|
Mano De Un Hombre Muerto La
|
| 00:00:48 |
THE SADISTIC BARON VON KLAUS |
| 00:02:56 |
Here, take this. Calm down! |
| 00:03:35 |
I hate Sundays. |
| 00:03:45 |
- Go on in, you stupid- |
| 00:03:47 |
- Hi, Theo. |
| 00:03:50 |
What's happening? |
| 00:03:51 |
- Nothing good. |
| 00:03:53 |
My personal assistant. |
| 00:03:56 |
What a machine! |
| 00:04:00 |
Hanzel, don't help yourself to that. |
| 00:04:02 |
You know |
| 00:04:04 |
I know, but it's the best. |
| 00:04:11 |
There you go. You deserve it. |
| 00:04:14 |
It's very lively in there, eh? |
| 00:04:16 |
They sing a lot |
| 00:04:20 |
- And the boss? |
| 00:04:22 |
It's been a long time |
| 00:04:25 |
- Wait for me here. |
| 00:04:27 |
You look like a beggar! |
| 00:05:02 |
Hi, Hanzel. |
| 00:05:04 |
No, Miss Lida, but I'm in no rush. |
| 00:05:06 |
- Have you had a drink? |
| 00:05:09 |
- Go ahead. |
| 00:05:11 |
You're a funny rascal, you are! |
| 00:05:13 |
And you're gorgeous! |
| 00:05:21 |
Can't you see |
| 00:05:25 |
No, not at all. |
| 00:05:26 |
It's not disturbing him, see? |
| 00:05:27 |
I wonder how you can work |
| 00:05:30 |
You get used to it. |
| 00:05:33 |
I like the sound of young people |
| 00:05:35 |
He's talking about me. |
| 00:05:36 |
Listen, these articles you've been writing |
| 00:05:39 |
is it true what I've heard |
| 00:05:41 |
What have you heard? |
| 00:05:43 |
They say it's a very gloomy story |
| 00:05:45 |
With plenty of vampires |
| 00:05:48 |
Not exactly, but kind of. |
| 00:05:50 |
It's fascinating! |
| 00:05:51 |
I could tell you things that would make |
| 00:05:56 |
and I'm not kidding! |
| 00:05:59 |
Unbelievable, but true! |
| 00:06:00 |
He's heard everything. |
| 00:06:03 |
Go on then, tell me. |
| 00:06:05 |
Have you heard of Von Klaus? |
| 00:06:08 |
The baron? |
| 00:06:10 |
He lives six or seven miles from here. |
| 00:06:14 |
That's right. |
| 00:06:17 |
in the middle of nowhere, |
| 00:06:20 |
where thousands of bats |
| 00:06:23 |
That's where the current baron rules. |
| 00:06:25 |
I mean the other one, |
| 00:06:28 |
I didn't know that one. |
| 00:06:30 |
Don't make jokes. |
| 00:06:32 |
I'm talking about the first baron. |
| 00:06:34 |
Centuries ago, |
| 00:06:37 |
One day, he and his men |
| 00:06:40 |
She later died |
| 00:06:44 |
The father called down curses |
| 00:06:48 |
and his lost soul now wanders |
| 00:06:52 |
Not long afterwards, |
| 00:06:54 |
in the stagnant waters |
| 00:06:57 |
People claim he died... |
| 00:06:59 |
but I know he didn't. |
| 00:07:01 |
He often appears over the ponds |
| 00:07:06 |
His ghost comes from |
| 00:07:08 |
and he comes to kill sadistically. |
| 00:07:11 |
I say it because I know it. |
| 00:07:13 |
Yes, it's true. |
| 00:07:17 |
I haven't heard of crimes |
| 00:07:19 |
I've seen the mutilated bodies, |
| 00:07:24 |
It's been a long time, |
| 00:07:30 |
You must have been very young. |
| 00:07:32 |
Yes,just a kid. |
| 00:07:34 |
I'll never forget what I saw. |
| 00:07:36 |
Baron Von Klaus, the father |
| 00:07:39 |
What is certain is |
| 00:07:41 |
has been reincarnated |
| 00:07:43 |
It's a good horror story, |
| 00:07:46 |
That's not all. |
| 00:07:47 |
Every time a young woman was sacrificed, |
| 00:07:51 |
There were blasts of wind... |
| 00:07:53 |
and wild animals came down out |
| 00:07:57 |
The moon disappeared three times... |
| 00:07:59 |
and dreadful screams |
| 00:08:04 |
You're about to see that I'm not lying. |
| 00:08:06 |
Tonight, the signs have started |
| 00:08:09 |
There are the same omens. |
| 00:08:12 |
I know the killer |
| 00:08:15 |
Come on, Hanzel, |
| 00:08:17 |
with your ghost stories. |
| 00:08:22 |
It's not a story for children... |
| 00:08:25 |
but it's certainly compelling. |
| 00:08:43 |
The women here are pretty, |
| 00:08:45 |
Beautiful, boss. |
| 00:08:48 |
If you behave, I'll pass them on to you |
| 00:08:50 |
Thanks, boss! |
| 00:08:51 |
Look at these brand-new boots |
| 00:08:54 |
You must have radar. |
| 00:08:57 |
you find something good. |
| 00:08:58 |
I've been at it a long time. |
| 00:09:10 |
- Hanzel. |
| 00:09:13 |
It's all because of your beard. |
| 00:09:17 |
I want to be |
| 00:09:22 |
I wish I had your experience. |
| 00:09:26 |
It's all a matter of intuition. |
| 00:09:28 |
You dig about |
| 00:09:29 |
- This smells like new. |
| 00:09:32 |
The old man knows |
| 00:09:34 |
A thousand-year-old chair |
| 00:09:38 |
Everything is worth something- |
| 00:09:40 |
- A bone? |
| 00:09:43 |
Giddyap! |
| 00:09:58 |
Theo, come here. |
| 00:10:12 |
It's him. |
| 00:10:17 |
He's come back, Theo. |
| 00:10:40 |
"Maidens and Murderers |
| 00:10:50 |
Hello, kid. |
| 00:10:52 |
What's going on |
| 00:10:55 |
Where were you? |
| 00:10:58 |
No, this time it was pants. |
| 00:11:02 |
A female bus driver. |
| 00:11:04 |
She was beautiful. |
| 00:11:08 |
Congratulations, Karl! |
| 00:11:10 |
You're a lucky man. |
| 00:11:12 |
Lucky? Nothing happened, |
| 00:11:15 |
Here, take this money! |
| 00:11:18 |
Where am I supposed to go |
| 00:11:22 |
To Holfen. |
| 00:11:25 |
Where? |
| 00:11:26 |
To Holfen. |
| 00:11:30 |
To Holfen, okay. |
| 00:11:32 |
Holfen, a town noted |
| 00:11:36 |
its food, and its crimes. |
| 00:11:39 |
Which of these specialties |
| 00:11:42 |
- The crimes, of course. |
| 00:11:44 |
One young girl was murdered, |
| 00:11:47 |
It's incredible. |
| 00:11:49 |
These crimes have been recurring |
| 00:11:53 |
and there's supposed |
| 00:12:00 |
Is this a picture of the ghost? |
| 00:12:03 |
No, one of his descendants. |
| 00:12:05 |
It could be interesting. |
| 00:12:15 |
Doctor. |
| 00:12:19 |
Doctor, is there any hope? |
| 00:12:25 |
Good night. |
| 00:12:48 |
My son. Where's my son? |
| 00:12:51 |
Don't worry, he won't be long. |
| 00:13:42 |
Excuse me, Ludwig, but it's urgent. |
| 00:13:58 |
Thank you, my God! |
| 00:14:02 |
Now I can die in peace. |
| 00:14:07 |
Don't say that. You'll see. |
| 00:14:10 |
You're gonna get better. |
| 00:14:14 |
That's her, isn't it, |
| 00:14:18 |
Yes. |
| 00:14:19 |
She's lovely. Very pretty. |
| 00:14:22 |
I'm very sorry |
| 00:14:26 |
I'm sure she'll make you happy. |
| 00:14:34 |
My God, I wish I could talk to you... |
| 00:14:38 |
just you and I, in secret. |
| 00:14:53 |
My son, |
| 00:14:57 |
A curse was put on us... |
| 00:15:01 |
many years ago. |
| 00:15:05 |
You admire the genius of |
| 00:15:09 |
For many years, |
| 00:15:13 |
the fact that he was |
| 00:15:20 |
- I know. |
| 00:15:24 |
You can't imagine |
| 00:15:29 |
The key! Yes, the key. |
| 00:15:32 |
Over there. |
| 00:15:39 |
In the middle drawer... |
| 00:15:42 |
behind the false bottom. |
| 00:16:06 |
It's the key to the cellar. |
| 00:16:09 |
Nobody has gone inside |
| 00:16:16 |
The place is cursed. |
| 00:16:20 |
You have to go in... |
| 00:16:25 |
and see for yourself. |
| 00:16:27 |
You'll feel |
| 00:16:34 |
Then you must escape from this place, |
| 00:16:40 |
You must escape the curse. |
| 00:16:49 |
Promise me you'll go away from here. |
| 00:16:54 |
Calm down, Mother. |
| 00:17:05 |
Last night... |
| 00:17:07 |
I had a terrible nightmare. |
| 00:17:12 |
A premonition... |
| 00:17:16 |
that everything was going |
| 00:17:21 |
I saw that the shadow from the swamps |
| 00:17:25 |
killing and torturing. |
| 00:17:35 |
Remember, your uncle... |
| 00:17:37 |
was the spitting image... |
| 00:17:41 |
of your ancestors, my son. |
| 00:18:29 |
Didn't you hear the horn? |
| 00:18:32 |
Didn't you hear the horn? |
| 00:18:33 |
Oh, yes. |
| 00:18:36 |
- The first left. |
| 00:18:38 |
Get up on the sidewalk. |
| 00:18:52 |
Idiot. |
| 00:19:09 |
Hey, babe. |
| 00:19:10 |
Would you happen to have seen |
| 00:19:14 |
little creep of |
| 00:19:16 |
You're here about the crime? |
| 00:19:18 |
What's going on? |
| 00:19:21 |
They're all up there, |
| 00:19:23 |
Thanks, honey. |
| 00:19:30 |
Hellmont. |
| 00:19:34 |
There's too many people here. |
| 00:19:36 |
Right away. |
| 00:19:40 |
Come on, move away from here. |
| 00:19:42 |
Can't we watch? |
| 00:19:43 |
Yes, my friend, of course you can. |
| 00:19:45 |
But there's nothing to see. |
| 00:19:48 |
Okay, we're leaving. |
| 00:19:51 |
All right, we'll go. |
| 00:19:54 |
You there, |
| 00:19:56 |
Come on, can't you see |
| 00:19:58 |
Let him through. |
| 00:20:04 |
Hello, Commissioner. |
| 00:20:08 |
Don't worry, you'll read about it |
| 00:20:11 |
- Have you found the other one? |
| 00:20:15 |
May I look for a second? |
| 00:20:16 |
If you like. |
| 00:20:20 |
Hellmont? |
| 00:20:24 |
Take her away, and send me |
| 00:20:45 |
Tell me, Boro, |
| 00:20:47 |
No, no one. |
| 00:20:49 |
Come on, not even me? |
| 00:20:51 |
I'm not in the mood |
| 00:20:54 |
People around here |
| 00:20:57 |
They may be right. |
| 00:21:00 |
It's the dead man |
| 00:21:03 |
Did anyone ask for your opinion? |
| 00:21:05 |
He's right, sir. |
| 00:21:07 |
Why don't you question |
| 00:21:09 |
The murderer always returns |
| 00:21:12 |
The next exam to join the police force |
| 00:21:14 |
You should take it. |
| 00:21:16 |
In October, the exams |
| 00:21:19 |
I suggest you don't take them. |
| 00:21:22 |
- Have you got your car? |
| 00:21:24 |
Can you give me a ride? |
| 00:21:29 |
Is this guy bothering you? |
| 00:21:31 |
No, he might come in handy. |
| 00:21:37 |
You haven't heard of |
| 00:21:42 |
Are you kidding? |
| 00:21:45 |
It always ends up being a regular old |
| 00:21:49 |
But there are often crimes |
| 00:21:52 |
Of course. |
| 00:21:54 |
I see you're a humble man. |
| 00:21:56 |
If the sadist of the legend |
| 00:21:59 |
there might be others |
| 00:22:01 |
Not this time. |
| 00:22:03 |
The two Von Klauses |
| 00:22:05 |
The uncle spent the whole night |
| 00:22:08 |
and the nephew was |
| 00:22:11 |
180 miles from here. |
| 00:22:13 |
What do you think of this car? |
| 00:22:14 |
I bought it from Berger, |
| 00:22:28 |
All right. |
| 00:22:33 |
- What time are you free? |
| 00:22:39 |
So, what's new? |
| 00:22:40 |
According to the autopsy, |
| 00:22:42 |
No kidding. |
| 00:22:44 |
And the weapon used |
| 00:22:45 |
A dagger? |
| 00:22:48 |
Let me finish. |
| 00:22:49 |
A dagger of Damascus steel |
| 00:22:51 |
Traces of rust |
| 00:22:53 |
- An ancient weapon. |
| 00:22:57 |
"That kind of dagger |
| 00:23:00 |
They were used |
| 00:23:02 |
but are no longer manufactured. " |
| 00:23:05 |
The tracks in the snow |
| 00:23:08 |
In other words, a guy 5'5" tall. |
| 00:23:11 |
He could be five feet tall, |
| 00:23:14 |
Or an old woman |
| 00:23:17 |
Don't get angry. Nobody |
| 00:23:21 |
I'm sure the killer is a sadist. |
| 00:23:37 |
- Are you a psychoanalyst? |
| 00:23:40 |
What do you think of all this? |
| 00:23:43 |
This kind of psychopath |
| 00:23:46 |
to see the agony of his victims. |
| 00:23:48 |
That's why the poor girl |
| 00:23:50 |
The crime |
| 00:23:54 |
Are they conscious |
| 00:23:56 |
They know very well |
| 00:23:59 |
When they're no longer in crisis, |
| 00:24:03 |
even agreeable and friendly. |
| 00:24:07 |
Like you, for example, |
| 00:24:11 |
That's right. |
| 00:24:16 |
I see. |
| 00:24:18 |
But knowing the area |
| 00:24:20 |
it's not around here |
| 00:24:23 |
This kind of criminal |
| 00:24:25 |
His instinct guides him to make |
| 00:24:28 |
I'm a moron |
| 00:24:30 |
You're finally beginning |
| 00:24:33 |
What about you? |
| 00:24:36 |
I'm sorry to disappoint you, |
| 00:24:38 |
but witnesses will tell you |
| 00:24:40 |
Have you been living here |
| 00:24:42 |
Very good. |
| 00:24:45 |
No, thanks, I don't need |
| 00:24:46 |
Sorry, I only ask |
| 00:24:49 |
that you came to this specific place |
| 00:25:55 |
Good evening. |
| 00:26:08 |
Ludwig! |
| 00:26:18 |
This is terrible. |
| 00:26:23 |
Come on, go to sleep |
| 00:29:14 |
"I hope these memoirs will be used |
| 00:29:18 |
It's an initiation |
| 00:29:21 |
of rare and unknown sensations... |
| 00:29:26 |
a seductive and tragic world... |
| 00:29:29 |
bred in pain and blood... |
| 00:29:31 |
the tragic eroticism |
| 00:29:34 |
finally ending in death. " |
| 00:31:51 |
Where are you going like that? |
| 00:31:58 |
Pardon me. |
| 00:32:04 |
Good night. |
| 00:32:08 |
Good night. |
| 00:32:28 |
"International Singing Star |
| 00:32:32 |
Take me along |
| 00:32:34 |
Hold me tight in your arms |
| 00:32:41 |
Our happiness is here |
| 00:32:45 |
Without looking any further |
| 00:32:49 |
You can find love |
| 00:32:53 |
With me |
| 00:33:07 |
- Good evening. |
| 00:33:10 |
Dorian, you were terrific tonight. |
| 00:33:14 |
Do you want a drink? |
| 00:33:15 |
Not tonight. |
| 00:33:17 |
As a doctor, I can help with that. |
| 00:33:18 |
Thanks. I think I need |
| 00:33:22 |
Do you want a drink |
| 00:33:26 |
A scotch. |
| 00:33:29 |
Let's have lunch tomorrow, okay? |
| 00:33:33 |
Fine. Let's meet |
| 00:33:40 |
- Go and get some rest. |
| 00:34:42 |
- Good evening. |
| 00:36:28 |
Evening, Ludwig. |
| 00:36:31 |
I'm working, that's all. |
| 00:36:34 |
It wouldn't interest you much. |
| 00:36:36 |
You're wrong. |
| 00:36:39 |
Well, listen then, |
| 00:36:43 |
so I won't have anyone |
| 00:36:45 |
And I won't have anyone |
| 00:37:03 |
Nobody has anything to say. |
| 00:37:06 |
Nobody saw anything. |
| 00:37:10 |
You can all go. |
| 00:37:14 |
But no one is to leave the hotel |
| 00:37:23 |
Commissioner, excuse me... |
| 00:37:27 |
but if you don't allow me to leave, |
| 00:37:30 |
I'm really sorry, sir. |
| 00:37:33 |
Bring me the hotel registry. |
| 00:37:35 |
The hotel registry! |
| 00:37:37 |
You see, my wife doesn't know |
| 00:37:41 |
Then you must let her know. |
| 00:37:44 |
Otherwise I'll have to tell her myself. |
| 00:37:48 |
Angelina? |
| 00:37:50 |
- Make sure nobody leaves the hotel. |
| 00:37:53 |
Hurry up! |
| 00:37:59 |
And there are also guests |
| 00:38:02 |
Those who only came for dinner. |
| 00:38:04 |
Or just to have a drink. |
| 00:38:06 |
Were there a lot last night? |
| 00:38:07 |
We're not in high season yet. |
| 00:38:10 |
So, my dear Borowski, |
| 00:38:12 |
Ah, I left. Sorry, Karl. |
| 00:38:18 |
Rudolf Bender. Who is he? |
| 00:38:22 |
- Perhaps you should ask the concierge. |
| 00:38:25 |
What time did Mr. Bender get here? |
| 00:38:27 |
Around noon. He didn't have |
| 00:38:32 |
That's it. He's the killer! |
| 00:38:34 |
- Oh, yeah? Why? |
| 00:38:41 |
- What time did he leave? |
| 00:38:45 |
I can't say if it was |
| 00:38:49 |
- ... the crime? |
| 00:38:50 |
Or the discovery of the crime? |
| 00:38:55 |
I took his luggage to his car. |
| 00:38:58 |
A b-b-briefcase. |
| 00:39:00 |
He gave me a good tip, |
| 00:39:06 |
Wait a minute. |
| 00:39:08 |
I think I can remember... |
| 00:39:11 |
an important detail. |
| 00:39:12 |
The man had a c-c-cane... |
| 00:39:15 |
and the knob was |
| 00:39:18 |
A human head. |
| 00:39:22 |
I- It was a Moor. |
| 00:39:27 |
What does he look like? |
| 00:39:28 |
Who? Mr. B-B-Bender? |
| 00:39:32 |
Yes. |
| 00:39:35 |
Maybe... |
| 00:39:39 |
in his 50s, I think. |
| 00:39:42 |
Normal-looking. |
| 00:39:44 |
Black suit, very- |
| 00:39:48 |
Very well-dressed. |
| 00:39:49 |
- Have you seen him here before? |
| 00:39:53 |
I used to work at the Hotel Negresco, |
| 00:39:56 |
- What about the chambermaid? |
| 00:39:58 |
Can I have a look at the book? |
| 00:40:00 |
Maybe Bender stopped here |
| 00:40:03 |
Under that name he didn't. |
| 00:40:05 |
- Did you check carefully? |
| 00:40:09 |
If you think you're gonna find |
| 00:40:12 |
- Commissioner, I'm innocent! |
| 00:40:15 |
I'm innocent! |
| 00:40:24 |
Sit down, miss. |
| 00:40:27 |
I'm not in the way, am I? |
| 00:40:29 |
You're a bit like a chronic cold. |
| 00:40:32 |
You're a nuisance, |
| 00:40:35 |
Don't be afraid. |
| 00:40:38 |
I'm an honest girl. I'm not used |
| 00:40:42 |
All right, then. Listen carefully. |
| 00:40:45 |
Yesterday, did you see- |
| 00:40:48 |
I didn't see anything! |
| 00:40:50 |
I just make sure my job is done. |
| 00:40:52 |
It's my job to clean and dust, |
| 00:40:56 |
Just a second, okay? |
| 00:40:58 |
I've told the truth, and that's all! |
| 00:41:00 |
I'd never do anything wrong. |
| 00:41:03 |
I can show you my references. |
| 00:41:09 |
Do you realize all the pretty young |
| 00:41:13 |
You could be the next victim. |
| 00:41:15 |
You really think so? |
| 00:41:18 |
I like this girl. |
| 00:41:20 |
If I can be of any help, |
| 00:41:23 |
Have the doctor |
| 00:41:24 |
We'll check the time |
| 00:41:26 |
I totally agree. |
| 00:41:28 |
Don't forget I volunteered |
| 00:41:30 |
You didn't know I had been staying |
| 00:41:40 |
What did you do last night? |
| 00:41:42 |
- I slept. |
| 00:41:44 |
The four of us were here together. |
| 00:41:46 |
Margaret finished her work, |
| 00:41:49 |
and I had a talk with Hanzel. |
| 00:41:51 |
- What about you? |
| 00:41:55 |
Did you see Dr. Kallman? |
| 00:41:57 |
- Yeah, he came at midnight. |
| 00:42:00 |
I'd like to speak with him in private. |
| 00:42:05 |
- You were there last night with Lida. |
| 00:42:08 |
- You saw Dr. Kallman. |
| 00:42:11 |
- How was he dressed? |
| 00:42:15 |
- Was he wearing a hat? |
| 00:42:18 |
Can I come in? |
| 00:42:20 |
How was Dr. Kallman |
| 00:42:24 |
In a gray suit. |
| 00:42:26 |
- Did he wear a hat? |
| 00:42:29 |
- You fool! |
| 00:42:31 |
You weren't there, you saw nothing, |
| 00:42:34 |
- I'd like to know why. |
| 00:42:38 |
- We're innocent. |
| 00:42:40 |
but if you're trying to hide |
| 00:42:43 |
Bye, Mister Boro- |
| 00:42:48 |
What about you? |
| 00:42:51 |
You often go out at night, |
| 00:46:24 |
Where's the book about Marienbad? |
| 00:46:26 |
I don't know. |
| 00:47:16 |
Borowski, have you given yourself |
| 00:47:31 |
That's right. |
| 00:47:33 |
They're all bastards. |
| 00:47:36 |
They're all lying! |
| 00:47:37 |
Fine. If they lie to you, |
| 00:47:43 |
I can't. |
| 00:47:46 |
I'm too honest. |
| 00:47:47 |
You'll never get anywhere that way, |
| 00:47:51 |
I've just come from sneaking |
| 00:47:53 |
and look what I found. |
| 00:48:07 |
Please sit down. |
| 00:48:10 |
I hope you will explain |
| 00:48:14 |
The staff of the Kanburg Hotel, |
| 00:48:16 |
has been able to identify |
| 00:48:22 |
I refuse to answer |
| 00:48:24 |
Mr. Steiner has my authorization. |
| 00:48:31 |
Yes, I was at the Kanburg |
| 00:48:35 |
Why did you use a false name? |
| 00:48:37 |
- For personal reasons. |
| 00:48:39 |
- I can't tell you. |
| 00:48:42 |
I told you. |
| 00:48:45 |
Do you realize |
| 00:48:48 |
No, not really. |
| 00:48:49 |
I could arrest you for murder. |
| 00:48:52 |
You'd be making a big mistake, |
| 00:48:56 |
My friend, believe me, |
| 00:49:00 |
You have to prove it. |
| 00:49:02 |
And it's your job |
| 00:49:05 |
What time did you get |
| 00:49:07 |
I don't know. |
| 00:49:11 |
- Did you come in your car? |
| 00:49:13 |
- Were you alone? |
| 00:49:16 |
Are you sure? |
| 00:49:19 |
I'm sure. |
| 00:49:20 |
What did you do then? |
| 00:49:23 |
I took a room. |
| 00:49:26 |
And then? |
| 00:49:28 |
I don't remember. |
| 00:49:29 |
I went to bed, I tried to read, |
| 00:49:34 |
What time was that? |
| 00:49:37 |
I wasn't expecting you to ask me. |
| 00:49:41 |
You should leave your attitude outside. |
| 00:49:43 |
I'm sorry, but it's the truth. |
| 00:49:46 |
Fine. Then what? |
| 00:49:48 |
I woke up. |
| 00:49:52 |
It was still dark. |
| 00:49:54 |
I couldn't go back to sleep, |
| 00:49:58 |
- For how long? |
| 00:50:00 |
What time did you come back? |
| 00:50:03 |
It must have been 7:00 or 7:30. |
| 00:50:08 |
A ten-year-old |
| 00:50:11 |
I'd come up with an alibi too |
| 00:50:15 |
Boro. |
| 00:50:19 |
Agent Norman has found the body |
| 00:50:26 |
Where did he find her? |
| 00:50:28 |
Half sunk in the swamp, |
| 00:50:32 |
Good. We know everything |
| 00:50:40 |
Mr. Von Klaus, you're under arrest |
| 00:50:50 |
You're making a mistake, |
| 00:50:53 |
The judge will decide that. |
| 00:50:55 |
Take him away. |
| 00:51:05 |
Congratulations. |
| 00:51:11 |
Don't thank me. |
| 00:51:13 |
I must be the stupidest |
| 00:51:16 |
What? |
| 00:51:18 |
Von Klaus is innocent. |
| 00:51:20 |
What are you talking about? |
| 00:51:23 |
I've never heard |
| 00:51:25 |
Von Klaus is an intelligent man. |
| 00:51:28 |
If he was the killer, |
| 00:51:31 |
You've read a lot, |
| 00:51:34 |
Your conclusions are good... |
| 00:51:37 |
Real life is different. |
| 00:51:40 |
Think about it, son. |
| 00:52:07 |
It's me, Karine. |
| 00:52:09 |
I brought you something. |
| 00:52:14 |
- How are you doing? |
| 00:52:17 |
- I just got in a panic. |
| 00:52:21 |
My mother's death... |
| 00:52:24 |
all these crimes... |
| 00:52:26 |
Max's arrest. |
| 00:52:28 |
Ludwig, I can't believe |
| 00:52:32 |
All the evidence points to him. |
| 00:52:34 |
But Max is a good man. |
| 00:52:42 |
I loved my grandfather too. |
| 00:52:46 |
He was also a great artist, |
| 00:52:52 |
And yet he was a murderer. |
| 00:52:55 |
You never told me |
| 00:53:00 |
I want to escape from them. |
| 00:53:04 |
It's a real nightmare. |
| 00:53:06 |
Why? |
| 00:53:08 |
Why? You're not involved |
| 00:53:16 |
I'm a Von Klaus. |
| 00:53:19 |
I'm their descendant, and I might |
| 00:53:23 |
How can you say that? |
| 00:53:25 |
It's all happened so quickly. |
| 00:53:27 |
I'll watch over you. |
| 00:53:32 |
We'll leave this place, |
| 00:53:36 |
Yeah, I see you want to lock me up. |
| 00:53:38 |
You know just how to do it. |
| 00:53:41 |
No, Ludwig, that's not it at all. |
| 00:53:43 |
I just want you |
| 00:53:46 |
I want you to get back |
| 00:53:49 |
Ludwig, please listen to me. |
| 00:53:53 |
I only want your happiness. |
| 00:54:00 |
Forgive me, Karine. |
| 00:54:07 |
Everything has happened so quickly. |
| 00:54:10 |
Forget what I said. Stay by my side. |
| 00:54:14 |
I need you by my side. |
| 00:54:17 |
I've got nothing left... |
| 00:54:19 |
and I can't live alone |
| 00:54:21 |
All right, Ludwig. |
| 00:54:24 |
and then we'll take |
| 00:54:28 |
You'll become a famous pianist. |
| 00:54:31 |
I'll be your greatest admirer. |
| 00:54:34 |
One day, we'll come back here, |
| 00:54:38 |
We'll throw the doors open wide... |
| 00:54:40 |
and the flowers' perfume will fill up |
| 00:54:44 |
No more shadows, no more ghosts |
| 00:55:02 |
Thank you, Karine. |
| 00:55:05 |
I've told you all about this family. |
| 00:55:07 |
It was time |
| 00:55:09 |
- Do they know who the killer is? |
| 00:55:12 |
They took him |
| 00:55:15 |
Yeah, I saw him, and there's a crowd |
| 00:55:17 |
who want to take him out |
| 00:55:19 |
- Shut up! |
| 00:55:21 |
I've known it for a long time. |
| 00:55:23 |
- Me too. |
| 00:55:26 |
Shut up! |
| 00:55:33 |
- You've got a wicked tongue. |
| 00:57:01 |
Good evening. |
| 00:57:03 |
Good evening, madam. |
| 00:57:08 |
What brings you here at this hour? |
| 00:57:14 |
Commissioner, |
| 00:57:17 |
You must set him free. |
| 00:57:20 |
How do you know? |
| 00:57:22 |
I was with him that night |
| 00:57:31 |
Do you realize the seriousness |
| 00:57:33 |
Yes. We stayed there all night. |
| 00:57:36 |
- Is he your lover? |
| 00:57:44 |
Why didn't he tell me the truth? |
| 00:57:48 |
He's a good man. |
| 00:57:51 |
The divorce isn't final yet... |
| 00:57:53 |
so we keep it our secret |
| 00:57:56 |
How did you get in the hotel |
| 00:57:59 |
It's not the first time |
| 00:58:03 |
The chambermaid |
| 00:58:05 |
Well, that's a piece of news! |
| 00:58:08 |
Why did they all lie to me |
| 00:58:11 |
To protect me. |
| 00:58:15 |
I can't hide it anymore. |
| 00:58:17 |
I'll have your statement |
| 00:58:21 |
I promise you |
| 00:58:24 |
- Where's your husband? |
| 00:58:27 |
Our daughter is in college, |
| 00:58:32 |
Commissioner, I swear |
| 01:02:26 |
Lida! |
| 01:02:40 |
Stop him! |
| 01:02:43 |
Catch him! Hurry! |
| 01:03:33 |
Hurry! |
| 01:03:36 |
Follow me! |
| 01:03:54 |
Are you crazy? |
| 01:03:56 |
- The forces of evil will come down on us. |
| 01:03:59 |
We are no match for a phantom. |
| 01:04:01 |
If we went in there, |
| 01:04:04 |
No, not the cemetery! |
| 01:05:19 |
"The Von Klaus Family" |
| 01:05:29 |
- Come with me, please. |
| 01:05:32 |
- You're free to go. |
| 01:06:20 |
Good evening. |
| 01:06:25 |
Why did you do that? |
| 01:06:27 |
You're the most important thing |
| 01:06:34 |
My love. |
| 01:06:56 |
Hello. I'd like to see |
| 01:07:00 |
Please come in, sir. |
| 01:07:01 |
just a moment. |
| 01:07:21 |
What are you doing here? |
| 01:07:23 |
My name is Karl Steiner. |
| 01:07:26 |
- Has anyone gone to call him? |
| 01:07:28 |
You're Ludwig's fiancée, aren't you? |
| 01:07:31 |
How did you know? |
| 01:07:33 |
My job is to find things out |
| 01:07:37 |
- Do you enjoy it? |
| 01:07:40 |
Think of all the crimes |
| 01:07:43 |
There's a noble side to the job |
| 01:07:47 |
It helps the public stay informed. |
| 01:07:49 |
- Is that what a journalist does? |
| 01:07:57 |
- What do you want now? |
| 01:07:59 |
Could you please give me a moment? |
| 01:08:02 |
Baron, I came to apologize. |
| 01:08:06 |
After your deposition, |
| 01:08:09 |
- Is that all? |
| 01:08:11 |
I also intervened on Lida's behalf |
| 01:08:13 |
I'm not asking you to thank me, |
| 01:08:27 |
Please forgive my angry tone. |
| 01:08:31 |
Thank you. |
| 01:08:36 |
- Do you like to travel? |
| 01:08:41 |
I've dreamed of seeing the world |
| 01:08:43 |
The mysterious Indies, |
| 01:08:46 |
I love to travel myself. |
| 01:08:48 |
- I can see we have similar tastes. |
| 01:08:50 |
How do you know |
| 01:08:52 |
Since you admire this house, |
| 01:08:56 |
Yes, I would like that. |
| 01:08:57 |
There's a wonderful view |
| 01:09:18 |
Ludwig's grandfather |
| 01:09:20 |
You can see the swamps from here, |
| 01:09:23 |
Ludwig comes here regularly. |
| 01:09:25 |
- With you? |
| 01:09:27 |
Alone? Why's that? |
| 01:09:30 |
There's the road to the mountain. |
| 01:09:32 |
The Kanburg Hotel is at the top. |
| 01:09:34 |
It's a trendy place |
| 01:09:36 |
There's the path to the swamps |
| 01:09:42 |
It's strange, but Ludwig seems drawn |
| 01:09:48 |
Some kind of cult. |
| 01:09:50 |
Ludwig devoted himself to music |
| 01:09:54 |
who, despite everything, |
| 01:10:03 |
Do you still need me, madam? |
| 01:10:05 |
You can leave whenever you want, |
| 01:10:07 |
- Very well, madam. |
| 01:10:09 |
It's nothing. |
| 01:10:12 |
Shall I escort you, Margaret? |
| 01:10:16 |
Thanks, but I'm not going |
| 01:10:22 |
The killer's lucky. He's got |
| 01:10:25 |
On the contrary. |
| 01:10:28 |
The first Baron Von Klaus |
| 01:11:22 |
That young girl you brought with you |
| 01:11:24 |
I can see why |
| 01:11:25 |
She's my fiancée. |
| 01:11:28 |
It's different with her. |
| 01:11:33 |
She'll make a good wife. |
| 01:11:41 |
And I wouldn't, right? |
| 01:11:53 |
No. |
| 01:12:06 |
But you love me |
| 01:12:09 |
I don't know. |
| 01:12:17 |
When I'm with you, |
| 01:12:21 |
But I have a duty to continue |
| 01:12:27 |
You're my only love. |
| 01:15:45 |
- Where have you taken me? |
| 01:15:50 |
So it's you. |
| 01:15:53 |
You're the killer! |
| 01:15:55 |
I don't know. |
| 01:19:54 |
You're the killer. |
| 01:20:23 |
Woe to her who comes near me. |
| 01:20:29 |
Why? |
| 01:20:31 |
Why am I compelled |
| 01:20:34 |
What power do you have |
| 01:20:38 |
You're capable of anything. |
| 01:20:40 |
Your voice rings in my ears, |
| 01:20:44 |
I want to be rid of you, |
| 01:20:49 |
surrounded by loved ones. |
| 01:20:52 |
Why is your will stronger than mine? |
| 01:20:55 |
Why? |
| 01:21:35 |
- It's not working. |
| 01:21:37 |
I already put my money in. |
| 01:21:42 |
Here. |
| 01:22:18 |
- Where are you going? |
| 01:22:21 |
If you do something stupid, |
| 01:22:25 |
Fine. |
| 01:22:37 |
I'm sorry. |
| 01:22:44 |
Karine. |
| 01:23:03 |
Hello, Karine. |
| 01:23:04 |
I'm sorry to call you like that |
| 01:23:09 |
What is it? |
| 01:23:10 |
You've got to promise me |
| 01:23:13 |
I promise. |
| 01:23:16 |
Do you remember |
| 01:23:18 |
- I do. |
| 01:23:20 |
- I was. |
| 01:23:22 |
About 180 miles. |
| 01:23:26 |
What I'm going to ask you |
| 01:23:30 |
Did you travel all night? |
| 01:23:31 |
No, he came to pick me up |
| 01:23:34 |
We left in a big hurry. |
| 01:23:36 |
I was scared and I asked him |
| 01:23:38 |
I was afraid of an accident. |
| 01:23:46 |
This is Ludwig's first statement. |
| 01:23:50 |
"Where did you spend the night?" |
| 01:23:52 |
"I came to pick up my fiancée |
| 01:23:54 |
We had eaten dinner |
| 01:23:59 |
"How far did you have to go?" |
| 01:24:00 |
"About 180 miles. |
| 01:24:04 |
I drove very slow because |
| 01:24:11 |
- Do you understand? |
| 01:24:13 |
It is. He's the killer, |
| 01:24:17 |
- No, that's impossible! |
| 01:24:21 |
Try hard to remember. |
| 01:24:23 |
When he came to pick you up, |
| 01:24:27 |
He seemed tired and nervous. |
| 01:24:31 |
Listen: This is very important. |
| 01:24:35 |
Have you noticed Ludwig |
| 01:24:38 |
Yes. He spends whole days |
| 01:24:42 |
It was his grandfather's workshop. |
| 01:24:44 |
It was closed for years. |
| 01:24:48 |
I don't know what he does |
| 01:24:50 |
He'll drive himself mad. |
| 01:24:53 |
Have you ever gone inside? |
| 01:24:56 |
No, he never let me. |
| 01:24:57 |
Karine, you've got to help me. |
| 01:25:00 |
- But how? |
| 01:25:02 |
You've got to get him |
| 01:25:04 |
Ask him to take you dancing |
| 01:25:07 |
Be very affectionate. |
| 01:25:10 |
In the meantime, |
| 01:25:13 |
If Ludwig is the killer... |
| 01:25:15 |
I know I'll find the proof there. |
| 01:25:18 |
Very well. |
| 01:28:47 |
Call the commissioner in Holfen. |
| 01:28:50 |
Tell him to send all his men to the swamps |
| 01:28:55 |
Commissioner, Mr. Von Klaus says |
| 01:28:59 |
That's where the killer is! |
| 01:29:26 |
Why did you bring me here? |
| 01:29:29 |
We'll go to the Kanburg afterwards. |
| 01:29:32 |
I like to visit the spot |
| 01:29:36 |
Let's get out of here, Ludwig. |
| 01:29:38 |
- But you don't know it. |
| 01:29:42 |
Take me to the hotel. |
| 01:29:45 |
If we go to the Kanburg, |
| 01:29:49 |
When that stupid journalist finds |
| 01:29:52 |
I'll be arrested. |
| 01:29:55 |
What is there to find out? |
| 01:29:59 |
This is the realm |
| 01:30:02 |
Ludwig, you're scaring me. |
| 01:30:07 |
I love you, Ludwig. |
| 01:30:10 |
Ludwig! |
| 01:30:15 |
Karine! |
| 01:33:08 |
Forget them. |
| 01:33:13 |
Join me in the eternal peace |
| 01:33:22 |
Come. |
| 01:34:17 |
Get him in the car. |
