|
Malice in Wonderland
|
| 00:00:21 |
(ANGELICA'S "BRING BACK HER HEAD") |
| 00:00:29 |
* If you say you'll burn your car |
| 00:00:33 |
* If you'll burn that motorcar |
| 00:00:36 |
* And I know it is faux pas |
| 00:00:40 |
* And I know it is faux pas |
| 00:00:43 |
* If she means that much to you |
| 00:00:47 |
* If there's nothing you won't do |
| 00:00:50 |
* Yeah, you'll burn it |
| 00:00:53 |
* Yeah, you'll burn it |
| 00:00:59 |
* Bring her head back to me |
| 00:01:11 |
* Bring her head back to me |
| 00:01:22 |
* She's not all she's meant to be |
| 00:01:25 |
* She's not all she's meant to be |
| 00:01:28 |
* If you cut her she will bleed |
| 00:01:31 |
* If you cut her she will bleed |
| 00:01:34 |
* If she means that much to you |
| 00:01:37 |
* If there's nothing you won't do |
| 00:01:40 |
* Yeah, you'll burn it |
| 00:01:43 |
* Yeah, you'll burn it |
| 00:01:49 |
- * Bring her head back to me |
| 00:02:01 |
* Bring her head back to me... |
| 00:02:08 |
(CLOCKS TICKING) |
| 00:02:13 |
(TICKING GETS FASTER, |
| 00:02:19 |
(TICKING GETS LOUDER) |
| 00:02:29 |
(FOOTSTEPS APPROACHING) |
| 00:02:38 |
(DISTANT LAUGHTER) |
| 00:02:42 |
Spare some change, miss? |
| 00:02:45 |
- Do you know where Hulme Street is? |
| 00:02:47 |
H-U-L-M-E. My mom lives there. |
| 00:02:51 |
Used to. |
| 00:02:55 |
You'll get it back... |
| 00:02:58 |
Later. |
| 00:03:01 |
I used to know a woman |
| 00:03:08 |
(MAN) This way! |
| 00:03:31 |
(SIREN) |
| 00:03:40 |
- Fuck! |
| 00:03:49 |
Late, I'm late! Gotta get me there. |
| 00:03:57 |
(TYRES SCREECH) |
| 00:04:03 |
No, no... |
| 00:04:04 |
Oi! Move it! |
| 00:04:08 |
Come on, get up. |
| 00:04:10 |
(SHE GROANS) |
| 00:04:12 |
Look at the time! Look at the bloody time! |
| 00:04:14 |
9 minutes late here and here, |
| 00:04:20 |
Listen... I ain't got time for this. |
| 00:04:25 |
(MAN) Oi! I saw that! I saw that! |
| 00:04:27 |
Booze. She's out of it. |
| 00:04:31 |
(CAB DRIVER) What is it you want? |
| 00:04:35 |
- Police, please. |
| 00:04:40 |
- OK, in you go. |
| 00:04:44 |
- That's it. |
| 00:04:47 |
Leave it, whitey, leave it. There's no time. |
| 00:05:07 |
(CAB DRIVER) I'm late. |
| 00:05:11 |
Whitey's rules, number 1: |
| 00:05:14 |
Rule 2: "No puking." |
| 00:05:16 |
Rule 3: "No nothing else." |
| 00:05:20 |
No time for ER. I've got a pick-up to make |
| 00:05:33 |
Get ready for the land that time forgot. |
| 00:05:39 |
This isn't right. |
| 00:05:41 |
Yank? |
| 00:05:44 |
Los-fucking-Angeles this is not. |
| 00:05:47 |
Where are you taking me? |
| 00:05:49 |
Home... eventually. |
| 00:05:55 |
- What's your name? |
| 00:06:02 |
I... I can't remember. |
| 00:06:04 |
Had a bang on the head? |
| 00:06:06 |
Yeah, that's amne... amn... |
| 00:06:09 |
Anamnes... |
| 00:06:13 |
You lost your fucking memory. |
| 00:06:15 |
For your knees... For your nerves... |
| 00:06:18 |
For your breath... |
| 00:06:21 |
What's this one here? |
| 00:06:25 |
Here y'are. Wallop. |
| 00:06:29 |
- (SHE READS) for your head. |
| 00:06:33 |
Pop one of 'em down your rabbit hole, |
| 00:06:37 |
Afterwards, you're gonna be |
| 00:06:44 |
Trust me... I'm a doctor. |
| 00:06:49 |
I do prescriptions. |
| 00:06:51 |
People tell me |
| 00:06:57 |
Thank you. |
| 00:07:02 |
I've gotta get me there... I'm late. |
| 00:07:09 |
Harry Hunt... |
| 00:07:11 |
Big boss. |
| 00:07:13 |
Just got out of jail. |
| 00:07:15 |
(VOICE BECOMES ECHOEY) Big party. |
| 00:07:18 |
Best present ever. |
| 00:07:21 |
Pure and uncut... |
| 00:07:23 |
Special import. |
| 00:07:25 |
Gotta get me that Thai for Harry... |
| 00:07:27 |
Thai...? |
| 00:07:33 |
- Mr. Griffin... |
| 00:07:36 |
(MAN) Mr. Griffin... |
| 00:07:38 |
What's in here may change |
| 00:07:41 |
(GIRL) Yes. |
| 00:07:44 |
- (MAN) Sure? |
| 00:07:45 |
- (MAN) ...change your life for ever... |
| 00:07:51 |
(MUFFLED) ...inside this will change... |
| 00:07:53 |
There's Tweedledum and Tweedledee. |
| 00:07:55 |
(PANTING) |
| 00:07:58 |
(TYRES SCREECH) |
| 00:08:20 |
(HUMMING) |
| 00:08:23 |
(GIGGLING) |
| 00:08:29 |
What's in here...? Ha! |
| 00:08:32 |
Oh... |
| 00:08:35 |
Oh, yes... |
| 00:08:37 |
- Who are you? |
| 00:08:40 |
Who are YOU? |
| 00:08:42 |
Drugs... For your breath?! |
| 00:08:45 |
- I don't know. |
| 00:08:47 |
- This is getting me nowhere. |
| 00:08:51 |
My head. |
| 00:08:54 |
What...? |
| 00:08:56 |
Is that my bag? |
| 00:09:00 |
You've got my bag! |
| 00:09:04 |
(WHITEY) As soon as I woke up I said, |
| 00:09:08 |
That's 7 words, 3 seconds to say them. |
| 00:09:13 |
Time snowballs. |
| 00:09:17 |
and now I've missed my delivery. |
| 00:09:19 |
Oi! |
| 00:09:21 |
Where's my goods? |
| 00:09:23 |
(BOTH) This way! |
| 00:09:26 |
Well, that's fucking specific. |
| 00:09:48 |
Yeah! |
| 00:09:49 |
I've totted the takings. |
| 00:09:54 |
Come back! |
| 00:09:55 |
And not one... tosspot |
| 00:10:00 |
- (LAUGHTER) |
| 00:10:02 |
Target's to hard, Gonzo? |
| 00:10:12 |
Is it? |
| 00:10:15 |
- All right, Gonzo. |
| 00:10:18 |
- All right? |
| 00:10:21 |
14 quid on the mad mouse? |
| 00:10:24 |
I had to shut down. |
| 00:10:27 |
Not safe... |
| 00:10:28 |
Not safe is good, right? |
| 00:10:31 |
If the track cracks... |
| 00:10:35 |
how far is the fall? |
| 00:10:36 |
No, Gonzo, Gonzo! Err, no... |
| 00:10:40 |
Wait, wait! |
| 00:10:45 |
Hey! |
| 00:10:47 |
That bag, and the money, he stole it! |
| 00:10:54 |
- Give it back. |
| 00:10:56 |
- What have I said about women? |
| 00:10:59 |
Girls are trouble... |
| 00:11:01 |
- women are double. |
| 00:11:06 |
What are you? A runaway? Eh? |
| 00:11:10 |
Suicide! |
| 00:11:12 |
(GASPS) Not a... junkie? |
| 00:11:15 |
- Gotta have a problem to work here, love. |
| 00:11:19 |
- I've got a fat back. |
| 00:11:22 |
Saint Gonzo, that's me. |
| 00:11:24 |
Employer of the flotsam and jetsam. |
| 00:11:28 |
- I have got a problem, actually. |
| 00:11:31 |
I can't remember... Names, places. |
| 00:11:35 |
I can think of a few places for you... |
| 00:11:37 |
- My mind is a blank. |
| 00:11:41 |
The lady's lost her memory. |
| 00:11:43 |
You lot better look for it. |
| 00:11:52 |
Step into my office. |
| 00:11:54 |
- I'm not sure if I should. |
| 00:12:00 |
(HORSE NEIGHS) |
| 00:12:10 |
What do you say, you and I, |
| 00:12:16 |
We were going to Harry's party. |
| 00:12:18 |
Harry Hunt? |
| 00:12:20 |
Rhymes with... |
| 00:12:24 |
What's a... What's an old devil like him |
| 00:12:28 |
- I should go find out. |
| 00:12:31 |
You are very good. |
| 00:12:34 |
I've seen pork more kosher. |
| 00:12:37 |
You're here to sniff out |
| 00:12:40 |
What gift I've bought him to make me |
| 00:12:44 |
his number 1 geezer. |
| 00:12:46 |
You're a spy... |
| 00:12:48 |
I don't have any idea |
| 00:12:51 |
Oh, yeah? |
| 00:12:53 |
Where are you from? Who are you with? |
| 00:12:56 |
- Wh... |
| 00:12:58 |
- Why...? |
| 00:13:00 |
- Because I'm asking, that's why. |
| 00:13:02 |
Whi...? Whitey?! |
| 00:13:06 |
That dirty... |
| 00:13:09 |
So... Where is he? |
| 00:13:12 |
Hmm? |
| 00:13:14 |
He's... picking up something for... |
| 00:13:18 |
Picking up... something for Harry. |
| 00:13:21 |
What? |
| 00:13:24 |
(IMPERSONATES WHITEY) |
| 00:13:29 |
A tie? |
| 00:13:30 |
Tie my arse. |
| 00:13:34 |
Tie... |
| 00:13:36 |
Tie is a green channel at customs. |
| 00:13:40 |
He's got him something special. |
| 00:13:43 |
I'd like to know what. |
| 00:13:47 |
NOW! |
| 00:13:52 |
Mr. Big. |
| 00:13:53 |
What Class A delights |
| 00:13:56 |
- You're in no state to get lippy. |
| 00:14:03 |
I wouldn't have hurt you, you know that. |
| 00:14:07 |
Adios. |
| 00:14:11 |
- Hey, thanks. |
| 00:14:14 |
- For saving me. |
| 00:14:17 |
- Only bird worth saving is Her Majesty. |
| 00:14:21 |
- I've got a heart attack plan. |
| 00:14:26 |
I've got till 10 o'clock |
| 00:14:31 |
4 eyes are better than 2. |
| 00:14:42 |
(ARCADE MACHINES BLEEP) |
| 00:14:48 |
- So who is this stupid Harry, anyway? |
| 00:14:53 |
(THUNDERBOLT) |
| 00:14:58 |
Harry's been inside. |
| 00:15:02 |
Massive. Millions waiting to be robbed. |
| 00:15:07 |
Everybody wants him. |
| 00:15:08 |
That's why the fight to get him |
| 00:15:12 |
To buy his favour. |
| 00:15:14 |
When Harry picks his team |
| 00:15:17 |
(BUZZING) |
| 00:15:19 |
he's making millionaires. |
| 00:15:23 |
He don't do nothing by halves, |
| 00:15:26 |
He sorted out the clubs and their owners. |
| 00:15:28 |
(GROANING) |
| 00:15:30 |
Then there was the diamond geezers. |
| 00:15:32 |
I believe that got messy. |
| 00:15:35 |
Then the spades tried muscling in. |
| 00:15:37 |
Last one dead was the DJ. |
| 00:15:41 |
Does like his music, does Harry... |
| 00:15:44 |
George Michael, Pet Shop Boys, |
| 00:15:49 |
He sounds... fascinating. |
| 00:15:52 |
I've heard Harry called a lot of F words... |
| 00:15:56 |
Tonight is his coming out party. |
| 00:15:58 |
Everyone who's anyone |
| 00:16:01 |
Except me- |
| 00:16:04 |
Well, he might not notice. I mean, |
| 00:16:08 |
He's got the all-seeing eye. He makes |
| 00:16:11 |
That's why I've got to pull something |
| 00:16:18 |
I think... |
| 00:16:23 |
Medication on an empty stomach. |
| 00:16:25 |
Always read the label. |
| 00:16:28 |
(DANCE MUSIC) |
| 00:16:37 |
"The Imperial." |
| 00:16:40 |
doner, some other dead thing- |
| 00:16:46 |
Never tasted anything like it. |
| 00:16:48 |
Half a goat in there, easy. |
| 00:16:51 |
Order of the day. What do I get a man |
| 00:16:56 |
Well, what's he into? |
| 00:16:58 |
Banks, security vehicles, blokes... |
| 00:17:02 |
Does he like art? |
| 00:17:05 |
'Round here art is getting |
| 00:17:10 |
- What about a cake? |
| 00:17:13 |
- Someone who cares. |
| 00:17:17 |
That's not my name. |
| 00:17:19 |
You don't know who you are. |
| 00:17:22 |
- There's got to be something in here... |
| 00:17:27 |
Only to you, and we don't know you, |
| 00:17:30 |
- Is it not? |
| 00:17:33 |
OK... |
| 00:17:36 |
Proper nip-tucked. |
| 00:17:38 |
Lippy... |
| 00:17:40 |
"Vegetarian's Guide to London." |
| 00:17:45 |
Radio thingy... |
| 00:17:49 |
- Is this where you're staying? |
| 00:17:51 |
- Well, I know one thing. |
| 00:17:55 |
You're loaded. |
| 00:17:58 |
Let's call them. |
| 00:18:00 |
- "All right, love? Any guests missing?" |
| 00:18:05 |
- Come on, 500 rooms... |
| 00:18:08 |
- Dodgson Industries, New York. |
| 00:18:13 |
- Call it off. The States is a 5er a word. |
| 00:18:16 |
My whole life could be |
| 00:18:20 |
Please. |
| 00:18:23 |
I'm taking hits in the clock, |
| 00:18:27 |
- You know? I'm taking punches all over. |
| 00:18:35 |
It's ringing. |
| 00:18:39 |
Answering machine. What do I say? |
| 00:18:42 |
If you're missing a girl, call this number: |
| 00:18:52 |
(SOARING STRINGS) |
| 00:19:09 |
- (MUSIC STOPS) |
| 00:19:14 |
Well... |
| 00:19:16 |
It can't be something you ate. |
| 00:19:20 |
Now, listen... |
| 00:19:24 |
I know a place where I can get the cake. |
| 00:19:26 |
We do the party, I drive you to London, |
| 00:19:29 |
5 star-chauffeurage, |
| 00:19:32 |
I promise. |
| 00:19:34 |
That's really kind of you, but... |
| 00:19:38 |
I just feel like that would take forever. |
| 00:19:42 |
I just have to find another way. |
| 00:19:44 |
I know I was supposed to do something... |
| 00:19:50 |
important, and... |
| 00:19:53 |
I don't know what it is. |
| 00:19:55 |
Well, babe, |
| 00:19:59 |
If there was another way, |
| 00:20:02 |
- I've just thought of one. |
| 00:20:09 |
(SNIFFS) |
| 00:20:25 |
(GIRL) Jesus Christ! |
| 00:20:34 |
- Here's a 20 to get you to London. |
| 00:20:38 |
Hm. |
| 00:20:42 |
- When's the next bus? |
| 00:20:53 |
What? |
| 00:20:55 |
Just having one last butcher's |
| 00:20:59 |
Now, I'm being a gentleman, |
| 00:21:04 |
I bet I'll regret this. |
| 00:21:22 |
(GIRL) Oh, it's freezing... |
| 00:21:39 |
Oi! |
| 00:21:54 |
(WOMAN) Quiet night? |
| 00:21:56 |
- So-so. |
| 00:21:58 |
I've got just what you're looking for, |
| 00:22:01 |
right here, at Duchy Mansion. |
| 00:22:04 |
- Don't you fucking touch it. |
| 00:22:09 |
Silky, smooth... |
| 00:22:11 |
- Leave it. |
| 00:22:14 |
This little gift you've imported for Harry |
| 00:22:18 |
He will be pleased! |
| 00:22:21 |
That's why I want a share. Deal? |
| 00:22:23 |
No share. No deal. No way. |
| 00:22:26 |
Not even halfway. |
| 00:22:28 |
Get him a cake. |
| 00:22:31 |
Who makes a mob boss a cake? |
| 00:22:36 |
- Someone who cares. |
| 00:22:38 |
Yes... |
| 00:22:41 |
We'll give him the "tie" and the cake. |
| 00:22:45 |
I say we but it could just as easily be "I". |
| 00:22:48 |
You know you can't deliver. |
| 00:22:51 |
You know you can't deliver. |
| 00:22:55 |
Deal? |
| 00:22:58 |
Deal. |
| 00:23:06 |
I look like death. |
| 00:23:09 |
I feel like death. |
| 00:23:21 |
What makes me feel good? |
| 00:23:25 |
Music. |
| 00:23:35 |
(MAN) You're listening to KHUFU... |
| 00:23:38 |
I'm Felix Chester |
| 00:23:46 |
Where does it hurt you, baby? |
| 00:23:48 |
Hm... My guts and my brain. |
| 00:23:51 |
I hear ya. |
| 00:23:53 |
You hear me? |
| 00:23:55 |
Now, hear this... |
| 00:23:57 |
Mm, I'm listening. |
| 00:24:00 |
(BETTY STEELES'S "WHERE ARE YOU?") |
| 00:24:06 |
* Broken frames |
| 00:24:10 |
* So dark inside |
| 00:24:15 |
* faces mismatched |
| 00:24:20 |
* Trickle up in a line |
| 00:24:25 |
* Waves of shadows |
| 00:24:29 |
* Scattered dreams |
| 00:24:34 |
* Where are you? |
| 00:24:38 |
* Where are you? |
| 00:24:43 |
* Trying to find |
| 00:24:46 |
* What do I see... |
| 00:24:50 |
(HORN TOOTS) |
| 00:24:52 |
* Pictures that rhyme |
| 00:24:55 |
- * Colours that breathe... |
| 00:25:02 |
* I need to |
| 00:25:06 |
* Discover more |
| 00:25:11 |
* find where I've been |
| 00:25:15 |
* Let images pour... |
| 00:25:17 |
How many do I take of these? |
| 00:25:19 |
Doesn't say. |
| 00:25:23 |
2. |
| 00:25:29 |
* Pictures that rhyme, |
| 00:25:37 |
Police... |
| 00:25:38 |
* Trying to find |
| 00:25:41 |
* What do I see? |
| 00:25:47 |
* Pictures that rhyme |
| 00:25:50 |
* Colours that breathe... |
| 00:25:57 |
Sorry... I'm sorry. |
| 00:26:00 |
(GIRL) Dad... |
| 00:26:01 |
(MAN) Sorry, dear, |
| 00:26:04 |
Board meeting in New York... |
| 00:26:07 |
(GIRL) Dad... |
| 00:26:09 |
Dad... I think we both know |
| 00:26:14 |
I think we both know |
| 00:26:18 |
Dad... |
| 00:26:21 |
Dad, I'm sorry... I'm sorry. |
| 00:26:27 |
After her. |
| 00:26:37 |
(ASIAN MUSIC) |
| 00:26:48 |
More on tonight's kidnap story. |
| 00:26:50 |
Police have launched a nationwide |
| 00:26:54 |
who was brutally snatched |
| 00:26:57 |
Billionaire Lewis Dodgson has posted |
| 00:27:00 |
for the return of his daughter. |
| 00:27:02 |
Eye witness reports say |
| 00:27:05 |
Billionaire's daughter. |
| 00:27:07 |
(TV) Today will be |
| 00:27:11 |
(WHITEY) Woo-hoo! |
| 00:27:19 |
(REPEATED DIAL TONE) |
| 00:27:32 |
Police. |
| 00:27:36 |
999. |
| 00:27:39 |
- (HIGH PITCHED VOICE) Emergency? |
| 00:27:41 |
I would like to report that I'm... |
| 00:27:45 |
sick and my head is spinning |
| 00:27:46 |
and I got sick and I'm very lost. |
| 00:27:49 |
Where are you? |
| 00:27:51 |
Yes, I'm in a phone booth at a bus stop. |
| 00:27:55 |
- Your name? |
| 00:27:59 |
- Have you taken drugs? |
| 00:28:03 |
- (MUFFLED VOICE ON PHONE) |
| 00:28:05 |
- (MUFFLED VOICE) |
| 00:28:08 |
Cheerio. Ta-ta. Wheaties. |
| 00:28:13 |
Stupid country. |
| 00:28:19 |
(HORN) |
| 00:28:27 |
(COD JAMAICAN) What you looking for? |
| 00:28:30 |
A pick-me-up? |
| 00:28:31 |
Fine, 3, 5 and 2, 6 and 1. |
| 00:28:34 |
Lucky eyes here now |
| 00:28:36 |
before delivery is done. |
| 00:28:39 |
- What? Mister...? |
| 00:28:42 |
See this eye. |
| 00:28:45 |
Postman chiller is where I'm at. |
| 00:28:52 |
(DISTANT POLICE SIREN) |
| 00:28:55 |
I think it's the police. |
| 00:28:59 |
- (ALICE) What are you doing?! |
| 00:29:02 |
Them mothers'll lock you down |
| 00:29:05 |
- I haven't done anything. |
| 00:29:09 |
and he don't budge. |
| 00:29:11 |
My hooker she's a looker. |
| 00:29:14 |
- Pleased to met you. |
| 00:29:17 |
Step out of line and pow! |
| 00:29:19 |
You is busted! |
| 00:29:22 |
(WHITEY) I can't spend it. |
| 00:29:24 |
2 on a villa in Mallorca, |
| 00:29:27 |
A box of the mighty Hammers! |
| 00:29:31 |
I can't spend it. I can't spend it. |
| 00:29:34 |
- Where to, babe? |
| 00:29:36 |
A cabbie said he'd take me |
| 00:29:39 |
He didn't seem honest, |
| 00:29:44 |
Infected with the rhyme, |
| 00:29:49 |
Next drop Lloyd Street, number 31. |
| 00:29:52 |
2 first-class for a John named John. |
| 00:29:55 |
It seems a little late to deliver the post. |
| 00:29:57 |
Au contraire, |
| 00:30:00 |
Baby, you got email. |
| 00:30:03 |
- You sell drugs? |
| 00:30:05 |
Ain't a pill on the planet |
| 00:30:09 |
Well, these don't seem to be working. |
| 00:30:12 |
And I need to get my memory back |
| 00:30:16 |
"For your head"? |
| 00:30:20 |
You better see a doc |
| 00:30:22 |
But I've already taken 1 |
| 00:30:25 |
I can't remember old stuff |
| 00:30:28 |
and now I can't remember new. |
| 00:30:40 |
(HISSING LAUGHTER) |
| 00:30:44 |
Think yourself smart. |
| 00:30:48 |
Take for your head |
| 00:30:52 |
How can I be who I wanna be |
| 00:30:56 |
When memories come back, some |
| 00:30:59 |
You can deal the cards, |
| 00:31:02 |
We pick you up 1, |
| 00:31:05 |
If I get to the party, my driver's inside. |
| 00:31:07 |
No access to the party |
| 00:31:10 |
- Where can I get one? |
| 00:31:20 |
Fuck! |
| 00:31:26 |
(ALICE) Wow, cool. |
| 00:31:35 |
- Thanks for the ride. |
| 00:31:39 |
Ciao from the hydroponic |
| 00:31:51 |
- (DOORBELL) |
| 00:31:55 |
(ALICE) Hi! |
| 00:32:00 |
(ALICE) |
| 00:32:04 |
(COOKS SHOUT) Eggs, rum, sugar, |
| 00:32:33 |
(ALICE SIGHS) |
| 00:32:40 |
I ordered oxtail, not mulligatawny! |
| 00:32:43 |
(CRASH) |
| 00:32:45 |
Eurgh! Too spicy! |
| 00:32:47 |
Well, what are you doing at my desk? |
| 00:32:52 |
I'm trying to get to the party. |
| 00:32:54 |
Ah, yes! I've been invited but I shan't go. |
| 00:32:58 |
Why not? |
| 00:32:59 |
I like my head where it is... |
| 00:33:03 |
Now, the invitation is yours, |
| 00:33:07 |
Knowledge. |
| 00:33:09 |
- Of what? |
| 00:33:12 |
But... Look, I don't know |
| 00:33:16 |
Oh, you make my gossip nose twitch |
| 00:33:21 |
- Is it you who has cameras everywhere? |
| 00:33:26 |
So, why would an inconsequence like you |
| 00:33:32 |
Whitey will be there. |
| 00:33:34 |
I need him. |
| 00:33:37 |
And what's so good about home? |
| 00:33:39 |
Home...? |
| 00:33:42 |
- I can't think... |
| 00:33:45 |
Slither into your subconscious, |
| 00:33:48 |
your subterranean brain. |
| 00:33:52 |
Hah... what comes into your mind? |
| 00:33:58 |
Horses. |
| 00:34:02 |
What about your family? |
| 00:34:04 |
Hm? Siblings? |
| 00:34:07 |
Boyfriend? |
| 00:34:10 |
My head is spinning. I forget. |
| 00:34:16 |
I was going to meet my mom. |
| 00:34:19 |
And then I get hit by a taxi and now... |
| 00:34:21 |
TBI - traumatic brain injury. |
| 00:34:24 |
Caused by falls, blows to the head |
| 00:34:28 |
Tough... To your right. |
| 00:34:46 |
(THE DUCHESS) Excellent! |
| 00:34:48 |
It's as plain as the face on your nose! |
| 00:34:53 |
in the temporal lobe, your medial |
| 00:34:57 |
- Is that bad? |
| 00:35:00 |
- You're taking pills? |
| 00:35:03 |
Good. |
| 00:35:08 |
What is all that? |
| 00:35:10 |
These are the things that you know. |
| 00:35:13 |
None of them make any sense. |
| 00:35:15 |
The mind is a maze of memories |
| 00:35:19 |
But how will I ever unjumble it all? |
| 00:35:21 |
You can't unravel the complex, |
| 00:35:26 |
Starting with... |
| 00:35:31 |
- Who am I? |
| 00:35:37 |
(THE DUCHESS) |
| 00:35:40 |
Red means "go". |
| 00:35:43 |
Goodbye. |
| 00:35:46 |
(ALICE) Thank you. |
| 00:35:48 |
- Paint the town red. |
| 00:35:51 |
Have you seen a girl, 20, blond hair, fit? |
| 00:36:16 |
Ooh. |
| 00:36:18 |
Red means go. |
| 00:36:20 |
Hey, hey, come back. |
| 00:36:23 |
- (HE LAUGHS) |
| 00:36:27 |
- (MAN) Bob's your uncle. Woo-hoo! |
| 00:36:30 |
Painting the town red. Red, red. |
| 00:36:53 |
Woo-hoo! |
| 00:36:55 |
follow me. Painting the town red. |
| 00:37:11 |
Please come back! |
| 00:37:19 |
Alice! |
| 00:37:32 |
Come back. |
| 00:37:34 |
- You ain't ready to leave. |
| 00:37:37 |
DJ Felix on KHFM, |
| 00:37:41 |
saying stay tuned for essential platters, |
| 00:37:44 |
minimum chatter, |
| 00:37:46 |
and circular sound sensations. |
| 00:37:49 |
Circles... Circles... |
| 00:37:52 |
We all move in circles. |
| 00:37:55 |
This doesn't feel like a circle. |
| 00:37:57 |
We think we're going in a straight line, |
| 00:38:00 |
but what goes around... comes around. |
| 00:38:05 |
Is that a riddle? |
| 00:38:07 |
What has no conditions |
| 00:38:12 |
That's a riddle. |
| 00:38:15 |
Is that... |
| 00:38:17 |
Is that MY riddle? |
| 00:38:19 |
It's MY riddle. It's your answer. |
| 00:38:23 |
Find it, and find yourself. |
| 00:38:32 |
Hey! |
| 00:38:34 |
Stop! |
| 00:38:50 |
(TRUCK HORNS BLAST) |
| 00:39:01 |
Table 8. |
| 00:39:03 |
Miss! |
| 00:39:07 |
- Milk! |
| 00:39:09 |
(MAN) Crumpets! Crumpets! Crumpets! |
| 00:39:15 |
Wow, wow, wow! |
| 00:39:17 |
Yummy, yummy. |
| 00:39:20 |
- Why didn't you stop? |
| 00:39:23 |
Painting the town red. |
| 00:39:27 |
Wait, weren't you the one who... |
| 00:39:30 |
Wasn't me. |
| 00:39:32 |
You is well buff! |
| 00:39:36 |
- I'm looking for Hearts nightclub. |
| 00:39:39 |
I was hoping to... get a ride. |
| 00:39:42 |
Fuck a duck! |
| 00:39:47 |
Ladies call me... |
| 00:39:49 |
un-fucking-forgettable. |
| 00:39:51 |
And that ain't for my looks- |
| 00:39:58 |
Wait 'ere, yeah? |
| 00:40:03 |
Un-f-forgivable. |
| 00:40:11 |
I need to remember more. |
| 00:40:13 |
- (MAN 1) Milk! |
| 00:40:15 |
(MAN 3) Sugar! |
| 00:40:18 |
- (WOMAN) Tart! |
| 00:40:19 |
(MAN) Sticky tart! |
| 00:40:24 |
(CATERPILLAR) for your head? |
| 00:40:27 |
(HOOKER) Be who you wanna be... |
| 00:40:30 |
(WOMAN) Your father flies |
| 00:40:34 |
- Mom! |
| 00:40:39 |
- You should go with him. |
| 00:40:41 |
(CATERPILLAR) Some you keep |
| 00:40:43 |
- (MAN) I only have your interest in life. |
| 00:40:46 |
(ALICE) Mom, for the 100th time, |
| 00:40:49 |
(WOMAN) I knew a woman who lived |
| 00:40:52 |
When you get home, |
| 00:40:54 |
(ALICE) I can find my own dates. |
| 00:40:57 |
- You're a Dodgson. Act accordingly. |
| 00:41:04 |
(WOMAN) Wakey-wakey! |
| 00:41:07 |
- Class! |
| 00:41:09 |
What did you do to my hair? |
| 00:41:12 |
Disgusting is what we're liking in here. |
| 00:41:15 |
And you get double if you do Greek. |
| 00:41:19 |
- My little strawberry tart. |
| 00:41:23 |
- I'm just passing through. |
| 00:41:27 |
Top hair-do like that, it's not cheap. |
| 00:41:30 |
- (SNORING) |
| 00:41:33 |
- Roger and out. All change. |
| 00:41:37 |
You know what you need inside ya- |
| 00:41:41 |
- A nice cuppa tea. |
| 00:41:43 |
What?! |
| 00:41:45 |
- (SNORES) |
| 00:41:48 |
Where did they drag you from? Mars? |
| 00:41:50 |
- No... |
| 00:41:53 |
Finnburtons Hotel, London. |
| 00:41:55 |
Permanent residence: Hamptons, |
| 00:42:00 |
Yes! Calm down, I know where that is. |
| 00:42:05 |
Listen, I... I just need to get to Harry's. |
| 00:42:09 |
Harry? Harry Hunt? |
| 00:42:11 |
Oh... Oh, there's a charmer! |
| 00:42:14 |
- (CACKLES) Harry Hunt! |
| 00:42:18 |
- Red. |
| 00:42:20 |
- A proper psycho is Harry. |
| 00:42:25 |
Apart from being a complete psycho! |
| 00:42:28 |
- I'm sorry. I don't have time for this. |
| 00:42:31 |
Time is money. And your time is my time. |
| 00:42:34 |
What...? |
| 00:42:38 |
- Tyre park. |
| 00:42:41 |
My mobile a-brothel. |
| 00:42:43 |
Yeah, and I'm first up. |
| 00:42:45 |
- Dibs. |
| 00:42:52 |
- (TANNOY) Earl Grey to Hattie, next. |
| 00:42:59 |
- All change! |
| 00:43:01 |
Get off me! |
| 00:43:05 |
- Can anyone give me a ride? |
| 00:43:07 |
Read the sign. |
| 00:43:10 |
There's only one madam here, Madam. |
| 00:43:12 |
Break her in. Don't be gentle. |
| 00:43:14 |
- What? |
| 00:43:16 |
- (ALICE) What are you doing?! |
| 00:43:20 |
Get your hands off me! |
| 00:43:23 |
(FUNK MUSIC) |
| 00:43:27 |
Let go of me! Hands off! |
| 00:43:31 |
- Seen more meat on a budgie's cock |
| 00:43:43 |
In the nuddy. Now. |
| 00:43:54 |
Where are ya? Where are ya? |
| 00:43:57 |
(DISTANT WOMAN'S MOANING) |
| 00:44:00 |
(FUNK MUSIC) |
| 00:44:07 |
- (TRUCKER) What are you doing? |
| 00:44:10 |
(TRUCKER) Nice... |
| 00:44:12 |
(WOMAN ON TV |
| 00:44:15 |
(RADIO) Distressed call from an American |
| 00:44:20 |
- as kidnapped heiress Alice Dodgson. |
| 00:44:25 |
The search has been described |
| 00:44:28 |
- as the force's top priority... |
| 00:44:30 |
Scotland Yard has released a tape |
| 00:44:34 |
(WHITEY) If you're missing a girl |
| 00:44:38 |
He's resting. Blew his mind. |
| 00:44:40 |
- Fuck. |
| 00:44:48 |
OK... |
| 00:44:51 |
What's going on? |
| 00:45:02 |
- Oh! |
| 00:45:18 |
(SCREAMING) |
| 00:45:30 |
OK, nice and easy... |
| 00:45:43 |
- Holy shit! |
| 00:45:49 |
Nice! |
| 00:46:01 |
- Open the fucking door! |
| 00:46:05 |
(TRUCKER) Slow down! |
| 00:46:09 |
Get down! |
| 00:46:15 |
(CAR HORN) |
| 00:46:19 |
Stupid! Let me back in. |
| 00:46:23 |
(TRUCK HORN BLASTS) |
| 00:46:26 |
(CAR HORN) |
| 00:46:33 |
Whitey? |
| 00:46:37 |
Whitey! |
| 00:46:42 |
- Jump! |
| 00:46:44 |
Open the windows! |
| 00:46:54 |
(WHITEY) Steady. Steady. |
| 00:46:58 |
(TRUCKER) Don't do it! |
| 00:47:01 |
(WHITEY) Jump! |
| 00:47:02 |
(TYRES SCREECH) |
| 00:47:06 |
- (SCREAMING) |
| 00:47:11 |
We did it! |
| 00:47:16 |
Oh, my God! We did it! |
| 00:47:19 |
What have you done to your hair? |
| 00:47:20 |
- What? |
| 00:47:24 |
I nearly die |
| 00:47:26 |
If I hadn't mentioned it, |
| 00:47:29 |
- You people are insane! |
| 00:47:32 |
What are you doing here anyway? |
| 00:47:34 |
You dumped me at a coach stop, |
| 00:47:38 |
Exactly right. And I went back |
| 00:47:41 |
and I couldn't give you all alone |
| 00:47:45 |
- Really? |
| 00:47:49 |
It's not in my nature. |
| 00:47:53 |
You're VIP. |
| 00:47:56 |
I'm important? |
| 00:47:58 |
I've been speeding my tits off to find you, |
| 00:48:02 |
(SINGS) If you're happy |
| 00:48:05 |
Alice. |
| 00:48:07 |
Alice? |
| 00:48:11 |
(TAPS RUNNING) |
| 00:48:18 |
- My name is Alice. |
| 00:48:22 |
- Do you think they're following us? |
| 00:48:25 |
Lock the door. |
| 00:48:31 |
- What happens if they do find us? |
| 00:48:41 |
- I feel bad about the ladies in the truck. |
| 00:48:45 |
When word gets out about you, the whole |
| 00:48:49 |
- Can we just call the police? |
| 00:48:53 |
We can tell them a story. |
| 00:48:57 |
- My Whitey-knight. |
| 00:49:00 |
Now I want you to give me one minute. |
| 00:49:03 |
That's 60 seconds, yeah? Shh... |
| 00:49:14 |
Alice. |
| 00:49:18 |
Alice. |
| 00:49:20 |
Alice. |
| 00:49:23 |
I don't know why I thought |
| 00:49:26 |
- Like Tabitha, or Electra... |
| 00:49:31 |
- You're a slave to time. |
| 00:49:34 |
You wear 2 watches. |
| 00:49:35 |
They're your shackles. |
| 00:49:50 |
He's willing to pay 10 million for me. |
| 00:49:54 |
- He does love me. |
| 00:49:59 |
- You don't know my father. |
| 00:50:04 |
I gotta get us out. They'll be cruising |
| 00:50:09 |
You do stand out in your London cab. |
| 00:50:11 |
You're not as mental as you act. |
| 00:50:22 |
Couple of easy steals down there, |
| 00:50:27 |
If these are shackles, |
| 00:50:32 |
Me and you. |
| 00:50:34 |
I'll be 5 minutes, 10 minutes tops, |
| 00:50:37 |
Then I'm taking you back. |
| 00:50:40 |
- Because of the reward money? |
| 00:50:45 |
I'm locking you in. |
| 00:51:01 |
- (HE GRUNTS) |
| 00:51:03 |
Ha-ha, bingo! |
| 00:51:06 |
(BIRDS CHIRPING) |
| 00:51:09 |
(TV VOICEOVER IN SPANISH) |
| 00:51:16 |
How grateful we are to the British Police |
| 00:51:21 |
in trying to trace our daughter |
| 00:51:28 |
I'm afraid I cannot comment... |
| 00:51:33 |
What do I remember? |
| 00:51:34 |
Dodgson Industries is putting up |
| 00:51:39 |
for a any information leading |
| 00:51:43 |
10-million-dollar reward. |
| 00:51:46 |
(JOURNALISTS SHOUT QUESTIONS) |
| 00:51:49 |
Please, you must understand |
| 00:51:51 |
that this is a very distressing time |
| 00:51:56 |
And a difficult time |
| 00:51:59 |
(ALICE) Remember... Remember... |
| 00:52:03 |
(WOMAN) Your father flies to London. |
| 00:52:08 |
I've hired a private investigator. |
| 00:52:10 |
- That's good. |
| 00:52:13 |
(ALICE) Dad, something came up... |
| 00:52:17 |
Remember when you and mom |
| 00:52:20 |
Do you remember when I was born? |
| 00:52:22 |
(MR. DODGSON) |
| 00:52:25 |
(ALICE) Dad, something came up. |
| 00:52:27 |
(MR. DODGSON) |
| 00:52:31 |
I do have to study these. |
| 00:52:33 |
I knew a woman |
| 00:52:36 |
You don't know you who are, |
| 00:52:39 |
If you're missing a girl call this number. |
| 00:52:42 |
(GONZO) Yes... |
| 00:52:44 |
I'll have her with you |
| 00:52:48 |
No... |
| 00:52:49 |
No, my pleasure. |
| 00:52:54 |
Yeah. I would... He's gone. |
| 00:52:57 |
Once me and Harry split that 10 mil... |
| 00:53:03 |
(FART) |
| 00:53:04 |
I mean, what limit to a father's love |
| 00:53:09 |
15 mil? 20 mil? |
| 00:53:14 |
Huh, nice of you to join us. |
| 00:53:17 |
- Where's Whitey? |
| 00:53:20 |
He's out. |
| 00:53:24 |
With the fairies. (LAUGHS) |
| 00:53:28 |
Where are you taking me? |
| 00:53:30 |
Booo! |
| 00:53:32 |
- The police are looking for me. |
| 00:53:35 |
And if you step out of line, |
| 00:53:39 |
What should it be, do you think, Alice? |
| 00:53:43 |
You don't play piano, do ya? |
| 00:53:48 |
Gonzo, argh! |
| 00:53:51 |
You won't see any money. |
| 00:53:52 |
- Just wait until Whitey catches up. |
| 00:53:59 |
Please... (LAUGHS) |
| 00:54:03 |
The money, maybe. But not you. |
| 00:54:06 |
(TV) More on tonight's story. Police |
| 00:54:15 |
See, at the end of the day, Alice, |
| 00:54:17 |
us chaps, we're all the same. |
| 00:54:20 |
Only in it for what we can get out. |
| 00:54:24 |
He's different. |
| 00:54:28 |
You have been starved of affection, |
| 00:54:32 |
Daddy not shown you enough love, hm? |
| 00:54:34 |
Don't worry... We'll make him pay. |
| 00:54:48 |
Get the cake. Get it on the roof rack now. |
| 00:54:51 |
And where's my girl? |
| 00:54:54 |
(DANCE MUSIC) |
| 00:55:04 |
(MAN) Come on, mate, let us in. |
| 00:55:07 |
- I'm on the guest list. |
| 00:55:09 |
- No acne. |
| 00:55:10 |
- I'm his cousin... |
| 00:55:12 |
- No pierced noses. |
| 00:55:14 |
- Bellybuttons. |
| 00:55:16 |
- We're connecting through RSPCA. |
| 00:55:19 |
- I need the loo. |
| 00:55:23 |
Nobody with a name that can be |
| 00:55:26 |
- Like Gaz. |
| 00:55:28 |
All right, lads. I'm a film director. |
| 00:55:33 |
- No? |
| 00:55:35 |
- Shirt-lifters. |
| 00:55:38 |
- Chutney-ferrets. |
| 00:55:40 |
- Sausage-jockeys. |
| 00:55:43 |
- Uphill gardeners. |
| 00:55:46 |
- No entry. No way. |
| 00:55:48 |
- No chance. |
| 00:55:53 |
Come on. |
| 00:56:02 |
(EVIL LAUGHTER) |
| 00:56:04 |
(DANCE MUSIC) |
| 00:56:19 |
- (ECHOEY WOMAN'S PANTING) |
| 00:56:26 |
(ECHOEY WOMAN'S MOANING) |
| 00:56:37 |
(GONZO) After you! |
| 00:56:38 |
(BOUNCER) Get lost! No way! |
| 00:56:41 |
Rex, we've done what you said. |
| 00:56:43 |
None of them what's liking |
| 00:56:46 |
Slight misinterpretation of policy. |
| 00:56:49 |
Nobody's fault, but you can let |
| 00:56:54 |
The seaman-sappers? |
| 00:56:57 |
Harry's orders. |
| 00:57:01 |
- That's a queer decision if you ask me. |
| 00:57:03 |
All you fairies... |
| 00:57:13 |
(GONZO) Hello, Harry. |
| 00:57:14 |
Looks like "Sale of the Century" in here. |
| 00:57:18 |
- (HARRY) No peeking. |
| 00:57:21 |
(ALL LAUGH) |
| 00:57:23 |
Thank you. |
| 00:57:25 |
Smart motor, from Jimmy 3 Chins. |
| 00:57:28 |
Very nice new gaff from Muhammad Eight |
| 00:57:32 |
And a rather precautious |
| 00:57:37 |
This... |
| 00:57:38 |
This little beauty... |
| 00:57:42 |
takes the biscuit. |
| 00:57:44 |
This is the one. The one who's missing. |
| 00:57:50 |
Alice. |
| 00:57:54 |
You must let me know |
| 00:57:57 |
Oh, for God's sake. |
| 00:57:58 |
Come sit with me. |
| 00:58:01 |
10 million?! |
| 00:58:07 |
Shame those boys at the door |
| 00:58:11 |
It's filling up nicely. |
| 00:58:15 |
Thank you. |
| 00:58:16 |
- Rex, Alice. |
| 00:58:19 |
- Formally, Rex the Executioner. |
| 00:58:21 |
It's Murder now he's retired. |
| 00:58:24 |
Rex killed them with kindness. |
| 00:58:27 |
Any other line of work, |
| 00:58:29 |
So? |
| 00:58:31 |
- Shall we go over my deal? |
| 00:58:37 |
Play your cards right, |
| 00:58:39 |
No jokers, no wilds. |
| 00:58:43 |
1. |
| 00:58:45 |
I call the old man and up the ante. |
| 00:58:48 |
20 million. Double or quits? |
| 00:58:50 |
2... |
| 00:58:52 |
Money goes in my offshore account |
| 00:58:55 |
Whoa, whoa, whoa! 50-50, Harry? |
| 00:59:00 |
- Like we said, yeah? |
| 00:59:03 |
60 for me, 40 for everyone else. |
| 00:59:06 |
And 3... |
| 00:59:08 |
Alice goes home. |
| 00:59:11 |
- Questions? |
| 00:59:14 |
Rex comes out of retirement. |
| 00:59:17 |
And what if I don't want to go home. |
| 00:59:19 |
Then this will be your leaving party! |
| 00:59:24 |
Leaving this mortal coil. |
| 00:59:27 |
(HARRY LAUGHS) |
| 00:59:29 |
Well, if it is to be my last night, |
| 00:59:32 |
I would want it to be |
| 00:59:36 |
- I don't get out very often. |
| 00:59:39 |
Once every 10 years. |
| 00:59:45 |
Then, if it's all the same to you, |
| 00:59:48 |
I'll get a drink downstairs. |
| 00:59:51 |
On the house, my dear. |
| 00:59:58 |
Harry... Harry, this... |
| 01:00:02 |
- This deal... |
| 01:00:04 |
Well, we'll hammer out |
| 01:00:09 |
- (LAUGHTER) |
| 01:00:21 |
What do I like... |
| 01:00:24 |
Hi, could I get a white wine, please? |
| 01:00:32 |
(BOUNCER) It's not your birthday, is it? |
| 01:00:35 |
- Mine is July 19th. |
| 01:00:37 |
Where's Gonzo? |
| 01:00:53 |
(DISTANT DANCE MUSIC) |
| 01:00:56 |
- A big cake for the big man. |
| 01:01:03 |
I am partial to a slice of cherry genoa. |
| 01:01:06 |
This one's got a different kind of cherry. |
| 01:01:09 |
She said you were getting him a tie. |
| 01:01:12 |
But a cake...? |
| 01:01:13 |
That's even worse. |
| 01:01:15 |
What a fucking Spongebob! |
| 01:01:18 |
I'm sorry about the delay, Harry. |
| 01:01:20 |
It took me a while to locate |
| 01:01:27 |
- Your Thai. |
| 01:01:29 |
Very good. |
| 01:01:31 |
But you do know |
| 01:01:46 |
- She's got a sausage. |
| 01:01:49 |
Sweetheart. |
| 01:01:51 |
You're not keeping it, are you? |
| 01:01:54 |
(HARRY) When I want your opinion, Jack, |
| 01:01:58 |
It's not Jack. It's Jacqui. |
| 01:02:02 |
Very nice, my cab-driving friend. |
| 01:02:05 |
But the damage has been done. |
| 01:02:07 |
Lessons need to be learned. |
| 01:02:08 |
What is it we have to do |
| 01:02:13 |
Share. And share alike. |
| 01:02:16 |
What's your is mine. Hm? |
| 01:02:21 |
- Where is this going? |
| 01:02:24 |
The cemetery. A service at St Mary's, |
| 01:02:28 |
- Same old Gonzo, same old liability. |
| 01:02:33 |
Oh, yeah. When it pops you, |
| 01:02:36 |
it's labelled. |
| 01:02:38 |
(WHITEY) Gonzo didn't tell ya? |
| 01:02:41 |
- Tell me what? |
| 01:02:47 |
- Old Bill knows Alice is here? |
| 01:02:50 |
My priority was to secure the girl |
| 01:02:55 |
Keep you clean. |
| 01:02:59 |
Why should I believe you? |
| 01:03:01 |
10 million reward is out of my league, |
| 01:03:04 |
Only you can pull off a big one, Harry. |
| 01:03:13 |
You brought her to my gaff, |
| 01:03:22 |
Harry... He's lying. |
| 01:03:26 |
If there's a Billy in this room, it's you. |
| 01:03:30 |
Well, I'll take her away. |
| 01:03:32 |
I didn't know the goods was hot. |
| 01:03:35 |
Oh, Gonzo. |
| 01:03:36 |
(PANTS) |
| 01:03:38 |
That really is a nice suit. |
| 01:03:40 |
(MEN LAUGH) |
| 01:03:47 |
(SNIFFS) |
| 01:03:50 |
(DANCE MUSIC) |
| 01:03:54 |
Bad day? |
| 01:03:56 |
My dance partner has got a rash |
| 01:04:01 |
leaving me high and dry for tonight. |
| 01:04:04 |
My lottery numbers came up |
| 01:04:08 |
and even of I did cheat with a ruler, |
| 01:04:10 |
my John Thomas is... |
| 01:04:14 |
well under the national average. |
| 01:04:18 |
I can't tango solo. |
| 01:04:21 |
I don't suppose you... dance? |
| 01:04:24 |
I don't remember. |
| 01:04:27 |
- It's not something you'd forget. |
| 01:04:34 |
I've got all night. |
| 01:04:36 |
Well, you know, actually, I don't. |
| 01:04:40 |
But I will say, if I'm gonna die, |
| 01:04:43 |
I'm gonna die knowing who I am |
| 01:04:51 |
Hear, hear. |
| 01:05:02 |
(DANCE MUSIC BECOMES ECHOEY) |
| 01:05:07 |
(ALICE'S MOM) |
| 01:05:10 |
(ALICE) I can find my own dates. |
| 01:05:12 |
(ALICE'S MOM) You're a Dodgson... |
| 01:05:15 |
We only have your own interests at heart. |
| 01:05:17 |
(ALICE) Dad, something came up. |
| 01:05:19 |
Do you remember when I was born? |
| 01:05:21 |
H... |
| 01:05:23 |
(MR. DODGSON) This is a distressing time |
| 01:05:26 |
U... |
| 01:05:27 |
(ALICE) Remember when you and mom |
| 01:05:30 |
- L... |
| 01:05:32 |
- M... |
| 01:05:36 |
E. |
| 01:05:38 |
This Alice... |
| 01:05:41 |
- She's trouble. |
| 01:05:45 |
And I was having such a nice time! |
| 01:05:47 |
- Let me get rid of her. |
| 01:05:51 |
I want her disappeared. Professional. |
| 01:05:52 |
- That's not what I meant. |
| 01:05:56 |
She's valuable. |
| 01:05:58 |
Oh, Whitey, |
| 01:06:01 |
Kidnapping- it's not right. |
| 01:06:04 |
We should stick to what we know, |
| 01:06:08 |
10 million would set us up for life. |
| 01:06:11 |
Here, how's this? |
| 01:06:13 |
I get the reward, put it in a bank... |
| 01:06:17 |
you rob the bank. |
| 01:06:19 |
Don't you get clever. You haven't got |
| 01:06:24 |
Or the money. |
| 01:06:28 |
(HATTIE) I'll tell you about money! |
| 01:06:33 |
Hattie, sweetheart, tone, please. |
| 01:06:36 |
Tell me what happened. |
| 01:06:42 |
She nicked my girls. |
| 01:06:44 |
Hm? |
| 01:06:46 |
Pinched me prossies. |
| 01:06:49 |
I want justice. |
| 01:07:03 |
THIEF! |
| 01:07:05 |
(SCREAMING) |
| 01:07:10 |
I'll take care of her, Harry. |
| 01:07:13 |
Tart larceny is a serious offence. |
| 01:07:17 |
Rex! Trial. |
| 01:07:25 |
- A trial! |
| 01:07:27 |
- What trial? |
| 01:07:30 |
Rex, prosecution, |
| 01:07:34 |
- (CHEERING) |
| 01:07:39 |
- Am I gonna need it? |
| 01:07:42 |
- So, technically, yes. |
| 01:07:44 |
Theft of truck containing 6 prostitutes |
| 01:07:51 |
- How do you plead? |
| 01:07:54 |
- (LAUGHTER) |
| 01:07:56 |
Responsibility, yeah. |
| 01:08:00 |
- Objection! Defence has spoken. |
| 01:08:03 |
Completely. Damaged the medial |
| 01:08:07 |
I'm suing for damages. |
| 01:08:09 |
- What? |
| 01:08:11 |
Contempt of court! |
| 01:08:13 |
- Throw him out. |
| 01:08:16 |
(JURY LAUGHS) |
| 01:08:18 |
- (ALICE) Wait, please! |
| 01:08:21 |
- Surely he can... |
| 01:08:22 |
Look, I'm sorry about your ladies, |
| 01:08:26 |
Insanity is not a plea. |
| 01:08:29 |
Everyone around here is a card short. |
| 01:08:33 |
Can I call a witness? |
| 01:08:35 |
(CHATTERING) |
| 01:08:37 |
I'm not sure that you can. |
| 01:08:39 |
Then you're not so sure I can't. |
| 01:08:42 |
Defendant calls to the stand... |
| 01:08:45 |
- Lady's lost her memory. |
| 01:08:47 |
- (HISSING LAUGHTER) |
| 01:08:49 |
- Defendant cal is Felix Chester. |
| 01:08:52 |
Permission to speak privately... |
| 01:08:57 |
- (FEMALE CHOIR) Felix... |
| 01:09:02 |
(SLOW SENSUAL SAXOPHONE) |
| 01:09:05 |
This is all about time. |
| 01:09:10 |
Except I haven't any left |
| 01:09:13 |
If you had been a few seconds early... |
| 01:09:17 |
that cab wouldn't have hit you. |
| 01:09:19 |
I can give back the time you lost, |
| 01:09:22 |
the part that made a difference. |
| 01:09:24 |
- Such as...? |
| 01:09:27 |
You heard a voice. |
| 01:09:30 |
The bag lady. |
| 01:09:32 |
You stopped to give her money, |
| 01:09:36 |
Just 15 seconds. |
| 01:09:39 |
I can give you them back. |
| 01:09:41 |
Trust me. |
| 01:09:43 |
- I'm a DJ. |
| 01:09:46 |
- Time's up. |
| 01:09:50 |
(REX) Accused may address the court |
| 01:09:54 |
(LAUGHTER) |
| 01:10:03 |
You think you're so tough. |
| 01:10:06 |
King of the underworld. |
| 01:10:08 |
But really, |
| 01:10:10 |
When! |
| 01:10:13 |
Run. 2... |
| 01:10:15 |
3... |
| 01:10:24 |
Whitey! |
| 01:10:27 |
After her! Rex! |
| 01:10:48 |
- (ALICE) No! |
| 01:10:53 |
No... |
| 01:10:58 |
Don't die. I won't let you die! |
| 01:11:01 |
- All out of time. |
| 01:11:08 |
15 seconds! 15 seconds! |
| 01:11:14 |
Run. |
| 01:11:36 |
Told you you'd get it back. |
| 01:11:39 |
- What? |
| 01:12:00 |
Use the 15 seconds. |
| 01:12:02 |
(FELIX CHESTER) |
| 01:12:05 |
- See you again! |
| 01:12:25 |
- (TYRES SCREECH) |
| 01:12:28 |
Oi, bird, move! |
| 01:12:32 |
I don't believe this. |
| 01:12:34 |
Look at the time. |
| 01:12:37 |
Where's me watch?! |
| 01:12:41 |
How did you do that? |
| 01:12:45 |
Shut up and listen. |
| 01:12:48 |
you're on your way to pick up |
| 01:12:52 |
You'll miss delivery and wind up dead. |
| 01:12:57 |
- My dad's a billionaire. |
| 01:13:01 |
He controls my life and now he wants |
| 01:13:05 |
- So I have to break away now. |
| 01:13:08 |
He will post a 10 million-dollar |
| 01:13:12 |
We can find a way to get the money |
| 01:13:15 |
"We"? |
| 01:13:17 |
You choose. |
| 01:13:19 |
10 million and me now, |
| 01:13:25 |
Tick-tock, tick-tock. |
| 01:13:28 |
- Dead...? |
| 01:13:31 |
or 10 million dollars? |
| 01:13:33 |
Roughly 5 million |
| 01:13:36 |
Get in. |
| 01:13:50 |
If this is a stitch up, |
| 01:13:52 |
I think there's a bottle |
| 01:13:55 |
Maybe you should take some |
| 01:14:06 |
What... |
| 01:14:08 |
What the fuck are you? |
| 01:14:11 |
I'm the girl who saved your life. |
| 01:14:13 |
Now let's go and sort out mine. |
| 01:14:52 |
I'm looking for a woman |
| 01:14:57 |
My mother. |
| 01:15:14 |
So... |
| 01:15:16 |
My mother just sold me? |
| 01:15:19 |
I remember her having the baby... |
| 01:15:21 |
You. |
| 01:15:23 |
- She never knew the father. |
| 01:15:27 |
They came at night in a fancy car, |
| 01:15:31 |
The woman couldn't have children. |
| 01:15:35 |
And then bought you. |
| 01:15:40 |
- Why me? |
| 01:15:43 |
no red tape, no questions, no records- |
| 01:15:49 |
- That happens in England? |
| 01:15:52 |
Buyers' market. |
| 01:16:01 |
She did the best for you. |
| 01:16:05 |
Do you know where she went after that? |
| 01:16:07 |
She went off the rails. |
| 01:16:12 |
Tried to kill herself. |
| 01:16:15 |
Don't blame her. |
| 01:16:17 |
It looks as if you've turned out all right. |
| 01:16:24 |
Have you ever seen her since? |
| 01:16:31 |
You know what? I see her every day. |
| 01:16:42 |
(RADIO) Alice Dodgson, daughter of |
| 01:16:47 |
is reported to have been abducted. |
| 01:16:50 |
Police are giving a few details of |
| 01:16:54 |
and, as yet, |
| 01:16:59 |
We're here. |
| 01:17:06 |
You sure you're OK? |
| 01:17:10 |
Never felt better. |
| 01:17:13 |
Can you just wait here? |
| 01:17:15 |
The meter's running. |
| 01:17:18 |
How much would |
| 01:17:24 |
5-10 minutes, would have thought. |
| 01:17:27 |
Oh! |
| 01:17:46 |
Said I'd see you again. |
| 01:17:49 |
You know who I am? |
| 01:17:51 |
No. |
| 01:17:55 |
I know some things. Not all things. |
| 01:17:59 |
And that's a shame. |
| 01:18:00 |
Are you any good with riddles? |
| 01:18:03 |
Try me. |
| 01:18:06 |
What's got no conditions |
| 01:18:09 |
That takes me back. |
| 01:18:12 |
To where? |
| 01:18:14 |
I was about your age. |
| 01:18:17 |
She was the sweetest thing... |
| 01:18:21 |
though I wasn't. |
| 01:18:25 |
I loved her, |
| 01:18:30 |
Sometimes it's everything. |
| 01:18:36 |
What's got no conditions |
| 01:18:41 |
- Love. |
| 01:18:50 |
What's your name? |
| 01:18:54 |
My name is Alice. |
| 01:18:56 |
My girl was called Alice. |
| 01:19:06 |
How would you feel |
| 01:19:10 |
with a king-size bed and a long hot bath |
| 01:19:16 |
Nah... |
| 01:19:21 |
I got all I need here. |
| 01:19:25 |
Subtitles: Arigon |
| 01:19:36 |
(FELIX CHESTER) |
| 01:19:40 |
We all move in circles. |
| 01:19:56 |
(BETTY STEELES'S "WHERE ARE YOU?") |
| 01:20:01 |
* Broken frames |
| 01:20:05 |
* So dark inside |
| 01:20:10 |
* faces mismatched |
| 01:20:14 |
* Trickle up in a line |
| 01:20:19 |
* Waves of shadows |
| 01:20:24 |
* Scattered dreams |
| 01:20:28 |
* Where are you? |
| 01:20:33 |
* Where are you? |
| 01:20:37 |
* Trying to find |
| 01:20:40 |
* What do I see? |
| 01:20:46 |
* Pictures that rhyme |
| 01:20:49 |
* Colours that breathe |
| 01:20:56 |
* I need to |
| 01:21:00 |
* Discover more |
| 01:21:05 |
* find where I'll be |
| 01:21:10 |
* Let images pour |
| 01:21:14 |
* Trying to find |
| 01:21:17 |
* What do I see? |
| 01:21:24 |
* Pictures that rhyme |
| 01:21:26 |
* Colours that breathe |
| 01:21:33 |
* Trying to find |
| 01:21:35 |
* What do I see? |
| 01:21:40 |
* (Where are you?) |
| 01:21:42 |
* Pictures that rhyme |
| 01:21:44 |
* Colours that breathe |
| 01:22:09 |
(FAST COUNTRY: |
| 01:22:12 |
* Yeeeh-oooh |
| 01:22:15 |
* Ha-ha, yes, I know, girl |
| 01:22:17 |
* Big titties, small titties |
| 01:22:18 |
* Round titties, flat titties |
| 01:22:20 |
* I don't mind what cup you got |
| 01:22:22 |
* So long as that cup's gone |
| 01:22:24 |
* Big titties, little titties |
| 01:22:26 |
* Round titties, flat titties |
| 01:22:27 |
* I don't mind what size there is |
| 01:22:29 |
* But when daddy on top |
| 01:22:34 |
* Y-eeeh-ooh |
| 01:22:36 |
* Y-ooh-ooh |
| 01:22:39 |
* Y-ooh-ooh |
| 01:22:41 |
* Y-eeeh-ooooh |
| 01:22:43 |
* That's how you do it, girl |
| 01:22:45 |
* Big and small |
| 01:22:47 |
* Pink ones, brown ones |
| 01:22:49 |
* Clean ones, dirty ones |
| 01:22:51 |
* I don't mind |
| 01:22:53 |
* Heebada... Hum-shebada |
| 01:22:56 |
* I don't mind which way you look |
| 01:22:58 |
* Make sure you make me go... |
