|
Mean Season The
|
| 00:02:34 |
[Car radio] |
| 00:02:36 |
THE STORM THAT'S BEEN |
| 00:02:38 |
IS HEADING FOR MIAMI. |
| 00:02:41 |
IT'S PACKING WINDS |
| 00:02:43 |
SO BATTEN DOWN THE HATCHES, |
| 00:02:46 |
LOOKS LIKE THE MEAN SEASON |
| 00:02:48 |
COACH DON SHULA WELCOMED |
| 00:02:50 |
TO THE MIAMI DOLPHINS' |
| 00:02:52 |
FIRST TRAINING CAMP SESSION |
| 00:03:02 |
HI, MAL. |
| 00:03:04 |
HOW'S |
| 00:03:05 |
HEY, JACK. |
| 00:03:06 |
HEY! HEY, |
| 00:03:08 |
HOW YOU DOING, JIM? |
| 00:03:11 |
HEY, PORTER. |
| 00:03:15 |
I THOUGHT YOU WEREN'T |
| 00:03:19 |
TODAY'S FIGURES |
| 00:03:21 |
BUT SOME |
| 00:03:23 |
I DON'T THINK |
| 00:03:30 |
SAUL, HOW YOU DOING? |
| 00:03:32 |
MARY LOU. |
| 00:03:33 |
HI. |
| 00:03:46 |
WHAT, AREN'T YOU |
| 00:03:48 |
DON'T WANT TO INTRUDE. |
| 00:03:49 |
YOU LOOK TERRIBLE. |
| 00:03:50 |
HA HA! |
| 00:03:52 |
WHAT ARE YOU HACKING ON? |
| 00:03:54 |
MAN'S PET OCELOT |
| 00:03:56 |
THAT SOUNDS GOOD. |
| 00:03:59 |
LOSE SOMETHING? |
| 00:04:01 |
A LITTLE ENTHUSIASM, |
| 00:04:03 |
AMBITION, DRIVE... |
| 00:04:06 |
TIME, MOSTLY. |
| 00:04:08 |
, |
| 00:04:10 |
AND YOU KNOW |
| 00:04:11 |
I DO NOT. |
| 00:04:12 |
. |
| 00:04:14 |
OH. |
| 00:04:15 |
I LOVED IT. |
| 00:04:17 |
I LOVE THE NATURE |
| 00:04:19 |
[Kathy] |
| 00:04:20 |
NOLAN'S FINALLY GOING |
| 00:04:23 |
THAT'S WHY I WANT |
| 00:04:24 |
THERE IT IS. |
| 00:04:25 |
HOW BUSY ARE YOU? |
| 00:04:27 |
FOUND A BODY SHOT IN THE HEAD |
| 00:04:30 |
I CAN TELL HIM. |
| 00:04:33 |
GO WHILE |
| 00:04:35 |
I JUST GOT HERE. |
| 00:04:37 |
GIVE IT TO HER. |
| 00:04:39 |
SHE'S ONLY BEEN |
| 00:04:41 |
[Kathy] |
| 00:04:42 |
YOU DON'T LISTEN. |
| 00:04:43 |
BILL, |
| 00:04:46 |
YOU'RE IN A SLUMP. |
| 00:04:47 |
IT'S MORE THAN THAT. |
| 00:04:48 |
KATHY, IS THAT |
| 00:04:49 |
YES. |
| 00:04:51 |
O |
| 00:04:52 |
. |
| 00:04:54 |
HER NAME'S ANNIE. |
| 00:04:55 |
CAN I HAVE A MINUTE? |
| 00:04:56 |
I DON'T HAVE |
| 00:04:58 |
I'LL HAVE ONE |
| 00:05:01 |
LATER. |
| 00:05:03 |
I CAN COUNT ON IT? |
| 00:05:04 |
HEY. |
| 00:05:05 |
PORTER'S |
| 00:05:07 |
O.K., BILL. |
| 00:05:09 |
TRY AND GET |
| 00:05:18 |
WHEN YOU GOING |
| 00:05:20 |
UM...TUESDAY, |
| 00:05:23 |
WE GOT A SOFTBALL GAME |
| 00:05:25 |
I DON'T KNOW. |
| 00:05:26 |
YOU O.K.? HEY. |
| 00:05:28 |
WHAT'S THE STORY? |
| 00:05:29 |
COME HERE. |
| 00:05:31 |
HOW WAS THE TRIP? |
| 00:05:32 |
NOT BAD. |
| 00:05:33 |
THE QUALITY OF OUR |
| 00:05:35 |
I HEAR THAT. |
| 00:05:37 |
WAS SHE RAPED, |
| 00:05:39 |
HAD HER CLOTHES ON. |
| 00:05:41 |
. |
| 00:05:44 |
WHERE'S THAT JOGGER? |
| 00:05:46 |
IS HE THE GUY |
| 00:05:47 |
OVER THERE. |
| 00:05:49 |
HI. MALCOLM ANDERSON, |
| 00:05:50 |
HOW ARE YOU? |
| 00:05:52 |
YOU RUN BY HERE |
| 00:05:54 |
COUPLE TIMES A WEEK. |
| 00:05:56 |
UH-HUH. |
| 00:05:57 |
YOU MUST, |
| 00:05:59 |
MUST REALLY HAVE |
| 00:06:01 |
NO, NO. I WAS RUNNING |
| 00:06:04 |
AND I JUST WALKED UP |
| 00:06:07 |
. |
| 00:06:09 |
IF SOME KID FOUND THIS, |
| 00:06:12 |
IT REALLY COULD HAVE MESSED |
| 00:06:14 |
TALK TO YOU |
| 00:06:17 |
YEAH, |
| 00:06:18 |
I GOT A COUPLE OF KIDS. |
| 00:06:20 |
[Malcolm] |
| 00:06:21 |
LISTEN, |
| 00:06:23 |
I DON'T WANT |
| 00:06:25 |
NO PROBLEM. |
| 00:06:51 |
[Car doors slam] |
| 00:06:57 |
NOTHING LIKE BLOOD, |
| 00:06:59 |
TO BRING OUT THE FLIES. |
| 00:07:00 |
ONE OF THESE DAYS, |
| 00:07:02 |
I JUST MIGHT CATCH YOU |
| 00:07:04 |
IT'S NOT GOOD |
| 00:07:05 |
COME ON. |
| 00:07:06 |
GIVE IT A REST. |
| 00:07:07 |
IS THIS |
| 00:07:09 |
MR. HOOKS? |
| 00:07:11 |
MR. HOOKS? |
| 00:07:16 |
YOU TAKING HIM DOWN |
| 00:07:17 |
K |
| 00:07:19 |
. |
| 00:07:23 |
CAN I TALK TO HER? |
| 00:07:28 |
COME HERE. |
| 00:07:31 |
MRS. HOOKS? |
| 00:07:34 |
THIS IS |
| 00:07:35 |
FROM THE |
| 00:07:36 |
HOW DO YOU DO, |
| 00:07:38 |
HE WOULDN'T |
| 00:07:39 |
UNTIL |
| 00:07:41 |
IS THAT |
| 00:07:41 |
YES. |
| 00:07:43 |
I THINK |
| 00:07:44 |
THANKS, RAY. |
| 00:07:56 |
??[Soft music] |
| 00:07:59 |
[Malcolm] |
| 00:08:01 |
THAT SARAH'S REALLY |
| 00:08:02 |
SHE IS. |
| 00:08:09 |
I DON'T KNOW |
| 00:08:12 |
I IMAGINE SHE'LL |
| 00:08:14 |
WHEN SHE'S |
| 00:08:18 |
THIS IS HER. |
| 00:08:19 |
SHE REALLY IS |
| 00:08:22 |
YOU MUST BE PROUD OF HER. |
| 00:08:31 |
AND... |
| 00:08:32 |
AND THAT'S |
| 00:08:36 |
[Telephone rings] |
| 00:08:41 |
[Ring] |
| 00:08:45 |
EXCUSE ME. |
| 00:08:46 |
[Ring] |
| 00:08:51 |
[Ring] |
| 00:09:00 |
HEL-HELLO. |
| 00:09:05 |
??[Sad music] |
| 00:09:21 |
[Camera shutter clicks] |
| 00:09:27 |
[Click] |
| 00:10:06 |
I'VE BEEN |
| 00:10:09 |
IT'S GOOD. |
| 00:10:10 |
REALLY GOOD. |
| 00:10:12 |
NEEDS AN ENDING, |
| 00:10:15 |
"THE TRAGIC VISION |
| 00:10:17 |
"WHERE SNAPSHOTS |
| 00:10:22 |
DID YOU GET ONE |
| 00:10:24 |
MAL? |
| 00:10:25 |
NO. |
| 00:10:26 |
YOU'RE KIDDING ME, |
| 00:10:29 |
DIDN'T THINK |
| 00:10:32 |
THE WHOLE STORY |
| 00:10:35 |
SORRY. |
| 00:10:43 |
BETTER. |
| 00:10:49 |
ANDY, THANK YOU. |
| 00:10:51 |
RUN IT RIGHT DOWN, |
| 00:10:56 |
SO, YOU THINK |
| 00:10:57 |
? |
| 00:11:00 |
O.K.? |
| 00:11:01 |
NO. |
| 00:11:03 |
FORGOT TO PUT YOUR |
| 00:11:08 |
ONLY FIVE MINUTES |
| 00:11:27 |
[Wind blowing] |
| 00:11:32 |
WAIT FOR ME! |
| 00:11:46 |
[Woman] TRY WORKING ON IT |
| 00:11:49 |
IT'S NOT REALLY |
| 00:11:51 |
ONCE YOU GET |
| 00:11:52 |
YOU'LL SEE. |
| 00:11:55 |
[Bell rings] |
| 00:11:57 |
ALL RIGHT, YOU GUYS. |
| 00:12:01 |
??[Soft music] |
| 00:12:08 |
[Child] |
| 00:12:09 |
[Woman] |
| 00:12:19 |
HELLO. |
| 00:12:21 |
HI. |
| 00:12:26 |
SHOULDN'T YOU BE |
| 00:12:29 |
IF I TRIPPED AND FELL, |
| 00:12:31 |
AND I'D BE HYSTERICAL. |
| 00:12:38 |
I MISSED YOU. |
| 00:12:40 |
I MISSED YOU, TOO. |
| 00:12:50 |
SO, WHEN DID YOU GET IN? |
| 00:12:52 |
. |
| 00:12:55 |
AND YOU WENT |
| 00:12:57 |
TO QUIT. |
| 00:12:58 |
BUT YOU DIDN'T. |
| 00:12:59 |
THE TIMING |
| 00:13:00 |
I'M WORKING ON IT, |
| 00:13:03 |
YOU COULD HAVE CALLED. |
| 00:13:04 |
I KNOW, |
| 00:13:06 |
BUT I WANTED TO GET |
| 00:13:09 |
I'D LIKE TO HEAR |
| 00:13:10 |
IN A MINUTE. |
| 00:13:15 |
YOUR MOM. |
| 00:13:23 |
??[Soft music continues] |
| 00:13:28 |
[Christine] YOU SURE YOU DON'T |
| 00:13:30 |
[Malcolm] WHAT GIVES |
| 00:13:32 |
I JUST WANT YOU TO BE |
| 00:13:36 |
I MEAN, RUNNING |
| 00:13:39 |
WILL NEVER BE LIKE A JOB |
| 00:13:41 |
. |
| 00:13:43 |
I LIKE THE TOWN. |
| 00:13:45 |
I EVEN LIKE |
| 00:13:50 |
BUT YOU DIDN'T TELL |
| 00:13:52 |
I HAD TO GO COVER |
| 00:13:55 |
I'LL TELL HIM |
| 00:13:56 |
SOON AS I WALK |
| 00:13:57 |
REALLY? |
| 00:13:58 |
PROMISE. |
| 00:14:21 |
[Nolan] |
| 00:14:22 |
COMPETITION |
| 00:14:25 |
THOUGHT ABOUT A FOLLOW-UP? |
| 00:14:29 |
YEAH. |
| 00:14:34 |
"FEAR STALKS |
| 00:14:37 |
" |
| 00:14:41 |
MALCOLM, YOU HAVEN'T |
| 00:14:44 |
TO BE AS BURNED OUT |
| 00:14:45 |
I'VE DONE IT, BILL. |
| 00:14:47 |
EIGHT YEARS. |
| 00:14:51 |
WHAT? WHAT THE HELL |
| 00:14:54 |
WHAT DO Y-- |
| 00:14:58 |
I DON'T KNOW. |
| 00:15:04 |
JUST WANT WATERGATE, |
| 00:15:14 |
I DON'T WANT TO SEE |
| 00:15:16 |
. |
| 00:15:19 |
REPORTERS REPORT, |
| 00:15:22 |
WHICH HAPPENS TO BE |
| 00:15:23 |
YOU DO REALLY WELL. |
| 00:15:26 |
I DON'T WANT TO LOSE YOU |
| 00:15:28 |
TO SOME SMALL-TOWN PAPER |
| 00:15:31 |
I APPRECIATE IT, BILL. |
| 00:15:34 |
MAL, WE'RE NOT |
| 00:15:35 |
WE RETAIL. |
| 00:15:37 |
NEWS GETS MADE |
| 00:15:39 |
WE JUST SELL IT. |
| 00:16:05 |
??[Scary music] |
| 00:16:18 |
MALCOLM? |
| 00:16:36 |
AAH! |
| 00:16:38 |
. |
| 00:16:39 |
HONEY. |
| 00:16:41 |
HA HA HA! |
| 00:16:45 |
AH--WAIT! |
| 00:16:48 |
I'M GLAD YOU STOPPED BY. |
| 00:16:50 |
I WANTED TO TALK TO YOU. |
| 00:16:54 |
HONEY, DID YOU |
| 00:16:56 |
OUT OF THE CLEANER'S? |
| 00:17:00 |
WILL YOU LISTEN TO ME? |
| 00:17:05 |
OH. |
| 00:17:07 |
ALL RIGHT. |
| 00:17:11 |
THIS IS SERIOUS. |
| 00:17:14 |
NOW, IF WE'RE |
| 00:17:16 |
I'VE GOT TO TELL |
| 00:17:18 |
SO THEY CAN PLAN |
| 00:17:20 |
TELL THEM. |
| 00:17:24 |
REALLY? |
| 00:17:27 |
REALLY. |
| 00:17:35 |
YOU SHOULD BE SLAPPED. |
| 00:17:37 |
YOU SHOULDN'T |
| 00:17:39 |
I HATE THAT! |
| 00:17:40 |
OH, GOD. WHAT A DAY. |
| 00:17:53 |
BILL, |
| 00:17:54 |
MALCOLM, |
| 00:17:56 |
TELL THEM |
| 00:17:57 |
I AM NOT |
| 00:17:59 |
FIVE SECONDS? |
| 00:18:00 |
I'LL BE THERE. |
| 00:18:10 |
ANDERSON. |
| 00:18:12 |
[Man] |
| 00:18:13 |
YEAH, HELLO. |
| 00:18:16 |
LISTEN, |
| 00:18:19 |
I'VE BEEN READING |
| 00:18:20 |
ABOUT THE MURDER |
| 00:18:23 |
UM, WELL-WRITTEN. |
| 00:18:26 |
I MEAN, THEY SEEM |
| 00:18:28 |
WELL, |
| 00:18:31 |
AND I AM KIND OF BUSY |
| 00:18:34 |
[The man] I HAVE |
| 00:18:36 |
I SEE. |
| 00:18:39 |
BECAUSE IT WAS ME. |
| 00:18:41 |
I KILLED HER. |
| 00:18:44 |
??[Suspenseful music] |
| 00:18:45 |
WHO IS THIS? |
| 00:18:47 |
[Laughs] |
| 00:18:49 |
YOU DON'T REALLY |
| 00:18:52 |
IT DEPENDS ON |
| 00:18:54 |
I GET 30 CALLS LIKE THIS |
| 00:18:56 |
PEOPLE CLAIMING |
| 00:18:58 |
WHAT MAKES YOU |
| 00:18:59 |
UH... |
| 00:19:00 |
I CALLED |
| 00:19:02 |
. |
| 00:19:05 |
HOW COULD YOU HELP ME? |
| 00:19:09 |
HER RIGHT REAR POCKET. |
| 00:19:11 |
WAS THERE SOMETHING IN IT? |
| 00:19:13 |
UM... |
| 00:19:14 |
I HOPE |
| 00:19:16 |
AS I ASSUMED |
| 00:19:18 |
UM... |
| 00:19:20 |
LISTEN. |
| 00:19:22 |
CAN YOU BE |
| 00:19:23 |
AT, SAY, 3:00? |
| 00:19:28 |
[Crackle] |
| 00:19:29 |
HELLO? |
| 00:19:30 |
[Dial tone] |
| 00:20:06 |
HEY, RAY. |
| 00:20:08 |
SO, YOU GUYS |
| 00:20:10 |
? |
| 00:20:11 |
WHAT DO YOU WANT? |
| 00:20:13 |
WE GOT A COURT APPEARANCE. |
| 00:20:16 |
DID YOU |
| 00:20:17 |
WHAT DID |
| 00:20:19 |
NONE OF YOUR |
| 00:20:21 |
JUST THOUGHT |
| 00:20:22 |
IN HER RIGHT |
| 00:20:23 |
WE DID--LINT. |
| 00:20:26 |
TAKE IT EASY. |
| 00:20:29 |
WAIT A SECOND. |
| 00:20:30 |
MALCOLM, HOLD ON. |
| 00:20:32 |
HOW DO YOU KNOW? |
| 00:20:34 |
HE CALLED ME. |
| 00:20:37 |
WHO CALLED YOU? |
| 00:20:39 |
SHIT. |
| 00:20:41 |
COME HERE. |
| 00:20:45 |
HE SAYS THE KILLER |
| 00:20:47 |
BULLSHIT. |
| 00:20:50 |
WHAT DID HE SAY? |
| 00:20:52 |
HE SAID HE |
| 00:20:53 |
DIDN'T SOUND |
| 00:20:55 |
I'M TRYING |
| 00:20:56 |
WAS HE WHITE, |
| 00:20:58 |
WHITE, |
| 00:20:59 |
HOW OLD? |
| 00:21:00 |
OVER 30. |
| 00:21:01 |
DID HE SAY |
| 00:21:04 |
WHAT DID YOU |
| 00:21:08 |
NO. |
| 00:21:09 |
TAKE IT EASY. |
| 00:21:10 |
HOLD ON. |
| 00:21:13 |
WE GOT TO TELL HIM |
| 00:21:14 |
[Man] NO. HE'LL |
| 00:21:17 |
[Ray] HE'S GOT NO REASON |
| 00:21:18 |
IT'LL BE O.K. |
| 00:21:23 |
THIS IS NOT |
| 00:21:25 |
YOU KNOW ME BETTER |
| 00:21:26 |
I JUST WANT TO KNOW |
| 00:21:30 |
THERE WAS |
| 00:21:32 |
WHAT DID IT SAY? |
| 00:21:33 |
RAYMOND. |
| 00:21:36 |
"NUMBER ONE." |
| 00:21:39 |
NOW, DON'T GO |
| 00:21:40 |
??[Scary music] |
| 00:21:42 |
IF THIS IS THE SAME GUY, |
| 00:21:44 |
YOU'LL WANT |
| 00:21:45 |
? |
| 00:21:47 |
NOTHING. |
| 00:21:48 |
WHAT DO YOU MEAN? |
| 00:21:49 |
CALL ME WHEN |
| 00:21:51 |
DON'T JUMP |
| 00:22:14 |
HEY, COME ON, GUYS. |
| 00:22:16 |
DOESN'T ANYBODY HAVE |
| 00:22:28 |
[Ring] |
| 00:22:33 |
[Ring] |
| 00:22:35 |
ANDERSON. |
| 00:22:37 |
[Man] |
| 00:22:40 |
I WASN'T CERTAIN. |
| 00:22:41 |
CERTAINTY, |
| 00:22:43 |
IS SOMETHING THE WORLD |
| 00:22:47 |
DID YOU CALL |
| 00:22:49 |
YES. |
| 00:22:51 |
AND WHAT DID THEY SAY? |
| 00:22:54 |
THERE WAS SOMETHING |
| 00:22:56 |
SUPPOSE YOU TELL ME |
| 00:22:57 |
AH, A TRUE SKEPTIC. |
| 00:23:01 |
NOTEPAPER. FOLDED ONCE. |
| 00:23:03 |
TWO WORDS. |
| 00:23:06 |
"NUMBER ONE." |
| 00:23:10 |
THERE'S GOING TO BE |
| 00:23:12 |
AND A THREE |
| 00:23:17 |
WHY? |
| 00:23:18 |
IT'S TOO EARLY FOR THAT. |
| 00:23:23 |
YOU'RE DOING THIS |
| 00:23:26 |
SOMETHING ALONG THOSE LINES. |
| 00:23:30 |
AND YOU ALREADY |
| 00:23:32 |
I KNOW |
| 00:23:34 |
AH... |
| 00:23:36 |
THREE WOMEN AND TWO MEN. |
| 00:23:42 |
I JUST MIGHT NOT |
| 00:23:44 |
THEN YOU WILL BE MISSING |
| 00:23:47 |
I'LL CALL SOMEONE ELSE. |
| 00:23:50 |
LOOK. |
| 00:23:52 |
YOU'RE GOING TO BE |
| 00:23:58 |
TELL ME ABOUT IT. |
| 00:24:00 |
LOOK, |
| 00:24:02 |
WE'LL TALK AGAIN |
| 00:24:05 |
[Hangs up] |
| 00:24:06 |
[Dial tone] |
| 00:24:10 |
[Camera clicking] |
| 00:24:13 |
THIS IS THE ONE YOU'VE |
| 00:24:15 |
FABULOUS! |
| 00:24:18 |
I'M NOT SURE THIS |
| 00:24:20 |
OR ANYBODY ELSE |
| 00:24:22 |
THERE'S NO WAY |
| 00:24:24 |
WHERE THIS THING |
| 00:24:26 |
IT COULD TAKE |
| 00:24:28 |
WE COULD |
| 00:24:30 |
[Jacoby] THE CHANCE |
| 00:24:31 |
HE DIDN'T CALL THE PAPER. |
| 00:24:34 |
MR. JACOBY... |
| 00:24:38 |
I THINK |
| 00:24:39 |
LET ALONE THE OBLIGATION, |
| 00:24:41 |
TO DO A PIECE ON A SOCIOPATH |
| 00:24:43 |
HE'S STILL A THREAT. |
| 00:24:45 |
, |
| 00:24:47 |
ISN'T IT? |
| 00:24:49 |
THIS STORY'S |
| 00:24:51 |
A HELL OF A LOT |
| 00:24:57 |
LEGALLY, |
| 00:24:59 |
HOW FAR COULD |
| 00:25:02 |
DID YOU TELL HIM |
| 00:25:04 |
YOU'D TRY TO PROTECT |
| 00:25:06 |
NO. |
| 00:25:09 |
DID YOU IMPLY |
| 00:25:10 |
WAS OFF THE RECORD |
| 00:25:11 |
NO. |
| 00:25:12 |
MAKE THEM |
| 00:25:16 |
WELL, WE |
| 00:25:17 |
IMPATIENT |
| 00:25:18 |
OH, LOVELY. |
| 00:25:21 |
CAN WE GO |
| 00:25:22 |
I THINK |
| 00:25:23 |
GO AHEAD. |
| 00:25:24 |
THANK YOU. |
| 00:25:29 |
HOW MANY TIMES |
| 00:25:30 |
TWICE. |
| 00:25:32 |
WE WANT A STATEMENT |
| 00:25:34 |
AND TO LOOK |
| 00:25:35 |
YOU KNOW BETTER |
| 00:25:37 |
BILL, |
| 00:25:39 |
WHO'S ANNOUNCED |
| 00:25:41 |
WE'D LIKE |
| 00:25:42 |
BUT IF WE HAVE TO, |
| 00:25:46 |
WHAT HAPPENED |
| 00:25:47 |
YOU'RE ABUSING |
| 00:25:48 |
THAT'S YOUR |
| 00:25:50 |
IF WE DON'T WRITE |
| 00:25:51 |
AND GET THE PUBLIC |
| 00:25:52 |
YOU'LL NEVER GET THEM. |
| 00:25:53 |
WE'LL TAKE CARE |
| 00:25:55 |
JOHN, WE CAN'T |
| 00:25:57 |
TO TURN OVER |
| 00:25:58 |
BY YOU |
| 00:26:00 |
I'LL TELL YOU |
| 00:26:02 |
IF THIS SON OF A BITCH |
| 00:26:03 |
I'LL TELL THE POST |
| 00:26:06 |
THAT COULD HAVE |
| 00:26:09 |
WE DIDN'T SAY WE WEREN'T |
| 00:26:11 |
WE WANT AN ARRANGEMENT |
| 00:26:14 |
HOW ABOUT A TAP |
| 00:26:15 |
NO WAY. |
| 00:26:16 |
YOU WON'T |
| 00:26:18 |
WE'LL GIVE YOU TAPES |
| 00:26:20 |
WHAT'S |
| 00:26:22 |
YOU GIVE US |
| 00:26:23 |
EXCLUSIVELY, |
| 00:26:24 |
24 HOURS |
| 00:26:25 |
THE OTHER |
| 00:26:27 |
NO. WE'VE ALL GOT |
| 00:26:29 |
6 HOURS. |
| 00:26:30 |
18. |
| 00:26:31 |
10. |
| 00:26:31 |
SOLD. |
| 00:26:35 |
??[Dramatic music] |
| 00:27:07 |
[Malcolm on tape] |
| 00:27:09 |
[Killer on tape] |
| 00:27:12 |
I'LL CALL SOMEONE ELSE. |
| 00:27:13 |
LOOK. |
| 00:27:16 |
YOU ARE GOING TO BE |
| 00:27:22 |
THERE MUST BE SOME KIND |
| 00:27:25 |
WE NEED SOMETHING |
| 00:27:27 |
I'M NOT A MIND READER. |
| 00:27:29 |
I CAN'T TELL ANYTHING |
| 00:27:31 |
. |
| 00:27:34 |
BUT ISN'T THERE |
| 00:27:35 |
ANDERSON |
| 00:27:37 |
TO KEEP |
| 00:27:39 |
DRAW HIM OUT? |
| 00:27:43 |
I THINK YOU'RE DOING |
| 00:27:46 |
LISTEN TO HIM. |
| 00:27:48 |
WHEN HE'S UNCLEAR, |
| 00:27:51 |
I WOULDN'T |
| 00:27:53 |
AND I WOULDN'T PUS |
| 00:27:55 |
THAN WHAT HE WANTS |
| 00:27:57 |
BE PATIENT. |
| 00:28:00 |
BE A FRIEND. |
| 00:28:23 |
[Car door shuts] |
| 00:28:25 |
HEY, STEVE. |
| 00:28:27 |
GIVE US A BREAK. |
| 00:28:30 |
THE MAN YOU |
| 00:28:31 |
DID THE KILLER |
| 00:28:34 |
ANY SPECIFICS |
| 00:28:35 |
. |
| 00:28:39 |
HE DIDN'T |
| 00:28:40 |
THAT WOULD NARROW |
| 00:28:41 |
HOW LONG DID YOU |
| 00:28:44 |
10 MINUTES? |
| 00:28:47 |
HOW LONG WAS |
| 00:28:49 |
NEITHER ONE WAS MORE |
| 00:28:50 |
EVERYTHING I KNOW |
| 00:29:00 |
ARE YOU GOING TO |
| 00:29:03 |
[Asking questions] |
| 00:29:13 |
] |
| 00:29:17 |
SO FAR, |
| 00:29:18 |
A JOURNALIST WITH |
| 00:29:20 |
IS THE ONLY PERSON |
| 00:29:22 |
BY THE KILLER |
| 00:29:24 |
THE GIRL FOUND MURDERED |
| 00:29:27 |
ANDERSON HAS BEEN CONTACTED |
| 00:29:29 |
EACH OF THE TWO CONVERSATIONS |
| 00:29:31 |
LASTING A MINUTE OR TWO. |
| 00:29:34 |
IT IS KNOWN FOR SURE, HOWEVER, |
| 00:29:36 |
A DEFINITE CONTACT |
| 00:29:39 |
FOR REASONS THAT NO ONE |
| 00:29:42 |
MALCOLM ANDERSON SEEMED |
| 00:29:43 |
TO TALK TO REPORTERS, |
| 00:29:45 |
APPARENTLY CONFUSED |
| 00:29:47 |
THAT HAS BEEN THRUST UPON HIM. |
| 00:29:49 |
ACCORDING TO MR. ANDERSON'S |
| 00:29:51 |
NEITHER HE NOR THE PUBLIC |
| 00:29:53 |
HAS HEARD THE LAST |
| 00:29:55 |
ALTHOUGH NEWS CENTER 7 |
| 00:29:57 |
TRIED TO GET HIM |
| 00:29:59 |
WHAT WOULD |
| 00:30:01 |
REFUSED TO SAY |
| 00:30:03 |
I'M JILL BEACH, |
| 00:30:43 |
OH, I'M SORRY, HONEY. |
| 00:30:44 |
WERE YOU AWAKE? |
| 00:30:46 |
WE JUST...WE STOPPED BY |
| 00:30:48 |
HMM. |
| 00:30:52 |
I'M SORRY, HONEY. |
| 00:30:54 |
SAW YOU ON |
| 00:30:55 |
DID YOU? |
| 00:30:57 |
. |
| 00:30:59 |
MMM? WHAT DID |
| 00:31:01 |
I LOOKED LIKE |
| 00:31:03 |
I JUST LOOKED |
| 00:31:06 |
WAIT--LET'S TALK |
| 00:31:09 |
THOSE GUYS |
| 00:31:10 |
I MEAN, THESE ARE |
| 00:31:14 |
WHEN YOU'RE |
| 00:31:15 |
YOU MIND |
| 00:31:18 |
I'D LIKE TO BRING |
| 00:31:21 |
YOU THINK I OUGHT |
| 00:31:23 |
YEAH, WHY NOT? |
| 00:31:25 |
CALL MORLEY |
| 00:31:27 |
I MEAN, CALL MORNING |
| 00:31:28 |
HA HA HA! |
| 00:31:29 |
COME ON! |
| 00:31:31 |
HA HA HA! |
| 00:31:33 |
[Kiss] |
| 00:31:35 |
HONEY, WILL YOU TURN |
| 00:31:37 |
I HATED |
| 00:31:39 |
HONEY, |
| 00:31:43 |
OW! SHIT. |
| 00:31:45 |
WHO MOVED THIS THING? |
| 00:31:46 |
HA HA HA! |
| 00:31:50 |
BABY! |
| 00:31:51 |
HA HA HA! |
| 00:31:56 |
! |
| 00:31:56 |
. |
| 00:31:58 |
HA HA HA! |
| 00:32:21 |
[Telephone rings] |
| 00:32:26 |
ANDERSON. |
| 00:32:28 |
[Christine] |
| 00:32:29 |
THAT'S O.K. |
| 00:32:31 |
I JUST CALLED |
| 00:32:34 |
I LOVE YOU, TOO. |
| 00:32:36 |
BYE. |
| 00:32:48 |
[Telephone rings] |
| 00:32:52 |
[Ring] |
| 00:32:55 |
ANDERSON. |
| 00:32:57 |
[Christine] |
| 00:32:58 |
A SMALL-TOWN |
| 00:33:00 |
HA HA HA! |
| 00:33:10 |
[Telephone rings] |
| 00:33:13 |
WHAT? |
| 00:33:15 |
CHRISTINE, HONEY, |
| 00:33:19 |
[Man] |
| 00:33:20 |
YOUR WIFE |
| 00:33:25 |
TESTED YOUR FAITH, |
| 00:33:27 |
YOU WERE |
| 00:33:29 |
I WOULDN'T |
| 00:33:31 |
WAS THAT THE IDEA? |
| 00:33:33 |
IT WOULD BE NICE |
| 00:33:36 |
BUT STILL, |
| 00:33:41 |
AND I DO LIKE THEM. |
| 00:33:44 |
THANK YOU. |
| 00:33:46 |
EVER TRY |
| 00:33:51 |
WHY? |
| 00:33:52 |
UM... |
| 00:33:56 |
YOU'RE GOING |
| 00:33:58 |
THAT'S GOING TO |
| 00:33:59 |
IT HAS |
| 00:34:01 |
AND AT |
| 00:34:03 |
IT REACHES |
| 00:34:05 |
AND TWISTS |
| 00:34:08 |
BUT THE ODD |
| 00:34:10 |
YOU KNOW EXACTLY |
| 00:34:13 |
WITHOUT |
| 00:34:14 |
651 NAUTILUS. |
| 00:34:19 |
[Siren] |
| 00:34:20 |
YOU'RE GOING |
| 00:34:22 |
YOU GET SICK |
| 00:34:23 |
GOT THAT? |
| 00:34:29 |
[Coughs] |
| 00:34:31 |
[Television static] |
| 00:34:53 |
I'D BE CAREFUL |
| 00:34:55 |
HE KNOWS |
| 00:34:57 |
AS YOU DO HIM. |
| 00:35:14 |
[Flies buzzing] |
| 00:35:16 |
[Reporter] |
| 00:35:17 |
[Reporters |
| 00:35:27 |
ONE AT A TIME. |
| 00:35:29 |
[Reporter] YOU TALKED |
| 00:35:30 |
YES. |
| 00:35:31 |
WHAT DID HE SAY? |
| 00:35:33 |
LOOK, I GOT |
| 00:35:37 |
EVERYTHING I KNOW WILL BE |
| 00:35:38 |
THAT'S IT. |
| 00:35:40 |
[Reporters |
| 00:35:44 |
GETTING BETTER. |
| 00:36:08 |
[Christine] |
| 00:36:11 |
NO, BUT IT SURE IS |
| 00:36:14 |
[Telephone rings] |
| 00:36:17 |
HI. |
| 00:36:19 |
HELLO. |
| 00:36:21 |
[Man] |
| 00:36:24 |
HA HA HA! |
| 00:36:27 |
HOW DID YOU GET |
| 00:36:29 |
WELL, YOUR PHONE'S |
| 00:36:32 |
CHRISTINE |
| 00:36:33 |
I GOT HER NAME |
| 00:36:41 |
THERE'S A POLICEMAN |
| 00:36:43 |
THERE'S GOING |
| 00:36:47 |
IF I WANTED YOU |
| 00:36:49 |
IT WOULD BE SO EASY. |
| 00:36:52 |
DON'T WORRY, MALCOLM. |
| 00:36:55 |
I'M SUPPOSED |
| 00:36:56 |
YOU'VE GOT TO BE |
| 00:36:58 |
WITHOUT YOU, |
| 00:37:02 |
. |
| 00:37:05 |
BESIDES, WE WORK |
| 00:37:08 |
I DON'T WANT |
| 00:37:12 |
WHAT DID YOU |
| 00:37:15 |
I HAVE TWO NEEDS, |
| 00:37:17 |
THE NEED TO TALK |
| 00:37:21 |
AND THE OTHER ONE. |
| 00:37:23 |
UM. |
| 00:37:26 |
AND, UH... |
| 00:37:30 |
IT'S A LOT EASIER |
| 00:37:32 |
THAN IT IS A LISTENER. |
| 00:37:35 |
MM-HMM. |
| 00:37:37 |
? |
| 00:37:40 |
WELL, |
| 00:37:42 |
I HAD ONE FRIEND. |
| 00:37:45 |
ONCE, TILL |
| 00:37:47 |
WHAT-- |
| 00:37:50 |
AN AUTO PLANT |
| 00:37:55 |
A MACHINE |
| 00:37:57 |
TOOK THREE FINGERS |
| 00:38:00 |
THAT'S REALLY AWFUL. |
| 00:38:03 |
YOU, UH, |
| 00:38:05 |
YOU AND HIM KEEP |
| 00:38:07 |
OH, MALCOLM, |
| 00:38:12 |
I'M JUST |
| 00:38:15 |
YOU'RE TRYING TO MAKE |
| 00:38:19 |
WHO CAN LEAD |
| 00:38:21 |
WE'RE FRIENDS, |
| 00:38:24 |
WE'RE NOT REALLY FRIENDS. |
| 00:38:31 |
I WANT TO TALK ABOUT |
| 00:38:34 |
ALL RIGHT. WHY DID |
| 00:38:36 |
THEY WERE WHAT I WANTED. |
| 00:38:37 |
THEY WERE A MATCH-- |
| 00:38:41 |
WAS THIS SOMETHING |
| 00:38:43 |
IT WAS JUST |
| 00:38:47 |
I CAUGHT THEM |
| 00:38:50 |
I JUST STARED. |
| 00:38:52 |
[Malcolm typing on keyboard] |
| 00:38:54 |
. |
| 00:38:59 |
THEN, WHEN |
| 00:39:02 |
THEY COULDN'T |
| 00:39:05 |
FASCINATING, ISN'T IT? |
| 00:39:08 |
MALCOLM? |
| 00:39:13 |
THEN I GOT THEM |
| 00:39:17 |
AND I PUT A PILLOW |
| 00:39:21 |
EVEN SO, IT WAS |
| 00:39:23 |
MUCH LOUDER |
| 00:39:26 |
[gunshots] |
| 00:39:31 |
??[Eerie music] |
| 00:39:38 |
I DON'T KNOW HOW LONG |
| 00:39:41 |
FIVE MINUTES, AN HOUR... |
| 00:39:44 |
WHEN I LEFT, |
| 00:39:47 |
I WALKED RIGHT DOWN |
| 00:39:50 |
LIKE I WAS INVISIBLE. |
| 00:39:53 |
NOBODY SEEMED |
| 00:39:54 |
NOBODY CARED! |
| 00:39:57 |
PHEW! |
| 00:39:59 |
[Caller hangs up] |
| 00:40:10 |
HELLO? |
| 00:40:23 |
CHRIST, I GOT A LOT. |
| 00:40:37 |
APPRECIATE IT. |
| 00:40:38 |
HEY, GOOD STUFF, |
| 00:40:40 |
I LIKED IT. REALLY. |
| 00:40:43 |
IS--IS NOLAN-- |
| 00:40:44 |
NICELY DONE. |
| 00:40:46 |
IS NOLAN REAL BUSY |
| 00:41:07 |
SEEN THIS YET? |
| 00:41:13 |
JACOBY WANTED ME |
| 00:41:16 |
PAGE 103. |
| 00:41:26 |
OUR ILLUSTRIOUS |
| 00:41:28 |
THINKS YOU |
| 00:41:36 |
YOU JUMP TO ANOTHER |
| 00:41:39 |
I'LL PUNCH |
| 00:42:01 |
CELEBRATING WITH YOU |
| 00:42:03 |
IS MAKING |
| 00:42:04 |
. |
| 00:42:11 |
I'M SORRY, HONEY. |
| 00:42:17 |
WAITING FOR |
| 00:42:19 |
I CAN'T GET |
| 00:42:24 |
DO YOU WANT |
| 00:42:28 |
HE QUITS TALKING TO ME, |
| 00:42:31 |
WE? |
| 00:42:40 |
HONEY, I CAN'T GET |
| 00:42:44 |
I GAVE MY NOTICE. |
| 00:42:46 |
SO DID I. |
| 00:42:50 |
[Under breath] |
| 00:42:53 |
WHAT? |
| 00:42:55 |
I JUST DON'T |
| 00:42:58 |
THINGS HAPPEN OUT THERE. |
| 00:43:00 |
I ONLY REPORT IT. |
| 00:43:04 |
ARE YOU REPORTING IT |
| 00:43:06 |
OR PARTICIPATING |
| 00:43:10 |
IT'S KIND OF |
| 00:43:15 |
WHAT DO YOU |
| 00:43:23 |
GET AWAY FROM HERE |
| 00:43:27 |
OH, COME ON, HONEY. |
| 00:43:28 |
OH, JEEZ. |
| 00:43:37 |
CAN I GET |
| 00:43:39 |
[Waiter] |
| 00:44:31 |
??[Scary music] |
| 00:44:36 |
UH! |
| 00:44:40 |
TOO MANY |
| 00:44:44 |
HA HA HA! |
| 00:44:56 |
WHEN THIS THING |
| 00:44:59 |
WHETHER YOU END UP |
| 00:45:04 |
OR |
| 00:45:09 |
PART OF IT |
| 00:45:21 |
I JUST WISH YOU'D |
| 00:45:51 |
[Telephone rings] |
| 00:45:55 |
[Ring] |
| 00:45:59 |
HELLO? |
| 00:46:01 |
[Man] |
| 00:46:04 |
NO, I'M SORRY. |
| 00:46:06 |
CAN I HAVE HIM |
| 00:46:07 |
UM, NO. |
| 00:46:10 |
UH... |
| 00:46:12 |
I'M MALCOLM'S |
| 00:46:14 |
YOU KNOW, |
| 00:46:16 |
WHY ARE YOU |
| 00:46:19 |
CHRISTINE, |
| 00:46:21 |
DON'T CALL ME |
| 00:46:24 |
[Man] |
| 00:46:26 |
[Christine] NO. WHY ARE YOU |
| 00:46:29 |
GIVE ME THE PHONE, |
| 00:46:31 |
MALCOLM, YOU CAN'T |
| 00:46:33 |
WHAT THE HELL |
| 00:46:34 |
MALCOLM, HE'S SICK! |
| 00:46:40 |
DON'T TALK TO HIM. |
| 00:46:41 |
[Man] |
| 00:46:43 |
ARE YOU THERE? |
| 00:46:45 |
JUST DON'T TALK |
| 00:46:47 |
IT'S ME. |
| 00:46:50 |
I'M SORRY I COULDN'T |
| 00:46:53 |
OH. |
| 00:46:57 |
WHY DON'T |
| 00:46:59 |
NOT TO ANSWER |
| 00:47:03 |
I THINK YOU'D BETTER |
| 00:47:06 |
YOU MUST BE ANXIOUS |
| 00:47:08 |
NUMBER FOUR. |
| 00:47:10 |
WHERE? |
| 00:47:11 |
MATHESON HAMMOCK. |
| 00:47:13 |
[Caller hangs up] |
| 00:47:15 |
MALCOLM, HOW LONG |
| 00:47:18 |
CHRIS, I'M LOCKED |
| 00:47:21 |
HE WON'T TALK |
| 00:47:23 |
IT'S TURNED INTO |
| 00:47:27 |
THAT'S A REAL |
| 00:47:29 |
STUPID? YOU JUST |
| 00:47:32 |
DID YOU EVER |
| 00:47:35 |
DO YOU TWO |
| 00:47:37 |
RAY? I JUST |
| 00:47:40 |
[Thunder] |
| 00:47:42 |
??[Eerie music] |
| 00:47:49 |
[Sirens] |
| 00:47:55 |
HOW WE DOING HERE? |
| 00:48:02 |
THEY'RE OVER THERE. |
| 00:48:07 |
[Baby crying] |
| 00:48:17 |
YOU'RE O.K. |
| 00:48:18 |
YOU'RE O.K. |
| 00:48:20 |
MOMMY! |
| 00:48:21 |
[Crying] |
| 00:48:24 |
YOU'RE O.K., BABY. |
| 00:48:27 |
TONY, HOW YOU DOING? |
| 00:48:31 |
WHAT DO YOU MEAN? |
| 00:48:32 |
TAKE A WALK, BABE. |
| 00:49:04 |
WE'RE ABOUT TO TALK |
| 00:49:06 |
A REPORTER |
| 00:49:10 |
RECENTLY, THE SERIES |
| 00:49:12 |
HAS SOMEWHAT CHANGED |
| 00:49:15 |
BECAUSE THE KILLER |
| 00:49:17 |
AS A LIAISON BETWEEN |
| 00:49:19 |
THE POLICE, AND HIMSELF. |
| 00:49:21 |
A SITUATION HAS DEVELOPED |
| 00:49:23 |
IS MATERIALLY INVOLVED |
| 00:49:26 |
HE'S WITH US AT WSVN, |
| 00:49:29 |
MALCOLM, THANKS |
| 00:49:31 |
MY PLEASURE, JOHN. |
| 00:49:33 |
TO BEGIN WITH, |
| 00:49:35 |
YOU RECEIVED |
| 00:49:38 |
UH, IT WAS |
| 00:49:40 |
AND IT WAS |
| 00:49:42 |
AFTER THEY FOUND |
| 00:49:44 |
HOW DID YOU REACT WHEN |
| 00:49:47 |
I DIDN'T BELIEVE |
| 00:49:50 |
IN MY YEARS |
| 00:49:51 |
I'VE HAD MY SHARE |
| 00:49:53 |
[John] |
| 00:49:56 |
HE HAD KNOWLEDGE |
| 00:49:58 |
THAT NOBODY ELSE |
| 00:50:00 |
[John] HOW MANY TIMES HAVE |
| 00:50:03 |
[Malcolm] |
| 00:50:05 |
CAN WE ASSUME THAT |
| 00:50:07 |
THAT'S BEEN OF MUCH HELP |
| 00:50:10 |
IT WOULDN'T BE HELPFUL |
| 00:50:12 |
FOR ME TO COMMENT |
| 00:50:14 |
OF THE INVESTIGATION |
| 00:50:16 |
AFTER TALKING TO HIM |
| 00:50:19 |
WHAT'S YOUR SENSE |
| 00:50:22 |
WELL, "RELATIONSHIP", |
| 00:50:24 |
THAT THERE'S |
| 00:50:27 |
I'M CERTAINLY DOING |
| 00:50:29 |
BUT THIS |
| 00:50:31 |
I MEAN, |
| 00:50:32 |
[Gun cocking] |
| 00:50:33 |
[John] HAS HE SAID |
| 00:50:36 |
[Malcolm] |
| 00:50:40 |
??[Eerie music] |
| 00:50:55 |
[Telephone rings] |
| 00:51:00 |
[Man] |
| 00:51:02 |
I DIDN'T LIKE IT. |
| 00:51:03 |
WHY? |
| 00:51:05 |
YOU'RE BECOMING MORE |
| 00:51:07 |
I'M DOING THE WORK, |
| 00:51:10 |
YOU'RE GETTING |
| 00:51:13 |
I REALLY WISH |
| 00:51:15 |
AND SPEAK FOR |
| 00:51:17 |
OF COURSE, I CAN'T. |
| 00:51:21 |
I'VE ONLY BEEN |
| 00:51:23 |
WHAT YEAR? |
| 00:51:24 |
COME ON. |
| 00:51:26 |
I'M ALREADY |
| 00:51:29 |
ON PHONES |
| 00:51:31 |
MY PHONE ISN'T TAPPED. |
| 00:51:35 |
IS THERE ANY CHANCE |
| 00:51:37 |
SO YOU CAN BRING THE COPS |
| 00:51:39 |
AND BE A REAL HERO. |
| 00:51:41 |
YOU ANGER ME, |
| 00:51:45 |
CUBAN COFFEE, PHIL? |
| 00:51:47 |
[Man on tape] I REALLY |
| 00:51:48 |
AND SPEAK |
| 00:51:50 |
THIS IS |
| 00:51:51 |
OF COURSE, |
| 00:51:54 |
I'VE ONLY BEEN |
| 00:51:56 |
[Malcolm on tape] |
| 00:51:57 |
[Man on tape] |
| 00:51:59 |
I'M ALREADY |
| 00:52:02 |
ON PHONES |
| 00:52:06 |
[Malcolm on tape] |
| 00:52:08 |
IS THERE ANY CHANCE |
| 00:52:09 |
DUMB. |
| 00:52:10 |
[Man on tape] |
| 00:52:12 |
AND BE A REAL HERO. |
| 00:52:14 |
HIM, |
| 00:52:18 |
WELL, YOU GOT |
| 00:52:21 |
, |
| 00:52:23 |
FIGURE OUT WHAT |
| 00:52:25 |
AND THEN BLOW HIS |
| 00:52:29 |
I'M GOING TO GET |
| 00:52:38 |
YOU KNOW, WE SENT |
| 00:52:40 |
AND THERE'S NO RECORD |
| 00:52:42 |
OF THE INDUSTRIAL ACCIDENT |
| 00:52:44 |
NOT AT ANY OF THE MAJOR |
| 00:52:48 |
I GOT A 50 SAYS HE'S |
| 00:52:57 |
YOU'RE NOT TAPPING |
| 00:53:02 |
NO. |
| 00:53:07 |
GOOD NIGHT, RAY. |
| 00:53:09 |
YEAH. |
| 00:53:11 |
??[Moody music] |
| 00:53:30 |
PERFECT. WIDE OPEN |
| 00:53:45 |
??[Suspenseful music] |
| 00:54:37 |
WHOA, WHOA, WHOA! |
| 00:54:38 |
WAIT! WAIT! |
| 00:54:40 |
I--I--I-- |
| 00:54:42 |
I DELIVER |
| 00:54:48 |
WHAT HAPPENED? |
| 00:54:52 |
. |
| 00:54:54 |
I COME HOME, |
| 00:54:56 |
IS IT |
| 00:54:58 |
TO REMEMBER TO LOCK |
| 00:55:03 |
I DIDN'T EVEN KNOW |
| 00:55:12 |
I'M SORRY. |
| 00:55:14 |
I DON'T WANT TO BE |
| 00:55:16 |
I'M SORRY. I MEAN IT. |
| 00:55:19 |
DON'T BE. |
| 00:55:20 |
??[Sad music] |
| 00:55:28 |
YOU'RE LIVING ALONE, |
| 00:55:30 |
AND I'M LIVING |
| 00:55:31 |
I DON'T EVEN KNOW. |
| 00:55:35 |
IT DOESN'T WORK. |
| 00:55:36 |
WHAT DOES THAT MEAN? |
| 00:55:38 |
I'M PUTTING A LOT |
| 00:55:40 |
IT'S GETTING ATTENTION, |
| 00:55:42 |
THAT'S ALL THERE IS |
| 00:55:44 |
YOU HAVE NO IDEA |
| 00:55:46 |
YOU CAN'T. |
| 00:55:50 |
YOU'RE NOT PAYING |
| 00:55:52 |
CHRIS, I KNOW |
| 00:55:55 |
WHAT WE'VE WANTED |
| 00:55:58 |
DON'T YOU |
| 00:56:02 |
EVER SINCE |
| 00:56:05 |
YOU LET |
| 00:56:08 |
I'VE GOTTEN |
| 00:56:09 |
THAT LEAVING'S |
| 00:56:13 |
HONEY, THIS IS |
| 00:56:15 |
I SAID |
| 00:56:19 |
I HEARD. |
| 00:56:38 |
DO YOU WANT A DRAG? |
| 00:56:39 |
DRAG, YOUR ASS. |
| 00:56:42 |
YOU GOT TO BE CLOSER |
| 00:56:45 |
SURE WOULD LIKE |
| 00:56:48 |
YOU GOT A VOICE PRINT. |
| 00:56:50 |
YOU KNOW HE'S DUPLICATING. |
| 00:56:51 |
YOU KNOW WHAT PART |
| 00:56:53 |
YOU GOT TO BE GETTING |
| 00:56:54 |
THIS GUY'S |
| 00:56:55 |
HE'S HAD NO PERSONAL |
| 00:56:57 |
NOBODY HE'S |
| 00:56:58 |
. |
| 00:56:59 |
WHAT DO YOU GUYS |
| 00:57:02 |
WE RUN DOWN |
| 00:57:04 |
FROM PEOPLE WHO THINK |
| 00:57:05 |
SO DO I. |
| 00:57:07 |
WHEN YOU WRITE ENOUGH |
| 00:57:08 |
YOU START SOUNDING |
| 00:57:10 |
I DIDN'T EXPECT IT |
| 00:57:13 |
AS LONG AS HE'S OUT THERE, |
| 00:57:16 |
[Mumbling] |
| 00:57:18 |
WHAT ARE YOU |
| 00:57:20 |
I NEVER UNDERSTAND WHAT |
| 00:57:22 |
WHAT'S THE MATTER |
| 00:57:23 |
I'M TIRED OF HIM! |
| 00:57:24 |
WELL, YOU'RE GETTING IN |
| 00:57:27 |
DAMN IT! |
| 00:57:29 |
HEY! WALK AWAY. |
| 00:57:31 |
! |
| 00:57:32 |
CATCH HIM |
| 00:57:39 |
YOU'RE COMING APART |
| 00:57:42 |
YOU KNOW WHAT HAPPENS |
| 00:57:43 |
YOU CRASH, |
| 00:57:44 |
RIGHT NOW, |
| 00:57:46 |
YOU BETTER GET THIS GUY |
| 00:57:48 |
I'M TIRED OF BEING |
| 00:57:57 |
[Sighs] |
| 00:58:00 |
[Wind howling] |
| 00:58:06 |
"IF YOU'D LIKE |
| 00:58:08 |
"AND SOME QUIET |
| 00:58:10 |
"YOU'RE WELCOME |
| 00:58:11 |
"HOPE TO SEE YOU SOON." |
| 00:58:13 |
HMM-HMM. O.K. |
| 00:58:17 |
[Clears throat] |
| 00:58:20 |
"AFTER THE LAST KILLING, |
| 00:58:22 |
"I READ THAT |
| 00:58:26 |
"I BELIEVE |
| 00:58:28 |
"FROM KENOSHA, WISCONSIN, |
| 00:58:31 |
"WHO WAS CONNECTED |
| 00:58:33 |
"YOU WROTE THE KILLER WAS |
| 00:58:36 |
"HE SOUNDS LIKE THE ONE |
| 00:58:39 |
THERE IS SOME KIND OF |
| 00:58:48 |
"I'LL TALK |
| 00:58:49 |
"WITHOUT ANYBODY |
| 00:58:50 |
"I LIVE AT PARADISE |
| 00:58:52 |
"IF ANY COPS |
| 00:58:54 |
"I'LL DENY |
| 00:58:55 |
"I DON'T WANT |
| 00:58:58 |
HERE'S THE ADDRESS. |
| 00:58:59 |
I DON'T KNOW. |
| 00:59:03 |
GIVE IT A SHOT. |
| 00:59:07 |
[Sighs] |
| 00:59:10 |
WHY NOT? |
| 00:59:12 |
[Ship horn blows] |
| 00:59:15 |
??[Moody music] |
| 01:00:05 |
[Clattering] |
| 01:00:13 |
[Coughs] |
| 01:00:17 |
EXCUSE ME. |
| 01:00:25 |
YOU MR. ANDERSON? |
| 01:00:27 |
YEAH. |
| 01:00:30 |
ALL ALONE. |
| 01:00:32 |
YEAH, WELL, I THIN |
| 01:00:43 |
I GOT TO GET THIS THING |
| 01:00:44 |
DOWN AT |
| 01:00:47 |
TREAT YOU PRETTY |
| 01:00:49 |
OH, UH... |
| 01:00:51 |
I'M JUST GOING TO |
| 01:00:54 |
YOU DON'T MIND, |
| 01:00:55 |
] |
| 01:00:57 |
I GUESS. GO AHEAD. |
| 01:00:59 |
I DON'T WANT MY NAME |
| 01:01:02 |
I FIGURE THIS GUY'S |
| 01:01:04 |
HE WOULDN'T THINK TWICE |
| 01:01:06 |
I'VE BEEN WASTED |
| 01:01:07 |
GOT TO HANG ONTO |
| 01:01:09 |
I CAN GIVE YOU |
| 01:01:11 |
BUT THE POLICE WILL |
| 01:01:13 |
LET ME THINK |
| 01:01:16 |
WELL, I'M A LITTLE |
| 01:01:17 |
I'M WORKING |
| 01:01:19 |
WHY DON'T WE JUST |
| 01:01:21 |
[Turning notebook pages] |
| 01:01:24 |
I'VE BEEN LED TO BELIEVE |
| 01:01:26 |
FOR THIS KIND |
| 01:01:27 |
I DON'T. |
| 01:01:30 |
OH, COME ON. |
| 01:01:31 |
YOU KNOW, 20? 10? |
| 01:01:34 |
DO YOU HAVE ANY |
| 01:01:39 |
THIS GUY'S NAME |
| 01:01:42 |
AND I MET HIM |
| 01:01:45 |
UM... |
| 01:01:47 |
. |
| 01:01:48 |
UH, |
| 01:01:52 |
HE WAS DEPRESSED |
| 01:01:54 |
BUT THEN, HE HAD |
| 01:01:58 |
ABOUT A YEAR AGO, |
| 01:02:00 |
UH, HE LOST HIS PARENTS, |
| 01:02:04 |
HIS WIFE, SISTER-IN-LAW, |
| 01:02:07 |
WHAT HAPPENED? |
| 01:02:10 |
HIS BROTHER JUST |
| 01:02:12 |
GOT HIS GUN, |
| 01:02:14 |
AND KILLED THEM ALL. |
| 01:02:16 |
PUT THE MUZZLES |
| 01:02:18 |
RIGHT AT THE BASE |
| 01:02:19 |
AND BLEW |
| 01:02:22 |
SOUND FAMILIAR |
| 01:02:31 |
YOU SAID HIS LAST NAME |
| 01:02:33 |
YOU REMEMBER |
| 01:02:35 |
ALBERT, |
| 01:02:42 |
WHERE WAS THIS? |
| 01:02:44 |
. |
| 01:02:46 |
HE WORKED |
| 01:02:48 |
HE USED TO CALL THEM |
| 01:02:53 |
THIS GUY'S |
| 01:02:56 |
KENOSHA. |
| 01:03:03 |
I GOT THAT RIGHT HERE |
| 01:03:05 |
EXCUSE ME A MINUTE. |
| 01:03:06 |
YEAH. HERE IT IS. |
| 01:03:09 |
. |
| 01:03:18 |
[Fly buzzing] |
| 01:03:20 |
UH, LISTEN, |
| 01:03:24 |
THAT'S REALLY ALL I NEED. |
| 01:03:26 |
[Urinating] |
| 01:03:28 |
I GOT TO GET YOUR NAME |
| 01:03:32 |
[Mike] |
| 01:03:34 |
HONORABLY DISCHARGED |
| 01:03:37 |
UH-HUH. IS THAT |
| 01:03:41 |
[Mike] |
| 01:03:59 |
HA HA! KILLED ME |
| 01:04:03 |
IT'S NO GOOD |
| 01:04:05 |
WHEN YOU DROP THEM |
| 01:04:07 |
THIS WILL |
| 01:04:11 |
GO AHEAD. |
| 01:04:14 |
FIRING PIN'S OUT |
| 01:04:16 |
WHEN HE COMES OVER |
| 01:04:19 |
YOU DON'T |
| 01:04:20 |
IT'S A LOUSY TOY |
| 01:04:21 |
[Click] |
| 01:04:25 |
UGH. FUCKING LEG. |
| 01:04:28 |
SOMETIMES I WISH |
| 01:04:30 |
THEN THE V.A. WOULD |
| 01:04:31 |
AN EXTRA 60 BUCKS |
| 01:04:34 |
THANKS, MIKE. |
| 01:04:40 |
LOOK, IF THERE'S |
| 01:04:42 |
TO HELP YOU OUT |
| 01:04:44 |
JUST GIVE ME |
| 01:04:45 |
THANK YOU VERY MUCH. |
| 01:04:55 |
TAKE CARE OF YOURSELF. |
| 01:04:57 |
HEY, THANKS A LOT. |
| 01:05:07 |
UGH. |
| 01:05:24 |
WE OUGHT TO |
| 01:05:27 |
YOU SHOULD HAVE |
| 01:05:29 |
AFTER YOU PUT |
| 01:05:31 |
I HAD ENOUGH |
| 01:05:32 |
BUT NOT FOR YOU. |
| 01:05:34 |
THAT'S NOT |
| 01:05:36 |
JUST GIVE ME |
| 01:05:38 |
WE GOT |
| 01:05:39 |
WHAT? |
| 01:05:40 |
ACCORDING TO |
| 01:05:42 |
THEY NEVER |
| 01:05:43 |
AN ALBERT |
| 01:05:45 |
THE PENTAGON |
| 01:05:47 |
NAMED |
| 01:05:48 |
DISCHARGED |
| 01:05:51 |
I THINK WE'VE |
| 01:05:52 |
[Bang] |
| 01:05:54 |
APRIL 1st? |
| 01:05:55 |
APRIL FOOLS'? |
| 01:05:59 |
YOU SAID YOU WANTED TO |
| 01:06:01 |
REMEMBER THAT? |
| 01:06:04 |
WHAT? |
| 01:06:12 |
[Hilson on tape recorder] |
| 01:06:13 |
OUR LITTLE CHAT. |
| 01:06:15 |
I HOPE WE CAN MEET UNDER |
| 01:06:16 |
IN THE FUTURE. |
| 01:06:18 |
[Maniacal laughter] |
| 01:06:22 |
I'M SORRY. |
| 01:06:25 |
BUT YOU DID |
| 01:06:28 |
MALCOLM. |
| 01:06:30 |
YOU TOLD ME THAT |
| 01:06:31 |
HEH HEH HEH! |
| 01:06:33 |
FOUR DOWN, |
| 01:06:36 |
HA HA HA! |
| 01:06:40 |
[Shuts off tape recorder] |
| 01:06:43 |
HELL OF A DEAL. |
| 01:06:45 |
[sighs] |
| 01:06:53 |
??[Moody music] |
| 01:07:16 |
WE COULD HAVE |
| 01:07:20 |
SEAL IT OFF. |
| 01:07:39 |
O.K., PEOPLE, |
| 01:07:41 |
LET'S MOVE IT |
| 01:07:43 |
MOVE IT BACK NOW, |
| 01:07:47 |
[Police radio transmitting] |
| 01:08:06 |
[Nolan] YOU'RE GOING |
| 01:08:09 |
LIKE NO ONE'S |
| 01:08:10 |
I HAVE |
| 01:08:12 |
HOW TO WRITE THIS. |
| 01:08:19 |
I BETTER GO. |
| 01:08:21 |
YEAH. |
| 01:08:23 |
WHEN YOU FINISH |
| 01:08:24 |
BRING BACK A COPY |
| 01:08:26 |
I'LL KEEP WORKING |
| 01:08:27 |
[Telephone rings] |
| 01:08:31 |
ANDERSON. |
| 01:08:33 |
[Hilson] |
| 01:08:38 |
WHAT THE HELL |
| 01:08:40 |
YOU WERE GETTING |
| 01:08:42 |
I HAD TO BRING YOU DOWN |
| 01:08:44 |
YOU DID. NOW YOU CAN CALL |
| 01:08:46 |
YOUR STORY'S GOTTEN OLD. |
| 01:08:48 |
I'M GOING TO |
| 01:08:51 |
I HAD PLANNED ON TALKING |
| 01:08:53 |
FINE. I'M NOT WRITING |
| 01:08:57 |
I KNEW THIS |
| 01:09:00 |
BUT YOU'RE |
| 01:09:02 |
NO. NO PART. |
| 01:09:06 |
DON'T BE THAT WAY, |
| 01:09:08 |
REMEMBER, |
| 01:09:11 |
NO ONE'S IMMUNE. |
| 01:09:13 |
ARE YOU |
| 01:09:15 |
??[Suspenseful music] |
| 01:09:17 |
I STUDY PEOPLE, |
| 01:09:20 |
JUST LIKE |
| 01:09:22 |
, |
| 01:09:24 |
THEIR ROUTINES. |
| 01:09:28 |
SUPPOSING HER CAR |
| 01:09:31 |
HOW WOULD |
| 01:09:33 |
ON THE |
| 01:09:35 |
DO YOU THINK |
| 01:09:37 |
FROM A SUBSTITUTE |
| 01:09:41 |
[Clicks receiver] |
| 01:09:44 |
HEY. |
| 01:09:45 |
WHOA! |
| 01:09:46 |
HEY, MAL! |
| 01:09:47 |
OH! |
| 01:09:49 |
WHAT THE HELL'S |
| 01:10:03 |
[Christine |
| 01:10:07 |
[Engine grinds] |
| 01:10:27 |
WOULD YOU LIKE ME |
| 01:10:29 |
OH, SURE. PLEASE. |
| 01:10:32 |
I DON'T KNOW |
| 01:10:33 |
IT WAS FINE |
| 01:10:34 |
, |
| 01:10:36 |
BUT SOMETIMES |
| 01:10:38 |
[Tires squeal] |
| 01:10:42 |
[Siren] |
| 01:10:55 |
[Brakes squeal] |
| 01:11:30 |
OH! |
| 01:11:40 |
[Horns honking] |
| 01:11:46 |
[Engine grinds] |
| 01:11:49 |
O.K. TRY IT AGAIN. |
| 01:11:52 |
[Engine grinds] |
| 01:12:07 |
[Siren] |
| 01:12:20 |
GET A PERIMETER |
| 01:12:21 |
COME WITH ME! |
| 01:12:22 |
[Policeman] |
| 01:12:32 |
? |
| 01:12:34 |
I DON'T KNOW. |
| 01:12:35 |
I SAW HER |
| 01:12:37 |
TALKING TO SOMEONE |
| 01:12:38 |
WHO? |
| 01:12:39 |
MAN, ARE YOU TRYING TO |
| 01:12:42 |
WHAT'S WRONG? |
| 01:12:44 |
JUST ANYBODY CAN |
| 01:12:46 |
HEY! ENOUGH! |
| 01:12:49 |
DID YOU SEE THEM |
| 01:12:51 |
STAY HERE! HEY! |
| 01:13:00 |
??[Suspenseful music] |
| 01:13:28 |
[Sighs] |
| 01:13:30 |
COME ON OUT. |
| 01:13:34 |
IT'S O.K. NOW. |
| 01:13:37 |
WE'RE JUST LOOKING |
| 01:13:41 |
CRAYONS, HUH? |
| 01:13:43 |
OH! |
| 01:13:50 |
SORRY, KID. |
| 01:14:31 |
MAL... |
| 01:14:36 |
[Sighs] |
| 01:14:37 |
THIS GUY HERE IS-- |
| 01:14:40 |
SHE'S O.K., MAL. |
| 01:14:43 |
YOU THINK SO, |
| 01:14:44 |
YES. |
| 01:14:46 |
IF HE'S DUPLICATING |
| 01:14:48 |
THEN HE'S |
| 01:14:51 |
SHE'S O.K. |
| 01:15:02 |
??[Suspenseful music] |
| 01:15:08 |
HAVE YOU |
| 01:15:10 |
THAT THE OLDER |
| 01:15:11 |
THE SMALLER |
| 01:15:14 |
[Muffled] |
| 01:15:16 |
WHEN I WAS |
| 01:15:18 |
THE BLOCK |
| 01:15:19 |
WAS THE WHOLE |
| 01:15:21 |
BUT... |
| 01:15:23 |
I KNEW EVERYBODY. |
| 01:15:27 |
I WAS SIGNIFICANT, |
| 01:15:31 |
ARE YOU GOING |
| 01:15:36 |
LET'S TRY TO |
| 01:15:37 |
AS ABSTRACT |
| 01:15:38 |
O.K.? |
| 01:15:39 |
APPLE? |
| 01:15:41 |
UH! N-NO. |
| 01:15:47 |
UGH. |
| 01:15:50 |
I WANT YOU |
| 01:15:51 |
WHAT? |
| 01:15:53 |
YOU'RE KILLING PEOPLE |
| 01:15:55 |
BECAUSE YOU WANT |
| 01:15:57 |
YOU WANT TO FEEL |
| 01:15:59 |
HEY, AS A TEACHER, |
| 01:16:01 |
YOUR RANGE |
| 01:16:03 |
I'M SORRY. |
| 01:16:10 |
FOR THE MOST PART, |
| 01:16:12 |
GOOD BEHAVIOR |
| 01:16:17 |
OH, NEVER MIND. |
| 01:16:19 |
I DO CARE! |
| 01:16:22 |
JUST TELL ME WHAT |
| 01:16:25 |
JUST TELL ME |
| 01:16:28 |
! |
| 01:16:30 |
NOTHING IS. |
| 01:16:33 |
ALL YOU'RE CONCERNED |
| 01:16:41 |
I'M NOT RESPONSIBLE. |
| 01:16:44 |
IT'S NOT MY FAULT. |
| 01:16:45 |
NONE OF IT IS. |
| 01:16:47 |
[Gunshot] |
| 01:17:00 |
[Telephone rings] |
| 01:17:05 |
JUST GIVE IT A COUPLE |
| 01:17:10 |
[Ring] |
| 01:17:14 |
MALCOM, I KNOW YOU'RE THERE. |
| 01:17:19 |
IT'S NOLAN. |
| 01:17:22 |
[Sighs] |
| 01:17:27 |
O.K. |
| 01:17:31 |
SOME GUY WHO'S |
| 01:17:33 |
JUST WALKED |
| 01:17:35 |
HE THINKS HE KNOWS |
| 01:17:36 |
HE SAYS |
| 01:17:38 |
TELL HIM |
| 01:17:40 |
WHAT IF THE CALL |
| 01:17:43 |
HE KNOWS WHERE |
| 01:17:46 |
10 MINUTES. |
| 01:17:53 |
UH, LOOK, UH... |
| 01:17:55 |
. |
| 01:18:01 |
IT SEEMED LIKE |
| 01:18:03 |
WHEN I READ MY NAME |
| 01:18:05 |
THAT YOU GOT FROM THE GUY |
| 01:18:08 |
THOSE FIVE MURDERS |
| 01:18:10 |
SOUND LIKE A SERIES |
| 01:18:12 |
THAT HAPPENED IN CHICAGO |
| 01:18:16 |
I WAS WORKING AT A STATE-FUNDED |
| 01:18:20 |
FOR DOPERS, ALCOHOLICS, |
| 01:18:26 |
SOME CHARACTER |
| 01:18:29 |
HE SAYS HE'S THE GUY |
| 01:18:31 |
THAT KILLED THOSE FIVE PEOPLE |
| 01:18:35 |
HE SAYS HE WENT TO THE COPS |
| 01:18:38 |
BUT THEY CHASED HIM OUT |
| 01:18:40 |
BECAUSE SOME PSYCHIATRIST |
| 01:18:44 |
THAT GOT OFF |
| 01:18:46 |
HE NEEDED THE HEADLINES. |
| 01:18:49 |
IS THAT |
| 01:18:54 |
WELL, I WENT DOWN |
| 01:18:56 |
AND LISTENED |
| 01:18:58 |
AND IT SOUNDED |
| 01:19:00 |
IT TURNED OUT, THOUGH, |
| 01:19:02 |
THAT HE DID HAVE A HISTORY |
| 01:19:05 |
[O'Shaughnessy |
| 01:19:07 |
HE WAS PISSED, THOUGH. |
| 01:19:09 |
I MEAN, HE WAS PISSED. |
| 01:19:11 |
HE FIGURED HE FINALLY |
| 01:19:13 |
THEN SOMEBODY ELSE |
| 01:19:16 |
WELL, |
| 01:19:18 |
HE KEPT COMING |
| 01:19:19 |
NO. HE, UH... |
| 01:19:21 |
HE CALLS ONE MORE TIME |
| 01:19:25 |
AND HE WANTS TO THANK ME |
| 01:19:29 |
AND THEN HE, UH-- |
| 01:19:31 |
HE SAID IF I TRIED TO |
| 01:19:32 |
FROM WHAT HE'D DONE, |
| 01:19:35 |
HE'D HAVE ME KILLED. |
| 01:19:39 |
YOU GOT A NAME |
| 01:19:41 |
UH, YEAH. |
| 01:19:44 |
SOUNDS LIKE OUR MAN. |
| 01:19:47 |
??[Dramatic music] |
| 01:19:48 |
[Siren] |
| 01:20:36 |
LIEUTENANT, |
| 01:20:37 |
O.K. IT'S CLEAR. |
| 01:20:39 |
THERE'S NOBODY |
| 01:20:41 |
PERIMETER PEOPLE, |
| 01:20:52 |
MISSED HIM AGAIN. |
| 01:20:54 |
HEY. |
| 01:20:56 |
WE'LL BE THERE, RAY-- |
| 01:21:01 |
DOESN'T LOOK LIKE |
| 01:21:25 |
RAYMOND. |
| 01:21:39 |
I'M GOING TO GET |
| 01:21:45 |
[Starts tape player] |
| 01:21:48 |
[Delour on tape] |
| 01:21:50 |
YOU'VE GOTTEN THIS FAR, |
| 01:21:53 |
ANDERSON. |
| 01:21:55 |
[Reporters asking questions] |
| 01:21:59 |
SHE'S NOT IN THERE. |
| 01:22:00 |
NO, |
| 01:22:06 |
HE LEFT A TAPE |
| 01:22:09 |
[Reporter] |
| 01:22:13 |
UPSTAIRS. |
| 01:22:29 |
WE'LL BE OUTSIDE. |
| 01:22:34 |
COME ON. |
| 01:22:36 |
[Delour on tape] |
| 01:22:39 |
YOU'VE GOTTEN THIS FAR, |
| 01:22:43 |
IT WAS TIME. |
| 01:22:46 |
I'M NOT SURE |
| 01:22:50 |
HOW TO WRAP IT ALL UP |
| 01:22:55 |
I--I'M VERY SORRY |
| 01:22:59 |
BUT YOU GOT SO MUCH |
| 01:23:02 |
YOU MUST HAVE KNOWN |
| 01:23:04 |
??[Sad music] |
| 01:23:07 |
WHEN I'VE MADE MY MIND UP |
| 01:23:12 |
OH, AND PLEASE SPELL |
| 01:23:14 |
ALAN WITH ONE "L," |
| 01:23:16 |
DELOUR, D-E-L-O-U-R. |
| 01:23:22 |
THANKS FOR EVERYTHING. |
| 01:23:44 |
??[Dramatic music] |
| 01:24:14 |
HEY, COULD I HAVE |
| 01:24:21 |
[Telephone rings] |
| 01:24:25 |
[Telephone rings] |
| 01:24:28 |
[Alan] |
| 01:24:29 |
WHAT'S THE MATTER, |
| 01:24:31 |
NOBODY ELSE |
| 01:24:33 |
WOULDN'T YOU LIKE |
| 01:24:38 |
IS SHE ALIVE? |
| 01:24:40 |
SHE'S RIGHT HERE |
| 01:24:43 |
S |
| 01:24:45 |
ELLIS HAMMOCK, |
| 01:24:51 |
I'LL TRADE HER |
| 01:24:55 |
AND DON'T |
| 01:24:57 |
THEY'LL JUST RUIN IT |
| 01:24:59 |
BYE. |
| 01:25:04 |
[Thunder] |
| 01:25:13 |
??[Dramatic music] |
| 01:25:58 |
GO! |
| 01:26:02 |
[Policeman] |
| 01:26:08 |
OVER HERE. |
| 01:26:36 |
[Policeman] OVER HERE |
| 01:26:42 |
STRAIGHT AHEAD. |
| 01:26:44 |
WE'VE MADE CONTACT |
| 01:26:47 |
YOU TWO, |
| 01:26:48 |
YOU, COME WITH ME. |
| 01:27:00 |
[Gunshots] |
| 01:27:15 |
[Ray] |
| 01:27:22 |
[Shouting over wind] |
| 01:27:30 |
YOU COWARD, ANDERSON! |
| 01:27:32 |
YOU COULDN'T DO |
| 01:27:36 |
I TOLD YOU NOT TO BRING |
| 01:27:39 |
IT'S OVER! YOU CAN'T |
| 01:27:42 |
I DIDN'T WANT TO! |
| 01:27:44 |
YOU AND ME, MALCOLM! |
| 01:27:47 |
YOU CAN HAVE THAT! |
| 01:27:50 |
! |
| 01:27:52 |
YOU RUINED EVERYTHING! |
| 01:27:55 |
WHERE IS SHE, ALAN? |
| 01:27:57 |
IT'S TOO LATE! |
| 01:28:01 |
GODDAMN YOU, |
| 01:28:04 |
GODDAMN YOU TO HELL! |
| 01:28:16 |
ALAN! |
| 01:28:18 |
[Gunshot] |
| 01:28:27 |
ALAN! |
| 01:28:32 |
CHRISTINE! |
| 01:28:35 |
??[Dramatic music] |
| 01:28:59 |
WHERE IS SHE? |
| 01:29:02 |
MAL! |
| 01:29:04 |
MAL, HE'S DEAD! |
| 01:29:07 |
THEY FOUND HER! |
| 01:29:08 |
WHERE? |
| 01:29:10 |
SHE'S O.K. |
| 01:29:13 |
GET HIM OUT OF THERE. |
| 01:29:17 |
MOVE HIM! |
| 01:29:21 |
STAY HERE. I DON'T WANT |
| 01:29:26 |
DAMN IT! |
| 01:29:32 |
??[Soft music] |
| 01:30:34 |
[Reporter] HEY, MAL! |
| 01:30:36 |
[Reporters asking questions] |
| 01:31:06 |
DID YOU LET HIM |
| 01:31:07 |
LISTEN, JERK! |
| 01:31:11 |
IT'S OVER. |
| 01:31:22 |
[Thunder] |
| 01:31:54 |
THAT STUFF STINGS. |
| 01:31:56 |
[Door blows open] |
| 01:31:59 |
[Wind chime ringing] |
| 01:32:03 |
. |
| 01:32:10 |
I'M GOING TO GET |
| 01:32:36 |
[Creaking] |
| 01:32:41 |
[Creak] |
| 01:33:20 |
??[Dramatic music] |
| 01:33:23 |
[Glass shatters] |
| 01:33:25 |
YOU ARE GOING |
| 01:33:27 |
MY FRIEND. |
| 01:33:30 |
WHOSE BODY WAS THAT? |
| 01:33:31 |
NUMBER FIVE. |
| 01:33:33 |
A GOOD LIKENESS, |
| 01:33:36 |
I NEED YOU. |
| 01:33:37 |
SHUT UP. |
| 01:33:39 |
I CAN'T SHUT UP. |
| 01:33:42 |
. |
| 01:33:45 |
SOMEHOW, SOMEWHERE |
| 01:33:48 |
YOU STOLE IT |
| 01:33:49 |
[Christine] |
| 01:33:51 |
[Malcolm] |
| 01:33:54 |
HE'S IN HERE, |
| 01:33:55 |
COME ON. |
| 01:34:01 |
AH! |
| 01:34:04 |
JUST--JUST |
| 01:34:06 |
. |
| 01:34:14 |
WE HAD A GREAT THING |
| 01:34:17 |
IT WAS REALLY WORKING |
| 01:34:19 |
WASN'T IT? |
| 01:34:20 |
IT STILL CAN, ALAN. |
| 01:34:22 |
BUT THEN YOU |
| 01:34:25 |
. |
| 01:34:27 |
YOU BROUGHT IN |
| 01:34:30 |
I THOUGHT WE HAD |
| 01:34:32 |
YOU'RE STILL |
| 01:34:34 |
YOU'RE JUST TALKING |
| 01:34:36 |
GOD, THAT MAKES ME |
| 01:34:39 |
YOU'RE TRYING |
| 01:34:42 |
DON'T YOU THINK |
| 01:34:47 |
T |
| 01:34:49 |
WITH SOME DIGNITY. |
| 01:34:52 |
THEY DIDN'T BEG |
| 01:34:55 |
MALCOLM... |
| 01:34:59 |
THAT DOES |
| 01:35:04 |
DON'T MOVE! |
| 01:35:06 |
I'M NOT GOING ANYWHERE. |
| 01:35:08 |
I'M NOT GOING ANYWHERE. |
| 01:35:09 |
CHRISTINE. |
| 01:35:11 |
[Hysterical] |
| 01:35:14 |
ALL RIGHT, ALAN. |
| 01:35:18 |
SO, WHEN THEY COME |
| 01:35:19 |
WHO GETS TO TELL |
| 01:35:22 |
[Alan] THEY'LL FIND |
| 01:35:24 |
[Malcom] HE WON'T TELL IT |
| 01:35:26 |
HE WON'T UNDERSTAND YOU |
| 01:35:31 |
WE'LL JUST WAIT UNTIL |
| 01:35:34 |
AND THEN WE'LL |
| 01:35:36 |
IT WILL BE ON EVERY |
| 01:35:39 |
I'LL TURN |
| 01:35:40 |
DON'T! |
| 01:35:42 |
THIS IS GOOD FOR YOU, |
| 01:35:45 |
WE GOT THE CAMERA |
| 01:35:48 |
WE GOT LIGHTS. |
| 01:35:51 |
DON'T MOVE! |
| 01:35:52 |
I'M NOT MOVING. |
| 01:35:56 |
ALL WE HAVE |
| 01:35:58 |
??[Dramatic music] |
| 01:36:02 |
[Christine] |
| 01:36:04 |
MALCOLM! |
| 01:36:15 |
MALCOLM! |
| 01:36:23 |
MALCOLM! |
| 01:36:25 |
MALCOLM! |
| 01:36:29 |
MALCOLM! |
| 01:36:58 |
MALCOLM! |
| 01:37:02 |
MALCOLM! |
| 01:37:08 |
MALCOLM! |
| 01:37:24 |
CALL THE POLICE. |
| 01:37:28 |
[Clicking telephone] |
| 01:37:31 |
THE LINE'S DEAD. |
| 01:37:39 |
YOU CAN'T SHOOT ME, |
| 01:37:42 |
THIS IS |
| 01:37:45 |
YOU WOULDN'T PASS UP |
| 01:37:48 |
TELEVISION. |
| 01:37:51 |
YOU NEED AN AUDIENCE. |
| 01:37:53 |
HA! JUST LIKE ME. |
| 01:37:56 |
THIS STORY IS TOO BIG. |
| 01:37:57 |
SHOOT HIM! |
| 01:38:01 |
YOU WON'T SHOOT ME, |
| 01:38:04 |
I'M SAFE. |
| 01:38:07 |
DON'T TAKE ANOTHER-- |
| 01:38:09 |
[Gunshot] |
| 01:38:10 |
[Thud] |
| 01:38:40 |
[Crying] |
| 01:38:45 |
[Typing] |
| 01:38:58 |
YOU DIDN'T PUT |
| 01:39:02 |
[Typing] |
| 01:39:15 |
??[Soft music] |
| 01:39:39 |
I LOVE YOU. |
