|
Make It Happen
|
| 00:00:25 |
(Girl) 'Glenwood, Indiana. |
| 00:00:26 |
'Population: 918. |
| 00:00:29 |
'Miles from Chicago: 291. |
| 00:00:32 |
'Dance schools: zero. |
| 00:00:35 |
'I've got one dream, one shot. |
| 00:00:38 |
'Today, everything could change.' |
| 00:00:40 |
(Alarm beeps) |
| 00:00:44 |
(# Radio plays CHE'NELLE: |
| 00:01:07 |
# Could you, could you, |
| 00:01:09 |
# Show me that again |
| 00:01:11 |
# Could you, could you, |
| 00:01:13 |
# You take the lead |
| 00:01:15 |
# Straight up! Do you have rhythm |
| 00:01:17 |
# Does the beat flow |
| 00:01:19 |
# Do you enjoy sweatin' all on me? |
| 00:01:23 |
# Whoa! Did you just bust |
| 00:01:26 |
# Do you do much choreographin'? |
| 00:01:28 |
# You're wildin' out, boy, great timin', |
| 00:01:32 |
# Showin', swingin', bangin', |
| 00:01:37 |
# Could you, could you teach me, |
| 00:01:40 |
# Could you, could you, |
| 00:01:43 |
# Teach me how to dance... # |
| 00:01:56 |
I'm off to the garage. You wanna lift? |
| 00:01:59 |
No, thanks. |
| 00:02:01 |
I'm gonna work the routine |
| 00:02:03 |
- Big day, huh? |
| 00:02:06 |
So you're packed? |
| 00:02:08 |
Almost. |
| 00:02:10 |
OK, see you later. |
| 00:02:14 |
(Sighs heavily) |
| 00:02:29 |
(# Radio plays rock music) |
| 00:02:33 |
- Hey. |
| 00:02:35 |
- Missed you at the party last night. |
| 00:02:40 |
- I burned you some travelling music. |
| 00:02:43 |
So, are you nervous? |
| 00:02:46 |
Not really. I'm more excited. |
| 00:02:48 |
Come on, it's the Chicago School |
| 00:02:51 |
I know. I've only been dreaming about it |
| 00:02:55 |
The girls I'm up against, they trained with |
| 00:03:00 |
So you are nervous. |
| 00:03:02 |
Don't worry. |
| 00:03:06 |
Has your brother lightened up at all? |
| 00:03:09 |
Hmm, you know how Joel can be. |
| 00:03:12 |
- He doesn't get it. |
| 00:03:15 |
This means me and my two left feet |
| 00:03:20 |
- You aren't that bad. |
| 00:03:23 |
All right, good luck. |
| 00:03:30 |
- Get out of here. |
| 00:03:50 |
- Good luck, Lauryn. |
| 00:03:53 |
- Frankie quoted me 500. |
| 00:03:57 |
I'll do it for 250. Pick it up after lunch. |
| 00:03:59 |
(Girl#2) See you then. |
| 00:04:01 |
Hey, Clueless, I think she wanted |
| 00:04:11 |
Last month after payroll, |
| 00:04:14 |
Good month. |
| 00:04:16 |
That's still 1,800 behind |
| 00:04:21 |
OK. |
| 00:04:23 |
I guess I'll be hitting the road. |
| 00:04:30 |
Joel... why am I on the schedule? |
| 00:04:33 |
Sorry, wishful thinking. |
| 00:04:35 |
Come on. I'm 21. It's now or never. |
| 00:04:40 |
If I nail this audition, I'm gonna be |
| 00:04:44 |
(Sighs) |
| 00:04:46 |
Look, I got some interviews |
| 00:04:48 |
Qualified bookkeepers to replace me. |
| 00:04:52 |
15 grand a year tuition... I don't know |
| 00:04:56 |
With a part-time job, Joel. |
| 00:04:58 |
I promised after Mom and Dad died, |
| 00:05:00 |
I'd do whatever |
| 00:05:03 |
But I can't work in a garage all my life. |
| 00:05:07 |
Yeah, I know. |
| 00:05:10 |
All right. |
| 00:05:13 |
I'm outta here. |
| 00:05:34 |
Boss, if she don't work here no more, |
| 00:05:36 |
you think I could date her? |
| 00:05:41 |
Not if you want to live. |
| 00:05:44 |
(# BELLA SEOUL: "My Way") |
| 00:05:46 |
# Take the other road, |
| 00:05:54 |
# Just like a jigsaw puzzle, |
| 00:05:58 |
# You've lost your own perception |
| 00:06:02 |
# Cos everybody in the world |
| 00:06:07 |
# Marching to the same beat, |
| 00:06:12 |
# But I ain't afraid to keep |
| 00:06:16 |
# I live my live, I do it my way... # |
| 00:06:52 |
- Excuse me, where do we check in? |
| 00:07:00 |
243. Next! |
| 00:07:05 |
- Name? |
| 00:07:07 |
Lauryn Kirk? 252. |
| 00:07:11 |
Next. Name? |
| 00:07:34 |
(Man) Thanks for coming in. |
| 00:07:41 |
- I give her about a minute fifteen. |
| 00:07:45 |
If you last more than a minute, |
| 00:07:47 |
(# Classical piano music) |
| 00:08:06 |
Thank you. Thank you, |
| 00:08:09 |
That's not what we're looking for, |
| 00:08:13 |
Enjoy your time in Chicago. |
| 00:08:16 |
(Sobbing) |
| 00:08:19 |
Number 252. |
| 00:08:28 |
(Man) Yeah, hi, how are you? |
| 00:08:31 |
Hi, I'm Lauryn Kirk |
| 00:08:34 |
- So, what have you brought for us? |
| 00:08:39 |
- May we see it? |
| 00:08:47 |
That's OK. This is your time, |
| 00:08:55 |
(# ZSHATWA: "Put It Down") |
| 00:09:16 |
Hello! Hello, hello, stop! Stop! |
| 00:09:21 |
We received 2,000 tapes. |
| 00:09:24 |
You're one of the 300 people |
| 00:09:27 |
But now I need more. |
| 00:09:30 |
I... I don't understand. |
| 00:09:32 |
We're looking for dancers |
| 00:09:35 |
not fragments of it. |
| 00:09:37 |
Something softer, more sensual, |
| 00:09:41 |
More honest. |
| 00:09:45 |
Thank you, Miss Kirk. |
| 00:09:51 |
Who's next? |
| 00:09:54 |
OK, let's get right to it. |
| 00:09:58 |
Right here. |
| 00:10:18 |
Thanks. |
| 00:10:20 |
252, huh? |
| 00:10:22 |
I remember that cattle call. |
| 00:10:27 |
You auditioned? |
| 00:10:28 |
Oh, I don't know |
| 00:10:32 |
I lasted all of a minute and 12 seconds. |
| 00:10:36 |
Should I even ask? |
| 00:10:40 |
It's harder than you thought |
| 00:10:43 |
At least my brother back home |
| 00:10:46 |
Yeah, all my brothers and sisters live |
| 00:10:50 |
They thought I was crazy moving here. |
| 00:10:55 |
Did it get better? |
| 00:10:57 |
Yeah, now he calls me all the time. |
| 00:11:01 |
That school only lets in one percent. |
| 00:11:03 |
That's like 20 out of the thousands |
| 00:11:06 |
so don't be so hard on yourself. |
| 00:11:25 |
(Phone rings) |
| 00:11:33 |
Hello? |
| 00:11:34 |
So how'd it go? |
| 00:11:36 |
OK. |
| 00:11:38 |
- You didn't get in? |
| 00:11:42 |
- So you did get in? |
| 00:11:46 |
- Well, what does it look like? |
| 00:11:51 |
- 'That sounds believable.' |
| 00:11:54 |
- 'Call me as soon as you know.' |
| 00:11:57 |
(Car alarm wails) |
| 00:11:59 |
I gotta go. |
| 00:12:01 |
Wait! Stop! |
| 00:12:04 |
Stop! Wait, stop! |
| 00:12:08 |
Stop! |
| 00:12:26 |
(Thunderclap) |
| 00:12:38 |
(Door opens) |
| 00:12:40 |
Hey, are you all right? |
| 00:12:42 |
Let's get you out of this rain. |
| 00:12:47 |
Come on. |
| 00:12:55 |
I really appreciate this. |
| 00:12:57 |
No problem. Trust me, I've been there. |
| 00:12:59 |
When I first got here, I got knocked |
| 00:13:03 |
And the looks, |
| 00:13:06 |
Indiana? Mm-hmm. |
| 00:13:10 |
Oh, what am I gonna do? |
| 00:13:12 |
My brother thinks I'm going |
| 00:13:15 |
"I didn't get in. |
| 00:13:19 |
I can't go home. |
| 00:13:22 |
- So don't go. |
| 00:13:26 |
If you don't mind sleeping on the couch, |
| 00:13:30 |
Wait, you don't snore, do you? |
| 00:13:32 |
Not the last time I checked. |
| 00:14:20 |
Lauryn Kirk. |
| 00:14:21 |
- Klirk? |
| 00:14:24 |
- No, I don't have you down here. |
| 00:14:26 |
You gonna have to go wait over there. |
| 00:15:03 |
(# Dance music blaring) |
| 00:15:20 |
Excuse me. Can I ask who you're with? |
| 00:15:23 |
Oh, I was... er... |
| 00:15:27 |
- Through the service door? |
| 00:15:30 |
- Can I see your ID? |
| 00:15:35 |
- I'm really sorry about this. |
| 00:15:38 |
Lauryn Kirk from Glenwood, Indiana. |
| 00:15:42 |
"Corn and cars", that's our motto. |
| 00:15:44 |
I like corn. |
| 00:15:46 |
Actually if you just give me |
| 00:15:48 |
we can settle this, |
| 00:15:52 |
- Hey, you made it. |
| 00:15:54 |
- Is this guy giving you a hard time? |
| 00:15:57 |
But I thought he was the manager. |
| 00:15:59 |
The manager? |
| 00:16:01 |
Guilty. |
| 00:16:04 |
- Nice try. |
| 00:16:08 |
Sort that out later. |
| 00:16:11 |
Bye, Lauryn Kirk! |
| 00:16:19 |
Brenda, this is Lauryn and vice versa. |
| 00:16:22 |
You've been looking for her, |
| 00:16:26 |
Thanks, but I'm not adopting |
| 00:16:28 |
I need you upstairs getting ready. |
| 00:16:34 |
Wait, wait. |
| 00:16:36 |
I know you don't want a stranger |
| 00:16:38 |
but I know QuickBooks, |
| 00:16:42 |
and your quarterly 1087 |
| 00:16:45 |
If you pay your crew in cash, you'll need |
| 00:16:49 |
I've cranked those out like clockwork for |
| 00:16:53 |
But if you just need me to file stuff, |
| 00:16:57 |
- You done? |
| 00:17:00 |
Fine. Trial basis, $12 an hour, |
| 00:17:03 |
OK. |
| 00:17:09 |
(Brenda) This is where the girls change. |
| 00:17:13 |
You get paid every other week. |
| 00:17:16 |
You'll start at 3:00 |
| 00:17:19 |
If you can't find something, look harder. |
| 00:17:24 |
You can start... |
| 00:17:27 |
...by organising the January receipts. |
| 00:17:30 |
No problem. |
| 00:17:32 |
Oh, by the way, the other bookkeeper... |
| 00:17:50 |
(Russ) Ladies and gentlemen, |
| 00:17:54 |
the hottest spot in Chicago! |
| 00:17:56 |
(Clapping and cheering) |
| 00:18:06 |
(# BITTER SWEET: "Get What I Want") |
| 00:18:25 |
# Hold the door, while I let myself in |
| 00:18:33 |
# I'm tired, boy |
| 00:18:36 |
# Need a drink, need a man |
| 00:18:41 |
# I'm not looking for trouble |
| 00:18:45 |
# I just want someone to tease |
| 00:18:51 |
# Maybe if you're lucky |
| 00:18:55 |
# I'll show you what I've got |
| 00:18:58 |
# But let's get one thing straight, dear |
| 00:19:02 |
# I get what I want |
| 00:19:20 |
# Here there, boy, |
| 00:19:28 |
# Let's have a dance, |
| 00:19:36 |
# I don't care much for small talk |
| 00:19:40 |
# There's no need |
| 00:19:44 |
# I can make you feel |
| 00:19:48 |
# That you've never felt before |
| 00:19:53 |
# Maybe if you're lucky, |
| 00:20:01 |
# But let's get something straight, dear |
| 00:20:05 |
# I get what I want |
| 00:20:43 |
# Slow down, boy |
| 00:20:45 |
# Don't you step on my toes... # |
| 00:20:59 |
(Cheering and whistling) |
| 00:21:10 |
(Dana and Lauryn laughing) |
| 00:21:14 |
Hey, don't be late again. |
| 00:21:17 |
Aye-aye. |
| 00:21:21 |
- This goes on every night? |
| 00:21:23 |
Brenda's got a real vision for the place. |
| 00:21:26 |
It's rooted in burlesque, but our dance |
| 00:21:30 |
- Well, you were terrific up there. |
| 00:21:33 |
What's up, girls? Good job tonight. |
| 00:21:36 |
- Brenda, hit me. |
| 00:21:40 |
Hey, this is Lauryn. |
| 00:21:44 |
Carmen's not interested |
| 00:21:47 |
Oh, still bummed I'm not the star |
| 00:21:50 |
- Baby, stars burn out. |
| 00:21:53 |
You guys wanna do some |
| 00:21:57 |
- Yes. Cheers. |
| 00:22:01 |
- Right, first round's on Lauryn! |
| 00:22:05 |
(Shouting and jeering) |
| 00:22:13 |
(# LADY SOVEREIGN: "Hoodie") |
| 00:22:39 |
Can we have a Cosmo |
| 00:22:42 |
Hey, two. |
| 00:23:05 |
Let's get this party started. |
| 00:23:08 |
(# LP featuring JOSE FUEGO: |
| 00:23:27 |
Aw, well, welcome to Chicago. |
| 00:23:32 |
Cool about earlier? |
| 00:23:36 |
- So how long you worked at Ruby's? |
| 00:23:40 |
- You like it? |
| 00:23:44 |
I'll bet there are. |
| 00:24:02 |
- Why aren't you out there? |
| 00:24:05 |
Sitting back, hiding in your hoodie... |
| 00:24:13 |
So... er... you and Carmen? |
| 00:24:15 |
No. No. |
| 00:24:17 |
That was like a 24-hour flu. |
| 00:24:20 |
You get it, you get really sick, |
| 00:24:33 |
So arrogant. "Are you just hide |
| 00:24:37 |
Russ likes giving people a hard time, |
| 00:24:42 |
Please. |
| 00:24:44 |
Russ was right. |
| 00:24:47 |
What, dancing like Carmen? Shakin' it? |
| 00:24:54 |
(Dana) Work it. Ha! |
| 00:24:57 |
I love it. |
| 00:24:59 |
Seriously, you're missing another side |
| 00:25:04 |
I'm not dancing right now, remember? |
| 00:25:22 |
Hey, you're looking good. |
| 00:25:27 |
Why do my feet hate me? |
| 00:25:30 |
I don't know. Maybe it's cos |
| 00:25:34 |
Like you're missing something. |
| 00:25:36 |
- Right. I'll just eighty-six the combo. |
| 00:25:39 |
No, I think the combination's fine. |
| 00:25:44 |
Like, if it was my thing |
| 00:25:47 |
and I wanted to do that |
| 00:25:51 |
Hmm... |
| 00:25:54 |
Sure, it's simple. |
| 00:25:57 |
- Here. |
| 00:25:59 |
Then here. |
| 00:26:01 |
Then there. |
| 00:26:03 |
- There... I like that. |
| 00:26:05 |
Watch your back, D. |
| 00:26:08 |
- Maybe you should watch yours. |
| 00:26:15 |
Maybe you should give it a try, |
| 00:26:18 |
Are you kidding? |
| 00:26:19 |
I would fall on my ass in those heels. |
| 00:26:23 |
- Shut up, you've got steps. |
| 00:26:27 |
Oh, OK, and those clothes are? |
| 00:26:30 |
Seriously, Lauryn, |
| 00:26:32 |
- My sexy? |
| 00:26:36 |
You just got to find yours. |
| 00:26:40 |
(# ELISABETH WITHERS: |
| 00:26:43 |
# That's how we do it on the weekend |
| 00:26:45 |
# Turn up the radio |
| 00:26:49 |
# Get your shoes on, |
| 00:27:10 |
Without further ado, |
| 00:27:12 |
put your hands together for Dana! |
| 00:27:16 |
(# ROISIN MURPHY: "Ruby Blue") |
| 00:27:22 |
Go, Dana! |
| 00:28:28 |
(Applause and cheering) |
| 00:28:42 |
Hey, Lauryn, meet Marcus. |
| 00:28:44 |
Oh, hi. Dana's told me all about you. |
| 00:28:46 |
You should've seen your girlfriend |
| 00:28:50 |
Really? |
| 00:28:51 |
We're gonna catch a bite to eat. |
| 00:28:54 |
Oh, no, you two go. |
| 00:28:57 |
Yeah, you sure? |
| 00:28:58 |
- Yeah. |
| 00:29:02 |
- Like tomorrow. |
| 00:29:05 |
- Have a good night. |
| 00:29:08 |
(Sighs heavily) |
| 00:29:26 |
OK, I'm out of here. |
| 00:29:30 |
Hello? |
| 00:29:34 |
Anybody here? |
| 00:31:18 |
(Lauryn) I can't believe he said that. |
| 00:31:21 |
(Phone rings) |
| 00:31:27 |
You're still not taking |
| 00:31:31 |
Just not up for it. |
| 00:31:34 |
You can't hide here |
| 00:31:37 |
- You've got to tell him sometime. |
| 00:31:40 |
OK. |
| 00:32:06 |
- Come on, Cinderella. |
| 00:32:10 |
(Growls) |
| 00:32:12 |
Bye, see you. |
| 00:32:15 |
(Knocks) Hi. Nice moves. |
| 00:32:20 |
- What are you? |
| 00:32:23 |
But just a hint... |
| 00:32:25 |
If you want to keep a secret, |
| 00:32:28 |
don't rehearse where you work, |
| 00:32:31 |
unless you know you're the only one |
| 00:32:37 |
Thanks, I'll try to remember that. |
| 00:32:41 |
You know, er... |
| 00:32:43 |
Think I could pry you away? |
| 00:32:48 |
Not real thirsty. |
| 00:32:52 |
Cool. |
| 00:32:55 |
Cool. Er... next time. |
| 00:33:00 |
I could eat. |
| 00:33:04 |
Well, I got the perfect place. |
| 00:33:12 |
Growing up, my mom used |
| 00:33:15 |
the lights, energy, the people. |
| 00:33:19 |
She dreamed of coming here |
| 00:33:22 |
- That's where you got the moves from. |
| 00:33:26 |
Chose to be a mom instead. |
| 00:33:30 |
- Is she still in Glenwood? |
| 00:33:35 |
I'm sorry. |
| 00:33:38 |
She got pretty sick when I was about 10, |
| 00:33:41 |
and it took a lot out of us, |
| 00:33:45 |
After Mom, he just... |
| 00:33:50 |
He said it kept his mind off missing her. |
| 00:33:54 |
And then one night, three years ago, |
| 00:33:57 |
I was coming back to the garage |
| 00:34:00 |
Joel was in Indy picking up equipment |
| 00:34:04 |
But some dancer friends |
| 00:34:08 |
Later when I did get to the garage... |
| 00:34:12 |
...I found him on the floor. |
| 00:34:15 |
He'd had a heart attack. |
| 00:34:20 |
I always wonder if I'd just got there |
| 00:34:22 |
You can't do that to yourself. |
| 00:34:26 |
After that, I put school on hold |
| 00:34:32 |
Since losing Dad, |
| 00:34:37 |
That had to be hard. |
| 00:34:39 |
You know, all of it. |
| 00:34:41 |
Yeah. |
| 00:34:45 |
(Sighs) |
| 00:34:46 |
So what's in there? |
| 00:34:48 |
This? This is the best |
| 00:34:52 |
- Really? |
| 00:34:54 |
Sure. |
| 00:35:00 |
Yeah, that's Lincoln Park, |
| 00:35:03 |
where all the kids hang out |
| 00:35:06 |
Then you got downtown, |
| 00:35:09 |
That's pretty much Chicago. |
| 00:35:13 |
Well... |
| 00:35:15 |
Thank you for a wonderful dinner. |
| 00:35:19 |
Anytime. |
| 00:35:24 |
I don't remember seeing that |
| 00:35:28 |
Yeah, well, that's the Chef's Special. |
| 00:35:34 |
Good night. |
| 00:35:36 |
Good night. |
| 00:35:53 |
- Hey. |
| 00:35:56 |
- How's it going? |
| 00:36:00 |
So I had a good time last night. |
| 00:36:03 |
Me, too. |
| 00:36:04 |
You have got to be kidding me. |
| 00:36:08 |
Doesn't Dana go on first anyway? |
| 00:36:11 |
Do you see Dana? |
| 00:36:14 |
- And I have a line... |
| 00:36:17 |
I have three birthday parties |
| 00:36:20 |
No offence, Russ, |
| 00:36:23 |
- You could let Lauryn dance. |
| 00:36:27 |
Brenda, I've seen her dance, |
| 00:36:29 |
Why don't you just give her a shot? |
| 00:36:33 |
Look, Lauryn, you're a sweet kid, |
| 00:36:41 |
Why did you tell her that? |
| 00:36:42 |
What, you're gonna hide out |
| 00:36:45 |
What you saw me doing |
| 00:36:47 |
- I don't dance like Ruby's girls. |
| 00:36:50 |
Trust me, when you get on stage, |
| 00:36:54 |
Well, I care. |
| 00:36:57 |
You moved to Chicago to be a dancer. |
| 00:36:59 |
I moved here to go to school. |
| 00:37:03 |
OK. |
| 00:37:05 |
I'm sorry. |
| 00:37:09 |
(Brenda) Look, price doesn't matter |
| 00:37:13 |
Yes, a cab. |
| 00:37:16 |
How long? All right. |
| 00:37:25 |
Joe, it's Brenda, |
| 00:37:28 |
Give me a shot. |
| 00:37:32 |
I can do it. |
| 00:37:38 |
(# "Steamy") |
| 00:37:46 |
(Cheering and clapping) |
| 00:37:57 |
(Glass smashes) |
| 00:38:00 |
(Booing and laughing) |
| 00:38:11 |
(Woman) Get off the stage! |
| 00:38:13 |
What is this, amateur night? |
| 00:38:22 |
(Jeering and booing) |
| 00:38:31 |
(# LIL MAMA: "Shawty Get Loose") |
| 00:38:43 |
(Cheering and whistling) |
| 00:40:00 |
We have a tradition. |
| 00:40:04 |
...a toast on the house. |
| 00:40:07 |
If I didn't know any better, |
| 00:40:11 |
Beginner's luck. |
| 00:40:12 |
"Beginner"...you got that right. |
| 00:40:19 |
Well... |
| 00:40:21 |
...that just proves |
| 00:40:24 |
- Cheers. |
| 00:40:26 |
You wanna get out of here? |
| 00:40:34 |
(Russ) Really? |
| 00:40:36 |
(Lauryn) Yeah, I know |
| 00:40:38 |
- I'd like to see you as a grease monkey. |
| 00:40:42 |
That'd be Joel's dream come true, |
| 00:40:46 |
- Well, he's just a protective brother. |
| 00:40:51 |
He doesn't want me to get my hopes up, |
| 00:40:57 |
- This is really impressive. |
| 00:41:03 |
- That yours, too? |
| 00:41:06 |
Yeah, I gotta admit something |
| 00:41:09 |
What's that? |
| 00:41:11 |
I lied. |
| 00:41:15 |
When I said I liked corn, |
| 00:41:17 |
I actually hate corn. |
| 00:41:20 |
Wow. I feel betrayed, like I don't |
| 00:41:26 |
- Play me something you wrote. |
| 00:41:31 |
Quit stalling, Music Man. |
| 00:41:35 |
OK. |
| 00:41:37 |
OK. |
| 00:41:39 |
This one I'll play you is... |
| 00:41:43 |
And... er... you know, don't judge it. |
| 00:41:48 |
- OK. |
| 00:41:51 |
(# Jazzy dance tune) |
| 00:42:03 |
This is you? |
| 00:42:05 |
Yeah, I just, I looped the vocals. |
| 00:42:07 |
- On the sax, that's you, too? |
| 00:42:13 |
You should play more. |
| 00:42:16 |
You're good. |
| 00:42:17 |
Thanks. |
| 00:42:21 |
So that's pretty much it. |
| 00:42:25 |
- It's not finished. |
| 00:42:29 |
Cos I haven't got around to it. |
| 00:42:35 |
I think someone's eager |
| 00:42:38 |
Yeah. Yeah. |
| 00:42:40 |
This your thing? |
| 00:42:43 |
- Mm-hm, all of them. |
| 00:42:46 |
First Carmen and then who else? |
| 00:42:49 |
You know, |
| 00:42:52 |
- Oh, really? |
| 00:43:03 |
- What's wrong? |
| 00:43:08 |
Well, then, you... er... shouldn't drive. |
| 00:43:14 |
I'm sorry, I don't... |
| 00:43:20 |
That's not what I was talking about. |
| 00:43:42 |
(# ALANA D: "Break It Down") |
| 00:44:47 |
(Phone rings) |
| 00:44:57 |
(Sighs heavily) |
| 00:45:00 |
Hey. Got your email. |
| 00:45:03 |
Yeah, I was gonna call you. I got a job. |
| 00:45:08 |
- At a garage? |
| 00:45:14 |
OK, what's with the silence? |
| 00:45:18 |
Had to let Marty go. |
| 00:45:21 |
'So how's the school? ' |
| 00:45:24 |
It's good. |
| 00:45:26 |
I sent you some stuff I found |
| 00:45:29 |
- 'Some of Mom's things.' |
| 00:45:33 |
I gotta go. I booked some studio time |
| 00:45:37 |
Yeah. Yeah, sorry. Take care. |
| 00:45:58 |
Lauryn, I have three regulars outside |
| 00:46:03 |
I told them tonight. Can you be ready? |
| 00:46:05 |
Yeah. |
| 00:46:12 |
You haven't earned the right |
| 00:46:16 |
- Excuse me? |
| 00:46:18 |
Just another girl from Bumbalow |
| 00:46:21 |
Guess what, this is the real world and |
| 00:46:25 |
Not that stuff you do. |
| 00:46:27 |
Bullshit, Carmen. |
| 00:46:29 |
Please. |
| 00:46:31 |
The tradition takes years to perfect. |
| 00:46:34 |
Lauryn, ten minutes and you're up. |
| 00:46:38 |
What's going on? |
| 00:46:40 |
Break a leg. Really. I mean it. |
| 00:46:49 |
Ladies and gentlemen, |
| 00:46:52 |
to the newest addition |
| 00:46:55 |
(Cheering) |
| 00:46:57 |
(# Unkle Jam: "Love Ya") |
| 00:48:14 |
Like you said, girl's got moves. |
| 00:48:59 |
So... er... this school |
| 00:49:03 |
did they say anything, you know, |
| 00:49:06 |
Sort of, I guess. |
| 00:49:09 |
Can I be honest with you? |
| 00:49:11 |
I think whoever made that decision |
| 00:49:16 |
OK, the director of the dance |
| 00:49:20 |
He said he thought it wasn't... |
| 00:49:22 |
sensual or feminine enough |
| 00:49:26 |
Let's wrestle him into Ruby's one night |
| 00:49:29 |
I don't think he's looking |
| 00:49:32 |
This guy can't have final say |
| 00:49:35 |
Well, no offence, but he is |
| 00:49:39 |
so I think he knows a little bit more |
| 00:49:44 |
Well, I know what I see and... |
| 00:49:47 |
...I see that you could be as sexy |
| 00:49:51 |
Oh, really? |
| 00:49:53 |
You know what, Russ? |
| 00:49:55 |
My life's goal isn't |
| 00:49:59 |
- Hey... I'm sorry, that came out wrong. |
| 00:50:02 |
Yeah. This isn't about Carmen, |
| 00:50:07 |
You can mix it up better |
| 00:50:10 |
and trust me, I've seen 'em all. |
| 00:50:12 |
And you have the potential |
| 00:50:15 |
That's all I was trying to say. |
| 00:50:22 |
What? |
| 00:50:26 |
Come on. |
| 00:50:29 |
Ow! You know, you're kind of cute |
| 00:50:33 |
- I'm not talking to you. |
| 00:50:35 |
Shut up! |
| 00:51:26 |
Mom... |
| 00:51:36 |
Hey. |
| 00:51:38 |
Hey. |
| 00:51:40 |
Your routine felt a little off tonight. |
| 00:51:45 |
Just... some stuff from back home, |
| 00:51:53 |
My favourite teacher once told me... |
| 00:51:59 |
It doesn't let you hide. |
| 00:52:03 |
But if you always fight what you feel, |
| 00:52:06 |
you'll never tap into what could |
| 00:52:10 |
but a great one. |
| 00:52:14 |
Yeah. |
| 00:52:21 |
Lock up when you leave, OK? |
| 00:52:23 |
OK. |
| 00:54:05 |
(# KEKE PALMER: "Bottoms Up") |
| 00:54:07 |
# Get off the wall, |
| 00:54:10 |
# From your fingertips |
| 00:54:13 |
# You know you're hot, |
| 00:54:16 |
- # Gotta take it low |
| 00:54:27 |
# Yeah, keep it movin', man, |
| 00:54:30 |
# I'm on the move, |
| 00:54:33 |
# Might see my face |
| 00:54:35 |
# Hypnotise you frame by frame, |
| 00:54:38 |
# Get your head up, do your thang |
| 00:54:40 |
# Get off the wall, |
| 00:55:18 |
(Knocking) |
| 00:55:19 |
Coming. |
| 00:55:30 |
Is something wrong? |
| 00:55:32 |
No, not at all. |
| 00:55:34 |
You just look amazing. Come on in. |
| 00:55:45 |
You are a closet romantic. |
| 00:55:49 |
Well, I've been called worse. |
| 00:55:55 |
Shall we? |
| 00:56:01 |
Wait. Let me. |
| 00:56:05 |
- Thank you. |
| 00:56:11 |
- May I offer you some wine? |
| 00:56:17 |
Thank you. |
| 00:56:19 |
(Sizzling) |
| 00:56:20 |
Oh, no. I gotta check the oven. |
| 00:56:34 |
How about a take-out? |
| 00:56:38 |
I don't know, it's like... |
| 00:56:39 |
...as long as the shop is alive, |
| 00:56:43 |
So, it would kill me |
| 00:56:46 |
- You two sound close. |
| 00:56:52 |
So I wanted to thank you |
| 00:56:54 |
For what? |
| 00:56:56 |
You were right. |
| 00:56:58 |
I can't let somebody I've met once |
| 00:57:01 |
So I did some research... and... |
| 00:57:06 |
...the School of Music and Dance usually |
| 00:57:12 |
But this year only 18 qualified. |
| 00:57:14 |
So they're holding |
| 00:57:17 |
for the next semester |
| 00:57:20 |
You're gonna re-audition? |
| 00:57:22 |
I think so. In three weeks. |
| 00:57:26 |
...the problem was the record company |
| 00:57:29 |
trying to tell me how to do it, |
| 00:57:32 |
I thought I knew better, so... |
| 00:57:35 |
...so I walked away. |
| 00:57:38 |
- Just like that? |
| 00:57:42 |
I backed out of the deal and... |
| 00:57:45 |
...fell in with the wrong crowd, |
| 00:57:48 |
...and... er... you know? |
| 00:57:51 |
Eventually, I ended up at Ruby's, |
| 00:57:54 |
and I straightened myself out. |
| 00:57:58 |
See, here's the thing. |
| 00:58:03 |
See, everybody who walks away |
| 00:58:10 |
I think it's brave... |
| 00:58:13 |
...to take another shot. |
| 00:58:19 |
Sometimes I just feel like |
| 00:58:24 |
Well, you're not. |
| 00:58:58 |
# Listen to me... |
| 00:59:00 |
(# JAMELIA: "Beware Of The Dog") |
| 00:59:25 |
# You know how much you want him |
| 00:59:28 |
# You're trying to be cool about it, |
| 00:59:31 |
# You're constantly just denying |
| 00:59:35 |
# You're like a moth to a flame, |
| 00:59:40 |
# Cause I know what I'm saying... # |
| 01:01:02 |
(Cheers and applause) |
| 01:01:20 |
Joel, stop! |
| 01:01:22 |
Wait! |
| 01:01:24 |
- Could you put some clothes on? |
| 01:01:27 |
I came to congratulate you |
| 01:01:30 |
only they've never heard |
| 01:01:32 |
You call this chasing your dreams? |
| 01:01:34 |
Is this all the hard work |
| 01:01:38 |
I didn't get in. |
| 01:01:42 |
But if you'd stuck around, |
| 01:01:45 |
- I saw enough. |
| 01:01:48 |
I'm on the verge of losing the shop, |
| 01:01:51 |
- What do you mean? |
| 01:01:55 |
- I can't make the payments. |
| 01:01:56 |
- Equipment, leases, everything. |
| 01:01:59 |
Why would you care? |
| 01:02:01 |
You're a big city girl now, |
| 01:02:05 |
Why have you always had |
| 01:02:07 |
You think the world revolves around you, |
| 01:02:10 |
How dare you? I put my life on hold |
| 01:02:14 |
And you put Dad on hold that night! |
| 01:02:27 |
Hey, you OK? |
| 01:02:37 |
Maybe he was upset |
| 01:02:40 |
Ease off, Carmen. She was killing it. |
| 01:02:43 |
He drives hours to get here, then |
| 01:02:46 |
- Hey, hey, stop, stop. |
| 01:02:49 |
Enough! |
| 01:02:52 |
You happy, Carmen? |
| 01:02:56 |
God, girl. |
| 01:03:03 |
Lauryn! Lauryn, wait! |
| 01:03:08 |
She can get in line cos there's |
| 01:03:10 |
Hey, come on. |
| 01:03:13 |
I know that this was a lot, |
| 01:03:17 |
- You don't have to lie any more. |
| 01:03:20 |
All my life my family gave up |
| 01:03:24 |
What if I'm selfish? |
| 01:03:26 |
What are you going to do, |
| 01:03:30 |
- Gonna quit living your life? |
| 01:03:34 |
I shouldn't be here |
| 01:03:36 |
I should be home helping him. |
| 01:03:41 |
- I'm sorry, I have to go. |
| 01:03:45 |
I know you're going home |
| 01:03:49 |
What? |
| 01:03:51 |
If this was about your brother, |
| 01:03:54 |
What are you talking about? |
| 01:03:56 |
I know that you're running |
| 01:03:59 |
I'm sorry if it shocks you that I'd help |
| 01:04:03 |
but that's how we do things |
| 01:04:06 |
Lauryn, come on. |
| 01:04:16 |
Lauryn! |
| 01:04:41 |
What are you doing here? |
| 01:04:45 |
I found two new wholesalers |
| 01:04:47 |
- That should catch us up half-way. |
| 01:04:53 |
- Are you back here to work? |
| 01:04:56 |
We can catch up. |
| 01:04:59 |
Look, I... |
| 01:05:03 |
I know. |
| 01:05:05 |
I'm sorry. OK? |
| 01:05:09 |
Can I just get back to this? I was almost |
| 01:05:13 |
Yeah. |
| 01:05:15 |
Look, are you sure about this, Lauryn? |
| 01:05:20 |
It was Dad's shop. |
| 01:05:23 |
You know what it meant to him. |
| 01:05:28 |
Hey... |
| 01:05:31 |
...you remember that time |
| 01:05:33 |
that you got the bicycle |
| 01:05:36 |
Yeah, I drove it in the shop, crashed |
| 01:05:40 |
Yeah! |
| 01:05:47 |
I can dance another time, Joel. |
| 01:05:51 |
I'm here now. |
| 01:06:17 |
(Phone rings) |
| 01:06:23 |
(Dialling tone) |
| 01:06:27 |
(Ringing) |
| 01:06:36 |
(Message service beeps) |
| 01:06:38 |
Hey, it's me. |
| 01:06:43 |
'And... er... I'm not burning |
| 01:06:51 |
I hope you come back soon. |
| 01:06:54 |
'Bye.' |
| 01:07:10 |
(Dialling tone) |
| 01:07:13 |
(Phone rings) |
| 01:07:20 |
Hey, stranger. |
| 01:07:21 |
I hear the last school audition |
| 01:07:25 |
I know. |
| 01:07:27 |
You're going to be there, right? |
| 01:07:30 |
You know, I'm just... I'm really... |
| 01:07:34 |
(Dana) 'Come on, Lauryn. |
| 01:07:39 |
No. He called, but... |
| 01:07:41 |
'You should, you know.' |
| 01:07:47 |
Look, I'll talk to you later, OK? |
| 01:07:49 |
Yeah. |
| 01:07:52 |
Bye. |
| 01:08:06 |
(# Music plays) |
| 01:08:09 |
Oh, hey, I love this song. |
| 01:08:14 |
I need an alternator permit. |
| 01:08:16 |
(# SALT 'N' PEPA: "Push It") |
| 01:08:18 |
For old time's sake. |
| 01:08:22 |
Wednesday? |
| 01:08:24 |
#... we know how to become |
| 01:08:28 |
- # Now push it |
| 01:08:32 |
- # Push it good |
| 01:08:35 |
- # Push it real good |
| 01:09:15 |
- Oh, hey, I thought you left already. |
| 01:09:19 |
Yeah, it's never done, is it? |
| 01:09:32 |
After Mum and Dad, |
| 01:09:34 |
you never quit... |
| 01:09:37 |
...never threw in the towel. |
| 01:09:42 |
I guess. |
| 01:09:44 |
You're the most unselfish person I know. |
| 01:09:48 |
You have always been |
| 01:09:53 |
Don't know how it happened. |
| 01:09:59 |
Speaking of which, you're fired. |
| 01:10:02 |
What? Joel, without me |
| 01:10:05 |
It's not Dad's shop any more, it's mine. |
| 01:10:08 |
And I have to take care of it, not you. |
| 01:10:11 |
Lauryn, I'm not going to let you |
| 01:10:15 |
So you need to get in your car, |
| 01:10:17 |
drive back to Chicago |
| 01:10:22 |
All right? |
| 01:10:41 |
Get out of here. |
| 01:11:00 |
(Russ) Lauryn! |
| 01:11:03 |
- What are you doing here? |
| 01:11:05 |
Here, I made you a track. |
| 01:11:09 |
What are you waiting for? |
| 01:11:29 |
(# Classical piano music) |
| 01:11:32 |
(Judge) Thank you. |
| 01:11:36 |
- Excuse me, this is a closed session. |
| 01:11:40 |
- (Judge) Miss? |
| 01:11:42 |
Right. We held a set of auditions |
| 01:11:47 |
We're only seeing first-time applicants |
| 01:11:50 |
But I just drove 300 miles. |
| 01:11:53 |
And my staff will do their best |
| 01:11:56 |
No, thank you. I'm here now. |
| 01:11:59 |
Well... I trust you've brought something |
| 01:12:04 |
Is that correct? |
| 01:12:07 |
I'll let you decide. |
| 01:12:20 |
(# LADY GAGA: "Just Dance") |
| 01:14:21 |
(Russ) Woo! |
| 01:14:23 |
That's how you do it! |
| 01:14:27 |
Thank you, Miss Kirk. |
| 01:14:29 |
I'm afraid you're right, |
| 01:14:33 |
See you next semester. |
| 01:14:35 |
- Thank you. |
| 01:14:41 |
Congratulations. |
| 01:14:59 |
(Lauryn) Hi. |
| 01:15:02 |
She's not in the best mood. |
| 01:15:07 |
Only employees are allowed in |
| 01:15:11 |
I... er... |
| 01:15:13 |
- I just came by to get my cheque. |
| 01:15:17 |
After the jam you left us in |
| 01:15:20 |
you think I owe you a cheque? |
| 01:15:22 |
I'm really sorry. |
| 01:15:24 |
OK, I promise it had nothing to do |
| 01:15:27 |
(All) Surprise! |
| 01:15:30 |
(Clapping and cheering) |
| 01:15:32 |
- Got you. |
| 01:15:35 |
(Cheering) |
| 01:15:38 |
Hey, congratulations. |
| 01:15:42 |
Hey, Lauryn, look... |
| 01:15:45 |
I was just giving you a taste |
| 01:15:49 |
I'm just glad you're getting out of here |
| 01:15:53 |
- Congratulations, sis. |
| 01:15:56 |
- I'm proud of you. |
| 01:15:58 |
- Hi. |
| 01:16:01 |
- You'll be sorely missed around here. |
| 01:16:05 |
Good cos I don't need any |
| 01:16:09 |
- It's about time. |
| 01:16:12 |
What's everybody standing around for? |
| 01:16:16 |
(# CLASSIC: "So They Say") |
| 01:21:19 |
Subtitles by LeapinLar |
