Maiden Heist The

en
00:02:38 I sincerely apologize
00:02:42 If you relax and stay calm,
00:02:48 We have come only for the girl.
00:03:10 Drop your weapons, Roger Barlow.
00:03:17 Today...
00:03:20 ...she will be mine.
00:03:22 I'm talking to a dead man.
00:03:27 If I cannot have her...
00:03:30 No!
00:03:49 Okay, we're gonna see
00:03:51 ...that I think you all will really like.
00:03:53 The Lonely Maiden.
00:03:54 The Lonely Maiden was painted
00:03:58 The girl in the painting is
00:04:02 Now, marked by assured brush strokes
00:04:05 ...makes this painting a wonderful example
00:04:08 ...but influential time period known as
00:04:13 - Northern French naturalist movement.
00:04:15 Ma'am.
00:04:16 I don't mean to interrupt...
00:04:17 ...but there are some things
00:04:21 - May I?
00:04:22 Well, first, The Lonely Maiden.
00:04:25 was painted in 1875, not 1873.
00:04:29 And the girl in the painting
00:04:31 ...but in fact a niece from his wife's side.
00:04:33 Also, the painting technically belongs
00:04:37 ...of the Northern French naturalist movement.
00:04:41 - One of only three works completed.
00:04:45 The Lonely Maiden is marked
00:04:49 ...to create a striking image
00:04:52 ...and overwhelming passion.
00:04:56 Sometimes, when you look at her,
00:05:03 ...the eyes so full of sorrow...
00:05:05 ...you cannot help but ask,
00:05:12 "Is there anything I can do for her?
00:05:19 "Is there anything I can do for her?"
00:05:26 - Okay. Thank you, sir.
00:05:27 That was a nice treat, wasn't it?
00:05:29 Good to see you.
00:05:32 She looks kind of fat.
00:05:36 - So, Roger, how was your day?
00:05:40 Mine? Mine was better than good.
00:05:44 You know how I've been doing Mondays
00:05:48 Well, Margie decided they needed
00:05:51 - And who do you think she called?
00:05:56 - Chicken noodle.
00:05:58 No, they didn't have your brand.
00:06:01 No, it's just different.
00:06:03 Anyway, today alone
00:06:08 - It's by far the most I have ever done.
00:06:14 I don't know what it is about Thursdays...
00:06:17 ...but I made more money in tips today
00:06:22 - I was so nervous walking home.
00:06:27 Well, I hope no one sensed me today.
00:06:33 Every little bit gets us closer to Florida.
00:06:40 Our vacation, Roger. Our vacation.
00:06:42 - Who?
00:06:46 ...and that's great,
00:06:50 Someplace warm where you could relax,
00:06:53 You know what happens
00:06:56 I think I have some idea.
00:07:00 Rose.
00:07:41 Monsieur Barlow,
00:07:45 Yo, Mr. Barlow,
00:07:46 Go, get out of here!
00:07:49 Go grab a soda or something, huh?
00:07:50 Okay, but watch out for children.
00:07:54 - They get too close, you have to be...
00:07:59 It's under control.
00:08:03 Look sharp, now.
00:08:10 - I wonder what they're doing.
00:08:15 Man, don't you ever read the bulletin board?
00:08:18 The display should be bold, in your face,
00:08:24 "I don't care what you think,
00:08:27 "Do not turn away. " This middle area...
00:08:33 wonderful for the dung sculptures.
00:08:35 The upstairs,
00:08:39 Now, for the northern end of the hall...
00:08:42 - Can I help you with something?
00:08:45 I was wondering, someone told me just now...
00:08:47 ...you're thinking of moving
00:08:50 Is that true?
00:08:53 - Who is this?
00:08:56 Security guard, sir.
00:08:58 Well, Mr. Barlow,
00:09:00 ...but we are not thinking
00:09:02 We are moving the exhibit.
00:09:05 A gallery in Copenhagen made an offer
00:09:08 - Let's go, gentlemen.
00:09:15 I'm sorry we didn't consult you.
00:09:20 The visitor will be greeted
00:09:22 ...in the northern end of the gallery.
00:09:26 It's that damned new curator.
00:09:30 People:It needs to be there.
00:09:34 - Roger, were you wearing a beret again?
00:09:39 But it leaves a big mark on your forehead,
00:09:46 I know you like to wear it
00:09:50 It doesn't make sense.
00:09:54 Maybe they'll like the new exhibit.
00:10:00 Roger, maybe you should retire.
00:10:04 You've been at the museum
00:10:06 I can't retire, Rose.
00:10:10 Roger, you wouldn't do it with yourself.
00:10:14 We could move out of the city,
00:10:19 I don't know.
00:10:31 - Bob.
00:11:34 You thought about moving to Denmark?
00:11:36 A little bit, but I don't think
00:11:40 How about you?
00:11:44 Looked into it.
00:11:47 - It just doesn't seem right.
00:11:50 I mean, you stand there,
00:11:55 ...and then...
00:11:58 They say she's going to be gone.
00:12:13 You know...
00:12:16 we don't have to let them leave.
00:12:19 I mean, if we're serious,
00:12:26 - What are you saying?
00:12:30 I'm not sure.
00:12:32 For a second, I thought you were suggesting
00:12:37 And if I am?
00:12:38 We're security guards.
00:12:42 You don't think this is a crime?
00:12:45 I don't know, Charlie.
00:12:49 We're not thieves.
00:12:57 I don't see how we could do it.
00:13:10 It's a silly idea.
00:13:12 - Wait, wait.
00:13:13 I have things to do. I have responsibilities.
00:13:17 Sure.
00:13:21 Paintings.
00:13:26 Steal paintings.
00:14:29 - Hi.
00:14:33 Have you thought about
00:14:35 No.
00:14:38 Okay, maybe a little bit. Why?
00:14:41 Can I show you something?
00:14:46 About nine months ago
00:14:48 ...of looking at the security tape
00:14:52 ...to make sure that the guards on duty
00:14:54 So I volunteered, thinking a few hours
00:15:03 - Hey, Tony.
00:15:24 His name is George McLendon.
00:15:30 Works nights twice a week.
00:15:34 The statue he's looking at
00:15:39 Artist unknown.
00:15:41 A vivid and exquisite celebration
00:15:47 The naked male form.
00:16:14 That's him.
00:16:18 - Excuse me. Hello, how are you?
00:16:23 My name is Roger Barlow.
00:16:26 - Hi.
00:16:29 - Right, I know, I've seen you around.
00:16:34 Well...
00:16:38 What?
00:16:42 You're on the security tapes.
00:16:46 So?
00:16:49 - Well...
00:16:51 - Where's:Taxi! Taxi! Taxi!
00:16:55 George, George, George, please.
00:16:58 Listen, I don't know what you think you saw,
00:17:02 - We're not here to judge you.
00:17:08 We just want to talk.
00:17:15 You know they're moving the exhibit,
00:17:18 That's why we're here.
00:17:21 Can we go somewhere?
00:17:26 The coffee shop?
00:17:31 - Do you know how far Denmark is?
00:17:35 - It's too far.
00:17:50 Hope you don't mind the mess.
00:17:55 - We don't get very many guests.
00:18:00 I can pretty much do it from memory now.
00:18:04 The hand sketch on the yellow envelope
00:18:08 - I finished it this morning.
00:18:11 Thank you.
00:18:16 That must be George.
00:18:21 - Hi, George.
00:18:24 - Roger.
00:18:26 I hope you didn't have any trouble
00:18:28 - No.
00:18:31 - Cats, see.
00:18:36 It's over here.
00:18:38 Matisse! Come on, darling.
00:18:41 Bad kitty.
00:18:45 So this is about the best I could do,
00:18:51 You know, this is the main entrance...
00:18:52 ...this is the north entrance,
00:18:55 Well, you know the layout.
00:18:58 I thought the north entrance would be
00:19:02 ...so we won't be spotted from the street.
00:19:04 The door has a triple-action security lock,
00:19:09 ...and there's only one posted guard.
00:19:12 The guard on duty is permitted
00:19:16 ...every three hours.
00:19:20 We preset the electronic locks
00:19:24 Make our way down the corridor
00:19:29 What about the two interior guards?
00:19:42 I don't know.
00:19:45 Well, we could always use
00:19:48 There's only a guard posted there
00:19:51 The door is an electronically-controlled
00:19:53 with a magnetic tripwire
00:19:58 There's a three-second delay.
00:19:59 So, if we hurry, we could get inside,
00:20:06 What about the motion sensors?
00:20:13 - Well, I hadn't quite worked that out yet.
00:20:19 Gentlemen, I have a question for you.
00:20:31 Are you ready to get serious?
00:20:33 - Watch your step.
00:20:36 - Easy, easy. Use your goggles.
00:20:38 All right, here we are.
00:20:40 This is something else.
00:20:42 - What a lovely evening.
00:20:44 - Wow! Look at that!
00:20:47 Perfect. This is good. This will work.
00:20:50 Are you sure
00:20:52 No, no. Nobody else has a key.
00:20:56 Good. All right, gentlemen.
00:20:58 I'll go first. When I get down...
00:21:02 I'll call for one of you to follow me.
00:21:05 Once you've attached the rope,
00:21:09 You do, however,
00:21:13 Remember, left hand is the gas,
00:21:17 George, where'd you learn how to do this?
00:21:20 Marines. I was in Wave 3
00:21:28 Wait, wait, wait.
00:21:33 I'm okay. I'm okay.
00:21:36 Charles, you don't care
00:21:39 My flowers? Oh, dear.
00:21:43 - Well, I guess not.
00:21:48 - Roger. Roger, you're next, okay?
00:21:51 - No, Roger, you've got to. You gotta do it.
00:21:56 Well, 'cause I don't want to go first.
00:21:58 - Why not?
00:22:01 - I'm not going.
00:22:03 Ladies, can we please get a move on?
00:22:05 He's coming. He's coming.
00:22:09 You're doing fine.
00:22:18 - You sure about this?
00:22:21 Let her rip, soldier!
00:22:25 - Good luck, Roger.
00:22:38 Roger, you okay?
00:22:40 I'm not sure.
00:22:41 You're doing fine, Private.
00:22:44 Just remember, left hand gas,
00:22:48 - I think my hand is slipping.
00:22:50 Both.
00:22:56 Roger, are you okay?
00:22:59 I can't believe it. I'm alive.
00:23:10 Rose, I've been thinking about
00:23:13 ...about me retiring
00:23:18 Maybe it's not such a bad idea.
00:23:20 Roger, really?
00:23:24 Roger, that's wonderful.
00:23:26 I knew,
00:23:29 ...that Florida would be the place for us.
00:23:35 As nice as Florida is,
00:23:40 - Denmark?
00:23:42 Are you kidding?
00:23:43 I realize it's not a conventional choice,
00:23:49 Are there beaches in Denmark?
00:23:54 Not like Florida, no,
00:23:57 ...that are very pleasant.
00:24:02 Roger, that sounds like
00:24:09 I can't wait.
00:24:11 Yeah, well,
00:24:15 - It's different.
00:25:24 - Where's Charles?
00:25:31 Sorry I'm late. I went to the wrong bench.
00:25:34 - The gentleman over there...
00:25:38 We have to be extra careful now.
00:25:42 There's a new plan.
00:25:45 We're going to take the pieces
00:25:51 - But won't there be guards?
00:25:56 Needlebaum's taking volunteers
00:25:59 If we volunteer,
00:26:05 - How do you know that?
00:26:10 - You did?
00:26:12 Roger, I'm impressed.
00:26:15 - Thank you, Charlie.
00:26:17 We should move on.
00:26:20 I'll keep you men informed
00:26:23 George, George, wait! Wait!
00:26:27 What is it?
00:26:29 You said we're gonna steal the pieces
00:26:31 What happens when the crates are opened
00:26:34 That's a good point.
00:26:35 Would you please turn around?
00:26:37 - Who's "they"? We're at the park.
00:26:48 Gentlemen, let me ask you a question.
00:26:54 I am not that familiar with Grenada.
00:26:58 Hell no, they don't, and do you know why?
00:27:01 - Because you invaded?
00:27:04 Operation Urgent Fury was a shining beacon
00:27:10 So when you ask me what happens
00:27:14 ...it offends me.
00:27:17 I'm sorry, George.
00:27:20 - Thank you, I appreciate that.
00:27:22 what happens when three pieces
00:27:25 All right.
00:27:28 Since the phrase "on a need-to-know basis"
00:27:36 we are going to have
00:27:46 But that's not the same, is it?
00:27:48 I thought the whole point
00:27:50 - Yes.
00:27:52 No, we're gonna get...
00:27:56 ...but we'll exchange the fakes for
00:28:01 That way, when they open the crates
00:28:08 - Charles. Can you handle the paintings?
00:28:14 I'm not a sculptor. I don't do sculpture.
00:28:16 I've had something in the works
00:28:19 A few more adjustments,
00:28:24 You really got this figured out, George.
00:28:27 Operation Urgent Fury, gentlemen.
00:28:31 Operation Urgent Fury.
00:28:34 We sign up to work the move on Friday.
00:28:59 - Charles, that's really good.
00:29:04 - Would you like to see yours?
00:29:06 Well, just a few finishing touches.
00:29:09 - Of course.
00:29:16 What do you think?
00:29:25 You don't like it.
00:29:30 I think it's a pretty good likeness, Roger.
00:29:33 Maybe if it had a frame.
00:29:35 No, no, it's all wrong.
00:29:37 - She looks like a pear.
00:29:38 - Look at the size of her face, it's huge.
00:29:41 It's called "voluptuous. " And the hair...
00:29:42 ...it's supposed to be long,
00:29:45 What about the glow?
00:29:47 - Charlie, this girl has no glow!
00:29:50 - Look at the size of her jaw!
00:29:52 ...and that's the way I see it!
00:29:54 The jaw, with the hips, what is that?
00:29:57 - I'm not a Xerox machine, Roger!
00:30:01 - Got a jaw like a Cro-Magnon!
00:30:03 - I'm sorry.
00:30:05 ...and that's the way
00:30:07 But then how come yours is perfect?
00:30:09 Because I've had a lot of practice,
00:30:15 And it's not perfect. It's not perfect at all.
00:30:22 I can't seem to capture.
00:30:26 I mean, I've tried.
00:30:29 ...and I just can't...
00:30:32 It just eludes me.
00:30:38 Roger, I'm sorry.
00:30:57 That...
00:31:00 Probably my wife. Could we take two?
00:31:09 - George here.
00:31:11 I thought I said
00:31:14 This is an emergency.
00:31:18 What do you mean he couldn't do it?
00:31:20 Roger, this is a vital part of the plan.
00:31:23 Trust me, George, it was terrible.
00:31:27 - How did his look?
00:31:30 What am I gonna do, George?
00:31:33 All right, relax, soldier, relax.
00:31:36 Look, the art world has a long tradition
00:31:39 ...to make ends meet. Some of our
00:31:43 And if there's one thing that this city has,
00:31:47 - It'll cost you some coin, though.
00:31:49 I don't know. A couple of hundred, probably.
00:31:53 - That's a lot of money.
00:31:57 You've got to get something done.
00:32:00 Well, the whole mission is fubared.
00:32:04 Okay, George.
00:33:03 Something I can help you with?
00:33:04 Hi. I'm admiring your work.
00:33:08 Thanks.
00:33:09 How would you feel about doing some work
00:33:13 It's for my wife. It's a gift,
00:33:18 with the artist's signature
00:33:21 - My wife's a stickler for details.
00:33:25 - When do you need it?
00:33:28 This mean you'll do it?
00:33:31 Yeah, sure. For 1,000 bucks.
00:33:34 - $500 now, the rest when you pick it up.
00:33:38 Okay.
00:33:41 $500.
00:33:44 Got it right here.
00:33:53 Quiet down, please.
00:33:57 Sector 3 will be the first to be moved,
00:34:03 The museum has been divided
00:34:06 ...and each painting assigned a number.
00:34:10 Each piece is to be placed
00:34:13 ...designated by its color code and number,
00:34:18 ...then double-checked off of a master list.
00:34:22 The rest of the week will be dedicated
00:34:27 Now, the curator has written a few words...
00:34:35 Hello, Rose?
00:34:54 There you are.
00:34:58 I didn't think you were here.
00:35:01 ...but you didn't answer.
00:35:08 There's $800 missing.
00:35:15 Think we've been robbed?
00:35:18 What about the stereo?
00:35:22 - Is the TV still here?
00:35:26 That's all that was missing.
00:35:30 I came home, I opened the jar
00:35:34 - And do my weekly count.
00:35:37 No, Roger, I do a weekly count.
00:35:41 ...and this week we're $800 lower
00:35:46 That's weird.
00:35:47 - I should check the stereo, just in case.
00:35:51 If you wanted money,
00:35:54 We would've worked something out.
00:35:57 - Why would I take it?
00:36:00 You don't gamble.
00:36:02 You don't go to bars.
00:36:06 How do you know?
00:36:07 All right, Roger,
00:36:09 No, of course not, but how do you know
00:36:13 Maybe I drink and gamble.
00:36:16 Hey, why am I the one to blame?
00:36:19 Money gets stolen
00:36:22 How do I know you didn't take the money?
00:36:24 - Me?
00:36:25 How could you, Roger?
00:36:29 - You accused me!
00:36:32 ...this money was for us! Together!
00:36:36 To think that I would steal
00:36:39 Okay.
00:36:42 Rose.
00:36:44 - Beast!
00:36:49 I'm sorry!
00:36:52 I didn't mean it.
00:37:29 Rose.
00:37:32 Come on, Rose.
00:37:34 You know I don't like it
00:37:37 Go away, Roger.
00:37:40 Okay, I admit I took the money.
00:37:44 Look, I wasn't gonna say anything, 'cause...
00:37:49 It was supposed to be a surprise,
00:37:56 I'm listening.
00:37:58 Remember how we talked about
00:38:10 Yes.
00:38:14 Well, again,
00:38:17 ...but I went to a travel agent
00:38:20 I needed the money for a deposit.
00:38:23 We're going to Florida? When?
00:38:25 Well, that's where it gets complicated.
00:38:29 Our anniversary? Roger, you remembered?
00:38:35 You remembered.
00:38:38 I thought you had forgotten.
00:38:40 I didn't forget. I was all over it,
00:38:44 How complicated?
00:38:48 Remember I told you
00:38:53 Yes.
00:38:55 They put together a special security crew...
00:38:57 ...and my supervisor says they need me.
00:39:01 The whole thing's out of my hands now...
00:39:03 ...but it looks like we have to postpone
00:39:06 Wait a minute.
00:39:10 One minute you tell me
00:39:12 - Then you tell me we're not going to Florida?
00:39:17 I wasn't going to say anything,
00:39:20 ...but then you noticed the money and...
00:39:23 I should talk to that travel agent,
00:39:26 We're going, we're not going.
00:39:28 We're going, we're going.
00:39:54 Come in.
00:39:57 - You wanted to see me, sir?
00:40:04 Hi, Roger.
00:40:06 Rose, what are you doing here?
00:40:09 Your lovely wife was just telling me that
00:40:14 Is that right?
00:40:15 Well, there was something
00:40:17 - It was supposed to be a surprise.
00:40:21 I was just explaining to the lovely
00:40:26 You know, Roger,
00:40:32 You didn't have to volunteer.
00:40:34 - Volunteer?
00:40:39 I guess I got confused. I wasn't quite sure
00:40:43 Sometimes when people say "voluntary,"
00:40:47 Really?
00:40:49 No, I actually meant voluntary.
00:40:53 If you two are planning a vacation,
00:40:57 Consider it done.
00:41:01 - That's good.
00:41:05 So where are you two going?
00:41:06 Roger is taking me to Florida
00:41:10 You old dog, you.
00:41:15 Florida? What's this thing about Florida?
00:41:19 I can't help it. Rose thinks we're going.
00:41:21 - Who's Rose? Your wife?
00:41:22 - Why does she think that?
00:41:24 - You told her you were going?
00:41:26 Did you know about this?
00:41:27 No, I didn't know about it. I just found out.
00:41:31 Well, Roger, we can't have you going AWOL.
00:41:35 We've done too much planning.
00:41:37 ...you tell him
00:41:39 You're not going on any trip.
00:41:40 You tell him to put you back on the list.
00:41:43 Well, what about Rose?
00:41:44 - Hey, man. I can't complain. I'm all right.
00:41:54 Hey, who's working the move?
00:41:59 Kind of sick of looking
00:42:03 Yeah, it'll be a relief.
00:42:06 Well, take care, fellows.
00:42:08 - Okay, man.
00:42:13 - Roger, we can't do it without you.
00:42:16 - Who calls the shots in your house?
00:42:19 She doesn't have to like it.
00:42:22 They may say they don't, but they do.
00:42:25 Your wife responds to that?
00:42:27 - Who?
00:42:28 My wife has nothing to do with this.
00:42:31 Come on, man.
00:42:33 - Stand up! Be a man.
00:42:37 - Charlie, what's with him?
00:42:46 Rose, that's the way it's gonna be.
00:42:50 That's the way it's gonna be.
00:42:54 That's it. That's the way it's going to be.
00:43:02 That's it.
00:43:16 Hey, Roger, your guy did a great job.
00:43:20 That looks exactly the same.
00:43:22 There's something missing. The glow.
00:43:27 - Yeah, and mine's missing something, too.
00:43:29 Of course they don't look perfect for us.
00:43:31 We've stood in front of the real pieces
00:43:35 We've come to know them in ways that
00:43:39 Look at the:Look at the Bronze Warrior.
00:43:42 Look at the sense of power,
00:43:46 The abs. And yet,
00:43:52 It's not important how they make us feel.
00:43:56 ...is whether some guy in Denmark
00:44:00 Yeah.
00:44:03 - We go?
00:44:15 It's 6:40 a. M.,
00:44:19 It's a brisk 44 degrees out there,
00:44:37 - Hi, Bob.
00:44:40 Got a big day.
00:46:48 You know, there's only so much I can say.
00:46:53 - Yeah, so...
00:46:55 I thought you were:I was looking at...
00:47:09 Woman Reading. C-21.
00:47:22 This one's fine.
00:47:56 Let's carry Mother and Child over...
00:48:14 Looks like this is C-21.
00:48:17 - Got it.
00:48:19 Watch it.
00:48:34 Who's taking care of...
00:48:41 We're good.
00:49:36 Damn it!
00:49:39 Phil, would you mind finishing
00:49:44 I've been at it all day. I need a break.
00:49:48 Sure thing, Roger.
00:50:04 - I'm here.
00:50:29 George?
00:50:37 - What took you so long?
00:50:39 - How you doing in there?
00:50:41 I bought this for you
00:50:44 - I thought you might get hungry later.
00:50:49 In Nam, soldiers would go for days
00:50:53 I thought you said
00:50:56 No, I'm...
00:51:00 - How's the paintings?
00:51:04 Let's try this one more time.
00:51:09 Blue Dragon, this is Red Dragon.
00:51:13 - George, about these code names...
00:51:16 - Lf we're gonna do this thing, let's do it right.
00:51:21 Blue Dragon, this is Red Dragon.
00:51:23 Copy, Red Dragon. This is Blue Dragon.
00:51:27 - Affirmative.
00:51:32 - Thanks.
00:51:36 - I'll see you tomorrow.
00:51:39 What?
00:51:42 What?
00:51:43 - I'll see you tomorrow.
00:51:48 Keep it quiet!
00:52:09 Red Dragon. Come in, Red Dragon.
00:52:12 What is it, Blue Dragon?
00:52:14 Red Dragon, it just occurred to me.
00:52:20 It's too heavy with you in there.
00:52:34 I'm sorry, it just occurred to me.
00:52:37 - Here, let me...
00:52:44 Quiet.
00:52:50 Come on.
00:52:55 We need somebody...
00:52:57 There's nobody else. Come on.
00:53:00 Now, wait, wait, wait a second.
00:53:04 - Okay...
00:53:06 What if we maybe get...
00:53:11 - What do we do now?
00:53:14 - Okay, okay...
00:53:19 - With the arthritis, it's very hard.
00:53:23 Leverage. We need some sort of a lever.
00:53:26 Okay, okay, okay.
00:53:30 Right. Push.
00:53:47 Just push it.
00:53:48 All right, bring over A-19.
00:53:53 Whoa, whoa, whoa.
00:53:56 Yes. This one is part of
00:53:59 A couple of pieces had to be wrapped
00:54:03 - Okay, pops, we'll get it from here.
00:54:06 - Hey, Pauly!
00:54:08 Come here a minute.
00:54:10 Come on, get over on the end here.
00:54:14 - I can help.
00:54:16 - You just take it easy, pops.
00:54:17 Me and Pauly's got it. Get it.
00:54:20 - Yeah, it's really heavy.
00:54:23 Here, put it down! Put it down!
00:54:26 - Wow! Yeah.
00:54:30 - What'd you say was in this?
00:54:32 It's a few different pieces, actually.
00:54:36 - That'll do it.
00:54:39 - I can help.
00:54:42 I mean, I'm sure you could lift it,
00:54:44 - We're professionals.
00:54:46 I'm not calling you old.
00:54:47 I know I said "old man,"
00:54:50 - All right, thank you. Thank you very much.
00:54:52 - Come to me.
00:54:55 It's a warehouse, right?
00:54:57 - But this room?
00:54:58 - Over here someplace. Good.
00:55:00 With the other stuff.
00:55:02 - All set.
00:55:04 - Bye. Thank you.
00:55:10 Down this end.
00:56:21 This is Red Dragon. Start your watches.
00:56:32 Blue Dragon, check.
00:56:38 Yellow Dragon, check.
00:56:55 I'm starting with Yellow Dragon's.
00:56:58 Young Girl With Cats. C-09.
00:57:14 Got it.
00:57:51 - I've got her.
00:57:54 - How does she look?
00:58:01 And the cats? What about the cats?
00:58:06 They look fine. Now, will you please shut up
00:58:09 Sorry, but be careful, okay?
00:58:39 One painting down.
00:58:43 Blue Dragon, you're up.
00:58:45 The Lonely Maiden. B-12.
00:58:49 B-12. Roger.
00:58:51 - What?
00:58:54 The Lonely Maiden, B-12.
00:58:57 B-12, I got it.
00:59:24 Okay, Dragons, 21 minutes down.
00:59:30 Next up, Bronze Warrior. C-22.
00:59:35 C-22.
00:59:36 Roger. I mean, I understand. I've got it.
01:01:05 George? George?
01:01:07 George, where are you?
01:01:15 George? George? George!
01:01:19 What's going on?
01:01:22 - And why aren't you calling me Red Dragon?
01:01:26 We have a Code 3.
01:01:29 Code 3? No, no, no.
01:01:33 I know it! I know!
01:01:36 - It's a definite Code 3!
01:01:40 Sector 3, north hallway!
01:01:43 Hurry, George, hurry!
01:01:45 Charles, George, what's happening?
01:01:48 It's the patrol guard. He's come back early.
01:01:52 - What guy? The big guy with the hair?
01:01:55 He's really mean!
01:01:56 George, he's in the northeast gallery now.
01:02:08 He's on his way down, George.
01:02:11 George, he's getting into the elevator!
01:02:29 George, where are you?
01:02:33 He's coming your way!
01:02:46 Hurry! Hurry!
01:02:52 He's 20 feet away, George!
01:03:01 Hide, George! Hide! Hide! Hide!
01:04:11 George, are you there? George?
01:04:17 George?
01:04:20 Yeah, I'm still here.
01:04:26 Oh, my God. Oh, my God.
01:04:38 Okay, Dragons, that's it.
01:04:41 - And Yellow Dragon?
01:04:44 Don't be late.
01:04:47 Don't worry, George. I won't.
01:04:49 - Good night, Roger.
01:05:25 Back, back, back, back, back. A little more.
01:05:34 - Hey, Roger.
01:06:22 Sir.
01:06:35 I just want to keep on top of this guy...
01:06:37 Red Dragon, Red Dragon.
01:06:41 Blue Dragon, what are you doing? We're
01:06:45 It's too risky. Someone could hear you.
01:06:47 Listen to me. We have a problem.
01:06:51 They took the inventory list,
01:06:54 Relax, Blue Dragon, there's nothing
01:06:59 What's your current position?
01:07:01 North end of the storeroom.
01:07:05 Good. I'm facing north.
01:07:09 There's a row of four crates,
01:07:14 I'm in the first row,
01:07:16 Okay, okay, third box
01:07:27 Not horses! Oh, dear.
01:07:31 Hey, that looks like B-07.
01:07:41 Right here.
01:07:43 - You sure you got it?
01:07:49 - Barlow, what do you got there?
01:07:54 Van 3, Barlow. Van 3.
01:08:00 Oh, no. Come on, horsey.
01:08:22 Hey, Mr. Barlow!
01:08:25 Ain't you supposed to be on vacation?
01:08:29 That got changed.
01:08:31 - You need some help?
01:08:35 - Hey, Carlos!
01:08:36 How about giving my man a hand over here?
01:08:37 Everything's fine.
01:08:38 - We got it, Mr. Barlow. Don't worry about it.
01:08:41 - What?
01:08:46 - Keep it real, Mr. Barlow.
01:08:58 - What took you so long?
01:09:02 Roger, this looks awfully heavy.
01:09:05 No help. We have to do this ourselves.
01:09:09 On the count of three.
01:09:13 In you go!
01:09:20 - Let's get out of here!
01:09:28 This is Renoir.
01:09:32 - Stay behind them.
01:10:01 Sorry about banging you
01:10:05 I didn't know
01:10:08 - Is that you, Blue Dragon?
01:10:14 Hi, Red Dragon.
01:10:18 Forget the code names, gentlemen.
01:10:21 We took everything they had to throw at us
01:10:26 I'm really proud to have served
01:10:29 Semper fi.
01:10:31 - It does feel pretty good, doesn't it, Roger?
01:10:37 - You can get out now, George. What?
01:10:49 Look! Look!
01:10:52 Guys! Guys! Get me out...
01:10:58 Get me out of here! Guys! Guys!
01:11:02 - Guys! Wait, wait! Where are you going?
01:11:05 Don't leave me! You're leaving me!
01:11:07 - Where are you going, guys?
01:11:10 Get back in the crate!
01:11:12 How could this have happened?
01:11:16 I don't know. George, quick question.
01:11:19 When we were back at the warehouse
01:11:23 - was that your left or my left?
01:11:28 - Because it's my left.
01:11:31 This is a disaster! The mission's in jeopardy!
01:11:36 Don't panic! If you panic, I'll panic.
01:11:38 This is a soldier's worst nightmare,
01:11:41 Chaos!
01:11:42 Calm down, George,
01:11:44 We just have to make one quick stop first.
01:11:47 - Stop?
01:11:49 - We have to stop at my house.
01:11:53 You can't leave me here! I'm down
01:11:56 - I don't think I can take torture, guys.
01:11:59 - I'll only be a minute.
01:12:00 ...but I'm not the man you think I am.
01:12:02 - Keep him company. Make sure...
01:12:04 ...he doesn't panic.
01:12:07 Good point. Make sure he stays in the crate.
01:12:09 - Okay, thanks.
01:12:11 - Hi, it's me, Charles.
01:12:15 - Well, he had to go and get his wife.
01:12:19 I don't understand.
01:12:21 I thought I told him to stand up to her!
01:12:24 Rose? Where are you, Rose?
01:12:27 I'm in the bedroom, Roger.
01:12:30 - I can't stand it when you're late.
01:12:33 You were supposed to be here
01:12:35 I know, I got hung up at work.
01:12:37 But, look, we have to go right now,
01:12:40 - Roger, wait a minute.
01:12:42 No, it's not:Wait. Roger, don't zip it.
01:12:45 - I'm not finished.
01:12:48 Roger, what is going on? Why...
01:12:51 Why are you acting like this?
01:12:52 I'm not:Acting like what?
01:12:55 Is there something wrong with that?
01:12:57 Well, how are we getting to the airport?
01:12:59 - I have a friend to drive us.
01:13:02 - What friend, Roger? Here.
01:13:05 He's got a van he likes to drive.
01:13:08 ...but he's waiting downstairs,
01:13:12 - Roger, you're acting very strange.
01:13:16 - Come on!
01:13:20 What?
01:13:23 Say "beach. "
01:13:25 Okay, take the picture. Take the...
01:13:27 - Please, take the picture!
01:13:30 Roger, do you have some sort of surprise
01:13:33 Yes, that's a good way to put it. Let's go.
01:13:38 Roger, Roger! Wait, wait, wait, wait, wait!
01:13:43 Are you sure you want to go to Florida
01:13:47 I'm not panicked.
01:13:51 We're gonna get you out, George.
01:13:53 What would you do? I have to think like you.
01:13:57 What would you do?
01:14:00 You gotta get me out of here! Oh, no!
01:14:02 Sorry, I gotta go, George. Bye.
01:14:05 - No, Charles, don't...
01:14:06 I'm going, Roger, I'm going! All right.
01:14:17 Roger, careful!
01:14:20 - Roger!
01:14:24 - I want you to meet Charles. My wife, Rose.
01:14:28 It's a pleasure to meet you.
01:14:30 Roger said that you volunteered to take us
01:14:35 - Well, I think the plan is...
01:14:37 Don't explain anything. I know that Roger
01:14:42 - I don't want you to ruin it.
01:14:45 - Step on it, Charles.
01:15:16 Wait, wait, wait.
01:15:17 Why are we stopping here, guys?
01:15:19 We have to drop the crate off...
01:15:20 - This is cargo.
01:15:22 - George?
01:15:23 I told him we'd pick him up.
01:15:25 Who are all these friends of yours?
01:15:27 I'll be right back.
01:15:28 - We have a plane to catch.
01:15:30 I'll be right back.
01:15:31 - Is this part of the surprise?
01:15:36 I've never even heard of George.
01:15:38 Thirty-two years, and all of a sudden
01:15:42 - Do you know George?
01:15:44 I mean, yes.
01:15:49 A nice guy.
01:15:55 - How's it going? You two getting along?
01:15:58 I hope you realize
01:16:01 We're fine, Rose. Plenty of time.
01:16:05 We're going to miss our plane.
01:16:34 - George, is that you?
01:16:36 Yes, yes, it's me! Get me out of here, Roger!
01:16:39 My legs are falling asleep!
01:16:42 - Okay. Okay, George.
01:16:45 Can I help you with something, mister?
01:16:48 Yes, as a matter of fact, you can.
01:16:50 You see, I need to get this crate
01:16:56 - And you are?
01:17:00 I'm a security guard. Some items got
01:17:04 - And they sent me to work it out.
01:17:10 Nobody said anything about paperwork.
01:17:12 Well, then, you don't get no crate.
01:17:18 You see, maybe we can talk about this.
01:17:21 Because I've been sent to
01:17:25 I had a cat when I was a little girl.
01:17:31 Her name was Snuggles.
01:17:36 Well, this is Renoir.
01:17:41 Like the painter.
01:17:46 - Roger loves paintings.
01:17:53 This is ridiculous.
01:18:05 Roger!
01:18:07 Roger! Roger! What are you doing up here?
01:18:11 What are you doing?
01:18:16 It is 10:20! We need to go right now!
01:18:20 - Excuse me, miss...
01:18:21 We need to go. Where's your friend George?
01:18:23 You said you were coming up here
01:18:25 Are you George?
01:18:26 - Who is George?
01:18:28 Rose, I've got things under control.
01:18:31 - Give me one more minute, I promise you.
01:18:34 I love surprises, I do. I'm very touched.
01:18:37 I can't leave here without this crate!
01:18:39 Listen, buddy, I already told you,
01:18:41 One second, please.
01:18:43 Rose, I know how much this trip
01:18:46 ...and I know I've been acting crazy lately,
01:18:50 We're gonna make that plane. I just
01:18:56 Roger.
01:18:58 We're going to Florida.
01:19:09 Here's the deal. That's my wife, Rose.
01:19:12 In less than 20 minutes, I promised her
01:19:15 It's our anniversary.
01:19:18 ...but I cannot leave here
01:19:22 Are you a married man, Leo?
01:19:26 Then you know what I'm talking about.
01:19:29 I really do work for the museum.
01:19:33 What a guy!
01:19:37 Why are we turning off here? We need to go
01:19:41 - Yeah. We'll try. We'll try.
01:19:43 We are gonna have to go all the way.
01:19:44 - Pull over here. Right over here.
01:19:47 - Pull over.
01:19:49 - Hang on, George!
01:19:51 You're almost free.
01:19:54 Hang on, George!
01:19:56 - What are you doing?
01:20:03 Why are you naked?
01:20:07 - Hi.
01:20:12 - Turn away! That's my wife.
01:20:17 - You must be Rose.
01:20:19 - Are we going to Florida?
01:20:21 We did it! We did it!
01:20:24 Yes! We did it!
01:20:27 We did it!
01:20:29 Ladies and gentlemen,
01:20:32 where the local temperature is 86 degrees.
01:20:35 Please be careful when opening
01:20:55 Roger?
01:20:59 Roger?
01:21:04 Roger?
01:21:08 Roger?
01:21:14 Roger.
01:22:08 Just a minute. Stay there.
01:22:19 Stay right:What?
01:22:21 Are you feeling okay?
01:22:26 Are you all right, Roger?
01:22:54 Roger.
01:23:07 George? Roger's here.
01:23:09 Roger! Welcome home, man.
01:23:12 I think you'll find
01:23:14 George and I thought
01:23:20 She's all yours, Roger.
01:23:22 Charles, I'm gonna put these on
01:23:25 Sure.
01:23:32 What the hell?
01:23:36 - Okay. All right. Bye.
01:23:40 - Hey, George?
01:23:43 We did good.
01:23:46 Roger.
01:23:53 - We did good.
01:23:56 See you tomorrow.