Mata Hari

en
00:01:34 Right.
00:01:35 Look. ls any woman worth that?
00:01:38 Surely, you regret havving betrayed
00:01:41 -You can still havve a chance--
00:01:45 Come on, out with it.
00:01:47 Who is she? What is her name?
00:01:51 Tell us, you fool!
00:01:55 Mata Hari.
00:01:57 That's her name, isn't it?
00:01:59 -Let me alone.
00:02:06 She bewitches them.
00:02:08 Why not? She bewitched all Paris.
00:02:10 She's France's greatest enemy.
00:02:11 The woman has become
00:02:14 After all, you're the only one in Paris
00:02:20 lt's vvery dangerous to accuse a woman
00:02:24 -...without proof.
00:02:26 And one cold morning, you'll see your fine
00:02:40 -Dine with me tonight?
00:02:42 -Tonight l'm to see your Mata Hari dance.
00:02:45 A special soiree at LeMarchand's.
00:02:47 -How dare you.
00:02:49 After all, there is a war going on.
00:02:52 Oh, well, some dance and some die.
00:02:55 And some will do both.
00:03:11 -ls that it?
00:03:14 -May l?
00:03:19 lt is. Amazing.
00:03:25 Something of an evvent to see
00:03:27 Evvent? Why, it's the first time in history,
00:03:51 Congratulations. A great achievvement.
00:03:54 Thank you, sir, but it's just sheer luck.
00:03:57 -And a good engine.
00:04:00 Quite safe, sir. l'm to delivver them
00:04:03 Yes, of course. Of course. Major.
00:04:05 May l present Lieutenant Alexis Rosanoff
00:04:11 Proud to meet such a bravve young man.
00:04:13 Thank you, sir. ut l was frightened
00:04:20 You'll hold yourself in readiness
00:04:23 -...as soon as our reply is ready.
00:04:26 -How long will it take to decode this?
00:04:29 Rush it, please.
00:04:31 General Shubin,
00:04:34 This will call for immediate counsel.
00:04:37 Congratulations, lieutenant.
00:04:40 General Shubin will givve you
00:04:52 -Sit down.
00:04:53 Well, you feel like celebrating?
00:04:56 Sleep is the only thing l'm interested in.
00:04:58 Can l put you up for the night?
00:05:00 No, thank you.
00:05:02 That is, if l can stay awake
00:05:05 l'd ask you to dine with me, but l havve
00:05:10 Mata Hari's dancing.
00:05:13 Mata Hari?
00:05:17 l'd be delighted
00:05:20 -l'm not as tired as l was.
00:05:23 The prospect of a good dinner, perhaps.
00:05:25 Yes, l suppose that's it.
00:05:27 After all, it's rather absurd to go straight
00:05:32 l think l do feel rather like celebrating.
00:05:34 lf you can stay awake.
00:05:36 -Funny, l'm not evven sleepy anymore.
00:05:38 That's all right, Rosanoff.
00:05:40 There'll be such a crowd there,
00:05:44 What do you mean?
00:05:46 Why, didn't you say you wanted
00:06:35 Shivva...
00:06:36 ...l dance for you tonight as the bayadères
00:07:46 ravvo!
00:07:49 ravvo!
00:07:52 They say her mother was a sacred dancer,
00:07:57 You know she married a Dutchman.
00:08:00 Really? l can't believve it.
00:08:02 She makes matrimony seem so dull.
00:08:04 l'd like to know her.
00:08:06 l feel that l do know her.
00:08:21 Madame Mata Hari, may a perfect stranger
00:08:25 -Thank you.
00:08:27 And those earrings, are they Javvanese?
00:08:30 No, they are from lndia.
00:08:32 They're so intriguing. May l?
00:08:34 Andriani wants to see you at the Pavvilion
00:08:37 -Glad you like them.
00:08:41 Do you think--? Could you introduce me?
00:08:44 My dear boy, one doesn't meet Mata Hari
00:08:49 esides, l'm late now.
00:08:50 -Do you mind if l stay for a while?
00:08:53 -Thank you. Good night.
00:08:56 -l thought you were different from the rest.
00:09:00 Take this for me. l know what you like.
00:09:04 l know all about men like you--
00:09:11 Permit me, mademoiselle.
00:09:14 -Oh, wasn't she marvvelous?
00:09:18 lt wasn't a dance, it was a poem.
00:09:21 -Do you know her?
00:09:23 l would givve my right arm to meet her.
00:09:25 So would l.
00:09:28 -To Mata Hari the incomparable.
00:09:32 -Priestess of the dance.
00:09:34 -Goddess. Goddess of beauty.
00:09:36 The dancer is only as beautiful
00:09:39 -To Mata Hari.
00:09:43 Now, gentleman, l'm terribly tired.
00:09:48 You'vve been vvery, vvery charming.
00:09:53 Good night, my lady.
00:09:54 Good night. Good night.
00:10:02 -Marvvelous.
00:10:05 Havve you evver seen people's faces
00:10:09 Havve you any idea of the effect
00:10:12 My mind is so far away when l dance.
00:10:15 l livve in another age.
00:10:18 Centuries back...
00:10:20 ...when man and woman--
00:10:34 randy is bad for your heart.
00:10:36 l thought you'd givven it up.
00:10:39 l givve up a lot of things,
00:10:44 To me, anything l like is irresistible.
00:10:47 l'vve always been that way.
00:10:52 What people you Russians are.
00:10:54 What charming savvages.
00:10:57 Come in.
00:10:59 -The Marquis de Signac.
00:11:05 -Pavvilion?
00:11:07 l like gambling.
00:11:09 They laugh, it's gay there.
00:11:11 Gay? With Signac?
00:11:13 -ls that necessary?
00:11:16 He's vvery attractivve, young.
00:11:20 Of course, he's not a general
00:11:24 ...so important as you.
00:11:27 -A diplomat--
00:11:29 l said it, traitor.
00:11:31 -Now, quiet, Serge.
00:11:35 There's something growing here that's
00:11:39 ...the whole truth one day.
00:11:40 You want to die so badly?
00:11:43 l'm dead now.
00:11:45 Just as surely as though there were
00:11:50 You killed me.
00:11:53 No. The brandy.
00:11:55 No, no, no. You.
00:11:58 Then why don't you givve me up?
00:12:00 -l will.
00:12:04 Come in.
00:12:06 -So you're going to the Pavvilion?
00:12:09 -Much gambling.
00:12:13 Sorry, my dear,
00:12:15 -Most important case.
00:12:17 -Shubin?
00:12:20 l'm due at the embassy now.
00:12:25 Good night.
00:12:29 Good night, general.
00:12:33 -Tonight, late supper?
00:12:37 Tonight.
00:12:39 l thought it was all ovver.
00:12:42 Well, tomorrow, then.
00:12:45 l must help you to givve me up.
00:12:48 Please, tomorrow.
00:12:51 Good night, General Shubin.
00:12:55 Good night.
00:13:00 Madame Mata Hari's car!
00:13:22 To the Pavvilion.
00:13:37 To the Pavvilion.
00:13:53 Eight.
00:13:55 Ten.
00:14:04 Four thousand francs.
00:14:10 Here you are, sir.
00:14:11 l havve charted all gun emplacements
00:14:14 -Good. You were attached to me as a cook?
00:14:18 -Technical expert, eh?
00:14:20 -With the rank of captain.
00:14:23 -You're a good soldier?
00:14:25 -And a good German?
00:14:27 Some months ago, l furnished you
00:14:31 ...of a new weapon called the tank.
00:14:33 -Oh, yes, yes.
00:14:36 That's my belief, sir.
00:14:38 Well, captain, those impractical tanks
00:14:42 ...costing your country 20 kilometers
00:14:47 -lmpossible.
00:14:52 Here are a few more of your
00:14:56 Correct them.
00:15:19 -Send Mademoiselle Carlotta here.
00:15:48 Well, l was able to delivver
00:15:52 Mata Hari is here.
00:15:54 Thank you, Carlotta.
00:15:56 -Any more orders?
00:16:01 All right. Good night.
00:16:09 Dear lady.
00:16:11 Oh, good evvening.
00:16:13 Won't you havve my seat?
00:16:14 lt's lucky.
00:16:18 -Thank you.
00:16:21 -Two thousand.
00:16:23 -Ten thousand.
00:16:25 Madame.
00:16:26 Are you playing?
00:16:28 Nevver against you.
00:16:30 Any more bets?
00:16:32 Leon. Monsieur Leon.
00:16:34 -Oui, madame.
00:16:36 l'm sorry, madame.
00:16:40 Perhaps one of the players.
00:16:42 You take it, madame.
00:16:43 He paid 1 0,000 francs for it.
00:16:45 Who paid 1 0,000 francs?
00:16:48 Whoevver he was, he paid 1 0,000 for it.
00:16:51 l'll sell it for 5.
00:16:53 He had vvery good taste.
00:16:55 -lt's an unusual ring.
00:16:58 lt's bought.
00:17:01 -Going?
00:17:05 Thank you.
00:17:07 Still 4000 in the bank.
00:17:16 Well, you're looking magnificent tonight,
00:17:20 Last time l seemed only beautiful to you.
00:17:22 You must havve something vvery difficult
00:17:25 No, it shouldn't be for you. lmportant
00:17:30 All right. l'm havving supper
00:17:33 Splendid. Splendid. Why not tonight?
00:17:36 He's at the embassy.
00:17:38 -A conference.
00:17:41 -Probably.
00:17:44 You must see Shubin
00:17:47 -l havve arranged differently.
00:17:52 l think you should handle Shubin yourself.
00:17:54 You get along beautifully.
00:17:57 -You're so alike.
00:18:00 Something vvital may be invvolvved in this.
00:18:02 Something vvital is invvolvved in it.
00:18:05 -Good night, Andriani.
00:18:08 A car will be waiting for you
00:18:11 You also insisted on that submarine job.
00:18:14 You finally had to do it yourself,
00:18:18 How well you did it.
00:18:19 l intend to do a better job in finding out who
00:18:24 Of course, there's Carlotta, she knew.
00:18:27 -And you knew.
00:18:31 You don't trust me, do you?
00:18:33 Yes. Yes.
00:18:36 ut you're capricious.
00:18:39 You might givve me away just
00:18:42 You might get me killed.
00:18:44 Unless l kill you first.
00:18:47 Hadn't you better wait
00:18:50 A car will be waiting for you tonight.
00:19:06 Madame.
00:19:08 l beg your pardon.
00:19:11 ...and l thought perhaps
00:19:16 Why?
00:19:18 Well, as a token
00:19:39 How charming.
00:19:41 eautiful.
00:19:47 Madame, the car you ordered is waiting.
00:19:51 l won't need it. This young man
00:19:59 Good night, Andriani.
00:20:13 -No, no, no.
00:20:16 -No, no further.
00:20:19 l think you're vvery absurd,
00:20:23 -Very nice? Thank you.
00:20:28 Now, go home.
00:20:31 l'm afraid of losing what l'vve found.
00:20:33 Meaning?
00:20:35 You.
00:20:49 Hadn't you better take that off?
00:20:51 As long as you insist upon staying.
00:20:55 For a little while.
00:21:03 How long havve you been in Paris?
00:21:06 l flew from London this morning.
00:21:16 l saw you once in the ois.
00:21:18 You were so lovvely.
00:21:21 l watched you till you drovve out
00:21:25 Oh, Paris in the spring.
00:21:28 Spring.
00:21:30 And now l'm here.
00:21:31 -With you.
00:21:35 ut perhaps next spring,
00:21:38 -...you and l--
00:21:43 y next spring,
00:21:47 Nevver alone again.
00:21:49 l mean, at least my thoughts
00:21:59 No, you mustn't.
00:22:01 ut you are so beautiful.
00:22:34 This is absurd.
00:22:37 l am going to bed.
00:22:47 Don't speak.
00:22:55 Good night.
00:23:51 -Madame, the hairdresser can take you.
00:23:56 -And the marquis is calling for you.
00:23:59 -And aron Michel telephoned.
00:24:03 Mata.
00:24:05 Mata.
00:24:09 -ut, no, sir.
00:24:18 For the lovveliest lady in all France.
00:24:22 l had to see you.
00:24:27 lt seemed like wasting life to sleep.
00:24:29 You're evven more beautiful
00:24:34 -Why did you come here?
00:24:37 Out there, the birds were singing, and there
00:24:41 And you were the song of the birds
00:24:46 -lt's vvery nice but--
00:24:49 ...l had to come back and tell you l lovve you
00:24:52 lt's almost 2:00
00:24:54 ut you can break it.
00:24:57 -l told you l havve an appointment.
00:25:01 You're a fool.
00:25:04 The most conceited fool l'vve evver known.
00:25:07 Mata.
00:25:09 What makes you think you havve
00:25:12 l'm sorry. ut last night
00:25:16 Oh, did l?
00:25:18 Well, that was last night.
00:25:20 Today l am vvery busy.
00:25:22 Marie.
00:25:25 -Yes, madame.
00:25:29 You are quite right. l havve been a fool.
00:25:32 l won't make this mistake again.
00:26:16 Still a peasant, lvvan, huh?
00:26:19 Still superstitious.
00:26:20 Evvil spirits come in on the wind.
00:26:27 There's Madame Mata Hari.
00:26:29 Leavve that alone.
00:26:31 Go on.
00:26:41 Monsieur Dubois.
00:26:43 Dubois?
00:26:46 What on earth can he want?
00:26:51 Tell him....
00:26:54 Oh, wait a minute, wait a minute.
00:26:56 Tell him...
00:26:59 ...that l shall be delighted.
00:27:02 My dear Dubois.
00:27:04 l'm afraid l'm intruding.
00:27:06 And inwardly you must be saying,
00:27:09 -No. No, not at all, but--
00:27:12 And if l seem to touch
00:27:14 ...how shall l say it,
00:27:17 -...it is because of my duty.
00:27:20 You are vvery friendly with a lady...
00:27:22 ...perhaps the same one
00:27:25 Well, what if l am?
00:27:28 We consider this woman
00:27:31 And as you know her better
00:27:35 Why, what are you talking about?
00:27:38 -l'm expecting Mata Hari.
00:27:41 And Mata Hari is a spy.
00:27:43 -ln the pay of the Wilhelmstrasse.
00:27:46 Oh, my dear Dubois.
00:27:48 -Now you insult my intelligence.
00:27:51 Either that or you'vve lost your mind.
00:27:53 l'm quite sane, l assure you.
00:27:56 Well, if she's a spy,
00:27:58 ecause l need definite proof.
00:28:03 This is an absolute joke.
00:28:07 lt's really too good, you know.
00:28:10 Mata Hari, a spy.
00:28:13 You know, for a moment,
00:28:19 Well, if the joke is as good as that,
00:28:23 Or maybe it's too bad for me to hear.
00:28:26 No, no, no. Our poor friend Dubois here...
00:28:29 ...says that you are a spy.
00:28:32 Well, of course l am.
00:28:34 Evveryone is Paris knows that.
00:28:37 Evven Dubois, who knows evverything.
00:28:40 -Couldn't you guess, Shubin?
00:28:46 As l'vve amused you both so much...
00:28:48 -...perhaps l need not apologize.
00:28:51 l don't. Evvidently, l'm mistaken.
00:28:53 Good night, madame.
00:28:54 l'm vvery sorry you found it necessary
00:28:58 l spoke in confidence.
00:28:59 -Good night.
00:29:01 Please don't misunderstand,
00:29:34 Mother in heavven, l'm done for.
00:29:38 l'm finished.
00:29:39 What did he say?
00:29:42 He said that you were a spy
00:29:45 -What else?
00:29:47 l'm sure he suspects.
00:29:50 Well, he wouldn't come here
00:29:53 lt's me he's after. You're quite safe.
00:29:55 ut he must know something. Why should
00:30:00 The chief of the spy bureau.
00:30:06 Don't be ridiculous.
00:30:09 Ridiculous?
00:30:11 Ridiculous.
00:30:13 Oh, what a fool l'vve been.
00:30:16 Nothing mattered.
00:30:17 Honor, self-respect, evverything gone.
00:30:22 ecause of you.
00:30:23 You can't givve away like this.
00:30:26 -Dubois knows nothing.
00:30:28 Here l am facing dishonor,
00:30:32 ...and it means nothing to you.
00:30:34 You havven't evven a word of pity for me.
00:30:38 You're all unstrung, Serge.
00:30:40 Nothing's happened.
00:30:42 Look at it calmly.
00:30:44 Laugh at it.
00:30:46 We'll laugh at it together.
00:30:53 When you hold me like this,
00:30:57 Nothing in the world.
00:30:59 This must nevver leavve your hands...
00:31:01 ...till you havve delivvered it personally
00:31:06 Should you be forced down
00:31:09 ...pull this cord, and the contents
00:31:13 l understand.
00:31:14 The officials at Le ourget Field
00:31:18 ...as soon as flying is possible.
00:31:20 lt is imperativve...
00:31:22 ...that these dispatches be in Petrograd
00:31:26 Yes, Your Excellency.
00:31:27 Mr. Palin will havve these sealed
00:31:30 And now, goodbye and good luck.
00:31:33 -Thank you, Your Excellency.
00:31:35 On your way, inquire if General Shubin
00:31:40 Don't be so secretivve.
00:31:43 l know that the embassy has receivved
00:31:47 Please, don't ask me things.
00:31:50 Not tonight.
00:31:51 ut all you'vve got to say is yes or no.
00:31:56 Well, at least you can tell me
00:32:01 -No.
00:32:05 No.
00:32:08 y airplane.
00:32:11 The airplane from Russia?
00:32:13 No.
00:32:15 Please, don't ask me anything more.
00:32:20 l can't stand it.
00:32:21 l can't get that Dubois out of my head.
00:32:27 Well, maybe you'd rather be alone.
00:32:30 You might as well be.
00:32:33 My thoughts are with you always.
00:32:37 Are they?
00:32:38 ls that why you havven't kissed
00:32:42 Oh, Mata.
00:32:47 What is it?
00:32:49 Lieutenant Rosanoff.
00:33:01 Come in. Come in.
00:33:05 May l present Lieutenant Rosanoff.
00:33:10 l believve we'vve met before.
00:33:12 l don't think so, madame.
00:33:14 Well, what is it?
00:33:16 l'm flying back tonight, sir.
00:33:17 l am to inquire if you havve
00:33:23 l don't believve so.
00:33:25 Surely you are not thinking
00:33:29 Rosanoff!
00:33:30 -Yes, sir.
00:33:33 l know it, sir.
00:33:34 Oh, nevver mind.
00:33:36 You can't expect monsieur to answer
00:33:41 Safe vvoyage, monsieur.
00:33:45 Paris in the spring...
00:33:48 ...with all those chestnut blossoms.
00:33:52 Good night, monsieur.
00:33:54 Lieutenant.
00:33:56 Yes, sir.
00:34:00 -What's the matter with you?
00:34:03 Madame spoke to you.
00:34:05 There was nothing to answer.
00:34:07 You're insolent.
00:34:09 -l advvise you to return to your quarters.
00:34:17 lmpudent fool.
00:34:18 l really can't apologize enough for him.
00:34:22 He must havve been drinking.
00:34:25 l thought he was quite nice.
00:34:27 And bravve.
00:34:30 Flying all the way to Russia.
00:34:36 Well, this time you didn't havve
00:34:40 Your conscience is quite clear.
00:34:59 l can't believve they'd send a dispatch
00:35:03 l'vve told you, l havve nothing
00:35:09 Mata, if you don't help me forget...
00:35:12 ...this ghastly business for a few hours,
00:35:17 Of course you should forget them.
00:35:20 We both will.
00:35:26 Well, doesn't matter.
00:35:28 -He wouldn't dare.
00:35:31 Dubois.
00:35:33 What about him?
00:35:35 l was only thinking if he were to search
00:35:39 What are you drivving at?
00:35:41 lt doesn't matter.
00:35:43 ut those official figures
00:35:46 You havven't destroyed them?
00:35:48 -Not yet.
00:35:52 l suppose it was a little careless,
00:35:57 ut Dubois may be there now.
00:36:02 You must go.
00:36:04 l wouldn't think of leavving you
00:36:09 Please, l can't stand it.
00:36:12 Come.
00:36:13 l'd go myself, but l'm sure
00:36:20 Please, now, don't lose a moment.
00:36:22 Telephone me the moment
00:36:26 -Not safe.
00:36:28 Of course l will.
00:36:31 Don't worry.
00:37:03 -Hey, get out of the way!
00:37:06 ack up! ack up! ack up, will you!
00:37:48 Good evvening, Mother Durand.
00:37:50 Come quick.
00:38:00 Call Andriani.
00:38:02 Tell him to send -1 4
00:38:07 Right here is the address.
00:38:12 He must wait outside....
00:38:35 Am l allowed to come in?
00:38:44 Why did you come here?
00:38:46 To see you.
00:38:48 You finished your rendezvvous early.
00:38:50 No, l ran away from it.
00:38:52 Why?
00:38:54 ecause of you.
00:38:58 l'm afraid that Shubin was furious.
00:39:04 -l can't make you out.
00:39:10 Are you still angry?
00:39:12 Havven't l the right to be?
00:39:14 -This morning you acted like--
00:39:16 And tonight l find you alone with Shubin.
00:39:19 Alexis, don't think wrong of me.
00:39:22 Artists need help and influence.
00:39:25 And Shubin can do
00:39:29 -So l can imagine.
00:39:36 Please be glad to see me.
00:39:48 Are you sorry l came?
00:39:53 No.
00:39:56 Well, then, look at me.
00:40:09 Please.
00:40:11 Please forgivve me.
00:40:29 Nice character in this room.
00:40:39 -This is the czar, isn't it?
00:40:42 -Who's the old gentleman there?
00:40:44 l like his face.
00:40:46 -And this Madonna?
00:40:50 My mother made a pilgrimage
00:40:55 lt's about 1 00 miles from our town.
00:40:57 She walked all the way.
00:41:00 What is it supposed to do?
00:41:01 -ring you luck?
00:41:06 l had to kneel before the altar...
00:41:08 ...and promise Mother l would always
00:41:12 -And havve you?
00:41:14 My orderly has taken care of it
00:41:19 You're a strange boy.
00:41:22 Who lovves you.
00:41:24 Do you?
00:41:26 l lovve you as one adores sacred things.
00:41:31 What sacred things?
00:41:34 God...
00:41:35 ...country...
00:41:37 ...honor...
00:41:39 ...you.
00:41:40 -l come last?
00:41:43 -That's how you said it.
00:41:45 efore anything.
00:41:49 efore...
00:41:50 ...anything?
00:41:55 Yes.
00:42:02 There is so much light in here.
00:42:27 Put out that one too.
00:42:34 -The Madonna's lamp?
00:42:38 l couldn't do that.
00:42:39 You said l came first.
00:42:41 ut don't you understand
00:42:44 That l swore to keep it burning?
00:42:48 You wouldn't do that for me?
00:42:51 Why? Why do you ask me to?
00:42:54 -To see if you lovve me as you say.
00:43:00 Well, then put it out.
00:43:03 lf you lovve me.
00:43:07 l'll do anything,
00:43:12 -l'm going.
00:43:37 Forgivve me.
00:45:18 Steady.
00:45:27 Steady.
00:48:32 You are still here, sir.
00:48:34 -And they didn't telephone?
00:48:36 -Then the plans havve been changed.
00:48:39 -You didn't answer? Why not?
00:48:42 lf anyone calls, you tell them l'm out.
00:48:45 Yes, sir.
00:49:15 -Lieutenant Rosanoff?
00:49:17 -This is his servvant.
00:49:19 -He went to the embassy a long time ago.
00:49:23 -Then he must havve met with an accident.
00:49:26 -Oh, these Paris taxis.
00:49:29 l hope it's not a bad accident.
00:49:33 l havve to see her.
00:49:36 Madame Mata Hari is not in.
00:49:37 -Where is she?
00:49:39 -Where would she be? Who are her friends?
00:49:43 Where would she be?
00:49:45 -General Shubin's?
00:49:50 All right.
00:49:53 While l know you'll hate to leavve Paris,
00:49:58 -Yes? Where?
00:50:02 -Marseilles?
00:50:04 Oh, no. Don't do that to me, Andriani.
00:50:07 Think of how l'vve servved,
00:50:09 -Havve pity on me.
00:50:11 ...of you becoming hysterical.
00:50:13 You're simply being ordered to Marseilles
00:50:16 -What is so terrifying about that?
00:50:20 You think l'm a traitor. l'm not.
00:50:23 And what do you hold sacred?
00:50:26 There's a train tonight.
00:50:29 rille has your tickets.
00:50:31 l won't go.
00:50:36 l won't go meekly to be slaughtered.
00:50:37 Remember, this is Paris,
00:50:40 lf you force me to be a traitor,
00:50:43 ...and tell them evverything l know.
00:50:46 You ought to know.
00:51:03 Jacques.
00:51:25 Now, now, now. What's the matter, dearie?
00:51:41 Hello, Mata.
00:51:43 Well, if evverybody obeyed orders
00:51:47 Thank you.
00:51:49 -Any further orders for me?
00:51:53 Yes, here are the photographs
00:51:55 Take that to Shubin and havve him send
00:51:59 Very well.
00:52:04 -You don't seem to be in vvery good humor.
00:52:07 l'd think your success of last evvening
00:52:11 -To the contrary.
00:52:13 Surely, a simple job like that
00:52:17 Most unpleasant.
00:52:19 He's in lovve with me.
00:52:21 Well, that's not unusual.
00:52:24 He wants me to marry him.
00:52:26 Not really? Marry--
00:52:28 Well....
00:52:31 Why is that so funny?
00:52:38 -What is it?
00:52:42 She seems to resent it.
00:52:49 Poor Carlotta.
00:52:50 She shouldn't havve fallen in lovve.
00:52:53 l'vve warned her and you
00:52:58 l am surprised she didn't respect
00:53:03 She was afraid of you.
00:53:04 Ours is an exacting profession.
00:53:07 We're permitted no friends, no emotions,
00:53:12 What are you drivving at?
00:53:14 l'm simply reminding
00:53:17 ...is a tool that has outlivved
00:53:22 You're so subtle.
00:53:25 Well, l did think for a moment that you were
00:53:30 l nevver expect to see Rosanoff again.
00:53:33 l nevver want to.
00:53:37 ut it's not because l'm worried
00:53:41 ut l want you to see him again.
00:53:42 He may continue
00:53:45 -Not to me.
00:53:46 l don't evver want to touch
00:54:24 Hello.
00:54:26 What?
00:54:28 Yes.
00:54:29 He did not report to the flying field?
00:54:33 Tell His Excellency l'll be there
00:54:37 -lvvan! My tunic.
00:54:40 Hurry, hurry.
00:54:42 l knew this was going to be
00:54:48 Put it down. Put it down!
00:54:52 Get me a dozen orchids and take them
00:54:57 Take this note along with it.
00:55:00 Yes, sir.
00:55:05 Monsieur Dubois.
00:55:08 Good morning, my friend.
00:55:10 -Good morning.
00:55:13 To spoil a man's supper,
00:55:16 -Sit down, please.
00:55:19 -Well, what is it today? More melodrama?
00:55:23 -Today it is a farce.
00:55:27 Last night l was bold enough
00:55:31 ...between you and a certain lady.
00:55:34 ...because l was mistaken.
00:55:38 ...that this lady's inclinations
00:55:42 -Oh, yes?
00:55:44 We older men merely furnish the soft lights
00:55:49 The mood, as it were.
00:55:50 Youth whistles, and we? We spend
00:55:55 Just what are you trying to get at?
00:55:57 Merely this, that Mata Hari went straight
00:56:02 ...when she left here last night.
00:56:06 ln what way does this concern me?
00:56:08 Well, it doesn't. lt merely illustrates
00:56:13 Yes, yes.
00:56:14 Well, if you will pardon me, l havve a most
00:56:18 l'm vvery sorry to detain you.
00:56:21 ut l had to drop in
00:56:24 -Very kind of you. Yes, charming.
00:56:56 -Did it work?
00:56:59 ut there may be quite
00:57:11 Shubin?
00:57:13 Shubin?
00:57:16 What's happened?
00:57:17 A privvate air raid?
00:57:19 You cheat.
00:57:21 -You liar.
00:57:25 -e quiet, you--
00:57:28 -Come to the point.
00:57:31 You were with him all last night.
00:57:35 How does he know?
00:57:38 -Don't deny it.
00:57:41 Of course l was with him.
00:57:46 That's all.
00:57:56 You didn't think l went there
00:58:02 Can't you understand why Dubois
00:58:05 -He knows what you mean to me.
00:58:08 You lovve that boy, and l know it.
00:58:12 Would l havve taken this if l lovved him?
00:58:15 What is it?
00:58:17 Photographs of his dispatches to Russia.
00:58:21 Doesn't that convvince you?
00:58:36 Yes, l'm quite convvinced.
00:58:40 What about the night before last?
00:58:43 No, he did not havve the dispatches then.
00:58:46 ut he had you, huh?
00:58:51 We older men supply the champagne.
00:58:53 ut when youth sings, the old fool
00:58:59 That's what Dubois said.
00:59:01 Hello.
00:59:03 -Wagram-600.
00:59:05 l think it's only fair to apologize to Dubois.
00:59:11 Hello, Monsieur Dubois?
00:59:13 Who's calling?
00:59:15 Hold the wire.
00:59:16 General Shubin on number three.
00:59:20 Yes? Dubois speaking.
00:59:25 Will you please repeat that?
00:59:28 You were right. She is a spy.
00:59:32 l'll givve you all the proof you want.
00:59:35 Well, come ovver! She's here.
00:59:37 l'll keep her here.
00:59:42 Get me a car quick.
00:59:46 You'vve been cheating men all your life.
00:59:48 ut there'll be 1 2 men you won't cheat,
00:59:53 No firing squad for me, Shubin.
00:59:56 lt'll be your word against mine.
00:59:59 And after all, l havve friends.
01:00:02 Paris will laugh at you.
01:00:05 Perhaps not. You and Rosanoff may get
01:00:11 Rosanoff?
01:00:13 -And what has he to do with it?
01:00:16 Rosanoff is a traitor. He permitted you
01:00:20 -That's not true.
01:00:22 ...this time it isn't a question
01:00:26 Proof that you gavve me yourself.
01:00:29 You'vve stood that boy against a wall,
01:00:35 l nevver knew that anyone
01:00:39 Vile? Not at all, madame,
01:00:42 How ironic, you lovve a man
01:00:48 Hello.
01:00:49 -Official-27.
01:00:51 l beg you not to do it.
01:00:53 Hello? His Excellency's secretary, please.
01:00:55 -Leavve him out of this. He's innocent.
01:00:59 -...l must speak to His Excellency at once.
01:01:02 -Don't, don't do it!
01:01:05 l'm coming to the embassy at once.
01:01:07 l must speak to you
01:01:10 Shubin, if you don't stop--
01:01:12 -Hello, Excellency?
01:01:14 l'll explain when l arrivve. ln the meantime,
01:02:34 -What do you want here?
01:02:36 Why, you must be mad.
01:02:38 -ut l--
01:02:42 efore l go, l want to tell you this.
01:02:45 Whatevver you'vve been,
01:02:48 -...we belong to each other.
01:02:51 l am what l am. You don't know me.
01:02:56 Forget you? How can l?
01:02:59 -Could you? Could you forget us?
01:03:03 We mustn't admit a heart.
01:03:05 -You are lying. You know you are lying.
01:03:08 -You are.
01:03:15 You're crying, Mata. You do lovve me.
01:03:19 Don't you?
01:03:21 Don't you?
01:03:25 -Alexis, you must leavve.
01:03:28 -lt's your duty to go.
01:03:30 Alexis, please go now.
01:03:34 When it's all ovver, if you still want me,
01:03:39 l'll come to you, l swear it.
01:03:42 ut go now.
01:04:42 General Shubin? General Shubin?
01:04:50 General Shubin, Dubois speaking.
01:04:59 Something strange about this.
01:05:02 -l'll get something.
01:05:04 -Will this do?
01:05:22 -That's hardly a surprise.
01:05:25 -Suicide.
01:05:27 Probably long enough for Madame Mata Hari
01:05:31 -Who are you?
01:05:33 Shubin was talking to His Excellency.
01:05:37 -See if she's ovverlooked anything.
01:05:40 -Yes. A woman's vvoice, huh?
01:05:43 And the word of a dead man.
01:05:46 Come on.
01:06:18 All the papers are saying it's a suicide.
01:06:20 lf evveryone's convvinced,
01:06:23 Dubois may be doing that
01:06:26 -lt's unfortunate you found it necessary to--
01:06:30 -Havve you still got you Dutch passport?
01:06:33 lt doesn't suit my plans
01:06:37 You're sailing tonight for Amsterdam.
01:06:39 l'll go anyplace gladly
01:06:44 And furthermore, your usefulness in Paris
01:06:51 Here is the list of the Allied agents
01:06:53 Commit those names to memory
01:06:56 And report to H-1 2 immediately
01:07:05 -Come in.
01:07:08 -Madame sent for me.
01:07:10 l want him to get a letter through.
01:07:14 -For Lieutenant Rosanoff.
01:07:19 -What is it? What were you going to say?
01:07:22 Get out. Get out!
01:07:31 Something's happened to him.
01:07:34 He's dead.
01:07:41 Dead?
01:07:44 -How?
01:07:46 Just this side of the enemy line.
01:07:53 lt's too late to do anything for him now.
01:07:56 -Don't talk to me.
01:08:00 Maybe he's only injured.
01:08:04 Well, can't you remember?
01:08:07 Why is it so important to you?
01:08:11 -l'm going to find out.
01:08:14 After all, he's not dead, he's only injured.
01:08:16 -And where is he?
01:08:20 -Well, l'll find out.
01:08:22 The police are probably looking
01:08:30 -Remember, you havve your orders.
01:08:34 You can't frighten me. l'm not Carlotta.
01:08:38 l'm Mata Hari and my own master.
01:08:41 Here are your orders. l resign.
01:08:44 -Not so loud, someone will hear you.
01:08:48 Very well, Mata Hari,
01:08:54 -You'll let her resign?
01:08:57 The only way to resign from our profession
01:09:13 -Wait here.
01:09:15 Flowers, madame. Flowers. Nice flowers.
01:09:18 -How much?
01:09:24 Thank you.
01:09:45 -Room 1 , that corridor.
01:10:11 Could you tell me...?
01:10:14 Could you tell me where Room 1 is?
01:10:19 l'm afraid you'll havve
01:11:24 Sister Teresa, some water, please.
01:11:47 Here. Here it is.
01:12:00 Mata.
01:12:04 lt's all my fault, Alexis.
01:12:09 lf l'd let you go sooner,
01:12:12 lt would havve happened just the same.
01:12:17 l'll spend my life trying
01:12:20 Oh, but l'm going to be all--
01:12:22 -l'll be out of here any day now.
01:12:26 ut, Mata....
01:12:28 You asked me, didn't you?
01:12:34 Evverything. ut l must tell you something.
01:12:37 And as soon as the war is ovver,
01:12:39 ...to all the places
01:12:43 -And, oh, the things we'll see together.
01:12:48 -What?
01:12:52 What is it?
01:12:55 lt would be glorious to go with you...
01:12:58 ...but l may nevver be able
01:13:04 ls it your eyes?
01:13:15 Here are your eyes.
01:13:19 With those ''ridiculously long lashes,''
01:13:24 Now, please, it isn't worth crying about.
01:13:29 l'm happier this moment
01:13:35 What do the doctors say?
01:13:39 They aren't vvery optimistic.
01:13:44 -They don't know anything.
01:13:46 l'll get you great specialists.
01:13:50 We'll travvel all ovver the world
01:13:55 l'll nevver leavve you again.
01:14:26 Gentlemen, l appeal to you.
01:14:31 What? l'll handle this.
01:14:33 l havven't done anything.
01:14:36 -ack to Paris. Quick.
01:14:40 Madame, l havve a warrant for your arrest.
01:14:47 e careful you don't havve
01:14:53 Now, Monsieur Dubois...
01:14:54 ...you say that General Shubin
01:14:57 -...that Mata Hari was an enemy spy?
01:15:00 -He had indisputable proof she was a spy?
01:15:04 General Shubin told you, also,
01:15:07 -...while he was talking with you?
01:15:09 And you went there immediately, and you
01:15:14 -Yes.
01:15:17 Does the defense wish to question
01:15:20 No, l don't care to prolong this farce.
01:15:24 You'vve not brought to that stand one
01:15:28 -''l know it. l saw it. l swear it.''
01:15:33 ...evvidently has as poor a memory
01:15:35 Didn't General Shubin say
01:15:38 ...was in his rooms
01:15:40 Oh, no.
01:15:42 Dubois said that Shubin said
01:15:49 We cannot blame Monsieur Dubois,
01:15:52 ...for accepting too readily
01:15:56 ut has he any proof that it was Shubin
01:16:02 No. And now l want that.
01:16:05 l demand that the prosecution produce
01:16:09 ...who will swear to one definite thing...
01:16:12 ...or l demand that Mata Hari be acquitted
01:16:18 There is a man who saw Mata Hari
01:16:23 This man was ovverheard
01:16:26 ...discussing this fact with the prisoner.
01:16:28 Ovverheard. Ovverheard.
01:16:31 Why don't you bring him here
01:16:35 l had hoped to avvoid bringing to court
01:16:39 ...recently blinded
01:16:42 ut if the defense demands it,
01:16:46 No, no, no. He knows nothing of this.
01:16:49 All he can say is what l said to him
01:16:53 When you came out of what room,
01:16:56 l'll tell you. Shubin's room!
01:16:59 Your witnesses were perjured.
01:17:03 When Shubin called you a spy
01:17:06 And you knew it, and you shot him
01:17:10 ut it has not savved you, Mata Hari.
01:17:20 Sister Teresa,
01:17:26 For the last time.
01:17:30 -For the last time?
01:17:36 ''Dearest, l shall not be able to see you
01:17:42 ...for some time to come.
01:17:44 A sudden attack, nothing really serious,
01:17:52 You must not be alarmed...
01:17:54 ...because the only pain l feel
01:18:02 ''And when it becomes too sharp, l think
01:18:08 ...and that which we are going to havve.
01:18:12 Then l can bear anything.
01:18:15 Good night, Alexis.
01:18:21 lt brings me closer to you.
01:18:25 Mata.''
01:18:29 ln the name of the French Republic,
01:18:34 ...guilty of espionage and of communicating
01:18:39 Therefore, this said court, by vvirtue of
01:18:45 ...condemns this woman to be shot to death
01:19:05 On display!
01:19:10 Left.
01:19:22 -Any news about the reprievve?
01:19:27 Oh, it's getting close to 5:00.
01:19:29 Here.
01:19:32 Givve her that. Cognac.
01:19:37 -You're a good man.
01:19:39 ecause l givve a dying woman a drink?
01:19:44 You don't want jewelry
01:19:47 -What can l givve you?
01:19:50 We havve evverything we need.
01:19:53 Evverything you need?
01:19:56 -How is that possible?
01:20:03 l wonder if l could be like that if l had
01:20:13 No.
01:20:15 That's how l am,
01:20:23 No, little Sister,
01:20:28 Madame, Maître Caron.
01:20:30 Oh, he's come to bring the reprievve.
01:20:38 My dear, dear child.
01:20:46 -No?
01:20:49 l appealed to the highest quarters.
01:20:55 l know you did.
01:20:58 Come and sit down.
01:21:06 l spent a whole hour with the president,
01:21:11 What about Alexis?
01:21:13 That's all settled, just as you wanted it.
01:21:18 -l'll--
01:21:28 Will you givve him this...
01:21:31 ...afterwards?
01:21:32 -And be vvery gentle with him.
01:21:38 l hope l havve written the things
01:21:43 And if l havven't,
01:21:47 l'll know what to say.
01:21:49 That in havving your lovve
01:21:53 ...he had more than most men evver havve.
01:21:56 No.
01:21:59 Just tell him that no matter what
01:22:04 ...and he will hear things...
01:22:07 ...that my lovve for him was honest.
01:22:13 That's all.
01:22:16 Except that he must be happy.
01:22:18 Must laugh and lovve.
01:22:23 And then, someday,
01:22:26 ...and his grandchildren ask him
01:22:30 ...he must tell a great lie, say that she
01:22:36 And that'll be my heavven.
01:22:40 -Now will you ask him to come up?
01:22:46 Sister, the young man is blind.
01:22:49 l'vve told him that this is a sanitarium.
01:22:52 They will. They understand.
01:23:02 Come.
01:23:04 Take care of the steps.
01:23:12 Madame, l'm leavving the door open so that
01:23:19 less you.
01:23:26 Alexis.
01:23:44 Come, nurses. We'll look
01:23:47 -...and leavve these young people alone.
01:23:59 This is most irregular.
01:24:02 And after the operation, how much longer
01:24:07 l don't know.
01:24:09 -l'll be well soon, l hope.
01:24:12 -And so will l.
01:24:15 The doctors say now that with time
01:24:18 ...there is evvery chance l'll see again.
01:24:25 That's the one thing l needed
01:24:30 Mata, you are telling me the truth?
01:24:35 No. No, it's vvery slight, really.
01:24:40 And in a short time, we'll forget all this
01:24:45 Just the same, l can't bear
01:24:49 -Alexis?
01:24:53 -Promise me you won't worry about me.
01:24:56 Now, promise me.
01:24:58 You know what operations are.
01:25:03 Promise me.
01:25:07 ...you won't grievve too much,
01:25:11 ut nothing will happen to you.
01:25:16 Well, then hold me.
01:25:20 l won't be afraid if you hold me.
01:25:43 ls it time?
01:25:46 The doctor and the nurses,
01:25:51 Already? Why need it be so early?
01:25:54 Well, they always operate
01:25:57 And the sooner l go, the sooner it's ovver.
01:26:01 All right, but you mustn't be frightened.
01:26:07 No, no. l don't want you to.
01:26:12 He'll let you know just how l am.
01:26:15 -Very soon.
01:26:18 -No.
01:26:23 The anesthetic is unpleasant,
01:26:37 -Goodbye, my belovved.
01:26:46 -Goodbye, my belovved. ls that better?
01:27:03 Courage. Courage, my dear. e bravve.
01:27:17 Goodbye.
01:27:20 Goodbye.
01:27:44 God, savve her. Protect her.
01:27:48 And if you must take her, take me too.
01:28:25 [ENGLlSH]