Mary
|
00:02:52 |
Woman, why are you weeping? |
00:03:05 |
They've taken away my Lord, |
00:03:09 |
I don't know |
00:03:13 |
Why do you search |
00:03:44 |
Mary. |
00:03:53 |
Rabbouni! |
00:03:55 |
Do not hold on to me, |
00:03:58 |
for I have not yet |
00:04:01 |
But go to my brothers and tell them |
00:04:07 |
and to your Father, and to my God, |
00:04:12 |
and to your God. |
00:04:30 |
Mary! |
00:04:34 |
Mary. |
00:06:59 |
Hold on. Hold on right here. |
00:07:02 |
Marie! Have you seen Marie? |
00:07:06 |
Jesus Christ. |
00:07:08 |
Come on, let's go, we're gonna |
00:07:10 |
-Where are you going? |
00:07:12 |
-what are you kiddin' me? |
00:07:16 |
What are you talking about you're |
00:07:18 |
you are crazy like a fox. |
00:07:21 |
We've got 15 minutes |
00:07:23 |
-Which plane? |
00:07:25 |
do you want me to get down on my |
00:07:28 |
-just get into the car and let's go. |
00:07:30 |
-I can't. I can't go. I'm not going. |
00:07:34 |
it's over, it's over. |
00:07:37 |
We're going home. |
00:07:41 |
-I don't want to go. |
00:07:46 |
I'm going to Jerusalem. |
00:07:50 |
C'mon! Get in the car! |
00:07:53 |
Marie! |
00:07:56 |
Alright. Fine. |
00:07:58 |
You fucking go to Jerusalem. Great. |
00:08:05 |
Crazy bitch. C'mon, let's go. |
00:08:26 |
Look, you have two answers: |
00:08:31 |
He was a dangerous revolutionary, |
00:08:33 |
so they wrote on the cross |
00:08:36 |
-"Jews is the King of the Jews". |
00:08:39 |
-Which means a rebellious, |
00:08:41 |
-which means a revolutionary. |
00:08:43 |
-Second, |
00:08:44 |
the point of view of Jews, |
00:08:48 |
-as something... |
00:08:51 |
-Teacher, Rabi. |
00:08:53 |
-More than a Rabi. |
00:08:55 |
-Yeah. Messiah. |
00:08:57 |
Perhaps a Messiah. |
00:09:00 |
So if he started, if... if... if... |
00:09:03 |
by Jesus coming in to town, |
00:09:08 |
the Jewish community who had |
00:09:11 |
would have had to deal with that |
00:09:14 |
could have been killed because |
00:09:18 |
insighting, possibly a writer. |
00:09:22 |
Now, this is hard |
00:09:24 |
-I'm searching a side of your... |
00:09:28 |
At the time of Jesus, we are sure |
00:09:31 |
that a lot of persons |
00:09:33 |
suspected of rebellious actions, |
00:09:37 |
were crucified by Romans. |
00:09:40 |
It is nothing extraordinary. |
00:09:43 |
The problem is, |
00:09:44 |
who could have interest |
00:09:48 |
That is the problem. |
00:09:50 |
And I don't see where |
00:09:53 |
and for what |
00:09:55 |
the Jews could have interest |
00:09:58 |
while He was considered |
00:10:02 |
a chieftain of the people, |
00:10:06 |
and perhaps |
00:10:08 |
one who wanted to become |
00:10:13 |
How can we imagine |
00:10:17 |
to kill a person |
00:10:19 |
just because He wanted |
00:10:21 |
to teach them something? |
00:10:24 |
Of course it became |
00:10:27 |
we're going to have |
00:10:32 |
We'd like to thank our guest, |
00:10:35 |
Please join us again at the |
00:10:37 |
"Jesus, the real story". |
00:10:40 |
This is Theodore Younger |
00:10:44 |
And we're cut. |
00:10:48 |
Thank you. |
00:10:50 |
Mr. Luzzatto, that was... that was |
00:10:53 |
Gretchen called. The screening's |
00:10:56 |
-Yup. |
00:10:58 |
-He would do a lot for the show. |
00:11:00 |
-don't worry. That's a done deal. |
00:11:03 |
-See you. |
00:11:38 |
The father and son |
00:11:41 |
from a trip to purchase a new car, |
00:11:43 |
when they found themselves |
00:13:07 |
Babe. |
00:13:10 |
Babe? |
00:13:13 |
Elizabeth? |
00:13:18 |
I'm sorry I'm late. |
00:13:26 |
-Hey, what did you... do in there? |
00:13:29 |
-Do you like it? |
00:13:34 |
Oh I mean I painted a room, |
00:13:39 |
Were they happy? |
00:13:42 |
Are they ever really happy? |
00:13:50 |
I thought it was really good. |
00:13:53 |
-It was good, right? |
00:13:56 |
You were really... amazing. |
00:14:00 |
Thank you. |
00:14:15 |
Everything ok with |
00:14:17 |
little Raphael... or Luke? |
00:14:22 |
Or Samuel. |
00:14:24 |
-We're doing great. |
00:14:29 |
Sammy. |
00:14:33 |
That's nice. |
00:14:41 |
What... what's... what's wrong, |
00:14:48 |
I couldn't help it, if I could've got |
00:14:51 |
I'm sorry. |
00:14:55 |
-You know I'm here for you, right? |
00:14:59 |
I mean, we used to always talk |
00:15:02 |
Oh, it's just this f... |
00:15:04 |
It's just pressure all on me, |
00:15:08 |
between Brenda and |
00:15:10 |
the Network, it's just like... |
00:15:12 |
I don't know if I'm coming |
00:15:15 |
Yeah, but I'm here too. |
00:15:19 |
I know. |
00:15:22 |
You know what? |
00:15:26 |
Friday, and then all this insanity |
00:15:30 |
is going to be over with, |
00:15:34 |
and it'll just be me, |
00:15:42 |
and little Samuel. |
00:15:45 |
How you doin'? |
00:15:49 |
I'm |
00:15:50 |
Tony Childress |
00:15:53 |
"This is my blood". |
00:15:57 |
you know, come down and |
00:15:59 |
with the... with the press, but |
00:16:02 |
you know, that's me, |
00:16:06 |
At the drive-in theatre that my |
00:16:09 |
people would come |
00:16:12 |
there was two kinds of movies |
00:16:16 |
"tits and ass" movies |
00:16:19 |
horror movies. |
00:16:21 |
Where... |
00:16:24 |
why people would want to come and |
00:16:27 |
you know, tits and ass. |
00:16:28 |
But horror movies kinda baffled me. |
00:16:31 |
why would people wanna |
00:16:33 |
why would people wanna come and |
00:16:36 |
Why would they want go and see |
00:16:39 |
and live with those kind of horrible, |
00:16:43 |
that they kind of stay |
00:16:45 |
months and years? That movie |
00:16:49 |
And I started thinking that... |
00:16:52 |
go to see the movies |
00:16:54 |
They want to be terrified |
00:16:57 |
something horrible because |
00:16:59 |
it's an opportunity to believe |
00:17:03 |
That there... that there's |
00:17:05 |
of... of a life after this life. |
00:17:08 |
there's some promise, that... |
00:17:11 |
that if there's something |
00:17:14 |
monsters, |
00:17:17 |
So, I hope you enjoy |
00:17:20 |
But why did you play Jesus? |
00:17:22 |
Why did I play Jesus? |
00:17:26 |
I couldn't find anyone else |
00:17:29 |
Watch the movie and |
00:17:31 |
Alright. Roll the movie. |
00:17:42 |
How are we to go |
00:17:50 |
To announce the |
00:17:53 |
of the Son of Man. |
00:18:00 |
They didn't spare His life, |
00:18:05 |
Why they should spare ours? |
00:18:09 |
Do not remain in sorrow and doubt. |
00:18:13 |
and comfort you. |
00:18:16 |
Instead let us praise His greatness |
00:18:19 |
for He has prepared us for this. |
00:18:25 |
He is calling upon us |
00:18:30 |
Sister. |
00:18:33 |
We all know that |
00:18:36 |
differently from other women. |
00:18:39 |
Tell us whatever |
00:18:43 |
that He told you, |
00:18:47 |
I will now speak to you about |
00:18:52 |
I had a vision of the Teacher |
00:18:55 |
and I said to Him, |
00:19:00 |
and then He said to me, |
00:19:03 |
for the sight of Me |
00:19:06 |
There where is the noose |
00:19:10 |
And then I said to Him, |
00:19:14 |
"Lord, when someone meets You |
00:19:16 |
is it through the soul |
00:19:20 |
through the spirit?" |
00:19:24 |
"It is neither through the soul |
00:19:27 |
but the noose |
00:19:39 |
Tell me, |
00:19:41 |
what do you think |
00:19:44 |
As for me, I do not believe |
00:19:49 |
that the Teacher, our Teacher |
00:19:53 |
speak like this. |
00:19:59 |
-That's what I think. |
00:20:04 |
that the Teacher talk |
00:20:08 |
with a woman about secrets |
00:20:12 |
that we do not know? |
00:20:16 |
Must we change our customs |
00:20:23 |
Did he really choose her |
00:20:30 |
and prefer her to us? |
00:20:34 |
My brother Peter, |
00:20:39 |
Do you believe that I would...? |
00:20:43 |
That I invented this vision? |
00:20:46 |
Or do you believe that |
00:20:51 |
Peter, |
00:20:57 |
and now we see |
00:21:00 |
just as our adversaries do. |
00:21:03 |
If the Teacher held her worthy, |
00:21:07 |
to reject her? |
00:21:13 |
Don't stand there staring, |
00:21:15 |
you can't read it, you're a smart |
00:21:18 |
Call somebody, get it fixed. |
00:21:21 |
-Well done. |
00:21:23 |
I appreciate you coming. |
00:21:26 |
-Very kind of you. |
00:21:29 |
-Don't worry. |
00:21:31 |
A great job. Let me |
00:21:34 |
-Hi Ted. |
00:21:36 |
-Think they really liked the movie. |
00:21:40 |
Marie Palesi, I mean. |
00:21:42 |
It was a lot of work, let me |
00:21:45 |
-You must feel great, huh?! |
00:21:48 |
I'm not worried about |
00:21:51 |
-Do you want a lift to the city? |
00:21:53 |
yeah, can I meet you outside? |
00:21:56 |
-You must have heard of... |
00:21:57 |
I'm not worried about a damn thing, |
00:22:01 |
I think all the protestors |
00:22:03 |
and watch the movie and make |
00:22:06 |
judgements about something they |
00:22:10 |
-Yes, that's quite a film. |
00:22:13 |
-It's a good screening. |
00:22:15 |
let me get you my... my card. |
00:22:21 |
Theodore, |
00:22:25 |
God's gift. |
00:22:26 |
God's gift. |
00:22:29 |
Always good to have |
00:22:33 |
I like your show, it's good. |
00:22:36 |
Get the opportunity to present |
00:22:40 |
And it's getting good ratings. |
00:22:43 |
-You follow my ratings? Nice. |
00:22:46 |
I really appreciate it. |
00:22:50 |
-It means a lot to me. |
00:22:53 |
It's just television but... |
00:22:55 |
Don't knock television. |
00:22:58 |
My agent's pitching me for a couple |
00:23:02 |
-Yeah? |
00:23:06 |
You know what? I would love |
00:23:09 |
We are going to be doing "Jesus from |
00:23:13 |
art and some film clips. |
00:23:15 |
"Jesus from the Hollywood |
00:23:18 |
C'mmon, c'mmon, what? |
00:23:21 |
Yeah? |
00:23:23 |
I mean obviously I would show |
00:23:25 |
I would hope so. |
00:23:29 |
Tony, it would really... be great |
00:23:33 |
Alright, let's cut to the chase. |
00:23:36 |
I'll do an interview on your show, |
00:23:39 |
and cover it, live. |
00:23:42 |
Wow. I'd love to do that. |
00:23:45 |
You know, if it were up to me |
00:23:47 |
Come on. You've got the ratings, |
00:23:50 |
I want people to see what's happening |
00:23:54 |
I want people to see |
00:23:57 |
people are imposing censorship |
00:24:01 |
I want the fucking world |
00:24:07 |
It's a great idea. |
00:24:10 |
I'm gonna have to talk to the |
00:24:12 |
There's always somebody. |
00:24:14 |
Everybody can be |
00:24:16 |
If you only knew... |
00:24:22 |
What about Marie? Do you think |
00:24:24 |
-Marie? |
00:24:26 |
Marie is busy. |
00:25:17 |
We wanted to take |
00:25:20 |
It just... it just happened, alright? |
00:25:22 |
I need some aspirin, |
00:25:29 |
You know, it's... it's... |
00:25:31 |
You know, it's fine, it's fine, ok? |
00:25:34 |
It's fine. This is... You know, |
00:25:37 |
for reacting like that. |
00:25:40 |
I just wish they would just leave me |
00:25:43 |
why don't I just go on |
00:25:46 |
blood and all and just talk about |
00:25:49 |
-We can't do that. It's not the news. |
00:25:52 |
-Just put some make-up on it. |
00:25:55 |
Don't fix it. It's fine, it's fine, |
00:25:58 |
Thank you, Dina. Thanks. |
00:26:05 |
But, the question is, can we live |
00:26:09 |
completely and holdly |
00:26:12 |
inside of society? |
00:26:15 |
I'd like to ask you, |
00:26:18 |
Yeah, yeah. |
00:26:22 |
tradition monastic, |
00:26:23 |
for example tradition of Camaldoli, |
00:26:28 |
strong experience of solitude, |
00:26:31 |
but at the same time there is the |
00:26:33 |
opening to mission, |
00:26:35 |
so to meet other people, |
00:26:39 |
to be able to welcome people. |
00:26:42 |
Seekers, |
00:26:45 |
seekers of God, |
00:26:49 |
and to be able to be in touch |
00:26:52 |
The person who visits you |
00:26:55 |
because God is inside of everyone, |
00:26:58 |
and you have to treat them as if |
00:27:01 |
-that experience is with God. |
00:27:04 |
he reveals as |
00:27:05 |
an extraordinary incarnate, |
00:27:08 |
vulnerable, |
00:27:10 |
passionate |
00:27:12 |
and liberating people, |
00:27:14 |
-so that is very important, not this |
00:27:17 |
full immersion |
00:27:19 |
and contamination, |
00:27:22 |
Contamination that is to say |
00:27:25 |
not God as pure, |
00:27:28 |
separated authentic |
00:27:31 |
by the human condition but |
00:27:33 |
in touch with. You know? |
00:27:38 |
to be open to the outcasts, |
00:27:41 |
to the marginalized people, |
00:27:44 |
to the sinners, no? The persons |
00:27:47 |
considered far from God. |
00:28:17 |
And Craving said, |
00:28:19 |
"I did not see you descend, |
00:28:24 |
and why do you lie to me |
00:28:29 |
And the Soul answered, "I saw you, |
00:28:34 |
though you did not see me |
00:28:37 |
I was with you as with a garment, |
00:29:36 |
I never realized how... how good |
00:29:42 |
she like knocked me out. |
00:29:45 |
Yeah. |
00:29:47 |
She is really good. |
00:29:53 |
She coming back for the premier? |
00:29:57 |
I don't know. I don't think so. |
00:30:05 |
Kidding, right? |
00:30:10 |
I mean, |
00:30:11 |
she's been away |
00:30:17 |
A year? |
00:30:19 |
A year. |
00:30:24 |
Where is she? |
00:30:27 |
I don't know. |
00:30:32 |
You don't know? |
00:30:35 |
No. |
00:30:38 |
How do you not know where she is, |
00:30:41 |
You must know where she is. |
00:30:45 |
We are, I |
00:30:47 |
just don't know where |
00:30:54 |
Look, she went through some... |
00:31:02 |
This can't leave this room. |
00:31:06 |
No, this can't leave this room. |
00:31:09 |
-No. What? What? |
00:31:13 |
You promise me? |
00:31:16 |
I promise, |
00:31:17 |
I promise, ok so... Come on, |
00:31:24 |
She went through some |
00:31:30 |
She told me that |
00:31:32 |
she was living in two worlds |
00:31:38 |
that she could go into the past |
00:31:45 |
-Oh man! |
00:31:51 |
he pushed her to a bad place. |
00:31:54 |
He always fucked with her head. |
00:31:58 |
He always knew |
00:32:03 |
Well, it seems like |
00:32:06 |
he got a great performance |
00:32:10 |
At what cost? |
00:32:15 |
When you're an actor, |
00:32:17 |
sometimes it's really hard |
00:32:22 |
It's a director's job to help you. |
00:32:25 |
He just left her hanging. |
00:32:32 |
Do you think Marie's |
00:32:34 |
What are you, writing a book? |
00:32:38 |
Oh no, I'm just curious, |
00:32:43 |
You're curious. |
00:34:31 |
-Marie? |
00:34:33 |
It's Ted. |
00:34:35 |
Theodore Younger? |
00:34:39 |
-Is Gretchen ok? |
00:34:43 |
Now I went to the... to Tony's |
00:34:46 |
wow, I mean congratulations, |
00:34:49 |
-Your performance was great. |
00:34:52 |
I was just wondering |
00:34:56 |
-That's all? |
00:34:59 |
I'm doing a |
00:35:01 |
national television show |
00:35:05 |
and Tony, he's gonna do |
00:35:09 |
-and I'd love to have you too. |
00:35:17 |
Why what? |
00:35:19 |
Why are you doing a show, |
00:35:27 |
I do... I don't understand... why. |
00:35:32 |
Do you believe in Jesus? |
00:35:37 |
Well I... |
00:35:39 |
I don't know, I guess he existed. |
00:35:42 |
No, what do you believe? |
00:35:48 |
I don't know. |
00:35:51 |
It takes courage to |
00:35:53 |
walk in the truth, |
00:35:56 |
to become fully humans. |
00:35:59 |
Jesus helped Mary Magdalene, |
00:36:11 |
Hello? |
00:36:13 |
Hello? |
00:36:22 |
Go back to the city, to the city. |
00:36:26 |
I wanna go back to the city. |
00:36:32 |
Yeah, I wanna go back. Thanks. |
00:36:37 |
What do we actually know |
00:36:40 |
how do we know it, |
00:36:43 |
And the answer is |
00:36:51 |
The Gospel of Thomas, the Gospel of |
00:36:55 |
these were apparently buried |
00:36:58 |
when a bishop, |
00:37:01 |
and heretical writings, |
00:37:04 |
and somebody disobeyed |
00:37:07 |
out by a cliff where |
00:37:12 |
It's clear that when you look at |
00:37:14 |
the Gospel of Mary and the Gospel |
00:37:18 |
that Mary Magdalene who appears |
00:37:21 |
just as one of the women, |
00:37:24 |
she's just a very marginal character. |
00:37:27 |
there's often a running battle |
00:37:31 |
It could be a rivalry |
00:37:34 |
disciple closest to Jesus. |
00:37:47 |
What you find in... in |
00:37:50 |
sort of ancient legend history, |
00:37:53 |
Modern fiction turns her |
00:37:57 |
But what you find in |
00:37:59 |
neither a prostitute nor a lover. |
00:38:02 |
She's one of the disciples, |
00:38:09 |
The Jesus of the New Testament |
00:38:11 |
is usually characterized |
00:38:15 |
Marc says, "This is the Gospel of |
00:38:18 |
John says, "He's the only begotten |
00:38:22 |
The Gospel of Thomas |
00:38:24 |
yes, Jesus comes forth from God, |
00:38:27 |
the teaching of the Gospel |
00:38:31 |
So do you, and so do I. |
00:38:33 |
That we also come from |
00:38:35 |
the divine light, |
00:38:38 |
because we are created |
00:38:41 |
And so the Gospel of Thomas |
00:38:45 |
a child of God, just like Jesus, |
00:38:48 |
the divine light, |
00:38:51 |
The fact that you may not need |
00:38:55 |
even Jesus. |
00:38:57 |
and as the Gospel of Thomas |
00:39:00 |
"If you bring forth |
00:39:02 |
what you bring forth |
00:39:04 |
If you do not bring forth |
00:39:07 |
what you do not bring forth |
00:39:09 |
And this of course, from the point |
00:39:14 |
-Why was the phone off? |
00:39:17 |
I don't know, I... I must have |
00:39:20 |
Well, what if I went |
00:39:23 |
-What's the matter with you? |
00:39:28 |
Well, since when do you |
00:39:30 |
Since when do I have a national |
00:39:33 |
I got the entire responsibility of |
00:39:35 |
or... or... or is that beyond |
00:39:38 |
Oh, beyond my comprehension! |
00:39:40 |
fucking asshole? |
00:39:43 |
you're an ungrateful |
00:39:45 |
Hey! I was doing research. |
00:39:47 |
I lost track of the time. |
00:39:51 |
That's all that happened. I fell |
00:39:54 |
Why... What is this, some kind |
00:39:58 |
Hold... hold on a second, |
00:40:02 |
Brenda, could you please |
00:40:04 |
tell Elisabeth that |
00:40:07 |
and I fell asleep |
00:40:15 |
I'll be there in a minute. |
00:40:21 |
I can't get into this right now. |
00:40:24 |
My hole future is on the line here. |
00:40:29 |
Your future. What about our future? |
00:40:32 |
-You know what I meant. |
00:40:37 |
Listen, |
00:40:38 |
I don't have time to play |
00:40:42 |
I gotta go to work. |
00:40:45 |
Go to hell! |
00:41:06 |
Hello? |
00:41:10 |
-Hey. |
00:41:19 |
Yeah, I... You know... I mean, |
00:41:23 |
I don't even know |
00:41:29 |
It's, you know... It's all the |
00:41:33 |
I get a... It's not... |
00:41:36 |
I shoulda... I shoulda called you, |
00:41:39 |
Well, I'm sorry I hung up on you, |
00:41:42 |
but I hope you come home soon. |
00:41:46 |
Yeah... |
00:41:47 |
-Yeah, when can you come home? |
00:41:49 |
finish this show and then I'm gonna |
00:41:52 |
I can't wait to see you too. |
00:41:56 |
-I need to see you, ok? |
00:42:00 |
-Ok? |
00:42:05 |
-Sorry. |
00:42:08 |
-Ok, bye. |
00:42:20 |
-Le Christe lui a donné la parole. |
00:42:24 |
Avant la résurrection son language |
00:42:27 |
-celui du parfum. |
00:42:29 |
the way she spoke was |
00:42:33 |
Et le Christe I'a conduit |
00:42:36 |
Christ led her |
00:42:39 |
Non seulement elle |
00:42:41 |
Not only can she be a woman. |
00:42:43 |
mais elle peut parler et enseigner |
00:42:45 |
But she can speak |
00:42:48 |
Et cela, un aspect important |
00:42:51 |
-And that is a significant aspect. |
00:42:53 |
-marcher avec le Christe. |
00:42:56 |
Les hommes doivent intégrer |
00:43:00 |
Man must include |
00:43:03 |
female dimension. |
00:43:05 |
et les femmes doivent intégrer |
00:43:08 |
And woman must integrate, |
00:43:11 |
men's dimension. |
00:43:13 |
pour devenir non seulement |
00:43:15 |
-...not just males and females. |
00:43:18 |
-But Human Beings. |
00:43:23 |
-Peter's problem with Mary |
00:43:29 |
-C'est quoi comme problème? |
00:43:32 |
-Le fait que'elle est une femme. |
00:43:35 |
Qui dit ces mots, |
00:43:37 |
that she is putting herself |
00:43:41 |
-number one disciple, if you would. |
00:43:44 |
comme |
00:43:46 |
-Or both. |
00:43:49 |
Je crois que le problème |
00:43:52 |
-Mais surtout, peut-être, |
00:43:55 |
-parce que c'est une femme. |
00:45:40 |
Babe? |
00:45:44 |
Elisabeth? |
00:46:02 |
Jesus. |
00:46:05 |
Elisabeth! |
00:46:07 |
Elisabeth! |
00:46:11 |
Elisabeth! |
00:46:15 |
-I tried to call you so many times. |
00:46:18 |
-What happened? |
00:46:20 |
-I come inside. She was bleeding. |
00:46:23 |
Where is...? Let's go! |
00:46:33 |
Could you tell me |
00:46:36 |
Thank you. |
00:46:57 |
Oh my God. |
00:47:00 |
-Is she ok? |
00:47:03 |
-Yeah. Is she alright? |
00:47:07 |
What's wrong with her? |
00:47:08 |
You should speak to the doctor |
00:47:11 |
-Can you go get the doctor, please? |
00:47:15 |
Hey, hey, don't touch me! |
00:47:17 |
-Hey listen. You gotta be quiet. |
00:47:21 |
I'm going to call the doctor right |
00:47:24 |
-Please. She needs to rest, alright? |
00:47:31 |
Is the baby ok? |
00:47:33 |
-You should talk to the doctor. |
00:47:37 |
Can you wait for the doctor for just |
00:47:40 |
Can you just tell me |
00:47:49 |
This is crazy. |
00:47:54 |
This is crazy, baby. |
00:48:40 |
Little guy. |
00:48:47 |
It's ok. |
00:48:49 |
It's ok. |
00:48:51 |
Don't worry. |
00:48:59 |
Hi buddy. |
00:49:06 |
It's ok. |
00:49:14 |
It's alright. |
00:49:16 |
It's ok. Look, look. |
00:49:22 |
It's me. |
00:50:23 |
In Jerusalem, |
00:50:25 |
observing Jews will soon |
00:50:28 |
for the passover holiday. |
00:50:30 |
the celebration of the Israelites |
00:50:34 |
will again take place |
00:50:49 |
-Hello? |
00:50:52 |
Yes? |
00:50:55 |
-It's Ted. |
00:51:00 |
You there? |
00:51:03 |
My wife's had the... |
00:51:06 |
She had the baby, you know. |
00:51:11 |
I'm really, really, really bad. |
00:51:14 |
They don't know if they're |
00:51:19 |
My baby is so sick, you know. |
00:51:23 |
Can't even breath and he's... |
00:51:30 |
-Do you love your baby? |
00:51:35 |
As his father would you do |
00:51:39 |
Everything. |
00:51:42 |
If your baby asked for something |
00:51:45 |
-would you give it to him? |
00:51:49 |
Do you think the father, your father, |
00:51:52 |
You know what? |
00:51:55 |
No, I mean your Father, Ted, |
00:51:59 |
He loves us more than |
00:52:02 |
Oh well, if He loves me so much, |
00:52:05 |
Have you asked Him? |
00:52:10 |
How am I gonna ask Him if I don't |
00:52:14 |
How am I gonna go to Him? |
00:52:17 |
I don't know how to speak to Him. |
00:52:22 |
Well, He sent us a messenger |
00:52:26 |
so go to Him, pray, try. |
00:52:31 |
I can't speak to God. |
00:54:53 |
Oh Ted. Ted. |
00:54:56 |
Ted, is that you? |
00:55:02 |
How are you feelin'? |
00:55:04 |
-Did you see him? |
00:55:08 |
How is he? |
00:55:10 |
He's ok, they're... they're |
00:55:14 |
I didn't get to see him, |
00:55:17 |
I didn't even get to hold him. |
00:55:23 |
No. |
00:55:24 |
He was sleeping so I... I... I... |
00:55:27 |
How does he look? |
00:55:30 |
Oh man, he is so hansom, |
00:55:33 |
He's so... beautiful. Really he... |
00:55:37 |
I'm sorry I didn't know what to do, |
00:55:41 |
Don't even think about that. |
00:55:44 |
What if something happens to him? |
00:55:49 |
Just don't even think about that, |
00:55:51 |
you need to just rest |
00:55:54 |
I want to see my baby. |
00:55:57 |
No, baby, baby, you got to rest, ok? |
00:56:00 |
I'm gonna take care of it. |
00:56:03 |
-You just stay here, ok? |
00:58:39 |
-You can't get in, you can't get in. |
00:58:42 |
He's ok. You can't get in. |
00:59:46 |
Peace I leave with you, |
00:59:48 |
I do not give us, the world gives. |
00:59:53 |
Do not let your hearts be troubled, |
00:59:58 |
If you loved me, you would rejoice. |
01:00:04 |
The hour has come when you will be |
01:00:07 |
and I will be left alone. |
01:00:09 |
Because they will persecute you |
01:00:15 |
They do this to fulfil the word |
01:00:19 |
that is written in their law. |
01:00:23 |
They hate it without cause. |
01:00:30 |
I've said these things to you |
01:00:36 |
The hour is come when you will be |
01:00:40 |
Indeed, the hour has come |
01:00:43 |
when those who kill you |
01:00:47 |
they are offering |
01:00:56 |
I've said these things to you |
01:00:58 |
so that when they do occur, |
01:01:00 |
you may remember |
01:01:04 |
and you may believe. |
01:01:08 |
Five, |
01:01:09 |
four, |
01:01:11 |
three, |
01:01:12 |
two... |
01:01:16 |
You have just watched the film clip |
01:01:18 |
"This is my Blood", |
01:01:23 |
and we are here |
01:01:26 |
writer, director and star |
01:01:29 |
of "This is my Blood." |
01:01:32 |
Tony, |
01:01:36 |
about Jesus? |
01:01:38 |
Well, 'cuz that gives a movie |
01:01:42 |
No, I'm kiddin'. |
01:01:44 |
I mean, the... the story of Christ |
01:01:47 |
as it was two thousand years ago. |
01:01:49 |
That when Christ gets nailed |
01:01:52 |
getting nailed to the cross, man. |
01:01:55 |
It's the whole society |
01:01:58 |
-Yeah. |
01:02:01 |
Have you been nailed |
01:02:04 |
Do you know what it's like |
01:02:10 |
That's a... that's a... |
01:02:13 |
-That nailed to the cross... |
01:02:16 |
protests. |
01:02:18 |
They are organizing protests |
01:02:21 |
at your premier. |
01:02:24 |
I think that the people |
01:02:28 |
should have an opinion |
01:02:30 |
what it is that they are protesting. |
01:02:33 |
are always subject to criticism. |
01:02:35 |
Look what they did to Scorsese with |
01:02:39 |
The thing is that it's a lack |
01:02:43 |
Is it a lack of intelligence |
01:02:48 |
Is it a statement |
01:02:51 |
desecrating the... |
01:02:53 |
the image of what |
01:02:56 |
Well, it depends on |
01:02:58 |
The traditional approach |
01:03:01 |
but who decides what is the |
01:03:04 |
Because something that you read in |
01:03:06 |
We are talking about love. |
01:03:09 |
and Jesus represents love, |
01:03:11 |
then why are you trying to destroy |
01:03:14 |
-My movie's all about love, baby. |
01:03:16 |
You saw it. |
01:03:20 |
I understand. |
01:03:22 |
-Well... |
01:03:24 |
I mean we all have opinions about |
01:03:28 |
But those opinions are based on... |
01:03:32 |
based on things |
01:03:34 |
-religious stories that have been... |
01:03:36 |
I talked to my mother |
01:03:39 |
I called her up and I said, |
01:03:43 |
books, |
01:03:47 |
telling me all these |
01:03:51 |
about Christ and... Mary." |
01:03:57 |
And she said, "Oh well, |
01:04:00 |
I think if God hadn't want it, |
01:04:05 |
I have everything |
01:04:06 |
There's nothing wrong with that." |
01:04:10 |
what do you mean, Ma?" |
01:04:12 |
"Well, it doesn't matter how many |
01:04:14 |
it doesn't matter if you change |
01:04:17 |
matter because... because |
01:04:19 |
God is talking about love, |
01:04:25 |
"You need to love your fellow man, |
01:04:29 |
love your family, |
01:04:32 |
-Right on. |
01:04:34 |
to do the thing... You don't |
01:04:38 |
What you need to do is... |
01:04:43 |
I think your mum should come and |
01:04:45 |
Sorry to interrupt you but Marie |
01:04:51 |
-Are you still there? |
01:04:53 |
Ok. |
01:04:55 |
-Marie Palesi. |
01:04:58 |
-Hello? |
01:05:00 |
-Marie? |
01:05:03 |
-It's Ted. It's Ted. |
01:05:06 |
-Thank you for coming on my show. |
01:05:10 |
-Hello Tony. |
01:05:15 |
Yours is a fascinating story. |
01:05:20 |
A successful artist, |
01:05:25 |
Yet you decided |
01:05:29 |
What would make you leave behind |
01:05:33 |
being an actress, Marie? |
01:05:37 |
I had no other choice. |
01:05:42 |
I played the role of Mary Magdalene |
01:05:45 |
-Yes. |
01:05:49 |
-by her. |
01:05:51 |
When you decide to change your life |
01:05:55 |
so... |
01:05:57 |
You know, my heart was hardly |
01:06:01 |
-Right. |
01:06:04 |
What are you doing now? |
01:06:09 |
I'd say that we are all capable |
01:06:14 |
You know we see the results of |
01:06:17 |
and the one thing I'd like to say |
01:06:19 |
is that my wish is that |
01:06:22 |
acquire peace within themselves. |
01:06:26 |
-That's all I wanted to say. |
01:06:30 |
Marie, thanks for |
01:06:32 |
-sharing your insights with us today. |
01:06:35 |
-"Shalom". Bye. |
01:06:41 |
And we're cut. |
01:06:42 |
What the fuck was that? Why did |
01:06:45 |
It's my idea. Sorry, I'm the producer |
01:06:48 |
I don't give a fuck who you are. |
01:06:52 |
-Come on to the show to talk about... |
01:06:56 |
-We talked about the film. |
01:06:58 |
to have two guests |
01:07:00 |
You invited me to come on to the show |
01:07:03 |
not to do an interview with her. |
01:07:06 |
-Honestly I... |
01:07:09 |
-What d'you mean...? |
01:07:13 |
-We had an agreement. |
01:07:15 |
-Yeah? |
01:07:17 |
I'll see you Friday. |
01:07:20 |
You better hold up |
01:07:40 |
-The madness of God. |
01:07:44 |
Madness of God. |
01:07:46 |
Because there is |
01:07:49 |
an extreme, an expressive gesture |
01:07:52 |
he does, that is his |
01:07:57 |
taking off his robe, |
01:08:01 |
and beginning to wash |
01:08:04 |
the disciple's feet. |
01:08:08 |
And for me that is |
01:08:10 |
a very important |
01:08:13 |
-Statemen. |
01:08:16 |
stripping himself, |
01:08:20 |
he puts himself outside |
01:08:24 |
every |
01:08:26 |
position and |
01:08:28 |
-social status. |
01:08:31 |
Is that gesture how you reference |
01:08:34 |
The last supper, |
01:08:36 |
-the last supper of Jesus, |
01:08:38 |
in that one in the John's Gospel, |
01:08:41 |
-he does this gesture |
01:08:44 |
and he found the only |
01:08:49 |
hierarchy |
01:08:51 |
possible of his life, |
01:08:54 |
and which is a hierarchy of love. |
01:08:58 |
That is to say, |
01:09:00 |
he wants, just yearns, |
01:09:04 |
to live in the heart |
01:09:07 |
of his own friends there. |
01:09:11 |
So I... |
01:09:12 |
So that gesture was his expression |
01:09:16 |
because it was breaking |
01:09:19 |
"And I am able |
01:09:21 |
to give myself in this way to you, |
01:09:24 |
and so I underline |
01:09:28 |
what is essential in my existence |
01:09:31 |
and that could be important |
01:09:34 |
-for your existence." |
01:09:37 |
before he actually |
01:09:39 |
is crucified, he says, |
01:09:43 |
This is a memory I leave with you, |
01:09:46 |
-an image on the cross, |
01:09:48 |
-my love. |
01:09:51 |
yes. |
01:09:59 |
If it's because of something I did, |
01:10:04 |
then punish me. |
01:10:09 |
Punish me. |
01:10:14 |
I've sinned. |
01:10:17 |
Punish me. |
01:10:19 |
Punish me. |
01:10:20 |
Punish me. |
01:10:23 |
Don't punish them. |
01:10:27 |
I'm asking you, |
01:10:30 |
I'm begging you to please, |
01:10:33 |
take my life, not theirs. |
01:10:40 |
If you could just save my wife |
01:10:44 |
and save my kid, |
01:10:50 |
could you forgive me for all the |
01:10:53 |
things I've done. |
01:10:58 |
Because I wanna feel You, |
01:11:01 |
I do. |
01:11:04 |
There's a hole inside me. |
01:11:10 |
And I'm lost. |
01:11:13 |
I'm so lost, |
01:11:15 |
and I'm so empty inside. |
01:11:26 |
I don't know |
01:11:29 |
I don't know who I am. |
01:11:33 |
If you could just show me. |
01:11:36 |
find myself again. |
01:11:38 |
Please. |
01:11:41 |
Please. |
01:11:46 |
Could you take this away from me? |
01:11:48 |
Could you take this away? |
01:11:52 |
Could you just take this away? |
01:11:54 |
Please, 'cuz if it's me, |
01:12:19 |
I'm sorry. |
01:12:24 |
I'm so sorry. |
01:12:29 |
I just don't know, you know? |
01:12:32 |
I just didn't know. |
01:12:36 |
I just didn't know. |
01:12:59 |
-Any news? |
01:13:03 |
-Keep trying. |
01:13:06 |
Yeah. I'm coming. |
01:13:18 |
How can he just |
01:13:22 |
He better be dead. |
01:13:27 |
There's no answer. |
01:13:45 |
Everybody here? |
01:13:48 |
This lie inspired the murder |
01:13:51 |
of my people in the millions |
01:13:53 |
and this lie inspires, |
01:14:03 |
...where people have gathered |
01:14:07 |
Tony Childress and his new film |
01:14:11 |
I didn't necessarily find it |
01:14:14 |
I did find it more anti-Roman |
01:14:25 |
Tony Childress! |
01:14:27 |
-What are your thoughts about it? |
01:14:30 |
-I'm Brenda Sax, |
01:14:32 |
-standing in for Ted. |
01:14:34 |
I've got nothing to say to you... |
01:14:38 |
Ladies and Gentlemen, |
01:14:40 |
we're going to have to ask you |
01:14:43 |
Please remain calm and |
01:14:46 |
Please, do not run. |
01:14:57 |
...and all the people |
01:15:01 |
There's no bomb. It's just |
01:15:03 |
Everybody just calm down. |
01:15:06 |
The director's |
01:15:07 |
come in the theatre |
01:15:11 |
What's going on? |
01:15:12 |
Step out, step out. |
01:15:15 |
Come on now. |
01:15:17 |
Everybody just go on back |
01:15:19 |
Just go back to your seats. What |
01:15:21 |
Come on! |
01:15:24 |
There's no bomb in here. It was a |
01:15:30 |
Get him out, get him out! |
01:15:47 |
Alright. Good. |
01:15:49 |
There's a bomb in the building. |
01:15:53 |
You don't want to be |
01:15:57 |
What's going on here? |
01:16:02 |
Up here. |
01:16:04 |
Keep searching. C'mon. |
01:16:07 |
I'll show you a bomb. |
01:16:13 |
-Hey, what's going on? |
01:16:29 |
Put the light! |
01:16:32 |
-Hey Tony. Come on out! |
01:16:35 |
Tony, you've got to leave |
01:16:37 |
The only bomb is the one |
01:16:41 |
There ain't no bomb. |
01:16:45 |
Who are they to decide? |
01:16:46 |
How do they know |
01:16:49 |
The Pope in Rome? |
01:16:51 |
What are they going to fucking |
01:16:55 |
You don't let me play my movie, you |
01:16:59 |
and wipe your ass with it. |
01:17:06 |
Yeah. |
01:17:12 |
You hear that? We got lines |
01:17:23 |
You are blessed, |
01:17:25 |
for the sight of me |
01:17:29 |
There where is the noose |
01:17:34 |
Where do you come from, murderery?. |
01:17:38 |
And where are you going, wanderery?. |
01:17:42 |
-My craving has faded |
01:17:44 |
-with your eyes. |
01:17:46 |
-It's what you see with your heart. |
01:17:49 |
with the aid of another world. |
01:17:53 |
A design was erased |
01:17:56 |
by virtue of the Higher Design. |
01:17:59 |
Henceforth, I travel toward repose, |
01:18:05 |
where times rest |
01:18:09 |
I go now into silence. |
01:18:14 |
So why should I forgive you? |
01:18:21 |
Well, I'm going to prove to you |
01:18:24 |
that I'm different, |
01:18:28 |
I'm going to show you |
01:18:33 |
Every moment you're going |
01:18:44 |
I fucked up, just fucked up. |
01:18:53 |
You know... |