|
Amityville 7 The New Generation
|
| 00:02:29 |
Ù, ×ñéóôÝ ìïõ. |
| 00:02:34 |
Rise and shine. |
| 00:02:43 |
So you're up early. |
| 00:02:45 |
Áðßóôåõôï. |
| 00:02:47 |
This guy outside just broke the window |
| 00:02:52 |
That's cause it's gonna rain today. |
| 00:02:54 |
Óôï ïñêßæïìáé Keyes áõôÞ ç ãåéôïíéÜ ìå ôñïìÜæåé. |
| 00:02:57 |
It really does. |
| 00:03:00 |
Hardly. |
| 00:03:02 |
I'm gonna be late tonight. |
| 00:03:04 |
A few of us are having drinks |
| 00:03:08 |
You should come. |
| 00:03:10 |
He's suppose to be terrific ... |
| 00:03:12 |
and ... |
| 00:03:14 |
who knows he might want |
| 00:03:17 |
What? |
| 00:03:17 |
Shooting cans of Spam or Reboks artfully |
| 00:03:23 |
Been there. |
| 00:03:24 |
Done that. Thanks. |
| 00:03:26 |
You son of a bitch! |
| 00:03:31 |
ÔïõëÜ÷éóôïí äåí åßìáóôå ïé ìüíïé ðïõ åßíáé îýðíéïé áõôÞ ôçí þñá. |
| 00:03:35 |
Come on. |
| 00:03:36 |
Suki, you're making a big mistake, baby. |
| 00:03:38 |
Please, open your door and let me back in, now. |
| 00:03:42 |
Óå ðáñáêáëþ Üóå ìå íá ìðù ìÝóá. |
| 00:03:44 |
You're the one who lives here. |
| 00:03:46 |
Have fun. |
| 00:03:48 |
Yeah. |
| 00:03:50 |
Suki, let me back in. |
| 00:03:52 |
You don't understand. |
| 00:03:54 |
I'm a man, not responsible |
| 00:03:57 |
Stop that now. |
| 00:04:02 |
Pal. Come on, pal. Get a clue. |
| 00:04:06 |
Who the hell are you? |
| 00:04:07 |
Today maybe I'll be ... |
| 00:04:10 |
her big brother. |
| 00:04:14 |
She think she's so goddamn special. |
| 00:04:17 |
Well, let me tell you something girlfriend! |
| 00:04:19 |
You won't be beautiful forever! |
| 00:04:26 |
Kick a guy like me out ... |
| 00:04:30 |
next one might not be as nice. |
| 00:04:32 |
See you around, Suki. |
| 00:04:35 |
Thanks Keyes. |
| 00:04:38 |
Tripped up, asshole! |
| 00:04:42 |
Met him at the starhouse last week. |
| 00:04:45 |
Two days and he's already got |
| 00:04:48 |
Suki ... |
| 00:04:49 |
Maybe you're on the side. |
| 00:04:54 |
Hey, Ground Zero? |
| 00:04:57 |
Yeah. |
| 00:04:58 |
Just let me ... |
| 00:05:00 |
Yeah, right. |
| 00:05:06 |
Oh, you gonna make ... make sure you gonna ... |
| 00:05:11 |
Thank you. |
| 00:05:15 |
Oh, I don't know. It's a not worth ... |
| 00:05:30 |
Hold the door. |
| 00:05:32 |
Oh, god. |
| 00:05:36 |
Morning. |
| 00:05:38 |
Oh, Dick. If you got some time this morning, |
| 00:05:44 |
No, no, nothing like that. |
| 00:05:49 |
So that's what you said last night. |
| 00:05:56 |
Superman. |
| 00:05:58 |
Keyes, I feel like ... dumb. |
| 00:06:01 |
So? |
| 00:06:02 |
What's so pimping about that? |
| 00:06:04 |
Morning. |
| 00:06:06 |
Fine rain. Washed the scum off the street. |
| 00:06:10 |
Thank you, Trevis. A big one. |
| 00:06:12 |
Are you talking to me? |
| 00:06:22 |
So ... |
| 00:06:24 |
You actually met him. |
| 00:06:27 |
Briefly. |
| 00:06:29 |
Well, I'm jelaous, Suki. |
| 00:06:33 |
so secret. And then suddenly poof and they're gone. |
| 00:06:42 |
Ahhh the start of another beautiful day. |
| 00:06:45 |
What is it, Keyes? |
| 00:06:47 |
What's wrong with me? |
| 00:06:49 |
Why do I end up with such loosers? |
| 00:06:56 |
It's not your fault, you know. People change. |
| 00:06:59 |
In six days they change? |
| 00:07:01 |
Come on, Su don't do this. Not for this guy. |
| 00:07:05 |
He's dangerously craft. |
| 00:07:12 |
So ... |
| 00:07:14 |
What's up? |
| 00:07:17 |
He's all yours. |
| 00:07:20 |
Well ... |
| 00:07:21 |
We were thinking of maybe ... |
| 00:07:24 |
having show ... |
| 00:07:25 |
and opening, really. |
| 00:07:26 |
Like the downtown lofts. |
| 00:07:29 |
No. |
| 00:07:29 |
No way. |
| 00:07:30 |
It's in your lease. |
| 00:07:32 |
This is not a gallery. It's a studio space. |
| 00:07:36 |
It would be like a big party. |
| 00:07:40 |
I don't have insurance, I don't have the permits. |
| 00:07:42 |
Don't have security. |
| 00:07:45 |
At least not us anymore. |
| 00:07:47 |
And Su when was last time you made any money. |
| 00:07:53 |
See, Dick ... |
| 00:07:54 |
It's not just for us. |
| 00:07:56 |
I mean ... |
| 00:07:57 |
You've been trying to rent last studio |
| 00:08:02 |
A show might be just thing to attract another tenant. |
| 00:08:07 |
Not clever at all. |
| 00:08:08 |
This is a blatant manipulation. |
| 00:08:11 |
Look ... |
| 00:08:12 |
Dick, we need the show. |
| 00:08:14 |
We need to get our stuff out there. |
| 00:08:20 |
Absolutely not. |
| 00:08:22 |
Come on Dick, don't be one. |
| 00:08:27 |
Where're you going? |
| 00:08:30 |
I'm gonna go get ready for the show. |
| 00:08:32 |
Keyes? |
| 00:08:33 |
Hey Keyes? |
| 00:09:01 |
Looking to buy ... |
| 00:09:04 |
or just browsing? |
| 00:09:05 |
No, no. |
| 00:09:09 |
Actually I took a picture of you in there. |
| 00:09:11 |
And ... |
| 00:09:13 |
I think it's gonna be pretty good. |
| 00:09:15 |
I shall maybe able to sell it. |
| 00:09:19 |
I'm very happy for you. |
| 00:09:21 |
Yeah, well ... |
| 00:09:26 |
I don't think I should be the only one to profit. |
| 00:09:32 |
Well, thanks. |
| 00:09:36 |
Son ... |
| 00:09:41 |
Gotcha. |
| 00:09:43 |
Like it? |
| 00:09:44 |
Yeah. |
| 00:09:46 |
It's ... it's interesting. |
| 00:09:48 |
Been in my family for generations. |
| 00:09:51 |
I want you to have it. |
| 00:09:53 |
No, I ... |
| 00:09:55 |
No, I can't. |
| 00:09:56 |
You're an artist, don't you? |
| 00:09:58 |
Surely you can appreciate the craftsmanship. |
| 00:10:03 |
Do me a honor. |
| 00:10:05 |
Take it. |
| 00:10:06 |
Please. |
| 00:10:18 |
Up beyond the surface ... |
| 00:10:21 |
look how the beautifully images are preserved. |
| 00:10:59 |
You've got my vote. |
| 00:11:00 |
I think the show'll be fun. |
| 00:11:02 |
Open the whole place up. Besides I already checked ... |
| 00:11:05 |
there is nothing else going on the week of the 24th. |
| 00:11:09 |
Wait a minute, that's next week. |
| 00:11:12 |
You're obviously talkin' about work already done. Yes? |
| 00:11:14 |
As long as your promise the sculpture |
| 00:11:18 |
Or leak. |
| 00:11:19 |
Perhaps you like something in whited lenolium. |
| 00:11:23 |
No, it's just that your sculpture ... |
| 00:11:26 |
to me is just kind of scary. |
| 00:11:31 |
That's not necessarily bad. |
| 00:11:34 |
At least it's a reaction. |
| 00:11:37 |
I think the only real emotion left in this world is ... |
| 00:11:39 |
fear. |
| 00:11:41 |
You're right. |
| 00:11:43 |
Well, she is. |
| 00:11:45 |
Llanie, we're in here. |
| 00:11:46 |
Hi. I have to pee really bad, I'll be right back. |
| 00:11:51 |
So ... |
| 00:11:52 |
Keyes. |
| 00:11:53 |
Tell us. |
| 00:11:55 |
What really scares you? |
| 00:11:57 |
Red. |
| 00:12:00 |
Red, Dick. |
| 00:12:01 |
And ... |
| 00:12:03 |
Republicans, yeah they scare me too. |
| 00:12:05 |
The old Keyes' cover-up, huh? |
| 00:12:07 |
Yeah, don't ask him anything that |
| 00:12:10 |
cover it up with a joke. |
| 00:12:12 |
Come on, Keyes. |
| 00:12:13 |
You can tell us. |
| 00:12:15 |
We're all family here. |
| 00:12:16 |
There is a scary idea. |
| 00:12:18 |
The american family. |
| 00:12:20 |
That's why I spend so much time preserving |
| 00:12:27 |
Very eerie. |
| 00:12:29 |
I'll drink to that ship. |
| 00:12:33 |
I know what scares me. |
| 00:12:36 |
When I was a child ... |
| 00:12:38 |
there're creatures that lived in my room. |
| 00:12:41 |
The boogeyman? |
| 00:12:43 |
No. |
| 00:12:44 |
He was under the bed. |
| 00:12:46 |
These demons were different. |
| 00:12:49 |
They would wake me up at night and dance for me. |
| 00:12:51 |
Dance for you? |
| 00:12:54 |
Sometimes I swear I could just |
| 00:12:58 |
Honey ... |
| 00:13:01 |
Where did you get this? |
| 00:13:03 |
Some bum gave it to me on the street. You can toss it. |
| 00:13:05 |
No. |
| 00:13:08 |
You can toss it. |
| 00:13:10 |
Scoot over. |
| 00:13:12 |
Oh, my god. |
| 00:13:13 |
Look at this. |
| 00:13:15 |
I do. |
| 00:13:17 |
It's fantastic. |
| 00:13:18 |
Can I borrow it? |
| 00:13:21 |
Would you mind? |
| 00:13:22 |
I'll give it back. |
| 00:13:23 |
Actually Suki you can borrow it |
| 00:13:28 |
Thank you. |
| 00:13:31 |
So ... |
| 00:13:32 |
What do you think? |
| 00:13:35 |
About what? |
| 00:13:36 |
About the show. |
| 00:13:40 |
All right. |
| 00:13:42 |
All right, you've got a show. |
| 00:13:47 |
So, this new Creative Director is just like everyone said. |
| 00:13:51 |
He's an older guy, but ... |
| 00:13:53 |
I don't know he's ... |
| 00:13:54 |
He's really in tense. |
| 00:14:00 |
What'you thinking about? |
| 00:14:02 |
How beautiful you are. |
| 00:14:06 |
What are you really thinking about? |
| 00:14:12 |
What Dick said tonight. |
| 00:14:15 |
Think I hide thinks. |
| 00:14:18 |
Walls around me. |
| 00:14:19 |
Well ... |
| 00:14:20 |
I think we all do, but ... |
| 00:14:23 |
I've got into yours, haven't I? |
| 00:16:39 |
Suki? |
| 00:16:41 |
Where are you my little pickle. |
| 00:17:14 |
God damn paint slappin' bitch. |
| 00:17:19 |
Thrown me out. |
| 00:17:22 |
Me? |
| 00:17:30 |
Man, that's ugly. |
| 00:17:39 |
Oops, sorry. |
| 00:17:53 |
No bullshit me. |
| 00:18:10 |
What the hell? |
| 00:18:22 |
Wow. |
| 00:18:46 |
What the ... ? |
| 00:18:54 |
No. |
| 00:18:57 |
Oh, my god. |
| 00:19:03 |
Oh, my god! |
| 00:19:04 |
Oh, my god! |
| 00:19:46 |
So, where is this woman Suny? |
| 00:19:52 |
She's with a police officer right now. |
| 00:19:54 |
I take it you knew this guy. |
| 00:19:56 |
Ray? |
| 00:19:57 |
Oh, yeah. Ray and she were ... |
| 00:19:59 |
How long? |
| 00:20:00 |
A week. |
| 00:20:01 |
Well ... |
| 00:20:02 |
six days actually, sir. |
| 00:20:06 |
Well ... |
| 00:20:07 |
Was the Ray in habit of breaking in? |
| 00:20:10 |
Well ... no ... |
| 00:20:13 |
They ... |
| 00:20:13 |
just split up. You know. |
| 00:20:16 |
They're over here, sir. |
| 00:20:35 |
Apparently Raymond drink up quite a bit. |
| 00:20:38 |
Broke in and decide to settle things his own way. |
| 00:20:43 |
Who knows. Maybe he would cut her up as well. |
| 00:20:48 |
But I guess he must have panicked. |
| 00:20:50 |
Lost his footing and went to the window. |
| 00:20:54 |
What do you think spooked him? |
| 00:20:57 |
He was pretty drunk. |
| 00:21:04 |
Maybe just got a look at himself. |
| 00:21:08 |
Whatever it was, he will take it to his grave with him. |
| 00:21:54 |
Is someone here? |
| 00:21:57 |
No, no. |
| 00:21:59 |
This is me. |
| 00:23:25 |
Is this the first? |
| 00:23:27 |
People? |
| 00:23:29 |
You don't take pictures of people. |
| 00:23:30 |
Oh, maybe I've been missing something. |
| 00:23:33 |
Wait, is this Keyes Terry talking? |
| 00:23:36 |
Whose last show consisted of thirty six assorted angles |
| 00:23:42 |
So ... I'm entering a new period. |
| 00:23:46 |
Time to give people a try. |
| 00:23:51 |
Does that mean you're gonna give me a try? |
| 00:23:54 |
I mean ... |
| 00:23:55 |
What's going on with us. |
| 00:23:57 |
What're we doing? |
| 00:23:59 |
I think we're doing just fine. |
| 00:24:02 |
In a couple of weeks you get a litle nervous |
| 00:24:05 |
Don't patronize me. |
| 00:24:07 |
It isn't like that. |
| 00:24:08 |
I wanna move on. |
| 00:24:10 |
I wanna move to the next ... |
| 00:24:11 |
level. |
| 00:24:14 |
And I wanna do it with you. |
| 00:24:16 |
God, I never met someone so afraid of commitment. |
| 00:24:19 |
Look Llanie ... |
| 00:24:21 |
I love you. |
| 00:24:25 |
I think you do. |
| 00:24:28 |
I still don't know what you're so afraid of. |
| 00:24:30 |
All right. |
| 00:24:31 |
Here we go. |
| 00:24:34 |
Good. |
| 00:24:35 |
Very good. |
| 00:24:39 |
I don't really know. |
| 00:24:42 |
I know what you mean. |
| 00:24:45 |
No, really. You don't. |
| 00:24:47 |
I never met him. |
| 00:24:49 |
Why you never told me that before? |
| 00:24:51 |
Well, I'm not exactly proud of it. |
| 00:24:55 |
He knocked up my mom |
| 00:25:00 |
Come on, Keyes I can't believe |
| 00:25:04 |
I feel like a such an idiot. |
| 00:25:06 |
talking to you about the next ... |
| 00:25:07 |
level. |
| 00:25:11 |
I hardly even know you. |
| 00:25:20 |
Just wait. |
| 00:25:29 |
Hi. |
| 00:25:31 |
Do you ... ? |
| 00:25:34 |
Are you okay? |
| 00:25:35 |
Fine. |
| 00:25:41 |
New work? |
| 00:25:44 |
Wanna see? |
| 00:25:54 |
Oh, this is great. |
| 00:26:00 |
The demons ... |
| 00:26:04 |
like you said last night ... |
| 00:26:07 |
your demons. |
| 00:26:10 |
Watch them dance. |
| 00:26:15 |
Oh, yeah. |
| 00:26:18 |
Oh, this is fantastic. |
| 00:26:22 |
You know, it's amazing ... |
| 00:26:24 |
how you work. |
| 00:26:26 |
It just ... |
| 00:26:26 |
flows out of you. Just, just ... |
| 00:26:29 |
flows. |
| 00:26:30 |
On a good day. |
| 00:26:34 |
Today is especially good day. |
| 00:26:39 |
Are you scared ... |
| 00:26:41 |
Dick? |
| 00:26:59 |
Take my hand. |
| 00:27:03 |
Dance with me. |
| 00:27:10 |
Let's dance with the demons. |
| 00:27:29 |
Shadows ... |
| 00:27:30 |
They're all just shadows. |
| 00:27:32 |
It's all we can't never capture, you know. |
| 00:27:34 |
Light is deceiving. |
| 00:27:37 |
We see what we want to see. |
| 00:27:40 |
Do you understand? |
| 00:27:47 |
You know Suki, I know this gonna sound funny, but ... |
| 00:27:51 |
I've always been kind of intimidated by you. |
| 00:27:55 |
Scared even. |
| 00:27:59 |
It's just that you're so beautiful. |
| 00:28:01 |
But I guess ... |
| 00:28:02 |
you knew that, didn't you? |
| 00:28:13 |
Look ... |
| 00:28:15 |
what do you see? |
| 00:28:18 |
Close your eyes. |
| 00:28:21 |
Now, what do you see? |
| 00:28:23 |
Darkness. |
| 00:28:27 |
But there is an outline. |
| 00:28:29 |
It's you. |
| 00:28:36 |
You don't need to be afraid anymore. |
| 00:29:16 |
What the? |
| 00:29:20 |
Oh, shit. |
| 00:29:36 |
Coming. |
| 00:29:39 |
Coming. |
| 00:29:42 |
Hi. |
| 00:29:44 |
Detective Clark. |
| 00:29:45 |
I'm sorry to bother you. |
| 00:29:48 |
Oh, come on in. |
| 00:29:59 |
This is just formality. I have your statement |
| 00:30:05 |
Take your time, look it over and sign at the bottom. |
| 00:30:13 |
This other fellow ... |
| 00:30:15 |
Keyes Terry, I have his statement here. Is he home? |
| 00:30:17 |
Keyes? |
| 00:30:19 |
Keyes, you're home? |
| 00:30:21 |
Yeah. |
| 00:30:23 |
Are you okay? |
| 00:30:26 |
Oh, hi. |
| 00:30:28 |
Mr. Terry, I have your statement from last night ... |
| 00:30:31 |
and if you look it over and sign it for us. |
| 00:30:34 |
Yes, sure. |
| 00:30:35 |
Are you okay? |
| 00:30:37 |
Absolutely. |
| 00:30:39 |
I have one of those statement that covered Dick Cutler. |
| 00:30:42 |
Should I just leave it with you or ... |
| 00:30:44 |
Dick? |
| 00:30:46 |
Dick, why don't you come out here and take care of this? |
| 00:30:58 |
Dick. |
| 00:31:22 |
Keyes? |
| 00:31:24 |
Dick? |
| 00:34:48 |
Hello? |
| 00:34:50 |
Yes, this is Keyes Terry. |
| 00:34:54 |
Yeah, I ... |
| 00:34:55 |
Yes. |
| 00:34:56 |
Can you tell ... |
| 00:35:01 |
Who was that? |
| 00:35:06 |
That detective Clark. |
| 00:35:12 |
He wants me to identify a body. |
| 00:35:14 |
What're you talking about? Whose? |
| 00:35:18 |
He said he wouldn't need me if they knew it. |
| 00:35:22 |
It's bizarre. |
| 00:35:26 |
Suki. |
| 00:35:32 |
Suki? |
| 00:35:40 |
Suki? |
| 00:35:58 |
What could've happened? |
| 00:36:02 |
I don't know. |
| 00:36:03 |
We're just acting crazy today. |
| 00:36:09 |
Something won't worked. |
| 00:36:48 |
No I.D, no nothing. |
| 00:36:50 |
Except for this little note ... |
| 00:36:52 |
that we found in his pocket. |
| 00:36:55 |
It has your name and adress written on it. |
| 00:36:58 |
You know this man? |
| 00:37:00 |
No. |
| 00:37:02 |
I don't, I mean ... I ... |
| 00:37:03 |
I saw him once across the Cafe, but no, I don't know. |
| 00:37:12 |
That's just excess air escaping from the lungs. |
| 00:37:15 |
You'll get use to it. |
| 00:37:26 |
What? |
| 00:37:28 |
Reminds me of some ... |
| 00:37:31 |
Keyes ... |
| 00:37:33 |
Honey, what is it? |
| 00:37:34 |
Nothing. |
| 00:37:36 |
The body ... |
| 00:37:38 |
How you're gonna bury it? |
| 00:37:40 |
One piece at the time I imagine. |
| 00:37:45 |
Oh, well ... |
| 00:37:46 |
I assuming that a family member doesn't claim on. |
| 00:37:52 |
Probably his gratest contribution to society. |
| 00:37:56 |
I'd like to pay for that a proper burial. |
| 00:38:01 |
Wait. No, wait, wait, wait. You're gonna ... you're gonna |
| 00:38:07 |
No. |
| 00:38:10 |
But I'd like to make sure he ... |
| 00:38:13 |
got properly buried. |
| 00:38:15 |
Can you arrange that? |
| 00:38:17 |
Like I said, I'll pay for it. |
| 00:38:22 |
Yeah. I think we can take care of that. Yeah. |
| 00:38:42 |
Keyes? |
| 00:38:51 |
What happened tonight ... at the marque? |
| 00:38:54 |
I don't know. |
| 00:38:56 |
Yes, you do. |
| 00:38:59 |
Tell me. |
| 00:39:02 |
It's just ... |
| 00:39:03 |
I've seen that guy laying there. |
| 00:39:07 |
He's all alone. |
| 00:39:10 |
Make me think ... |
| 00:39:13 |
of my father ... |
| 00:39:16 |
you know. |
| 00:39:18 |
You don't think that ... |
| 00:39:22 |
Then why? |
| 00:39:23 |
Who knows. |
| 00:39:25 |
I don't know maybe my father's |
| 00:39:34 |
Like to think somebody would take care of him. |
| 00:39:38 |
Somebody may return the favor. |
| 00:39:43 |
Did you ever wonder what he was like? |
| 00:39:46 |
I bet he was like you. |
| 00:39:49 |
I bet you'd like him very much. |
| 00:40:27 |
Suki? |
| 00:40:33 |
Suki, where are you? |
| 00:40:35 |
Are you here? |
| 00:40:37 |
I haven't been able to think about anything else all day. |
| 00:41:06 |
Oh, god! |
| 00:41:07 |
Suki! |
| 00:41:16 |
Damn it. |
| 00:41:23 |
Suki. |
| 00:41:34 |
So, Mr. Cutler you were the last one |
| 00:41:40 |
This afternoon, sir. |
| 00:41:42 |
This afternoon ... |
| 00:41:43 |
she was working hard ... |
| 00:41:44 |
painting, you know like there was no tomorrow, so ... |
| 00:41:47 |
well ... I think she was getting kinda lonely, so I just did |
| 00:41:52 |
I want you all take it really easy tonight, okay? |
| 00:41:56 |
Yeah. |
| 00:42:11 |
Keyes? |
| 00:42:14 |
What're you looking at? |
| 00:42:16 |
Me, I guess. |
| 00:42:19 |
I can't believe how much has happened. |
| 00:42:25 |
I'm gonna miss her. |
| 00:42:27 |
So am I. |
| 00:42:30 |
Would you come to bed, please? |
| 00:42:32 |
Yeah. |
| 00:43:24 |
Well you get what you've paid for. |
| 00:43:27 |
I'm still trying to figure out why you did this. |
| 00:43:30 |
Is he in there? |
| 00:43:32 |
Touching scene. |
| 00:43:34 |
You guys work fast. |
| 00:43:37 |
Franklin I. Bronner's his name, how? |
| 00:43:39 |
Basic, I called up his prints. |
| 00:43:42 |
It figured it was only fair since he had yours. |
| 00:43:45 |
You mean, he had a police record. |
| 00:43:49 |
Yeah, you might say that. Yeah. |
| 00:43:54 |
What for? |
| 00:43:55 |
You sure you wanna know? |
| 00:43:56 |
You haven't paid the bill for all this shit. |
| 00:44:00 |
You're kidding me, right? |
| 00:44:08 |
This happened 26 years ago upstate New York. |
| 00:44:11 |
Place called Amityville. |
| 00:44:15 |
Your friend here blew his whole family. |
| 00:44:17 |
Dad, mom, brother and sister. |
| 00:44:19 |
That's why you wanted to meet me to tell me this? |
| 00:44:21 |
I thought you oughta know. |
| 00:44:26 |
I also wanna know more about why you |
| 00:44:33 |
Actually it is pretty famous case. |
| 00:44:35 |
At the trial there were a lot of angry people waiting |
| 00:44:40 |
That's a ... he copped insanity plea. |
| 00:44:44 |
Claimed he was possessed by the devil. |
| 00:44:51 |
You okay? |
| 00:44:54 |
Yeah. |
| 00:44:55 |
This picture looks ... |
| 00:44:58 |
looks familiar. Can I keep this? |
| 00:45:01 |
So, then what happened to him? |
| 00:45:03 |
They sent him to Danamore. |
| 00:45:05 |
Where? |
| 00:45:06 |
Danamore state hospital. |
| 00:45:08 |
Cookie jar up north. |
| 00:45:10 |
They released him seven years ago |
| 00:45:15 |
As like ... |
| 00:45:16 |
Bronner sliped right thru their fingers. |
| 00:45:19 |
Cured. |
| 00:45:21 |
So ... |
| 00:45:22 |
I guess he just saw your name somewhere, huh? |
| 00:45:24 |
Maybe ... |
| 00:45:25 |
a photograph in the magazine or something? |
| 00:45:28 |
I wish. |
| 00:45:30 |
Though will never know why he came after you. |
| 00:45:38 |
What? |
| 00:45:40 |
What the fuck!? |
| 00:45:42 |
I never said anything about that! |
| 00:45:45 |
Hey ... |
| 00:45:46 |
Keyes, relax, huh? |
| 00:45:49 |
Somebody just screwed up the paperwork. |
| 00:45:51 |
I mean that's not like people waiting in line to help |
| 00:45:55 |
Somebody just made wrong assumption. |
| 00:45:57 |
Take it easy, okay? |
| 00:46:00 |
Yeah, right. |
| 00:46:01 |
Yeah. |
| 00:46:21 |
Bronner Franklin I. |
| 00:46:27 |
Let's see. |
| 00:46:28 |
Admitted December 11th, 1966. |
| 00:46:31 |
Prognosis paranoid, delusional, sociopath. |
| 00:46:36 |
Claim to be communing with unknown evil power. |
| 00:46:40 |
Let's see. |
| 00:46:44 |
You said you're a student? |
| 00:46:47 |
Yeah at a community central. |
| 00:46:50 |
Well, that's fine by me. |
| 00:46:52 |
As you can see there's nothing to do around |
| 00:46:57 |
There used to be a lot of Bronner types. |
| 00:47:00 |
So, like a genetic sort of thing by my estimation. |
| 00:47:04 |
Really. |
| 00:47:05 |
These paranoid delusary murdery types. |
| 00:47:07 |
By all accounts. |
| 00:47:08 |
One day they're just fine and then "pink" something |
| 00:47:13 |
It's like the neighbourhood said, |
| 00:47:19 |
You seem like a quiet type. |
| 00:47:26 |
Look at me. |
| 00:47:28 |
I can't seem to shut up. |
| 00:47:31 |
Oh, we don't get a lot of visitors here. |
| 00:47:36 |
Is there anything else I can do for you? |
| 00:47:41 |
Actually I was wonderin' if I could see his room if that's possible. |
| 00:47:45 |
You fellas always wanna go to the room. |
| 00:47:48 |
Like there's some spirit there. |
| 00:47:51 |
It's all in the file. |
| 00:47:55 |
Suit yourself. |
| 00:47:57 |
Cell 207 south wing. |
| 00:48:00 |
It's shut down so watch your step. |
| 00:48:02 |
You ... knew this Mr. Bronner? |
| 00:48:07 |
Actually no, I ... |
| 00:48:09 |
I met him once. |
| 00:48:11 |
He ... |
| 00:48:12 |
gave me a gift. |
| 00:48:14 |
I see. |
| 00:48:17 |
I bet that was a mirror. |
| 00:48:20 |
How'd you know that? |
| 00:48:21 |
How did you know it was a mirror? |
| 00:48:23 |
I read minds. |
| 00:48:26 |
I'm clarevoient. |
| 00:48:30 |
It's in the file. |
| 00:48:34 |
What does it say in the file about the mirror? |
| 00:48:36 |
You know? |
| 00:48:37 |
The one advantage of murdering your entire family? |
| 00:48:40 |
You're sure to inherit everything. |
| 00:48:42 |
After Bronner got out of here, |
| 00:48:47 |
Full of furniture. |
| 00:48:49 |
According to this, all he wanted was one mirror. |
| 00:48:53 |
Everything else was up for auction. |
| 00:48:56 |
Why do you supose that was? |
| 00:49:02 |
I don't know. |
| 00:49:06 |
Watch your step. |
| 00:49:57 |
Come on, honey. |
| 00:50:05 |
Keyes ... |
| 00:50:06 |
we gotta go. |
| 00:50:56 |
Oh, god how many years in this place. |
| 00:51:13 |
Oh, no. |
| 00:51:40 |
Surprise, surprise. |
| 00:51:41 |
Guess, who's got a visitor? |
| 00:51:43 |
Who the hell are you? |
| 00:51:47 |
Easy. Don't make me smash you up. |
| 00:51:53 |
This is a mistake! |
| 00:51:55 |
And you made it, Bronner. |
| 00:52:27 |
I'm not Bronner. |
| 00:52:29 |
It's my father. |
| 00:52:52 |
Mom? |
| 00:52:54 |
Franklin ... |
| 00:52:55 |
Franklin ... |
| 00:52:57 |
This is your wife. |
| 00:52:58 |
Don't you remember her? |
| 00:53:01 |
She's come a long way to see you. |
| 00:53:03 |
Frank ... |
| 00:53:06 |
Nur ... |
| 00:53:07 |
Help me. |
| 00:53:09 |
Am I crazy, nur? |
| 00:53:12 |
Why don't you let us decide that? |
| 00:53:19 |
Keyes, come over here. |
| 00:53:29 |
Don't be scared, honey. |
| 00:53:35 |
Hello son. |
| 00:53:54 |
Dad! |
| 00:54:02 |
Oh, my god. |
| 00:54:10 |
Mom! |
| 00:54:52 |
We could've met in my office. |
| 00:54:56 |
Whose in that grave, Clark? |
| 00:54:58 |
Tell me. |
| 00:55:01 |
I went to Danamore today. |
| 00:55:04 |
Goddamnit that's my father in there |
| 00:55:07 |
I wasn't sure. |
| 00:55:08 |
You had to know I'd go down there. |
| 00:55:10 |
Didn't you have any idea what it would that do to me |
| 00:55:13 |
You already knew, Keyes. You knew. |
| 00:55:15 |
Those memories were buried inside you. |
| 00:55:17 |
They had to come out. |
| 00:55:21 |
Who the hell are you? |
| 00:55:23 |
I worked with the special detailed |
| 00:55:27 |
So, what like massmurders and serial killers? |
| 00:55:30 |
Yeah, that sort of thing. Yeah. |
| 00:55:32 |
It's a growth industry. |
| 00:55:34 |
If we'd been around the time your father's crime was |
| 00:55:37 |
As it is, I'm making it mine now. |
| 00:55:40 |
Let's see. |
| 00:55:40 |
You've been watching over me |
| 00:55:43 |
You and your special details |
| 00:55:47 |
by myself. |
| 00:55:48 |
What. This your job. Screwin' with peoples lives?! |
| 00:55:51 |
Keyes, by the time I figured out, who the hell |
| 00:55:55 |
I checked the records. You were there, you saw it all. |
| 00:55:58 |
Now, maybe you blocked it. |
| 00:56:00 |
Because children who witness this kind of stuff |
| 00:56:04 |
Even thinking they may do that sort |
| 00:56:07 |
And you've lived thru your pain |
| 00:56:10 |
But you've been on borrowed time. |
| 00:56:11 |
Now this bill is come due. |
| 00:56:14 |
I wanna help you. |
| 00:56:26 |
I'll make some coffee. |
| 00:56:42 |
He was only seventeen when he committed the murders. |
| 00:56:45 |
He'd been in and out of mental institution |
| 00:56:48 |
He never showed any tendency toward violence at all. |
| 00:56:52 |
I think the first he heard he had a son, |
| 00:57:00 |
So, after he got out ... |
| 00:57:02 |
he came here. |
| 00:57:05 |
Why? |
| 00:57:06 |
It's like he tracked you down. |
| 00:57:08 |
Maybe he wanted you to remember. |
| 00:57:12 |
That's pretty frightening. |
| 00:57:16 |
What did you see at that day? |
| 00:57:18 |
Nothing. |
| 00:57:20 |
He'd gave me that mirror over there |
| 00:57:25 |
Well, that kind of make sense in the strange sort of way. |
| 00:57:29 |
So, that mirror came from THE house. |
| 00:57:32 |
Apparently. |
| 00:57:37 |
I wanna get it out of here. |
| 00:57:40 |
I'll take care of it in the morning. |
| 00:58:05 |
The storm's coming. |
| 00:58:08 |
It'll pass. |
| 00:58:14 |
Where's the sun going? |
| 00:58:17 |
It doesn't matter. |
| 00:58:20 |
I'm with you. |
| 00:59:23 |
You're up early. |
| 00:59:26 |
Sweetie ... |
| 00:59:27 |
Those are your photographs. |
| 00:59:29 |
Why're you destroying them? |
| 00:59:31 |
Working on an idea for the opening. |
| 00:59:33 |
I need to lay it out first. |
| 00:59:38 |
Really? |
| 00:59:40 |
American gothic ... |
| 00:59:42 |
two. |
| 00:59:44 |
That's what I'm gonna call it. |
| 00:59:46 |
Kind of a send up to the whole Grant Wood, ... |
| 00:59:49 |
Norman Rockwell. Hell |
| 00:59:53 |
I'll well rock you. |
| 00:59:55 |
Funny, never thought of it. |
| 00:59:57 |
So, you're gonna ... |
| 00:59:58 |
You're gonna blow these up? |
| 00:59:59 |
Huge ... |
| 01:00:01 |
Lifesize. |
| 01:00:03 |
Gonna be a build ... |
| 01:00:04 |
that center around that kind of |
| 01:00:09 |
I don't get it. |
| 01:00:10 |
Not that I have to. |
| 01:00:12 |
A huge happy Thanksgiving scene. |
| 01:00:16 |
You know, mom, dad, couple of kids ... |
| 01:00:18 |
turkey ... |
| 01:00:20 |
That stuff you growth up with. |
| 01:00:22 |
Yep. |
| 01:00:24 |
A turkey. |
| 01:00:25 |
This is just gonna have this rotting mold |
| 01:00:28 |
Signifying the inevitable |
| 01:00:33 |
But ... that's too ... |
| 01:00:38 |
Is everything okay, sweetie? |
| 01:00:40 |
Yeah. |
| 01:00:41 |
I'm just very excited about this. |
| 01:00:44 |
And so am I. |
| 01:00:48 |
What te hell is this doing here? |
| 01:00:50 |
I thought you said you're gonna get rid of it. |
| 01:00:54 |
I tried to workin'it. |
| 01:01:00 |
Okay. |
| 01:01:05 |
Bye. |
| 01:01:08 |
Bye. |
| 01:02:22 |
Oh, my god. |
| 01:02:35 |
Keyes? |
| 01:02:38 |
Come in. |
| 01:02:39 |
Why not? |
| 01:02:43 |
Hey ... |
| 01:02:45 |
You're okay? |
| 01:02:47 |
I saw your ... |
| 01:02:49 |
in the other room your thing. Is it done? |
| 01:02:53 |
Where've you been? |
| 01:02:55 |
Work. |
| 01:02:56 |
What do you think? |
| 01:03:02 |
You've been working all day, sweetie? |
| 01:03:07 |
Watch. |
| 01:03:30 |
Look. |
| 01:03:38 |
What? |
| 01:03:41 |
There. |
| 01:03:43 |
Oh, my god. |
| 01:03:46 |
They're all this way. |
| 01:03:49 |
The emulsion ran. |
| 01:03:51 |
I've seen it before, but ... |
| 01:03:53 |
No, no. |
| 01:03:54 |
Not like this. Look, They're all ... |
| 01:03:57 |
dead. |
| 01:03:58 |
It more looks kind of like an ink blot. |
| 01:04:00 |
Doesn't it? |
| 01:04:03 |
I guess everybody see something different. |
| 01:04:06 |
Yeah. |
| 01:04:07 |
What do you see? |
| 01:04:10 |
Maybe it's time for you to take a break. |
| 01:04:13 |
Llanie, I need this for the show. |
| 01:04:15 |
Come on. |
| 01:04:17 |
We'll figure something else out. |
| 01:04:19 |
Come on. |
| 01:04:22 |
Yeah. |
| 01:05:28 |
Keyes. |
| 01:05:29 |
What is it? |
| 01:05:32 |
Listen. |
| 01:05:33 |
It's only a dream. |
| 01:05:36 |
Where're you going? |
| 01:05:44 |
Been having in the nightmares for a week now. |
| 01:05:46 |
From since I met him. |
| 01:05:53 |
In these dreams ... |
| 01:05:55 |
it's the only explanation. |
| 01:05:58 |
That's not possible. |
| 01:06:00 |
You know that. |
| 01:06:02 |
Yeah. |
| 01:06:03 |
But they're so real. |
| 01:06:05 |
It's like Clark said. |
| 01:06:07 |
You repress the memory ... |
| 01:06:09 |
And I guess it's just trying to get out. |
| 01:06:10 |
I don't have a memory what happened in Amityville. |
| 01:06:14 |
I wasn't born yet. |
| 01:06:19 |
Maybe this mind. |
| 01:06:20 |
What? |
| 01:06:23 |
Maybe it's my destiny. |
| 01:06:26 |
Just like Bronner, maybe it's in the blood. |
| 01:06:29 |
Remember what else Clark said? |
| 01:06:31 |
He said that it was easy to |
| 01:06:34 |
You're in control of your own life. |
| 01:06:37 |
I think I lost it. |
| 01:06:40 |
We'll take back control together. |
| 01:06:42 |
What Bronner did was a terrible thing. |
| 01:06:48 |
You're not gonna kill anyone. |
| 01:06:50 |
How do you know that? |
| 01:06:53 |
But you have to get to the other side. |
| 01:06:56 |
How? |
| 01:06:58 |
You can do it. |
| 01:07:01 |
What? |
| 01:07:04 |
Kill us. |
| 01:07:06 |
Kill us all. |
| 01:07:12 |
I think you need an ending for your show. |
| 01:07:14 |
This is it. |
| 01:07:15 |
This is what? |
| 01:07:18 |
Come on. |
| 01:07:20 |
Look ... |
| 01:07:21 |
Here's my thinking. |
| 01:07:22 |
When something terrifies you, |
| 01:07:26 |
Head on. |
| 01:07:27 |
I mean that's practically what you do for a living. |
| 01:07:29 |
You're an artist. |
| 01:07:30 |
You're suppose to be scared and confused. |
| 01:07:33 |
So, go after what scares you. |
| 01:07:35 |
Go after Bronner. |
| 01:07:38 |
You think this is funny. |
| 01:07:42 |
You've got this ridiculous idea |
| 01:07:46 |
Well ... |
| 01:07:46 |
Dick, Jane, Pauli we're your family. |
| 01:07:50 |
We can put red food color in it. |
| 01:07:56 |
I'm sorry, I just don't see the connection. |
| 01:08:00 |
All right, maybe it's a stupid idea. |
| 01:08:03 |
Keyes, I can only help you to a certain point. |
| 01:08:06 |
Tonight's your chance. |
| 01:08:07 |
You designed this crazy show for a reason. |
| 01:08:10 |
See it thru. |
| 01:08:23 |
Hey, Keyes. |
| 01:08:26 |
Man, you look like shit. |
| 01:08:29 |
Come on in, come on in. |
| 01:08:33 |
You want take a look? |
| 01:08:37 |
Sure. |
| 01:08:41 |
Gently, gently, gently ... |
| 01:09:02 |
Guns on a timer. |
| 01:09:04 |
Set to go off sometime before the year 2001. |
| 01:09:10 |
I called this ... |
| 01:09:14 |
When ... |
| 01:09:15 |
and where. |
| 01:09:17 |
It's like ... |
| 01:09:19 |
life. |
| 01:09:20 |
Right? |
| 01:09:21 |
The TV set up. |
| 01:09:22 |
I mean ... |
| 01:09:23 |
Everyone's used to watching violence on TV, right? |
| 01:09:26 |
I'm giving them ... |
| 01:09:28 |
an option. |
| 01:09:32 |
Hey ... |
| 01:09:33 |
you all right, hombre? |
| 01:09:35 |
I don't know. |
| 01:09:39 |
So much death around here, Pauli. |
| 01:09:42 |
I don't intend to die. |
| 01:09:46 |
Actually no one doesn't till it really happens, all right? |
| 01:09:51 |
It's not loaded. |
| 01:09:54 |
Right? |
| 01:10:15 |
Yeah, that's good. |
| 01:10:17 |
Here we go. |
| 01:10:20 |
Here we go. |
| 01:10:25 |
Hi. Thanks for coming. |
| 01:10:28 |
Here you go. |
| 01:10:38 |
What? |
| 01:10:43 |
That's what I'm trying to get it. |
| 01:10:48 |
She was really destroyed. |
| 01:10:49 |
Her lover died recently. |
| 01:10:51 |
I heard she committed a suicide. |
| 01:10:53 |
Her work really shows it. |
| 01:11:14 |
You're a very brave man, Pauli. |
| 01:11:16 |
A loaded gun ... |
| 01:11:18 |
with all these critics around. |
| 01:11:26 |
One of you critics to stay here while I go in the can. |
| 01:12:18 |
Keyes. |
| 01:12:19 |
Honey, you're okay? |
| 01:12:23 |
So ... |
| 01:12:26 |
When I'm gonna to do this? |
| 01:12:28 |
I don't know. |
| 01:12:29 |
It's going great though. |
| 01:12:31 |
Janet was right. |
| 01:12:32 |
A Scot from the Times's here. |
| 01:12:34 |
And I think grant people showed up. |
| 01:12:37 |
So ... |
| 01:12:38 |
about ten minutes. |
| 01:12:39 |
I'll tell everyone ten minutes. |
| 01:12:44 |
Okay. |
| 01:13:23 |
You reach inspector Clark's office. |
| 01:13:31 |
Clark ... |
| 01:13:32 |
this is Keyes. |
| 01:13:33 |
I need your help. |
| 01:13:52 |
Oh, god. |
| 01:13:53 |
It's okay we'll take care of it. |
| 01:13:56 |
Candles. |
| 01:13:59 |
Janet? |
| 01:14:00 |
Maybe I could a find the candles. |
| 01:14:03 |
Good idea, Dick. |
| 01:14:09 |
Watch out for the matches, will you? |
| 01:14:13 |
If I get thru this evening, no more artists. |
| 01:14:30 |
Jesus Christ. |
| 01:14:40 |
Dick ... |
| 01:14:42 |
Hello? |
| 01:14:47 |
Oh, my god. |
| 01:14:49 |
Suki? |
| 01:14:51 |
Dick ... |
| 01:14:52 |
help me. |
| 01:14:56 |
I'm so alone. |
| 01:14:59 |
You promised me. |
| 01:15:02 |
You said forever. |
| 01:15:04 |
Is that really you? |
| 01:15:06 |
You said ... forever. |
| 01:15:10 |
Dick ... |
| 01:15:11 |
I wanna take you with me. |
| 01:15:14 |
No, you keep away from me. |
| 01:15:18 |
Hold me. |
| 01:15:20 |
Touch me. |
| 01:15:31 |
It's coming. |
| 01:15:33 |
There we go. |
| 01:15:38 |
Is Keyes ready? |
| 01:15:40 |
Yes. |
| 01:15:41 |
Let's do it. |
| 01:15:43 |
Gentlemen. |
| 01:15:45 |
Okay, right this way. |
| 01:15:48 |
It's called the American Gothic 2. |
| 01:15:52 |
It's compelling, probing and mercifully short. |
| 01:16:09 |
Excuse me. |
| 01:16:18 |
Get the hell out of that chair. |
| 01:16:22 |
Come on, man, it's probably not loaded anyway. |
| 01:17:01 |
You're in here, aren't you Bronner? |
| 01:17:03 |
Watching me. |
| 01:17:07 |
Waiting ... |
| 01:17:10 |
No, you know I'm not gonna do it! I'm not you! |
| 01:17:17 |
I'm not. |
| 01:17:57 |
Go to hell, Bronner. |
| 01:17:59 |
I refuse. |
| 01:18:20 |
Son ... |
| 01:20:17 |
Oh, no, Su. |
| 01:20:33 |
Dad? |
| 01:20:35 |
Is that you? |
| 01:20:39 |
I should have gone to Parsons. |
| 01:20:41 |
I should have! |
| 01:20:42 |
But people like you said I had a head for bussiness! |
| 01:20:45 |
But I don't have now. Do I? |
| 01:20:47 |
Do I, Keyes!? |
| 01:20:51 |
Where're you going? |
| 01:20:53 |
Come back here! |
| 01:20:54 |
Are you a landlord? |
| 01:21:11 |
Oh, Bronner. |
| 01:22:09 |
I'm proud of you, son. |
| 01:22:12 |
Now ... |
| 01:22:13 |
it's up to you. |
| 01:22:16 |
What is? |
| 01:22:18 |
The Amityville. |
| 01:22:20 |
It's in your blood. |
| 01:23:52 |
Where the hell is Dick? |
| 01:23:55 |
Maybe we should just go on. |
| 01:23:58 |
I told you he'd weasle out. |
| 01:26:06 |
What was that? |
| 01:26:09 |
Ladies, this ain't what we rehearsed. |
| 01:26:19 |
Keyes ... |
| 01:26:20 |
Look at me. |
| 01:26:28 |
Jesus. Shit. |
| 01:26:43 |
Keyes. |
| 01:26:54 |
Keyes! |
| 01:26:56 |
No! |
| 01:27:01 |
Freeze! |
| 01:27:09 |
Keyes ... |
| 01:27:10 |
Stop. |
| 01:27:12 |
Look at me. |
| 01:27:15 |
Hold your fire, hold your fire. |
| 01:27:28 |
Yes, son ... |
| 01:27:32 |
Son, you can do it. |
| 01:27:39 |
Come on. |
| 01:27:43 |
No! |
| 01:27:48 |
It's in your blood. |
| 01:27:52 |
Son ... |
| 01:28:02 |
Come on. |
| 01:28:11 |
Leave me alone! |
| 01:28:52 |
Did they lose their mind? |
| 01:29:01 |
Keyes ... |
| 01:29:03 |
Hey ... |
| 01:29:05 |
Big mistake, Keyes. |
| 01:29:10 |
Seven years - bad luck. |
| 01:29:43 |
Subtitles made by Icee(October 2004) |
| 01:29:50 |
>> Napisy pobrane z http://napisy.org << |
| 01:29:55 |
Downloaded From www.AllSubs.org |
