|
Martyrs
|
| 00:01:14 |
Is it on? |
| 00:01:17 |
We're right in the middle of |
| 00:01:21 |
This is where they found the child. |
| 00:01:26 |
Building 1. |
| 00:01:29 |
We've got permission |
| 00:01:32 |
As a medical archive |
| 00:01:35 |
of the pediatric ward |
| 00:01:42 |
There you go. |
| 00:01:45 |
She lived there. |
| 00:01:49 |
She wasn't raped, |
| 00:01:52 |
It looks more |
| 00:01:55 |
Malnutrition, dehydration, |
| 00:02:01 |
The hole allows the person to |
| 00:02:05 |
The infection of the wrists proves |
| 00:02:09 |
How did she get out of here? |
| 00:02:11 |
Lucie doesn't tell a thing |
| 00:03:06 |
What's that? Orange juice? |
| 00:03:09 |
Is it for her? |
| 00:03:11 |
You're a real mom. |
| 00:04:03 |
Don't worry, Anna, |
| 00:04:06 |
are really nice. |
| 00:04:10 |
Do you know why we |
| 00:04:13 |
Yes. |
| 00:04:15 |
Why do we need you? |
| 00:04:18 |
you want to get the people |
| 00:04:22 |
who hurt Lucie. |
| 00:04:26 |
Lucie wants that too. |
| 00:04:29 |
What else did she sya? |
| 00:04:32 |
She's afraid. |
| 00:04:33 |
Does she tell you things? |
| 00:04:36 |
What does she remember? |
| 00:04:39 |
She doesn't know who it is. |
| 00:04:41 |
Sometimes she thinks she remembers something, |
| 00:04:45 |
What do you think? |
| 00:04:50 |
It was dark and she didn't see it well. |
| 00:04:58 |
Enter. |
| 00:05:03 |
Lucie Jurin didn't come. |
| 00:05:17 |
Lucie? |
| 00:05:40 |
Anna, |
| 00:05:44 |
Don't tell, aye? |
| 00:05:47 |
I won't. |
| 00:05:50 |
it's not me, |
| 00:05:52 |
it's not me. |
| 00:05:55 |
Calm down. |
| 00:06:12 |
Do you want to come? |
| 00:06:54 |
Anna? |
| 00:08:19 |
15 YEARS LATER |
| 00:08:49 |
Give it to me! |
| 00:08:51 |
Give it to me! |
| 00:08:55 |
Stop, both of you. |
| 00:08:58 |
Damned! |
| 00:09:01 |
You'll see how poorly she writes. |
| 00:09:05 |
Stop, I said. |
| 00:09:09 |
Don't touch me. |
| 00:09:11 |
What do you know? |
| 00:09:14 |
You don't have a boyfriend. |
| 00:09:16 |
And? Are we gonna eat breakfast or not? |
| 00:09:19 |
You're getting on my nerves. |
| 00:09:24 |
I hate you. |
| 00:09:25 |
CHAMPION 100 METRES BUTTERFLY |
| 00:09:44 |
And you talk about it like that? |
| 00:09:46 |
How should I talk about it? |
| 00:09:49 |
A Sunday morning. |
| 00:09:52 |
Yes. |
| 00:09:55 |
That she had problems with the pressure. |
| 00:09:57 |
If she works, she ain't happy. |
| 00:10:02 |
I'm having fun. |
| 00:10:05 |
Done. |
| 00:10:08 |
Here. |
| 00:10:10 |
A gift. |
| 00:10:13 |
Damned, Gairielle. |
| 00:10:16 |
In the main pipe? |
| 00:10:18 |
There's you shower |
| 00:10:21 |
Gross. |
| 00:10:26 |
Yeah, I'm being gross, |
| 00:10:30 |
Did Antoine talk |
| 00:10:33 |
I asked what you thought of them. |
| 00:10:35 |
No, you wondered if she was pissed off. |
| 00:10:39 |
It's my brother. |
| 00:10:45 |
Hey, Antoine? |
| 00:10:46 |
You can't leave a school |
| 00:10:49 |
Definitely not if you pay in advance. |
| 00:10:52 |
Stop it, you! |
| 00:10:55 |
Are you gonna do it every time? |
| 00:10:58 |
Even for your graduation |
| 00:11:02 |
With a lot of effort. |
| 00:11:04 |
Thank God. Did you know |
| 00:11:08 |
Your money, for the trimesters. |
| 00:11:12 |
Really, Antoine, isn't it hard |
| 00:11:16 |
That school... it's not the same. |
| 00:11:19 |
I wanted to do something I liked. |
| 00:11:21 |
We didn't force you. |
| 00:11:25 |
law school, it's not my thing. |
| 00:11:28 |
That's not the point. |
| 00:11:31 |
Law school, it's not my thing. |
| 00:11:34 |
there's nothing you like. |
| 00:11:41 |
That's unheard of. |
| 00:11:45 |
Who's the butthole? |
| 00:11:47 |
Be friendly, Marie Belfond. |
| 00:11:50 |
So? Why do you need to rest on Sunday? |
| 00:11:54 |
Your week in the factory? |
| 00:12:01 |
Stay there. Don't move! |
| 00:12:21 |
Don't move! |
| 00:12:25 |
Sit down! |
| 00:12:35 |
How old are you? |
| 00:12:37 |
Eightteen. |
| 00:12:42 |
Do you know what your parents did? |
| 00:14:20 |
Why did you do that to me? |
| 00:14:27 |
Why did you do that to me? |
| 00:14:37 |
Why? |
| 00:15:21 |
It's them. |
| 00:15:23 |
It's them, Anna. |
| 00:15:26 |
They changed, but it's definitely them. |
| 00:15:28 |
I'm telling you. |
| 00:15:31 |
And you find them in a paper? |
| 00:15:33 |
We'll call the police |
| 00:15:35 |
What? |
| 00:15:37 |
What did you do? |
| 00:15:39 |
You had to observe them. You weren't sure. |
| 00:15:42 |
I knew I had to come along |
| 00:15:49 |
Where are you calling from? |
| 00:15:51 |
From the house. |
| 00:15:53 |
Yes. |
| 00:15:59 |
Lucie, give me the aress! |
| 00:18:10 |
I did it... |
| 00:18:27 |
Look, |
| 00:18:30 |
I did it... |
| 00:21:53 |
It's me, Lucie. It's me. |
| 00:21:56 |
She's there. |
| 00:22:04 |
She's in the house. |
| 00:22:08 |
She hurt me more than before. |
| 00:22:28 |
Stay here. |
| 00:22:30 |
Where are you going? |
| 00:22:31 |
I have to go take a look. |
| 00:22:34 |
I have to go take a look. |
| 00:22:37 |
Look at me, I have to go take a look. |
| 00:23:55 |
She hurt me more than before. |
| 00:24:01 |
What am I going to do? |
| 00:24:04 |
I'm coming. |
| 00:24:48 |
I don't have any more shells. |
| 00:24:51 |
Why don't we leave? |
| 00:24:53 |
She'll come back. |
| 00:24:56 |
Come. |
| 00:24:58 |
You called me from here |
| 00:25:02 |
I don't care. |
| 00:25:05 |
I don't care. |
| 00:25:16 |
What are we going to do? |
| 00:25:20 |
It hurts. |
| 00:25:26 |
What are we gonna do, Anna? |
| 00:26:11 |
Are you okay? |
| 00:26:19 |
Are you repulsed? By what I did? |
| 00:26:25 |
Do you smell this? |
| 00:26:27 |
That foul stench? |
| 00:26:29 |
I smelled that every time |
| 00:26:33 |
Do you understand? |
| 00:26:35 |
When she hit me, I smelled that. |
| 00:26:47 |
Look. |
| 00:26:51 |
It's them. |
| 00:27:25 |
What are you doing? |
| 00:27:35 |
Do you think I'm gonna get out of this? |
| 00:27:40 |
Yes. Yes. |
| 00:30:03 |
Please, don't make a sound. |
| 00:30:13 |
Anna, what are you doing? |
| 00:30:17 |
Are you okay? |
| 00:30:19 |
I called.. |
| 00:30:21 |
I thought she came back. |
| 00:30:23 |
Are you ready? We're leaving. |
| 00:30:26 |
We're gonna clean the house |
| 00:30:28 |
Get dressed. |
| 00:31:07 |
Lucie! |
| 00:31:37 |
Open up, Anna. |
| 00:31:41 |
Open up! |
| 00:32:23 |
Quick! |
| 00:32:35 |
What do you want? |
| 00:32:37 |
Leave me alone. |
| 00:32:39 |
I killed them! |
| 00:32:42 |
Even the children! |
| 00:32:44 |
I even killed the children! |
| 00:33:03 |
Calm down! Calm down! |
| 00:35:00 |
Get away from ther, whore! |
| 00:35:03 |
I'm gonna kill you! |
| 00:35:31 |
Sorry. |
| 00:35:34 |
It's not my fault. |
| 00:36:33 |
Where are you? |
| 00:36:46 |
Anna, I know you're in there. |
| 00:36:52 |
I'm coming. |
| 00:37:10 |
What's your name? |
| 00:37:11 |
Gabrielle... |
| 00:37:14 |
I'm coming, Lucie! |
| 00:37:17 |
You have to help me, Gairielle. |
| 00:37:19 |
Why did she do that? |
| 00:37:38 |
I think she heard us. |
| 00:37:52 |
It has to go fast. |
| 00:38:07 |
An ambulance. |
| 00:38:09 |
For my kids... |
| 00:38:12 |
Come on! |
| 00:38:14 |
Right up to the forest. |
| 00:38:18 |
No! Stop! |
| 00:38:24 |
Stop! Lucie! |
| 00:39:08 |
Why did you defend her? |
| 00:39:11 |
She didn't do anything, Lucie. |
| 00:39:15 |
To me! |
| 00:39:21 |
Do you wnat her to live? |
| 00:39:50 |
You never believed me! |
| 00:39:52 |
Stop! |
| 00:39:55 |
You think I'm crazy. |
| 00:40:02 |
What did they do for me? |
| 00:40:04 |
Apart from saying I'm crazy? |
| 00:40:14 |
It's over, Anna! |
| 00:40:32 |
They're dead. |
| 00:43:18 |
Stop! |
| 00:43:21 |
No! |
| 00:45:35 |
Why are you calling me? Aye? |
| 00:45:38 |
I don't hear a thing from you |
| 00:45:42 |
Yes. |
| 00:45:44 |
I'm not gonna fake. |
| 00:45:46 |
What do you want? |
| 00:45:49 |
No. |
| 00:45:50 |
Don't you think I feel like that? |
| 00:45:54 |
all the things that I've been missing out on? |
| 00:45:58 |
No, mom, that's not it. |
| 00:46:02 |
I wanted to speak you, that's all. |
| 00:46:04 |
Like that. On a day |
| 00:46:08 |
Are you doing fine, you got not problems? |
| 00:46:12 |
Are you sure? Where are you? |
| 00:46:14 |
Far away. |
| 00:46:19 |
Where do you sleep? How do you make a living? |
| 00:46:21 |
It's okay, mom. |
| 00:46:25 |
No. |
| 00:46:26 |
My God! You're still with her. |
| 00:46:28 |
It's still the same. |
| 00:46:32 |
Anna, she's worthless, she's a slut. |
| 00:46:35 |
She's worth less than nothing. |
| 00:46:40 |
Anna? |
| 00:46:42 |
Aren't you saying anything? |
| 00:52:18 |
Don't move. |
| 00:53:14 |
I can't take care of you. |
| 00:53:47 |
Don't be afraid.. |
| 00:53:49 |
Calm down. |
| 00:55:17 |
Calm down. |
| 00:55:28 |
Rest. |
| 00:55:57 |
Sorry. |
| 00:56:02 |
Sorry. |
| 00:57:06 |
Stop! |
| 00:58:11 |
Who's the girl on the couch? |
| 00:58:13 |
Who is it? |
| 00:58:16 |
Lucie... |
| 00:58:17 |
Lucie who? |
| 00:58:21 |
And you? |
| 00:58:24 |
And? |
| 00:58:25 |
Anna Assaoui. |
| 00:58:27 |
We're trying to reach the Belfonds for hours. |
| 00:58:30 |
The phone's off the hook. |
| 00:58:34 |
Can you tell me what's happening here? |
| 00:58:39 |
What are you doing here? |
| 01:01:14 |
Lucie Jurin escaped 15 years ago, |
| 01:01:19 |
Isn't it? |
| 01:01:22 |
Yes. |
| 01:01:23 |
It was a time |
| 01:01:27 |
Gabrielle shouldn't have let |
| 01:01:31 |
After 15 years. |
| 01:01:35 |
But in the end |
| 01:01:39 |
Like all the others. |
| 01:01:42 |
It's easy to create |
| 01:01:47 |
Lock someone up in a dark place. |
| 01:01:52 |
Feed that suffering. |
| 01:01:55 |
Methodically, systematic. |
| 01:01:58 |
And cold. And keep it going. |
| 01:02:02 |
The subjects goes through |
| 01:02:06 |
After a while the trauma, |
| 01:02:09 |
that little crack |
| 01:02:12 |
make it see things that aren't there. |
| 01:02:17 |
What did poor Lucie see? |
| 01:02:22 |
Didn't she see things? |
| 01:02:24 |
Not even monsters? |
| 01:02:27 |
Things that wanted to hurt her? |
| 01:02:32 |
A dead girl. |
| 01:02:34 |
There you go. |
| 01:02:36 |
A dead girl. |
| 01:02:38 |
The girl you found. Sarah Dutreuil. |
| 01:02:43 |
They we're crawling over her. She had rather |
| 01:02:47 |
People don't want to suffer anymore. |
| 01:02:52 |
The world has come to a point |
| 01:02:55 |
that there are only victims left. |
| 01:02:59 |
Martyrs are rare. |
| 01:03:02 |
A martyr, that's something else... |
| 01:03:06 |
A martyrs is |
| 01:03:08 |
It survives suffering, |
| 01:03:12 |
We burden it with |
| 01:03:15 |
and he transcends himself. |
| 01:03:19 |
Do you understand that? |
| 01:03:27 |
Longsheng, 1912. |
| 01:03:31 |
That women doesn't believe in God. |
| 01:03:33 |
She tried to steal a chicken. |
| 01:03:37 |
On the moment the picture was taken, |
| 01:03:44 |
Jouans-Lussac, 1945. |
| 01:03:46 |
That woman is a grocer. |
| 01:03:49 |
Back then the French were sensitive. |
| 01:03:52 |
She's still alive. Look at her eyes. |
| 01:03:57 |
Central Hospital of Birmingham, 1960. |
| 01:04:01 |
The atheistic housekeeper |
| 01:04:04 |
was terminally ill |
| 01:04:07 |
Look at her eyes. |
| 01:04:09 |
This one was beaten up by her husband. |
| 01:04:13 |
This one just spent 9 hours |
| 01:04:15 |
This young leukemia patient |
| 01:04:19 |
This woman has a rare disease. |
| 01:04:23 |
Look at their eyes. Look. |
| 01:04:25 |
All of them. Do you hear me? |
| 01:04:29 |
They were all alive |
| 01:04:32 |
So tell me again |
| 01:04:35 |
is an invention of |
| 01:04:38 |
We've tried everything. |
| 01:04:40 |
It's proven that women |
| 01:04:44 |
are more sensitive for |
| 01:04:48 |
Young women. |
| 01:04:51 |
It is that way. |
| 01:19:41 |
Anna? |
| 01:19:43 |
Are you there? |
| 01:19:45 |
I'm here. |
| 01:19:46 |
Anna? |
| 01:19:49 |
Why are you never afraid? |
| 01:19:52 |
Sometimes I'm afraid. |
| 01:19:53 |
Not like me. |
| 01:19:55 |
I didn't go through what you the same things. |
| 01:19:59 |
What do you have to do |
| 01:20:01 |
I think you have to let yourself go. |
| 01:20:04 |
Do you think so? |
| 01:20:06 |
Let oneself go. |
| 01:20:09 |
If I can't do it, |
| 01:20:11 |
Yes. |
| 01:20:12 |
I miss you. |
| 01:21:50 |
You're not afraid anymore, Anna. |
| 01:21:58 |
You're not afraid anymore, Anna. |
| 01:22:05 |
You're not afraid anymore. |
| 01:22:38 |
It will be okay, Anna. |
| 01:22:40 |
It will be okay. |
| 01:22:43 |
The suffering is almost over. |
| 01:22:47 |
There's one stage left. |
| 01:22:50 |
The last one. |
| 01:22:52 |
It will be okay. |
| 01:22:56 |
It's okay, Anna. |
| 01:26:56 |
Is she persevering? |
| 01:27:34 |
Michel! |
| 01:27:46 |
Now. I went to feed her. |
| 01:27:48 |
Are you sure? |
| 01:27:51 |
I never saw an expression like that. |
| 01:27:53 |
She's liberated. Completely liberated. |
| 01:27:58 |
Miss, her eyes... |
| 01:28:00 |
She doesn't she |
| 01:28:03 |
But is she still... |
| 01:31:01 |
Did you see it? |
| 01:31:07 |
The other world? |
| 01:32:41 |
Yesterday, in the afternoon, |
| 01:32:45 |
around 12.15, |
| 01:32:48 |
Anna Assaoui was martyred. |
| 01:32:51 |
I ask you with the utmost respect |
| 01:32:55 |
Anna Assaoui |
| 01:32:58 |
In the 17 years |
| 01:33:01 |
she's only the fourth |
| 01:33:04 |
And the first, yes, the first... |
| 01:33:08 |
to make notion |
| 01:33:11 |
Between 12.15 en 14.30 |
| 01:33:15 |
miss Assaoui has clearly |
| 01:33:19 |
You heard well. |
| 01:33:20 |
Her extatic state |
| 01:33:24 |
It was not a near |
| 01:33:28 |
What she experienced, |
| 01:33:31 |
At 14.30 she left that state. |
| 01:33:34 |
And at 15.05 she spoke. |
| 01:33:37 |
At this moment she is still alive. |
| 01:33:40 |
But she isn't talking anymore. |
| 01:33:42 |
Miss heard her testimony. |
| 01:33:46 |
That testimony, my dear friends, |
| 01:33:49 |
will be shared in a few moments. |
| 01:34:02 |
Miss, |
| 01:34:04 |
they are waiting. |
| 01:34:06 |
I'm coming, Etienne. |
| 01:34:14 |
So there IS something? |
| 01:34:16 |
Off course. |
| 01:34:19 |
Was it clear? |
| 01:34:23 |
Very clear. |
| 01:34:26 |
And precise? |
| 01:34:29 |
There as no room |
| 01:34:35 |
Thank you, Miss. |
| 01:34:45 |
Etienne? |
| 01:34:49 |
Miss? |
| 01:34:51 |
Could you imagine |
| 01:34:55 |
Are you okay? |
| 01:34:59 |
Could you? |
| 01:35:04 |
Keep doubting, Etienne. |
