Messages Deleted
|
00:00:01 |
VsubV |
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And deleted MESSAGES |
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- Kathy! |
00:01:00 |
- Patrick! |
00:01:03 |
Quick, Patrick! |
00:01:07 |
- Quick, Patrick! |
00:01:10 |
- Please do not let me die. |
00:01:19 |
Come here! |
00:01:22 |
All right! |
00:01:24 |
I do not like, you must |
00:01:29 |
Stay with me! |
00:01:36 |
Over here! |
00:01:41 |
Come! |
00:01:42 |
I do not want to die! |
00:01:56 |
- Get out of here, Tractor! |
00:01:59 |
- I'll shoot and c! |
00:02:16 |
You to your you want to be left |
00:02:30 |
Kathy! |
00:02:33 |
Baby! |
00:02:35 |
Come on, baby! You're all right? |
00:02:40 |
- It is over. |
00:02:43 |
Sure. For now I will come in |
00:02:48 |
Hold on to me, baby! |
00:02:59 |
Stop-you, God! |
00:03:03 |
I beg you, stop yourself! |
00:03:04 |
Or as they say in |
00:03:07 |
Cli and I, with emphasis! |
00:03:12 |
And I equally Cli ... |
00:03:16 |
Your story is about a |
00:03:20 |
who is chased by a bad guy |
00:03:24 |
A and of his name? Tractor? |
00:03:25 |
Who dies in act three, |
00:03:29 |
and whose body disappears |
00:03:32 |
We all say! Good movies |
00:03:36 |
As a great sex party! |
00:03:38 |
And built up |
00:03:41 |
and everyone go home |
00:03:44 |
I like say |
00:03:47 |
- I know, Miss Councel. |
00:03:50 |
- Same as last week. |
00:03:54 |
Expect more from you. |
00:03:58 |
Foundation of a great script, |
00:04:01 |
be found in the main character. |
00:04:04 |
But the character must |
00:04:08 |
I thought that Patrick |
00:04:10 |
Is based on someone you know. |
00:04:12 |
This is great! |
00:04:15 |
But it must be, and plausible. |
00:04:18 |
They would do? |
00:04:21 |
This is a guy named Tracker, |
00:04:25 |
that you killed 14 friends |
00:04:29 |
I threatened with a gun, a 45 |
00:04:33 |
A show of hands who would |
00:04:37 |
But you, Mr Brandt? |
00:04:40 |
Certainly he has and put |
00:04:46 |
A clear and charger in it. |
00:04:48 |
Obviously, not me. |
00:04:50 |
No man of reality, |
00:04:53 |
but if I live in scenario |
00:04:59 |
and kill him. Talk about |
00:05:03 |
And on page 10 of the scenario, |
00:05:06 |
something must happen |
00:05:08 |
to give continuity stories you know. |
00:05:12 |
What happens in the script, |
00:05:15 |
Tractor has a monologue |
00:05:19 |
the social factor of the 21st century. |
00:05:22 |
What? I fell asleep? |
00:05:25 |
Come ... This is not are you! |
00:05:27 |
This is not the girl with red hair as well, |
00:05:30 |
which stands among the four, |
00:05:33 |
This is not are you. |
00:05:35 |
Greatness comes from here, |
00:05:39 |
comes here, |
00:05:40 |
and a little here ... |
00:05:43 |
You know? It is a mixture |
00:05:47 |
You head a great story, |
00:05:49 |
but dies on exit, because |
00:05:56 |
This is the movie |
00:06:00 |
Soon. |
00:06:19 |
Mr Brandt! |
00:06:22 |
- Hi! |
00:06:24 |
Do I put in |
00:06:26 |
Thank you for utul and ass. |
00:06:29 |
Part of being and the job. |
00:06:31 |
If you allow me, I like |
00:06:35 |
but do not know where you have taken. |
00:06:37 |
I am the one eternal no. |
00:06:42 |
It has large pockets and can |
00:06:46 |
Really? |
00:06:48 |
Many of my ideas go on the bottom. |
00:06:51 |
It's a good way |
00:06:53 |
I'm going up to the corner to eat |
00:06:57 |
I thought can you look less |
00:07:00 |
the changes that |
00:07:03 |
As a type, I have other plans yet |
00:07:05 |
and is a little early to me |
00:07:08 |
I refer to some pacheþele |
00:07:11 |
Not intend to do |
00:07:13 |
- Credeaþi that þin me after you? |
00:07:16 |
It's the dumbest thing on |
00:07:20 |
- I'm sorry. |
00:07:24 |
- What? |
00:07:27 |
- I will make a surprise. |
00:07:33 |
It was great! |
00:07:36 |
It was like in movies! |
00:07:38 |
Yes, it is a CLI and I authentic. |
00:07:41 |
Do not you ever sit? |
00:07:43 |
See the cartoons in newspapers! |
00:07:46 |
Stronger than in films. |
00:07:55 |
Shit! |
00:08:16 |
have two messages impiety. |
00:08:19 |
first post. |
00:08:21 |
Mr Brandt is Orin, |
00:08:23 |
's assistant Allan Kent |
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tel. 818.555.0199, |
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agency of L.A. Kanter |
00:08:31 |
I want to return |
00:08:33 |
Please Call. |
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End message. |
00:08:38 |
You, sir, |
00:08:41 |
Joel, Joel ... |
00:08:44 |
A guy wants to kill me. |
00:08:47 |
My name is Jeremy Potter. |
00:08:50 |
My name is Jeremy Potter. |
00:08:51 |
God, |
00:08:54 |
and I have no idea who you are. |
00:08:56 |
not know what's going on, |
00:08:58 |
If you hear me, help me! |
00:09:02 |
Pick up the phone, one to kill me |
00:09:04 |
End message. |
00:09:09 |
Joel, Joel ... |
00:09:11 |
A guy wants to kill me. |
00:09:14 |
My name is Jeremy Potter. |
00:09:17 |
My name is Jeremy Potter ... |
00:09:19 |
- Hello? |
00:09:22 |
- Hey, buddy! |
00:09:25 |
I must admit that |
00:09:28 |
- What message are words? |
00:09:31 |
You left a message on the answering machine. |
00:09:34 |
No, I called. |
00:09:36 |
- Weird ... |
00:09:38 |
- I got a call. |
00:09:41 |
I can not tonight. |
00:09:44 |
- Yes. |
00:09:46 |
- Kemo Sabe! |
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messages deleted. |
00:09:56 |
Someone set the tone. |
00:09:57 |
Therefore, Hollywood is going |
00:10:01 |
and I thought to write |
00:10:04 |
Some programmatic, maybe. |
00:10:07 |
It's the first time |
00:10:11 |
Entirely empty. |
00:10:15 |
What you say, Dad? |
00:10:18 |
Wrote ... |
00:10:20 |
what you know. |
00:10:23 |
I told them and my students, |
00:10:47 |
May want a coffee? |
00:10:52 |
No, thank you, miss. |
00:10:55 |
How goes the writing? |
00:10:58 |
Well. |
00:11:04 |
In fact, I blocked least. |
00:11:07 |
Journal, it says soon |
00:11:11 |
I was kind of dull and |
00:11:15 |
Perhaps you would be |
00:11:25 |
- Come on, Claire ... |
00:11:28 |
Usually go. May þii mind |
00:11:32 |
Four weeks later |
00:11:35 |
Gender did not relate to writing. |
00:11:39 |
You need a break. |
00:11:42 |
Certainly we need a break. |
00:11:46 |
What? |
00:11:49 |
It's just an inspiration failure. |
00:11:51 |
And to me it happens |
00:11:55 |
He has nothing to do with us. |
00:11:57 |
Claire, I talked about this. |
00:12:03 |
- What words are you, anyway? |
00:12:20 |
You start with the body, then muþi |
00:12:25 |
I feel better? |
00:12:28 |
You think you can come to you? |
00:12:32 |
Of course you can. |
00:12:35 |
... fell from |
00:12:37 |
Deceased was 42 years and |
00:12:39 |
- Did you hear? |
00:12:41 |
Name |
00:12:44 |
- Where are we going? |
00:12:47 |
It's the guy who called me. |
00:12:50 |
- You're sure it's him? |
00:12:55 |
Excuse me, are Joel Brandt. |
00:12:58 |
I take. |
00:13:01 |
Lavery is detected. |
00:13:02 |
What's his name the guy who |
00:13:05 |
I can not discuss the case, sir. |
00:13:08 |
The reporter said Jeremy Potter. |
00:13:13 |
I'm sorry, Mr Brandt. |
00:13:15 |
We got all night to disposal. |
00:13:17 |
I think the one who died |
00:13:20 |
I know and teaþi? |
00:13:22 |
There I met in my life |
00:13:24 |
- You left him on the answering machine? |
00:13:27 |
- We listen to the message? |
00:13:32 |
- No? |
00:13:34 |
No? |
00:13:37 |
I said that is a farce and i. .. |
00:13:40 |
When I heard the first time, |
00:13:43 |
then I thought it buddy |
00:13:47 |
And now, the guy fell from |
00:13:50 |
The guy was already dead when |
00:13:54 |
Probably died three |
00:13:58 |
- What time you called? |
00:14:02 |
You live nearby, Mr Brandt? |
00:14:06 |
No. |
00:14:08 |
- Do you work here? |
00:14:10 |
Claire works at cafe |
00:14:13 |
What can you busy? |
00:14:15 |
I screenwriter. |
00:14:17 |
Really? |
00:14:20 |
- May have something to tell us? |
00:14:23 |
Yes, I saw something. |
00:14:26 |
- The company which has floor ... |
00:14:29 |
Detective Breedlove |
00:14:32 |
We will call you, Mr Brandt. |
00:14:36 |
- How do you spell your name? |
00:14:42 |
- Do you want Chinese food? |
00:14:46 |
You have one unheard message |
00:14:49 |
What are you doing? |
00:14:50 |
Check, if you did you did it yourself. |
00:14:54 |
You can not come to my house |
00:14:58 |
Joel are Millie, in your class. |
00:15:01 |
I wanted to thank you |
00:15:04 |
You out of the impasse. |
00:15:05 |
I felt and how I muscle that |
00:15:09 |
Message deleted. |
00:15:11 |
Why did you do that? |
00:15:12 |
It's just a student, and a little toaicã. |
00:15:16 |
Says now |
00:15:22 |
About it was that? |
00:15:25 |
Someone else? |
00:15:27 |
I told you. |
00:15:29 |
I struggle to know who they are in life. |
00:15:32 |
I struggle with writing. |
00:15:34 |
I struggle with the fact that you |
00:15:38 |
Whatever you are trying to tell me ... |
00:15:42 |
I must say tonight? |
00:15:45 |
- Yes. |
00:15:51 |
May you know when you said that you had |
00:15:55 |
I just expected to be |
00:15:58 |
I keep looking after pinching |
00:16:04 |
- Now what? |
00:16:08 |
I wrote a kissing scene already. |
00:16:11 |
I like. |
00:16:19 |
I do not want us separated, Joel. |
00:16:50 |
I thought you left home. |
00:16:52 |
I was watching the file |
00:16:56 |
By Monday evening, when Sally |
00:17:00 |
go out with boys at the corner bar. |
00:17:06 |
You know you. Some glasses, |
00:17:09 |
Changed less air. |
00:17:11 |
- I deal with emotional life. |
00:17:15 |
- I love my work. |
00:17:18 |
Without sense of humor, |
00:17:21 |
There you have left than instincts. |
00:17:24 |
You're like your father. |
00:17:27 |
What you want, Breedlove? |
00:17:29 |
My neighbor ... |
00:17:31 |
E firefighter. |
00:17:34 |
If I stay my cat |
00:17:37 |
Do not say that I tried. |
00:17:40 |
You took Brandt's statement? |
00:17:43 |
- Yes. |
00:17:45 |
E screenwriter. Ã knew they had |
00:17:51 |
- Check it still i. |
00:17:53 |
Invitation remains valid. |
00:17:59 |
Act one is the first |
00:18:02 |
There it all began. |
00:18:06 |
The Wizard of Oz, Dorothy |
00:18:09 |
knows a few guys |
00:18:12 |
In Star Wars, Skywalker |
00:18:16 |
is helped by Obi-Wan Kenobi, |
00:18:18 |
and six films later |
00:18:20 |
- Hitchcock ... |
00:18:23 |
He's right. |
00:18:25 |
Hitchcock would kill someone. |
00:18:29 |
I got it, but the hero? |
00:18:32 |
Again, the hero is not the same |
00:18:36 |
At the end of the first act, |
00:18:42 |
Something that they change lives. |
00:18:46 |
It ... |
00:18:48 |
Sorry. From that moment |
00:18:52 |
I did it respond to your |
00:19:11 |
Number unknown. |
00:19:20 |
Hello? |
00:19:23 |
If I'm the one you Looking, |
00:19:29 |
Hello, you hear? |
00:19:32 |
May call me once, that we hear! |
00:19:38 |
Shit! |
00:19:41 |
God! |
00:19:45 |
And you have me scared. |
00:19:46 |
Had come to leave manuscripts |
00:19:50 |
I'm going to eat. |
00:19:52 |
Do you leave my keys. |
00:19:55 |
- I was in the park are. |
00:20:00 |
I know, the protagonist, |
00:20:04 |
Do not forget to lock. |
00:20:16 |
Good morning! |
00:20:22 |
Talk to me |
00:20:25 |
Trust me, if your class police. |
00:20:28 |
Type is dead, I have no leads, |
00:20:32 |
Type called me and left me |
00:20:37 |
Give few dubloni for |
00:20:40 |
What? |
00:20:41 |
Someone should be |
00:20:44 |
You dropped a shell! |
00:20:45 |
- Be nice to him. |
00:20:48 |
People knew destroy ã |
00:20:51 |
If we were after me, |
00:20:53 |
How can you temper that guy? |
00:20:55 |
- Write something now? |
00:20:59 |
E as Kilimanjaro, |
00:21:03 |
Baga and some sex. |
00:21:06 |
Preferably lesbian. |
00:21:10 |
- May you and nothing in your head? |
00:21:13 |
- You know what you would be? |
00:21:15 |
And that, no. |
00:21:17 |
I wanted to tell you that if |
00:21:20 |
I have a cabin in the mountains. |
00:21:23 |
This is exactly what you need. |
00:21:26 |
- What's mine and yours. |
00:21:29 |
It's a rag. |
00:21:32 |
I sell a script until you see. |
00:21:35 |
Adam, are not realistic. |
00:21:37 |
That does not mean |
00:21:39 |
Gorge! Do not say |
00:21:42 |
Adam, Millie, Millie, Adam. |
00:21:44 |
Adam is my friend, agent |
00:21:48 |
- Student service. |
00:21:52 |
And I think I have seen |
00:21:55 |
A and E. I had come to pick |
00:21:59 |
And last week |
00:22:01 |
In fact, I'm Lonely Cãlãreþul, |
00:22:04 |
- No, you are Tonto. |
00:22:07 |
- Jill ... |
00:22:09 |
No matter. This is the book |
00:22:13 |
- This is the name of conspiracy? |
00:22:16 |
Very well, sir Brickles! |
00:22:19 |
- Goodbye, Mr Brandt! |
00:22:22 |
- Stop looking so her! |
00:22:27 |
You say good of you girls |
00:22:30 |
- Some cookies and would fit. |
00:22:36 |
How about you? |
00:22:39 |
Her name is Claire. We are together |
00:22:43 |
And I am a worm |
00:22:46 |
I have to go. |
00:22:49 |
Good day! Good luck! |
00:23:01 |
You have three messages impiety. |
00:23:05 |
first post. |
00:23:08 |
Joel, I am |
00:23:10 |
I got a role |
00:23:14 |
You play the role of doctor. |
00:23:16 |
Shit! |
00:23:17 |
Doctor, someone just |
00:23:20 |
The second message. |
00:23:23 |
Mr Brandt, are detected Breedlove. |
00:23:27 |
Search your a hobby, Breedlove! |
00:23:29 |
third message. |
00:23:31 |
Joel, threatening me with death. |
00:23:33 |
have to come here. |
00:23:35 |
you do not know any. |
00:23:38 |
are at 32,112, Kell Street. |
00:23:41 |
Kell ... Kell ... |
00:23:44 |
Kell ... |
00:23:46 |
Kell. |
00:23:48 |
Kell, Kell, Kell ... |
00:23:50 |
Fri! Fri! |
00:23:52 |
Excuse me! |
00:23:55 |
- What the fuck? |
00:23:58 |
Shit! |
00:24:01 |
911? Shit! |
00:24:09 |
Myrna Chang. |
00:24:19 |
Hey, you! What is her name? |
00:24:23 |
- Do not know yet. Are you neighbor? |
00:24:26 |
Can I ask a few questions? |
00:24:29 |
Myrna a name? |
00:24:31 |
- Turn the camera. |
00:24:34 |
Sugeraþi that would have any |
00:24:38 |
- Sir? |
00:24:40 |
- Kinda weird that you're here. |
00:24:43 |
- Let's hear the story, Mr screenwriter. |
00:24:48 |
Multiple stabbing |
00:24:52 |
Facial bruises ... |
00:24:57 |
Tweezers ... |
00:25:12 |
What am I doing here? |
00:25:19 |
Look what the cat caught! |
00:25:23 |
Look at that! |
00:25:25 |
It seems a cookie |
00:25:28 |
- "Rich, poor, heaven and etor, thief." |
00:25:33 |
You know something about it? |
00:25:38 |
- What time you get my message? |
00:25:40 |
- And where you were? |
00:25:42 |
I have the right to a phone. |
00:25:44 |
Are not arrested. |
00:25:46 |
- I know right, thank you. |
00:25:49 |
- Tell me what rights you have! |
00:25:52 |
No! Suiþi in your car! |
00:25:57 |
Are called Miranda rights. |
00:25:59 |
You have the right to remain silent, |
00:26:02 |
you are entitled to a phone. |
00:26:03 |
You have the right to remain silent. |
00:26:06 |
not have any message. |
00:26:10 |
But I deleted the messages. |
00:26:14 |
You're a guy looking. |
00:26:15 |
Do not understand? Someone came |
00:26:18 |
There is no evidence of penetration by |
00:26:22 |
Yes. My friend Claire |
00:26:27 |
Look, Bonnie and Clyde! |
00:26:30 |
- They work somewhere? |
00:26:33 |
and Claire's Actress. |
00:26:37 |
Your friend has access to messages? |
00:26:40 |
Honestly, not too |
00:26:44 |
It's my ex-boyfriend. |
00:26:47 |
As relations with Myrna Chang you were? |
00:26:49 |
- I have met in my life. |
00:26:54 |
I knew none of the victims. |
00:26:57 |
All I have called and asked me |
00:27:00 |
Can I take this? |
00:27:07 |
Yes. |
00:27:10 |
I ate food |
00:27:22 |
You lucky it's not red! |
00:27:25 |
You are equally important |
00:27:29 |
That scares me and. |
00:27:31 |
If it decides your murderers You |
00:27:35 |
Excuse me, not without warrant! |
00:27:37 |
You can monitor phone |
00:27:42 |
- I volunteered. |
00:27:44 |
Gain of scenarios you bread? |
00:27:48 |
Try. I and Professor |
00:27:53 |
- What predaþi? |
00:27:58 |
Make me understand! |
00:28:01 |
We take people's money |
00:28:03 |
Why are not you |
00:28:05 |
Remember my phone number. |
00:28:11 |
- The one thing you're right. |
00:28:15 |
These random crimes |
00:28:20 |
Senseless murder ... |
00:28:24 |
- It is a rubber gun. |
00:28:33 |
Senseless crime. |
00:28:55 |
Senseless crime. |
00:29:04 |
"The woman was thrown from the window." |
00:29:06 |
Jack þipete go by and find one on |
00:29:11 |
Jack Powell ... |
00:29:15 |
Jeremy Potter ... |
00:29:18 |
"Detective lean |
00:29:21 |
"The woman had been stabbed |
00:29:24 |
"As pernuþã a needle." |
00:29:26 |
"The crimes continued ..." |
00:29:29 |
"The next day morning." |
00:29:33 |
God ... |
00:29:38 |
BC's murderers and fun of writer |
00:29:42 |
The question is why? |
00:29:45 |
It is a good track, but ... |
00:29:48 |
I do not know what the purpose. |
00:29:53 |
Write what you know. |
00:29:57 |
You can enter threat |
00:30:02 |
Must be linked with the hero. |
00:30:06 |
- Protagonist. |
00:30:07 |
- Protagonist. |
00:30:11 |
The evolution of the protagonist. |
00:30:12 |
During the film can be |
00:30:16 |
such as an explosion, but if |
00:30:22 |
you lose the audience, which |
00:30:27 |
Ideal would be to his story. |
00:30:30 |
- Or her story. |
00:30:34 |
It ... |
00:30:37 |
a simple equation ... |
00:30:40 |
and i. .. |
00:30:48 |
It is our duty, |
00:30:52 |
to externalize inner evolution. |
00:30:56 |
- Questions? |
00:31:00 |
Yes, detective? |
00:31:05 |
If the character he has |
00:31:08 |
Do not understand. |
00:31:10 |
If he has a conscious memory |
00:31:13 |
It is possible that the subconscious to them |
00:31:18 |
Sugeraþi it's possible that |
00:31:21 |
and to not remember anything and more? |
00:31:23 |
I think this is a kind of abuse |
00:31:26 |
to absolve him of any blame. |
00:31:29 |
And not as Hitchcock's. |
00:31:33 |
Pattern of halving |
00:31:36 |
A serial killer. |
00:31:38 |
What would have to take five minutes rest? |
00:31:40 |
Mrs. detective, if you want to |
00:31:46 |
What the heck do? |
00:31:50 |
Explain me something! |
00:31:52 |
If you panda's murderers and expect |
00:31:56 |
as may be the place |
00:31:59 |
It's simple. |
00:32:00 |
Kill someone, salt in |
00:32:03 |
and prices of coffee, |
00:32:05 |
time that I stand |
00:32:08 |
You all one explanation. |
00:32:11 |
- Trying. |
00:32:15 |
Because it is real life. |
00:32:17 |
- You do not have to make sense. |
00:32:21 |
If victims are chosen randomly, |
00:32:28 |
I say if you would be |
00:32:33 |
Crime meaningless, |
00:32:36 |
Why did he and hide something, |
00:32:39 |
- Do not know. |
00:32:42 |
- Of course. |
00:32:46 |
Did you come up and ask |
00:32:51 |
- Are accused? |
00:32:53 |
But you are on the list of suspects, |
00:32:56 |
and we want you out |
00:32:58 |
- I Put the lie detector? |
00:33:03 |
- Get there in one hour. |
00:33:11 |
I never liked my story. |
00:33:13 |
Do not you worry. |
00:33:19 |
Really? |
00:33:33 |
- I heard that you are screenwriter. |
00:33:37 |
Interesting. |
00:33:39 |
I always wondered if |
00:33:44 |
Almost. |
00:33:47 |
- It's too tight? |
00:33:49 |
It said that you correctly identify |
00:33:53 |
It's just an expression used on TV. |
00:33:56 |
- Write detective? |
00:33:59 |
Gain Probably more so |
00:34:03 |
Scenario is true only |
00:34:06 |
- We start the test? |
00:34:09 |
So join the criminal mind, |
00:34:15 |
Perhaps you feel very strong. |
00:34:17 |
We start with simple questions? |
00:34:20 |
What is your name when you were born, |
00:34:23 |
- You culcaþi the goats, Mr Brandt? |
00:34:27 |
Let's begin! |
00:34:32 |
Are you frustrated that your father |
00:34:37 |
He was a publicist, right? |
00:34:45 |
Not really understand. |
00:34:47 |
You feel guilty for death |
00:34:52 |
It was the opera singer, right? |
00:34:59 |
This is not a test |
00:35:03 |
However, it is not permissible in court. |
00:35:05 |
Just trying to |
00:35:09 |
Try to understand me? |
00:35:15 |
Take this stuff off me! |
00:35:19 |
- What you are? Psychiatrist? |
00:35:23 |
What does that mean? |
00:35:25 |
Believe that kill people |
00:35:28 |
By the way, you just killed someone. |
00:35:32 |
I left you a message, |
00:35:35 |
- That you închipuiþi you do? |
00:35:39 |
Have any evidence as to |
00:35:42 |
- Yes. |
00:35:48 |
It worked well. |
00:35:50 |
- Why did you sorry, Mr Brandt? |
00:35:54 |
No matter what you are involved, |
00:35:56 |
you have told us that two foreign |
00:36:01 |
I'm the one with no imagination. |
00:36:03 |
If I apropiaþi me |
00:36:06 |
give you to court for |
00:36:09 |
I've heard that CLI and ego. |
00:36:11 |
You know something? |
00:36:13 |
Section The whole this is a cli and me. |
00:36:16 |
This is the panel with people looking for? |
00:36:21 |
Look and a whore! |
00:36:23 |
In five seconds we all |
00:36:27 |
Not to put out |
00:36:31 |
- You can be more original. |
00:36:36 |
So far trying to find exit. |
00:36:41 |
Bon voyage! |
00:36:43 |
Do not understand me wrong, but |
00:36:48 |
To quiet your tea, |
00:37:04 |
Adam, can we meet? |
00:37:12 |
Too fat. I like fat, |
00:37:16 |
May tracks the me once, right? |
00:37:19 |
In my scenario, |
00:37:21 |
are students and taxi driver |
00:37:25 |
Yes, you hear! |
00:37:27 |
Jeremy Potter actually died |
00:37:30 |
then Myrna Chang |
00:37:33 |
If my assassin |
00:37:36 |
next victim will be ... |
00:37:39 |
Keeper of the zoo, |
00:37:41 |
You've read the script twice. |
00:37:44 |
And if you've watched the killer, |
00:37:46 |
how to make it not |
00:37:49 |
You can not. |
00:37:50 |
If it would still have |
00:37:53 |
In this part of the film, it's murderers |
00:37:57 |
All thrillers are a and a. |
00:37:59 |
Mine wanted to be more |
00:38:02 |
The public does not care about that. |
00:38:04 |
In a way I did to catch |
00:38:06 |
Look, I am convinced that |
00:38:09 |
Look at you, you look like hell. |
00:38:12 |
- I have to go to a meeting. |
00:38:15 |
It's midnight. |
00:38:18 |
Yes. When you finish |
00:38:20 |
- You understand that's my advice? |
00:38:23 |
I think you and I write a script. |
00:38:27 |
Then why are there |
00:38:31 |
Listen, |
00:38:33 |
if uses are for printing |
00:38:36 |
all crimes in a random manner, |
00:38:40 |
You can not do anything |
00:38:44 |
- Only if ... |
00:38:47 |
Unless your wants murderers |
00:38:52 |
- Kemo Sabe! |
00:38:56 |
Yes. I'll call, right? |
00:39:10 |
"If you like something, |
00:39:24 |
- Thanks! May poftiþi on us! |
00:39:57 |
- Hello? |
00:39:59 |
- Joel's there? |
00:40:02 |
Who is? |
00:40:05 |
Sergeant Rivers. |
00:40:07 |
- Where did you get this number? |
00:40:11 |
I want to talk to him. |
00:40:14 |
If you do not live here, kill me. |
00:40:17 |
I will come. |
00:40:19 |
Street 10, nr.96. |
00:40:22 |
Street 10, nr.96. Not far. |
00:40:26 |
Clad building. |
00:40:27 |
Street 10, nr.96, clad building. |
00:40:31 |
- Do not bring police! |
00:40:33 |
Say they come soon! |
00:40:35 |
96 ... Shit! |
00:40:41 |
Excuse me, I need the car! |
00:40:44 |
Sorry, sir, |
00:40:47 |
Do I go on the street 10. |
00:40:50 |
No way. I ordered. |
00:40:53 |
Do you give 100 dollars! |
00:40:55 |
Me to wait five minutes |
00:41:00 |
I can not expect. |
00:41:02 |
Call her the detective Lavery. |
00:41:05 |
Tell him to come as it can |
00:41:08 |
That makes more than $ 100. |
00:41:11 |
You have scruples? |
00:41:14 |
70 is all I have in my wallet. |
00:41:19 |
- Yes. I'm your man |
00:41:29 |
No, no, no ... |
00:42:11 |
Sergeant? |
00:42:21 |
Jesus! Forgive me, man! |
00:42:24 |
Forgive me! For a second, |
00:42:28 |
- Are you Joel? |
00:42:31 |
- Where is it? |
00:42:33 |
He ran out the door. |
00:42:37 |
- I never saw when I went. |
00:42:41 |
It's common roof |
00:42:43 |
I hit quite sturdy. |
00:42:47 |
All right. |
00:42:49 |
- Where's the phone, to call the police? |
00:42:52 |
A call to the cell. |
00:42:54 |
You sign here, because |
00:42:58 |
We have to get off |
00:43:03 |
- You saw what he looks like? |
00:43:08 |
I woke up with a gun in front. |
00:43:12 |
Okay, Sarge. Stay here |
00:43:15 |
Well. |
00:43:17 |
I will bring you some ice, |
00:43:26 |
Detective Lavery? |
00:43:30 |
I want to find him and to say |
00:43:34 |
and to send a team |
00:43:39 |
the building board on |
00:43:43 |
Let us say that we reached in May |
00:43:46 |
and that I saved the guy. |
00:43:50 |
Come on! Damn! |
00:43:53 |
May tell them to send |
00:43:56 |
if the guy gets in shock. |
00:43:58 |
No, wait on the phone |
00:44:07 |
Sergeant! |
00:44:16 |
Come on! |
00:44:20 |
Sir? |
00:44:23 |
Listen ... |
00:44:27 |
It's too late, he died! |
00:44:32 |
No. No, no, no! |
00:44:39 |
Shit! |
00:44:48 |
Over here! |
00:44:52 |
I'm sorry. |
00:44:53 |
I did nothing. |
00:44:59 |
Quick! He took the stairs! |
00:45:15 |
On the fire escape! |
00:45:23 |
Where did it go? |
00:45:29 |
- You see? |
00:46:05 |
Claire! |
00:46:08 |
- Claire! |
00:46:12 |
No. There are not good. |
00:46:16 |
- Do not they arrested? |
00:46:20 |
Police came to the cafe |
00:46:23 |
- So what you have said? |
00:46:26 |
He said that you have invented all |
00:46:29 |
No! I know from You! |
00:46:33 |
He tried to make me |
00:46:37 |
What? |
00:46:41 |
What happened? |
00:46:43 |
I just saw a man. |
00:46:47 |
Was upon me. |
00:46:49 |
- I want to go. |
00:46:52 |
- No! |
00:46:55 |
None of this makes sense! |
00:46:57 |
Why do people call you |
00:47:01 |
I do not know! |
00:47:03 |
Here's my suspicion. |
00:47:07 |
And now trying to scare me, |
00:47:10 |
or to make it appear that I |
00:47:24 |
Hello? |
00:47:25 |
Why do people call you |
00:47:30 |
Why do people call you |
00:47:37 |
Shit! |
00:47:46 |
Hello? |
00:47:48 |
Someone read the script. |
00:47:51 |
Someone read the script. |
00:47:54 |
We recorded. |
00:47:57 |
Why do this? |
00:48:00 |
Have fun listening to the world? |
00:48:04 |
Want to do a kind of ... |
00:48:09 |
Joel, how are you? |
00:48:15 |
Why? |
00:48:19 |
You want to put all this |
00:48:23 |
It is a world |
00:48:29 |
To tell you something ... |
00:48:32 |
It's not my film. |
00:48:34 |
If you call me, |
00:48:46 |
Go! |
00:48:49 |
Do not go anywhere with you! |
00:48:52 |
Quiet! We listen! |
00:48:55 |
It is the building across the street. |
00:48:58 |
Third floor, second window. |
00:49:00 |
Hi, Claire, leave message |
00:49:02 |
I will kill you |
00:49:04 |
All right. Quiet! |
00:49:08 |
- You have a gun? |
00:49:11 |
- But a knife? |
00:49:15 |
- All right. Go and take the knife! |
00:49:21 |
Adam. Adam ... |
00:49:25 |
Come on, buddy, reply! |
00:49:33 |
'm Adam, leave message. |
00:49:36 |
Adam, come to Claire |
00:49:39 |
Do not talk to anybody! |
00:49:41 |
Come here, I need you! |
00:49:44 |
I called Adam, one to come. |
00:49:46 |
After you leave, lock the door after me! |
00:49:48 |
Not open than |
00:49:51 |
Both! We two! |
00:49:53 |
All right, sweetie. |
00:49:57 |
I have to go. |
00:50:22 |
That was seen Brandt. |
00:50:26 |
- When his girlfriend? |
00:50:53 |
Do not kill! |
00:51:17 |
What you want from me? |
00:51:20 |
Well? |
00:51:23 |
Tell me! |
00:51:25 |
Tell me! I want to understand! |
00:51:42 |
Not ... |
00:52:36 |
Police! |
00:52:42 |
Skip to earth! |
00:52:46 |
What the hell Looking here? |
00:52:49 |
I'm Adam Brickles. |
00:53:47 |
Stop me |
00:53:56 |
We take this to the laboratory, |
00:54:01 |
- I just talked to her afternoon. |
00:54:07 |
- Who did this, have great hatred. |
00:54:11 |
I doubt, |
00:54:14 |
I will kill you |
00:54:18 |
It's our lad. |
00:54:22 |
Go ahead and ãciosului pi! |
00:54:25 |
Well. |
00:55:02 |
- You can not stay all night. |
00:55:06 |
- No trace of him? |
00:55:09 |
He managed to escape, |
00:55:11 |
E. Do not I thought and I. |
00:55:12 |
Tracks the one scenario |
00:55:17 |
The script did was never done, |
00:55:20 |
Senseless crime. |
00:55:22 |
- We can get a copy? |
00:55:24 |
So far, we have sent |
00:55:27 |
What comments? |
00:55:28 |
A comment about the script |
00:55:32 |
Important is the subject. |
00:55:35 |
A killer set about doing |
00:55:38 |
Look what it says here! |
00:55:40 |
"This scenario, |
00:55:42 |
"based on ideas taken from |
00:55:45 |
"should be rewritten if a |
00:55:48 |
"would be a good material for |
00:55:51 |
"I recommend scenario, provided |
00:55:54 |
"Writing is the amateur level, |
00:55:58 |
Reading it, understand why it was |
00:56:01 |
Without record, parents despãrþiþi, |
00:56:04 |
childhood isolated |
00:56:06 |
50% of the population is of and a. |
00:56:09 |
Maybe frustrations of life |
00:56:15 |
And I was suddenly grabbed |
00:56:17 |
It's just a psychopath Script |
00:56:52 |
- Millie! |
00:56:55 |
- What was that? |
00:56:59 |
I'm sorry. |
00:57:01 |
- You know better. |
00:57:04 |
Except that beat me |
00:57:12 |
What Looking here? |
00:57:14 |
I said you can come |
00:57:17 |
- At midnight? |
00:57:21 |
- What do you here? |
00:57:24 |
I reorganized the whole office, |
00:57:27 |
It is a scenario |
00:57:31 |
- Crime without respect? |
00:57:33 |
I have a copy home, but not |
00:57:37 |
- I gave the wife out? |
00:57:39 |
- You supãraþi if you say something? |
00:57:43 |
I know you have sold |
00:57:45 |
- I think it's so good. |
00:57:48 |
I read it several times |
00:57:50 |
have little effect, all those |
00:57:53 |
In everyday life it happens. |
00:57:56 |
No. In real life |
00:57:58 |
- That 'Do you imagine you. |
00:58:04 |
Original? |
00:58:08 |
deleted messages, |
00:58:12 |
Pretty good, huh? |
00:58:15 |
I see why you have copied from him. |
00:58:17 |
Þin to tell you that I do not remember |
00:58:24 |
In May he was and record it. |
00:58:27 |
"Dear Mr Brandt," |
00:58:29 |
"I sent a check for $ 45" |
00:58:31 |
"and wait for your answer |
00:58:34 |
- "I hope to meet you personally." |
00:58:37 |
- Your answer? |
00:58:42 |
"To be honest with you, |
00:58:46 |
I wrote these notes. |
00:58:50 |
- God ... It Reimer! |
00:58:54 |
What's happening? |
00:58:58 |
Do you can say something? |
00:59:01 |
Yes. |
00:59:03 |
All crimes of scenario |
00:59:06 |
Last night I saw |
00:59:10 |
- Must Call the police! |
00:59:15 |
Police believe that I am. |
00:59:18 |
They brought a psychiatrist and I and |
00:59:22 |
- Your friend was murdered? |
00:59:27 |
Just like his hero Reimer, |
00:59:31 |
Look! |
00:59:35 |
"Jack saw behind Chelsea |
00:59:39 |
Just so it was. |
00:59:40 |
Jack escape the phone, began to |
00:59:43 |
He and the happened? |
00:59:45 |
"Chelsea, Chelsea, God ..." |
00:59:47 |
Just so happened last night. |
00:59:49 |
Yesterday, after Myrna Cheng |
00:59:51 |
I did it to them we take an interview |
00:59:55 |
- You apartment? |
00:59:58 |
Let's go to you! |
01:00:01 |
Let's go! |
01:00:04 |
Now we present the interview. |
01:00:06 |
- Do you have any connection with the victim? |
01:00:09 |
You can look by the Board, sir? |
01:00:13 |
Take me room |
01:00:21 |
Joel! |
01:00:28 |
Here. Come! |
01:00:52 |
- This place is great! |
01:00:56 |
- Want a beer? |
01:01:03 |
Who is this guy? |
01:01:06 |
No. |
01:01:07 |
I bought it to a |
01:01:09 |
Rama I put it later. |
01:01:15 |
How did you decide |
01:01:18 |
I love to tell stories |
01:01:23 |
Because of this we in trouble |
01:01:27 |
Yes. Want to know what |
01:01:31 |
That happened. |
01:01:34 |
- God ... |
01:01:37 |
I did a stupid. |
01:01:39 |
I tried to run away from |
01:01:42 |
I broke a window with your hands |
01:01:45 |
- You tried to escape? |
01:01:49 |
But everything is in the past. |
01:01:56 |
Somewhat. |
01:02:03 |
Let's go back to the scenario. |
01:02:06 |
We give string of events. |
01:02:09 |
- It is obvious that the type and UCAR. |
01:02:13 |
- You tried to steal the script. |
01:02:17 |
Perhaps the subconscious we have taken |
01:02:21 |
and I entered the mine, |
01:02:24 |
In his scenario, |
01:02:25 |
is a classical turning point. |
01:02:28 |
From that point, |
01:02:31 |
following four |
01:02:34 |
protagonist, who assume that I am, |
01:02:38 |
That is losing contact |
01:02:41 |
But a meet and get the girl. |
01:02:43 |
The help you. |
01:02:46 |
Like the Tin Man. |
01:02:48 |
Only that it is stronger |
01:02:52 |
Do not you find it a little odd? |
01:02:55 |
The character of ... |
01:02:57 |
the scenario is called Jill. |
01:03:02 |
This is great! It's as if |
01:03:06 |
But not a movie. |
01:03:08 |
Real people die. |
01:03:11 |
It ... |
01:03:17 |
- I think we should go. |
01:03:19 |
I just lost the final act. |
01:03:21 |
Always a reversal of |
01:03:24 |
- I know ... |
01:03:28 |
Stay with me tonight. |
01:03:43 |
I'll sleep on the couch. |
01:03:46 |
On the couch ... |
01:04:08 |
Good morning! |
01:04:10 |
- What time is it? |
01:04:12 |
- On how to get up? |
01:04:17 |
All say that. |
01:04:21 |
I need a computer. |
01:04:25 |
I have internet, |
01:04:28 |
Let me get changed |
01:04:33 |
Why do not you forget the |
01:04:43 |
Search in tights. |
01:04:54 |
Guns and condoms. |
01:04:56 |
A girl has to be |
01:05:11 |
Can I talk to Ivan Reimer, please? |
01:05:14 |
Take a nap? |
01:05:17 |
Fulfill 100 years you tomorrow? |
01:05:20 |
Congratulations, it's great! |
01:05:27 |
- Another coffee. |
01:05:29 |
Are the least Rainer 1000. |
01:05:32 |
- It's not his name. |
01:05:38 |
Character! |
01:05:40 |
You told us to focus |
01:05:43 |
Rather than think about who |
01:05:46 |
better to think |
01:05:49 |
Who is he? To penetrate |
01:05:54 |
- What? |
01:05:57 |
It's good! |
01:06:01 |
Maybe you failed as a writer, |
01:06:05 |
Thank you. |
01:06:12 |
If not for murder, even for |
01:06:17 |
- All die, less killer. |
01:06:22 |
- We have evidence for the purposes of that? |
01:06:26 |
Victims so far have been |
01:06:30 |
It seems enough to raise him. |
01:06:34 |
- What? |
01:06:38 |
If he did it, means that |
01:06:42 |
Someone who has read the script. |
01:06:45 |
- Come to think! |
01:06:47 |
The killer is the wait. |
01:06:50 |
He wrote a good script. |
01:06:52 |
He wrote a kind of story. |
01:06:54 |
We must find something |
01:06:57 |
I read three times scenario. |
01:06:59 |
Not only know the name. |
01:07:02 |
Ivan is Russian. |
01:07:06 |
Want to pronunciation Reimer? |
01:07:10 |
- Reimer. |
01:07:14 |
Myrna Chang. |
01:07:16 |
A. .. two victims. |
01:07:19 |
Seamstresses. |
01:07:22 |
as in prãjiturelele |
01:07:25 |
It was red and wrote on it: |
01:07:30 |
The word "thief" was underlined. |
01:07:33 |
Why have a link with |
01:07:38 |
What? |
01:07:42 |
- What? |
01:07:47 |
- I know you. He knows you're here. |
01:07:50 |
You have to hide. |
01:07:54 |
I have an idea! |
01:07:57 |
Here it is! |
01:08:01 |
It's just been a sucker when |
01:08:04 |
So far the only link |
01:08:08 |
To keep the distance! |
01:08:11 |
Should arrive. |
01:08:13 |
There you will find one there. |
01:08:17 |
It seems fair |
01:08:20 |
I know, but should. |
01:08:22 |
After what happened with Claire, |
01:08:25 |
I do not know what to do. |
01:08:31 |
- How much will I be there? |
01:08:34 |
My phone. |
01:08:38 |
- At any time. |
01:08:44 |
All right. |
01:08:48 |
Look ... |
01:08:53 |
And you. |
01:08:55 |
And to keep an eye on his hands. |
01:09:02 |
Weird. Girl ... |
01:09:04 |
No I never thought |
01:09:08 |
I saw him in class. |
01:09:13 |
- Where are you going? |
01:09:30 |
Rich, poor, heaven and etor, thieves. |
01:09:34 |
Must mean something! |
01:09:37 |
Tinsmith, tailor, |
01:09:40 |
No, no, no ... |
01:09:43 |
Împuþit, tailor, soldier, sailor. |
01:09:46 |
Seaman, sailor ... |
01:09:49 |
Tinsmith. |
01:09:51 |
Tinkers hammer and you, |
01:09:53 |
Chang's seamstresses. |
01:09:56 |
Tinsmith, tailor, soldier, sailor. |
01:09:59 |
Now what a mean? |
01:10:03 |
Doctor, lawyer, chief of the tribe! |
01:10:07 |
E Claire. |
01:10:09 |
Millie's lawyer? |
01:10:13 |
Who is head of the tribe? |
01:10:17 |
There may be head of the tribe. |
01:10:25 |
Dumaurier estate agency. |
01:10:32 |
If you do not live here, I die |
01:10:35 |
- have to go. I have an appointment. |
01:10:38 |
- You are never stops? |
01:10:42 |
Kemo Sabe. |
01:10:43 |
Unless murderers wants your story |
01:10:48 |
Adam ... |
01:11:04 |
Freeze, Brandt! |
01:11:08 |
I did it myself. |
01:11:11 |
- No matter, come with me. |
01:11:14 |
- Come with me and we'll talk. |
01:11:18 |
- Must go! |
01:11:31 |
Detective Lavery, code 4. |
01:11:35 |
Shit! |
01:11:37 |
Police! |
01:11:55 |
Detective Lavery, code 4. |
01:12:07 |
Hi, Millie, |
01:12:10 |
Millie, I am! |
01:12:12 |
If you hear the message, |
01:12:14 |
They are on their way to you. |
01:12:17 |
Yes. Detective Lavery. |
01:12:19 |
I could not let me arrest. |
01:12:23 |
What has ended? |
01:12:26 |
E Adam Brickles, my friend. |
01:12:30 |
Relax, Joel, a detective |
01:12:33 |
Tell me where are you come to |
01:12:36 |
No, before my friend |
01:12:39 |
You have to help, I'm sorry. |
01:12:42 |
Shit! |
01:12:44 |
Breedlove, where are you? |
01:12:46 |
Are in the north, |
01:12:49 |
Pimburg just past Exit. |
01:12:51 |
Brandt headed for you. |
01:12:53 |
He says that Adam's killer Brickles, |
01:12:56 |
Be cautious, Breedlove! |
01:13:09 |
- Joel? |
01:13:12 |
- You're all right? |
01:13:14 |
Listen to me, are the way to you. |
01:13:17 |
A detective you to follow. |
01:13:21 |
- He has a gun. |
01:13:24 |
If you do not live alone, kill me. |
01:13:26 |
He says that he stole the script |
01:13:29 |
- Do not call the police! |
01:13:56 |
God ... |
01:14:38 |
Adam? |
01:14:41 |
Adam! |
01:14:44 |
It's me! I came! |
01:14:47 |
I am alone, so as you asked. |
01:14:54 |
Adam? |
01:14:59 |
Listen! |
01:15:05 |
I'm sorry. |
01:15:07 |
I was lost. |
01:15:12 |
I wrong. |
01:15:15 |
Please get an on Millie |
01:15:56 |
- Millie? |
01:16:01 |
- Millie! |
01:16:04 |
Take care, is armed! |
01:16:07 |
- You're all right? |
01:16:09 |
- Your head ... |
01:16:12 |
He has a gun. |
01:16:14 |
I will kill you, then me! |
01:16:17 |
- Wait me in the car! |
01:16:19 |
And he left the keys in the car. |
01:16:21 |
We must find the keys! |
01:16:23 |
Find the keys! |
01:16:26 |
We must find the keys! |
01:16:30 |
He has a gun! |
01:16:44 |
You did it! |
01:16:48 |
I had no choice. |
01:16:50 |
You said you do it, but ... |
01:16:53 |
I can not believe you did. |
01:16:57 |
You think your scenario |
01:17:05 |
Eye of ... |
01:17:13 |
His head! |
01:17:18 |
Why are you calling? |
01:17:22 |
Phone ... |
01:17:25 |
He had a gun. |
01:17:27 |
What would have been? |
01:17:43 |
That's what names are |
01:17:49 |
Sula by broken ice. |
01:17:52 |
What you said ... |
01:17:55 |
that is not possible? |
01:17:58 |
What do you now? |
01:18:01 |
It was a reversal of the situation. |
01:18:06 |
Keep attention awake. |
01:18:08 |
Surprise. |
01:18:10 |
The audience liked |
01:18:15 |
Some well-placed clues ... |
01:18:20 |
That's all I needed. |
01:18:25 |
I signed up to your course |
01:18:30 |
Not much did you pay attention. |
01:18:33 |
I sent you my script |
01:18:38 |
I do not like to steal it. |
01:18:51 |
Why did you kill those people? |
01:18:54 |
Always told me |
01:18:57 |
the more sorry, |
01:19:02 |
I made it be better, Joel? |
01:19:07 |
You told me I could have |
01:19:14 |
And I believe in you. |
01:19:17 |
But you betrayed me. |
01:19:25 |
Just like everyone else. |
01:19:39 |
You know ... |
01:19:41 |
When I was little ... |
01:19:44 |
Obi mother and switch to |
01:19:50 |
Until I was my father. |
01:19:53 |
But one day I found |
01:19:58 |
and I burned the house. |
01:20:05 |
It was the most warmly |
01:20:09 |
in my life. |
01:20:17 |
No, no, no ... |
01:20:58 |
Millie! Wait! |
01:21:02 |
- Wait! |
01:21:05 |
Bow with arrows? |
01:21:09 |
Let me count the movies! |
01:21:12 |
- It is over! |
01:21:15 |
You're stabbed in the belly. |
01:21:19 |
I think not. |
01:21:20 |
I'll kill you as easily |
01:21:24 |
May need to work |
01:21:26 |
You said you're screenwriter? |
01:21:29 |
Drop the gun, Brandt! |
01:21:36 |
Not me, Lavery, she is. |
01:21:38 |
Mrs. detective, helping me! |
01:21:42 |
Killed Adam Brickles, you will |
01:21:46 |
I will kill you! |
01:21:50 |
Leave the gun or shoot, Brandt! |
01:21:54 |
- You have three short. |
01:21:58 |
One ... |
01:22:00 |
- Two ... |
01:22:36 |
Joel ... |
01:22:42 |
I dare you |
01:22:45 |
I did everything I could. |
01:22:48 |
I pleaded. |
01:22:50 |
Your situation here is rather difficult. |
01:22:54 |
What happened? |
01:22:58 |
Have you talked to people at Bow Park? |
01:23:01 |
We obtained 79%. |
01:23:05 |
Honestly, I |
01:23:08 |
I do not know what to tell you. |
01:23:12 |
79? |
01:23:15 |
Do not think it can be better? |
01:23:19 |
Well. Then ... |
01:23:23 |
- To complete the deal. |
01:23:25 |
I asked 900,000 for expenses. |
01:23:29 |
and can determine the distribution |
01:23:32 |
This is amazing! Thank you. |
01:23:36 |
About the process you've never heard anything? |
01:23:39 |
- I'm your agent, not the lawyer. |
01:23:44 |
You know, we bought back and |
01:23:49 |
and i. .. |
01:23:51 |
This is very good. |
01:23:54 |
Tell me where you found |
01:23:58 |
It is a compilation of people, |
01:24:02 |
largely inventaþi me. |
01:24:06 |
It is a great character |
01:24:11 |
Write what you know. |