|
Mao s Last Dancer
|
| 00:00:01 |
WwW.TuNiSiA-MuSiC.CoM |
| 00:00:19 |
(FOOTSTEPS) |
| 00:00:49 |
MAN: Li |
| 00:00:54 |
Hello! |
| 00:00:56 |
Ni hao. Welcome to America. |
| 00:01:00 |
Oh, it's so wonderful |
| 00:01:02 |
- You alright? |
| 00:01:04 |
Yeah? I've got some people |
| 00:01:07 |
This is Cynthia Dodds. |
| 00:01:08 |
She's the general manager |
| 00:01:10 |
Pleased to meet you, Li. |
| 00:01:11 |
And Mason Daniels. |
| 00:01:14 |
Howdy! Welcome to Houston. |
| 00:01:16 |
And Betty Lou Bayless. |
| 00:01:18 |
It's lovely to meet you, |
| 00:01:21 |
- And Lori Lawley. |
| 00:01:22 |
I've heard so much |
| 00:01:24 |
Lori's one of our |
| 00:01:25 |
- This is my husband, Dilworth, |
| 00:01:27 |
Welcome to Houston, |
| 00:01:46 |
LI: Upon my soul. |
| 00:01:48 |
Have you been learning English, Li? |
| 00:01:51 |
Oh, yes, Ben. |
| 00:01:54 |
- I learn from this. |
| 00:01:58 |
- Uh, 'fantas...' |
| 00:02:02 |
It means wonderful. |
| 00:02:05 |
Oh. |
| 00:02:10 |
Fantastic. |
| 00:02:33 |
Big...big house, Ben. |
| 00:02:36 |
Um...you have a big family? |
| 00:02:38 |
No, no, it's just me. |
| 00:02:40 |
And this is your room. |
| 00:02:53 |
Alright? |
| 00:02:54 |
Um...this all me? |
| 00:02:58 |
Yes, it's aLL yours. |
| 00:03:06 |
(CHILDREN SHOUT) |
| 00:03:40 |
Yaaa! |
| 00:04:25 |
(TEACHER SHOUTS |
| 00:05:46 |
(BOYS SHOUT) |
| 00:06:43 |
- You get settled alright? |
| 00:06:45 |
Oh, God, we really must do something |
| 00:06:49 |
It's me, Ben. |
| 00:06:52 |
Yes, that's you. |
| 00:06:54 |
Bobby's around. You'll see him. |
| 00:06:55 |
But Mary, alas, |
| 00:07:00 |
Uh...niang, dia? |
| 00:07:03 |
Um...mother...um, father? |
| 00:07:07 |
Oh, no. That's Vice President Bush |
| 00:07:11 |
She's patron of |
| 00:07:13 |
Would you like a muffin? |
| 00:07:15 |
Mu...muffin? |
| 00:07:18 |
Yeah. |
| 00:07:19 |
Um...horse...horse... |
| 00:07:23 |
Crap? Shit? Horse... |
| 00:07:26 |
Horse shit? |
| 00:07:27 |
Yes. Yeah. |
| 00:07:28 |
No! |
| 00:07:30 |
This is a muffin. |
| 00:07:32 |
Here. |
| 00:07:43 |
BEN: It's Gershwin, guys. |
| 00:07:47 |
Just invest a little more. |
| 00:07:48 |
Li, you're doing fine. |
| 00:07:51 |
And...slow plié. |
| 00:07:54 |
And stretch it out, right? |
| 00:07:59 |
And...up with the acCent. |
| 00:08:01 |
Up with the accent. |
| 00:08:02 |
Up, and down on the floor. |
| 00:08:06 |
Lovely. Hold. |
| 00:08:08 |
And hold. |
| 00:08:10 |
Alright. |
| 00:08:13 |
That's alright. |
| 00:08:15 |
Incredible physique. |
| 00:08:18 |
If you do say so yourself. |
| 00:08:28 |
CHILD: Some brown ones? |
| 00:08:31 |
MOTHER: OK, one last one |
| 00:08:45 |
Let's see. |
| 00:09:06 |
(RINGS BUZZER) |
| 00:10:29 |
(BICYCLE BELLS CHIME) |
| 00:10:39 |
(ROUSING MARTIAL MUSIC PLAYS) |
| 00:12:48 |
(GENERATOR RATTLES) |
| 00:13:06 |
(GENERATOR SPUTTERS) |
| 00:13:59 |
(FIREWORKS POP) |
| 00:14:02 |
(DRUMS PLAY) |
| 00:15:34 |
(TELEVISION PLAYS |
| 00:15:53 |
What's wrong? |
| 00:15:56 |
Hmmm. |
| 00:15:58 |
My father work very hard, |
| 00:16:01 |
have 50...50 dollar...one year. |
| 00:16:07 |
And you spend 500...one day. |
| 00:16:13 |
Why you...why you do this? |
| 00:16:17 |
Li, you know, I'm not |
| 00:16:23 |
It's just what people |
| 00:16:26 |
I think that's probably why your |
| 00:16:30 |
It's just a trifle out of date, |
| 00:16:33 |
I must give suit back. |
| 00:16:35 |
Well, you can give these back |
| 00:16:38 |
These can be yours to have |
| 00:16:40 |
while you're here |
| 00:16:47 |
Why bird on? |
| 00:16:50 |
(CHUCKLES) "Don't let |
| 00:16:53 |
It's not a capitalist thing, |
| 00:16:57 |
Honestly, it's just |
| 00:16:58 |
like a lot of things in America. |
| 00:17:03 |
What it mean? |
| 00:17:04 |
It means there are times |
| 00:17:18 |
(TRAIN WHISTLE BLOWS) |
| 00:17:24 |
(CHINESE SONG PLAYS) |
| 00:18:35 |
(CALLS INSTRUCTIONS |
| 00:20:10 |
(BOY SOBS) |
| 00:20:37 |
(SOBS) |
| 00:21:00 |
(FARTS LOUDLY) |
| 00:21:09 |
(BRIGHT PIANO MUSIC PLAYS) |
| 00:21:15 |
(TEACHER CHAN |
| 00:21:37 |
- Ni hao. |
| 00:21:44 |
Mm. |
| 00:21:50 |
Oh! |
| 00:22:01 |
(TEACHER CHAN CALLS |
| 00:22:57 |
(TEACHER CHAN |
| 00:23:00 |
(PIANO PLAYS |
| 00:23:05 |
CALLS INSTRUCTIONS) |
| 00:23:46 |
(CHUCKLES) |
| 00:24:44 |
('LET'S GROOVE' |
| 00:25:00 |
Here you go, Li. |
| 00:25:01 |
Thank you. |
| 00:25:03 |
What is this? |
| 00:25:05 |
It's just Pepsi. Give it a shot. |
| 00:25:13 |
I know, I know. it's... |
| 00:25:15 |
Yeah, i know. It gets |
| 00:25:21 |
Whoo! |
| 00:25:22 |
- BobBy? |
| 00:25:24 |
Lori - she good dancer. |
| 00:25:26 |
Oh, yeah, she is. |
| 00:25:27 |
But for a principal ballerina, |
| 00:25:30 |
she makes |
| 00:25:34 |
Hey, you wanna dance, Li? |
| 00:25:36 |
- No. |
| 00:25:37 |
Allow me. |
| 00:25:49 |
Dilworth, you like ballet? |
| 00:25:52 |
I like ballerinas, Li. Very agile. |
| 00:25:58 |
Chairman Mao, huh? |
| 00:26:00 |
Yes, I love Chairman Mao. |
| 00:26:03 |
He do many good thing. |
| 00:26:05 |
Can't say I feel the same |
| 00:26:08 |
You love president? |
| 00:26:10 |
(LAUGHS) No, Li, |
| 00:26:13 |
Shhh! |
| 00:26:17 |
You not scared? |
| 00:26:19 |
Scared? No. |
| 00:26:21 |
This is America, Li. |
| 00:26:26 |
CALLS INSTRUCTIONS) |
| 00:27:56 |
Arabesque. |
| 00:29:15 |
(PEOPLE CHANT) |
| 00:29:40 |
(ELEGANT ORCHESTRAL MUSIC PLAYS) |
| 00:30:17 |
(MUSIC CLIMAXES) |
| 00:30:27 |
(MUSIC ENDS) |
| 00:31:53 |
(BOTH EXCHANGE GREETINGS) |
| 00:33:08 |
(CHINESE ORCHESTRAL MUSIC PLAYS) |
| 00:34:18 |
(MUSIC SWELLS) |
| 00:35:10 |
(MUSIC ENDS) |
| 00:35:22 |
(BOY CHATTERS QUIETLY) |
| 00:36:24 |
(WHISPERS) |
| 00:36:34 |
(APPLAUSE) |
| 00:36:42 |
(BRIGHT ORCHESTRAL MUSIC PLAYS) |
| 00:36:45 |
Oh! |
| 00:36:59 |
(APPLAUSE) |
| 00:37:10 |
(WILD APPLAUSE |
| 00:38:24 |
NEWSREEL NARRATOR: |
| 00:39:19 |
I'm Shi Dao from |
| 00:39:21 |
Oh, thank you. |
| 00:39:23 |
Ben Stevenson. |
| 00:39:25 |
- Welcome to Beijing. |
| 00:39:26 |
Let me introduce Mr Wang. |
| 00:39:28 |
- (SPEAKS CHINESE) |
| 00:39:30 |
Director for Beijing Academy. |
| 00:39:32 |
- Mr Hung... |
| 00:39:33 |
BEN: A pleasure to meet you. |
| 00:39:35 |
These are |
| 00:39:36 |
Mary McKendry |
| 00:39:38 |
- Hello. |
| 00:39:39 |
- Thank you. |
| 00:39:41 |
- Music, please, Thank you. |
| 00:39:42 |
('PRELUDE 1: ALLEGRO |
| 00:39:44 |
BY GEORGE GERSHWIN PLAYS) |
| 00:39:53 |
Lovely. Alright, thank you. |
| 00:39:54 |
- (MUSIC STOPS) |
| 00:39:57 |
Let's try that just from |
| 00:40:01 |
Right? |
| 00:40:02 |
Five, six, seven, eight. |
| 00:40:05 |
(HUMS TUNE) |
| 00:40:07 |
And five, six, seven, eight. |
| 00:40:09 |
And one, two and three. Lovely! |
| 00:40:11 |
Lovely. That's very good. Alright. |
| 00:40:13 |
Let's try it with music, shall we? |
| 00:40:15 |
(MUSIC RESUMES) |
| 00:40:19 |
Lovely. Yes, turn, turn, turn. |
| 00:40:24 |
Travel, travel, travel, travel! |
| 00:40:26 |
(WOMAN TRANSLATES) |
| 00:40:27 |
Back in, back in. |
| 00:40:32 |
Right. Ready for the jump! |
| 00:40:34 |
(HUMS TUNE) |
| 00:40:39 |
Yes, yes, yes! |
| 00:40:41 |
Very good, very good indeed. |
| 00:40:43 |
Alright, back to the top. |
| 00:40:45 |
They're so light in the air |
| 00:40:49 |
But there's no emotion. |
| 00:40:50 |
They're not connected, |
| 00:40:52 |
Amazing techniquE. |
| 00:40:53 |
Well, yeah, but, you know, |
| 00:40:55 |
they remind me more of athletes |
| 00:40:57 |
All except... There's one, |
| 00:41:01 |
I think know who you mean. |
| 00:41:04 |
BEN: And from |
| 00:41:07 |
And développé. |
| 00:41:11 |
Right, Li, get ready |
| 00:41:13 |
- (WOMAN TRANSLATES) |
| 00:41:19 |
oh, that's really not working. |
| 00:41:21 |
Uh... Mary, would you |
| 00:41:25 |
Shing Hua, stay here |
| 00:41:28 |
Mary, you do it Li, would you partner |
| 00:41:30 |
And, from the beginning, yeah? |
| 00:41:33 |
(WOMAN TRANSLATES) |
| 00:41:35 |
Alright? |
| 00:41:37 |
It's alright, I won't bite. |
| 00:41:39 |
- Could you tell him? |
| 00:41:42 |
Right. Come on, come on. |
| 00:41:45 |
There we go. |
| 00:41:47 |
Ni hao. |
| 00:41:49 |
I'm Mary. |
| 00:41:51 |
Ni hao. |
| 00:41:52 |
(DRAMATIC STRING MUSIC PLAYS) |
| 00:42:35 |
Minister, you have some |
| 00:42:48 |
We've run the summer program |
| 00:42:51 |
and we've been |
| 00:42:53 |
Yeah, I see. |
| 00:42:55 |
It's a tremendous success. |
| 00:42:57 |
I think they're talking about us. |
| 00:42:58 |
Probably. |
| 00:43:13 |
Because it would be wonderful |
| 00:43:15 |
The decision would |
| 00:43:18 |
by the party, Mr Stevenson. |
| 00:43:20 |
Oh, of course, |
| 00:43:22 |
Alright. |
| 00:43:27 |
BOBBY: How'd it go? |
| 00:43:29 |
Well, they're going to |
| 00:43:31 |
I expect they'll take it |
| 00:43:33 |
MARY: Well, how long |
| 00:43:34 |
It's not up to me. it's up to |
| 00:43:37 |
WOMAN: We're ready for photograph, |
| 00:43:38 |
Alright. |
| 00:45:51 |
(GENTLE PIANO MUSIC PLAYS) |
| 00:46:06 |
Hi. |
| 00:46:10 |
Um...I can go if you |
| 00:46:14 |
No, um, stay. |
| 00:46:17 |
Watch. |
| 00:46:23 |
Arabesque. |
| 00:46:25 |
Um...foot...stretch. |
| 00:46:30 |
Oh, I can't. |
| 00:46:32 |
Um, my ankle, I broke it. |
| 00:46:34 |
Right here. They put a rod in it. |
| 00:46:39 |
When they took the cast off |
| 00:46:42 |
It's fine now, I think. |
| 00:46:47 |
I'm sorry, you don't understand. |
| 00:46:49 |
Um, I-I understand. |
| 00:46:54 |
- You do? |
| 00:46:56 |
No. |
| 00:47:00 |
- En pointe. En pointe. |
| 00:47:04 |
This, turn out. |
| 00:47:06 |
YeaH. |
| 00:47:07 |
Better. |
| 00:47:09 |
I'm Elizabeth, by the way. |
| 00:47:10 |
Everyone calls me Liz. |
| 00:47:12 |
- Liz? |
| 00:47:14 |
Like Li. |
| 00:47:15 |
Everyone call me Li. |
| 00:47:17 |
Yeah, I know who you are. |
| 00:47:19 |
Li Cunxin. |
| 00:47:21 |
- 'Schwinsin'? |
| 00:47:23 |
That's really beautiful. |
| 00:47:26 |
Um, it mean... |
| 00:47:29 |
..'keep my innocent heart'. |
| 00:47:34 |
Um...you dance with company? |
| 00:47:37 |
oh, no. No. |
| 00:47:39 |
I was in the corps of... |
| 00:47:41 |
but that's as close as |
| 00:47:45 |
This is my second time |
| 00:47:49 |
trying to get Ben to notice me. |
| 00:47:52 |
(LAUGHS) |
| 00:47:57 |
- LI: Ben? |
| 00:47:58 |
Today, in street, someone speak me |
| 00:48:04 |
word I not understand. |
| 00:48:07 |
Um, not find in here. |
| 00:48:09 |
What was it? |
| 00:48:11 |
Um...'chink'. |
| 00:48:15 |
What it mean? |
| 00:48:17 |
Um, let's see. |
| 00:48:24 |
Do you know when |
| 00:48:25 |
and everyone is getting seated |
| 00:48:28 |
if the stage light is on, |
| 00:48:30 |
and the curtain parts |
| 00:48:32 |
then the light from the stage |
| 00:48:36 |
what we call a chink |
| 00:48:38 |
So if someone calls you |
| 00:48:41 |
what it means is that... |
| 00:48:43 |
..they see the liGht |
| 00:48:46 |
Oh! Oh...fantastic. |
| 00:48:53 |
And trace the leg, |
| 00:49:00 |
Nice, Lori. |
| 00:49:04 |
Pull back. Just feed her out. |
| 00:49:08 |
And extend the leg. Lovely. |
| 00:49:13 |
Good, good. |
| 00:49:15 |
Yeah, yeah. |
| 00:49:40 |
LI: In Chinese, we say 'will go', |
| 00:49:43 |
'go today', 'go tomorrow', |
| 00:49:47 |
'you go', 'I go', 'she go', |
| 00:49:52 |
- (LAUGHS) Right. |
| 00:49:55 |
English changes all time. |
| 00:49:58 |
You're doing very well. |
| 00:50:00 |
(SPEAKS CHINESE) |
| 00:50:04 |
Thank you. |
| 00:50:13 |
Chinese official not come here. |
| 00:50:16 |
What do you mean? |
| 00:50:17 |
- She lau ban. |
| 00:50:20 |
Um...boss person. |
| 00:50:23 |
In China, class enemy. |
| 00:50:27 |
She looks like an opera diva. |
| 00:50:31 |
What? What is it? |
| 00:50:35 |
I am with you, American girl. |
| 00:50:39 |
Mm-hm. |
| 00:50:40 |
Make trouble for Ben. |
| 00:50:42 |
No. |
| 00:50:43 |
It's OK. No-one has to know. |
| 00:50:48 |
Um...here. Try this. |
| 00:50:52 |
What is it? |
| 00:50:53 |
It's um, vegetable from sea. |
| 00:51:01 |
Good? |
| 00:51:02 |
- God, it's so hard to chew. |
| 00:51:06 |
- Yeah, like EnglisH! |
| 00:00:04 |
Thank you very much, |
| 00:00:09 |
Thank you, Li. |
| 00:00:11 |
Nice night? |
| 00:00:42 |
(HUMS) |
| 00:00:45 |
(KEYS JINGLE) |
| 00:00:50 |
Hello! |
| 00:00:52 |
Hi. |
| 00:00:55 |
Where have you beEn? |
| 00:00:57 |
Uh...i go Chinatown. |
| 00:01:01 |
Um...movie - watch movie. |
| 00:01:04 |
- A kung-fu movie? |
| 00:01:09 |
Nice night. |
| 00:01:11 |
Goodnight. |
| 00:01:13 |
Huh? |
| 00:01:15 |
GOOD...night. |
| 00:01:17 |
Oh, yes. Uh...good...night. |
| 00:01:21 |
Very good. |
| 00:01:25 |
Fantastic! |
| 00:01:28 |
(DRAMATIC PIANO |
| 00:01:41 |
(MUSIC ENDS) |
| 00:01:43 |
Alright, yeah, just a little more |
| 00:01:46 |
I want to take it from the lift. |
| 00:01:49 |
- Just a little more sustained. |
| 00:01:50 |
OK? Because I think |
| 00:01:52 |
- Oh, yeah. |
| 00:01:53 |
So seven, two, three, |
| 00:01:55 |
eight, two, three... |
| 00:01:57 |
(HUMS TUNE) |
| 00:02:00 |
And up with the accent, |
| 00:02:05 |
- Argh! |
| 00:02:06 |
What have you done? |
| 00:02:08 |
Oh, God. |
| 00:02:10 |
Argh, sorry. |
| 00:02:12 |
- Oh, Christ. |
| 00:02:15 |
What about one oF |
| 00:02:17 |
Well, they're all away |
| 00:02:19 |
David Trembath's |
| 00:02:21 |
Well, he can make it |
| 00:02:23 |
- Li's better than he is. |
| 00:02:26 |
And Li's just a student here. |
| 00:02:29 |
Ben, this is the biggest night |
| 00:02:32 |
How's he supposed to learn |
| 00:02:36 |
He already knows the solo. |
| 00:02:37 |
All he to learn |
| 00:02:39 |
Everybody who is anyone |
| 00:02:41 |
including the Vice President. |
| 00:02:43 |
Yes, I know, but Li told me |
| 00:02:44 |
he once danced for the great |
| 00:02:47 |
But he's Chinese. |
| 00:02:51 |
What I mean is... |
| 00:02:53 |
I mean, he can't play |
| 00:02:55 |
Well, unless I'm mistaken, Betty Lou, |
| 00:02:57 |
I distinctly remember |
| 00:02:59 |
Marlon Brando playing |
| 00:03:01 |
Oh, I loved that movie! |
| 00:03:04 |
CYNTHIA: Ben, what if he's not up to it? |
| 00:03:12 |
He's up to it, Cynthia. |
| 00:03:13 |
And keep the Spanish feel, |
| 00:03:15 |
When you come out of |
| 00:03:17 |
just do it with as many |
| 00:03:19 |
And be sure to finish |
| 00:03:20 |
That's... |
| 00:03:23 |
It's not too late, Li. |
| 00:03:25 |
Um, no. |
| 00:03:26 |
- Um, I can do this, Ben. |
| 00:03:28 |
I know you can do it. Go from |
| 00:03:32 |
- The beginning? |
| 00:03:33 |
OK. |
| 00:03:34 |
And...tombé, pas de bourrée, |
| 00:03:41 |
Tombé, arabesque, soutenu, |
| 00:03:43 |
get close to her, |
| 00:03:46 |
OK. |
| 00:03:48 |
OK. |
| 00:03:50 |
MAN: When the show starts, if you can't |
| 00:03:53 |
WOMAN: Oh, thanks. |
| 00:03:54 |
MAN: I hate the opera. |
| 00:03:56 |
WOMAN: but they have |
| 00:03:57 |
MASON: I just hope |
| 00:04:00 |
MAN: (OVER P.A.) Ladies and |
| 00:04:02 |
Tonight's performance of |
| 00:04:04 |
will commence in two minutes. |
| 00:04:09 |
REPORTER: Vice president Bush |
| 00:04:11 |
are attending the opening of |
| 00:04:13 |
Houston Opera's |
| 00:04:14 |
'Die Fledermaus', |
| 00:04:16 |
Starts of the Houston Ballet |
| 00:04:19 |
- CYNTHIA: oh, hi. |
| 00:04:23 |
You better be right, |
| 00:04:27 |
Consul Zhang, |
| 00:04:30 |
(ORCHESTRA PLAYS OVERTURE) |
| 00:05:08 |
Lori, um...woman dancer |
| 00:05:13 |
What you call man? |
| 00:05:15 |
'Danseur noble'. |
| 00:05:19 |
Not nice, not like 'ballerina'. |
| 00:05:21 |
OK, well how about |
| 00:05:24 |
Ballerino. |
| 00:05:26 |
I like. |
| 00:05:28 |
All set, Big Ballerino? |
| 00:05:30 |
All set, Big Ballerina. |
| 00:05:44 |
(GERMAN ACCENT) |
| 00:05:46 |
I would like to present to you all |
| 00:05:50 |
two very special guests |
| 00:05:54 |
(BRIGHT MUSIC FROM 'DON QUIXOTE' |
| 00:06:00 |
(MUSIC STOPS) |
| 00:06:07 |
(AUDIANCE TITTERS NERVOUSLY) |
| 00:06:09 |
Oh, come on. |
| 00:06:16 |
(CHINESE STRING MUSIC) |
| 00:06:41 |
- (SIGHS) |
| 00:07:22 |
Not bad. |
| 00:07:38 |
(ORCHESTRA PLAYS ROUSING MUSIC |
| 00:07:39 |
FROM 'DON QUIXOTE' |
| 00:08:05 |
Oh, boy. |
| 00:08:34 |
Fantastic! |
| 00:08:37 |
AUDIANCE MEMBERS: Bravo! Bravo! |
| 00:08:42 |
(MUSIC RESUMES) |
| 00:09:37 |
(MUSIC ENDS) |
| 00:09:38 |
AUDIANCE MEMBERS: Bravo! Bravo! |
| 00:09:55 |
How 'bout that, huh? |
| 00:09:57 |
Bravo! |
| 00:10:15 |
OK. Oh, wait, wait, wait. |
| 00:10:17 |
There's a card. |
| 00:10:19 |
OK. |
| 00:10:27 |
(READS) "The lucky carp |
| 00:10:30 |
"Legend has it that |
| 00:10:35 |
"it has to leap..." |
| 00:10:37 |
"..over many obstacles, |
| 00:10:39 |
"and with the final leap, |
| 00:10:43 |
"it turns into |
| 00:10:55 |
Li, wait. |
| 00:10:58 |
Um... |
| 00:11:03 |
I'm a virgin. |
| 00:11:04 |
Um...a virgin? |
| 00:11:07 |
It means I've never |
| 00:11:10 |
Done what? |
| 00:11:12 |
I've never had sex before. |
| 00:11:16 |
You know what sex is? |
| 00:11:18 |
Yeah. |
| 00:11:20 |
One, two, three, four, five, sex! |
| 00:11:22 |
(LAUGHS) No. No. |
| 00:11:24 |
- No? |
| 00:11:25 |
It's how a man and a woman |
| 00:11:28 |
You want to make a baby? |
| 00:11:30 |
No! No. |
| 00:11:32 |
No, no, no, no. No! |
| 00:11:35 |
No. What I'm...what I'm... |
| 00:11:39 |
Never mind. |
| 00:11:42 |
('SURPERFREAK' |
| 00:11:59 |
So the roster for the opening week |
| 00:12:02 |
will be posted today, but Li |
| 00:12:06 |
You've got to be kidding, right? |
| 00:12:07 |
No offence, Li, |
| 00:12:09 |
Of course you are, David. |
| 00:12:11 |
It's just an opportunity for Houstonians |
| 00:12:13 |
before he goes back, that's all. |
| 00:12:15 |
Alright? |
| 00:12:16 |
In fact, i have applied |
| 00:12:19 |
for permission for us all |
| 00:12:22 |
- MASON: That's right. |
| 00:12:24 |
- BOBBY: Oh, yeah, me too. |
| 00:12:26 |
It'd be a first for |
| 00:12:29 |
('SUPERFREAK' |
| 00:12:41 |
(HUMS) |
| 00:12:43 |
More kung-fu? |
| 00:12:45 |
Yes. More kung-fu. |
| 00:12:47 |
Fantastic. |
| 00:12:49 |
Goodnight. |
| 00:12:50 |
Goodnight! |
| 00:12:56 |
(HARPIST PLAYS CADENZA |
| 00:13:50 |
CONSUL ZHANG: Thank you |
| 00:13:52 |
BEN: No, not at all. |
| 00:13:55 |
CONSUL ZHANG: I received a telex |
| 00:13:59 |
I'm sorry, but the request |
| 00:14:00 |
for Cunxin to have |
| 00:14:03 |
has been refused. |
| 00:14:04 |
But I thought... |
| 00:14:18 |
Is there anything we can do? |
| 00:14:21 |
No, Mr Stevenson, there isn't. |
| 00:14:44 |
Li, don't worry. I'll... |
| 00:14:47 |
Youll be able to coMe back. |
| 00:14:52 |
I'll do everything I can. |
| 00:14:55 |
I promise. |
| 00:15:14 |
Ben not understand. |
| 00:15:16 |
He's too much |
| 00:15:19 |
In China, not so easy. |
| 00:15:22 |
Tell you what to do, |
| 00:15:28 |
Maybe I can't come back. |
| 00:15:33 |
You know, I must dance |
| 00:15:38 |
but I dance better here. |
| 00:15:42 |
Because feel more...free. |
| 00:15:57 |
MAN: Well, there are several |
| 00:16:00 |
to stay in the United States, |
| 00:16:03 |
Seeking political asylum is one, |
| 00:16:05 |
but that's the last option |
| 00:16:07 |
because it means |
| 00:16:09 |
LI: No, no defect. |
| 00:16:12 |
LORI: Li's worried about his family. |
| 00:16:13 |
He doesn't want to make thing difficult |
| 00:16:16 |
He also wants to be able |
| 00:16:18 |
OK, well from what |
| 00:16:22 |
I'm certain we'd be |
| 00:16:25 |
based on your extraordinary skills |
| 00:16:28 |
DILWORTH: What would |
| 00:16:29 |
Well, we'd have to get |
| 00:16:32 |
and a petition signed |
| 00:16:35 |
the Houston Ballet Company, |
| 00:16:39 |
Alternatively, if you were |
| 00:16:43 |
or planning to |
| 00:16:45 |
and your spouse was |
| 00:16:47 |
well, there would be |
| 00:16:49 |
because the Chinese Government |
| 00:16:51 |
recognises international |
| 00:16:54 |
Are you in a relationship, Li? |
| 00:16:57 |
Uh, do you have a girlfriend? |
| 00:16:59 |
No, he doesn't. |
| 00:17:01 |
Uh, yes, I have, um, |
| 00:17:04 |
- You what? |
| 00:17:07 |
LORI: Really? |
| 00:17:08 |
Well, first of all, |
| 00:17:10 |
I would strongly advise against |
| 00:17:12 |
unless of course it was |
| 00:17:15 |
If there's one thing worse |
| 00:17:18 |
it's a marriage problem. |
| 00:17:20 |
Is it a serious relationship, Li? |
| 00:17:22 |
LORI: Is it serious, |
| 00:17:24 |
Li? |
| 00:17:26 |
BEN: On behalf of the Houston |
| 00:17:28 |
and all of us who've had |
| 00:17:31 |
the privilege of |
| 00:17:33 |
I'd like to say how exiting |
| 00:17:36 |
You came as a student, |
| 00:17:48 |
Um...just... |
| 00:17:55 |
Thank you, Ben. |
| 00:17:56 |
And... |
| 00:18:01 |
..thank the audience. |
| 00:18:06 |
Thank you, America. |
| 00:18:22 |
(DINERS CHATTER) |
| 00:18:27 |
WOMAN: Mr Stevenson, |
| 00:18:28 |
we're ready for the photograph |
| 00:18:30 |
- BEN: Excuse me. |
| 00:18:33 |
I don't know. |
| 00:18:36 |
I'll just ask you |
| 00:18:37 |
Great. |
| 00:18:38 |
Thank you. |
| 00:18:40 |
Consul, Anita Jones. |
| 00:18:42 |
Anita's the arts editor |
| 00:18:44 |
- I'm pleased to meet you. |
| 00:18:46 |
Mind if I get a few words |
| 00:18:49 |
and what it means to China |
| 00:18:51 |
Of course. |
| 00:18:52 |
- Excuse me. |
| 00:18:53 |
I see it as another |
| 00:18:56 |
He's not at the theatre. |
| 00:18:59 |
- Did you try my place? |
| 00:19:02 |
Sir, we're ready to serve. |
| 00:19:05 |
Do you mind if we just wait... |
| 00:19:08 |
- Yes, sir. |
| 00:19:10 |
- They're starting to wonder. |
| 00:19:12 |
Maybe you should say something. |
| 00:19:14 |
I don't know what |
| 00:19:15 |
Mr Stevenson, it's for yOu. |
| 00:19:23 |
(KNOCKS ON DOOR) |
| 00:19:28 |
What the hell is going on, Dilworth? |
| 00:19:30 |
Where's Li? |
| 00:19:40 |
Li, you can't stay here. |
| 00:19:43 |
Ben, um...I'm married. |
| 00:19:45 |
- You're what? |
| 00:19:47 |
I not go back to China. |
| 00:19:49 |
No, you can't be married. |
| 00:19:50 |
I mean, who did you marry? |
| 00:19:54 |
Elizabeth. |
| 00:19:55 |
Elizabeth? Elizabeth who? |
| 00:20:00 |
- Oh, you conniving little bitch. |
| 00:20:03 |
Ben, I love her. |
| 00:20:05 |
You are going back, Li! |
| 00:20:07 |
If you love China, you go back. |
| 00:20:10 |
I...I stay. |
| 00:20:12 |
You are not married! |
| 00:20:14 |
For God's sake, Ben, |
| 00:20:16 |
Li... |
| 00:20:17 |
Li, Consul Zhang will think |
| 00:20:20 |
it's all my doing, |
| 00:20:22 |
Please, don't do this to me. |
| 00:20:24 |
I-I not go back. |
| 00:20:27 |
You have to. You have to. |
| 00:20:28 |
Don't you understand, |
| 00:20:30 |
everything I've worked for. |
| 00:20:32 |
I can't believe |
| 00:20:42 |
Li, no-one is |
| 00:20:46 |
Mr Foster, I want |
| 00:20:50 |
I must tell Consul Zhang |
| 00:20:54 |
That's all very well, |
| 00:20:56 |
is Chinese territory |
| 00:20:58 |
I explained that to him |
| 00:21:01 |
MAN: Please have a seat. |
| 00:21:05 |
- Well, well. |
| 00:21:08 |
Right. |
| 00:21:15 |
I don't know hoW you |
| 00:21:18 |
- Hi there, I'm Li's attorney. |
| 00:21:20 |
And you should know better! |
| 00:21:22 |
I had no idea Li was |
| 00:21:24 |
Let's try to keep things |
| 00:21:26 |
LORI: I couldn't agree more. |
| 00:21:27 |
Thank you for coming. |
| 00:21:30 |
Consul, how are you? I'm... |
| 00:21:32 |
I know who you are, Mr Foster. |
| 00:21:35 |
My staff tell me you are |
| 00:21:37 |
a member of the US China |
| 00:21:39 |
Yes, I am. |
| 00:21:41 |
I was in China 18 months ago, |
| 00:21:44 |
Vice Consul Lan is happy |
| 00:21:47 |
if you would be so kind |
| 00:21:51 |
Mr Stevenson, perhaps |
| 00:21:54 |
- Yes, I'd be happy to. |
| 00:22:02 |
Now, if you'd please allow me to speak |
| 00:22:06 |
No, I'm gonna stay with Li. |
| 00:22:08 |
CYNTHIA: (LAUGHS) |
| 00:22:11 |
Well, it seems like |
| 00:22:13 |
DILWORTH: I'm staying too. |
| 00:22:15 |
CYNTHIA: We have been |
| 00:22:18 |
Dilworth, |
| 00:22:21 |
It's OK. |
| 00:22:23 |
(SPEAKS CHINESE) |
| 00:23:10 |
What did he say? |
| 00:23:13 |
It's OK. We'll wait. |
| 00:23:15 |
OK. |
| 00:23:16 |
I'm interested to know |
| 00:23:22 |
that Li Cunxin arrived |
| 00:23:25 |
With all due respect, sir, that is |
| 00:23:28 |
I'm only too happy to discuss it. |
| 00:23:29 |
think we should... |
| 00:23:34 |
Would you care for |
| 00:23:36 |
No, thanks. If you'll excuse me, |
| 00:23:41 |
Please sit down, Mr Foster! |
| 00:23:44 |
Uh... |
| 00:23:47 |
- 5(SPEAKS CHINESE) |
| 00:23:52 |
What's going on? |
| 00:23:54 |
- Help! Someone help! |
| 00:23:56 |
Now, I'm not gonna |
| 00:23:59 |
ELIZABETH: Li! Li! |
| 00:24:01 |
Help! Li! Li! |
| 00:24:07 |
Li! Li! |
| 00:24:10 |
Open this dOOr, goddamn it! |
| 00:24:13 |
- Come back here! |
| 00:24:16 |
(SPEAKS CHINESE) |
| 00:24:19 |
No! Help! Li! |
| 00:24:21 |
Li! |
| 00:24:23 |
- What do we do? |
| 00:24:26 |
What's happened? Where's Li? |
| 00:24:28 |
- ELIZABETH: They took him! |
| 00:24:29 |
LORI: There was |
| 00:24:32 |
What have you done with Li? |
| 00:24:34 |
Please, I must ask |
| 00:24:38 |
Excuse me, Consul, |
| 00:24:40 |
but believe someone just |
| 00:24:42 |
Mr Foster, you told us you're |
| 00:24:47 |
and what is best |
| 00:24:50 |
is for Li Cunxin |
| 00:24:53 |
Please, let me |
| 00:24:54 |
CHARLES: Well, that's all |
| 00:24:56 |
We may be on the territory |
| 00:24:59 |
of the People's Republic |
| 00:25:01 |
but in this country, |
| 00:25:03 |
wherever you're doing it - |
| 00:25:05 |
is called kidnapping, |
| 00:25:14 |
Well, he's just walking... |
| 00:25:17 |
- I think we should just leave. |
| 00:25:19 |
How can you ever say that |
| 00:25:22 |
Li is a Chinese national. |
| 00:25:23 |
I think we should just go |
| 00:25:26 |
DILWORTH: Weren't you |
| 00:25:28 |
The course of Li's return to China |
| 00:25:29 |
has most likely already |
| 00:25:31 |
All they need is for us to leave so they |
| 00:25:34 |
Go through with what, how? |
| 00:25:37 |
Remove Li in the early hours, |
| 00:25:40 |
and putting him on |
| 00:26:29 |
(PHONE RINGS) |
| 00:26:31 |
MAN: Who the hell is |
| 00:26:38 |
Uh-huh. |
| 00:26:39 |
It's Charles Foster, Judge. |
| 00:26:41 |
Sorry to wake you. |
| 00:26:42 |
This better be good, Charles. |
| 00:26:44 |
Yes, well, |
| 00:26:47 |
is holding a ballet dancer |
| 00:26:50 |
I need to get |
| 00:26:51 |
Do I have the right to restrain |
| 00:26:56 |
Sir, I sincerely hope so. |
| 00:27:15 |
CONSUL ZHANG: There are |
| 00:27:17 |
- Mm-hm. |
| 00:27:18 |
Will you make them go away, please? |
| 00:27:22 |
Consul, not even |
| 00:27:25 |
can make the press go away. |
| 00:27:27 |
Did you call them, Mr Foster? |
| 00:27:30 |
No. |
| 00:27:31 |
I suspect they want to know |
| 00:27:34 |
My advice to you is |
| 00:27:37 |
What's happened |
| 00:27:39 |
But if you continue |
| 00:27:42 |
you're gonna put our secret |
| 00:27:43 |
on the front page of |
| 00:27:55 |
I'd like to use your phone again, |
| 00:27:59 |
Phone? |
| 00:28:01 |
(PHONE RINGS) |
| 00:28:02 |
MAN: Mark Gibson, |
| 00:28:03 |
Yes, this is Charles Foster. |
| 00:28:05 |
There's been an incident |
| 00:28:07 |
in Houston. |
| 00:28:08 |
Please alert the ambassador |
| 00:28:11 |
Mr Foster, there's no need |
| 00:28:14 |
- Please hang up the phone. |
| 00:28:18 |
May I have your attention, please? |
| 00:28:20 |
I'm pleased to inform you |
| 00:28:22 |
that Li Cunxin has decided |
| 00:28:26 |
You may all leave now. |
| 00:28:28 |
If you don't mind, |
| 00:28:31 |
LORI: YeaH, |
| 00:28:32 |
If you do not leave voluntarily, |
| 00:28:36 |
DILWORTH: Oh, yeah? |
| 00:28:37 |
We are not leaving |
| 00:28:40 |
Mr Stevenson, but you assured me |
| 00:28:45 |
I'm not. And I'm not saying |
| 00:28:48 |
I'm just saying... |
| 00:28:58 |
WOMAN: Just gonna |
| 00:29:01 |
'Houston Chronicle', mr Foster. |
| 00:29:03 |
Is Li Cunxin being held |
| 00:29:04 |
I'm not making any statements |
| 00:29:06 |
- Are you his attorney? |
| 00:29:22 |
(SIGHS) |
| 00:29:27 |
You know, when I was little, |
| 00:29:28 |
my aunt had a cat |
| 00:29:31 |
I could never figure out why. |
| 00:29:33 |
Miaow. |
| 00:29:36 |
- Chairman Miaow. |
| 00:29:39 |
Here, kitty-kitty! |
| 00:29:41 |
A Chinese puzzle |
| 00:29:44 |
involving an exchange student |
| 00:29:47 |
the government of |
| 00:29:50 |
and the Department of State. |
| 00:29:52 |
(REPORTERS |
| 00:29:59 |
NEWSREADER: His attomey |
| 00:30:01 |
contacted the Vice President |
| 00:30:03 |
to put pressure |
| 00:30:05 |
in order to effect his release. |
| 00:30:07 |
I hope you don't get me |
| 00:30:09 |
or you're gonna be sorry now. |
| 00:30:11 |
I hope so too, Judge. |
| 00:30:12 |
I just need you to sign |
| 00:30:15 |
Let's say we worry |
| 00:30:17 |
You better take a look at this. |
| 00:30:26 |
(REPORTERS CLAMOUR) |
| 00:30:32 |
Excuse me, please. Thank you. |
| 00:30:39 |
MAN: Yes? |
| 00:30:40 |
I have an order I'm serving |
| 00:30:42 |
under authority |
| 00:30:44 |
We open at nine o'clock. |
| 00:30:46 |
Would you please tell |
| 00:30:47 |
that Charles Foster is here? |
| 00:30:49 |
Wait. |
| 00:30:50 |
- Mr Foster? |
| 00:30:53 |
Sir, you should know |
| 00:30:56 |
has had discussions with |
| 00:30:58 |
We expect instructions will soon be |
| 00:31:01 |
via the Chinese Embassy |
| 00:31:02 |
(CLOCK TICKS) |
| 00:31:14 |
(SIGHS DEEPLAY) |
| 00:33:21 |
(MAN CALLS OUT) |
| 00:34:25 |
Li? |
| 00:34:28 |
Come to bed, please, |
| 00:34:31 |
You can't keep doing this |
| 00:34:35 |
They're watching. |
| 00:34:37 |
There's no-one, Li. |
| 00:34:39 |
Come on, come back to bed. |
| 00:35:13 |
Hello, Li. |
| 00:35:16 |
Hello, ben. |
| 00:35:21 |
Um, we go to Florida. |
| 00:35:24 |
Liz's mother, she live there, |
| 00:35:28 |
Hmm. What are you going to do |
| 00:35:34 |
Get job. |
| 00:35:35 |
What, in a supermarket? |
| 00:35:37 |
No, I go for audition. Liz too. |
| 00:35:40 |
Oh, no, Li. It... Oh! |
| 00:35:44 |
It's not that easy, you know. |
| 00:35:47 |
I mean, it takes time |
| 00:35:49 |
And I know thIs isn't |
| 00:35:51 |
but right now, |
| 00:35:54 |
You don't know a soul in America, |
| 00:35:58 |
Of course, |
| 00:36:01 |
and you're very popular here, |
| 00:36:03 |
if I said I was doing it |
| 00:36:07 |
Elizabeth? |
| 00:36:08 |
(STAMMERS) |
| 00:36:11 |
She's just... |
| 00:36:12 |
She's not good enough |
| 00:36:17 |
But, you know, the company |
| 00:36:20 |
We're required to do that once a year. |
| 00:36:22 |
- Alright? |
| 00:36:27 |
Alright. |
| 00:36:43 |
What did he want? |
| 00:36:46 |
He, um...offer me |
| 00:36:51 |
- Soloist? |
| 00:36:53 |
Wow! Did he say |
| 00:36:59 |
Yes. |
| 00:37:01 |
He said you can |
| 00:37:03 |
- Audition? |
| 00:37:05 |
Liz, you very good dancer. |
| 00:37:08 |
The open auditions. |
| 00:37:10 |
Yes. maybe we dance |
| 00:37:15 |
Be good, no? |
| 00:37:17 |
Mm-hm. Yeah. |
| 00:37:21 |
- If you still want go to Florida... |
| 00:37:24 |
No, this is a great |
| 00:37:27 |
Are you sure, Liz? |
| 00:37:29 |
Yeah, I'm sure. Yeah. |
| 00:37:32 |
Congratulations. |
| 00:37:35 |
('DANCE DES CYGNES' |
| 00:37:38 |
Keep it crisp. |
| 00:37:42 |
Lori, try not to pull focus. |
| 00:37:46 |
You're a unit. |
| 00:37:51 |
Alright, Lori? |
| 00:37:52 |
Back to the top. |
| 00:37:54 |
Come on, once again. |
| 00:38:09 |
LI: Lori? |
| 00:38:12 |
LORI: He just put me back |
| 00:38:14 |
LI: What for? Why? |
| 00:38:15 |
I think he's trying to get me |
| 00:38:18 |
No! You prima ballerina. |
| 00:38:20 |
Not anymore. |
| 00:38:25 |
LORI: Mary McKendry, |
| 00:38:28 |
He got her back fRom |
| 00:38:31 |
You must have met her |
| 00:38:36 |
She's gonna be doing |
| 00:38:39 |
Lori, Ben do this to you |
| 00:38:43 |
No, Li, that's not true. |
| 00:38:47 |
Yes, it is. |
| 00:38:49 |
I cause many problems. |
| 00:38:51 |
For you, for Ben, for Liz. |
| 00:38:56 |
For my family. |
| 00:38:59 |
Have you tried |
| 00:39:02 |
I write letter. Nothing. |
| 00:39:04 |
What about calling? |
| 00:39:06 |
No. |
| 00:39:08 |
Making too much trouble, |
| 00:39:12 |
Better not. |
| 00:39:14 |
Better they forget |
| 00:39:56 |
(COCKS GUN) |
| 00:39:58 |
(GASPS) |
| 00:39:59 |
(BANG!) |
| 00:40:00 |
(CHINE RATTLES) |
| 00:40:04 |
You're OK. You're OK. |
| 00:40:06 |
Shh, Shh, Shh. |
| 00:40:09 |
It was just a dream. |
| 00:40:12 |
Just a dream. Shh. |
| 00:40:14 |
(DRAMATIC ORCHESTRAL MUSIC PLAYS) |
| 00:41:49 |
Hi. |
| 00:41:54 |
I come home, right? |
| 00:41:56 |
Big mess. |
| 00:41:58 |
What's... Rice in sink. |
| 00:42:01 |
That's no good. |
| 00:42:03 |
So that's why you're angRy. |
| 00:42:04 |
Want me to cook and clean |
| 00:42:08 |
Here, I got you some noodles. |
| 00:42:10 |
My mother, she work |
| 00:42:14 |
What you do? |
| 00:42:16 |
What do you think I do? |
| 00:42:18 |
Everything is fine for you. |
| 00:42:21 |
It's not fine, Liz. |
| 00:42:23 |
You not understand! |
| 00:42:25 |
No, you don't understand. |
| 00:42:26 |
I want to dance, Li! |
| 00:42:28 |
I have my dreams too. |
| 00:42:29 |
At least you can go to sleep |
| 00:42:32 |
In night, I think of |
| 00:42:35 |
I worry, Liz. There's no sleep. |
| 00:42:37 |
Just nightmares |
| 00:42:41 |
Well what about my feelings, huh? |
| 00:42:43 |
You don't understand. |
| 00:42:46 |
No, stop telling me |
| 00:42:49 |
I want to dance, Li. |
| 00:42:51 |
I've tried to be what you want |
| 00:42:55 |
I can't do this anymore. |
| 00:43:08 |
I'm going to San Francisco |
| 00:43:11 |
i need to get into a company. |
| 00:43:16 |
Yes, I understand. |
| 00:43:24 |
When we got married... |
| 00:43:27 |
..was it because you loved me |
| 00:43:29 |
or was it because |
| 00:43:36 |
Bec...because... |
| 00:43:38 |
..because I love you. |
| 00:43:46 |
I love you too. |
| 00:44:22 |
WOMAN: It's been |
| 00:44:25 |
made his dramatic leap |
| 00:44:28 |
from communist China. |
| 00:44:29 |
He's here in Washington |
| 00:44:31 |
and he'll be dancing at |
| 00:44:33 |
and we're thrilled to have him |
| 00:44:36 |
Welcome to Washington, Li. |
| 00:44:38 |
Thank you. |
| 00:44:40 |
Li, you've touRed with |
| 00:44:43 |
and danced all over the world, |
| 00:44:44 |
but your freedom |
| 00:44:48 |
Yes, it did. |
| 00:44:49 |
I haven't been allowed |
| 00:44:52 |
But your entire family is there. |
| 00:44:54 |
Yes. |
| 00:44:56 |
Have you heard from them? |
| 00:44:57 |
Do you even know |
| 00:44:59 |
No, I haven't heard from them. |
| 00:45:01 |
How do you survive, |
| 00:45:04 |
I carry a picture of them |
| 00:45:11 |
And when I dance, |
| 00:45:13 |
(SLOW, MELANCHOLY MUSIC PLAYS) |
| 00:45:53 |
I saw you dance together |
| 00:45:56 |
I've never seen |
| 00:45:59 |
Thank you very much. |
| 00:46:02 |
You made it look so natural. |
| 00:46:04 |
That's because he is. |
| 00:46:05 |
Well, it does help to have |
| 00:46:19 |
Li, there's someone here |
| 00:46:23 |
Hello, Cunxin. |
| 00:46:26 |
I'm working at the embassy |
| 00:46:29 |
You have made us |
| 00:46:32 |
Thank you. Thank you. |
| 00:46:35 |
Excuse me. |
| 00:46:37 |
Your mother and father |
| 00:46:39 |
I took the liberty of checking. |
| 00:46:43 |
You don't know |
| 00:46:45 |
If I have a dream, it's to be able |
| 00:46:49 |
I know. |
| 00:46:52 |
Is there any chance? |
| 00:46:54 |
I'm afraid not enough time |
| 00:46:58 |
But I will see what I can do. |
| 00:47:01 |
Thank you. |
| 00:47:04 |
Thank you. |
| 00:47:15 |
(ORCHESTRA |
| 00:47:22 |
Ladies and gentlemen, |
| 00:47:24 |
I'm sorry, there's going to be |
| 00:47:26 |
We have some VIPs coming in |
| 00:47:29 |
and when they arrive, |
| 00:47:33 |
I'm sure they'll be forgiven. |
| 00:47:35 |
So thank you very much |
| 00:47:37 |
for your patience |
| 00:47:40 |
(KNOCKAT DOOR) |
| 00:47:42 |
Uh, Li, we're just holding |
| 00:47:45 |
Why? |
| 00:47:46 |
There's some VIPs arriving. |
| 00:47:47 |
OK. |
| 00:47:58 |
Thanks. |
| 00:48:03 |
Hey. |
| 00:48:05 |
- Good luck. |
| 00:48:10 |
MAN: (OVER P.A.) Ladies and |
| 00:48:47 |
Just along here, |
| 00:48:55 |
WOMAN: I think that's his family. |
| 00:48:58 |
WOMAN 2: Oh, isn't that wonderful?! |
| 00:49:09 |
Ni hao. |
| 00:49:11 |
I'm Ben Stevenson. |
| 00:49:12 |
I'm so glad you're here. |
| 00:49:14 |
Ni hao. |
| 00:49:15 |
Please, come to your seats. |
| 00:49:29 |
What's that for? |
| 00:49:30 |
Don't know. |
| 00:49:34 |
Here you are. |
| 00:49:38 |
(SPEAKS CHINESE) |
| 00:49:40 |
Oh, xie xie! |
| 00:49:51 |
(ORCHESTRA PLAYS |
| 00:49:53 |
BY IGOR STRAVINSKY) |
| 00:53:17 |
AUDIANCE MEMBERS: Bravo! Bravo! |
| 00:53:26 |
(WILD CHEERING |
| 00:53:33 |
- Fantastic! |
| 00:54:23 |
(SPEAKS CHINESE) |
| 00:54:33 |
(PARENTS BOTH |
| 00:56:09 |
(MAN SHOUTS IN CHINESE) |
| 00:56:13 |
(CHILDREN SHOUT) |
| 00:56:43 |
You're met my parents. |
| 00:56:46 |
This is my oldest brother. |
| 00:56:52 |
This is my fifth brothEr. |
| 00:57:17 |
Cunxin! |
| 00:57:19 |
Ni hao. |
| 00:57:22 |
WwW.TuNiSiA-MuSiC.CoM |
