|
Love Is All There Is
|
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Once upon a time... |
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about three months ago |
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this thing happened... |
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in a peaceful, tucked-away |
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called City lsland... |
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a place that's many things. |
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To the sailor, it's sailing. |
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To the fisherman, it's fishing. |
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To the soul searcher, |
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That's me! Mona Barcavella, |
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l'm doing my dance to conjure up |
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but because City lsland |
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to them, it's eating. |
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Here food is king, |
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than the Prince Rosario |
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Gourmet Catering |
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ruled by |
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More hot pepper! |
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...whose Sicilian cooking |
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spicy sauces, |
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Then one day, |
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the Royal House of Malacici |
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Continental Caterers |
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owned by real blue bloods |
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Count and Contessa Malacici... |
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and they brought City lslanders |
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dainty, low-fat portions... |
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pastel colors, subtle flavors. |
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lt was inevitable... |
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between the two families |
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Shakespeare once said, |
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But he was wrong... |
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because Cappamezza |
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and Malacici means ''bad beans.'' |
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The story |
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when our local church |
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its annual amateur benefit... |
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What if her eyes were there, |
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The brightness of her cheek |
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O, that l were |
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that l might touch that cheek. |
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Which brings us |
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my best customer, |
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Ah, me. |
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You give me so much more |
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She weighs |
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How can l believe that's Juliet? |
| 00:03:17 |
You got to make believe |
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And the joy of her life, |
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the prince of the Prince Rosario |
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Gourmet Catering |
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Rudy, give me a break! |
| 00:03:31 |
-l'm giving you 2/3 off! |
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Give it to her for cost. |
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Mary, the food |
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l want a better price |
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Better than cost? |
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When you give to God, |
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All right, half cost. |
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You're only halfway to heaven. |
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Go to hell! |
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All right, |
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Here's $10 for the church. |
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Good morning, Dr. Rondino. |
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Good morning, Mrs. Rondino. |
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-Good morning. |
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My son, the dottore, |
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l never saw anyone |
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like Mrs. Rondino. |
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Her son is the most eligible |
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but her broken bones |
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Even Mother Teresa would call |
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a bossy scuccamend. |
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Mrs. Rondino is not as dumb |
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Married sons, they turn on |
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daughter-in-laws, nothing |
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My son Johnny |
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Sweet girl. |
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Sweet? |
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''Would you mind carrying |
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You know what she said to me? |
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''Carry your own |
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Oh, my God. |
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l look over at my son Johnny... |
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and he's looking at her |
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My Rosario, he would |
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when he's old enough |
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Taking anybody to |
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l'm helping Pop with the pasta. |
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How about l call |
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Ma, don't start with me. |
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What about l mention you |
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-Ma! |
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ldiot! You cut me off! |
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We'll put you out of business, |
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l got the right of way! |
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out of business, |
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Rosario! |
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l'm sorry l cursed, Ma... |
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but if these Malacicis |
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how come |
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Rosario, |
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You just think about |
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that you're going to be |
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than you was last year |
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Mona! |
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Hi! |
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This Malacici crisis |
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We're in debt up to here |
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and we may lose |
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the biggest wedding |
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to these intruders! |
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l brought sfogliatelle. |
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My favorite! |
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l don't know if |
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this kind of competition, |
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l haven't lost one pound |
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And my husband hasn't |
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What am l going to do, Mona? |
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ls there another woman? |
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Blessed Roscoe says... |
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he sees your business |
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The Blessed Roscoe says... |
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keep looking at the sunny side. |
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Good. Good. |
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Who's the Blessed Roscoe? |
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My new guide. |
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What happened to the Angel Vito? |
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His work was done |
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He moved on to another psychic |
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in Bayonne, New Jersey. |
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But the Blessed Roscoe |
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ln the 17th Century... |
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when his eyes were gouged |
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and he was burnt at the stake... |
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he smiled and said, |
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That's why he's known |
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You tell him |
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The Blessed Roscoe |
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Here. Wear this rose oil |
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The money will come floating in. |
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About your diet... |
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maybe you're having trouble |
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like l am, that every man |
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About your husband... |
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Yeah? |
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The Blessed Roscoe says... |
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there's no other woman |
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Who's Fidella? |
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That's our cat. |
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That will taper off. |
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Here. |
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Burn these in your bedroom... |
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and he'll want lust from you. |
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The Blessed Roscoe says |
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Look, it's a start. |
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About Rosario... |
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l'm smelling |
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but a deep one. |
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-Oh, no. |
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l'm smelling him |
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he's saying poetry to. |
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He's playing Romeo tonight... |
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but it couldn't be |
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Smell for yourself. |
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l'm smelling him |
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nothing stands in his way. |
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This girl playing Juliet-- |
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she's a scuccamend! |
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And we're catering her wedding. |
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She's marrying |
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Blessed Roscoe? |
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Blessed Roscoe agrees. |
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l never thought |
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Oh, boy. |
| 00:09:14 |
Oh, boy. |
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The meats |
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That's stupid! |
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Any dummy will tell you |
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l catch you messing |
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behind my back l'll kick you |
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You'll kick your sauce |
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What's going on here? |
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Look at my meat. |
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No. You got to get out |
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You're crazy! As crazy as him. |
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Ma, put your tooth back in. |
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l can't remember where l put it. |
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And don't call us crazy no more. |
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l always call you crazy. |
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lt always bothered me. |
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-lt bothers you, too? |
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You should have told me sooner. |
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l'm too old to change now. |
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Mikey... |
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l got to talk to you private. |
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Can we go up to the house? |
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Sure. |
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Rocco, stay with the sauce. |
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She tries anything funny... |
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throw yourself |
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Will you promise me that if |
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you won't make fun of me? |
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l promise. |
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You know that l'm psychic. |
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Yeah? |
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And so is my friend Mona. |
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Mona the nut? |
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Mona is not a nut. |
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She's a clairvoyant |
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and the Blessed Roscoe |
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that Rosario is going |
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and give up everything |
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Every week, Mona's got |
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that nobody ever heard of |
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How can you believe this stuff? |
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Because Mona helps me find |
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lt helps me discover |
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l discussed it in my prayers |
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and she said |
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You want me to ask her again? |
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-Dear Holy Mother-- |
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Don't bother the Holy Mother |
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Look, l'm a little tired. |
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You want to take a nap with me? |
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-Nap? |
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-Yeah. |
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l got Fidella in the middle |
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As is a winged messenger |
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into the white-upturned |
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the lazy-pacing clouds |
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upon the bosom of the air... |
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of mortals that fall back |
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when he bestrides |
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O Romeo! Romeo! |
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Whereforth art thou, Romeo? |
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Deny thy father! |
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And refuse thy na... |
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l hope l didn't do that |
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Are you all right, lsabel? |
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l can't move my leg! |
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Rosario, go get Dr. Rondino. |
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Tell him to come right over. |
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How did this happen, |
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l seen the whole episode, |
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She overacted with her foot... |
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and tumbled down like |
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Don't call me no rhino, |
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How am l supposed |
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l hate this stupid play! |
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l told you the balcony |
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Why did you stamp your foot? |
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l should have harnessed her |
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Oh, no. lt wouldn't |
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lt's not broken. |
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You just stay off it |
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and you'll be marching |
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All right, boys, |
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We've got to get you home |
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-What a buffalo! |
| 00:14:22 |
Twenty-four hours! |
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We'll have the understudy |
| 00:14:26 |
Understudy? |
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Where is Niccolina Sousto? |
| 00:14:31 |
Niccolina, where are you going? |
| 00:14:34 |
l don't know the whole part. |
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l'll whisper the words |
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Please, Father, |
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Niccolina, you only have |
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OK, Niccolina, we'll find |
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l know the part, Miss DeLuca. |
| 00:15:01 |
No, Francis! |
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and it would be too hard |
| 00:15:07 |
lsn't that right, Monsignor? |
| 00:15:08 |
What else can we do, Sadie? |
| 00:15:12 |
We'll have to give refunds. |
| 00:15:14 |
Why don't we call |
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and we'll find |
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who can read the part |
| 00:15:21 |
This is a very good idea, Sadie. |
| 00:15:23 |
But let's make sure that |
| 00:15:28 |
their most recent photographs |
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their future ambitions, |
| 00:15:34 |
Why do l have to be here? |
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This may be the girl we spend |
| 00:15:39 |
You can stop calling. |
| 00:15:41 |
This couple just came in |
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and then they told me |
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She'll play Juliet |
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You look familiar. |
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ls possible. |
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Mr. and Mrs. Cappamezza... |
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meet Count |
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Pleasure. |
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Look, Sadie, |
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so let's not make |
| 00:16:15 |
OK, Sadie? |
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Feel better? |
| 00:16:19 |
A little. |
| 00:16:22 |
l can turn around what |
| 00:16:25 |
Look... |
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you think l want Rosario |
| 00:16:29 |
out of this family prematurely? |
| 00:16:33 |
But did anything Mona ever |
| 00:16:37 |
Practically everything. |
| 00:16:40 |
How come she told you... |
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that we're going to be rich, |
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that your mother |
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and she just asked us |
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that your friend Sally would |
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and she died? How come? |
| 00:16:55 |
Oh, ye of little faith. |
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Once we raise enough money |
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and our wedding creations, |
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And my mother |
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and she'll take |
| 00:17:09 |
My girlfriend Sally |
| 00:17:10 |
her best year ever |
| 00:17:15 |
Ma! Pop! l just heard |
| 00:17:18 |
Pop, could you imagine them |
| 00:17:20 |
opposite the daughter |
| 00:17:24 |
Every bone in my body tells me |
| 00:17:27 |
and forget about it. |
| 00:17:28 |
Honey, if you feel like that-- |
| 00:17:31 |
But the show must go on. |
| 00:17:33 |
to go introduce myself |
| 00:17:36 |
-l'm going with you! |
| 00:17:39 |
lt will give me a chance |
| 00:17:42 |
But l got to go home and change |
| 00:17:54 |
God Almighty! |
| 00:17:56 |
These people wouldn't know |
| 00:18:02 |
Makes me sick to go in there. |
| 00:18:03 |
-Maybe-- |
| 00:18:06 |
Do l have a bump? |
| 00:18:08 |
Here. Let me see. |
| 00:18:09 |
lt's all right, Ma. |
| 00:18:11 |
This Romeo is a mama's boy. |
| 00:18:14 |
What masculine boy |
| 00:18:16 |
on the eye |
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Hi. l'm Rosario Cappamezza. |
| 00:18:27 |
This is my-- |
| 00:18:28 |
Yes. We have met at the church. |
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l thought l would chaperone |
| 00:18:36 |
because l wanted to be |
| 00:18:41 |
and because l'm the mother. |
| 00:18:45 |
Please come in. |
| 00:18:53 |
Beautiful. |
| 00:18:57 |
Gina just returned |
| 00:19:00 |
and she's taking |
| 00:19:03 |
Please to sit down, eh? |
| 00:19:43 |
May we offer you |
| 00:19:46 |
We have profiterole, |
| 00:19:49 |
eight kinds of gelati, |
| 00:19:53 |
All fresh... |
| 00:19:54 |
homemade, home-grown, |
| 00:19:58 |
No, thank you. |
| 00:20:01 |
plus zuppa lnglese, |
| 00:20:05 |
Don't tell me |
| 00:20:08 |
Milk, bittersweet, nougat, |
| 00:20:13 |
From a recipe |
| 00:20:17 |
From a recipe |
| 00:20:19 |
said was the best |
| 00:20:23 |
The president of ltaly... |
| 00:20:24 |
once ate two portions of |
| 00:20:31 |
During the pope's visit |
| 00:20:33 |
the Holy Father |
| 00:20:36 |
of our clams posillipo, to go. |
| 00:20:39 |
ln four centuries |
| 00:20:41 |
our restaurant |
| 00:20:43 |
by two nuns who later |
| 00:20:46 |
Santa Teresa DeMontania... |
| 00:20:48 |
and Santa Rudolpha Legatti... |
| 00:20:50 |
for whom our bronzino in |
| 00:20:58 |
Our dishwasher speaks Chinese. |
| 00:21:48 |
This is our daughter Regina. |
| 00:21:51 |
Hi. |
| 00:21:53 |
This is my mother |
| 00:21:56 |
and l'm R-r-r... |
| 00:21:59 |
Rosario Cappamezza. |
| 00:22:02 |
How do you do? |
| 00:22:04 |
Gina has consented |
| 00:22:07 |
even though |
| 00:22:09 |
Where are you going? |
| 00:22:11 |
Paris. |
| 00:22:12 |
For the summer... |
| 00:22:14 |
to study with the Ballet Russe. |
| 00:22:16 |
Paris, France? |
| 00:22:18 |
There's so much more to do there |
| 00:22:21 |
You can climb |
| 00:22:22 |
and you can go to the cancan. |
| 00:22:24 |
We should go. |
| 00:22:27 |
lt was nice meeting you. |
| 00:22:36 |
l'm sorry. l'm sorry. |
| 00:22:39 |
Don't you yell at my son! |
| 00:22:41 |
He bumps himself a lot |
| 00:22:44 |
and he's very happy |
| 00:22:57 |
You have a very nice bathroom. |
| 00:23:05 |
Can l drop you anywhere, Ma? |
| 00:23:09 |
Drop me? |
| 00:23:10 |
Yeah. When Miss DeLuca |
| 00:23:14 |
she doesn't like |
| 00:23:17 |
l mean, amateur nonactors. |
| 00:23:23 |
So, Ma, can l drop you or what? |
| 00:23:26 |
No, no, no. |
| 00:23:29 |
OK. |
| 00:23:41 |
You dress funny. |
| 00:23:47 |
l like it. |
| 00:23:57 |
l'm smelling her. |
| 00:24:00 |
l'm smelling her. |
| 00:24:03 |
ls this new Juliet |
| 00:24:07 |
is going to give up |
| 00:24:08 |
Big bosom, strong thighs, |
| 00:24:14 |
-Yeah. |
| 00:24:18 |
The Blessed Roscoe corroborates. |
| 00:24:21 |
At least she's leaving tomorrow. |
| 00:24:24 |
Maybe no damage can be done |
| 00:24:30 |
What does the Blessed Roscoe |
| 00:24:32 |
Nothing. |
| 00:24:34 |
Love...is all there is. |
| 00:24:40 |
Love is all there is? |
| 00:24:44 |
How did the candles work? |
| 00:24:46 |
My husband told me |
| 00:24:48 |
l made a mistake. |
| 00:24:52 |
Those candles are for |
| 00:24:55 |
You need something for older |
| 00:25:00 |
Here. When these burn down |
| 00:25:04 |
he'll be sure to grab you, |
| 00:25:06 |
Thanks. |
| 00:25:07 |
That's $9 for the candles, |
| 00:25:12 |
Look, about Rosario, |
| 00:25:16 |
He's too young to ruin his life. |
| 00:25:21 |
Hold the phone. |
| 00:25:34 |
Take these two birds. |
| 00:25:36 |
The one with the yellow ring |
| 00:25:40 |
He represents your son. |
| 00:25:42 |
Keep sprinkling oregano |
| 00:25:45 |
the desire |
| 00:25:49 |
The other one is the female. |
| 00:25:52 |
Squint your eyes. |
| 00:25:56 |
Right now it's white... |
| 00:25:58 |
because the Blessed Roscoe |
| 00:26:01 |
This is an aura duster. |
| 00:26:04 |
Keep dusting her aura to keep |
| 00:26:11 |
Don't let it turn orange... |
| 00:26:13 |
or you're in the danger, |
| 00:26:16 |
Here. Keep reciting this chant |
| 00:26:21 |
''He is love deep. |
| 00:26:24 |
''He is sacrifice all. |
| 00:26:27 |
''He is education's first. |
| 00:26:31 |
''He is in it |
| 00:26:34 |
OK. That's $3.00 |
| 00:26:38 |
$24.50 for the aura duster... |
| 00:26:40 |
$42.50 for the birds... |
| 00:26:42 |
a buck and a half for the chant. |
| 00:26:44 |
He is love deep. |
| 00:26:48 |
He is sacrifice all. |
| 00:26:51 |
But his education's first. |
| 00:26:54 |
All right, as soon as |
| 00:26:56 |
we're going |
| 00:26:58 |
-Yes, Miss DeLuca. |
| 00:27:00 |
l hear... |
| 00:27:05 |
had to be opened up |
| 00:27:08 |
That's how big her titties are. |
| 00:27:10 |
l wish l had that problem. |
| 00:27:12 |
Every night, l pray |
| 00:27:15 |
My mother says it ain't |
| 00:27:17 |
lt's the quality. |
| 00:27:19 |
That's because your mother |
| 00:27:22 |
l hope she's built better |
| 00:27:25 |
With her belly, the audience |
| 00:27:27 |
l hear she's from ltaly... |
| 00:27:28 |
so she don't talk English |
| 00:27:31 |
Where do you think |
| 00:27:33 |
ln England. Ain't that |
| 00:27:36 |
Shakespeare's dead, you dope. |
| 00:27:38 |
How do l know? |
| 00:27:41 |
l got ham and provolone. |
| 00:27:43 |
-Ciabatta and anchovies. |
| 00:27:47 |
Ronny, your pizza's here! |
| 00:27:49 |
Where's the pepperoni? |
| 00:27:59 |
Snack time is over! |
| 00:28:01 |
All right, come on. |
| 00:28:04 |
All right. Gina, |
| 00:28:08 |
so l want to assure you that |
| 00:28:12 |
All right. |
| 00:28:14 |
you're going to let |
| 00:28:18 |
like a butterfly's wings |
| 00:28:22 |
You got to leave the passion |
| 00:28:26 |
All right? Go ahead. |
| 00:28:28 |
Wait! Keep this much space |
| 00:28:31 |
Let your lips just touch |
| 00:28:37 |
Perfect! |
| 00:28:38 |
OK, everybody, come on! |
| 00:28:40 |
Places from |
| 00:28:44 |
My granddaughter Rita's |
| 00:28:47 |
Mikey, if you could have seen |
| 00:28:51 |
when he looked at her. |
| 00:28:52 |
Boys his age |
| 00:28:54 |
But Mona says he's going |
| 00:28:56 |
She really sees you coming. |
| 00:28:58 |
Now we got two frigging birds |
| 00:29:00 |
stinking up our house. |
| 00:29:01 |
What are you two talking about? |
| 00:29:03 |
-Nothing. |
| 00:29:06 |
Where's your tooth? |
| 00:29:08 |
l forgot. |
| 00:29:10 |
There they are. |
| 00:29:12 |
Look at them with their |
| 00:29:15 |
lt looks like |
| 00:29:17 |
They're looking this way. |
| 00:29:20 |
l am sure |
| 00:29:23 |
with the son of these Sicilians |
| 00:29:26 |
We have no choice... |
| 00:29:29 |
because we have to win over |
| 00:29:38 |
Good morrow. |
| 00:29:39 |
ls the day so young? |
| 00:29:41 |
But new struck nine. |
| 00:29:48 |
Ay me, sad hours long. |
| 00:29:50 |
Was that my father |
| 00:29:53 |
lt was. |
| 00:29:56 |
He is so handsome... |
| 00:29:58 |
just like Errol Flynn |
| 00:30:01 |
He fences good. |
| 00:30:03 |
Oh, shit! |
| 00:30:05 |
'Tis not to me she speaks. |
| 00:30:06 |
Why do they make him wear |
| 00:30:10 |
lt makes |
| 00:30:12 |
Shh, Ma. |
| 00:30:13 |
God forbid! |
| 00:30:16 |
Juliet! Juliet! |
| 00:30:20 |
How now, who calls? |
| 00:30:22 |
Your mother. |
| 00:30:23 |
Madam, l am here. |
| 00:30:27 |
How eloquent she is. |
| 00:30:29 |
Yes, but is a mismatch... |
| 00:30:32 |
because she make |
| 00:30:35 |
look like a buffoon |
| 00:31:14 |
Saints do not move... |
| 00:31:17 |
though grant |
| 00:31:20 |
Then move not, |
| 00:31:26 |
Oh, boy. |
| 00:31:37 |
Thy drugs are quick. |
| 00:31:39 |
Thus with a kiss l die. |
| 00:31:52 |
They're doing it for real. |
| 00:31:55 |
Rosario! |
| 00:31:57 |
Rosario! No more. |
| 00:32:00 |
Stop! |
| 00:32:05 |
My God. |
| 00:32:12 |
How dare he do that |
| 00:32:13 |
He pretend to be mama's boy. |
| 00:32:15 |
Oldest Sicilian trick |
| 00:32:17 |
Why she don't stop him? Why? |
| 00:32:20 |
Because she has to act |
| 00:32:23 |
and he's taken advantage. |
| 00:32:25 |
Mona knew. |
| 00:32:27 |
The Blessed Roscoe knew. |
| 00:32:29 |
That's what masculine acting is. |
| 00:32:31 |
You kiss the girl |
| 00:32:33 |
Her aura is changing. |
| 00:32:35 |
-What? |
| 00:32:37 |
Rosario! |
| 00:32:43 |
She is kissing him |
| 00:32:48 |
Stop! |
| 00:32:49 |
l don't care |
| 00:32:51 |
l don't raise my daughter |
| 00:32:53 |
l am going to pull the curtain. |
| 00:32:55 |
Let me go! |
| 00:32:57 |
Get out of the way! |
| 00:32:58 |
...violate my daughter. |
| 00:33:04 |
Piero, come back! |
| 00:33:06 |
Come back. Come on. |
| 00:33:09 |
Please, let me go. |
| 00:33:11 |
You got some nerve, fatso. |
| 00:33:15 |
l...die. |
| 00:33:20 |
l hate those pantyhose. |
| 00:33:23 |
His dingle |
| 00:33:28 |
Dear God! ls he stiff? |
| 00:33:31 |
l think he's stiff from her. |
| 00:33:33 |
That's just a towel in there... |
| 00:33:36 |
so they don't hurt it |
| 00:33:38 |
lt's a towel. l'm so relieved. |
| 00:33:41 |
-Let me see! |
| 00:33:45 |
Stop looking. |
| 00:33:49 |
Sicilian son of a bitch! |
| 00:33:52 |
This is so embarrassing. |
| 00:33:54 |
lt's growing. |
| 00:34:03 |
l will kiss thy lips. |
| 00:34:05 |
Haply some poison |
| 00:34:08 |
to make me die |
| 00:34:11 |
My poor baby has to kiss |
| 00:34:15 |
l hope she bite off his lips and |
| 00:34:25 |
Oh, my God. |
| 00:34:27 |
This must be method acting. |
| 00:34:29 |
Gina...a butterfly's wings. |
| 00:34:33 |
A butterfly's wings. |
| 00:34:37 |
Her aura, it's turning orange. |
| 00:34:38 |
Go for it, Gina! |
| 00:34:41 |
He is love deep. |
| 00:34:43 |
He is sacrifice all. |
| 00:34:46 |
lf she were my daughter, |
| 00:34:48 |
They must've used two towels. |
| 00:34:53 |
-Here he goes again! |
| 00:34:56 |
You want a rap in the mouth? |
| 00:34:58 |
Yeah? Step in the toilet! |
| 00:34:59 |
-You be quiet! |
| 00:35:02 |
The kiss is finished. |
| 00:35:05 |
O happy dagger... |
| 00:35:09 |
this is my sheath. |
| 00:35:12 |
There rest... |
| 00:35:16 |
and let me die! |
| 00:35:25 |
Move! You have to move. |
| 00:35:27 |
That's so rude! |
| 00:35:29 |
The scene is over. |
| 00:35:30 |
l want to go as soon |
| 00:35:33 |
-Get out of my way! |
| 00:35:36 |
l will challenge you to a duel! |
| 00:35:38 |
Get him to the banquet hall |
| 00:35:41 |
Right. Ma, wait in the car. |
| 00:35:43 |
We want to extricate him |
| 00:35:45 |
l knew it. |
| 00:35:48 |
Come on. |
| 00:35:51 |
Some shall be pardoned. |
| 00:35:53 |
Others shall be punished. |
| 00:35:55 |
For never was |
| 00:36:00 |
than this |
| 00:36:10 |
Come on, Rosario. |
| 00:36:13 |
Get out of here! Jesus, Ma! |
| 00:36:16 |
Sadie, come on! |
| 00:36:17 |
Ma, get off the stage! |
| 00:36:22 |
l was so disgusted |
| 00:36:24 |
lt was pornografia! |
| 00:36:25 |
All right. Tonight we go home, |
| 00:36:29 |
Tomorrow you are in Paris, |
| 00:36:31 |
No, Papa. The banquet! |
| 00:36:33 |
The whole cast is going! |
| 00:36:35 |
l will not set foot in |
| 00:36:38 |
And neither should you! |
| 00:36:39 |
And that is final! |
| 00:36:41 |
Magnificent performance, Gina. |
| 00:36:43 |
See you at the banquet? |
| 00:36:45 |
No, Monsignore, |
| 00:36:47 |
because tomorrow she get |
| 00:36:50 |
l understand, but l want to |
| 00:36:55 |
You just come for that? |
| 00:36:58 |
We-- |
| 00:37:44 |
l didn't fall asleep once... |
| 00:37:46 |
except during the parts |
| 00:37:48 |
But in the swordplay... |
| 00:37:51 |
and the smooching--terrific. |
| 00:37:53 |
What about my Francis? |
| 00:37:55 |
He was great. |
| 00:37:57 |
and he was very manly |
| 00:37:59 |
You're ready for Broadway! |
| 00:38:01 |
And, Tony, you was great |
| 00:38:05 |
l wasn't his uncle. |
| 00:38:08 |
Well, whoever you were... |
| 00:38:09 |
you all made the evening |
| 00:38:20 |
Papa, l'd like |
| 00:38:23 |
You say hello to the girls. |
| 00:38:26 |
Hello and good-bye. |
| 00:38:37 |
Next year, |
| 00:38:41 |
l'm playing Mrs. Caesar. |
| 00:38:43 |
You ever see the smoke |
| 00:38:45 |
-So ridiculous, eh? |
| 00:38:48 |
What they are trying to do, |
| 00:38:51 |
Look at them. |
| 00:38:53 |
They are green with envy |
| 00:38:56 |
When they taste our food, |
| 00:38:59 |
they were in |
| 00:39:02 |
l don't see the daughter. |
| 00:39:04 |
She's over there with the girls. |
| 00:39:07 |
You two were so sexy up there. |
| 00:39:10 |
l thought l was watching... |
| 00:39:12 |
Mel Gibson |
| 00:39:13 |
Where did you learn |
| 00:39:15 |
boarding school? |
| 00:39:17 |
l asked my parents to send me. |
| 00:39:19 |
They were afraid |
| 00:39:21 |
They don't know this... |
| 00:39:22 |
but l lost it to a Guido |
| 00:39:26 |
l been to the Capri Motel. |
| 00:39:28 |
What is a Capri Motel? |
| 00:39:30 |
The horniest place |
| 00:39:34 |
lt's got waterbeds shaped like |
| 00:39:37 |
and porno movies in every room. |
| 00:39:40 |
l lost mine there, too. |
| 00:39:42 |
l ain't been a virgin |
| 00:39:44 |
And we know who Mr. Lucky is. |
| 00:39:58 |
What? |
| 00:39:59 |
We're all victims |
| 00:40:01 |
What about you? |
| 00:40:03 |
My parents are very strict. |
| 00:40:11 |
Wait here. |
| 00:40:15 |
l'd like to call up |
| 00:40:20 |
and Count and Contessa Malacici. |
| 00:40:28 |
Which just shows... |
| 00:40:31 |
You want to dance, Rosario? |
| 00:40:33 |
Hey! |
| 00:40:34 |
...can turn business rivals |
| 00:40:42 |
One and two and three. |
| 00:40:47 |
What is that? |
| 00:40:49 |
What is this? How goes it? |
| 00:40:55 |
Bring Regina. |
| 00:40:56 |
Hello, Mr. Frederico, Mrs. F. |
| 00:40:58 |
Piero...wait. Look. |
| 00:41:04 |
The Fredericos. |
| 00:41:06 |
We must not go |
| 00:41:08 |
We must cater |
| 00:41:14 |
How are you? |
| 00:41:16 |
Your daughter Carmella... |
| 00:41:17 |
recite the line of |
| 00:41:20 |
And she reeks of intelligence. |
| 00:41:24 |
And that is why she deserve |
| 00:41:27 |
we have prepared for her. |
| 00:41:28 |
Every guest will have... |
| 00:41:31 |
roast goose |
| 00:41:33 |
And vanilla tartufi. |
| 00:41:34 |
And amaretto creme brulee |
| 00:41:37 |
What about the smoke? |
| 00:41:39 |
Oh, yes. |
| 00:41:41 |
No, no, no. |
| 00:41:43 |
Smoke effect. |
| 00:41:47 |
We love smoke effect... |
| 00:41:51 |
but our smoke will be finer... |
| 00:41:53 |
not only to the ankle, |
| 00:41:57 |
Yes, and softer, |
| 00:42:00 |
The sneaks are trying |
| 00:42:04 |
What do you say, Ralph? |
| 00:42:07 |
Hi. How are youse? |
| 00:42:10 |
They're not looking. Now! |
| 00:42:23 |
For Carmella's wedding, |
| 00:42:25 |
we take a picture of you two |
| 00:42:29 |
and we print it on |
| 00:42:31 |
And engraved on the inside... |
| 00:42:33 |
a pink rose entwined with |
| 00:42:37 |
''Carmella loves Tony |
| 00:42:41 |
''Compliments, |
| 00:42:45 |
l've never seen that |
| 00:42:48 |
l am sure they do it |
| 00:42:52 |
They make a good-looking couple |
| 00:42:55 |
-Who? |
| 00:43:00 |
Now l know why the Malacicis... |
| 00:43:03 |
and the Cappamezzas |
| 00:43:06 |
They're making a match. |
| 00:43:08 |
No! She's only 16! |
| 00:43:11 |
He just got |
| 00:43:12 |
They have only |
| 00:43:14 |
She's rushing off for culture |
| 00:43:17 |
and he's pursuing his intellect |
| 00:43:21 |
He's practically |
| 00:43:22 |
The other Romeo |
| 00:43:27 |
Did you kiss him |
| 00:43:31 |
l never kiss anyone |
| 00:43:42 |
l take it |
| 00:43:46 |
They don't like anyone for me... |
| 00:43:49 |
but you in particular. |
| 00:43:51 |
Why? Because the folks |
| 00:43:53 |
No. Because you are |
| 00:43:59 |
Easy, easy. |
| 00:44:01 |
Sadie will design |
| 00:44:04 |
wrapped in lace |
| 00:44:07 |
a plastic bird, a feather, |
| 00:44:12 |
The Malacicis say they can do... |
| 00:44:14 |
a soft Fellini smoke |
| 00:44:17 |
We can do bright ''Terminator 2'' |
| 00:44:20 |
Watch this! |
| 00:44:22 |
With a double Technicolor |
| 00:44:36 |
Oh, my. |
| 00:44:39 |
Turn it down! |
| 00:44:42 |
l can't. lt's stuck! |
| 00:44:44 |
-Do something! |
| 00:44:49 |
Where are they? |
| 00:44:51 |
Where are the children? |
| 00:44:54 |
The children. Oh, boy. |
| 00:44:57 |
Did l do this? |
| 00:44:58 |
Did l make the rainbow |
| 00:45:00 |
You both do! |
| 00:45:02 |
lt's your fault! |
| 00:45:04 |
Stealing the Fredericos, |
| 00:45:06 |
Wait a minute! |
| 00:45:14 |
This is exactly what l want, |
| 00:45:26 |
ls this where |
| 00:45:29 |
Yeah. |
| 00:45:32 |
Have you ever |
| 00:45:35 |
Yeah. |
| 00:45:39 |
My mother, |
| 00:45:41 |
and once my grandma. |
| 00:45:46 |
You don't have a girlfriend? |
| 00:45:49 |
No. |
| 00:45:52 |
How come? |
| 00:45:57 |
After saying all those |
| 00:46:02 |
it's kind of hard to come up |
| 00:46:07 |
l've been |
| 00:46:12 |
to send down a goddess |
| 00:46:16 |
And then it must have |
| 00:46:21 |
she's come. |
| 00:46:47 |
l've waited |
| 00:46:50 |
-Oh, no! |
| 00:46:54 |
Don't be scared. |
| 00:46:55 |
We'll only do |
| 00:47:04 |
Gina! Gina! |
| 00:47:06 |
Where are you going? |
| 00:47:08 |
What? What did l do? |
| 00:47:11 |
l'm crazy in love with you! |
| 00:47:15 |
l never wanted to be |
| 00:47:17 |
Mother and Father |
| 00:47:20 |
for the opera |
| 00:47:22 |
and l thought that their dream |
| 00:47:26 |
Mother wants |
| 00:47:31 |
until l am famous... |
| 00:47:33 |
and Father wants me |
| 00:47:38 |
that has not gone broke, |
| 00:47:40 |
My parents named the business |
| 00:47:48 |
Your parents were right. |
| 00:47:51 |
You are a prince. |
| 00:47:59 |
l'm not going away. |
| 00:48:01 |
Yeah. You got a right |
| 00:48:06 |
Yes. |
| 00:48:10 |
Let's go tell them. |
| 00:48:11 |
Who? You and me? |
| 00:48:13 |
You won't let them |
| 00:48:17 |
Absolutely not. |
| 00:48:19 |
l'm used to dealing |
| 00:48:21 |
My grandmother |
| 00:48:23 |
You let me do the talking |
| 00:48:28 |
lf we knew where they was, |
| 00:48:30 |
lf your son |
| 00:48:32 |
l will hold you responsible! |
| 00:48:34 |
Our daughter is |
| 00:48:36 |
a treasure, |
| 00:48:38 |
who walk in purity! |
| 00:48:40 |
And what's our son-- |
| 00:48:42 |
Mike! |
| 00:48:45 |
Our son is a gentleman, |
| 00:48:49 |
He's a lover of all mothers. |
| 00:48:52 |
l will call the police! |
| 00:48:59 |
They have |
| 00:49:03 |
See? Nothing from nothing. |
| 00:49:06 |
Let's go to bed. |
| 00:49:18 |
What will you say to him? |
| 00:49:21 |
l'll tell him, |
| 00:49:23 |
''She's with me. Get it?'' |
| 00:49:25 |
How's that? |
| 00:49:27 |
Let's get out of here! |
| 00:49:32 |
She's just a baby, |
| 00:49:37 |
She's a little baby calico cat. |
| 00:49:41 |
She's a little kissable cat. |
| 00:49:43 |
She's a little-- |
| 00:49:46 |
Hey, Mikey. |
| 00:49:50 |
Get the hell out of here. |
| 00:49:56 |
Oh, yes! |
| 00:50:00 |
-What's that? |
| 00:50:01 |
-Keep doing what you're doing. |
| 00:50:06 |
Hello. Yes. |
| 00:50:12 |
The kids, they left. |
| 00:50:13 |
We got to find out where |
| 00:50:15 |
l'm not feeling so good. |
| 00:50:17 |
l'm a little nauseous. |
| 00:50:19 |
Hello. |
| 00:50:21 |
Mona, could you please |
| 00:50:23 |
and ask the Blessed Roscoe |
| 00:50:26 |
Hold on a second. |
| 00:50:27 |
The Blessed Roscoe sees |
| 00:50:33 |
Oh, boy! Does he know where? |
| 00:50:35 |
He sees water, |
| 00:50:42 |
-Uh-huh. |
| 00:50:44 |
Three people have asked me |
| 00:50:52 |
Water, a bed, the letter ''C.'' |
| 00:50:54 |
The letter ''C.'' |
| 00:50:56 |
Mike, we got to get |
| 00:50:59 |
before they consummate |
| 00:51:04 |
How do you know they're there? |
| 00:51:06 |
Because it all adds up. |
| 00:51:25 |
My parents |
| 00:51:30 |
Wait right here. |
| 00:51:33 |
Ma! Pop! l need you |
| 00:51:38 |
Ma! |
| 00:51:44 |
The only one home is my grandma, |
| 00:51:48 |
You will not |
| 00:51:51 |
No. |
| 00:51:52 |
No, no. l love you. |
| 00:51:54 |
From the tip of my heart |
| 00:51:59 |
l love you. |
| 00:52:01 |
l'd like to see your room. |
| 00:52:04 |
Well, it's real messy. |
| 00:52:21 |
Be tender with me. |
| 00:52:24 |
Ditto. |
| 00:52:35 |
-l don't see his car. |
| 00:52:37 |
We're going to save them |
| 00:52:40 |
Oh, Romeo! |
| 00:52:41 |
Romeo, wherefore art thou, |
| 00:52:45 |
The moon, Juliet. |
| 00:53:06 |
Oh, my God! |
| 00:53:08 |
-ls it them? |
| 00:53:12 |
lt's Dr. Rondino |
| 00:53:35 |
What does this mean? |
| 00:53:37 |
lt means up, down, up, down. |
| 00:53:42 |
They ain't coming here. |
| 00:53:45 |
Water... |
| 00:53:47 |
bed, and the letter ''C.'' |
| 00:54:04 |
Water, bed, the letter ''C''! |
| 00:54:08 |
''C'' for Cappamezza on the water! |
| 00:54:11 |
Mikey, they're in our house |
| 00:54:15 |
You go look. l can't look. |
| 00:54:17 |
All right. l'll go look. |
| 00:54:20 |
l'm going to go look. |
| 00:54:26 |
Rosario! Rosario! |
| 00:54:29 |
Who is it? |
| 00:54:31 |
lt's your mother and dad. |
| 00:54:34 |
l'm sleeping. |
| 00:54:38 |
Get dressed |
| 00:54:39 |
Where's my underpants? |
| 00:54:41 |
Here. Where's my bra? |
| 00:54:42 |
Here's your bra, |
| 00:54:45 |
l know you're in there |
| 00:54:48 |
What makes you think that? |
| 00:54:50 |
l can sense it |
| 00:55:05 |
There. He took her home, |
| 00:55:08 |
Go back to bed, Rosario. |
| 00:55:15 |
l feel bad l didn't trust him. |
| 00:55:18 |
l'm going to go back |
| 00:55:21 |
Rosario, please forgive-- |
| 00:55:39 |
We love each other very deeply. |
| 00:55:41 |
She's through living a lie |
| 00:55:44 |
And that is |
| 00:55:47 |
You slept together? |
| 00:55:51 |
You didn't have sex, did you? |
| 00:55:54 |
No. They were |
| 00:55:56 |
Oh, not Rosario. |
| 00:55:59 |
This girl, she's Juliet. |
| 00:56:01 |
l did this. |
| 00:56:05 |
l misread the Blessed Roscoe's-- |
| 00:56:08 |
All right. All right. |
| 00:56:09 |
Look, girlie... |
| 00:56:12 |
we're adults, my wife and me. |
| 00:56:14 |
You had a bisensual rendezvous |
| 00:56:19 |
and you should wallow in it |
| 00:56:22 |
What my husband |
| 00:56:24 |
just cherish the bliss you had |
| 00:56:28 |
and then maybe |
| 00:56:32 |
No. l do not |
| 00:56:35 |
Yeah! And if she goes, |
| 00:56:37 |
What? You got |
| 00:56:40 |
to go to college, |
| 00:56:42 |
You and me were going |
| 00:56:46 |
Are you trying to tell us... |
| 00:56:47 |
that you would give up |
| 00:56:50 |
Ma, do you want me |
| 00:56:53 |
or miserable and die? |
| 00:56:55 |
These are my only choices? |
| 00:56:57 |
Yeah. |
| 00:56:59 |
Excuse me a minute, please. |
| 00:57:03 |
Sadie, l can't talk now. |
| 00:57:06 |
This is an emergency! |
| 00:57:08 |
So is this. Talk quick. |
| 00:57:10 |
Me and the Blessed Roscoe |
| 00:57:16 |
For seven years...sneaking |
| 00:57:21 |
in forbidden bliss |
| 00:57:25 |
Rosario says he doesn't want |
| 00:57:30 |
Why me? Why me? |
| 00:57:35 |
What am l going to do? |
| 00:57:36 |
The Blessed Roscoe is poking me. |
| 00:57:39 |
He says we'll marry |
| 00:57:41 |
Could you hold it down |
| 00:57:44 |
l'm trying to commune here. |
| 00:57:46 |
The woman is 94! |
| 00:57:54 |
The Blessed Roscoe says |
| 00:57:57 |
l thought he said |
| 00:58:00 |
Love is all there is... |
| 00:58:03 |
but it's also not enough. |
| 00:58:06 |
What does that mean? |
| 00:58:08 |
l don't know, Sadie. |
| 00:58:11 |
His old mother suffers so. |
| 00:58:13 |
Do you think you might have |
| 00:58:18 |
to help her to Heaven? |
| 00:58:21 |
The Blessed Roscoe and me |
| 00:58:25 |
Love is all there is. |
| 00:58:29 |
Love is not enough. |
| 00:58:32 |
Open this door. |
| 00:58:36 |
We demand to know |
| 00:58:40 |
Wait here. |
| 00:58:42 |
Open this door. |
| 00:58:44 |
My son ain't here. |
| 00:58:46 |
The car is in front. |
| 00:58:48 |
Quick, hide her. |
| 00:58:49 |
No. lt is time they found out |
| 00:58:53 |
and who made me true to myself. |
| 00:58:56 |
We will tell them, right, |
| 00:59:01 |
Alack, there lies more peril |
| 00:59:04 |
than 20 of their swords. |
| 00:59:07 |
Don't be a sucker, Rosario. |
| 00:59:18 |
Regina, what are you doing here? |
| 00:59:23 |
We have something |
| 00:59:25 |
something very important. |
| 00:59:27 |
Tell them. |
| 00:59:30 |
Who, me? |
| 00:59:34 |
Please, come in. |
| 00:59:39 |
and we'll have |
| 01:00:01 |
May l offer you a banana? |
| 01:00:04 |
How about a gummy bear? |
| 01:00:06 |
We don't want banana, |
| 01:00:08 |
We want to know |
| 01:00:12 |
Did you ever see the episode of |
| 01:00:16 |
where Emily tells Barbara |
| 01:00:22 |
a mystical odyssey on the beach? |
| 01:00:24 |
Or maybe you read |
| 01:00:27 |
about Cher |
| 01:00:29 |
being caught on a motorcycle. |
| 01:00:32 |
Well, Rosario and Gina... |
| 01:00:38 |
unthinkingly, |
| 01:00:39 |
they were swept away |
| 01:00:48 |
What? |
| 01:00:52 |
What is she talking about? |
| 01:00:56 |
They... |
| 01:01:00 |
They had coitus that... |
| 01:01:04 |
wasn't interruptus. |
| 01:01:07 |
And now she don't want |
| 01:01:10 |
or be a ballet dancer |
| 01:01:16 |
Have you lost your mind? |
| 01:01:18 |
You throw away your life |
| 01:01:21 |
You're getting on that plane... |
| 01:01:23 |
if l have to drag you |
| 01:01:25 |
You're making Gina cry. |
| 01:01:26 |
She wants to be with me. |
| 01:01:29 |
ls that such a bad thing? |
| 01:01:33 |
-l'm going to kill you! |
| 01:01:37 |
Let go of him! Hey! |
| 01:01:40 |
Get back in that chair! |
| 01:01:42 |
You want to scream and yell |
| 01:01:43 |
you got every right... |
| 01:01:45 |
but you choke my son again, |
| 01:01:47 |
l can take |
| 01:01:48 |
Shut up and sit down |
| 01:01:54 |
He ruin her. |
| 01:01:56 |
He ruin everybody. |
| 01:02:00 |
He did not ruin anybody! |
| 01:02:04 |
He made me happy! |
| 01:02:05 |
She's my dream come true. |
| 01:02:07 |
You shut up. |
| 01:02:10 |
You ain't shooting anybody, |
| 01:02:12 |
l am Count Dracula? |
| 01:02:14 |
This whole family |
| 01:02:16 |
Please, let's not turn this |
| 01:02:19 |
lt's a comedy because |
| 01:02:23 |
And, look, l'm laughing. |
| 01:02:29 |
Come on. You laugh, too. |
| 01:02:32 |
Everybody laugh. |
| 01:02:40 |
Don't you ever set foot |
| 01:02:43 |
She don't mean you're a putana. |
| 01:02:45 |
l do! l do! |
| 01:02:50 |
You'll go from this world |
| 01:02:56 |
Please. Don't reject her. |
| 01:02:59 |
l left the candles burning... |
| 01:03:01 |
and now they love each other... |
| 01:03:03 |
and love is all there is. |
| 01:03:05 |
You shut up! |
| 01:03:07 |
l knew this was all your fault! |
| 01:03:09 |
Candles! Voodoo! |
| 01:03:11 |
God is going to punish you! |
| 01:03:13 |
lt is not voodoo! |
| 01:03:16 |
You're a witch! A witch! |
| 01:03:21 |
You call me a witch? |
| 01:03:23 |
Know what? l have lost |
| 01:03:25 |
Just get out of my house! |
| 01:03:26 |
l will never |
| 01:03:29 |
You'll hate yourself |
| 01:03:32 |
l was only doing it for you. |
| 01:03:35 |
l don't want you to give up |
| 01:03:41 |
That was your choice. |
| 01:03:46 |
What about Rosario? |
| 01:03:48 |
He's going to give up |
| 01:03:50 |
That's right. |
| 01:03:52 |
Everything? |
| 01:03:54 |
He don't have a job. |
| 01:03:55 |
He don't even have |
| 01:03:59 |
He's giving up his future, |
| 01:04:02 |
his high-school certificate, |
| 01:04:04 |
Our business |
| 01:04:06 |
Huh? You are broke. |
| 01:04:09 |
You owe $1 22,000... |
| 01:04:13 |
and now everybody in |
| 01:04:15 |
that you are nothing |
| 01:04:18 |
How dare you call us |
| 01:04:22 |
We are just as pretentious |
| 01:04:25 |
And maybe the whole |
| 01:04:27 |
that you tried to sell |
| 01:04:29 |
and nobody would buy it! |
| 01:04:31 |
Son of a bitch! |
| 01:04:34 |
l will throw you |
| 01:04:36 |
Yeah? Come on! Try it! |
| 01:04:38 |
-Don't stoop to their level. |
| 01:04:41 |
They have no breeding! |
| 01:04:42 |
-We breed plenty! |
| 01:04:45 |
But he deserves a beating. |
| 01:04:47 |
l was champion of boxing |
| 01:04:51 |
l give him a beating |
| 01:04:53 |
You want a piece of me? |
| 01:04:56 |
Now you've-- |
| 01:04:57 |
Come in the house! |
| 01:04:59 |
No! l want him! |
| 01:05:00 |
Piero! |
| 01:05:02 |
l'm gonna kill him! |
| 01:05:05 |
l'm gonna kill him! |
| 01:05:06 |
No, no. Leave them. |
| 01:05:09 |
l'll strangle you! |
| 01:05:11 |
l am exhausted. |
| 01:05:12 |
l'm gonna punch him |
| 01:05:14 |
You are stupid |
| 01:05:16 |
Let me at him! |
| 01:05:18 |
You make me cup of coffee, no? |
| 01:05:21 |
l hate them! |
| 01:05:23 |
l wish they were not my parents! |
| 01:05:26 |
That's like wishing your foot |
| 01:05:29 |
just because |
| 01:05:31 |
l can never go back to them! |
| 01:05:34 |
Maybe they're just |
| 01:05:37 |
ln the meantime, |
| 01:05:40 |
we always wanted. |
| 01:05:43 |
l told you |
| 01:05:45 |
Look, now that she's under |
| 01:05:49 |
your behavior has got to be... |
| 01:05:52 |
according to |
| 01:05:56 |
You know what l mean? |
| 01:05:58 |
Kosher. |
| 01:06:01 |
Here's one |
| 01:06:04 |
And you're going to sleep |
| 01:06:06 |
with Grandma in her bed. |
| 01:06:08 |
You see, |
| 01:06:11 |
and you two have chosen |
| 01:06:15 |
but now we're going |
| 01:06:17 |
we're going to put it |
| 01:06:19 |
and under the tree, OK? |
| 01:06:21 |
Because Mikey and l, |
| 01:06:26 |
l wish you were my mother, |
| 01:06:33 |
Good night, Gina. |
| 01:06:35 |
Good night. |
| 01:06:36 |
Good night, honey. |
| 01:06:38 |
Good night, Ma. |
| 01:06:40 |
Good night. |
| 01:06:41 |
Good night, Pop. |
| 01:06:43 |
-She's such a sweet girl. |
| 01:06:46 |
l think l handled it |
| 01:06:50 |
Let's get back |
| 01:06:52 |
-What? |
| 01:06:54 |
-We got to stand guard. |
| 01:06:57 |
We can't take a chance. |
| 01:07:00 |
And what am l? |
| 01:07:12 |
Gina. |
| 01:07:15 |
Gina! |
| 01:07:16 |
Rosario? |
| 01:07:18 |
What's the matter? |
| 01:07:21 |
l never talked back |
| 01:07:24 |
We bring out the best |
| 01:07:28 |
Will you always love me... |
| 01:07:30 |
and choose me |
| 01:07:33 |
-What other woman? |
| 01:07:36 |
l'll never have to choose. |
| 01:07:39 |
And she loves you, too. |
| 01:07:41 |
Why did she say |
| 01:07:45 |
l am not a putana. |
| 01:07:48 |
Your mother said that, |
| 01:07:50 |
You raise your voice to me? |
| 01:07:52 |
-l did? |
| 01:07:53 |
l'm sorry. |
| 01:07:55 |
l'm sorry l insult your mother. |
| 01:07:57 |
Our first fight. |
| 01:08:00 |
Yes. |
| 01:08:02 |
lt makes me hot. |
| 01:08:05 |
Me, too. |
| 01:08:19 |
l still got the potato gnocchi |
| 01:08:23 |
The Fasuli-Baldilamente wedding |
| 01:08:25 |
Where the hell's Rosario? |
| 01:08:26 |
5:00. He ain't up yet. |
| 01:08:28 |
He's probably tired... |
| 01:08:30 |
from talking to her |
| 01:08:31 |
He's tired? |
| 01:08:34 |
and when l did sleep... |
| 01:08:36 |
l dreamed about you |
| 01:08:38 |
Mike, come on. |
| 01:08:40 |
We were on top |
| 01:08:44 |
l had one foot on the ground, |
| 01:08:48 |
and with my other foot... |
| 01:08:49 |
Oh, stop! |
| 01:08:52 |
Good morning. |
| 01:08:53 |
Good evening. |
| 01:08:54 |
Go put the clams |
| 01:08:58 |
lt's too hard |
| 01:09:00 |
and it's stupid. |
| 01:09:02 |
We already had sex together. |
| 01:09:03 |
Why should she sleep |
| 01:09:06 |
Because Grandma |
| 01:09:08 |
-You can't keep me from her. |
| 01:09:10 |
Hey! lsabel Fasuli is here |
| 01:09:14 |
l'm caught in the zipper, Sadie! |
| 01:09:17 |
Her gown split open at |
| 01:09:20 |
She's been eating chocolates |
| 01:09:24 |
l'm nervous, Ma, OK? |
| 01:09:26 |
Give me that chocolate bar. |
| 01:09:28 |
This is what |
| 01:09:31 |
l'll take this cabbage rose |
| 01:09:33 |
and put it in the front... |
| 01:09:36 |
then we're going to take |
| 01:09:39 |
and l'm going |
| 01:09:42 |
And nobody will know |
| 01:09:45 |
How about twenty in two weeks? |
| 01:09:47 |
Some of us gain weight |
| 01:09:49 |
that if we have everything, |
| 01:09:53 |
Yeah, Ma. People envy me. |
| 01:09:55 |
That's why l eat! |
| 01:09:58 |
Go out and stun your guests |
| 01:10:02 |
Wait, Ma. |
| 01:10:05 |
Fidella, look out! |
| 01:10:07 |
Watch what you're doing! |
| 01:10:10 |
Don't you dare |
| 01:10:12 |
until you leave |
| 01:10:14 |
This is the last fitting |
| 01:10:17 |
Mr. and Mrs. Cappamezza, |
| 01:10:19 |
that Rosario just burned |
| 01:10:23 |
l don't know what |
| 01:10:28 |
but you hurt him |
| 01:10:46 |
And now, for the first time |
| 01:10:49 |
please welcome lsabel and Vinny! |
| 01:11:16 |
Vinny, that looks beautiful. |
| 01:11:19 |
That cake looks |
| 01:11:22 |
Ma, Pop! Everybody, listen up. |
| 01:11:26 |
l want the whole world to know. |
| 01:11:28 |
Gina, there's something |
| 01:11:31 |
from the moment |
| 01:11:32 |
-What? |
| 01:11:44 |
Now will you be my wife? |
| 01:11:46 |
Oh, Rosario, yes, l will. |
| 01:11:49 |
Congratulations! |
| 01:11:54 |
Get back to work! |
| 01:11:58 |
-Are you crazy? |
| 01:12:00 |
Happy? |
| 01:12:01 |
We'd be happier |
| 01:12:03 |
You're still babies! |
| 01:12:04 |
Telephone, Gina Malacici. |
| 01:12:07 |
My body's addicted to her. |
| 01:12:10 |
You get married |
| 01:12:11 |
not just your pubic parts! |
| 01:12:13 |
-More pigs knuckles. |
| 01:12:14 |
-No, you're too young. |
| 01:12:17 |
lt's not legal. |
| 01:12:19 |
lt is legal |
| 01:12:21 |
Didn't we just say no? |
| 01:12:23 |
My parents |
| 01:12:25 |
What? Last night |
| 01:12:29 |
and they threw you |
| 01:12:30 |
They miss me, |
| 01:12:34 |
More fried octopus |
| 01:12:36 |
On the fire! lt's very nice |
| 01:12:40 |
but if they gave their approval, |
| 01:12:45 |
My parents happen to be |
| 01:12:50 |
They would never make |
| 01:12:53 |
This cake happens to be |
| 01:12:58 |
and nobody but us matches |
| 01:13:02 |
to the live wedding party. |
| 01:13:03 |
ln ltalia, these strawberries |
| 01:13:08 |
they would be a laughingstock! |
| 01:13:11 |
Well, in these parts, |
| 01:13:14 |
-More scungilli marinara! |
| 01:13:17 |
l think you miss your parents... |
| 01:13:19 |
and that's why |
| 01:13:22 |
l am just trying to teach you |
| 01:13:26 |
More rice |
| 01:13:28 |
Coming up! |
| 01:13:30 |
lf there's any one person... |
| 01:13:32 |
who should be teaching |
| 01:13:33 |
it should be me! |
| 01:13:35 |
l'll have you know l starred |
| 01:13:39 |
on the local |
| 01:13:42 |
where l pointed out |
| 01:13:44 |
was better |
| 01:13:48 |
Am l right, Rosario? |
| 01:13:50 |
Apologize to Gina |
| 01:13:52 |
What? She just insulted |
| 01:13:56 |
lt's true. Her parents' |
| 01:13:58 |
Who's a gabon? l'm a gabon? |
| 01:14:00 |
More pigs knuckles! |
| 01:14:02 |
What the hell are these people |
| 01:14:05 |
Mike, we got a problem. |
| 01:14:07 |
l know. |
| 01:14:09 |
How come l hear |
| 01:14:11 |
offer my wife's brother |
| 01:14:13 |
the exact same deluxe wedding |
| 01:14:17 |
They're undercutting. |
| 01:14:20 |
The Malacicis |
| 01:14:22 |
but their portions |
| 01:14:24 |
for people like you |
| 01:14:26 |
with large, gourmet frames... |
| 01:14:27 |
l want a refund now... |
| 01:14:30 |
or l will never do |
| 01:14:32 |
And that goes |
| 01:14:33 |
my wife's side, |
| 01:14:35 |
her mother's side, |
| 01:14:36 |
the Baldimentes, |
| 01:14:40 |
We can't. |
| 01:14:42 |
Come help me! |
| 01:14:44 |
lsabel threw up |
| 01:14:46 |
l told her not to stuff herself |
| 01:14:50 |
Act casual. |
| 01:14:52 |
Nobody will notice she has |
| 01:14:56 |
Sadie, do something! |
| 01:14:59 |
Here. |
| 01:15:02 |
and hang this |
| 01:15:05 |
lt's the latest thing. |
| 01:15:06 |
Rosario, couldn't we talk |
| 01:15:10 |
Don't make him choose |
| 01:15:12 |
That's not a very nice |
| 01:15:14 |
lf we're old enough to want |
| 01:15:16 |
we're old enough |
| 01:15:17 |
lt's easy to make love all day |
| 01:15:19 |
lt's much harder |
| 01:15:21 |
That's right. |
| 01:15:23 |
Her parents' house. |
| 01:15:26 |
You'd go live with |
| 01:15:28 |
How dare you say that |
| 01:15:31 |
Keep quiet! l'm talking to him! |
| 01:15:33 |
We speak the truth |
| 01:15:35 |
Yeah? Here's truth. |
| 01:15:38 |
And here's another truth-- |
| 01:15:39 |
l don't know if l want to be |
| 01:15:44 |
Hot stuff coming through. |
| 01:15:46 |
l can't believe he left. |
| 01:15:48 |
l can't believe he doesn't want |
| 01:15:52 |
They're ready for |
| 01:15:55 |
Hey, what happened? |
| 01:15:58 |
Our heir apparent |
| 01:16:01 |
What happened to the bird? |
| 01:16:05 |
Oh, my God. lt's the female. |
| 01:16:07 |
Mary, Mother of God, |
| 01:16:09 |
Why are you so hysterical? |
| 01:16:11 |
Don't you get the symbolism? |
| 01:16:14 |
l jinxed the bird. |
| 01:16:16 |
lf she dies, l will have |
| 01:16:20 |
Sadie, thoughts don't kill. |
| 01:16:22 |
Please, Mike, |
| 01:16:23 |
and don't let her die, please! |
| 01:16:26 |
OK, OK, OK. |
| 01:16:32 |
l can't come to the phone. |
| 01:16:34 |
Having an out-of-body |
| 01:16:36 |
Leave your name and number |
| 01:16:38 |
and l'll call you back |
| 01:16:43 |
Oh, boy. |
| 01:16:46 |
Let me tell you |
| 01:16:47 |
about your mother-in-law |
| 01:16:49 |
She auditioned for |
| 01:16:51 |
Know why she didn't get it? |
| 01:16:57 |
She walked over to |
| 01:16:59 |
''l was stuck on the escalator |
| 01:17:01 |
-''Why didn't you walk down?'' |
| 01:17:04 |
Monsignor, can l talk to you |
| 01:17:08 |
Thank you. |
| 01:17:12 |
An anonymous underage couple... |
| 01:17:16 |
partook of |
| 01:17:18 |
and l'd like to drop something |
| 01:17:22 |
but l don't want |
| 01:17:24 |
and a bird, symbolizing |
| 01:17:27 |
is at death's door. |
| 01:17:29 |
Are you familiar |
| 01:17:32 |
the Merry Martyr? |
| 01:17:35 |
No...but l have a feeling |
| 01:17:41 |
You don't think she's a nut, |
| 01:17:44 |
Sadie, there are people |
| 01:17:48 |
First the Blessed Roscoe said, |
| 01:17:53 |
and then he said, |
| 01:17:57 |
That's the riddle of the Sphinx. |
| 01:18:00 |
Love is all there is... |
| 01:18:03 |
but when is love not enough? |
| 01:18:07 |
l've been working |
| 01:18:11 |
That's so comforting |
| 01:18:15 |
l'll do this for you. |
| 01:18:18 |
l'll give you another riddle. |
| 01:18:21 |
Who are you |
| 01:18:26 |
When l'm not a mother? |
| 01:18:31 |
Who am l? |
| 01:18:36 |
Monsignor, l don't know. |
| 01:18:42 |
Now let me tell you |
| 01:18:44 |
This woman is so fat... |
| 01:18:46 |
that she was crossing |
| 01:18:47 |
a truck went around her |
| 01:18:50 |
l'll tell you how stupid |
| 01:18:53 |
She thinks mutual orgasm |
| 01:18:57 |
Enough with |
| 01:18:59 |
How about the gaga |
| 01:19:01 |
put up with |
| 01:19:03 |
Nobody ever talks about that. |
| 01:19:05 |
You stink. |
| 01:19:08 |
Who needs to listen to that? |
| 01:19:10 |
My daughter-in-law, that strush. |
| 01:19:13 |
Comedians-- |
| 01:19:15 |
You're not even funny! |
| 01:19:16 |
Wait. l'm just-- |
| 01:19:18 |
Get off the stage! |
| 01:19:20 |
You stink! |
| 01:19:23 |
lt was just a joke. |
| 01:19:25 |
You don't know dick! |
| 01:19:27 |
l got a son-in-law. |
| 01:19:29 |
Get off! You stink! |
| 01:19:31 |
Mama, Papa, they did not |
| 01:19:35 |
l really appreciate |
| 01:19:38 |
You don't mind me |
| 01:19:40 |
What are you doing? |
| 01:19:42 |
Someday you will thank us. |
| 01:19:44 |
Don't you come back here again! |
| 01:19:46 |
We're locking her in her room... |
| 01:19:48 |
and sending her to Paris |
| 01:19:51 |
Good thing my father isn't here! |
| 01:19:53 |
Burn this vulgar Cappamezza rag. |
| 01:20:23 |
Rosario, you're back. |
| 01:20:27 |
Her parents locked her up. |
| 01:20:28 |
They're giving her |
| 01:20:30 |
to the plane tomorrow. |
| 01:20:32 |
lt's for the best. |
| 01:20:33 |
Those people, they're poison. |
| 01:20:35 |
lf she leaves, |
| 01:20:40 |
Rosario... |
| 01:20:42 |
Rosario... |
| 01:20:44 |
you know how much l adore you. |
| 01:20:46 |
You don't get it, do you, Ma? |
| 01:20:48 |
lt's over between us. |
| 01:20:50 |
lt's her turn to adore me now. |
| 01:20:53 |
So you came back. That's good. |
| 01:20:59 |
What happened? |
| 01:21:01 |
Her parents lied to them |
| 01:21:05 |
and now they're sending her |
| 01:21:08 |
Ooh, are we lucky. |
| 01:21:12 |
ls the bird going to be OK? |
| 01:21:15 |
lt's got a broken wing. |
| 01:21:18 |
With the X-rays, |
| 01:21:21 |
The vet wants to know how much |
| 01:21:23 |
Everything we got! |
| 01:21:25 |
Broken wing and shock. |
| 01:21:30 |
What does this all mean? |
| 01:21:32 |
Why does everything always |
| 01:21:35 |
Everything isn't |
| 01:21:38 |
l'm looking for what really is. |
| 01:21:41 |
l want to be a good person. |
| 01:21:45 |
l don't want to change people |
| 01:21:48 |
l want to change them |
| 01:22:08 |
lf we get arrested for this, |
| 01:22:12 |
because anything in |
| 01:22:16 |
We're like holy warriors |
| 01:22:19 |
Heaven is here, |
| 01:22:22 |
Every dog and every cat |
| 01:22:25 |
may look upon her, |
| 01:22:41 |
When Carmella distracts them |
| 01:22:43 |
l spike the sauce. |
| 01:22:45 |
ln the confusion, |
| 01:22:47 |
This is a great plan. |
| 01:22:50 |
l'm calling my potion |
| 01:22:54 |
Duck! |
| 01:22:56 |
This is so exciting. |
| 01:23:01 |
l humbly accept this award... |
| 01:23:03 |
from the City lsland |
| 01:23:12 |
-lt's not going to work. |
| 01:23:15 |
This stuff would kill the hairs |
| 01:23:23 |
As ltalians, be proud |
| 01:23:27 |
that gave us Dante, |
| 01:23:31 |
that gave us Puccini, |
| 01:23:37 |
Michelangelo. |
| 01:23:39 |
How crude. |
| 01:23:41 |
Piero della Francesca, |
| 01:23:45 |
Cappamezza sabotage. |
| 01:24:03 |
Chase that calamari |
| 01:24:04 |
Chase them! |
| 01:24:13 |
-l hope this works. |
| 01:24:15 |
There's hot peppers |
| 01:24:16 |
my family's been marinating |
| 01:24:19 |
Oh, boy, |
| 01:24:24 |
We're on our way. |
| 01:24:27 |
As Shakespeare would say, |
| 01:24:40 |
This is the last straw of |
| 01:24:44 |
Destroy them! |
| 01:24:46 |
l want you to bring them |
| 01:24:48 |
l will bring them to their feet! |
| 01:24:50 |
Let me at them! |
| 01:24:54 |
What did l tell you? |
| 01:24:57 |
Hoist yourself up. |
| 01:25:02 |
You came for me! |
| 01:25:06 |
Quick. |
| 01:25:08 |
l want them to think |
| 01:25:09 |
That way, when they find out... |
| 01:25:11 |
we're just eloping, |
| 01:25:12 |
You are so smart. |
| 01:25:14 |
Quick, climb down my back. |
| 01:25:17 |
All right. Move it over. |
| 01:25:20 |
My ear. That's my ear. |
| 01:25:23 |
Oh, God. |
| 01:25:27 |
Go, Vinny! Go, Vinny! |
| 01:25:29 |
Vinny! Vinny! Go, Vinny! |
| 01:25:42 |
Come on! Come on! |
| 01:25:47 |
Run! Run! |
| 01:25:52 |
-We got to hide. |
| 01:25:59 |
l was looking for my pussycat. |
| 01:26:02 |
Big orange guy, three legs. |
| 01:26:04 |
Here, Tripod. Tripod. |
| 01:26:07 |
Here, Tripod. |
| 01:26:11 |
Tonight's the night |
| 01:26:13 |
Tonight's the night |
| 01:26:15 |
Whoo, lsabel! Whoo, Vinny! |
| 01:26:17 |
Tonight's the night |
| 01:26:21 |
The coast is clear. |
| 01:26:26 |
This time tomorrow, we'll be |
| 01:26:31 |
We got to get to my car |
| 01:26:35 |
l love what you've done. |
| 01:26:37 |
l love that |
| 01:26:40 |
They think they know everything. |
| 01:26:42 |
Yeah. Who needs them? |
| 01:26:45 |
Should we not be going? |
| 01:26:47 |
We got time. |
| 01:26:50 |
lsabel and Vinny gonna do |
| 01:26:52 |
lsabel and Vinny gonna do |
| 01:26:54 |
Whoo, lsabel! Whoa, Vinny! |
| 01:26:56 |
Whoo, lsabel! Whoa, Vinny! |
| 01:27:00 |
Not Marilyn! My cake! |
| 01:27:05 |
l'm gonna kill you! |
| 01:27:13 |
lt's OK. |
| 01:27:18 |
The wedding is ruined. |
| 01:27:22 |
The Malacicis did this! |
| 01:27:23 |
Let's go teach |
| 01:27:25 |
Nobody makes a jerk out |
| 01:27:29 |
l'll kill them! |
| 01:27:31 |
Ooh, cannoli creme. |
| 01:27:33 |
lf l get my hands on them, |
| 01:27:36 |
l'll bash them, |
| 01:27:39 |
Do you know what |
| 01:27:41 |
$22,500! Without the band! |
| 01:27:45 |
Get them! |
| 01:27:47 |
Get those bastards! |
| 01:27:49 |
l saved 15 years |
| 01:27:52 |
since her first Holy Communion! |
| 01:27:54 |
Give me a hand. |
| 01:27:56 |
Let's knock their new smokehouse |
| 01:28:02 |
-What's happening? |
| 01:28:05 |
We got to get out of here. |
| 01:28:06 |
Heave! |
| 01:28:09 |
We got them! We got them! |
| 01:28:11 |
l think l pulled something. |
| 01:28:16 |
Where's the door? |
| 01:28:17 |
l don't know. |
| 01:28:24 |
OK, let's not panic. |
| 01:28:30 |
What is that smell? |
| 01:28:34 |
Gas. A line must be broken. |
| 01:28:38 |
Help! Help! Help! |
| 01:28:41 |
Somebody help us, please! |
| 01:28:43 |
Please! Mama! Papa! |
| 01:28:45 |
Mommy! Daddy! Help, please! |
| 01:28:51 |
Gina is gone! |
| 01:28:55 |
''Dear parents... |
| 01:28:56 |
''we don't want to live |
| 01:28:58 |
''Forgive us |
| 01:29:00 |
''Rosario and Gina. |
| 01:29:01 |
''Lovers forever |
| 01:29:07 |
lt's Rosario's handwriting! |
| 01:29:09 |
He can't mean suicide! |
| 01:29:12 |
You have to find our children! |
| 01:29:14 |
Jimmy, put out an APB on them. |
| 01:29:16 |
They can't have gone far. |
| 01:29:19 |
Could the bird-- |
| 01:29:23 |
-We got to go find them. |
| 01:29:25 |
Help! Help! |
| 01:29:28 |
Help! |
| 01:29:29 |
lf they die, |
| 01:29:33 |
Blessed Mother, Mikey and l |
| 01:29:38 |
the Count |
| 01:29:40 |
ask you to please bring |
| 01:29:45 |
Please, |
| 01:29:47 |
-l go with you! |
| 01:29:53 |
lt's no use. |
| 01:29:57 |
l regret any moment |
| 01:30:01 |
We'll be together forever |
| 01:30:03 |
Always. |
| 01:30:07 |
-l don't want to die! |
| 01:30:14 |
-Michael. |
| 01:30:16 |
l promise, |
| 01:30:19 |
we will divide the neighborhood |
| 01:30:22 |
l will go after |
| 01:30:25 |
and you will go after |
| 01:30:28 |
You're a real fair guy |
| 01:30:31 |
l thank you very much. |
| 01:30:32 |
Please, dear God, |
| 01:30:39 |
Look! Quick, stop the car! |
| 01:30:48 |
-Mona? |
| 01:30:52 |
lt's a miracle |
| 01:30:54 |
Both of your kids is in danger. |
| 01:30:56 |
But doesn't the Blessed Roscoe |
| 01:30:59 |
The Blessed Roscoe |
| 01:31:02 |
You are creating |
| 01:31:05 |
You got the power here. |
| 01:31:07 |
You will find them, with this. |
| 01:31:09 |
-This? |
| 01:31:11 |
This and this and this |
| 01:31:15 |
Now go! |
| 01:31:19 |
Go! |
| 01:31:20 |
Where are we to go? |
| 01:31:22 |
l don't know, but we ain't got |
| 01:31:29 |
Help... |
| 01:31:31 |
Help. |
| 01:31:33 |
We have been around |
| 01:31:36 |
Now we must go back, |
| 01:31:39 |
A little longer, please. |
| 01:31:40 |
l'm trying to find them |
| 01:31:44 |
You all right? |
| 01:31:46 |
Yeah. l fell down. |
| 01:31:48 |
l think your arm is broken. |
| 01:31:51 |
-Mike. |
| 01:31:53 |
Mike, it's me! lt's me! |
| 01:31:56 |
l'm the bird |
| 01:31:59 |
l'm the one |
| 01:32:02 |
What is she talking about? |
| 01:32:04 |
l don't know what |
| 01:32:06 |
They're not committing suicide. |
| 01:32:09 |
lt's me that wanted to die |
| 01:32:13 |
They're eloping. |
| 01:32:15 |
Piero, turn the car around. |
| 01:32:17 |
They're in danger! |
| 01:32:20 |
You just said they're eloping. |
| 01:32:21 |
Maybe they were, |
| 01:32:24 |
Look at the cloud. |
| 01:32:26 |
Don't you see |
| 01:32:28 |
l don't see the clouds. |
| 01:32:32 |
Piero, turn the car around. |
| 01:32:39 |
Thus with a kiss, l die. |
| 01:32:57 |
They're here. |
| 01:32:59 |
They're here. |
| 01:33:01 |
Where? Where are they? |
| 01:33:02 |
They're here somewhere. |
| 01:33:05 |
Not just here or here |
| 01:33:08 |
but here! |
| 01:33:11 |
Over here! This way! |
| 01:33:14 |
Which way? This way? |
| 01:33:16 |
This way! This way! |
| 01:33:17 |
Which way are you talking about? |
| 01:33:19 |
No! Over here! |
| 01:33:23 |
Listen. |
| 01:33:25 |
l hear something. |
| 01:33:27 |
l smell gas. |
| 01:33:29 |
The smokehouse! |
| 01:33:38 |
They got to be in there. |
| 01:33:41 |
We got it! Push it down! |
| 01:33:45 |
Pull it open! |
| 01:33:46 |
Help. Let me out of here. |
| 01:33:51 |
Push again. |
| 01:33:53 |
No, no, no. Pull. |
| 01:33:55 |
Push. |
| 01:33:57 |
Open the door. Where's the door? |
| 01:33:59 |
Pull! |
| 01:34:02 |
Oh, God. |
| 01:34:06 |
Thank you so much. |
| 01:34:08 |
Jesus. l'm so sorry. |
| 01:34:19 |
Where am l? |
| 01:34:20 |
You're in the hospital. |
| 01:34:23 |
This, l think, |
| 01:34:26 |
You're on sedatives, |
| 01:34:31 |
l'm glad you're OK, Sadie. |
| 01:34:33 |
l would have been indisposable |
| 01:34:37 |
l know, Mikey. |
| 01:34:41 |
l am so happy |
| 01:34:45 |
From the bottom of my soul... |
| 01:34:47 |
l want to thank you |
| 01:34:51 |
You are very spiritual. |
| 01:34:54 |
Thank you, Piero. |
| 01:34:57 |
l'm sorry for acting |
| 01:35:02 |
You forgive us? |
| 01:35:04 |
That's what mothers are for. |
| 01:35:07 |
We were too young |
| 01:35:10 |
but we believe the experience |
| 01:35:13 |
We want to get married |
| 01:35:16 |
the meaning for you saving us |
| 01:35:20 |
What do you think, Monsignor? |
| 01:35:24 |
At sixteen, sexuality |
| 01:35:32 |
Can they love |
| 01:35:36 |
so they can |
| 01:35:39 |
Another mystery, Monsignor? |
| 01:35:44 |
Mike? |
| 01:35:45 |
l vote yes because |
| 01:35:48 |
Maria? Piero? |
| 01:35:51 |
One moment, please, eh? |
| 01:36:11 |
They are in love. |
| 01:36:14 |
We agree to the marriage. |
| 01:36:18 |
Under this condition... |
| 01:36:20 |
the appetizer and the pasta |
| 01:36:25 |
The entree and the dessert |
| 01:36:29 |
and there will be |
| 01:36:32 |
or the deal is off! |
| 01:37:03 |
Before we begin our ceremony... |
| 01:37:06 |
Rosario and Gina |
| 01:37:10 |
and they'd like to make them |
| 01:37:14 |
l'm sure the marriage |
| 01:37:17 |
and everything |
| 01:37:20 |
l promise that l will |
| 01:37:23 |
that you don't think |
| 01:37:25 |
And l promise |
| 01:37:27 |
to play your kind of music. |
| 01:37:30 |
At least they're not on drugs, |
| 01:37:34 |
l'd like to thank my parents |
| 01:37:36 |
for me to go to Paris with Gina |
| 01:37:38 |
to study acting at the |
| 01:37:41 |
and Cordon Bleu |
| 01:37:44 |
And my parents, |
| 01:37:46 |
to study ballet |
| 01:37:49 |
and for supporting |
| 01:37:51 |
while we find ourselves. |
| 01:38:04 |
l hope they're going |
| 01:38:06 |
lf they're not... |
| 01:38:10 |
it's really |
| 01:38:14 |
l figured it out. |
| 01:38:17 |
''Love is all there is'' |
| 01:38:20 |
Love is the immortal soul. |
| 01:38:23 |
So if you're a parent... |
| 01:38:26 |
you let your children |
| 01:38:30 |
And ''love is not enough''... |
| 01:38:33 |
means that even if your kids |
| 01:38:37 |
if you're a good parent, |
| 01:38:40 |
''lt's OK. lt's your life.'' |
| 01:38:54 |
We release these doves... |
| 01:38:55 |
and our love soars with them. |
| 01:38:59 |
l think the birds being |
| 01:39:02 |
means that the kids |
| 01:39:14 |
l wonder what that means. |
| 01:39:16 |
l now pronounce you |
| 01:39:22 |
You may kiss the bride. |
| 01:39:36 |
Lovely. |
| 01:39:41 |
And they all lived |
| 01:39:44 |
till last Thursday |
| 01:39:47 |
but that's another story. |
