Amityville 3 D

en
00:04:08 Good evening.
00:04:29 You're sure there's no danger?
00:04:32 I mean, after all that's happened
00:04:35 That family murdered.
00:04:37 Evil or good lie in our response to it.
00:05:01 Shall we begin?
00:05:18 Concentrate on your child.
00:05:23 Call to him, Mrs. Baxter.
00:05:27 Let him know that you're here.
00:05:33 Ricky.
00:05:39 Ricky, it's Mommy.
00:05:43 Can you hear me?
00:06:29 I can't breathe.
00:06:34 Over here.
00:06:38 Smoke.
00:06:42 Fire.
00:06:45 Help. Help me.
00:06:58 The child has passed over.
00:07:02 The child has passed over in fire.
00:07:08 Now he is at peace.
00:07:16 Mommy, I'm here.
00:07:21 Mommy.
00:07:25 Ricky!
00:07:26 One must... Stay where you are! Keep still!
00:07:28 Melanie, don't.
00:07:30 - Mommy?
00:07:33 I'm here.
00:07:34 Ricky, where are you?
00:07:39 I'm here.
00:07:43 Where?
00:07:48 Look.
00:07:52 Mommy, I'm here.
00:08:41 Shut up!
00:08:42 Who are you people?
00:08:44 Reveal Magazine. Congratulations.
00:08:48 You have no right. You can't do that!
00:08:50 Can't we?
00:08:54 And we've got you.
00:08:56 Get out of this house! You're trespassing.
00:08:58 Actually, we've taken care of that.
00:09:02 By the way, John, he's not my husband...
00:09:07 and poor little Ricky.
00:09:08 Sorry it took so long.
00:09:11 And who's this?
00:09:15 Mr. Caswell, let me introduce
00:09:18 of the Institute for Psychic Research,
00:09:21 I don't give a damn where he's from.
00:09:25 and every son of a bitch
00:09:27 This gentleman is Mr. David Cohler
00:09:30 We took the liberty of telling him our plans
00:09:34 If you have any questions regarding the law,
00:09:43 Emma! Come on!
00:09:59 You were very convincing, kid.
00:10:02 Thanks.
00:10:04 Elliot, it was a great help. Thanks for the tip.
00:10:08 I'm glad to be of service.
00:10:10 Actually, a crude setup like this
00:10:14 The only thing remotely interesting about it
00:10:18 If you're not in too much of a hurry,
00:10:21 Sure. We could use some pictures
00:10:24 You know, the speakers, the amplifiers,
00:10:28 You're crazy.
00:10:29 The master control
00:10:32 - After you, Professor.
00:10:37 I would imagine it's over this way.
00:10:42 Damn!
00:10:46 - It was the fuse box, I guess.
00:10:50 The way the storm's been blowing,
00:10:55 - That's true.
00:10:56 - Maybe we should...
00:11:00 We might as well.
00:11:03 Sure. Okay, let's go.
00:11:10 You got the door?
00:11:13 - We all here?
00:12:13 - Come on, John.
00:12:16 Come on, you're strong, John.
00:12:18 - Get it!
00:12:21 Hello?
00:12:23 - Yes?
00:12:27 I'm the man who owns this palace.
00:12:29 How do you do?
00:12:32 Hi. Melanie.
00:12:34 - How do you do?
00:12:35 - Pleased to meet you.
00:12:37 How do I tell you?
00:12:41 I had no idea that the... Look at this!
00:12:46 I mean, when you told me about this
00:12:49 I can imagine. Thanks for letting us
00:12:53 It's no problem.
00:12:55 Look at this box of tricks. That's...
00:13:04 - Help me! Please!
00:13:08 - Don't let me go!
00:13:10 Don't let me go!
00:13:13 We're gonna make it.
00:13:16 - All right. Up you go.
00:13:22 - You all right?
00:13:28 I guess this is what's supposed to be
00:13:32 It looks convincing to me.
00:13:36 It's just an old well.
00:13:38 I never knew that was there.
00:13:43 Don't do that.
00:13:45 This is not for your magazine, is it?
00:13:48 You have some objection?
00:13:50 If it links me up with this,
00:13:53 According to our information,
00:13:58 That old man told you that? He's a liar.
00:14:02 Don't do that. Let's go outside.
00:14:08 Where does that penny-ante con man
00:14:13 I don't know about penny ante.
00:14:14 They must've pulled in quite a haul
00:14:17 You can't connect me with it.
00:14:24 Mr. Baxter, I'm a real estate agent.
00:14:29 and I have a reputation to protect.
00:14:32 I mean, if it ever came out
00:14:36 it would finish me.
00:14:39 I bought this house cheap...
00:14:41 because I thought
00:14:43 once all the panic had been forgotten.
00:14:46 Well, it hasn't been forgotten.
00:14:48 I mean, I can't even unload the houses
00:15:12 Now look at it.
00:15:16 It's nice-looking.
00:15:20 And it's built
00:15:23 It's a steal.
00:15:25 Nobody wants it.
00:15:33 What are you asking for it?
00:15:38 It would be affordable, very affordable.
00:15:46 You're serious?
00:15:50 If Nancy's lawyers leave me
00:15:53 What do you need with a big old house?
00:15:56 Have you seen my apartment?
00:15:58 Yeah, but you haven't even looked around.
00:16:02 Can't do much better than this.
00:16:06 And why do you think that is?
00:16:10 Because some people
00:16:23 There's lots of fresh air, trees,
00:16:28 The house itself is a real
00:16:33 I'll have a place to really work
00:16:36 - I know.
00:16:38 You need some space.
00:16:40 - You've got it now.
00:16:42 You'll be able to concentrate.
00:16:44 Get started on that great American novel.
00:16:46 Come on, Nancy, don't make this
00:16:51 All right.
00:16:55 Before, the word "divorce"
00:16:58 And now it's real.
00:17:00 Look, we both made this decision together
00:17:04 I have to get out of here. I have to get out
00:17:08 All right. Fine. If that's what you have to do,
00:17:12 Quit talking about it and do it.
00:17:16 Just leave.
00:17:19 Dad?
00:17:24 - I didn't know you were coming over.
00:17:27 - Hi.
00:17:31 - Hello, Lisa.
00:17:39 Do me a favor, will you?
00:17:43 - Sure.
00:17:47 I hear you bought yourself a haunted house.
00:17:57 I just bought the house, not the ghosts.
00:18:00 - So when do we get to see this house?
00:18:03 There are lots of rooms.
00:18:06 Great.
00:19:17 Mr. Baxter?
00:19:29 Mr. Baxter? It's Sanders. I'm here.
00:19:54 Mr. Baxter?
00:22:51 Oh, God!
00:23:10 John?
00:23:21 - Hey, what happened?
00:23:25 Had a stroke or a heart attack or something.
00:23:28 It was awful. He died just as I found him.
00:23:32 John, I want to show you something.
00:23:48 There's something wrong with your film.
00:23:50 But just these frames?
00:23:56 - What do you want me to say, Melanie?
00:24:00 All I want you to do is acknowledge to me
00:24:05 Melanie, Sanders was a sick man.
00:24:08 You only had to look at him
00:24:11 Yeah, but don't you find that
00:24:15 Yes, that's exactly what I think it is.
00:24:20 Nothing more.
00:24:22 Melanie, you know what you're doing?
00:24:25 You're acting exactly
00:24:28 I mean, that's what they do.
00:24:32 I don't know.
00:24:35 I don't see anything here
00:24:39 And you think
00:24:42 It was.
00:24:50 All right. Well, what I can do
00:24:55 Pictures, negatives,
00:24:59 camera equipment, all of it.
00:25:01 If there is a physical explanation,
00:25:04 - And if there isn't?
00:25:07 But just looking at these photos...
00:25:09 and knowing what happened
00:25:11 Yeah, it seems fantastic, I know.
00:25:14 It seems like a convergence of events
00:25:18 but let me tell you, Melanie,
00:25:22 we get something in here,
00:25:25 that's just as strange as this.
00:25:27 And in 97% of the cases, there turns out
00:25:33 And the other 3%?
00:25:37 The other 3% is why I'm here.
00:26:23 - Tell me, have you seen any ghosts yet?
00:26:26 They're hiding.
00:26:28 - Did you read the article?
00:26:31 Just for the record,
00:26:34 but I've never talked to anyone
00:26:37 who could last 20 seconds
00:26:41 - How can you be so sure?
00:26:45 Reveal Magazine has had me
00:26:48 and séances and psychic confrontations
00:26:52 They've all got one thing in common.
00:26:58 The exploitation of the fear of death.
00:27:01 That's my room.
00:27:04 Don't you think it's natural to fear death?
00:27:09 Yes, I think it's the most natural thing
00:27:13 but I don't think there are any answers.
00:27:15 Rationality doesn't apply. Anything goes.
00:27:19 People like the Caswells use that
00:27:24 It's a gross form of immorality.
00:27:27 Not that I'm some paragon of virtue.
00:27:31 After all, I work for Reveal Magazine.
00:27:36 I don't think that's the same thing.
00:27:39 That's what I keep trying to tell myself.
00:27:42 Still, I think it's ironic that this monument
00:27:47 should now become home
00:27:53 - Are you gonna start writing your book?
00:27:57 So, madam, which room is it to be?
00:28:05 Well, I think this room.
00:28:10 Sold to Miss Susan Baxter
00:28:34 Where are you going?
00:28:37 Sorry. I got an appointment with an agent.
00:28:41 - Agent?
00:28:44 He's an old friend of mine.
00:28:45 He told me if I was ever interested
00:28:49 that I ought to come and see him.
00:28:51 The much-heralded book.
00:28:53 Right.
00:28:55 Why don't you come over to my place
00:28:59 Okay.
00:29:00 If I'm not back in time,
00:30:06 Hello?
00:30:10 Dolores?
00:30:16 Is anybody here?
00:30:23 Dolores?
00:32:09 - Dolores?
00:32:12 - Who are you?
00:32:15 I'm waiting for Mr. Baxter!
00:32:17 He's not here now!
00:32:20 I know.
00:34:21 - Are you sure you have to go?
00:34:24 I don't like to be late getting home.
00:34:28 I hope so.
00:34:29 You better have this.
00:34:32 and the electric man hasn't come.
00:34:36 You do know where the fuse box is?
00:34:39 Yeah, down in the basement.
00:34:41 That's right. Bye.
00:34:48 Dolores!
00:35:14 Stay open.
00:35:18 Are you all right, sir?
00:35:21 It's a miracle I wasn't killed.
00:35:23 - What happened?
00:35:27 It was inspected only last week.
00:35:30 The notice is in the car.
00:35:32 - Do you want to see it?
00:35:35 Let me just catch my breath.
00:35:38 Well, okay, sir.
00:35:41 Some water?
00:35:43 Thank you.
00:36:11 Shit.
00:39:00 Melanie?
00:39:08 - Melanie, what happened?
00:39:11 Don't you touch me!
00:39:12 - What's the matter with you?
00:39:15 - Melanie, what...
00:39:22 Help me! Help!
00:39:26 - Melanie, for God's sake.
00:39:31 Get away!
00:40:10 Do you want to talk about it now, Melanie?
00:40:14 No.
00:40:16 Look, Melanie, I'm your friend.
00:40:20 We're partners.
00:40:21 This is something that happened
00:40:23 I have a right to know. What happened?
00:40:31 The lights went out.
00:40:34 It was the fuses or something.
00:40:37 John, it was the most horrible thing
00:40:43 The worst nightmare
00:40:47 And I will never
00:40:50 Melanie, when I got there,
00:40:52 I don't care!
00:40:54 I don't want to hear about it, John.
00:40:56 I don't want
00:40:59 I know what I experienced and I'm not crazy!
00:41:09 Melanie, that house has its own mystique.
00:41:14 Things happen in there
00:41:17 That was the basis
00:41:19 - Don't insult me, John.
00:41:23 I'm telling you something
00:41:26 I don't know what's true anymore.
00:41:28 Why don't you just get out of here?
00:41:43 Supposing I asked you this?
00:41:45 Why do you think whatever it was
00:41:48 only happened to you
00:41:51 I don't know, John.
00:41:53 Maybe the house has other plans for you.
00:41:58 Oh, for Pete's sake.
00:42:16 All right, that's it. Get her out of there.
00:42:31 And she's been in there for almost 52 hours.
00:42:36 That's about the limit
00:42:39 Once you deprive the mind
00:42:43 it eventually starts to improvise.
00:42:49 So she's been in some kind of limbo?
00:42:52 Yes, right.
00:42:53 There's no sight, no sound,
00:42:59 Under those conditions, reality
00:43:03 Some writer once said...
00:43:04 that reality is the only word in the language
00:43:10 Look, Dr. West, I can come back.
00:43:13 No, this is fine.
00:43:20 I don't know what to do.
00:43:23 The thought of my daughter
00:43:27 Yes, I know.
00:43:32 Well, all I can say is that
00:43:37 that anyone has ever been directly harmed...
00:43:41 by the kind of manifestation
00:43:45 I'm sorry, I don't know what that means.
00:43:48 Well, it means that...
00:43:50 whenever there has been an injury
00:43:53 it's always been
00:43:56 Like someone running away in a panic
00:44:01 That's not exactly reassuring.
00:44:05 No. I don't imagine it is.
00:44:10 I'm sorry, I just don't have the answers
00:44:13 You're looking for a yes or a no.
00:44:20 I mean, when we talk about
00:44:25 what do we mean, really?
00:44:28 They may well be things
00:44:32 And not things
00:44:37 On the other hand...
00:44:38 certain houses obviously do have
00:44:43 The Amityville house.
00:44:45 Possibly.
00:44:46 So many awful things have happened there.
00:44:50 Maybe there is. Maybe there isn't.
00:45:00 What am I supposed to do?
00:45:10 I see.
00:45:13 I'm sorry.
00:45:27 I just don't think we should be here
00:45:31 Why not? You have your own key
00:45:34 I'm just dying to check this out.
00:45:36 I know. It just doesn't seem right, though.
00:45:39 Come on, Susan,
00:45:43 I just told you.
00:45:46 Never mind. Come on,
00:45:53 It's a house.
00:45:56 Yeah.
00:46:08 Do you know you could have sex
00:46:11 - Really?
00:46:14 It seems it's happened to a lot of women
00:46:18 - What do you think?
00:46:22 Maybe that's why your father
00:46:25 He's got some sex-starved ghost up there
00:46:30 Well, somehow
00:46:32 I've read all of his articles, you know.
00:46:38 I know exactly
00:46:49 Ron De Feo...
00:46:52 murdered his mother and his father...
00:46:56 and his four brothers and sisters
00:46:59 God.
00:47:03 The master bedroom.
00:47:05 This is where he began.
00:47:13 And then right here.
00:47:17 He fired two more shots.
00:47:20 The sound muffled
00:47:28 And then he went upstairs
00:47:47 Ron De Feo possessed by the spirit
00:47:51 Lisa, cut it out.
00:48:03 There's evil in this place.
00:48:09 I know, let's go downstairs to the basement.
00:48:11 Your dad wrote that there's a dry well
00:48:16 You really are a lunatic.
00:48:35 This is it.
00:48:47 Yeah, here it is.
00:48:53 Come here, look at this.
00:49:00 It was burst open
00:49:04 from the depths of the earth.
00:49:06 This is supposed to have been
00:49:10 Their tortured spirits are still down there...
00:49:12 waiting to rise up and reclaim their land.
00:49:56 Hi.
00:49:59 - Daddy, you scared us.
00:50:03 Why aren't you at school?
00:50:05 Teachers' strike.
00:50:07 Again?
00:50:09 Great house, Mr. Baxter.
00:50:14 I'll just put these back.
00:50:17 Try not to fall in.
00:50:21 I'm trying not to be unreasonable, Susan.
00:50:23 Mother, it was no big deal.
00:50:26 Lisa's been bugging me to see the house.
00:50:31 It was broad daylight. There was no danger
00:50:35 - until he came home.
00:50:37 - He didn't.
00:50:40 - It's the place itself.
00:50:43 I don't have to see it. I know all about it.
00:50:48 Only a man with your father's colossal ego
00:50:54 I do not want you going near it.
00:50:59 Is it?
00:51:00 Yes.
00:51:03 I'm afraid, Susan. It's as simple as that.
00:57:56 She'd been working late.
00:57:58 She wasn't coming to the house,
00:58:01 You don't think it's odd that two people,
00:58:05 For God's sake! You sound just like...
00:58:07 Like Melanie.
00:58:11 John, it wasn't easy for me
00:58:13 but I think it's very important that there be
00:58:18 My daughter is the most precious thing
00:58:21 and she's not going back in that house.
00:58:24 She's my daughter, too, Nancy.
00:58:26 I'm not going to argue with you.
00:58:30 I'm telling you
00:58:32 Fine. Then say it to my lawyer.
00:58:45 - Basketball team?
00:58:47 Baseball? In basketball there's five.
00:58:52 Do you see the abuse
00:58:54 I think your father's got a lot of guts
00:58:57 It's not haunted.
00:59:00 Come on, all those people killed there?
00:59:02 You don't think there might be
00:59:06 All right, why don't we change the subject?
00:59:08 What are you bothered about?
00:59:09 Nothing. I'd just like to talk about
00:59:12 Come on, Susan, don't be a drag.
00:59:18 I say we put together a séance.
00:59:21 - Yeah.
00:59:24 - Yeah.
00:59:26 And your dad's not home today.
00:59:29 - Let's do it!
00:59:31 That's what we're doing.
00:59:33 Okay. Now...
00:59:35 the Ouija board only works...
00:59:39 if everybody cooperates and believes.
00:59:45 Now, put your finger on the glass.
00:59:55 Everybody.
01:00:01 Okay, now we have to agree on a question
01:00:06 and the spirits will answer us.
01:00:10 Okay, now I'm gonna ask the first question.
01:00:16 Is there a supernatural presence
01:00:41 How about that?
01:00:44 You're pushing it.
01:00:46 I am not pushing it.
01:00:49 You could feel it. It was moving.
01:00:52 I got a good question.
01:01:02 Can it tell us
01:01:06 Come on, chap, everybody knows that.
01:01:09 Up yours, darling.
01:01:11 All right. Wait. I got a great question.
01:01:14 - Okay.
01:01:19 Is anyone in this room...
01:01:22 gonna be dead before next year?
01:01:24 No.
01:01:26 No, don't ask questions like that.
01:01:29 - She's really scared.
01:01:32 - Stop it.
01:01:35 You guys, Susan is right.
01:01:39 You're ruining everything.
01:01:42 and what it wants.
01:01:50 Is there anyone in this room
01:01:53 That's not what you said.
01:02:38 All right, one of you is pushing it.
01:02:42 - It wasn't me.
01:02:44 I'm not pushing it at all.
01:02:49 It was you.
01:02:50 - You pushed it.
01:02:52 Susan, what are you doing
01:02:55 against the wall like that?
01:02:57 - I didn't...
01:02:59 - Forget it. Let's get out of here.
01:03:01 Did you see?
01:03:03 Hi, Carla?
01:03:05 Have you heard from Lisa?
01:03:11 Well, I asked her to come right home
01:03:14 She said she was going to, but, you know.
01:03:21 Never mind. I think I know
01:03:25 I'll call you back later.
01:03:37 Hey, Susan.
01:03:42 Look what's over here. Let's go for a ride.
01:03:44 Hey, check it out. Come on, let's go.
01:03:51 Jeff, what have you got there?
01:03:53 - What kind of boat?
01:03:55 A sporting boat, all right.
01:04:00 - Will you be careful?
01:04:04 Be careful.
01:04:05 Let me get this for you. Here you go.
01:04:09 Okay, get on. I'm driving, buddy.
01:04:11 Will you be careful?
01:04:16 Get down!
01:06:15 Susan.
01:06:28 Why are you wet? What happened?
01:06:31 Susan?
01:06:33 I'm talking to you.
01:06:51 What is the matter with you?
01:06:59 Susan, will you answer me?
01:07:09 Susan.
01:07:15 Susan, unlock this door.
01:07:19 Susan, do you hear me?
01:07:23 - Be careful.
01:07:25 Susan.
01:07:28 Susan, wake up!
01:07:30 What happened?
01:07:32 Yeah, we called.
01:07:34 Susan. What happened?
01:07:36 The boat.
01:07:37 She fell out. I don't know.
01:07:39 Susan.
01:07:42 Oh, God. No.
01:07:44 Susan, please.
01:08:31 Hurry up.
01:08:46 One-one thousand, two-one thousand,
01:08:49 John, what's happened? What's wrong?
01:08:52 Nancy, Susan...
01:08:55 Susan what? What about Susan?
01:08:59 ...three, four.
01:09:01 Get anything?
01:09:05 Are you trying to tell me that that's Susan?
01:09:07 John, that's not Susan.
01:09:10 Susan's in the house, John.
01:09:12 - Pulse?
01:09:14 John, stop it. Don't. Let go.
01:09:17 No, you cannot tell me that that's Susan!
01:09:20 That is not Susan. I just left Susan.
01:09:24 And she's changing.
01:09:27 You cannot tell me that that is Susan.
01:09:30 One, two...
01:09:31 She's in the house, John.
01:09:34 - Nancy.
01:09:35 Come on, I'll show you.
01:09:37 ...you got anything?
01:09:39 No pulse. Continue CPR.
01:09:41 Susan, I want you to come out of here.
01:09:44 I want you... Susan?
01:09:47 Susan.
01:09:50 Why are you hiding from me? Susan?
01:09:55 I know you're here.
01:09:59 Susan!
01:10:09 Susan, where are you?
01:10:11 - Susan.
01:10:13 Why are you hiding from me?
01:10:14 - Come out here at once!
01:10:17 - Susan, where are you?
01:10:20 - She's not in here!
01:10:23 - I saw her!
01:10:24 Don't you understand?
01:10:27 - She's not here, darling.
01:10:29 She's not in here anymore.
01:10:31 - She's gone.
01:10:32 You don't care where she is.
01:10:34 I'm going up to her room to wait for her.
01:10:38 Susan!
01:13:34 What happened?
01:13:38 It's Susan. She wants to show us she's here.
01:13:45 This is her favorite blouse.
01:13:48 We got it for her birthday last year.
01:13:52 I think it's the colors.
01:13:56 I was thinking, this year maybe I'd...
01:13:59 get her a cashmere sweater.
01:14:12 You have to try to grasp what's happened.
01:14:16 - What you say has happened.
01:14:19 You're fantasizing. None of this is real.
01:14:22 - You must come to terms with that.
01:14:25 What I saw in this house
01:14:32 What you saw is fantasy.
01:14:37 Fantasy is Susan drowned.
01:14:44 Is what you believe more certain
01:14:50 Who's to say?
01:14:52 You?
01:15:08 She wouldn't even go to the funeral.
01:15:12 I don't know what to do.
01:15:15 Nancy needs psychiatric help.
01:15:20 I don't know how to handle it.
01:15:22 She won't see a doctor.
01:15:29 I'm worried sick about her.
01:15:33 I thought maybe you'd...
01:15:36 have a suggestion.
01:15:39 There's always the possibility
01:15:45 I don't follow you.
01:15:48 Well, what if she really did see something?
01:15:52 Not Susan, perhaps, but something.
01:15:58 What do you mean?
01:16:03 If you'll go along with me,
01:16:07 It could be very helpful to you, to me...
01:16:10 and to Nancy.
01:16:13 What have you got in mind, Elliot?
01:16:17 The scientific investigation of the house
01:16:21 I've got a trained team
01:16:25 We've investigated houses
01:16:29 What would be the point, Elliot?
01:16:33 Well, the chances are
01:16:37 If we do, that might make it a lot easier
01:16:42 given the support of our study.
01:16:45 Possibly, but I doubt it.
01:16:49 And on the other hand...
01:16:51 if we do turn up something...
01:16:55 I mean, if there is some indication,
01:16:59 that Nancy was right...
01:17:02 then we might be saving her sanity.
01:17:06 I'll tell you something, Elliot.
01:17:09 After everything that's happened...
01:17:13 I don't know what the hell to believe.
01:17:16 Over here.
01:17:19 Bring it right over here.
01:17:22 There's more stuff in my car.
01:17:25 Okay, good. Yeah.
01:17:27 Joyce's job is to make sure
01:17:29 coming into the main computer
01:17:32 She can also punch up
01:17:34 or any computer data that I might need
01:17:38 Just watch those cables
01:17:41 See, this is where I'll be.
01:17:43 Now, that is an ultrasonic sensor...
01:17:45 which will register sound frequencies
01:17:49 This image is from a thermal camera.
01:17:52 Dave, could you turn the camera
01:17:55 You see?
01:17:56 What it's doing is translating
01:18:00 into a color-coded visual pattern.
01:18:01 Elliot, would you check
01:18:03 - Something funny is happening.
01:18:05 Thanks, Dave.
01:18:07 Could you punch up the video from the attic
01:18:13 You see?
01:18:15 I see the problem here. We just have
01:18:19 So...
01:18:20 what we want eventually is a straight line
01:18:24 The variable is much too active.
01:18:26 Just roll off some of the highs, please.
01:18:29 - Is this all right?
01:18:31 Okay. Now, some of the lows.
01:18:34 - Got it.
01:18:42 Over here. Put it up higher.
01:18:44 There we go. Hold it right there.
01:18:47 We've got the entire hall to cover.
01:18:49 What's happening?
01:19:17 You never believed in this house, John.
01:20:03 Joyce, give me the attic down here, please.
01:20:48 - Stand by.
01:21:01 I'm hearing something. I can't make it out.
01:21:04 Try to move in closer.
01:21:05 Put it on the speakers.
01:21:15 Wow!
01:21:16 - I'm going up there, Elliot.
01:21:19 Mother?
01:21:23 Mother. I need you.
01:21:27 Please, Mother.
01:21:30 Come with me. We'll be together.
01:21:36 Susan.
01:21:39 Come with me, Mother.
01:22:33 What is it? What's it doing to her?
01:22:52 There's activity in the basement.
01:23:07 Oh, my God. It's using Susan.
01:23:11 The well. The force from the well.
01:23:13 It killed Susan
01:23:16 I'm not gonna let that happen.
01:23:17 Look, John, don't.
01:23:21 - We can release her. I think there's a way.
01:23:25 No, listen to me. You've got to believe me.
01:23:27 Just follow them to the well.
01:23:30 Just follow them.
01:24:28 Susan.
01:24:30 Hold her, John. Don't let her get any closer.
01:24:32 - John, that's Susan. Let me go.
01:24:36 We got to force it out. I've got to confront it.
01:24:39 Susan!
01:24:40 - Darling, you can't.
01:24:43 Come out.
01:24:44 - Why won't you let me go to her?
01:24:53 Oh, God. Elliot.
01:24:56 Elliot!
01:25:00 Susan, get out! Save yourself!
01:25:07 Susan.
01:25:08 Turn around. We've got to get out of here.
01:25:23 - Where's Dr. West?
01:26:10 Help!
01:29:21 Come on!
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