|
Map of the Sounds of Tokyo
|
| 00:01:09 |
Do we have to do this? |
| 00:01:12 |
Do we really have to? |
| 00:01:15 |
Eat sushi hot |
| 00:01:21 |
If we sign the agreement, |
| 00:01:24 |
In short, it would be good to do. |
| 00:01:27 |
You know you love this place. |
| 00:01:30 |
They love all that is vulgar and free. |
| 00:01:35 |
Nevertheless, in spite of the alcohol |
| 00:01:38 |
I might as well be at the zoo |
| 00:01:42 |
We have to fit into the idea |
| 00:01:45 |
Within half an hour |
| 00:01:48 |
if you go they will not notice. |
| 00:01:50 |
We'll stay with them. |
| 00:01:56 |
There must be another way |
| 00:02:00 |
There is. |
| 00:02:02 |
But it is not profitable. |
| 00:02:15 |
Yes? Hello? |
| 00:03:15 |
Why? |
| 00:03:16 |
What am I doing here? |
| 00:03:18 |
Why didn't anyone tell me? |
| 00:03:30 |
Why? |
| 00:04:08 |
The smell of this fish |
| 00:05:54 |
There is no day that does not |
| 00:06:01 |
nor a day that does not miss its silence |
| 00:07:18 |
When I met her she was |
| 00:07:20 |
called Ryu. |
| 00:07:24 |
I later learned that she had |
| 00:07:27 |
Keiko, Momoyo, Yuri. |
| 00:07:32 |
But Ryu, I'm almost certain, |
| 00:07:35 |
was her real name. |
| 00:07:45 |
We met |
| 00:07:47 |
Sunday afternoon |
| 00:07:51 |
I said I liked |
| 00:07:56 |
to sip the soup |
| 00:08:00 |
It reminded me of |
| 00:08:14 |
Would you let me record |
| 00:08:18 |
It's what I do. |
| 00:08:23 |
How I make my living. |
| 00:08:26 |
Really you make a living like that? |
| 00:08:29 |
Yes |
| 00:08:32 |
Recorded sounds |
| 00:08:36 |
for radio, television, videos, |
| 00:08:40 |
sometimes ... |
| 00:08:43 |
some movies. |
| 00:08:47 |
So you also record people sniffling? |
| 00:09:02 |
Of course, I thought, |
| 00:09:07 |
but that day |
| 00:09:08 |
we started to be friends. |
| 00:09:12 |
I did not know |
| 00:09:14 |
that I would be her only friend. |
| 00:09:47 |
From that moment |
| 00:09:49 |
we often met in little |
| 00:09:54 |
near the market where she worked. |
| 00:09:58 |
One day I asked |
| 00:10:03 |
He said it was the only |
| 00:10:05 |
that prevented him from thinking too much. |
| 00:10:10 |
That was |
| 00:10:12 |
the closest thing to a confidence |
| 00:10:17 |
Most times we only |
| 00:10:21 |
Sometimes, when she was |
| 00:10:24 |
record our lengthy conversations |
| 00:10:41 |
Do you have something to do on Sunday? |
| 00:10:44 |
On Sunday? |
| 00:10:46 |
Yes, on Sunday. |
| 00:10:51 |
Why are you always |
| 00:10:56 |
And why you do not plan ever? |
| 00:11:00 |
What do you know - |
| 00:11:06 |
Never tell me none. |
| 00:11:09 |
Why should I tell you? |
| 00:11:15 |
She never told me if she was an |
| 00:11:20 |
if her parents were still alive. |
| 00:11:22 |
If she had good grades |
| 00:11:26 |
If she had read "War and Peace". |
| 00:11:28 |
If she believed in God or something. |
| 00:11:32 |
If when she saw an old woman |
| 00:11:35 |
had she suddenly wondered |
| 00:11:39 |
how was she at my age. |
| 00:11:43 |
If she had suffered. |
| 00:11:45 |
If she was in love. |
| 00:11:50 |
After a while, |
| 00:11:53 |
I stopped asking. |
| 00:12:43 |
Nagara-san ... |
| 00:12:48 |
Midori also ... |
| 00:12:50 |
was my life. |
| 00:15:08 |
Today is kissing day! |
| 00:15:11 |
A kiss is the best medicine! |
| 00:15:13 |
3, 2, 1, |
| 00:15:16 |
Kiss! |
| 00:15:35 |
Finish! |
| 00:16:46 |
Some things occured to me. |
| 00:16:50 |
That I knew she had insomnia. |
| 00:16:52 |
She was crazy about strawberry |
| 00:16:54 |
That she was so brave |
| 00:16:57 |
That she always believed she would die young. |
| 00:17:21 |
One of the things that we |
| 00:17:24 |
was visiting cemeteries |
| 00:17:43 |
I followed her |
| 00:17:46 |
while she |
| 00:17:49 |
and devoted herself conscientiously |
| 00:17:54 |
She never told me |
| 00:17:59 |
I did not ask. |
| 00:19:06 |
The silence which prevails in |
| 00:19:09 |
is unlike any other |
| 00:19:14 |
We never interrupted |
| 00:20:16 |
Nagara-san, |
| 00:20:19 |
Do you want to see the bathroom? |
| 00:20:30 |
No. |
| 00:20:40 |
WHY COULDN'T YOU TELL ME HOW MUCH |
| 00:21:40 |
Okay? |
| 00:22:13 |
I cannot imagine a world |
| 00:22:20 |
and that man |
| 00:22:23 |
continues to live. |
| 00:22:29 |
I find it unbearable, |
| 00:22:32 |
now she is gone, |
| 00:22:36 |
the idea that he continue to breathe, |
| 00:22:42 |
laughing, |
| 00:22:46 |
eating. |
| 00:22:52 |
I know I can't do it. |
| 00:23:04 |
Leave it in my hands. |
| 00:23:26 |
I'll take care of everything. |
| 00:23:33 |
She liked music, |
| 00:23:36 |
but never told me |
| 00:23:40 |
or any singer, |
| 00:23:42 |
or how many versions |
| 00:23:46 |
of "Someone to Watch Over Me" |
| 00:23:49 |
she had in her ipod. |
| 00:23:53 |
I know she went to work |
| 00:23:56 |
and was out to five-thirty |
| 00:23:59 |
But she knew nothing |
| 00:24:02 |
that I thought at that time. |
| 00:24:07 |
She never told me |
| 00:24:10 |
through those long nights, if |
| 00:24:12 |
at about four o'clock in the morning, |
| 00:24:15 |
she felt sick at heart |
| 00:24:19 |
and did she wonder if it made |
| 00:24:25 |
Listening close to her footsteps |
| 00:24:27 |
and the sound of her breathing |
| 00:24:30 |
in the solitude of my room |
| 00:24:34 |
I also wondered. |
| 00:25:06 |
Hello? |
| 00:25:07 |
Murakami-san gave me this number. |
| 00:25:11 |
Yes |
| 00:25:14 |
I have a photograph and address. |
| 00:25:18 |
Yes, the first half |
| 00:25:25 |
At seven? Where? |
| 00:25:29 |
Agreed. I'll be there. |
| 00:25:33 |
With the first half? |
| 00:28:27 |
Yes |
| 00:28:56 |
Are we going somewhere else? |
| 00:28:59 |
Another site? Why? |
| 00:29:02 |
Excuse me. |
| 00:29:03 |
- It's my first time ... |
| 00:29:07 |
Welcome. |
| 00:29:12 |
Thank you very much. |
| 00:29:26 |
Is this everything. |
| 00:29:28 |
The money and information. |
| 00:29:32 |
Agreed. |
| 00:29:44 |
Do you not want to know why? |
| 00:29:47 |
- Well, circumstances. |
| 00:29:52 |
Yes |
| 00:29:53 |
Why do we want that man ... |
| 00:29:57 |
I'm not interested in the circumstances. |
| 00:30:00 |
No? |
| 00:30:03 |
How would that change things? |
| 00:30:05 |
Would I work better |
| 00:30:08 |
No. |
| 00:30:10 |
I guess not. |
| 00:30:13 |
There's nothing I want to know. |
| 00:30:16 |
The only thing that interests me |
| 00:30:20 |
if the address is correct |
| 00:30:22 |
and if the money has been |
| 00:30:26 |
I was wrong. |
| 00:30:28 |
Well. |
| 00:30:41 |
When? |
| 00:30:45 |
When will you do the job? |
| 00:30:48 |
When possible. |
| 00:30:52 |
Will you tell me when? |
| 00:31:00 |
And the other half? |
| 00:31:04 |
I'll call. |
| 00:34:21 |
Thank you. |
| 00:34:23 |
Thank you very much. |
| 00:34:26 |
Welcome. |
| 00:34:39 |
Welcome. |
| 00:34:41 |
Can I help? |
| 00:34:45 |
Pardon? |
| 00:36:53 |
When did it happen? |
| 00:36:56 |
When did Ryu begin |
| 00:36:58 |
to see something special in him? |
| 00:37:01 |
When he said he knew |
| 00:37:04 |
what she was looking for? |
| 00:37:07 |
Or when he said ... |
| 00:37:10 |
And she felt the heat |
| 00:37:14 |
of his hand against hers, |
| 00:37:17 |
which was always cold. |
| 00:38:02 |
Yes |
| 00:38:14 |
I wonder what it was that made Ryu |
| 00:38:18 |
cross the street that night |
| 00:38:21 |
whose picture lay in pieces |
| 00:38:23 |
in her pocket. |
| 00:40:19 |
Now I know when it was. |
| 00:40:22 |
It was the first time that |
| 00:40:26 |
That's when it all really began. |
| 00:54:18 |
You want sticky rice cakes? |
| 00:54:24 |
Are you sure? |
| 00:54:28 |
I do not mind |
| 00:55:00 |
Seeing her there so close to me |
| 00:55:03 |
yet with her thoughts so far |
| 00:55:07 |
hurt me in a way |
| 00:55:11 |
I never wanted |
| 00:55:15 |
to be somebody else. |
| 00:59:17 |
Hungry? |
| 00:59:20 |
What would you like? |
| 01:01:23 |
Splints hung at the |
| 01:01:25 |
Give me a son, |
| 01:01:28 |
a husband, |
| 01:01:30 |
a bride, |
| 01:01:33 |
a car, money, |
| 01:01:36 |
fame, happiness, |
| 01:01:39 |
health. |
| 01:01:42 |
None of this appealed to Ryu |
| 01:01:46 |
that day. |
| 01:01:53 |
Yoshida-san? |
| 01:01:56 |
I want to talk with Nagara-san, |
| 01:02:03 |
What happened? |
| 01:02:08 |
Will he be long in the hospital? |
| 01:02:15 |
I understand. |
| 01:02:19 |
Pass on my respects. |
| 01:02:22 |
Please. |
| 01:02:24 |
See you soon. |
| 01:02:38 |
Dad! |
| 01:02:46 |
Dad! |
| 01:02:51 |
Dad, look at Midori! |
| 01:02:54 |
Look at Midori! |
| 01:04:08 |
Ryu has never told me about |
| 01:04:11 |
the man in the wine shop. |
| 01:04:14 |
But since I knew her |
| 01:04:18 |
I could see another |
| 01:04:22 |
Only silence |
| 01:04:27 |
was the same. |
| 01:06:00 |
We are ignoring |
| 01:06:05 |
The dollar is in free fall |
| 01:06:07 |
and the world is collapsing |
| 01:06:10 |
We can not ignore |
| 01:06:14 |
in commissioning these reports |
| 01:06:18 |
reports which, incidentally, |
| 01:06:22 |
I require the board offer |
| 01:06:25 |
Gondo-san, was at this same table |
| 01:06:29 |
all voted in favor |
| 01:06:31 |
The company preparing |
| 01:06:34 |
has been doing so |
| 01:06:37 |
without there having been |
| 01:06:39 |
Another important point is that |
| 01:06:43 |
as I imagine Gondo-san knows, |
| 01:06:48 |
in the Waterholmes report, |
| 01:06:51 |
by Japanese nationals. |
| 01:06:53 |
Not to be disrespectful, |
| 01:06:55 |
but if we spend a fortune |
| 01:06:58 |
what experts in the market |
| 01:07:01 |
Excuse me. |
| 01:07:09 |
Nagara-san. |
| 01:07:12 |
She must have been about seven |
| 01:07:15 |
when we went |
| 01:07:20 |
Midori was |
| 01:07:22 |
so happy entering the water, |
| 01:07:27 |
splashing in her new bathing suit. |
| 01:07:33 |
She was happy. |
| 01:07:38 |
Screaming as the waves came. |
| 01:07:43 |
And suddenly |
| 01:07:45 |
her face changed completely, |
| 01:07:49 |
and sought refuge in her towel. |
| 01:07:54 |
The trustees are waiting. |
| 01:07:57 |
On the return trip I asked: |
| 01:08:01 |
were you afraid of the water? |
| 01:08:06 |
She said: |
| 01:08:09 |
"No, Dad. I cried ... |
| 01:08:15 |
because I was too happy |
| 01:08:19 |
Nagara-san, must rest. |
| 01:08:23 |
I'll take you home. |
| 01:08:36 |
If you had told her that you loved her, |
| 01:08:41 |
everything could have been different. |
| 01:09:18 |
I've never seen |
| 01:09:21 |
a smile like that smile. |
| 01:09:26 |
Like that? How? |
| 01:09:28 |
I don't quite know. |
| 01:09:33 |
I've never seen a drawing of |
| 01:09:39 |
People change. |
| 01:09:41 |
We all change. |
| 01:09:47 |
Things change. |
| 01:09:51 |
No. |
| 01:09:52 |
People do not change. |
| 01:09:55 |
Things might. |
| 01:09:57 |
But people do not. |
| 01:10:00 |
No? |
| 01:10:05 |
No. |
| 01:12:54 |
Yes? |
| 01:12:58 |
I told you not to call me. |
| 01:13:04 |
I know we had a deal. |
| 01:13:07 |
But deals can be undone. |
| 01:13:09 |
I'll return all the money |
| 01:13:13 |
These are the rules. |
| 01:13:18 |
Do not call again. |
| 01:13:20 |
I told you |
| 01:19:16 |
Today is the day of wrath! |
| 01:19:18 |
Liberate |
| 01:19:20 |
all your stress and anger! |
| 01:19:22 |
3, 2, 1 ... |
| 01:19:24 |
Enrage! |
| 01:19:34 |
Enough! |
| 01:19:37 |
Finish! |
| 01:19:58 |
I will refund you. |
| 01:20:02 |
I said I would take the job but |
| 01:20:08 |
Will you go to the police? |
| 01:20:12 |
Listen, I'm offering to |
| 01:20:16 |
plus 50 per cent |
| 01:20:24 |
Nobody will force me to do |
| 01:20:27 |
Do you hear? Nobody. |
| 01:20:33 |
Why don't you shut up? |
| 01:22:26 |
He called me stupid. |
| 01:22:28 |
Idiot? |
| 01:22:31 |
Asshole. |
| 01:23:32 |
I loved her. |
| 01:23:35 |
She loved no one. |
| 01:23:40 |
That's because we will never know, right? |
| 01:23:43 |
No. I guess not. |
| 01:24:47 |
Sometimes I wonder |
| 01:24:51 |
if Ryu would have liked if |
| 01:24:55 |
If, eventually she would have asked |
| 01:24:58 |
have asked |
| 01:25:01 |
for something more than |
| 01:25:03 |
my silent company. |
| 01:25:37 |
I know there are voices |
| 01:25:42 |
trapped in the dark spots |
| 01:25:47 |
Perhaps the words are different, |
| 01:25:51 |
but Ryu was right |
| 01:25:54 |
when she said |
| 01:27:12 |
Nagara-San, it's David. |
| 01:27:16 |
I just want to say |
| 01:27:21 |
I know that you do not want |
| 01:27:28 |
I blame myself for |
| 01:27:31 |
Midori's death, |
| 01:27:36 |
but I want you to know |
| 01:27:41 |
I loved your daughter. |
| 01:27:45 |
Bye. |
| 01:35:02 |
Days after the death of Ryu, |
| 01:35:05 |
the market reopened |
| 01:35:11 |
For its part, |
| 01:35:14 |
the workers forgot |
| 01:35:19 |
although no one really knew |
| 01:35:23 |
what had actually happened. |
| 01:36:09 |
I try not to think about how |
| 01:36:14 |
the things between us all, |
| 01:36:19 |
because now it is too late. |
| 01:36:22 |
Maybe it was too late |
| 01:36:27 |
from the beginning. |
| 01:36:45 |
I know Ryu would have |
| 01:36:50 |
when he returned to Barcelona, |
| 01:36:54 |
spent some time without knowing |
| 01:36:58 |
who he was or where he was, |
| 01:37:01 |
thinking only about |
| 01:37:04 |
who liked strawberry sticky |
| 01:37:11 |
Later, |
| 01:37:12 |
he opened a store for |
| 01:37:17 |
where every Friday |
| 01:38:02 |
- David, you coming? |
| 01:38:29 |
David longed for another life. |
| 01:38:37 |
But he kept in his heart |
| 01:38:41 |
a secret room shaped like |
| 01:38:47 |
where Ryu always waited for him. |
| 01:41:49 |
Subtítulos: LASERFILM |
