02 |
None of that. None of that. |
| 00:25:04 |
and it will be decided |
| 00:25:09 |
Be that as it may, |
| 00:25:11 |
I cannot answer without knowing |
| 00:25:15 |
Don't force me |
| 00:25:23 |
Shoot me. |
| 00:25:26 |
There is no greater glory |
| 00:25:31 |
Pack! |
| 00:25:33 |
- Where are we going? |
| 00:25:36 |
You'd better explain. |
| 00:25:57 |
Take it to him now. |
| 00:26:08 |
- What is this? |
| 00:26:10 |
They going |
| 00:26:19 |
- Hurry up! |
| 00:26:22 |
He's taking me away. |
| 00:26:24 |
- Sit down! |
| 00:26:25 |
Don't you dare |
| 00:26:27 |
- Where are you talking her? |
| 00:26:31 |
Get out of our way. |
| 00:26:34 |
Hyah! |
| 00:26:39 |
Get back. |
| 00:26:43 |
¢Ü I think of you |
| 00:26:52 |
¢Ü I think of you |
| 00:27:02 |
¢Ü I tear my reason apart ¢Ü |
| 00:27:12 |
¢Ü Something inside me |
| 00:27:20 |
C'mon, mule. |
| 00:27:21 |
¢Ü I think of you |
| 00:27:31 |
¢Ü I think of you |
| 00:27:41 |
¢Ü And I keep |
| 00:27:50 |
¢Ü And I keep |
| 00:27:59 |
- That's bad. Five more. |
| 00:28:14 |
Aunt Fermina! |
| 00:28:17 |
Senora, may I help you? |
| 00:28:19 |
Hi, princess, |
| 00:28:27 |
Cousin Fermina? |
| 00:28:31 |
I have a surprise for you. |
| 00:28:48 |
Cousin. |
| 00:29:07 |
He wants me to fix |
| 00:29:10 |
- Will you? |
| 00:29:12 |
- Excuse me, Senoritas. |
| 00:29:16 |
Your father said he will |
| 00:29:21 |
A year is nothing. |
| 00:29:24 |
We will exchange telegrams |
| 00:29:26 |
as we used to exchange |
| 00:29:30 |
And our love will triumph. |
| 00:29:33 |
There is no man on Earth more |
| 00:29:39 |
And you, Hildebranda, |
| 00:29:47 |
A married man. |
| 00:29:50 |
20 years older than me. |
| 00:29:59 |
Do you |
| 00:30:01 |
No. |
| 00:30:03 |
Secret glances. |
| 00:30:09 |
It all seems difficult |
| 00:30:11 |
but I just know that we must |
| 00:30:16 |
And in spite of it. |
| 00:30:18 |
Happy without love? |
| 00:30:20 |
Yes. |
| 00:30:24 |
Happy without love. |
| 00:30:27 |
I want to eat the tender flesh |
| 00:30:30 |
of every word |
| 00:30:33 |
over and over. |
| 00:30:36 |
- But danger is everywhere. |
| 00:30:40 |
If the suffering of your own |
| 00:30:43 |
the ever-recurring |
| 00:30:47 |
And there is the disease |
| 00:30:49 |
that comes between |
| 00:30:52 |
the deadly choking embrace |
| 00:30:55 |
Dead collectors! |
| 00:31:00 |
She is even more impossible |
| 00:31:03 |
She grabs hold, |
| 00:31:05 |
then suddenly she lets go. |
| 00:31:08 |
- Daddy! He's dead, too. |
| 00:31:11 |
she lets go. |
| 00:31:20 |
Florentino! |
| 00:31:22 |
Up here! |
| 00:31:41 |
Stop it, stop it. |
| 00:31:44 |
All in good time. |
| 00:31:49 |
So which one |
| 00:31:51 |
No no, my beloved |
| 00:31:55 |
I have to keep myself pure. |
| 00:31:58 |
And I will only lose |
| 00:32:00 |
Oooh. |
| 00:32:02 |
That is such a bad idea. |
| 00:32:08 |
Don't go, Florentino. |
| 00:32:10 |
I will be back... |
| 00:32:13 |
Let's go, let's go. |
| 00:32:38 |
So the worst years |
| 00:32:41 |
I counted the eternal minutes |
| 00:32:44 |
as I waited for her return. |
| 00:32:46 |
But I do not mind. |
| 00:32:48 |
I will keep watch |
| 00:32:52 |
I will keep watch |
| 00:33:00 |
I stand vigil for her |
| 00:33:03 |
My heart is like the sea... |
| 00:33:07 |
even while it is as turbulent |
| 00:33:12 |
Florentino, what are |
| 00:33:14 |
Ricardo, the young lady I'm going |
| 00:33:18 |
I'm waiting for her. |
| 00:33:19 |
Come on. |
| 00:33:22 |
Ricardo the lighthouse keeper |
| 00:33:25 |
He does not understand. |
| 00:33:28 |
I must be here |
| 00:33:42 |
I delegate to you the authority |
| 00:33:47 |
and turn over to you |
| 00:34:07 |
Crowned goddess, you are |
| 00:34:11 |
Like spring, you have |
| 00:34:28 |
Mom, Mom, there it is, Mom! |
| 00:34:32 |
- That one, too? That one. |
| 00:34:50 |
Thank you. |
| 00:34:54 |
Coconut candy! |
| 00:34:58 |
Sweets for your sweetie. |
| 00:35:02 |
Coconut candy! |
| 00:35:06 |
The Arcade of Scribes is not |
| 00:35:21 |
No. |
| 00:35:24 |
No, please. |
| 00:35:26 |
Forget it. |
| 00:35:31 |
Wh-wh-what do you mean |
| 00:35:36 |
I just... |
| 00:35:38 |
I just realized |
| 00:35:41 |
this... this moment |
| 00:35:44 |
What? |
| 00:35:46 |
What did you realize? |
| 00:35:51 |
What is between us... |
| 00:35:56 |
is nothing more |
| 00:36:00 |
It... it clouded |
| 00:36:03 |
I'm so sorry. |
| 00:36:10 |
You... you just... |
| 00:36:13 |
realized it? |
| 00:36:17 |
Yes. |
| 00:36:21 |
The moment I saw you. |
| 00:36:41 |
Make him well. |
| 00:36:44 |
Please. |
| 00:36:57 |
- Dr. Juvenal Urbino? |
| 00:37:00 |
- This is urgent. |
| 00:37:03 |
Cholera... my mistress |
| 00:37:06 |
No, you can't go up there. |
| 00:37:15 |
I'm Hildebranda Sanchez, |
| 00:37:17 |
She's upstairs. |
| 00:37:24 |
I would like you to be present, please, |
| 00:37:27 |
Her father's with her. |
| 00:37:32 |
Oh, thank you. |
| 00:37:34 |
I pray to God |
| 00:37:36 |
They say you know more |
| 00:37:53 |
Under the tongue. |
| 00:37:58 |
Vomiting? |
| 00:38:01 |
How many times? |
| 00:38:03 |
Twice. |
| 00:38:06 |
Diarrhea? |
| 00:38:10 |
- Severe? |
| 00:38:12 |
- What? |
| 00:38:14 |
I've never had it before. |
| 00:38:18 |
Sit up, please. |
| 00:38:52 |
It is an intestinal |
| 00:38:56 |
What? |
| 00:38:59 |
No. |
| 00:39:01 |
Three days at home |
| 00:39:04 |
Did you hear that? |
| 00:39:09 |
Doctor, wait wait. |
| 00:39:12 |
Doctor, wait! How did you learn |
| 00:39:15 |
I, uh, studied in Paris |
| 00:39:18 |
All the things you've done |
| 00:39:21 |
- closed sewage... |
| 00:39:23 |
- Yes? |
| 00:39:34 |
Thank you. |
| 00:39:52 |
Senorita. |
| 00:39:55 |
I would like to, um... |
| 00:39:57 |
take your pulse. |
| 00:40:13 |
Stick out |
| 00:40:17 |
Mm-hmm. |
| 00:40:22 |
You are like a... |
| 00:40:25 |
Thank you. |
| 00:40:27 |
Do you like music? |
| 00:40:29 |
What is the point |
| 00:40:31 |
Music is important |
| 00:40:39 |
No! No, don't! |
| 00:40:42 |
Do not go. |
| 00:40:44 |
I saw it all. |
| 00:40:46 |
I... I told your daughter |
| 00:40:49 |
True enough, but one |
| 00:40:54 |
Up up up! |
| 00:40:57 |
I have nothing to apologize for. |
| 00:41:01 |
Don't backtalk back to me, okay? |
| 00:41:08 |
Say something... now! |
| 00:41:13 |
I offer you my most |
| 00:41:21 |
Her education. |
| 00:41:33 |
Let me escort you |
| 00:41:43 |
Senor. |
| 00:41:45 |
I... I would like |
| 00:41:48 |
to write |
| 00:41:51 |
Ahh. |
| 00:41:58 |
I will go and find her. |
| 00:42:01 |
My destiny in life |
| 00:42:05 |
I will win her back. |
| 00:42:12 |
Hildebranda, look! |
| 00:42:15 |
Aye, beautiful! |
| 00:42:18 |
Mmmmm, |
| 00:42:20 |
Gala Placidia, I told you |
| 00:42:23 |
Oh, I know that, |
| 00:42:25 |
but is hard to say |
| 00:42:29 |
How many is that now? |
| 00:42:30 |
Seven. |
| 00:42:32 |
- You must reply. |
| 00:42:36 |
We must hurry. |
| 00:42:37 |
The Belgian photographer |
| 00:42:40 |
Gala Placidia, |
| 00:42:42 |
Oh, yes, milady, |
| 00:42:56 |
Ladies, very still. |
| 00:43:00 |
I will count |
| 00:43:03 |
One, two, three... |
| 00:43:07 |
four, five. |
| 00:43:17 |
One, two, three! |
| 00:43:20 |
Benny Centeno! |
| 00:43:35 |
Benny, Benny, Benny... |
| 00:43:50 |
Move aside! |
| 00:43:52 |
Benny! |
| 00:43:55 |
Please get in, I'll take you |
| 00:43:57 |
Benny, Benny, Benny! |
| 00:44:20 |
Who is Benny Centeno? |
| 00:44:24 |
He just won the boxing |
| 00:44:27 |
Oh. |
| 00:44:29 |
This is so nice. |
| 00:44:31 |
I could spend the rest |
| 00:44:38 |
Oh, ay, my boots |
| 00:44:44 |
I'll have to take them off. |
| 00:44:46 |
I'll take off mine too. |
| 00:44:48 |
Let's see who |
| 00:44:53 |
Oh! |
| 00:44:56 |
Mmm. |
| 00:44:57 |
You won. |
| 00:45:02 |
But now I realize it |
| 00:45:06 |
It is this wire cage |
| 00:45:09 |
Hmm, nothing could |
| 00:45:12 |
Take it off. |
| 00:45:15 |
I won't look. |
| 00:45:20 |
Ay! |
| 00:45:23 |
I am waiting. |
| 00:45:25 |
We want to go home. |
| 00:45:35 |
Whoa whoa whoa. |
| 00:45:42 |
Read my letters. |
| 00:45:56 |
He's very beautiful. |
| 00:45:59 |
When he covered his eyes |
| 00:46:04 |
between those rosy lips, |
| 00:46:07 |
oooh, eeeoh. |
| 00:46:13 |
I wanted to devour him |
| 00:46:17 |
What a whore you are. |
| 00:46:40 |
"Dear Senor Urbino, |
| 00:46:42 |
I give you my permission |
| 00:46:46 |
to speak to my father." |
| 00:47:25 |
Senora. |
| 00:47:28 |
Forgive me for keeping |
| 00:47:31 |
but I have to practice |
| 00:47:33 |
You never know when there's |
| 00:47:36 |
But, please please. |
| 00:47:41 |
So... |
| 00:47:43 |
is there a problem? |
| 00:47:45 |
You get the money |
| 00:47:48 |
Thank you. |
| 00:47:51 |
I am not kind. |
| 00:47:53 |
unlike my brother Pius. |
| 00:47:57 |
Pius should have made |
| 00:48:00 |
Well, he did not |
| 00:48:02 |
So? |
| 00:48:04 |
I've come... |
| 00:48:07 |
to ask if |
| 00:48:10 |
- Who? |
| 00:48:12 |
My son Florentino. |
| 00:48:13 |
What kind of help? |
| 00:48:18 |
A job. |
| 00:48:20 |
Well, I thought he had a job |
| 00:48:22 |
Yes, but I'm asking you |
| 00:48:25 |
any job, as long as |
| 00:48:28 |
Some port lost |
| 00:48:30 |
where there is no mail, |
| 00:48:35 |
A broken heart. |
| 00:48:38 |
Yeah. |
| 00:48:55 |
Hmm. |
| 00:48:58 |
Hmmm. |
| 00:49:02 |
How far away is that? |
| 00:49:06 |
Oh... |
| 00:49:11 |
about three weeks. |
| 00:49:19 |
I am nothing. |
| 00:49:21 |
I will not heal... |
| 00:49:23 |
not for all time. |
| 00:49:26 |
I'm struck by |
| 00:49:29 |
and burned beyond repair. |
| 00:49:33 |
She's a splinter that |
| 00:49:36 |
She's part of me, |
| 00:49:39 |
Everywhere, she is. |
| 00:49:51 |
- Hello. |
| 00:50:11 |
What are you doing? |
| 00:50:15 |
Turn off the light. |
| 00:50:30 |
I want... |
| 00:50:32 |
absolute darkness. |
| 00:50:36 |
You forget, Doctor, |
| 00:50:38 |
I've slept |
| 00:50:46 |
Do you love me? |
| 00:50:50 |
Don't be frightened. |
| 00:50:51 |
We are man and wife. |
| 00:50:55 |
I want you to love every... |
| 00:50:57 |
every moment |
| 00:51:01 |
I can't wait |
| 00:51:04 |
It is a... |
| 00:51:06 |
a city of love. |
| 00:51:13 |
You have |
| 00:51:16 |
a beautiful smile. |
| 00:51:18 |
Thank you. |
| 00:51:23 |
I think my sense of smell |
| 00:51:25 |
is overdeveloped. |
| 00:51:27 |
Well, that would be because |
| 00:51:30 |
I'm sorry |
| 00:51:44 |
Shhh. |
| 00:51:48 |
Don't forget I have |
| 00:51:50 |
I remember it |
| 00:51:52 |
And I'm still angry. |
| 00:52:17 |
I've... I've never been able to |
| 00:52:24 |
How ugly it is. |
| 00:52:30 |
Even uglier than |
| 00:52:34 |
Yes. |
| 00:52:36 |
Besides, I think it has... |
| 00:52:39 |
too many bits on it. |
| 00:52:41 |
That's astounding. |
| 00:52:43 |
My doctoral thesis was |
| 00:52:46 |
I don't want |
| 00:52:50 |
No. No. |
| 00:52:52 |
This is going to be |
| 00:53:15 |
The black flag! |
| 00:53:19 |
That's the plague flag. |
| 00:53:24 |
Please, help us! |
| 00:53:26 |
Captain! |
| 00:53:29 |
- They're dying of cholera! |
| 00:53:32 |
Please! |
| 00:53:35 |
Good Heavens! Careful, |
| 00:53:38 |
Please, help us! |
| 00:53:40 |
Captain! Help us! |
| 00:53:44 |
Cholera! |
| 00:53:46 |
Help me! Please. |
| 00:53:50 |
Don't leave. |
| 00:53:51 |
God! What's that? |
| 00:53:54 |
Help me! Please! |
| 00:54:02 |
Keep her safe, protect her |
| 00:54:07 |
Good night, |
| 00:54:58 |
Go go. |
| 00:55:01 |
This never happened. |
| 00:55:25 |
Who occupies that cabin... |
| 00:55:27 |
- Three women. |
| 00:55:30 |
They have three cabins |
| 00:55:34 |
It makes one big one. |
| 00:55:39 |
- Who are they, these women? |
| 00:55:44 |
- You go on. |
| 00:56:05 |
- See her eyes? |
| 00:56:08 |
He looks very sweet. |
| 00:56:10 |
And so shy. |
| 00:56:12 |
It's the shy ones |
| 00:57:07 |
- Carefully, it's fragile. |
| 00:57:26 |
He's staring at you. |
| 00:57:32 |
Bye! |
| 00:58:06 |
Fermina, my vow... |
| 00:58:09 |
I've broken my vow. |
| 00:58:26 |
You shouldn't have |
| 00:58:29 |
I had to. |
| 00:58:31 |
Why? |
| 00:58:33 |
Something happened and... |
| 00:58:35 |
I had to be near |
| 00:58:38 |
- That's all. |
| 00:58:45 |
What do you mean |
| 00:58:47 |
She's in Paris |
| 00:58:51 |
She'll be gone a long time... |
| 00:58:56 |
Maybe two years. |
| 00:58:59 |
- That's not true, Mama. |
| 00:59:02 |
- No. |
| 00:59:04 |
At least two years. |
| 00:59:12 |
- No. |
| 00:59:15 |
Please don't cry. |
| 00:59:17 |
Oh. |
| 00:59:21 |
Please... |
| 00:59:26 |
You must forget her. |
| 00:59:30 |
You must find someone else |
| 00:59:33 |
I can't forget, Mama. |
| 00:59:36 |
I will |
| 00:59:39 |
I will never forget, Mama. |
| 00:59:48 |
Senora, senora! |
| 00:59:52 |
- Senora. |
| 01:00:05 |
Open fire! |
| 01:00:10 |
They destroyed my house, |
| 01:00:14 |
They destroyed my house. |
| 01:00:16 |
Come in. |
| 01:00:17 |
I need a bed... |
| 01:00:20 |
on the floor, anywhere. |
| 01:00:22 |
Just until I can |
| 01:00:27 |
Who knows how long |
| 01:00:32 |
Come on, drink. |
| 01:00:43 |
You must stay here. |
| 01:00:45 |
- So you have the room? |
| 01:00:47 |
It is a shame. |
| 01:00:50 |
But if you don't mind... |
| 01:00:53 |
sharing with my son. |
| 01:01:02 |
Florentino? |
| 01:01:04 |
An emergency. |
| 01:01:07 |
The Widow Nazaret, |
| 01:01:11 |
War has no respect |
| 01:01:14 |
She needs a bed. |
| 01:01:24 |
I'm so scared! |
| 01:01:26 |
If it wasn't enough |
| 01:01:29 |
now this. |
| 01:01:37 |
He died three years ago. |
| 01:01:51 |
Help me, help me. |
| 01:01:53 |
My dead husband |
| 01:01:55 |
Help me, please. |
| 01:01:57 |
Help me. |
| 01:02:04 |
I've never been |
| 01:02:06 |
with any other man... |
| 01:02:09 |
ay... other than |
| 01:02:15 |
He's in his coffin now |
| 01:02:18 |
under the ground. |
| 01:02:21 |
I'm so happy! |
| 01:02:23 |
I'm happy |
| 01:02:26 |
do I know for certain |
| 01:02:28 |
where he is |
| 01:02:30 |
when he's not at... |
| 01:02:32 |
home! |
| 01:02:47 |
Women. |
| 01:02:55 |
Number one... |
| 01:03:00 |
unknown lady in boat. |
| 01:03:06 |
The first... |
| 01:03:08 |
wondrous... |
| 01:03:12 |
explosion. |
| 01:03:16 |
Number two... |
| 01:03:19 |
the Widow Nazaret... |
| 01:03:26 |
while doing it, |
| 01:03:28 |
only talks of |
| 01:03:33 |
Number three... |
| 01:03:37 |
Esmeralda Arau... |
| 01:03:39 |
a skinny, |
| 01:03:41 |
who'd walk me |
| 01:03:46 |
Number four... |
| 01:03:48 |
Maria Estevez... |
| 01:03:50 |
very dangerous. |
| 01:03:52 |
We were so close |
| 01:03:54 |
anyone could |
| 01:03:59 |
This is the cure |
| 01:04:01 |
of Fermina. |
| 01:04:10 |
What is it? |
| 01:04:15 |
Nothing, my son, nothing. |
| 01:04:19 |
- For a moment I... |
| 01:04:22 |
I didn't know |
| 01:04:25 |
It happens to me |
| 01:04:27 |
but it... it goes. |
| 01:04:29 |
Give me your hand. |
| 01:04:31 |
Ma... I have work |
| 01:04:34 |
Work? What work? |
| 01:04:38 |
I can't keep you forever. |
| 01:04:41 |
I... I... I have |
| 01:04:43 |
You are going |
| 01:04:46 |
Oh, no. |
| 01:04:47 |
- What did you say? |
| 01:04:50 |
Did you say you had |
| 01:04:52 |
Yes, I honestly believe... |
| 01:04:56 |
I'm getting over the worst. |
| 01:05:00 |
What was her name again? |
| 01:05:02 |
Fermina. |
| 01:05:04 |
Fermina. |
| 01:05:06 |
I begin to feel free. |
| 01:05:08 |
The pain is gone. |
| 01:05:19 |
Now, it took Paris, |
| 01:05:22 |
this blessed |
| 01:05:24 |
But here we are |
| 01:05:28 |
We are happier than |
| 01:05:32 |
And furthermore, |
| 01:05:35 |
to no longer |
| 01:05:42 |
The great purpose |
| 01:05:45 |
and we thank you, |
| 01:05:48 |
and your congratulations. |
| 01:06:17 |
Well, I was wondering |
| 01:06:20 |
before you came begging me. |
| 01:06:22 |
- What do you want? |
| 01:06:24 |
I gave you a job... |
| 01:06:26 |
at Villa de Leyva |
| 01:06:27 |
It is different now. |
| 01:06:29 |
I want to be |
| 01:06:32 |
I am not rich. |
| 01:06:33 |
I'm a poor man with money |
| 01:06:35 |
which is not the same thing. |
| 01:06:40 |
Why do you |
| 01:06:43 |
So that I can be |
| 01:06:45 |
I need... I need to be worthy |
| 01:06:50 |
Who is she? |
| 01:06:53 |
Married? |
| 01:06:54 |
Yes, but I'm waiting |
| 01:06:56 |
Is he old? |
| 01:06:58 |
No, but I'll wait |
| 01:06:59 |
- You're crazy. |
| 01:07:01 |
Because insanity |
| 01:07:02 |
You take after |
| 01:07:04 |
You never knew him, |
| 01:07:09 |
You know what |
| 01:07:11 |
He said "The only regret I have |
| 01:07:19 |
He said that? |
| 01:07:20 |
- He really said that? |
| 01:07:23 |
Nevertheless, all his life he fucked |
| 01:07:28 |
So... |
| 01:07:30 |
you want a job in the River |
| 01:07:34 |
Yes, yes. |
| 01:07:36 |
Well, are you any good |
| 01:07:39 |
at, um, writing letters? |
| 01:07:41 |
I think so, I... |
| 01:07:42 |
I... I write poetry, too |
| 01:07:44 |
I enter a poem every year |
| 01:07:47 |
I have never won, but... |
| 01:07:49 |
So, you have a way |
| 01:07:51 |
- Yes. |
| 01:07:53 |
Perhaps you can tell me |
| 01:07:55 |
what this means. |
| 01:07:57 |
On my birthday last year |
| 01:07:59 |
someone made |
| 01:08:01 |
He said I suffered |
| 01:08:04 |
Now what does that mean? |
| 01:08:06 |
Lucid dementia |
| 01:08:20 |
I told you it |
| 01:08:26 |
Start tomorrow. |
| 01:08:30 |
Tamales! Tamales! |
| 01:08:33 |
Magic inks. |
| 01:08:35 |
Very light blow. |
| 01:08:37 |
Invisible ink |
| 00:00:06 |
Tamales! Tamales! |
| 00:00:08 |
Magic inks. |
| 00:00:10 |
Very light blow. |
| 00:00:12 |
Invisible ink |
| 00:00:18 |
Sir? |
| 00:00:21 |
I-I... |
| 00:00:23 |
- I would like... |
| 00:00:29 |
Does she know |
| 00:00:32 |
Yes. |
| 00:00:38 |
Yes, and of course, |
| 00:00:40 |
Yes. |
| 00:00:44 |
Do her parents know? |
| 00:00:45 |
No, they don't. |
| 00:00:52 |
What do you call her? |
| 00:00:53 |
My flower. |
| 00:00:55 |
My flower. |
| 00:00:56 |
All right, this is |
| 00:01:02 |
"My beautiful |
| 00:01:04 |
and beloved flower. |
| 00:01:09 |
Nobody can cut |
| 00:01:14 |
the stem |
| 00:01:15 |
of our love. |
| 00:01:17 |
My life, my soul, |
| 00:01:21 |
be strong. |
| 00:01:23 |
Don't give up." |
| 00:01:25 |
I baptize you in |
| 00:01:26 |
"Don't give up." |
| 00:01:36 |
I can't read or write. |
| 00:01:39 |
- Don't worry, I can. |
| 00:01:40 |
Would you read it to me |
| 00:01:44 |
Yeah. |
| 00:01:47 |
"My beautiful |
| 00:01:51 |
No one can cut the stem |
| 00:01:54 |
of our love. |
| 00:01:56 |
My soul, |
| 00:02:01 |
Don't give up |
| 00:02:03 |
because our love is deeper |
| 00:02:05 |
than the deepest ocean. |
| 00:02:07 |
That's... |
| 00:02:11 |
That's a wonderful letter. |
| 00:02:15 |
I know just what |
| 00:02:17 |
This must stop. |
| 00:02:20 |
- This must stop. |
| 00:02:26 |
"Our coffee comes |
| 00:02:29 |
Load well, but never |
| 00:02:32 |
Unload in Miami, |
| 00:02:34 |
and keep them dry... |
| 00:02:35 |
...by any means." |
| 00:02:38 |
- A-a bill of lading. |
| 00:02:41 |
- Yes. |
| 00:02:43 |
Yes. |
| 00:02:47 |
And this..."To James Robinson |
| 00:02:50 |
London, England. |
| 00:02:53 |
I write with all |
| 00:02:56 |
to thank you for your exquisite letter |
| 00:02:59 |
My heart beat faster |
| 00:03:02 |
Oh, sirs, with all |
| 00:03:04 |
I kiss and embrace you |
| 00:03:08 |
"...Adoringly." |
| 00:03:12 |
This is not a business letter. |
| 00:03:14 |
This is a love letter. |
| 00:03:16 |
Love is the only thing |
| 00:03:18 |
Hmm. |
| 00:03:20 |
Well, the trouble is |
| 00:03:22 |
without the river navigation, |
| 00:03:24 |
It must stop. |
| 00:03:26 |
If you can't write |
| 00:03:28 |
you will be put |
| 00:03:31 |
But I need love. |
| 00:03:34 |
Don Leo, I need love. |
| 00:03:41 |
I need love. |
| 00:03:51 |
Dona Blanca. |
| 00:03:52 |
- Good afternoon. |
| 00:03:55 |
- You look wonderful, Dona Blanca. |
| 00:03:58 |
Yes, of course, Dona Blanca. |
| 00:04:00 |
Oh, my daughter was |
| 00:04:01 |
Yes, we paint at the park. |
| 00:04:03 |
We met in Paris. |
| 00:04:05 |
I thought her charming. |
| 00:04:11 |
She has, alas, |
| 00:04:13 |
a scandal in her family. |
| 00:04:15 |
- Mother, please. |
| 00:04:18 |
human or divine, |
| 00:04:20 |
her father |
| 00:04:23 |
And now he's run away. |
| 00:04:26 |
It's only to be expected |
| 00:04:32 |
She does not |
| 00:04:35 |
and does not |
| 00:04:37 |
But she is learning |
| 00:04:39 |
- Oh, do play for us. |
| 00:04:41 |
- Oh, do, please, yes. |
| 00:04:45 |
Serve the tea. |
| 00:04:51 |
Well, what news |
| 00:04:55 |
Don Leo XII of the River Company |
| 00:04:58 |
Oh, he's been |
| 00:05:01 |
And if he does, |
| 00:05:04 |
- Oh, he has a nephew. |
| 00:05:06 |
- Florentino Ariza. |
| 00:05:08 |
Do we know him? |
| 00:05:09 |
I've seen him many times, |
| 00:05:11 |
but I can't remember |
| 00:05:16 |
Yes, such an odd person. |
| 00:05:18 |
Impossible to describe. |
| 00:05:21 |
He's... |
| 00:05:23 |
he's not a person. |
| 00:05:26 |
He's a shadow. |
| 00:05:28 |
Oh. You know him? |
| 00:05:43 |
I have my period. |
| 00:05:48 |
How odd. |
| 00:05:51 |
Just yesterday, |
| 00:05:53 |
that married women |
| 00:05:55 |
as often as |
| 00:05:59 |
When can we move |
| 00:06:04 |
- Not yet. |
| 00:06:09 |
Not until your mother dies. |
| 00:06:13 |
I married a weakling. |
| 00:06:21 |
Would you have been better off |
| 00:06:45 |
You don't see him... |
| 00:06:47 |
but I do. |
| 00:06:53 |
How joyless I am now. |
| 00:06:57 |
Would I have been |
| 00:07:02 |
Poor man. |
| 00:07:16 |
Ah, I am Dr. Juvenal Urbino. |
| 00:07:19 |
I would like |
| 00:07:23 |
He is having his siesta. |
| 00:07:26 |
Should be awake |
| 00:07:29 |
And you are? |
| 00:07:34 |
His nephew and chief clerk, |
| 00:07:50 |
Still asleep. |
| 00:07:53 |
Please. |
| 00:07:59 |
Would you like a coffee? |
| 00:08:08 |
Do you like music? |
| 00:08:09 |
I like the music |
| 00:08:11 |
I see. |
| 00:08:14 |
Yes, but... |
| 00:08:16 |
we must keep performing |
| 00:08:18 |
We must import |
| 00:08:20 |
from Europe. |
| 00:08:22 |
Hmm. |
| 00:08:23 |
I am working on it. |
| 00:08:25 |
And of course |
| 00:08:26 |
That was my idea. |
| 00:08:30 |
Yes, I know, I know. |
| 00:08:32 |
Ah, well, I hope |
| 00:08:34 |
I mean to. |
| 00:08:37 |
Really? |
| 00:08:42 |
Of course, |
| 00:08:44 |
raise money |
| 00:08:46 |
That is why I am |
| 00:08:49 |
Hmm. Hmm. |
| 00:08:51 |
My wife |
| 00:08:55 |
I will say more. |
| 00:08:57 |
My wife is the very |
| 00:09:00 |
Without her |
| 00:09:04 |
I adore my wife. |
| 00:09:11 |
Thank God he's awake now. |
| 00:09:24 |
Ladies and gentlemen, |
| 00:09:26 |
damas y caballeros, |
| 00:09:28 |
I welcome you |
| 00:09:30 |
As in years past, |
| 00:09:32 |
this year's |
| 00:09:34 |
presented by |
| 00:09:36 |
my wife. |
| 00:09:50 |
Just in time. |
| 00:09:57 |
And the winner of this year's |
| 00:10:08 |
Wing Wu Peng. |
| 00:10:12 |
What?! |
| 00:10:16 |
It's a scandal! |
| 00:10:21 |
What was the name? |
| 00:10:23 |
It sounded Chinese. |
| 00:10:25 |
- Read his poem. |
| 00:10:32 |
- "Your body is a holy garden..." |
| 00:10:35 |
my heart goes out to you. |
| 00:10:37 |
I know you must |
| 00:10:38 |
because of how the flower |
| 00:10:41 |
That's why I took mine off. |
| 00:10:45 |
"Your body is |
| 00:10:52 |
Would you like me |
| 00:10:56 |
Go, horse, go. |
| 00:10:58 |
I'm sorry to have |
| 00:11:00 |
I'm still very angry. |
| 00:11:02 |
I understand. |
| 00:11:05 |
But we should at least |
| 00:11:09 |
I am Florentino Ariza. |
| 00:11:12 |
Sara Noriega. |
| 00:11:23 |
Thank you. |
| 00:11:35 |
Would you like |
| 00:11:38 |
- Your what? |
| 00:11:40 |
photographs |
| 00:11:43 |
I'm a teacher |
| 00:11:45 |
Really? Of course |
| 00:11:47 |
to see them. |
| 00:11:50 |
What is it? |
| 00:11:52 |
May I sit beside you... |
| 00:11:53 |
- and cry? |
| 00:11:58 |
Of course. |
| 00:12:04 |
Hmm. |
| 00:12:06 |
I'm so... |
| 00:12:07 |
disappointed. |
| 00:12:09 |
I can't stop. |
| 00:12:11 |
Maybe you should |
| 00:12:13 |
It will help you |
| 00:12:15 |
comfortable, you know? |
| 00:12:25 |
May I help? |
| 00:13:20 |
Tomorrow we do it in bed. |
| 00:13:30 |
You are quite wonderful. |
| 00:13:37 |
Tell me, how would |
| 00:13:39 |
- Love? |
| 00:13:41 |
Love is... |
| 00:13:43 |
love is everything |
| 00:13:46 |
Spiritual love |
| 00:13:48 |
physical love |
| 00:13:51 |
Mm-hmm, yes, |
| 00:13:53 |
divided love. |
| 00:13:55 |
That could be a poem... |
| 00:13:56 |
"Divided Love." |
| 00:13:58 |
Yes, it could be. |
| 00:14:00 |
Let's write it together, |
| 00:14:01 |
a poem on divided love. |
| 00:14:03 |
We can enter it in |
| 00:14:06 |
We'd be certain to win. |
| 00:14:08 |
- Tell me, tell me! |
| 00:14:10 |
That's a good idea. |
| 00:14:11 |
Divided love! |
| 00:14:14 |
Divided love! |
| 00:14:16 |
Divided love! |
| 00:14:23 |
Calm down! Calm down! |
| 00:14:29 |
Stop it, calm down, horse! |
| 00:14:30 |
- Miss? |
| 00:14:35 |
Miss? |
| 00:14:36 |
Please, allow me |
| 00:14:40 |
Please. |
| 00:14:45 |
Thank you. |
| 00:14:52 |
Hey! Hey! |
| 00:14:55 |
By the way, |
| 00:14:59 |
Olimpia Zuleta. |
| 00:15:05 |
Am I taking you |
| 00:15:07 |
Not at all. |
| 00:15:10 |
I would have been in terrible trouble if |
| 00:15:14 |
- Why so? |
| 00:15:17 |
Oh. |
| 00:15:19 |
Married long? |
| 00:15:20 |
Just over a year. |
| 00:15:22 |
Just a bride. |
| 00:15:24 |
He's a very jealous man, |
| 00:15:29 |
What does he do? |
| 00:15:31 |
He sells trinkets |
| 00:15:32 |
- Oh. |
| 00:15:39 |
Excuse me, sir? |
| 00:15:43 |
Yes, senora. |
| 00:15:54 |
How do I thank you? |
| 00:15:57 |
You could |
| 00:16:00 |
They're not for sale. |
| 00:16:02 |
Then what must |
| 00:16:06 |
Well, you find |
| 00:16:10 |
You drive her |
| 00:16:25 |
This is how I say thank you. |
| 00:16:35 |
Go away! |
| 00:16:38 |
Go away! Go away! |
| 00:16:40 |
I don't know who are you! |
| 00:16:42 |
- I don't know! |
| 00:16:44 |
Who am I? |
| 00:16:52 |
And whose son |
| 00:16:54 |
- I'm yours. |
| 00:17:06 |
- Wake up. Look after her! |
| 00:17:09 |
Where am I now? |
| 00:17:11 |
Uh, Rosy... |
| 00:17:12 |
- Oh. |
| 00:17:15 |
From a children's |
| 00:17:18 |
Give her the breakfast. |
| 00:17:25 |
Oh! |
| 00:17:31 |
At last you are here. |
| 00:17:34 |
Oh! Where have you been? |
| 00:17:38 |
You're never |
| 00:17:42 |
Oh, you little boy! |
| 00:17:45 |
And his name is... |
| 00:17:48 |
his name... |
| 00:17:51 |
Go on! Go! Go! |
| 00:17:54 |
Go back to your whores! |
| 00:17:56 |
You took advantage! |
| 00:18:09 |
The only disease |
| 00:18:12 |
No, Mama. You confused |
| 00:18:19 |
Mm-hmm. |
| 00:18:28 |
Didn't you like |
| 00:18:34 |
Huh? |
| 00:18:39 |
I must see you again. |
| 00:18:41 |
And for only one reason. |
| 00:18:44 |
Not such a nice gentleman. |
| 00:19:03 |
- Senor Ariza? |
| 00:19:05 |
The pigeon lady |
| 00:19:08 |
and says please |
| 00:19:10 |
Um, if it flies again, |
| 00:19:25 |
In many ways it was sinful. |
| 00:19:27 |
And I am a saint. |
| 00:19:28 |
Because you see, Ricardo, |
| 00:19:31 |
I broke down her defenses |
| 00:19:36 |
Olimpia Zuleta never refused |
| 00:19:38 |
But then, I got |
| 00:19:43 |
I thought it |
| 00:19:45 |
as it was with the others. |
| 00:19:47 |
Just another |
| 00:19:50 |
But then, I found myself |
| 00:19:53 |
And I became |
| 00:19:57 |
I hunted her. |
| 00:19:59 |
I was the lover who |
| 00:20:21 |
I will never be able |
| 00:20:25 |
without thinking of this |
| 00:20:27 |
blessed afternoon. |
| 00:20:42 |
No, wait, wait. |
| 00:20:48 |
What? |
| 00:20:53 |
What are you doing? |
| 00:20:55 |
You will see. |
| 00:21:55 |
No! |
| 00:21:59 |
No! |
| 00:22:10 |
He told the police |
| 00:22:13 |
Doesn't mention you. |
| 00:22:29 |
¢Ü There's no more life, |
| 00:22:31 |
¢Ü There's no more life, |
| 00:22:34 |
¢Ü There's no more rain, |
| 00:22:37 |
¢Ü There's no more breeze, |
| 00:22:39 |
The sky is crying for Olimpia. |
| 00:22:42 |
And so am I. |
| 00:22:43 |
¢Ü There's no more crying, |
| 00:22:45 |
¢Ü There's no more fear, |
| 00:22:47 |
What have I done? |
| 00:22:51 |
¢Ü Take me there ¢Ü |
| 00:22:54 |
¢Ü To where you are ¢Ü |
| 00:22:57 |
¢Ü Take me there ¢Ü |
| 00:23:02 |
¢Ü Take me there ¢Ü |
| 00:23:05 |
¢Ü To where you are ¢Ü |
| 00:23:08 |
¢Ü Take me there. ¢Ü |
| 00:23:14 |
What's the... what's she going to the |
| 00:23:21 |
So whose son am I, Mama? |
| 00:23:27 |
Eh, whose son am I? |
| 00:23:51 |
I hoped your mother would |
| 00:23:55 |
I know she would. |
| 00:23:57 |
The only regret |
| 00:23:59 |
is that I can't sing |
| 00:24:32 |
Good people! |
| 00:24:36 |
Good people. |
| 00:24:38 |
Fellow citizens, |
| 00:24:40 |
we are gathered here at |
| 00:24:50 |
The 20th century |
| 00:24:53 |
of man's suffering. |
| 00:24:55 |
The 20th century |
| 00:24:57 |
will bring |
| 00:25:00 |
and it will bring us light! |
| 00:25:15 |
"474... |
| 00:25:18 |
Peruvian spinster, Luisa... |
| 00:25:21 |
Sunday school teacher." |
| 00:25:30 |
My destiny in life |
| 00:25:33 |
is to love Fermina. |
| 00:25:35 |
Senor? |
| 00:25:38 |
Senor. |
| 00:25:40 |
Over there please. |
| 00:25:42 |
Come on, come on! |
| 00:25:47 |
Mm-hmm. |
| 00:25:49 |
Mmm. |
| 00:25:51 |
Try it. |
| 00:25:53 |
Tell me |
| 00:26:05 |
Delicious. |
| 00:26:08 |
What is it? |
| 00:26:10 |
Eggplant. |
| 00:26:14 |
More, please. |
| 00:26:16 |
Perhaps, as an act |
| 00:26:18 |
we should name |
| 00:26:21 |
Eggplant Urbino. |
| 00:26:26 |
I love you |
| 00:26:28 |
above all else. |
| 00:26:30 |
More than anyone else |
| 00:26:33 |
The important thing in marriage |
| 00:26:36 |
but stability. |
| 00:26:40 |
And love. |
| 00:26:44 |
Nothing is |
| 00:26:57 |
Senora, buy my parakeets. |
| 00:27:25 |
Senor Ariza, |
| 00:27:27 |
we wanted |
| 00:27:31 |
Sorry? |
| 00:27:32 |
You wrote letters |
| 00:27:36 |
Ah, yes. |
| 00:27:39 |
It was the only time |
| 00:27:42 |
for both lovers. |
| 00:27:46 |
We're married now. |
| 00:27:49 |
Good. |
| 00:27:50 |
We wanted to ask you, |
| 00:27:54 |
Yes, of course. |
| 00:27:56 |
He's our first son. |
| 00:27:58 |
Yes, I will be honored. |
| 00:28:29 |
I'll be damned. |
| 00:28:32 |
Well, I just dropped in |
| 00:28:34 |
I've decided to retire |
| 00:28:36 |
and I'm appointing you |
| 00:28:39 |
And you, senorita, |
| 00:28:42 |
I swear on my word of honor that I have |
| 00:28:45 |
So, please. |
| 00:29:10 |
Shh! |
| 00:29:14 |
Shh. |
| 00:29:16 |
You'll wake Fermina. |
| 00:29:49 |
It's Sunday today. |
| 00:29:55 |
You haven't taken |
| 00:29:57 |
for at least |
| 00:29:58 |
Have you lost |
| 00:30:11 |
- Doctor. |
| 00:30:14 |
Look at me. |
| 00:30:17 |
What? |
| 00:30:22 |
Her smell |
| 00:30:28 |
I have the right |
| 00:30:31 |
to know who she is. |
| 00:30:39 |
Her name is |
| 00:30:48 |
How long has it been |
| 00:30:51 |
Three months, |
| 00:30:54 |
nearly four. |
| 00:30:56 |
- Where did you meet her? |
| 00:30:59 |
What is... |
| 00:31:02 |
what is she, |
| 00:31:04 |
A doctor of theology, |
| 00:31:07 |
a Protestant. |
| 00:31:09 |
She has a mission |
| 00:31:14 |
I thought |
| 00:31:17 |
at least you... |
| 00:31:20 |
you'd be a man |
| 00:31:24 |
and deny |
| 00:31:26 |
I thought |
| 00:31:28 |
you'd lie to me. |
| 00:31:42 |
I f... I feel |
| 00:31:44 |
as though |
| 00:31:47 |
has lifted |
| 00:31:48 |
I... I will put |
| 00:31:52 |
And I'll go |
| 00:31:54 |
and ask |
| 00:32:06 |
Come on, let's go, |
| 00:33:13 |
I have been waking |
| 00:33:15 |
in the early hours |
| 00:33:17 |
and then unable |
| 00:33:23 |
And I have |
| 00:33:25 |
sudden stabbing pains |
| 00:33:29 |
Worst of all, |
| 00:33:32 |
I simply want to weep |
| 00:33:34 |
uncontrollably. |
| 00:33:38 |
I think |
| 00:33:40 |
That would be best. |
| 00:33:44 |
Then we could both |
| 00:34:18 |
Bedtime, kids. |
| 00:34:20 |
We're going to eat our |
| 00:34:22 |
Thank you. Thank you. |
| 00:34:26 |
Do you still |
| 00:34:30 |
the fat old thing |
| 00:34:54 |
It's been over a year |
| 00:34:56 |
and not a whisper, |
| 00:34:58 |
Nobody knows |
| 00:35:01 |
I have made |
| 00:35:03 |
that if she were dead |
| 00:35:05 |
I would have heard. |
| 00:35:07 |
All I can do |
| 00:35:09 |
is to follow |
| 00:35:11 |
472, Maria Florida... |
| 00:35:14 |
sells flowers |
| 00:35:18 |
499, Josephine |
| 00:35:19 |
I-I don't exactly know |
| 00:35:22 |
544, Galetia Fernandez... |
| 00:35:25 |
nothing memorable |
| 00:35:28 |
Routine is |
| 00:35:57 |
I could stay here |
| 00:35:59 |
You should have come |
| 00:36:02 |
You did |
| 00:36:04 |
teach him a lesson. |
| 00:36:08 |
And what happened |
| 00:36:10 |
who sent you |
| 00:36:13 |
Oh, he's very |
| 00:36:16 |
President of the River Company |
| 00:36:18 |
Hmm. |
| 00:36:22 |
Of course not. |
| 00:36:24 |
And anyway... |
| 00:36:27 |
he's not a man. |
| 00:36:30 |
It was all |
| 00:36:33 |
And you, |
| 00:36:36 |
what happened |
| 00:36:41 |
He stayed married. |
| 00:36:54 |
- Three days! |
| 00:36:57 |
Can I take care |
| 00:36:59 |
Uh-huh. |
| 00:37:11 |
It is better |
| 00:37:14 |
than to be |
| 00:37:20 |
- Hildebranda. |
| 00:37:23 |
- Are your boots still killing you? |
| 00:37:25 |
How good you are. |
| 00:37:28 |
I must get the children |
| 00:37:34 |
- Come on, kids. |
| 00:37:37 |
- No, I'll go first. |
| 00:37:39 |
I'll go first. |
| 00:37:43 |
What are you |
| 00:37:46 |
Well, I know |
| 00:37:49 |
to return on your own, |
| 00:37:52 |
I have come |
| 00:37:57 |
I... I thought |
| 00:37:58 |
we might have |
| 00:38:19 |
But the following night, |
| 00:38:29 |
- Oh, dear God, now what? |
| 00:38:32 |
Shh, Fermina. |
| 00:38:42 |
Thank you, God. |
| 00:39:06 |
Excuse me. |
| 00:39:12 |
It's been a long time |
| 00:39:14 |
Good evening. |
| 00:39:16 |
And she has changed, |
| 00:39:20 |
But, what was worst, |
| 00:39:22 |
is that her husband |
| 00:39:26 |
And I had this... |
| 00:39:28 |
terrible thought that |
| 00:39:31 |
Heaven forbid. |
| 00:39:32 |
Heaven forbid. |
| 00:39:35 |
that I have grown |
| 00:39:39 |
Those stairs... |
| 00:39:41 |
up and down those stairs |
| 00:39:45 |
Uh, I'm not afraid of death, |
| 00:39:49 |
So... |
| 00:39:51 |
I doubt I will be |
| 00:39:59 |
Why are you so |
| 00:40:03 |
Um... |
| 00:40:06 |
because they |
| 00:40:09 |
guilty. |
| 00:40:11 |
In need of love. |
| 00:40:15 |
harm them. |
| 00:40:20 |
My heart has more rooms |
| 00:40:25 |
What number are |
| 00:40:27 |
Prepare yourself |
| 00:40:30 |
I'm on number 622. |
| 00:40:33 |
Impossible. |
| 00:40:35 |
I speak the truth... |
| 00:40:43 |
Some time ago... |
| 00:40:45 |
I forget exactly when... |
| 00:40:47 |
Uncle Leo asked me to |
| 00:40:50 |
of some distant relation |
| 00:40:54 |
She was being sent |
| 00:40:57 |
to become a teacher. |
| 00:40:59 |
And then, |
| 00:41:03 |
I won her confidence |
| 00:41:05 |
And in due course, the doors |
| 00:41:10 |
Her name is America Vicuna. |
| 00:41:13 |
We see each other |
| 00:41:16 |
We are quite open about our, |
| 00:41:20 |
Friendship. |
| 00:41:22 |
For one thing, |
| 00:41:24 |
places us above suspicion. |
| 00:41:28 |
Someone has died. |
| 00:41:30 |
Huh-uh. |
| 00:41:32 |
It's Pentecost. |
| 00:41:35 |
No. |
| 00:41:38 |
a very big fish if they are ringing |
| 00:41:42 |
Mmm. |
| 00:41:49 |
America. |
| 00:41:52 |
You must go back |
| 00:41:55 |
My driver will take you. |
| 00:42:23 |
Fermina... |
| 00:42:25 |
I have waited for this |
| 00:42:29 |
nine months and four days. |
| 00:42:32 |
That is... |
| 00:42:35 |
how long I have loved you |
| 00:42:38 |
un... until now. |
| 00:42:41 |
Florentino Ariza... |
| 00:42:45 |
get out of here! |
| 00:42:49 |
Get out! |
| 00:42:54 |
"Florentino Ariza, |
| 00:42:56 |
you are a dreadful, |
| 00:42:59 |
How dare you |
| 00:43:02 |
on the day my beloved |
| 00:43:04 |
and utter such monstrous, |
| 00:43:08 |
You have put me in |
| 00:43:10 |
which has caused me |
| 00:43:13 |
Do you understand? |
| 00:43:15 |
I do not want to think about you. |
| 00:43:22 |
Go, donkey, go! |
| 00:43:28 |
Hi, dear. |
| 00:43:32 |
I don't want to |
| 00:43:34 |
Do you know what |
| 00:43:36 |
Before you go home, |
| 00:43:39 |
Pull over. |
| 00:43:50 |
I'm going to get married. |
| 00:43:56 |
It's a lie. |
| 00:44:06 |
Who is she? |
| 00:44:08 |
- Do you want to cry? |
| 00:44:13 |
I don't know |
| 00:44:15 |
But whoever she is, |
| 00:44:18 |
America, you must... |
| 00:44:20 |
I don't want to hear it, |
| 00:44:22 |
I'm warning you. |
| 00:44:34 |
"Please allow me to wipe |
| 00:44:40 |
Age has no reality |
| 00:44:45 |
The essence of |
| 00:44:47 |
is resistant to |
| 00:44:52 |
Our inner lives |
| 00:44:55 |
which is to say that our spirits remain |
| 00:45:00 |
as when we were |
| 00:45:03 |
Think of love |
| 00:45:07 |
not the means |
| 00:45:09 |
but the alpha |
| 00:45:12 |
An end in itself. |
| 00:45:19 |
Think of love as |
| 00:45:22 |
not the means to |
| 00:45:24 |
but the alpha |
| 00:45:27 |
An end in itself." |
| 00:45:40 |
The messenger is |
| 00:45:52 |
Mother, what is it? |
| 00:45:57 |
Someone wants to |
| 00:45:59 |
Who? |
| 00:46:01 |
Don Florentino Ariza. |
| 00:46:03 |
The man who owns |
| 00:46:06 |
You know what they say |
| 00:46:10 |
No. |
| 00:46:11 |
They say he has |
| 00:46:14 |
In fact, they say |
| 00:46:16 |
his tastes are |
| 00:46:19 |
They say he |
| 00:46:22 |
where he takes boys he picks up on |
| 00:46:28 |
I simply |
| 00:46:31 |
I've known him since |
| 00:46:34 |
He's an honorable man. |
| 00:46:51 |
Everything in the world |
| 00:46:55 |
I haven't. |
| 00:46:57 |
What does it matter now? |
| 00:46:59 |
I've just turned |
| 00:47:01 |
Yes, we are two old people |
| 00:47:10 |
Do you believe |
| 00:47:12 |
No. |
| 00:47:14 |
But I am afraid of Him. |
| 00:47:20 |
Some of your letters |
| 00:47:26 |
I'm glad to know |
| 00:47:32 |
What... what I most |
| 00:47:36 |
was their simplicity. |
| 00:47:40 |
They helped me |
| 00:47:43 |
In what way? |
| 00:47:47 |
They helped me |
| 00:47:50 |
regain some kind |
| 00:47:54 |
You cannot |
| 00:47:57 |
I am to know that. |
| 00:48:00 |
But I don't agree with |
| 00:48:05 |
We have nothing in common |
| 00:48:09 |
The young people we |
| 00:48:13 |
that was all |
| 00:48:19 |
Not for me. |
| 00:48:33 |
Well... |
| 00:48:35 |
I thought this |
| 00:48:44 |
That must be |
| 00:48:46 |
At least. |
| 00:48:55 |
I have something |
| 00:49:00 |
In my experience, |
| 00:49:02 |
it's bound to |
| 00:49:04 |
These frequent visits |
| 00:49:08 |
are unseemly. |
| 00:49:10 |
Ofelia, it's none |
| 00:49:12 |
He is company for Mama. |
| 00:49:14 |
- He consoles her. |
| 00:49:17 |
All he needs to do to |
| 00:49:20 |
is to climb into |
| 00:49:22 |
Ofelia. |
| 00:49:24 |
But don't you believe |
| 00:49:26 |
that love justifies |
| 00:49:29 |
Love is ridiculous |
| 00:49:31 |
But at theirs, |
| 00:49:36 |
The only thing |
| 00:49:39 |
is that I don't have |
| 00:49:41 |
to give you the beating |
| 00:49:43 |
for being so insolent |
| 00:49:46 |
But you will leave |
| 00:49:49 |
and I swear to you |
| 00:49:51 |
that you will not set foot |
| 00:49:54 |
Ofelia, Mama, |
| 00:49:57 |
Life crippled that |
| 00:50:00 |
because he was too young and now you |
| 00:50:14 |
What I'd like most is |
| 00:50:18 |
and keep going, |
| 00:50:20 |
and never come back. |
| 00:50:22 |
Well, you... |
| 00:50:24 |
Well... |
| 00:50:26 |
I might. |
| 00:50:28 |
I might |
| 00:50:30 |
I have one. |
| 00:50:32 |
The New Fidelity. |
| 00:50:34 |
It's... |
| 00:50:37 |
It's eight days |
| 00:50:39 |
and five days |
| 00:50:42 |
Travel is good for |
| 00:50:49 |
Splendid vision |
| 00:50:52 |
passing, changing... |
| 00:50:55 |
as we travel by. |
| 00:51:13 |
Come in. |
| 00:51:18 |
Are your quarters |
| 00:51:22 |
It is |
| 00:51:27 |
It was my idea |
| 00:51:32 |
I wanted to call it |
| 00:51:39 |
Do you want to |
| 00:51:41 |
If I did, I wouldn't have |
| 00:51:59 |
Juvenal is a good man. |
| 00:52:03 |
I can't imagine |
| 00:52:07 |
But when I look back, |
| 00:52:10 |
I suppose there... |
| 00:52:13 |
were more difficulties |
| 00:52:18 |
Too many useless |
| 00:52:21 |
Too much anger. |
| 00:52:23 |
Maybe it's time... |
| 00:52:26 |
to ask ourselves, |
| 00:52:30 |
with our strong |
| 00:52:34 |
what to do with |
| 00:52:38 |
without a master? |
| 00:52:46 |
It's incredible |
| 00:52:50 |
how one can be happy |
| 00:52:53 |
for so many years |
| 00:52:55 |
in the midst of |
| 00:52:58 |
so many squabbles. |
| 00:53:02 |
Damn it. |
| 00:53:05 |
And not really know |
| 00:53:17 |
Go now. |
| 00:53:27 |
Not now. |
| 00:53:30 |
I smell like |
| 00:53:36 |
I have never been happier |
| 00:53:48 |
¢Ü Oh, my love ¢Ü |
| 00:53:51 |
¢Ü What wouldn't I |
| 00:53:56 |
¢Ü Just to take you |
| 00:53:59 |
¢Ü Away from the world ¢Ü |
| 00:54:01 |
¢Ü And close to me ¢Ü |
| 00:54:07 |
¢Ü Oh, my love ¢Ü |
| 00:54:11 |
¢Ü Like the Magdalena River ¢Ü |
| 00:54:15 |
¢Ü That it melts |
| 00:54:20 |
¢Ü I want to melt into you ¢Ü |
| 00:54:26 |
¢Ü There are love affairs ¢Ü |
| 00:54:28 |
¢Ü That wait until winter |
| 00:54:33 |
¢Ü And get greener |
| 00:54:38 |
¢Ü Just like this love |
| 00:54:47 |
Tomorrow we reach |
| 00:54:50 |
our last port-of-call... |
| 00:54:54 |
La Dorada. |
| 00:54:56 |
La Dorada. |
| 00:54:58 |
And then... |
| 00:55:00 |
turn back for home. |
| 00:55:52 |
Don't look. |
| 00:55:56 |
Why not? |
| 00:55:58 |
Because you won't like it. |
| 00:56:24 |
I have waited for this moment |
| 00:56:29 |
Yes. Yes, you... |
| 00:56:31 |
you've told me before. |
| 00:56:38 |
I have remained |
| 00:56:44 |
You're a liar. |
| 00:57:42 |
- Captain, Captain. |
| 00:57:45 |
Captain? |
| 00:57:46 |
- Um, speaking hypothetically... |
| 00:57:50 |
Hello. |
| 00:57:51 |
Speaking hypothetically, |
| 00:57:53 |
would it be possible |
| 00:57:55 |
- Captain. |
| 00:57:58 |
- Thank you. |
| 00:58:00 |
or passengers, without |
| 00:58:04 |
Thank you. |
| 00:58:05 |
...without... |
| 00:58:07 |
It's possible. |
| 00:58:09 |
But only hypothetically. |
| 00:58:11 |
As you know better than I, |
| 00:58:17 |
But there is one thing |
| 00:58:19 |
What is that? |
| 00:58:21 |
If we had a case of |
| 00:58:23 |
Ooh. |
| 00:58:24 |
We'd hoist the yellow flag |
| 00:58:27 |
Well then, let's do that. |
| 00:58:33 |
I command this ship, |
| 00:58:38 |
If you're serious, just give |
| 00:58:41 |
and we will leave |
| 00:59:12 |
I love you, |
| 00:59:17 |
We're going to |
| 00:59:21 |
You can't mean it. |
| 00:59:24 |
From the moment |
| 00:59:27 |
I have never said anything |
| 00:59:35 |
And how long do you... |
| 00:59:40 |
stay like this? |
| 00:59:43 |
Forever. |
| 00:59:45 |
Forever? |
| 00:59:56 |
After 54 years, |
| 00:59:58 |
seven months |
| 01:00:02 |
my heart was |
| 01:00:06 |
And I discovered, |
| 01:00:09 |
that it is life |
| 01:00:12 |
that has no limits. |
| 01:00:18 |
¢Ü I think of you |
| 01:00:28 |
¢Ü I think of you |
| 01:00:37 |
¢Ü I tear my reason apart ¢Ü |
| 01:00:47 |
¢Ü And I keep |
| 01:00:56 |
¢Ü And I keep |
| 01:03:45 |
¢Ü Down the Magdalena ¢Ü |
| 01:03:48 |
¢Ü Down |
| 01:03:51 |
¢Ü I'm going to Cartagena ¢Ü |
| 01:03:53 |
¢Ü I'm going |
| 01:03:55 |
¢Ü I'm going, |
| 01:03:58 |
¢Ü I'm going, I'm going ¢Ü |
| 01:04:05 |
¢Ü I'm always sailing away ¢Ü |
| 01:04:07 |
¢Ü I'm always |
| 01:04:10 |
¢Ü Along with my woman ¢Ü |
| 01:04:12 |
¢Ü Along with |
| 01:04:15 |
¢Ü Singing and singing ¢Ü |
| 01:04:17 |
¢Ü Singing |
| 01:04:19 |
¢Ü Down the Magdalena ¢Ü |
| 01:04:21 |
¢Ü Down |
| 01:04:24 |
¢Ü I'm always sailing away ¢Ü |
| 01:04:26 |
¢Ü I'm always |
| 01:04:29 |
¢Ü Along with my woman ¢Ü |
| 01:04:31 |
¢Ü Along with |
| 01:04:34 |
¢Ü Singing and singing ¢Ü |
| 01:04:36 |
¢Ü Singing |
| 01:04:39 |
¢Ü Down the Magdalena ¢Ü |
| 01:04:40 |
¢Ü Down |
| 01:04:53 |
¢Ü Already many women ¢Ü |
| 01:04:55 |
¢Ü Already |
| 01:04:58 |
¢Ü Have crossed the river ¢Ü |
| 01:05:00 |
¢Ü Have crossed |
| 01:05:03 |
¢Ü Already in my memories ¢Ü |
| 01:05:05 |
¢Ü Already |
| 01:05:07 |
¢Ü Down the river ¢Ü |
| 01:05:10 |
¢Ü Down |
| 01:05:12 |
¢Ü Down the Magdalena ¢Ü |
| 01:05:14 |
¢Ü Down |
| 01:05:17 |
¢Ü I'm going to Cartagena ¢Ü |
| 01:05:19 |
¢Ü I'm going |
| 01:05:22 |
¢Ü Down the Magdalena ¢Ü |
| 01:05:24 |
¢Ü Down |
| 01:05:27 |
¢Ü I'm going to Cartagena ¢Ü |
| 01:05:29 |
¢Ü I'm going |
| 01:06:02 |
¢Ü Down the Magdalena ¢Ü |
| 01:06:05 |
¢Ü Down |
| 01:06:07 |
¢Ü I'm going to Cartagena. ¢Ü |
| 01:06:10 |
¢Ü I'm going |
| 01:06:12 |
¢Ü I'm going, |
| 01:06:15 |
¢Ü I'm going, I'm going. ¢Ü |
| 01:06:17 |
sub2srt by ¿³ë(Yeolno) |
