|
Man With The Golden Gun The
|
| 00:01:48 |
SCARAMANGA: |
| 00:01:51 |
Right away, |
| 00:02:19 |
Hey. |
| 00:02:23 |
Half. |
| 00:02:25 |
You get the rest later. |
| 00:02:34 |
Wait for him in there, |
| 00:02:40 |
He will join you |
| 00:03:11 |
Your steam bath is ready, |
| 00:03:18 |
(LAUGHING) |
| 00:03:28 |
(SIGHS) |
| 00:03:37 |
(GUN COCKS) |
| 00:03:47 |
(LAUGHING) |
| 00:04:05 |
(BOTTLE CLATTERING) |
| 00:04:18 |
NICK NACK ON PA: Oh! |
| 00:04:20 |
That would have |
| 00:04:22 |
It's locked. |
| 00:04:26 |
You'll have to look |
| 00:04:36 |
(MANlACAL LAUGHTER ECHOING) |
| 00:04:48 |
(CHUCKLING) |
| 00:05:01 |
(SCREAMING) |
| 00:05:03 |
(SALOON PlANO MUSIC PLAYING) |
| 00:05:24 |
(MUSIC STOPS) |
| 00:05:39 |
(MUSIC RESTARTS) |
| 00:05:55 |
Hey, AI . AI . |
| 00:05:58 |
Wherever you are, |
| 00:06:09 |
I wonder where you |
| 00:06:13 |
Your little golden gun. |
| 00:06:20 |
Where can it be? |
| 00:06:25 |
There is something |
| 00:06:31 |
I wonder what it can be. |
| 00:06:38 |
(NICK NACK LAUGHING |
| 00:06:40 |
I fooled you. |
| 00:06:45 |
You're getting warmer. |
| 00:06:51 |
Much warmer. |
| 00:07:18 |
Now, how are you going |
| 00:07:22 |
So near and yet so far. |
| 00:07:26 |
(NICK NACK LAUGHING) |
| 00:07:50 |
Bravo, Monsieur |
| 00:07:52 |
You've done it again . |
| 00:07:58 |
This one was the best, |
| 00:08:00 |
Not bad . |
| 00:08:03 |
But you'll have to |
| 00:08:04 |
if you want to |
| 00:08:05 |
I'll get you yet, |
| 00:08:10 |
You'll be the death |
| 00:08:39 |
(SINGING) He has |
| 00:08:42 |
He charges a million a shot |
| 00:08:46 |
An assassin that's |
| 00:08:49 |
The man with the golden gun |
| 00:08:55 |
Lurking in some |
| 00:08:58 |
Or crouched on |
| 00:09:02 |
In the next room, |
| 00:09:05 |
The man with the golden gun |
| 00:09:10 |
Love is required |
| 00:09:14 |
It comes just before the kill |
| 00:09:17 |
No one can catch him, |
| 00:09:21 |
For his million-dollar skill |
| 00:09:24 |
One golden shot means |
| 00:09:28 |
Has come to a glittering end |
| 00:09:32 |
For a price, |
| 00:09:35 |
The man with the golden gun |
| 00:09:39 |
His eye may be on you or me |
| 00:09:47 |
Who will he bang? |
| 00:09:52 |
We shall see |
| 00:09:58 |
Oh, yeah! |
| 00:10:02 |
Love is required |
| 00:10:06 |
It comes just before the kill |
| 00:10:09 |
No one can catch him, |
| 00:10:13 |
For his million-dollar skill |
| 00:10:16 |
One golden shot means |
| 00:10:20 |
Has come to a glittering end |
| 00:10:24 |
If you want to |
| 00:10:27 |
The man with the golden gun |
| 00:10:30 |
Will get it done |
| 00:10:33 |
He'll shoot anyone |
| 00:10:37 |
With his golden gun |
| 00:10:52 |
Good morning , sir. |
| 00:10:56 |
Colthorpe. |
| 00:10:59 |
Chief of Staff. |
| 00:11:01 |
What do you know |
| 00:11:03 |
Scaramanga? |
| 00:11:08 |
Oh , yes. The Man |
| 00:11:11 |
Born in a circus. |
| 00:11:13 |
Mother, English , |
| 00:11:15 |
He was a spectacular |
| 00:11:18 |
and a local Rio |
| 00:11:21 |
The KGB recruited him |
| 00:11:24 |
where he became |
| 00:11:28 |
He went independent |
| 00:11:30 |
Current price, |
| 00:11:32 |
No photograph on file. |
| 00:11:35 |
But he does have |
| 00:11:39 |
a superfluous papilla. |
| 00:11:40 |
A what? |
| 00:11:41 |
A mammary gland . |
| 00:11:43 |
A third nipple, sir. |
| 00:11:46 |
He always uses |
| 00:11:49 |
Present domicile |
| 00:11:51 |
I think that's all . |
| 00:11:54 |
Why, sir? |
| 00:11:59 |
Hmm . |
| 00:12:00 |
Charming trinket. |
| 00:12:02 |
Even has my |
| 00:12:04 |
Precisely. |
| 00:12:05 |
Obviously it's |
| 00:12:08 |
I mean , sir, who would |
| 00:12:11 |
Jealous husbands, |
| 00:12:14 |
The list is endless. |
| 00:12:16 |
Moreover, this trinket, |
| 00:12:19 |
was sent with |
| 00:12:24 |
It's initialed |
| 00:12:26 |
Scaramanga's fingerprints |
| 00:12:28 |
They've been |
| 00:12:31 |
Why would he alert me? |
| 00:12:33 |
Psychological . |
| 00:12:35 |
He counts on his |
| 00:12:38 |
Thank you , gentlemen . |
| 00:12:49 |
I'm relieving you |
| 00:12:56 |
Sir? |
| 00:12:58 |
The energy crisis |
| 00:13:02 |
I respectfully submit |
| 00:13:05 |
and his solar cell data |
| 00:13:08 |
It is indeed . |
| 00:13:10 |
And I can't |
| 00:13:13 |
by having Scaramanga |
| 00:13:17 |
I'll endorse your |
| 00:13:21 |
Or you can take |
| 00:13:22 |
go to ground until |
| 00:13:25 |
Or until he kills me. |
| 00:13:26 |
Nobody knows where he is |
| 00:13:29 |
So I think it's fair |
| 00:13:34 |
Wouldn't you agree? |
| 00:13:46 |
If I found |
| 00:13:49 |
that might change |
| 00:13:52 |
Dramatically. |
| 00:13:54 |
Wouldn't you say? |
| 00:13:58 |
Good day, Bond . |
| 00:14:07 |
Moneypenny, Fairbanks. . . |
| 00:14:09 |
AIaska? |
| 00:14:11 |
No, Bill Fairbanks, 002. |
| 00:14:13 |
Oh , poor Bill . |
| 00:14:15 |
The Man with |
| 00:14:17 |
Officially, that was |
| 00:14:20 |
Where was 002 |
| 00:14:22 |
Beirut, '69. |
| 00:14:25 |
In a cabaret with |
| 00:14:28 |
Beirut, hmm? |
| 00:14:30 |
Moneypenny, |
| 00:14:32 |
In all sorts of ways. |
| 00:14:34 |
(INTERCOM BUZZING) |
| 00:14:36 |
But you never take |
| 00:14:38 |
M: Miss Moneypenny. |
| 00:14:43 |
Oh , just one |
| 00:14:46 |
Yes, James? |
| 00:14:48 |
Why wasn't Scaramanga |
| 00:14:51 |
Because they couldn't |
| 00:14:55 |
darling . |
| 00:14:58 |
(UPBEAT MUSIC PLAYING) |
| 00:15:27 |
Ahmed . |
| 00:15:52 |
(AUDIENCE APPLAUDING) |
| 00:16:11 |
(SPEAKING FRENCH) |
| 00:16:14 |
Good evening . |
| 00:16:17 |
James Bond . |
| 00:16:20 |
Your dancing is superb. |
| 00:16:23 |
So are you . |
| 00:16:24 |
(THANKING IN FRENCH) |
| 00:16:29 |
And you are |
| 00:16:31 |
(CLEARS THROAT) |
| 00:16:32 |
Well , I don't usually |
| 00:16:37 |
I believe we had |
| 00:16:39 |
Bill Fairbanks. |
| 00:16:41 |
Fairbanks? |
| 00:16:43 |
Yes. |
| 00:16:44 |
I'm told you |
| 00:16:48 |
when he was rather |
| 00:16:50 |
(EXCLAIMS IN FRENCH) |
| 00:16:52 |
BiII . What a |
| 00:16:54 |
I will never |
| 00:16:56 |
Did you see |
| 00:16:58 |
No. I was |
| 00:16:59 |
My eyes were closed . |
| 00:17:02 |
At least he died happy. |
| 00:17:03 |
The bullet went |
| 00:17:06 |
Through his back |
| 00:17:09 |
No, no, |
| 00:17:11 |
I take it out of |
| 00:17:15 |
And now it is |
| 00:17:18 |
I never dance without it. |
| 00:17:21 |
I'm sure Bill wouId |
| 00:17:26 |
But let us |
| 00:17:29 |
Hmm . |
| 00:17:30 |
I was hoping |
| 00:17:32 |
Are you staying |
| 00:17:35 |
It depends. |
| 00:17:55 |
Clumsy of me. |
| 00:18:07 |
You really do have |
| 00:18:16 |
(SWALLOWS) |
| 00:18:17 |
(CHOKING) |
| 00:18:20 |
SAI DA: Oh , |
| 00:18:24 |
(EXCLAIMING) |
| 00:18:26 |
(BOTH GRUNTING) |
| 00:19:06 |
(SCREAMS) |
| 00:19:12 |
(GASPS) |
| 00:19:24 |
(BANGING ON DOOR) |
| 00:19:27 |
(SPEAKING IN |
| 00:19:36 |
(SCREAMING) |
| 00:19:37 |
I've lost my charm ! |
| 00:19:41 |
Not from where |
| 00:19:50 |
Taxi? Hotel , mister? |
| 00:19:52 |
No. The nearest pharmacy. |
| 00:19:55 |
(GROANS) |
| 00:19:58 |
Dumdum bullets |
| 00:20:02 |
for maximum |
| 00:20:03 |
Very nasty. |
| 00:20:05 |
Yes. I'm sure it is. |
| 00:20:07 |
But just tell me |
| 00:20:09 |
FortunateIy it's |
| 00:20:12 |
20. 003 grams. |
| 00:20:15 |
Which leads us to |
| 00:20:19 |
Colthorpe, there's no |
| 00:20:21 |
(SIGHS) The fact that no |
| 00:20:25 |
military or civil , |
| 00:20:28 |
doesn't mean it |
| 00:20:31 |
Q Branch have |
| 00:20:33 |
for most |
| 00:20:35 |
And we don't put |
| 00:20:38 |
COLTHORPE: |
| 00:20:41 |
You mean to say |
| 00:20:44 |
You have no idea |
| 00:20:45 |
I wouldn't go so |
| 00:20:48 |
The workmanship |
| 00:20:50 |
according to |
| 00:20:52 |
Soft 23 karat gold |
| 00:20:56 |
Hardly ever used |
| 00:20:59 |
The Far East? |
| 00:21:02 |
Why not India? |
| 00:21:03 |
Nickel content |
| 00:21:07 |
Lazar? |
| 00:21:10 |
Hmm . |
| 00:21:12 |
Imaginative. |
| 00:21:16 |
Yes, I concur. |
| 00:21:23 |
Well , what the |
| 00:21:24 |
Not what. Who. |
| 00:21:27 |
Lives in Macau . |
| 00:21:28 |
Chap who made |
| 00:21:42 |
(RICKSHAW BELL RINGING) |
| 00:21:56 |
(CLEARS THROAT) |
| 00:21:58 |
BON D: I hate to |
| 00:21:59 |
but does Senhor |
| 00:22:04 |
Lazar. |
| 00:22:09 |
I was given |
| 00:22:12 |
Does he. . . |
| 00:22:18 |
My name's Bond . |
| 00:22:21 |
An unexpected |
| 00:22:24 |
Your reputation |
| 00:22:25 |
This way, please. |
| 00:22:32 |
It would be the |
| 00:22:34 |
if I could make |
| 00:22:37 |
A rifle, perhaps? |
| 00:22:38 |
Now, here we have |
| 00:22:42 |
A custom-built |
| 00:22:44 |
(RIFLE COCKING) |
| 00:22:46 |
who recently |
| 00:22:49 |
He also lost |
| 00:22:51 |
It is housed |
| 00:23:03 |
(RIFLE FIRES) |
| 00:23:06 |
The sights |
| 00:23:08 |
You have |
| 00:23:10 |
The butt is balanced |
| 00:23:13 |
That is why you |
| 00:23:16 |
Here you will find |
| 00:23:21 |
Mass production , |
| 00:23:23 |
your Walther PPK, |
| 00:23:27 |
What about |
| 00:23:28 |
Designed to individual |
| 00:23:32 |
In gold , |
| 00:23:34 |
I have already done |
| 00:23:37 |
I know you have. |
| 00:23:39 |
Francisco Scaramanga. |
| 00:23:42 |
My relationship |
| 00:23:45 |
is strictly confidential . |
| 00:23:48 |
Like a doctor or |
| 00:23:50 |
Of course. |
| 00:23:52 |
Yet you make guns |
| 00:23:55 |
bullets for assassins. |
| 00:23:57 |
Mr. Bond , |
| 00:24:00 |
It is the finger |
| 00:24:02 |
Exactly. |
| 00:24:06 |
I'm now aiming |
| 00:24:10 |
So speak, or forever |
| 00:24:13 |
I have never seen |
| 00:24:15 |
On a cost-per-bullet basis, |
| 00:24:19 |
That is true, |
| 00:24:20 |
he seems onIy to |
| 00:24:23 |
When was the |
| 00:24:27 |
Mr. Bond , this is |
| 00:24:29 |
(RIFLE FIRES) |
| 00:24:32 |
You're quite right. |
| 00:24:34 |
An inch too low. |
| 00:24:42 |
I have just completed |
| 00:24:45 |
Who collects them? |
| 00:24:46 |
I swear |
| 00:24:48 |
My instructions |
| 00:24:49 |
I am paid |
| 00:24:58 |
(PEOPLE CHATTERING) |
| 00:25:00 |
(SPEAKING CANTONESE) |
| 00:25:04 |
(BELL DINGING) |
| 00:25:46 |
MAN ON PA: In a few momen ts, |
| 00:25:48 |
we will be in |
| 00:25:50 |
one of the busiest |
| 00:25:52 |
May I remind you to |
| 00:25:56 |
in order to avoid |
| 00:25:59 |
(SHIP HORN BLOWING) |
| 00:26:07 |
On our left is the |
| 00:26:11 |
which sank here |
| 00:26:17 |
Ahead, you can |
| 00:26:19 |
And on your right, |
| 00:26:43 |
Taxi ! |
| 00:26:49 |
Follow that Rolls. |
| 00:26:56 |
Madam , would you be |
| 00:26:59 |
I'm sorry I'm late, James, |
| 00:27:02 |
from Macau only just |
| 00:27:04 |
You're a great |
| 00:27:06 |
Now, get on to the |
| 00:27:09 |
AU603. A green Rolls. |
| 00:27:12 |
A green Rolls? |
| 00:27:14 |
A green Rolls-Royce. |
| 00:27:17 |
There can't be that |
| 00:27:23 |
Courtesy cars. |
| 00:27:24 |
AII green Rolls-Royces |
| 00:27:28 |
You see what |
| 00:27:29 |
to Staff Intelligence |
| 00:27:32 |
James, it's wonderful |
| 00:27:36 |
Where are you going? |
| 00:27:37 |
I need some information . |
| 00:27:47 |
The subject under |
| 00:27:50 |
I'll buy you dinner |
| 00:27:52 |
But first I have |
| 00:27:54 |
Yes, I saw the |
| 00:27:57 |
Goodnight, would I do |
| 00:28:01 |
Yes, you bloody |
| 00:28:08 |
Please. |
| 00:28:10 |
Oh , you could open |
| 00:28:19 |
I open champagne. |
| 00:28:22 |
Oh , a surprise ! |
| 00:28:24 |
(WAITER LAUGHING) |
| 00:29:02 |
(WATER RUNNING) |
| 00:29:24 |
Good afternoon . |
| 00:29:35 |
A water pistol? |
| 00:29:37 |
Pass me that robe. |
| 00:29:47 |
Turn around . |
| 00:29:51 |
Do you always take |
| 00:29:59 |
Put your hands up |
| 00:30:07 |
Keep on walking . |
| 00:30:09 |
But you haven't |
| 00:30:22 |
RECEPTION IST: |
| 00:30:24 |
This is Miss Anders, |
| 00:30:28 |
Put those down ! |
| 00:30:31 |
I see why these |
| 00:30:33 |
Give me that! |
| 00:30:37 |
They certainly can |
| 00:30:43 |
(GROANS) |
| 00:30:45 |
I'll break it |
| 00:30:47 |
I can't. |
| 00:30:49 |
Try! |
| 00:30:51 |
He'll kill me. |
| 00:30:53 |
(ANDREA GROANS) |
| 00:30:55 |
I can't tell you . |
| 00:30:58 |
Scaramanga. |
| 00:31:04 |
You see what you |
| 00:31:09 |
You work for him? |
| 00:31:12 |
I don't work for him . |
| 00:31:17 |
He's. . . I'm his. . . |
| 00:31:19 |
Oh , so he's |
| 00:31:21 |
Only before he kills. |
| 00:31:24 |
Bullfighters do |
| 00:31:25 |
Claim it |
| 00:31:28 |
His eye is on me. |
| 00:31:31 |
I don't know. |
| 00:31:35 |
I said where? |
| 00:31:37 |
I don't know where. |
| 00:31:39 |
I know he has a date |
| 00:31:43 |
How will I |
| 00:31:45 |
Tall , slim and dark. |
| 00:31:47 |
So is my aunt. |
| 00:31:49 |
Anything distinctive |
| 00:31:51 |
Yes, but how can I . . . |
| 00:31:53 |
He's not like other people. |
| 00:31:56 |
Oh . |
| 00:31:57 |
Fascinating |
| 00:32:00 |
but probably the most |
| 00:32:03 |
Unless of course |
| 00:32:06 |
and Scaramanga is |
| 00:32:10 |
You'll have |
| 00:32:14 |
He usually wears |
| 00:32:18 |
and jewelry, |
| 00:32:21 |
You're improving . |
| 00:32:23 |
I don't want you to |
| 00:32:27 |
I don't want to either. |
| 00:32:29 |
So I'll tell you what |
| 00:32:32 |
You're going to take |
| 00:32:36 |
because if he |
| 00:32:38 |
he may not show up |
| 00:32:42 |
And I want him there. |
| 00:32:45 |
Why should you trust me? |
| 00:32:47 |
I don't. |
| 00:32:48 |
But neither will |
| 00:32:50 |
if he hears about |
| 00:32:54 |
Who knows? |
| 00:32:55 |
He may even use one |
| 00:33:00 |
And that would |
| 00:33:02 |
because they're |
| 00:33:06 |
I'll take them to him . |
| 00:33:09 |
Let's drink to that. |
| 00:33:15 |
Bottoms up. |
| 00:33:20 |
(ROCK MUSIC PLAYING) |
| 00:33:22 |
(PEOPLE CHATTERING) |
| 00:33:26 |
Soda or ginger ale? |
| 00:33:27 |
Ginger ale, |
| 00:35:38 |
(YELLING |
| 00:35:54 |
Police ! Drop it! |
| 00:35:57 |
(BOND DROPS GUN) |
| 00:35:59 |
You're under arrest. |
| 00:36:07 |
Move away from there ! |
| 00:36:14 |
If you take the |
| 00:36:17 |
you'll notice it |
| 00:36:18 |
Anything you have to |
| 00:36:20 |
(SIREN WAILING) |
| 00:36:28 |
I'm charging him |
| 00:36:44 |
I didn't see |
| 00:36:46 |
You will . |
| 00:37:05 |
Here. |
| 00:37:07 |
Kowloon side. |
| 00:38:51 |
Kowloon's over there ! |
| 00:38:54 |
We are going to |
| 00:39:34 |
(MAN SHOUTS) |
| 00:39:41 |
MAN ON PA: Welcome aboard, |
| 00:39:48 |
This way, sir. |
| 00:39:54 |
Down the hatchway, |
| 00:40:02 |
Good evening , sir. |
| 00:40:05 |
Would you follow |
| 00:40:14 |
Hmm . It certainly |
| 00:40:16 |
What with the |
| 00:40:18 |
and the American |
| 00:40:19 |
down here's the only |
| 00:40:24 |
And , with current |
| 00:40:26 |
quite practical , really. |
| 00:40:28 |
Any luck? |
| 00:40:29 |
Chinese fighter |
| 00:40:40 |
Good evening , 007. |
| 00:40:42 |
Glad to see |
| 00:40:52 |
In future, |
| 00:40:54 |
tour the world of |
| 00:40:57 |
kindly inform our man |
| 00:40:59 |
Sorry, Commander. |
| 00:41:00 |
I had to get you away |
| 00:41:02 |
but didn't know |
| 00:41:05 |
Nothing . But I think |
| 00:41:09 |
that Scaramanga does not |
| 00:41:12 |
He couldn't have |
| 00:41:13 |
Instead he hit some chap |
| 00:41:16 |
I got quite a shock |
| 00:41:19 |
I should think you did . |
| 00:41:22 |
Our missing solar |
| 00:41:25 |
Yes, Gibson . |
| 00:41:26 |
He was prepared to |
| 00:41:30 |
That's why I'm |
| 00:41:32 |
Lieutenant Hip was |
| 00:41:36 |
I almost wish that |
| 00:41:42 |
Was Gibson cooperative? |
| 00:41:44 |
He wanted to |
| 00:41:46 |
Suggested another meeting |
| 00:41:48 |
Why Bangkok? |
| 00:41:49 |
I got the impression |
| 00:41:52 |
That name's |
| 00:41:53 |
A multimillionaire. |
| 00:41:55 |
Head of Hai Fat |
| 00:41:57 |
All of them legitimate |
| 00:41:59 |
What did Gibson |
| 00:42:02 |
A solex. Claimed it |
| 00:42:06 |
If he developed a solar |
| 00:42:09 |
So you've told me. |
| 00:42:11 |
Coal and oil will |
| 00:42:13 |
Uranium's too dangerous. |
| 00:42:15 |
Geothermal and tidal |
| 00:42:19 |
Where's the solex now? |
| 00:42:21 |
Solex agitator, sir. |
| 00:42:23 |
The essential unit to |
| 00:42:27 |
on an industrial basis. |
| 00:42:28 |
It's only about |
| 00:42:30 |
It won't take me long |
| 00:42:32 |
(STUTTERS) |
| 00:42:34 |
May I see it, |
| 00:42:37 |
He showed it to me at |
| 00:42:42 |
And after he was shot, |
| 00:42:45 |
it wasn't there. |
| 00:42:47 |
I looked . |
| 00:42:51 |
M: Gentlemen , |
| 00:42:53 |
Instead of getting |
| 00:42:55 |
we're left with |
| 00:42:59 |
One lead , sir. |
| 00:43:02 |
Assuming Gibson was |
| 00:43:06 |
whoever hired him |
| 00:43:09 |
Are you suggesting |
| 00:43:10 |
He could afford it. |
| 00:43:12 |
Out of petty cash . |
| 00:43:15 |
A thought has just |
| 00:43:17 |
If Hai Fat hired |
| 00:43:20 |
it's highly unlikely |
| 00:43:23 |
Why? |
| 00:43:24 |
In the event of |
| 00:43:25 |
there's nothing |
| 00:43:27 |
And that gives me |
| 00:43:31 |
Q, I'll need this. |
| 00:43:36 |
Really, 007 ! |
| 00:43:38 |
I admit, |
| 00:43:41 |
You'll take |
| 00:43:45 |
Goodnight, sir? |
| 00:43:46 |
After tonight's |
| 00:43:48 |
an efficient |
| 00:43:54 |
Thank you , sir. |
| 00:43:55 |
You won't get |
| 00:43:57 |
I have some relatives |
| 00:43:59 |
I have often |
| 00:44:01 |
He lives in a big |
| 00:44:48 |
No way. |
| 00:44:50 |
The place is |
| 00:44:51 |
Have a look. |
| 00:44:59 |
Hai Fat takes his |
| 00:45:02 |
I'm sure |
| 00:45:11 |
(SPEAKING CANTONESE) |
| 00:45:28 |
Good morning . |
| 00:45:32 |
Why don't you |
| 00:45:34 |
Sounds very |
| 00:45:36 |
Chew Mee. |
| 00:45:38 |
Really? |
| 00:45:40 |
Well , there's only |
| 00:45:42 |
I have no |
| 00:45:43 |
Neither have I . |
| 00:45:47 |
HAI FAT: What are |
| 00:45:51 |
Get out. |
| 00:45:55 |
Immediately. |
| 00:45:57 |
I will have you . . . |
| 00:46:04 |
(SPEAKING CANTONESE) |
| 00:46:08 |
Please, forgive me, |
| 00:46:14 |
Excuse me, |
| 00:46:16 |
Bye. |
| 00:46:20 |
You understand |
| 00:46:23 |
I thought it |
| 00:46:27 |
We were never to meet, |
| 00:46:31 |
I always thought |
| 00:46:33 |
There are cults where |
| 00:46:37 |
and great |
| 00:46:38 |
I've learned |
| 00:46:41 |
Why are you here? |
| 00:46:43 |
Bond . James Bond . |
| 00:46:45 |
Do I know |
| 00:46:47 |
Well , he knows you . |
| 00:46:49 |
Without being |
| 00:46:50 |
there's hardly anyone |
| 00:46:53 |
And there are very |
| 00:46:56 |
British Secret Service, |
| 00:47:00 |
He's good , even |
| 00:47:03 |
He was near the |
| 00:47:05 |
A coincidence. |
| 00:47:07 |
I don't believe in them . |
| 00:47:09 |
The man's a menace. |
| 00:47:12 |
Are you suggesting |
| 00:47:16 |
That's up to you . |
| 00:47:18 |
I will give it |
| 00:47:20 |
Since you have |
| 00:47:23 |
perhaps you will |
| 00:47:25 |
I'll be deIighted . |
| 00:47:26 |
9: 00 then . |
| 00:47:28 |
Ling Po, see this |
| 00:47:45 |
Don't tell me |
| 00:47:48 |
He even invited me |
| 00:47:50 |
He must have found me |
| 00:48:11 |
In due time, |
| 00:48:14 |
in my mausoleum |
| 00:48:16 |
after a useful , |
| 00:48:19 |
And I do not intend |
| 00:48:31 |
I'll get the car. |
| 00:48:33 |
Goodnight, you know |
| 00:48:36 |
Oh , I understand , James. |
| 00:48:38 |
I'll ring as |
| 00:48:40 |
A midnight snack |
| 00:48:42 |
I'll keep the wine |
| 00:48:45 |
And everything |
| 00:48:52 |
(SPEAKING IN |
| 00:48:55 |
Bye-bye. |
| 00:48:57 |
"And everything |
| 00:49:01 |
I hope you don't mind |
| 00:49:05 |
Good evening . |
| 00:49:06 |
(SPEAKING IN |
| 00:49:14 |
Hai Fat's is |
| 00:49:23 |
I'll drop the girls, |
| 00:49:26 |
(GIRLS LAUGHING) |
| 00:49:27 |
G I RL 1: Bye-bye. |
| 00:49:33 |
(RINGING DOORBELL) |
| 00:49:39 |
The name's Scaramanga. |
| 00:49:41 |
Mr. Fat is |
| 00:50:05 |
"Grislyland ." |
| 00:50:32 |
A pleasant evening . |
| 00:50:40 |
(GRUNTING) |
| 00:51:02 |
(SCREAMING) |
| 00:51:22 |
Get him . Come on . |
| 00:51:35 |
HAI FAT: Stop it. |
| 00:51:39 |
Not here. |
| 00:51:42 |
This is my home. |
| 00:51:45 |
Take Mr. Bond to school . |
| 00:52:02 |
Heaven . |
| 00:52:07 |
Definitely heaven . |
| 00:52:33 |
(GONG CLANGING) |
| 00:53:35 |
(GRUNTS) |
| 00:53:37 |
(SHOUTS) |
| 00:53:45 |
(GRUNTING) |
| 00:53:53 |
(SCREAMS) |
| 00:54:06 |
Tashman . |
| 00:54:25 |
(SHOUTING) |
| 00:55:19 |
(GROANS) |
| 00:55:32 |
Chula. |
| 00:55:37 |
STUDENTS: Chula ! |
| 00:55:41 |
Chula ! Chula ! Chula ! |
| 00:55:53 |
(BOTHGRUNTING) |
| 00:56:02 |
STU DENTS: Chula ! |
| 00:56:06 |
(GROANS) |
| 00:56:10 |
(SHOUTS) |
| 00:56:13 |
(GROANING) |
| 00:56:18 |
(SHOUTS) |
| 00:56:30 |
(GRUNTING) |
| 00:56:52 |
(SPEAKING THAI) |
| 00:56:55 |
Are you all right? |
| 00:56:56 |
How did |
| 00:56:57 |
Hai Fat owns |
| 00:57:08 |
Stand back, girls. |
| 00:57:13 |
(ALL SHOUTING) |
| 00:57:24 |
Forgot to tell you . |
| 00:57:26 |
(GROANING) |
| 00:57:27 |
Their father runs |
| 00:57:51 |
(GROANING) |
| 00:58:03 |
(GROANS) |
| 00:58:11 |
(SHOUTS) |
| 00:58:16 |
(SCREAMING) |
| 00:58:29 |
Hang on ! |
| 00:58:30 |
(BOTH SPEAKING IN |
| 00:58:50 |
(ENGINE STARTING) |
| 00:58:54 |
(EXCLAIMING IN |
| 00:58:57 |
What you might call |
| 00:59:07 |
(SHOUTING) |
| 00:59:25 |
(ENGINE SPUTTERING) |
| 00:59:33 |
(BOAT HORN HONKING) |
| 00:59:37 |
Pretty lady. |
| 00:59:40 |
No, no. |
| 00:59:42 |
50 baht, pretty lady. |
| 00:59:44 |
Real elephant. |
| 00:59:48 |
(SPEAKING THAI) |
| 00:59:57 |
(SHOUTING) |
| 01:00:01 |
Elephant. Bargain , |
| 01:00:05 |
(SHOUTING IN |
| 01:00:10 |
Elephant. |
| 01:00:13 |
50 baht. |
| 01:00:19 |
You are very |
| 01:00:22 |
For you , mister, |
| 01:00:25 |
I'll tell you what, sonny, |
| 01:00:27 |
if you can make this |
| 01:00:30 |
(ENGINE STARTING) |
| 01:00:31 |
20, 000 baht. |
| 01:00:35 |
I'm afraid I'll |
| 01:00:37 |
Bloody tourist! |
| 01:00:53 |
(SPEAKING THAI) |
| 01:00:58 |
Goddamn little |
| 01:01:01 |
Oh , what's the matter, |
| 01:01:04 |
You just try that |
| 01:01:07 |
I'd haul your ass ! |
| 01:01:19 |
(SPEAKING IN |
| 01:01:28 |
Oh , look, J .W. |
| 01:01:30 |
I just gotta have me |
| 01:01:34 |
Elephant? |
| 01:01:36 |
We're Democrats, |
| 01:01:42 |
If you got your |
| 01:01:47 |
you wouldn't be |
| 01:02:13 |
(ALL SHOUTING) |
| 01:02:15 |
(LAUGHING) |
| 01:02:18 |
J .W. : I knew it! |
| 01:02:20 |
You pointy-heads |
| 01:02:23 |
of traffic control |
| 01:02:25 |
than a goony bird ! |
| 01:02:27 |
(J .W. LAUGHING) |
| 01:02:35 |
Get your cotton-picking |
| 01:02:59 |
Boy. You is ugly. |
| 01:03:03 |
(GRUNTING) |
| 01:03:04 |
(EXCLAIMING) |
| 01:03:07 |
J .W. ? |
| 01:03:09 |
Where are you? |
| 01:03:28 |
(MEN SPEAKING CANTONESE) |
| 01:03:41 |
What do they |
| 01:03:42 |
Ballet dancing? |
| 01:03:47 |
I find nothing remotely |
| 01:03:52 |
You underestimated him . |
| 01:03:53 |
Even my influence |
| 01:03:55 |
into the British |
| 01:03:57 |
I shall lie |
| 01:03:59 |
I don't intend |
| 01:04:01 |
in which I've |
| 01:04:03 |
when it's ready |
| 01:04:06 |
Where will |
| 01:04:07 |
That does not |
| 01:04:10 |
Take this. |
| 01:04:13 |
Return it to the plant |
| 01:04:14 |
and don't leave there |
| 01:04:18 |
May I remind you |
| 01:04:20 |
I took you on as |
| 01:04:22 |
to be an occasional |
| 01:04:25 |
I did not hire |
| 01:04:29 |
Is that clearly |
| 01:04:31 |
Yes. Very clearly. |
| 01:04:35 |
I now regret having even |
| 01:04:39 |
But that is |
| 01:04:41 |
Bond doesn't know |
| 01:04:43 |
He's never seen you . |
| 01:04:46 |
That's the problem . |
| 01:04:48 |
That's no problem . |
| 01:05:10 |
What happened? |
| 01:05:13 |
Mr. Fat has |
| 01:05:16 |
I'm the new chairman |
| 01:05:20 |
He always did |
| 01:05:23 |
Put him in it. |
| 01:05:25 |
(TRADITIONAL MUSIC PLAYING) |
| 01:05:43 |
Sorry about that, darling . |
| 01:05:46 |
There's still no |
| 01:05:47 |
Every inquiry gets |
| 01:05:50 |
WAITER: |
| 01:05:53 |
"Phuyuck?" |
| 01:05:56 |
'74, sir. |
| 01:06:03 |
I approve. |
| 01:06:05 |
You do? |
| 01:06:07 |
Oh , not the wine. |
| 01:06:09 |
Your frock. |
| 01:06:10 |
Tight in all |
| 01:06:12 |
Not too many buttons. |
| 01:06:15 |
Standard uniform |
| 01:06:18 |
The buttons are |
| 01:06:20 |
Designed by Q, |
| 01:06:22 |
One of them's |
| 01:06:25 |
No, but the bottom |
| 01:06:29 |
How original . |
| 01:06:31 |
A toast. |
| 01:06:33 |
(SPEAKING PORTUGUESE) |
| 01:06:38 |
To this moment |
| 01:06:40 |
and the moment |
| 01:06:48 |
In our profession , |
| 01:06:50 |
you never can count |
| 01:06:53 |
Who knows where |
| 01:06:57 |
Opposite sides of |
| 01:07:01 |
That's too far apart. |
| 01:07:03 |
Now, if Hip doesn't |
| 01:07:07 |
there's really |
| 01:07:14 |
Or is there? |
| 01:07:17 |
Oh , darling , |
| 01:07:21 |
But killing a few |
| 01:07:25 |
isn't quite my scene. |
| 01:07:27 |
(PEOPLE APPLAUDING) |
| 01:07:34 |
(TRADITIONAL MUSIC PLAYING) |
| 01:07:39 |
(MAN SINGING THAI) |
| 01:08:05 |
"Phuyuck." |
| 01:08:14 |
(DOORKNOB CLICKING) |
| 01:08:20 |
Ah . Goodnight, what |
| 01:08:24 |
My hard-to-get |
| 01:08:28 |
I was trained to |
| 01:08:32 |
but they never prepared |
| 01:08:51 |
James, I thought |
| 01:09:02 |
What made you |
| 01:09:04 |
I'm weak. |
| 01:09:05 |
(DOOR CLICKING) |
| 01:09:08 |
(GASPS) |
| 01:09:27 |
Miss Anders. |
| 01:09:28 |
I didn't recognize you |
| 01:09:31 |
I bribed the bellboy |
| 01:09:34 |
I've come to warn you . |
| 01:09:37 |
You're in |
| 01:09:39 |
I usually am . |
| 01:09:40 |
That's why I use the |
| 01:09:44 |
Please believe me. |
| 01:09:48 |
Well , your concern |
| 01:09:51 |
but puzzles me. |
| 01:09:54 |
Scaramanga is |
| 01:09:56 |
He was in Hong Kong , too, |
| 01:09:57 |
We've been through |
| 01:10:03 |
He's a monster. |
| 01:10:05 |
Then leave him . |
| 01:10:08 |
You don't walk |
| 01:10:11 |
There's no place |
| 01:10:14 |
You need a good lawyer. |
| 01:10:16 |
I need 007. |
| 01:10:19 |
Who do you think |
| 01:10:20 |
to London with |
| 01:10:24 |
I did . |
| 01:10:28 |
And it wasn't easy |
| 01:10:35 |
You'll forgive me if |
| 01:10:38 |
Don't you see you're |
| 01:10:42 |
What gives you |
| 01:10:45 |
The way Scaramanga |
| 01:10:48 |
Even has a |
| 01:10:50 |
I'm flattered . |
| 01:10:54 |
I want him dead . |
| 01:10:59 |
Name your price. |
| 01:11:05 |
You can have me, too, |
| 01:11:09 |
I'm not unattractive. |
| 01:11:12 |
At last you're starting |
| 01:11:19 |
I've dreamed about you |
| 01:11:27 |
I've been dreaming |
| 01:11:38 |
Ever heard of one? |
| 01:11:44 |
Perhaps you can |
| 01:12:01 |
(WHISPERING) |
| 01:12:05 |
I'll kill that woman . |
| 01:12:23 |
(CLEARING THROAT) |
| 01:12:27 |
Charming . |
| 01:12:47 |
It was an inspiration |
| 01:13:15 |
(DOOR OPENS) |
| 01:13:32 |
You're late. |
| 01:13:34 |
It was a |
| 01:13:40 |
What are you doing? |
| 01:13:43 |
Putting my |
| 01:14:01 |
You can come |
| 01:14:03 |
What time is it? |
| 01:14:04 |
2: 00-ish . |
| 01:14:06 |
2: 00? |
| 01:14:08 |
Do you mean I've been |
| 01:14:10 |
All in the |
| 01:14:12 |
Duty? I'm resigning |
| 01:14:15 |
Oh , Goodnight, come on , |
| 01:14:17 |
The Service needs |
| 01:14:19 |
Well , obviously you don't. |
| 01:14:23 |
Forgive me, darling . |
| 01:14:25 |
Your turn will come, |
| 01:14:28 |
As soon as she |
| 01:14:30 |
For killing Scaramanga? |
| 01:14:32 |
If she gets me |
| 01:14:35 |
First? |
| 01:14:38 |
James, |
| 01:14:43 |
Hmm . |
| 01:14:44 |
We'll find out about |
| 01:14:49 |
She's making |
| 01:14:53 |
(AUDIENCE CHEERING) |
| 01:15:03 |
(REFEREE COUNTING |
| 01:15:32 |
Sorry I'm Iate. |
| 01:15:34 |
Bangkok traffic's |
| 01:15:36 |
He's made contact. |
| 01:15:39 |
How's the charm |
| 01:15:41 |
Need you ask? |
| 01:15:43 |
Meet you outside. |
| 01:15:48 |
Did you bring it? |
| 01:16:12 |
(COUNTING IN FOREIGN LANGUAGE) |
| 01:16:19 |
Darling , I left it |
| 01:16:21 |
It must be in |
| 01:16:23 |
I saw the man in |
| 01:16:25 |
Without the ticket, |
| 01:16:28 |
You won't find it in |
| 01:16:32 |
I wouldn't do |
| 01:16:33 |
Look behind you . |
| 01:16:36 |
Lower. |
| 01:16:40 |
A gun and a |
| 01:16:43 |
What will they |
| 01:16:44 |
(BELLDINGS) |
| 01:16:47 |
My name is Scaramanga. |
| 01:16:49 |
Francisco Scaramanga. |
| 01:16:51 |
I feel I know you , |
| 01:16:52 |
although I never |
| 01:16:55 |
It's a very great |
| 01:16:57 |
thanks to Miss Anders. |
| 01:16:59 |
You've a strange |
| 01:17:02 |
A mistress cannot |
| 01:17:06 |
A difficult shot, |
| 01:17:09 |
Well , we all get |
| 01:17:13 |
Mine have always |
| 01:17:16 |
When I was a boy, |
| 01:17:19 |
My only real friend |
| 01:17:24 |
One day his handler |
| 01:17:30 |
Bleeding , dying , |
| 01:17:33 |
he came and found me. |
| 01:17:37 |
Stood on one leg , |
| 01:17:40 |
picked me up and |
| 01:17:42 |
(VENDOR SPEAKING |
| 01:17:46 |
The man emptied |
| 01:17:50 |
I emptied my |
| 01:17:53 |
An eye for an eye. |
| 01:17:55 |
Nut? |
| 01:17:56 |
(BELLDINGING) |
| 01:17:57 |
(SPEAKING CANTONESE) |
| 01:17:59 |
(AUDIENCE CHEERING) |
| 01:18:01 |
You see, Mr. Bond , |
| 01:18:04 |
and I discovered that |
| 01:18:15 |
Keep this. Whatever |
| 01:18:20 |
I have to get |
| 01:18:22 |
Something's gone wrong? |
| 01:18:23 |
There's a midget |
| 01:18:24 |
A midget? |
| 01:18:26 |
Same one I saw |
| 01:18:27 |
And the girl is dead . |
| 01:18:30 |
(AUDIENCE CHEERING) |
| 01:18:37 |
Forget the girl . |
| 01:18:39 |
I shall find what |
| 01:18:42 |
Personally, I've got |
| 01:18:44 |
so let us hope our |
| 01:18:47 |
Please don't |
| 01:18:49 |
Your peanut-toting |
| 01:18:52 |
No, he wouldn't. |
| 01:19:06 |
You want to try |
| 01:19:19 |
Where's the solex? |
| 01:19:20 |
And where's Goodnight? |
| 01:19:58 |
She must be |
| 01:20:15 |
(SCREAMING) |
| 01:20:28 |
Women . Walkie-talkie. |
| 01:20:35 |
Goodnight, |
| 01:20:37 |
Somebody locked me |
| 01:20:39 |
In a what? |
| 01:20:40 |
The midget's car. |
| 01:20:44 |
It's a bronze car |
| 01:20:54 |
The keys. |
| 01:20:56 |
Oh , no. |
| 01:20:59 |
Goodnight, where |
| 01:21:01 |
I've got the keys. |
| 01:21:08 |
Taxi ! |
| 01:21:09 |
Stay in there, |
| 01:21:20 |
HIP: Taxi ! Taxi ! |
| 01:21:23 |
(CARS HONKING) |
| 01:21:37 |
How about a |
| 01:21:39 |
Certainly, sir. |
| 01:21:45 |
(CARS HONKING) |
| 01:21:46 |
(TIRES SCREECHING) |
| 01:21:49 |
What the hell |
| 01:21:57 |
Now I know you ! |
| 01:22:01 |
Oh , no. |
| 01:22:03 |
You're that secret agent. |
| 01:22:05 |
That English secret |
| 01:22:07 |
(CARS HONKING) |
| 01:22:18 |
You're chasing somebody. |
| 01:22:21 |
Who you after this |
| 01:22:23 |
Let's go get them . |
| 01:22:25 |
I'm with you |
| 01:22:27 |
(CARS HONKING) |
| 01:22:34 |
Uh-oh ! I think |
| 01:22:41 |
(HONKING) |
| 01:22:56 |
Pull your cars over, |
| 01:23:00 |
I'm a peace officer! |
| 01:23:03 |
GOODNIGHT ON WALKIE-TALKIE: |
| 01:23:08 |
Can you hear me? James ! |
| 01:23:11 |
All right, Goodnight. |
| 01:23:12 |
Who's that? |
| 01:23:16 |
It's headquarters. |
| 01:23:18 |
Hello. This is Sheriff |
| 01:23:22 |
Now, you call my |
| 01:23:25 |
and tell her |
| 01:23:28 |
I've been deputized . |
| 01:23:30 |
Right? |
| 01:23:33 |
Which car are we |
| 01:23:43 |
(TIRES SCREECHING) |
| 01:23:48 |
(SPEAKING THAI) |
| 01:23:49 |
(TIRES SCREECHING) |
| 01:23:55 |
(SPEAKING THAI) |
| 01:24:07 |
(SIREN WAILING) |
| 01:24:15 |
(TIRES SCREECHING) |
| 01:24:16 |
(CARS HONKING) |
| 01:24:46 |
Move it! Move it! |
| 01:24:48 |
(SPEAKING THAI) |
| 01:24:49 |
Get that piece of |
| 01:24:51 |
(SPEAKING THAI) |
| 01:25:09 |
(BOTH SPEAKING THAI) |
| 01:25:17 |
(GRUNTING) |
| 01:25:20 |
They went to |
| 01:25:31 |
Press that pedal , boy. |
| 01:25:48 |
Where the hell |
| 01:26:04 |
You goofed , boy. |
| 01:26:18 |
Nearest bridge |
| 01:26:27 |
(TIRES SCREECHING) |
| 01:26:30 |
J .W. : God damn ! What the. . . |
| 01:26:33 |
What's going on? |
| 01:26:39 |
The bridge is that way! |
| 01:26:45 |
You're not thinking of. . . |
| 01:26:47 |
I sure am , boy. |
| 01:26:49 |
(CAR ACCELERATING) |
| 01:26:51 |
Ever heard of |
| 01:26:58 |
(EXCLAIMING) |
| 01:27:03 |
(WHOOPING) |
| 01:27:05 |
(CHUCKLING) |
| 01:27:08 |
I never done |
| 01:27:10 |
Well , neither |
| 01:27:12 |
(SIRENS WAILING) |
| 01:28:09 |
Let's go get |
| 01:28:48 |
You stay put, boy. |
| 01:28:54 |
Glad to see you |
| 01:28:57 |
Sheriff J .W. Pepper, |
| 01:29:00 |
Here's my |
| 01:29:02 |
This is the Law |
| 01:29:05 |
Me and my partner |
| 01:29:09 |
Hey! What the hell |
| 01:29:10 |
Hey! Give me |
| 01:29:12 |
(LOUD HUMMING) |
| 01:29:32 |
Doors. |
| 01:30:04 |
J .W. : You can't |
| 01:30:06 |
I want my |
| 01:30:08 |
Take these goddamn |
| 01:30:10 |
I'm gonna sue ya |
| 01:30:13 |
I got connections ! |
| 01:30:18 |
God damn it, |
| 01:30:22 |
Look at me when I'm |
| 01:30:31 |
What's the matter? |
| 01:30:32 |
Ain't none of you |
| 01:30:38 |
GOODNIGHT ON WALKIE-TALKIE: |
| 01:30:42 |
Can you hear me? |
| 01:30:52 |
(GASPS) |
| 01:31:06 |
BON D: That is really all |
| 01:31:11 |
So, if I heard correctly, |
| 01:31:14 |
Yes, sir. |
| 01:31:15 |
In a car that |
| 01:31:17 |
That's perfectly |
| 01:31:19 |
As a matter of fact, |
| 01:31:21 |
Oh , Q, shut up. |
| 01:31:23 |
And Miss Goodnight |
| 01:31:25 |
We found the |
| 01:31:27 |
about 200 miles |
| 01:31:30 |
And the solex? |
| 01:31:33 |
Where is |
| 01:31:35 |
(SCOFFS) |
| 01:31:36 |
Communications aren't |
| 01:31:38 |
from the homer she |
| 01:31:40 |
Rubbish ! They're |
| 01:31:43 |
the reception |
| 01:31:45 |
Oh , shut up, Q. |
| 01:31:47 |
Of all the fouled-up, |
| 01:31:50 |
(KNOCKING ON DOOR) |
| 01:31:51 |
M: What do you want? |
| 01:31:52 |
We've picked up |
| 01:31:54 |
Well , that's |
| 01:31:55 |
But there is something |
| 01:32:00 |
Our sector's here |
| 01:32:02 |
and we're receiving |
| 01:32:05 |
off this coastline |
| 01:32:07 |
Now, here it is on |
| 01:32:11 |
That's where she is. |
| 01:32:12 |
In this group |
| 01:32:14 |
M: That's all we need , |
| 01:32:17 |
Well , we could stray |
| 01:32:20 |
I could fly low |
| 01:32:22 |
Absolutely out |
| 01:32:25 |
If the PM gets |
| 01:32:27 |
he'll hang me |
| 01:32:29 |
Officially, you |
| 01:32:43 |
(RADAR BEEPING) |
| 01:33:36 |
(SPEAKING CANTONESE) |
| 01:33:50 |
There's a small seaplane |
| 01:33:54 |
Do you want us to |
| 01:33:56 |
No. No, please |
| 01:34:01 |
Yes, it's a guest |
| 01:34:08 |
No, he won't |
| 01:34:09 |
(RADAR BEEPING) |
| 01:34:17 |
(RADAR BEEPING RAPIDLY) |
| 01:34:19 |
(SUSTAINED BEEP) |
| 01:35:13 |
(BIRD CHITTERING) |
| 01:35:28 |
(GREETING IN FRENCH) |
| 01:35:31 |
I am Nick Nack. |
| 01:35:36 |
(SPEAKING FRENCH) |
| 01:35:39 |
I prefer the '62 myself. |
| 01:35:41 |
Still , beats a |
| 01:35:44 |
Monsieur Scaramanga |
| 01:35:52 |
Forgive me, |
| 01:35:54 |
A vulgar display, |
| 01:35:57 |
because I am so |
| 01:36:00 |
A harmless toy. |
| 01:36:04 |
I am , |
| 01:36:08 |
Cigarette? |
| 01:36:10 |
We have so much |
| 01:36:11 |
We have so much |
| 01:36:13 |
and we will |
| 01:36:15 |
Ours is the |
| 01:36:17 |
so let us spend |
| 01:36:20 |
How can I refuse |
| 01:36:23 |
Splendid . |
| 01:36:25 |
Nick Nack, |
| 01:36:29 |
He's a Cordon Bleu , |
| 01:36:30 |
By the way, where's |
| 01:36:34 |
Oh , she's around |
| 01:36:37 |
There's no way |
| 01:36:38 |
so she does |
| 01:36:40 |
How do you |
| 01:36:42 |
A bit off the |
| 01:36:44 |
It's rent-free. |
| 01:36:48 |
A cozy arrangement. |
| 01:36:50 |
Servant problem , |
| 01:36:51 |
Not at all . |
| 01:36:53 |
Nick Nack does |
| 01:36:58 |
Usually there's just |
| 01:36:59 |
but having guests |
| 01:37:01 |
We're entirely |
| 01:37:02 |
We have every electrical |
| 01:37:04 |
you could |
| 01:37:06 |
This is an air lock, |
| 01:37:12 |
Automatic, |
| 01:37:16 |
Naturally, we have |
| 01:37:21 |
Let me show you . |
| 01:37:38 |
This should run |
| 01:37:41 |
Up here. |
| 01:37:48 |
BON D: A solar |
| 01:37:50 |
So this is what |
| 01:37:52 |
Thermoelectric |
| 01:37:54 |
solar energy |
| 01:37:57 |
All built by Hai Fat's |
| 01:38:00 |
Somehow I seem to have |
| 01:38:03 |
It's all fully automated . |
| 01:38:05 |
That's Kra, |
| 01:38:07 |
He looks after |
| 01:38:08 |
Nick Nack does everything else |
| 01:38:11 |
They tell me the |
| 01:38:15 |
Science was never |
| 01:38:18 |
Superconductivity coils |
| 01:38:23 |
If I were you , |
| 01:38:26 |
or anything else for |
| 01:38:29 |
At 453 degrees |
| 01:38:31 |
that liquid helium |
| 01:38:34 |
You really know far |
| 01:38:37 |
I'm arranging for |
| 01:38:39 |
to send their experts here |
| 01:38:42 |
But no solex until |
| 01:38:46 |
Right. |
| 01:38:47 |
I have run across |
| 01:38:49 |
Not what I've got here. |
| 01:38:51 |
This way the highest |
| 01:38:53 |
hundreds of |
| 01:38:55 |
and sell franchises |
| 01:38:58 |
He will literally |
| 01:39:02 |
A monopoly on |
| 01:39:05 |
The oil sheiks will pay |
| 01:39:09 |
The thought had |
| 01:39:16 |
This is the |
| 01:39:32 |
BON D: Ah . So that's |
| 01:39:35 |
Our famous solex in |
| 01:39:37 |
transmits heat to |
| 01:39:43 |
It's collected |
| 01:39:49 |
But where is it |
| 01:39:51 |
You need the sun . |
| 01:40:02 |
SCARAMANGA: Watch that |
| 01:40:27 |
Ingenious, isn't it? |
| 01:40:28 |
The panels lock on to |
| 01:40:32 |
Something like |
| 01:40:37 |
(SHRILL BUZZING) |
| 01:40:41 |
Ah . |
| 01:40:42 |
Reflected through this, |
| 01:40:45 |
of at least 3,500 |
| 01:40:47 |
If you say so, Mr. Bond . |
| 01:40:49 |
(BUZZING STOPS) |
| 01:40:53 |
But I do know that |
| 01:40:55 |
Over here. |
| 01:41:00 |
This is a bonus. |
| 01:41:04 |
Goes with the solex. |
| 01:41:28 |
This is the part |
| 01:41:31 |
(LASER FIRING) |
| 01:41:41 |
Now, that's what |
| 01:41:44 |
That's what |
| 01:41:48 |
You must admit, Mr. Bond , |
| 01:41:51 |
the Man with |
| 01:41:53 |
(GONG CLANGING) |
| 01:41:58 |
Ah . Lunch . |
| 01:42:17 |
This way, Mr. Bond . |
| 01:42:21 |
Ah ! Miss Goodnight. |
| 01:42:23 |
James ! |
| 01:42:24 |
Aren't we a little |
| 01:42:26 |
I like a girl |
| 01:42:28 |
No concealed weapons. |
| 01:42:30 |
Miss Goodnight, |
| 01:42:34 |
Now let's see what |
| 01:42:37 |
Ah . Mushrooms. |
| 01:42:43 |
The fried mushroom |
| 01:42:46 |
Yes, I noticed that. |
| 01:42:53 |
Having fun in |
| 01:42:55 |
Yes. |
| 01:42:57 |
I could stay |
| 01:43:01 |
Hmm ! |
| 01:43:03 |
Excellent. |
| 01:43:04 |
Slightly reminiscent |
| 01:43:07 |
Then I must add |
| 01:43:11 |
You live well , |
| 01:43:14 |
At a million dollars |
| 01:43:18 |
You work for peanuts. |
| 01:43:19 |
A hearty "well done" |
| 01:43:22 |
and a pittance |
| 01:43:23 |
Apart from that, |
| 01:43:27 |
To us, Mr. Bond . |
| 01:43:29 |
We are the best. |
| 01:43:33 |
There's a useful |
| 01:43:35 |
and you're |
| 01:43:39 |
When I kill , it's on |
| 01:43:43 |
And those I kill are |
| 01:43:46 |
Oh , come, come, |
| 01:43:47 |
You disappoint me. |
| 01:43:49 |
You get as much |
| 01:43:51 |
so why don't |
| 01:43:52 |
I admit killing you |
| 01:43:55 |
You should've done that |
| 01:43:56 |
But then of course |
| 01:43:58 |
sporting to kill in |
| 01:44:01 |
Don't count on that. |
| 01:44:14 |
I could've shot you |
| 01:44:16 |
but that would've |
| 01:44:23 |
You see, Mr. Bond , |
| 01:44:26 |
I want to create |
| 01:44:29 |
masterpiece once |
| 01:44:32 |
The death of 007, |
| 01:44:35 |
(SPEAKING SPANISH) |
| 01:44:36 |
face to face, |
| 01:44:38 |
will be mine. |
| 01:44:41 |
You mean , stuffed |
| 01:44:45 |
That's an amusing idea, |
| 01:44:49 |
A duel between titans. |
| 01:44:52 |
My golden gun |
| 01:44:55 |
Each of us with |
| 01:44:58 |
Six bullets |
| 01:45:01 |
I only need one. |
| 01:45:05 |
Sounds a bit oId-fashioned , |
| 01:45:08 |
I mean , pistols at dawn , |
| 01:45:11 |
Indeed , it is, |
| 01:45:13 |
but it still remains |
| 01:45:17 |
I doubt if you qualify |
| 01:45:23 |
However, I accept. |
| 01:45:26 |
As soon as I finish |
| 01:45:28 |
that Nick Nack |
| 01:45:31 |
Messieurs, I will remind you |
| 01:45:37 |
Only one of you can leave |
| 01:45:41 |
If a coup de grâce |
| 01:45:44 |
as your referee, |
| 01:45:49 |
ON PA: I do not expect wounds. |
| 01:45:55 |
On my command |
| 01:45:57 |
each contestant |
| 01:46:01 |
Are you ready, |
| 01:46:06 |
Ready. |
| 01:46:07 |
Are you ready, |
| 01:46:09 |
Ready. |
| 01:46:11 |
I will now |
| 01:46:14 |
1 , 2, 3, 4, 5, |
| 01:46:20 |
6, 7, 8, 9, |
| 01:46:25 |
1 0, 1 1 , 1 2, 1 3, |
| 01:46:29 |
1 4, 1 5, 1 6, |
| 01:46:33 |
1 7, 1 8, 1 9, 20 ! |
| 01:46:37 |
(GUN FIRING) |
| 01:46:52 |
(MACHINE BEEPING) |
| 01:47:18 |
(SHUSHING) |
| 01:47:20 |
If you kill him , |
| 01:47:23 |
all this be mine. |
| 01:47:27 |
This way, Monsieur Bond . |
| 01:48:07 |
Monsieur, |
| 01:48:10 |
I've never killed |
| 01:48:12 |
but there can |
| 01:48:15 |
Oh, monsieur. |
| 01:48:16 |
(TSKING) |
| 01:49:03 |
(GUN FIRING) |
| 01:49:04 |
(MANIACAL LAUGHTER ECHOING) |
| 01:49:17 |
(LAUGHING) |
| 01:49:19 |
(SALOON PIANO MUSIC PLAYING) |
| 01:49:22 |
(GUNS FIRING) |
| 01:49:30 |
(LAUGHING) |
| 01:49:32 |
NICK NACK ON PA: You only |
| 01:49:45 |
(CLICKING) |
| 01:49:48 |
(NICK NACK LAUGHING) |
| 01:49:50 |
I fooled you. |
| 01:50:59 |
(CLANGING) |
| 01:52:25 |
(GUN FIRES) |
| 01:52:38 |
(BEEPING) |
| 01:52:53 |
(SCREAMING) |
| 01:53:13 |
BON D: Goodnight. |
| 01:53:17 |
James. |
| 01:53:18 |
Steady, |
| 01:53:20 |
Where is he? |
| 01:53:22 |
Flat on his |
| 01:53:25 |
Come on . Let's get |
| 01:53:38 |
Wait here. |
| 01:53:39 |
I'll take care of |
| 01:53:41 |
I already did . |
| 01:53:43 |
I laid him out cold . |
| 01:53:45 |
You did? |
| 01:53:47 |
There's more to you |
| 01:53:50 |
(BEEPING) |
| 01:53:52 |
(ALARM BUZZING) |
| 01:54:00 |
Goodnight, I hate to |
| 01:54:02 |
but where exactly |
| 01:54:04 |
He landed |
| 01:54:07 |
Don't you |
| 01:54:09 |
We've got about |
| 01:54:11 |
body temperature |
| 01:54:14 |
Then this whole |
| 01:54:17 |
I'm sorry. |
| 01:55:41 |
Kill the beam ! |
| 01:55:45 |
Hit the master |
| 01:55:47 |
The what? |
| 01:55:48 |
Goodnight? |
| 01:55:50 |
Yes, James. |
| 01:55:51 |
Now, listen carefully. |
| 01:55:53 |
There's a console |
| 01:55:55 |
Now, there must be |
| 01:55:58 |
Push it! |
| 01:56:01 |
Goodnight, are |
| 01:56:03 |
It'll be on the |
| 01:56:08 |
Computer interlock. |
| 01:56:12 |
Just push every |
| 01:56:33 |
Good girl , Goodnight. |
| 01:56:35 |
Oh , I have? |
| 01:57:21 |
Goodnight, get the hell out |
| 01:57:26 |
(ALARM BLARING) |
| 01:57:28 |
(EXPLOSION) |
| 01:57:58 |
I hope you can |
| 01:57:59 |
This way. |
| 01:58:02 |
His junk is moored |
| 01:59:08 |
But, darling , |
| 01:59:10 |
George. |
| 01:59:13 |
Automatic pilot. |
| 01:59:16 |
We should make Hong Kong |
| 01:59:22 |
Give or take a littIe. |
| 01:59:44 |
I always wanted to take |
| 02:00:29 |
(SCREAMING) |
| 02:00:33 |
I'll kill you . |
| 02:00:36 |
I'll kill you ! |
| 02:00:38 |
Why, you . . . |
| 02:00:43 |
(GROANS) |
| 02:01:24 |
NICK NACK: |
| 02:01:29 |
Son of a bitch ! Ow! |
| 02:01:32 |
Hey! Hey, |
| 02:01:35 |
NICK NACK: Ouch ! |
| 02:01:37 |
Come on ! |
| 02:01:40 |
(GRUNTS) |
| 02:01:42 |
You'll be sorry! |
| 02:01:44 |
I may be small , |
| 02:01:50 |
I'll kill you |
| 02:01:54 |
Let me out, |
| 02:01:56 |
BOND: Shut up. |
| 02:02:03 |
What did you |
| 02:02:05 |
What do you think? |
| 02:02:07 |
Oh , James, you didn't. |
| 02:02:09 |
Yes, I damn well did . |
| 02:02:11 |
Got all the glass out |
| 02:02:15 |
We don't want anything |
| 02:02:26 |
Now, where were we? |
| 02:02:29 |
Oh , James. |
| 02:02:32 |
(WHIRRING) |
| 02:02:42 |
What's the matter? |
| 02:02:44 |
(CLEARS THROAT) |
| 02:02:45 |
Something came up. |
| 02:02:51 |
Hello? |
| 02:02:53 |
Ah ! There you are, Bond . |
| 02:02:55 |
Well done. |
| 02:02:58 |
Thank you , sir. |
| 02:02:59 |
Is Miss Goodnight with you? |
| 02:03:03 |
Hold on , sir. |
| 02:03:15 |
Bond? Bond, |
| 02:03:19 |
Goodnight? |
| 02:03:22 |
She's just coming , sir. |
| 02:03:31 |
Goodnight? |
| 02:03:38 |
Goodnight. |
| 02:03:47 |
(SINGING) Good night, |
| 02:03:51 |
Sleep well, my dear |
| 02:03:55 |
No need to fear |
| 02:03:59 |
James Bond is here |
| 02:04:11 |
Oh, love is required |
| 02:04:15 |
It comes just before the kill |
| 02:04:19 |
No one can catch him |
| 02:04:21 |
No hit man can match him |
| 02:04:23 |
For his million-dollar skill |
| 02:04:27 |
One golden shot means |
| 02:04:31 |
Has come to a glittering end |
| 02:04:36 |
If you want |
| 02:04:39 |
The man with the golden gun |
| 02:04:43 |
Will get it done |
| 02:04:46 |
He'll shoot anyone |
