Metallica Some Kind of Monster

en
00:00:23 So, what we're gonna do is,
00:00:26 some of the band's new songs.
00:00:28 There'll be no cameras allowed
00:00:30 There'll be no video,
00:00:33 You can only walk in
00:00:36 - We're ready.
00:01:14 You want a single?
00:01:16 Camera over here.
00:01:24 Was there ever a moment you
00:01:27 or the whole band was falling apart?
00:01:29 Was it a kind of a power struggle
00:01:32 How did you manage
00:01:34 Where in God's name are you
00:01:36 on this new album?
00:01:38 Why did it take so long to release
00:01:41 After 20 years,
00:01:44 that, you know, you guys once had
00:01:47 Do you think the young generation of
00:01:51 Eighty-five million records, 22 years.
00:01:54 I think it's 11 albums
00:01:56 One word.
00:02:00 Oh, my God.
00:02:02 One word to span our career?
00:02:28 We are scanning the scene
00:02:30 We're looking for you
00:02:34 There is an evil feeling in our brains
00:02:37 But it's nothing new
00:02:40 Running, on our way
00:02:44 Dying, 1,000 deaths
00:02:47 Running, on our way
00:02:50 Dying, 1,000 deaths
00:02:55 Searching
00:02:57 Seek and destroy
00:03:02 Searching
00:03:04 Seek and destroy
00:03:20 Thank you!
00:03:50 After 14 years of headbanging,
00:03:53 has quit the band, citing:
00:03:56 "Private and personal reasons
00:03:58 to myself over the years
00:04:01 Metallica's management had no
00:04:04 if there's a replacement
00:04:06 But the band is still scheduled to begin
00:04:09 That's the news for now.
00:04:13 I mean, I think everybody understands
00:04:16 That's getting to a place where
00:04:21 get in the way of artistic expression.
00:04:25 I mean, do you wanna say more?
00:04:29 I met Metallica through
00:04:32 after having seen me work
00:04:34 when they called
00:04:36 with Jason announcing
00:04:41 needed to take a look
00:04:43 "Well, what's going on here? We've lost
00:04:47 and face some of the issues that I think
00:04:53 You know, we haven't really worked
00:04:57 When we were talking a couple
00:05:00 You know, if we wanted
00:05:03 I was wondering if having these
00:05:09 Because I'm just--
00:05:12 when it's just a few people
00:05:14 and I'm just wondering
00:05:16 if we're gonna go back
00:05:19 battling each other and trying
00:05:23 What intimacy?
00:05:27 I think, to me, it's not gonna
00:05:30 the cameras are in play,
00:05:32 but whether or not you guys
00:05:34 to risk being seen by other people.
00:06:03 We're here in the Presidio
00:06:08 and this is gonna be the location
00:06:11 is gonna start recording
00:06:14 We decided that we didn't wanna
00:06:18 and do kind of, like, the same thing
00:06:20 We had to kind of change things up.
00:06:23 And this is one of the things
00:06:25 was to go into a space
00:06:28 bring in kind of, like, a portable studio
00:06:32 and basically make
00:06:35 You know, don't buy new furniture,
00:06:37 Don't do anything.
00:06:42 They're such a success
00:06:44 I don't think they wanna be
00:06:46 There's definitely a vibe in here.
00:06:47 They got a lot of attitude,
00:06:49 to come out on this next album.
00:06:53 How did you approach
00:06:55 Did you talk about things, did you
00:06:59 that you wanted to put across
00:07:01 putting the whole thing together?
00:07:02 Well, ego was a big one.
00:07:06 and not bringing a riff,
00:07:08 not bringing a title. Nothing.
00:07:11 Me and James did not meet
00:07:15 and come in here with material,
00:07:19 This time we all got in a room
00:07:23 And that's how we wrote songs.
00:07:29 The idea is it should
00:07:33 in a garage for the first time.
00:07:36 Only the band's Metallica.
00:07:57 I really like going fast.
00:08:02 Just go off and meditate
00:08:05 As corny as it sounds, it works,
00:08:08 It's a good way to just let the weight
00:08:13 It is-- It is kind of strange being,
00:08:17 like, a famous guy. You know.
00:08:23 This is-- This is part of me
00:08:26 But it's also
00:08:31 You know, is this a big pose?
00:08:34 I mean, am I driving down the street
00:08:37 I mean, "rebellious" is kind of
00:08:53 - Have you got a plug-in here?
00:08:54 So, what exactly are you doing?
00:08:56 Well, you'll just hold it
00:08:58 Oh, okay. I got you.
00:09:02 Yeah!
00:09:18 Give me fuel, give me fire
00:09:25 I got some bad news.
00:09:27 Change the lyrics?
00:09:30 I like this thing, Bob.
00:09:32 - What?
00:09:40 I used to kid myself that art was
00:09:46 And I think I've become
00:09:48 that my interest in art, music
00:09:52 is not separate from anything.
00:09:54 You know, where does he feel
00:09:56 of that kind of gold thing?
00:09:58 How come there isn't
00:10:02 up in that black area up there,
00:10:05 Where are the starting points
00:10:07 if you know what I mean?
00:10:11 What the fuck does
00:10:13 When's a record done?
00:10:15 You know, where does a record start?
00:10:19 Where does the process start?
00:10:21 All that type of stuff.
00:10:23 - Daddy!
00:10:25 Yes, sweetie.
00:10:32 I don't feel anything great there.
00:10:35 I don't think
00:10:38 - How do you hear the riff then?
00:10:41 And then:
00:10:43 Yeah.
00:11:03 In nine days, it'll be
00:11:08 It's taken the place of a lot
00:11:11 So I basically stopped doing
00:11:15 and cut way back on my drinking.
00:11:19 You can't surf
00:11:21 You can't surf if you've been up
00:11:27 There's a sort of individualism,
00:11:31 I mean, when it's your moment, man,
00:11:38 And no one can help you.
00:11:47 For all intents and purposes, we go
00:11:52 Everybody contributing
00:11:55 just as much on the lyric front
00:11:57 with drum parts and...
00:11:59 As soon as you started talking
00:12:03 Yeah. Yeah. You flash back now.
00:12:05 Well...
00:12:07 You wanna hear it with vocals?
00:12:09 Go sing it.
00:12:11 You guys had some rules
00:12:14 Quite frankly, I don't give a fuck.
00:12:17 You couldn't talk about his lyrics,
00:12:19 therefore, he couldn't talk about
00:12:22 - Right.
00:12:23 And you and him did the solos,
00:12:26 so you weren't allowed to comment
00:12:29 Do you know what I mean?
00:12:31 Are you telling me that
00:12:40 In the past, what we did was
00:12:42 started with a bunch of ideas existing
00:12:46 Then me and James would sit down
00:12:50 And then we would tell the rest
00:12:52 and when to play
00:12:54 There was never any,
00:12:58 You know, it's a whole new thing
00:13:02 You know, writing in front
00:13:04 because I've always just gone
00:13:07 and wrote stuff down,
00:13:11 and putting them down.
00:13:14 What I was thinking is, is like--
00:13:18 "This is the face that--"
00:13:21 Building a Frankenstein
00:13:23 - Yeah. Pretty much.
00:13:26 - "This is the top of my head that's flat."
00:13:29 "These are my bolts..."
00:13:33 We're on the same
00:13:36 We're just all working
00:13:39 And it's inspiring to me.
00:13:41 Now I can further express myself
00:13:44 now that, you know, James has
00:13:49 - This is "clay," right?
00:13:50 - Not "clam."
00:13:52 "These hands finger the clam."
00:13:54 These are the eyes
00:13:56 This is the tongue
00:13:59 Make sure you really, like,
00:14:01 These are the eyes
00:14:03 These are the eyes
00:14:06 These are the hands
00:14:08 - "This is the--"
00:14:09 This is the eye--
00:14:11 This is the eye
00:14:14 This is the hand
00:14:16 These are the boots
00:14:18 This is the voice of silence no more
00:14:23 - What is this about?
00:14:27 It's not that far off,
00:14:32 So, I mean, some kind of monster.
00:14:34 Some kind of monster?
00:14:37 - You know?
00:14:39 - It is-- It is good.
00:14:41 I like that.
00:14:46 Some kind of monster
00:14:50 Some kind of monster
00:14:55 The monster lives
00:15:01 "We come now to create
00:15:05 Throughout our individual
00:15:07 sometimes through pain and conflict,
00:15:09 we've discovered the true meaning
00:15:12 As we accomplish ultimate
00:15:14 we become healers of ourselves
00:15:17 and the countless who embrace us
00:15:22 We have learned,
00:15:23 Now we must share."
00:15:26 - So that's just--
00:15:29 - A what statement?
00:15:31 - Mission?
00:15:32 - It's like-- You know, it sets a goal,
00:15:35 so you just can, like, just always be
00:15:39 You know, what the ultimate goal is.
00:15:43 All right.
00:15:48 It's my world, you can't have it
00:15:53 It's my world, you can't have it
00:15:56 It's my world, my world
00:16:02 Sucker!
00:16:09 Excellent.
00:16:10 Come on, little man. Let's go.
00:16:12 Skylar, do you want your purse?
00:16:14 - Daddy.
00:16:16 Come, Daddy. Come, Daddy.
00:16:23 I don't know how you guys feel, but
00:16:27 The four of us can just go
00:16:29 and roll that kind of shit
00:16:31 Pull it out of thin air, man.
00:16:32 It's so exciting, because
00:16:36 I couldn't get to sleep last night,
00:16:45 How do you feel? You don't
00:16:58 What the hell.
00:17:02 - How's it going? Good to see you.
00:17:06 - How many bears did you kill?
00:17:08 Russia's fucked up.
00:17:10 you put a bottle of water here
00:17:13 That was it,
00:17:15 - Did you drink vodka?
00:17:17 - You did?
00:17:20 As soon as you got there,
00:17:23 Na zdoroviya!
00:17:25 That's a pretty big bear.
00:17:27 - Is bear edible?
00:17:30 That freaked me out when
00:17:32 You know, they have been hibernating
00:17:34 so they haven't pissed or shit
00:17:36 - Oh, so they're toxic?
00:17:38 Third day, I killed my bear,
00:17:40 and I was just in camp
00:17:42 I was like, "Oh, my God."
00:17:43 - Worked on lyrics?
00:17:46 That was a lot of time, man.
00:17:49 A lot of time.
00:17:50 I worked on lyrics in Siberia.
00:17:51 How to drink vodka
00:17:55 Temptation
00:17:59 Temptation
00:18:03 Temptation
00:18:07 Temptation
00:18:18 Temptation
00:18:24 Fuck you up
00:18:34 No, no, no, no
00:18:38 Can't say no
00:18:41 No
00:18:45 Can't say no
00:18:47 Oh, no
00:18:55 Go away
00:18:58 Leave me be
00:19:04 Just leave me be
00:19:07 So, what were the reactions you got
00:19:11 I mean, how did the family react?
00:19:15 I'm just-- I don't know.
00:19:17 and just come in and say,
00:19:20 I'm going to Russia for two weeks
00:19:22 You know, and, "What?" You know.
00:19:24 Yeah, I'm getting better at that,
00:19:26 because that was the most
00:19:32 - You know?
00:19:33 And it was, you know,
00:19:36 - Right.
00:19:38 Of course, we had a little vodka
00:19:42 Did a little shot for him
00:19:44 But I would've loved to have
00:19:59 Who's here?
00:20:01 This is Daddy working.
00:20:03 - This is where Dad works?
00:20:06 - What does your dad do for work?
00:20:08 - He plays drums?
00:20:11 - Let me play drums.
00:20:16 - Daddy, wanna play drums?
00:20:19 I'm okay. You play for a while.
00:20:30 - Those guys,
00:20:32 you know, their plate is filled
00:20:35 And music is just one of the things.
00:20:37 - Say, "Bye, James."
00:20:39 Bye, buddy.
00:20:40 I chose not to have children
00:20:44 My music, that's my children.
00:20:47 Daddy's gonna stay and work
00:20:49 But since I decided to do it
00:20:53 then that's what I have
00:21:00 Echobrain is one of the projects
00:21:05 And now it's come to fruition.
00:21:07 And then when it comes to the time
00:21:12 tells me that basically
00:21:17 if I did the--
00:21:21 And after 15 years of working
00:21:25 and, you know, the stories, man...
00:21:27 There was no way that this thing
00:21:29 could affect the monster of Metallica.
00:21:34 And so-- And saying things like that,
00:21:36 I couldn't accept that kind of
00:21:40 limited acceptance.
00:21:44 I also know that this relationship
00:21:47 You know, he'll-- It'll come
00:21:50 You guys will make contact.
00:21:51 At that time the managers suggested
00:21:53 that we have a psychotherapist
00:21:56 a man that meets
00:21:58 you know, big-ego, big-dollar guys
00:22:02 but have to make
00:22:05 so everybody else and everybody
00:22:09 And I actually said:
00:22:12 "I think that this is
00:22:18 and weak that we
00:22:23 Look, the biggest heavy band
00:22:28 And the things we've been through,
00:22:31 about squillions of dollars
00:22:35 And this, we can't get over this?"
00:22:42 Was it more than just
00:22:45 Because that's, like, you know,
00:22:49 He felt like he wasn't free enough
00:22:53 Since he wasn't getting his creativity
00:22:59 he needed to get it out
00:23:01 And I totally understand that now.
00:23:04 And...
00:23:07 On my side of that was,
00:23:10 I didn't want him to enjoy that
00:23:14 I didn't want anyone
00:23:18 I didn't want to feel
00:23:22 or something like that.
00:23:26 And it was-- Through my--
00:23:30 I guess the way I learned how
00:23:33 was just to choke them to death.
00:23:35 You know?
00:23:38 You know?
00:24:06 Okay.
00:24:09 Need a pen, none of this pencil shit.
00:24:12 Check it out, man,
00:24:14 "Metllica."
00:24:41 I feel guilty that I'm not inspired
00:24:44 You know, especially
00:24:47 It's like, "Okay."
00:24:50 where the song is looped twice
00:24:53 and I know Bob's gonna hit me up
00:24:57 "Oh, shit." I was, like,
00:25:01 It's like, "Why are you dreading it?
00:25:05 Well, you're dreading it
00:25:06 - Let's get to the fear.
00:25:09 - And so if you didn't have anything--
00:25:12 to have something or letting down
00:25:16 One, two, three, five.
00:25:29 Say it, I'm lonely, yeah
00:25:33 Motherfucking in my head
00:25:37 It's like I'm almost,
00:25:40 There's, like, weird-ass fear of like:
00:25:43 "I gotta come up with something
00:25:45 before somebody else comes up
00:25:47 And then if I don't like it
00:25:50 then I'm just being a selfish,
00:25:54 It's a fear response.
00:25:58 that's the time to move into it,
00:26:01 Because there's going to be
00:26:03 or some kind of breakthrough.
00:26:05 Motherfucker, yeah
00:26:28 Metallica. Metallica.
00:26:41 Kirk.
00:26:43 Kirk.
00:26:46 Kirk. Kirk!
00:26:50 - Kirk.
00:26:52 - Kirk.
00:26:54 - Yes.
00:26:55 - James is trying to talk to you.
00:26:58 Yeah, it's a bit stock.
00:27:00 Check it out, guys.
00:27:12 I don't know how you feel.
00:27:15 And I'm not digging it right now.
00:27:19 Even last night, I gotta tell you,
00:27:22 I hate to tell you, looked pretty burnt.
00:27:25 I agree.
00:27:27 And if we don't start earlier
00:27:30 I'm not gonna be in a good mood
00:27:49 That was totally weird for me.
00:27:52 You hear that, Bob?
00:27:53 Why don't you try getting
00:27:56 - Regular.
00:27:59 - You called it regular.
00:28:02 because I know it bugs you
00:28:05 So a little more solid, then.
00:28:20 Fuck!
00:28:22 Maybe we should talk
00:28:24 - Well, all next week is therapy.
00:28:28 Do we have to do that?
00:28:33 I mean, we gotta find--
00:28:38 You know, the Phil stuff's important,
00:28:40 and I hope we all feel that that's
00:28:45 It's an important part of the record.
00:28:54 Get all holy again
00:29:05 Let me just go put one together.
00:29:14 Get all holy again
00:29:21 - It's just real confusing sounding.
00:29:25 I mean-- I mean,
00:29:27 But, I mean, I don't see
00:29:30 I think that's how you hear it, dude.
00:29:34 I'm just trying to do something
00:29:36 I mean, I'm-- I'm used to having
00:29:42 You know what I mean?
00:29:46 What I'm hearing is...
00:29:51 Choose my words carefully here.
00:29:57 It's pretty straightforward.
00:30:01 You know, it's a little stock.
00:30:03 So I started trying to introduce
00:30:07 Those things we throw out
00:30:11 You know? "It sounds too stock.
00:30:14 I mean--
00:30:18 You know what I mean?
00:30:21 so you can get your point across
00:30:24 I mean... You know,
00:30:28 - To you.
00:30:30 I think it's fucking stock. What--?
00:30:34 I think it sounds stock to my ears.
00:30:37 I mean, do you want me
00:30:40 - Oh, yeah, please write it down.
00:30:42 - I can't hear you.
00:30:44 No, when you say-- You're telling
00:30:46 You're telling me, "You should
00:30:49 - And I'm telling you it's stock.
00:30:53 You know what, you guys, why don't
00:30:55 all right, instead of hammering
00:30:59 We're in shit moods, and we're not
00:31:01 - All you wanna do is pick a fight.
00:31:05 This is so silly.
00:31:07 "I'm in a really pissy mood and--"
00:31:09 And I fucking told you
00:31:12 - Right.
00:31:14 I'm not trying to do fucking shit.
00:31:16 You're just sitting here
00:31:20 You're-- You're really helping matters.
00:31:24 I was straight up with you,
00:31:28 And what have you been doing?
00:31:32 Come on, guys.
00:31:35 Yeah, I do. I do.
00:31:57 Metallica front man, James Hetfield,
00:32:01 to undergo treatment for alcoholism
00:32:05 In a statement posted
00:32:08 the band writes, "James has entered
00:32:11 and he will continue to receive
00:32:15 Until then we have postponed
00:32:17 including recording sessions
00:32:20 Metallica, whose hard-partying ways
00:32:24 have been working on their follow-up
00:33:04 I think it's easy to see that,
00:33:06 Metallica brought a kind of
00:33:12 Let's say the Beatles,
00:33:15 you know, and all that inspired
00:33:19 that then developed after that.
00:33:21 And let's say the metal music
00:33:23 and Led Zeppelin and Black Sabbath
00:33:26 And then, out of that again,
00:33:29 then came Lars
00:33:32 So I think that they have certainly
00:33:37 Lars had a very good vision
00:33:40 of where he saw that particular--
00:33:44 You know, the metal music going,
00:33:46 with European ears and eyes maybe.
00:33:49 Don't you feel that it's great for you
00:33:53 to have your father's perspective on
00:33:58 I think that's incredible.
00:34:00 You talk about the lineage...
00:34:03 we talked a little bit
00:34:05 It's very difficult to admit it,
00:34:08 It's easier to talk about it
00:34:11 But...
00:34:16 What would you--?
00:34:19 - To who?
00:34:21 Say it.
00:34:23 Well, I mean, I've already said it
00:34:26 Well, have you said it to him?
00:34:32 You brought it up. I didn't bring it up.
00:34:34 What is it you feel you've said
00:34:38 I think maybe in some ways
00:34:40 To me that's--
00:34:41 Fear of status quo comes a little bit
00:34:47 I think that--
00:34:50 than when I have to go to him
00:34:52 and know there's something
00:34:54 And he can see right through that
00:35:36 Comments on that one?
00:35:39 I would say, you know, if you said:
00:35:43 "If you were our adviser,
00:35:47 Then I would say, "Delete that."
00:35:53 I mean-- I mean,
00:35:56 For me, it doesn't cut it.
00:36:00 - But--
00:36:03 You know, now-- I mean, other
00:36:05 the only other people who've heard
00:36:09 When Cliff Burnstein heard that, he
00:36:12 Yeah. I mean, that could well be.
00:36:16 But I'm pretty sure that--
00:36:19 That I really-- That I really--
00:36:24 You know?
00:36:29 - Right.
00:36:31 That doesn't sound right
00:36:34 Unless I'm a guy
00:36:39 in some kind of echo chamber.
00:37:12 So I think one
00:37:14 is to act like a band
00:37:17 We're going on.
00:37:20 We're exploring ourselves individually,
00:37:23 And we really need to get together,
00:37:27 act like the band exists,
00:37:31 And if we don't do that,
00:37:37 of the process slipping off the planet.
00:37:41 This is a bit
00:37:45 What does it--?
00:37:49 And then there were two?
00:37:52 So a good friend of mine
00:37:56 And he knew where James was.
00:37:58 - Really?
00:37:59 He couldn't even imagine James
00:38:07 I'm prepared for the worst.
00:38:10 I'm pretty confident that, you know,
00:38:13 we will come together
00:38:16 But knowing when
00:38:20 or not knowing
00:38:23 is very, very uncomfortable.
00:38:26 I hope that at some point
00:38:32 and try and finish the making
00:38:36 lf...
00:38:46 If he walked away from Metallica,
00:38:48 that it would surprise me.
00:39:01 Say your prayers, little one
00:39:03 Don't forget, my son
00:39:09 I've always felt that James
00:39:14 compassionate person than he
00:39:26 I can remember
00:39:29 I mean, when him and Dave Mustaine,
00:39:33 with their big, you know,
00:39:36 and the whole thing was very much
00:39:40 It was just, like--
00:39:42 And looking back on, I mean,
00:39:45 I mean, I just felt so alienated,
00:39:48 from the upbringing
00:39:52 Well, here's to you, my friends.
00:39:54 But then, at the same time,
00:39:58 that the sort of depressive things
00:40:00 as a result of the alcohol
00:40:02 it was just very difficult for him
00:40:07 - You want some or not?
00:40:09 a lot of these different fronts.
00:40:10 Whether it's alcohol, that gives
00:40:14 or the front man in Metallica
00:40:17 or, you know, macho bullshit
00:40:20 All right, now you guys are drunk,
00:40:23 Now this is the fun part, man.
00:40:26 I want to help him.
00:40:28 And I want to do the best I can
00:40:30 to make him the best person
00:40:34 So I don't know how the fuck
00:41:00 It's really healthy for me to be here
00:41:04 or anything related to the band
00:41:07 or anyone who would remind me
00:41:12 And to recognize what's real.
00:41:17 Our sessions with Phil really stirred up
00:41:22 that he thought that he needed
00:41:26 Mentally, it's really taken--
00:41:28 Taken its toll on myself, you know,
00:41:33 And, you know, whenever
00:41:38 they don't-- They don't focus on, you
00:41:42 They go much deeper, you know?
00:41:45 They crack you open
00:41:48 and examine all the things
00:41:52 I've spoken to him a few times,
00:41:54 and, you know,
00:42:01 No matter how bad it gets, eventually
00:42:07 sooner or later.
00:42:10 Whether it's good or bad,
00:42:16 I watched the people
00:42:18 what a great guitar player Kirk is
00:42:21 and what a piece of shit I am.
00:42:26 And I wasn't good enough for them.
00:42:31 And I've had to deal with that
00:42:37 It's a dreadful experience.
00:42:41 It's been hard, Lars.
00:42:43 It's been hard to watch everything that
00:42:47 and everything I do fucking backfire.
00:42:51 And I'm sure there's
00:42:54 they would consider my backfire
00:42:58 You know? And am I happy
00:43:03 You know? You're just now
00:43:06 I've been going
00:43:09 I've never had a chance
00:43:13 talking to Lars, the guy in Metallica.
00:43:15 Never talked to my little Danish
00:43:19 I remember the day you and I talked
00:43:22 and smoking hash
00:43:26 That to me is the stuff that's, like--
00:43:31 You know? And we've never had
00:43:36 Do I feel some guilt? Yes, I do.
00:43:40 But at the same time,
00:43:43 that the only thing that you feel
00:43:47 when you look back
00:43:51 is rooted in the Metallica thing.
00:43:57 Okay.
00:44:00 Have you ever thought what--?
00:44:03 I think I've had an awareness
00:44:07 That's not what I said.
00:44:09 Okay.
00:44:11 Do you have any idea--?
00:44:12 - Of what I put you through.
00:44:17 I mean, people hate me
00:44:21 You know, I walk down the street,
00:44:25 say "Metallica" at me,
00:44:29 I mean, when I would hear Metallica
00:44:31 I would be like,
00:44:33 because I just keep thinking,
00:44:38 Right.
00:44:41 I've been waiting for this day
00:44:45 You know? And by no means
00:44:49 somebody else very important
00:44:51 Right.
00:44:55 Do I wish it was 1982 all over again,
00:44:57 and you guys woke me up and say:
00:44:59 "Hey, Dave, you know what?
00:45:09 I'd give anything for that chance.
00:45:16 Is there any last words you wanna
00:45:19 Metal up your ass!
00:45:22 Okay, thank you. This is Donna Davis,
00:45:33 This is, like, a pretty bitchin' club
00:45:36 - Yeah.
00:45:38 - Stoked.
00:45:41 - Freaking out?
00:45:44 It's un-fucking-believable is what
00:45:48 - You can say whatever you want.
00:45:54 Echobrain. Yeah.
00:45:57 I don't know, I just-- All of a sudden
00:46:00 I don't understand.
00:46:03 I get one phone call, it's like everybody
00:46:07 I thought it'd be Jason, like,
00:46:11 in front of, you know, like, 20 drunks
00:46:15 And now, I guess, to my own
00:46:20 That's what-- I guess that's
00:46:23 So now I'm realizing that supposedly
00:47:05 - Hey, what's happening, man?
00:47:07 - Sounded good, man. Very good.
00:47:10 - Awesome. Awesome.
00:47:13 - I'm Lars. How you doing?
00:47:16 Where's Jason?
00:47:17 - Jas?
00:47:19 I think he went back to--
00:47:21 - He went back to--
00:47:23 Nice. Go back to say hey,
00:47:27 Elvis has left the building.
00:47:31 There's Zach. Hey, Zach.
00:47:34 See, he's even blowing me off.
00:47:38 Jason blows me off.
00:47:40 How quick we become
00:47:43 No-- No kidding.
00:47:45 See, there's a guy
00:47:47 Yeah, that's Steve over there.
00:47:51 Well, he is.
00:47:53 - Really?
00:47:54 I remember that guy.
00:47:56 I remember him.
00:47:58 - Which guy?
00:47:59 - The guy in the red shorts?
00:48:02 that's walking across right now.
00:48:06 Todd. He works at the studio too,
00:48:08 - Who?
00:48:11 I'm sure they're all here, Bob.
00:48:13 I mean, the only two people
00:48:14 not working for him is me and you.
00:48:17 Hetfield's gonna freak.
00:48:20 I'm in fucking hell.
00:48:23 This whole gig has brought
00:48:24 Yes, it has.
00:48:26 - You really wanna come clean.
00:48:31 I mean, I can't hold my band together,
00:48:35 I start records,
00:48:38 I fucking--
00:48:46 Jason is the future.
00:48:51 I've never had a break like this
00:48:54 Do you know what I mean? And just--
00:48:58 is just not knowing.
00:49:00 You know what I mean? Not knowing
00:49:06 - Kirk talked to him.
00:49:10 What did he say?
00:49:12 He basically said that,
00:49:16 His family's the priority right now,
00:49:18 and he needs time to work
00:49:22 before he can reach out
00:49:26 And that he loves us,
00:49:30 to understand that he needs time.
00:49:34 And he also went on
00:49:38 talking to you about it,
00:49:42 And, you know, he spoke
00:49:45 to be in control of the situation or in
00:49:50 And he said that this is a time
00:49:53 he needs complete control
00:49:56 And he said, you know, all the
00:49:59 all that stuff, you know, just has--
00:50:04 So, you know, I got the feeling that
00:50:08 with the business side of things,
00:50:10 which was actually
00:50:17 But I think that's--
00:50:20 I think that explains a lot
00:50:27 We're just in limbo, and the longer
00:50:33 from dealing with us,
00:50:37 And I just feel so disrespected.
00:50:45 And that's the key thing.
00:50:51 Was the future of the group
00:50:53 Even when James went
00:50:55 Lars and I, we were wondering
00:50:59 when James was going to finally feel
00:51:05 where he can come back
00:51:07 And after a certain amount of months,
00:51:12 "Well, is he ever gonna come back
00:51:14 And that was a really big question
00:51:17 Whether or not, you know,
00:51:28 James wrote something in the new
00:51:33 He wrote a kind of
00:51:36 That note was probably
00:51:39 that I'd ever seen come
00:51:46 Tomorrow is shaping up,
00:51:51 yes, the first sit-down
00:52:12 Why are we filming this?
00:52:15 I don't know.
00:52:30 We're in very different places.
00:52:31 Or at least I am in a very different
00:52:38 That's a huge understatement.
00:52:43 So we just have to find that if--
00:52:45 You know, if the movie will be
00:52:51 To me there was a lot of intrusion,
00:52:54 and I kind of went with it and felt--
00:52:58 I felt uncomfortable.
00:53:02 You know, a boom
00:53:04 and it just felt like I was
00:53:07 And I didn't--
00:53:09 While we were in the Presidio
00:53:13 - did you feel it then too?
00:53:15 It was-- It was pretty much
00:53:18 Do you think you're
00:53:19 - We gotta find some...
00:53:22 Some place that
00:53:24 And the last thing we wanna do
00:53:26 because that's more important
00:53:28 You know, one answer
00:53:31 Maybe there shouldn't be a film.
00:53:32 I mean, that's the range of possibilities
00:53:36 because, I mean,
00:53:39 Even you said you hope
00:53:42 That's a big question,
00:53:45 It came along with being in Metallica.
00:53:47 "Hey, we're gonna do this."
00:53:50 That's part of this, all of this...
00:53:54 The bigness of Metallica,
00:53:58 You might look at it as a friend.
00:54:02 And it's sucked a lot of me into it.
00:54:07 You were maybe the keeper
00:54:09 You know, because you were the
00:54:14 And, of course,
00:54:17 between what
00:54:18 but if Metallica collectively decides
00:54:23 then I think Metallica
00:54:26 I don't know. That scares me again.
00:54:28 Metallica is three individuals.
00:54:31 And three individuals have to decide
00:54:34 But I still think that the priority
00:54:40 until all the people involved
00:54:44 say that the priority
00:54:48 And so far, you're the only one
00:54:51 I haven't said that.
00:54:54 I haven't heard him say that.
00:54:55 So I feel that it's still--
00:55:08 We met from, like, maybe,
00:55:11 before we actually picked up
00:55:16 That was when we came in,
00:55:19 we actually used this studio, HQ.
00:55:23 Anyway, here we are. HQ.
00:55:30 Right on. Well, we're here.
00:55:34 And the camera's here.
00:55:36 And my friend the boom is here.
00:55:39 - Hovering.
00:55:43 Do you want me to play the music?
00:55:45 Yeah, let's go. I'm--
00:55:48 I'll put the big speakers on.
00:55:54 I was afraid to pick up a guitar
00:55:59 Would I not like it? Would I love it?
00:56:02 Would I not be able to write
00:56:05 Would I write just recovery stuff?
00:56:09 James.
00:56:11 It was probably the best sound
00:56:14 just the fact that you
00:56:18 - Hey, Zach.
00:56:21 Play a riff.
00:56:59 - What?
00:57:02 See? It feels pretty good, doesn't it?
00:57:05 - Yeah.
00:57:09 A year later, the next day.
00:57:19 It will be interesting
00:57:21 because we really haven't.
00:57:23 And kind of the overview is, you know,
00:57:27 the more productive we'll be,
00:57:30 It's like we're more focused
00:57:34 That all sounds really good.
00:57:40 So I think that, don't talk it, walk it.
00:57:47 At some point, we are gonna
00:57:50 - Yes.
00:57:53 What do you mean?
00:57:55 - What does that mean?
00:57:57 When you say harder,
00:57:59 You know, if we can go deep
00:58:05 be intense...
00:58:07 I spoke up because,
00:58:09 we have to, you know,
00:58:11 - And I got fearful right then.
00:58:16 I mean, it's like... Yeah.
00:58:18 - To do eight hours?
00:58:41 Any lyric ideas?
00:58:43 I'm searching for--
00:58:45 Searching for doughnuts.
00:58:47 - Searching for doughnuts
00:58:52 What was the whole thing
00:58:54 - The Buddhist--
00:58:56 No, the Buddhist thing that you had.
00:58:58 Birth is pain, life is pain,
00:59:03 The cycle of suffering.
00:59:06 Where are you with this, James?
00:59:09 Somewhere else.
00:59:12 Where's today's sweat going?
00:59:15 "I've worn out being afraid.
00:59:19 of fear that I've constantly made."
00:59:22 "My lifestyle determines
00:59:25 A rising tide that pushes
00:59:35 I've worn out being afraid
00:59:38 Of fear that I've constantly made
00:59:41 Frantic tick tick tick tock
00:59:45 Oh, I need know the answer
00:59:50 I can't find it
00:59:53 - It just-- It doesn't work.
00:59:55 You did one great thing.
00:59:59 You did this one syncopated thing.
01:00:05 Do the whole verse like that.
01:00:07 I've worn out always being afraid
01:00:10 An endless stream of fear
01:00:13 Frantic tick tick tock
01:00:17 It's weird. It's weird. And it works.
01:00:19 No, but the second time you felt
01:00:22 - Right.
01:00:27 I gotta get rolling, guys. Sorry.
01:00:47 I feel like the bad guy saying,
01:00:51 If we all know, and we all do know,
01:00:56 then, I don't know, then I won't feel
01:00:59 "I gotta go eat dinner
01:01:01 Because I have a feeling
01:01:04 and you're gonna go in there
01:01:06 - and it's like, that's not right.
01:01:08 I mean, if I wanna listen to it,
01:01:12 But we should at least listen to it--
01:01:14 But I know you'll sit there
01:01:16 Maybe Bob doesn't wanna sit
01:01:19 things get talked about
01:01:21 And I feel I walk into something
01:01:24 And it's a total uphill battle
01:01:27 I don't like that feeling.
01:01:29 Well, that's, like,
01:01:31 - Yeah.
01:01:32 Well, let's talk about this
01:01:35 - Or do you wanna take time out--?
01:01:38 because it's past 4.
01:01:41 It's hard to introduce structure
01:01:46 So, what do you think, Lars?
01:01:48 Can we hear the song
01:01:51 That we all heard together?
01:01:53 How is that different?
01:01:55 Because we all heard it
01:01:57 - He wants to be part of everything.
01:02:00 Yes, you were.
01:02:04 - You came in.
01:02:05 As long as you don't talk about it.
01:02:08 - Is that a way around it, or--?
01:02:11 How about if we just save up
01:02:15 Seriously. I mean, that's okay,
01:02:52 I'm excited to see
01:02:57 Up and back. Up and freeze.
01:03:01 What is this called?
01:03:03 Arabesque.
01:03:08 Super proud of you, sweetie.
01:03:10 I'm so glad I got to see it.
01:03:11 I'm working on--
01:03:13 the best dad and father
01:03:18 And the best me.
01:03:19 You worked hard.
01:03:22 I don't wanna lose
01:03:24 I know it could all go away
01:03:26 and that's a tough part of life.
01:03:29 And then-- And it's just--
01:03:33 looking at life in a whole new way.
01:03:36 You know, all the other drinking and
01:03:41 it was so predictable, so boring.
01:03:43 I'm out there looking for excitement
01:03:47 The results are the same, man.
01:03:49 I wake up the next day somewhere
01:03:52 I don't know who this person
01:03:54 and I'm drunk, completely hung-over
01:03:58 And the result is the same.
01:04:01 You know?
01:04:05 You don't know
01:04:07 when you're kind of clear
01:04:11 In the moment.
01:04:20 My lifestyle determines
01:04:23 A rising tide
01:04:26 My lifestyle determines
01:04:30 A rising tide
01:04:33 I think those two feel the best to me.
01:04:37 It's a tough one to decide.
01:04:39 some charm, don't you think?
01:04:40 Yeah, I'd be interested to hear
01:04:42 From the first take.
01:04:44 Well, let's play it.
01:04:46 - Is it okay?
01:04:47 - Yeah, we are.
01:04:49 - We never really settled that, did we?
01:04:52 Yes. We're allowed.
01:04:55 Feel free to leave the room, whoever
01:05:04 I felt like it was an agreement.
01:05:09 and then we would not work.
01:05:12 Well, if Lars and I
01:05:16 or go through the Presidio stuff,
01:05:18 it's not because we wanna do
01:05:21 It's for you.
01:05:23 And basically what I heard
01:05:26 - What the fuck is that?
01:05:30 The more it goes in a different
01:05:33 The harder it is to get that back.
01:05:36 What is it you have to get back?
01:05:39 Some control. Some sense
01:05:47 When I was running this morning,
01:05:50 and the word "fuck"
01:05:53 Seriously, it's really true.
01:05:56 - Is that in anger?
01:06:00 "Fuck."
01:06:03 I just think you're
01:06:07 And what makes it worse is
01:06:13 You always talk about me.
01:06:15 and "manipulation" a lot.
01:06:20 and I think you control inadvertently.
01:06:22 I think you control by the rules
01:06:26 I think you control by how you
01:06:29 I think you control by your absence.
01:06:32 I think you control all of this
01:06:39 I don't understand who you are.
01:06:43 I don't understand all this stuff,
01:06:45 I realize now that I barely
01:06:50 And all these rules
01:06:52 this is a fucking rock 'n' roll band.
01:06:55 I don't want fucking rules.
01:06:58 I understand that you need
01:07:02 I respect it.
01:07:04 But don't tell me I can't sit and listen to
01:07:09 What the fuck is that?
01:07:11 You know, I don't wanna end up
01:07:16 I don't want to be pushed away.
01:07:21 Let's do it, and let's fucking do it
01:07:26 Fuck. See?
01:07:28 Fuck.
01:07:31 Fuck!
01:07:32 Fuck!
01:07:35 Yeah!
01:07:39 - Yeah!
01:07:42 Rock 'n' roll.
01:08:32 Let's hear it for Elena!
01:08:49 We're not anywhere near
01:08:53 Well, let's get them.
01:08:56 I don't know. I guess the playing part,
01:08:59 and then mainly being in the room
01:09:02 I guess I had higher expectations,
01:09:04 maybe I'm disappointed in myself.
01:09:06 Maybe... I don't know.
01:09:09 You wanna talk about that?
01:09:11 I'm not enjoying being in the room
01:09:17 Searching
01:09:20 Seek and destroy
01:09:24 Searching
01:09:26 Seek and destroy
01:09:31 Searching, yeah
01:09:33 Seek and destroy
01:09:37 If you are not having any fun,
01:09:41 let me let it be known to you that
01:09:45 But I've-- I am not interested
01:09:48 if you're not happy in there.
01:09:50 I just don't want to be a--
01:09:54 Okay? So if you're not happy
01:10:12 Is there enough that connects us
01:10:17 for a way through this?
01:10:24 I don't know.
01:10:26 There are moments
01:10:31 Really doubt it.
01:10:33 I'm glad you said that.
01:10:35 Because I really, deep down,
01:10:41 There's just some empty, just...
01:10:44 Just an ugly feeling inside.
01:10:46 Just... I don't know.
01:10:51 How much work
01:11:06 - Then you're doing the:
01:11:10 Let's do our little roundtable thing
01:11:14 Everybody's gotta participate.
01:11:17 Lars, come on.
01:11:44 Hey, Castor, why don't you look at all
01:11:48 And say bye to everybody.
01:11:50 Bye, Castor.
01:11:52 - Is Daddy going bye?
01:11:55 - Bye, guys.
01:11:57 So, what's the deal? How does
01:12:01 The chorus lyrics will definitely work
01:12:04 - Yeah.
01:12:08 - What about you? What do you think?
01:12:11 You think it's good? Was there
01:12:15 No, I wasn't paying attention
01:12:18 That's just-- It's a lot of good stuff.
01:12:40 I can take you back, when me and him
01:12:46 listening to the new wave of
01:12:49 As soon as there was somebody else
01:12:51 it just became this, like-- It just had
01:12:59 - Is there any of that that's usable?
01:13:03 - That's a fuck-- That's a fucking bitch.
01:13:09 The first time I got
01:13:12 was when Mustaine came
01:13:16 When James was with Mustaine,
01:13:18 he became like he never
01:13:25 One time during the recording
01:13:29 where me and him went out and--
01:13:32 it was like, "Oh, dude, I love you."
01:13:35 But it could never have materialized
01:13:41 and we were alone.
01:13:48 That was good.
01:13:51 Are you sure I don't have
01:13:53 Yeah, I'm sure.
01:13:56 - For what?
01:13:59 - When?
01:14:09 From day one, it's been competitive.
01:14:13 And in a way, that's what has made
01:14:17 That's what's driven us further.
01:14:21 What feels good to you?
01:14:23 I don't know.
01:14:25 Can you try maybe like a:
01:14:29 Almost like a strum.
01:14:35 My parents split
01:14:39 And then my mom passed on
01:14:43 The only thing I felt that I really had,
01:14:51 My wanting to keep everything
01:14:53 and, you know, it's out of a fear
01:15:00 I'm afraid to get close to people
01:15:03 I don't know
01:15:10 - Cool.
01:15:12 Yes.
01:15:14 That's the first amp I ever owned.
01:15:17 That right there.
01:15:35 I think we have it.
01:15:37 Okay.
01:15:55 Okay. Now we gotta talk about it.
01:15:59 You started talking about the idea of
01:16:04 maybe being something that was
01:16:09 and maybe reintroducing
01:16:13 But can I say something
01:16:15 This whole fucking solo out,
01:16:19 That's so bullshit. You know?
01:16:21 If you put a guitar-- If you don't play
01:16:24 that dates it to this period.
01:16:26 And that cements it to a trend
01:16:31 I think that's stupid,
01:16:33 I know that's not what I said.
01:16:35 like, where could it go
01:16:39 instead of just repeating
01:16:41 I'm not interested in playing
01:16:45 - You know, that's just-- For me, it's--
01:16:48 It's just boring, you know.
01:16:49 To me, if you can add a colour
01:16:53 that satisfies you and works
01:16:55 then that's what we should do with it.
01:16:57 But I don't wanna get in the position
01:16:59 we put something down on the tape
01:17:03 my ego, Lars' ego or James' ego.
01:17:05 I think it should serve
01:17:08 Like, in other words, there shouldn't be,
01:17:11 There shouldn't be a rule of solos.
01:17:14 And I agree.
01:17:17 all about serving the song,
01:17:19 I feel much better about that,
01:17:22 because, you know, I just don't wanna
01:17:26 that I see other bands following.
01:17:28 We don't necessarily have
01:17:30 but we also don't have
01:17:42 I'm actually very, very comfortable
01:17:47 I've actually always been very, very
01:17:57 I'm not a really egotistical person.
01:18:00 In fact, I've-- I spend a large
01:18:05 downplay my ego
01:18:09 That's part of my beliefs.
01:18:11 I try to be an example
01:18:28 Hi! This is Kirk from Metallica.
01:18:32 And if you want money,
01:18:35 And then some other guy's
01:18:40 Twenty years' worth of integrity,
01:18:42 and, you know,
01:18:45 The next five minutes
01:18:52 "Hey, man, keep it locked right here,
01:18:56 "We'll help you score $1,000."
01:18:59 This is James from Metallica.
01:19:05 Your money-shot to snatch
01:19:09 In order to suck both
01:19:13 we are now standing here
01:19:18 Up to 50 motherfucking grand,
01:19:21 Win a bunch of money.
01:19:23 And walk away.
01:19:25 This is stupid!
01:19:27 Sharpen that booger-picking finger
01:19:30 and be the 50th--
01:19:33 Hey, it's Lars from Metallica. I'm
01:19:38 One dollar at a time.
01:19:43 I was telling Lars last night
01:19:47 - you guys squirm like you were.
01:19:50 Because I wanted to say anything,
01:19:53 I can't imagine Bono or the Edge
01:19:57 saying what you guys
01:20:02 - Dad, can I have one of those?
01:20:05 Should we catch up
01:20:08 Okay. Now, they're
01:20:12 You know, it's like 75, 80 stations
01:20:15 And if you guys think it's crappy, as a
01:20:21 I mean, that's their idea.
01:20:24 So strategically--
01:20:25 Why are we doing it, then?
01:20:28 Yes.
01:20:30 And they won't say, "Fuck you,
01:20:35 We're gonna fuck you
01:20:38 People would do that?
01:20:40 "Because you didn't give us something,
01:20:43 Yes, James. They would.
01:20:46 I'm not saying that they
01:20:49 That's so funny.
01:20:50 - It wouldn't stop them from trying.
01:20:53 I understand the "wash your back,
01:20:57 "Wash my--" "I'll wash your back
01:21:01 - Right.
01:21:02 Okay. Why don't we get off
01:21:04 Well, you know, we should have this
01:21:07 - Later.
01:21:08 - See you.
01:21:10 That's insanity. "We're gonna hurt you
01:21:14 I wash your back
01:21:17 Well, that's a good line for a song.
01:21:24 I guess I just want something
01:21:27 Wash your back so you won't...
01:21:31 Wash your back
01:21:33 Step on a landmine.
01:21:35 Keep you in my back pocket.
01:21:38 Blind leading the blind.
01:21:41 I'll rip out your fucking spine.
01:21:44 Okay.
01:21:47 All right.
01:21:53 Wash your back
01:21:55 Get in bed with your own kind
01:21:58 Wash your back
01:22:01 Get in bed with your own kind
01:22:05 - That was really good.
01:22:08 - That was really good.
01:22:09 - Really good.
01:22:13 Landmine
01:22:15 Landmine
01:22:17 No landmines
01:22:20 No landmines
01:22:23 Wash your back
01:22:28 Get in bed with your own kind
01:22:38 There's a witch at the foot of my bed.
01:22:43 Did you--?
01:22:46 He says, "Yeah, Kirk stopped reading,
01:22:51 - That's what you said.
01:22:53 - What'd you say?
01:22:55 Oh, sulking.
01:23:20 Shit!
01:23:25 In the 11 months since he's
01:23:27 ex-bassist Jason Newsted has been
01:23:31 than his former band mates.
01:23:33 While Metallica drummer Lars Ulrich
01:23:36 and singer James Hetfield
01:23:39 Newsted hooked up in the studio
01:23:43 Our own lann Robinson got all the
01:23:47 and the current state
01:23:50 A good friend hinted
01:23:52 that Jason would really like
01:23:59 Man, I popped his little bubble
01:24:05 I'll be quite honest.
01:24:06 I think the heart and soul of Metallica,
01:24:10 and has been for a while, since
01:24:15 I think you will never, ever, ever find
01:24:20 My opinion.
01:24:26 There was also tragedy
01:24:29 Metallica's bassist Cliff Burton
01:24:32 while the band was on tour
01:24:36 Metallica bassist Cliff Burton
01:24:38 in the San Francisco area.
01:24:41 Jason Newsted.
01:24:44 who was killed in an auto accident
01:24:46 Jason told...
01:24:48 It pisses me off that Cliff left us
01:24:51 because we'd never have
01:24:56 just going on and on.
01:24:58 You know, when I talk about it,
01:25:03 And we're-- We're dealing with that.
01:25:05 I gotta capitalize
01:25:09 The Cliff message that I get
01:25:13 that treasure the three of you.
01:25:16 Treasure every moment
01:25:20 And the four of you have.
01:25:22 Treasure it because you never know.
01:25:26 And one of the sad things
01:25:29 is that people have never
01:25:33 to really embrace each other
01:25:37 It's a sin if you--
01:25:52 Phil has been like an angel for me.
01:25:56 He's been sent to help me.
01:26:00 And, you know, I've got
01:26:02 you know, a father figure,
01:26:05 and all of that, that it makes
01:26:07 It comforts me.
01:26:09 But also, we don't want to have
01:26:15 We'd like to be able to stand proud
01:26:22 There'll be a time for that.
01:26:24 And we just have to discuss
01:26:33 You know, there is purpose
01:26:38 I think it's very effective.
01:26:41 I have to decide whether
01:26:53 It sometimes is a distraction.
01:27:04 So, what part of our career
01:27:07 I thought I'd do the whole thing,
01:27:11 If you guys could run something,
01:27:12 then it would be easy to step back.
01:27:18 Is today the first day you're
01:27:21 - I don't wanna get into that.
01:27:23 No. I don't think
01:27:25 - I think it's time--
01:27:26 - Yeah. I think it's time.
01:27:29 Well, it's about the only thing
01:27:33 - I haven't sung.
01:27:36 We got to a point
01:27:39 that we wanted to scale Phil back
01:27:45 And we were getting ready
01:27:48 four weeks from when
01:27:51 And two weeks
01:27:54 we had to sit Phil down and say
01:27:59 Because we got really...
01:28:03 I don't know. Scared, I guess.
01:28:07 There were some things
01:28:09 that, really, Phil helped with a lot.
01:28:11 Live from the news leader
01:28:14 NewsCenter 4. Night Beat.
01:28:16 The Metallica v. Napster battlefield
01:28:21 Metallica drummer Lars Ulrich
01:28:25 of people who have downloaded
01:28:29 Metallica is suing Napster,
01:28:33 which allows people to download
01:28:36 Metallica drummer Lars Ulrich testified
01:28:38 earlier this month that Napster has
01:28:43 The band said
01:28:46 are downloading its music for free.
01:28:48 A group of former Metallica fans
01:28:51 I don't want anything to do
01:28:53 I'm gonna be trashing their CDs.
01:28:57 and I'm gonna be destroying them.
01:28:59 Are you proud
01:29:01 Are you proud in hindsight
01:29:04 Being the most hated man
01:29:06 Yeah, that was-- That was my goal.
01:29:08 I got an idea.
01:29:10 Everything's going a little too well.
01:29:12 Let's see, I wanna turn myself
01:29:14 into the most hated fucking
01:29:18 Like, good afternoon, my name is, you
01:29:22 I worked for years to get
01:29:24 Me and my buddy
01:29:26 have shed blood, sweat and beer
01:29:29 Beer, good.
01:29:31 Who do you think you are?
01:29:33 because you, like, made us rich,
01:29:36 Songs that we spent upwards
01:29:38 like 24 to 48 hours writing
01:29:41 Our team of lawyers and researchers
01:29:43 and you Napster users, we'll see you
01:29:54 Some minutes
01:29:55 and I can stand there and just go,
01:29:59 I'm bulletproof, it doesn't matter.
01:30:01 I got Hetfield and Hammett,
01:30:03 You know what I mean?
01:30:05 it means nothing, and I just
01:30:12 You know,
01:30:15 about where Napster
01:30:18 We never sat there and talked about
01:30:20 We just sat there and thought about,
01:30:25 So wait a sec.
01:30:29 That was awesome!
01:30:31 It's like I had to stay
01:30:34 and stay to my convictions,
01:30:39 And then maybe it could go
01:30:42 "What difference did l/we actually
01:30:47 And if that could-- It's like if that
01:30:51 but remain unanswered,
01:30:55 All the shots I take
01:30:59 What difference did I make?
01:31:03 All the shots I take
01:31:07 I spit back at you
01:31:19 "All the shots I spit back at you."
01:31:21 That's awesome, dude.
01:31:23 - Fuck me.
01:31:25 - fit right in.
01:31:48 These two kicks,
01:31:50 - It's different.
01:31:52 Go to the master. What really gets
01:32:00 You know, there.
01:32:08 Lars, what I wanna know is,
01:32:10 do the four of you just go in there
01:32:13 You're hearing excerpts
01:32:17 You're hearing-- Look at it as a funnel.
01:32:20 You're hearing the very part
01:32:24 - Right.
01:32:25 - what we're doing now to arranging.
01:32:30 He is. He's Pollock,
01:32:35 It's gonna sound fucking amazing
01:32:37 with 100,000 people
01:32:39 up to the sky and saying,
01:32:45 Oh, can we fast-forward
01:33:09 I think what I'd like to do is,
01:33:10 I'd like to talk about
01:33:14 We're very cognizant of the fact
01:33:17 that things have changed
01:33:20 And they've changed
01:33:23 Why can't we figure out what works
01:33:26 in their personal lives,
01:33:32 What if you just do a stadium tour,
01:33:35 where you play Friday, Saturday
01:33:37 and then you go home
01:33:43 I just wanna put out that,
01:33:45 you know, it might be a kind
01:33:49 because people might not know
01:33:53 and I don't really know either.
01:33:57 And, you know, I wanna tour.
01:34:01 I don't wanna fall off the wagon,
01:34:03 I don't wanna go out there--
01:34:06 Doing things for the first time again, as
01:34:14 I don't know about you,
01:34:16 And to me, it's fucking
01:34:22 Yeah. Well, I'm gonna take time
01:34:25 and I just wanna say cheers
01:34:28 and fucking thanks for coming down
01:34:50 I blew my voice out
01:34:52 doing "So What," the cover song.
01:34:55 And we had a bunch of Metallica
01:34:59 And I went to this coach. I didn't--
01:35:02 I didn't wanna go. I was scared.
01:35:04 I thought he was gonna make me
01:35:07 But I went there,
01:35:10 and this is the tape. And I've had
01:35:23 - Was there a turning point?
01:35:24 I think when we had accumulated
01:35:29 you know, a great kind of...
01:35:33 I don't know,
01:35:35 we took stock, so to speak.
01:35:37 The only songs that
01:35:40 are the songs that
01:35:43 And out of 30-plus songs,
01:35:51 Sweet Amber
01:36:07 Sweet Amber
01:36:11 How sweet are you?
01:36:16 How sweet does it get?
01:36:19 How sweet are you?
01:36:23 How sweet does it get?
01:36:26 - Yeah, right.
01:36:28 I mean, there's some explosive playing.
01:36:32 It's like you guys have spent
01:36:35 to come back to find yourselves.
01:36:38 - That's what it sounds like to me.
01:36:43 Yeah, how are you doing?
01:36:45 - Wanna hear more?
01:36:48 Squeeze all within my hands
01:36:53 Choke within my hands
01:36:56 I'm madly in anger with you
01:37:01 I'm madly in anger with you
01:37:06 Time, time, times like this
01:37:08 - Boy
01:37:10 - So
01:37:13 Across your spine
01:37:18 Temptation, fill no hole
01:37:24 No
01:37:26 No, no
01:37:28 Temptation
01:37:31 You know, the first four songs
01:37:33 all pretty much knocked me out.
01:37:35 Okay? But if you've got it going, you
01:37:41 You want people to be able
01:37:45 "Jesus Christ, there's
01:37:48 There's no fucking letup."
01:37:50 Fuck ballads. You know?
01:37:53 There definitely is some Presidio stuff
01:37:57 You gotta analyse it. Maybe you're
01:38:02 watering it down in some way.
01:38:08 - It's your call.
01:38:11 I know that...
01:38:15 "Temptation,"
01:38:18 It came out.
01:38:22 "Temptation" kind of sums up
01:38:26 that are in this new kind of project.
01:38:31 So-- And that-- And it's cool
01:38:35 long before recovery
01:38:38 I mean, I can tell that you're singing
01:38:41 You're definitely wearing your heart
01:38:45 To me, it's more like a jam.
01:38:48 Is there a song in there?
01:38:51 Potentially.
01:38:54 You know, there's almost nothing
01:38:57 into something better than it is
01:38:59 that could probably
01:39:02 to being something
01:39:05 You know, but then it just goes away
01:39:09 At least, what I see the purpose
01:39:11 which is show up with what you--
01:39:13 You know, what are your A-pluses?
01:39:18 Well, when I hear Lars talk
01:39:20 into decent shape," I agree.
01:39:23 And we did that on
01:39:27 And this is us trying to choose
01:39:29 before we take it to those extremes,
01:39:31 - Exactly.
01:39:34 That was a pretty major thing that I
01:39:38 that, wow, I'd heard him,
01:39:41 Oh, it's like, "Oh, okay."
01:39:43 It's like it takes the cutting edge
01:39:46 or the personal attack off of it,
01:39:51 Things are a lot less dramatic
01:39:53 within the chemistry
01:39:57 Less head games, abuse of power
01:40:03 But can we just do one thing?
01:40:05 For lack of a better word,
01:40:09 I just want you to scream,
01:40:11 as hard as you can fucking scream.
01:40:15 Fuck
01:40:24 Okay. It should be slower.
01:40:26 It should be more like:
01:40:31 I want four of them. Do it again.
01:40:48 Lars is selling paintings
01:40:50 because he's ready to move on
01:40:56 or next decade
01:40:58 And a lot of what these paintings and
01:41:01 is the last ten years versus
01:41:09 He's getting rid of some pretty
01:41:14 in the majority of his collection.
01:41:18 He's wiping the slate clean.
01:41:24 Midnight, New York City.
01:41:26 One last look at the paintings.
01:41:29 - It's a celebration.
01:41:32 - Of how far you've come.
01:41:35 With Phil Towle.
01:41:37 Some paintings have visited us
01:41:40 And now we wanna share them
01:41:43 - Okay?
01:41:44 - It's a choice.
01:41:51 I never looked at it as an investment,
01:41:55 Versus some of the other guys
01:41:57 a big pile of money and parking
01:41:59 I would always, like, take a big pile
01:42:06 I can just feel some of the adulation
01:42:10 at these paintings,
01:42:13 I've never been this close to it.
01:42:15 These are great paintings, whether
01:42:20 The only thing that matters
01:42:22 and what feeling you get out of that
01:42:27 And it's never been
01:42:29 It's always been about something
01:42:32 But, fuck, they do look awesome.
01:42:40 It's been a good time.
01:42:42 - And it will be a good time.
01:42:46 I feel better about this
01:42:48 - It's weird, I don't know why.
01:42:50 Shit.
01:43:24 $300,000.
01:43:25 $300,000
01:43:27 It's two of you in the room,
01:43:32 Jean Paul, $300,000.
01:43:35 Twenty-one is the moderna
01:43:40 the Jean-Michel Basquiat showing
01:43:44 - All right, here we go.
01:43:46 $900,000. At $1.9 million.
01:43:48 1.9, 2 million.
01:43:50 $1,100,000.
01:43:53 - Can we get more cocktails?
01:43:57 - 580.
01:44:00 - 720.
01:44:02 - Come on, 4.
01:44:06 $680,000.
01:44:08 And selling at $5 million.
01:44:12 - All right.
01:44:18 It went well.
01:44:19 I got myself drunk to numb the pain.
01:44:26 But it went well. I'm happy.
01:44:42 Like, let's talk about the zone
01:44:44 Because there is a way to help
01:44:49 To-- I mean, you could consider
01:44:52 or apply the meditative principles
01:44:57 I don't want this to sound
01:44:59 but if you do that,
01:45:02 and you do it anyway, unconsciously,
01:45:07 by starting to jam with each other.
01:45:10 I just think,
01:45:12 I've been making records a very
01:45:15 to how much work you put in
01:45:17 You know, it's just tough. Sometimes
01:45:22 And I like to stretch the frontiers
01:45:26 And I understand about that.
01:45:29 I don't want, for my mind, to settle...
01:45:51 I guess I'm not gonna
01:45:55 Well, I'm gonna go out
01:45:58 So everybody's...
01:46:03 You know, we've had
01:46:06 with a lot of great productivity,
01:46:10 The more we feel good
01:46:13 and the higher we ascend,
01:46:15 it will be to our psyches.
01:46:18 You know, I understand it.
01:46:21 but sometimes it just bugs me.
01:46:23 I think the-- That thing was
01:46:28 All of them around the studio,
01:46:31 That way of thinking, it just
01:46:34 And I was a little pissed off at it,
01:46:36 because right now in my life
01:46:39 - I'm glad to know that's how you feel.
01:46:42 And if you feel that way
01:46:46 - I'd appreciate that too.
01:46:49 - Yeah.
01:46:51 to be pretty much available
01:46:56 So when this record's done,
01:46:58 do we want to collectively end
01:47:07 I'm afraid he's under the impression
01:47:10 Yeah.
01:47:12 And I see him coming on the road,
01:47:16 But after that I don't-- I don't see him
01:47:22 holding our hand
01:47:27 So is that something we wanna
01:47:29 - Yeah. I think that--
01:47:31 I think it's something--
01:47:34 we need to do
01:47:37 Yeah, because
01:47:49 Yeah, hello? Hello, hello.
01:47:53 Are they on the phone?
01:47:54 They're on the phone,
01:47:56 Oh, okay.
01:47:58 - James Hetfield is in the room.
01:48:01 - Hey, James, how you doing?
01:48:03 I'll let Marc do the talking. He's
01:48:08 Okay, this afternoon,
01:48:12 - Assuming you wanna do it.
01:48:15 Cool, man.
01:48:18 The only thing that you guys
01:48:21 is show up for rehearsal
01:48:23 for the show on the 3rd,
01:48:26 you guys take the stage
01:48:29 - So, what's Jason's role in all this?
01:48:32 Cliff? I mean,
01:48:36 He lost his icon status
01:48:41 - Nice one, Cliff.
01:48:43 I think MTV would like the fact
01:48:47 the introductory performance
01:48:51 whether it's the new member
01:48:52 When is it supposed to be?
01:48:55 May 3rd. Saturday, May 3rd.
01:48:57 See, that means you'd have
01:49:00 - Okay.
01:49:03 You'd be required to be in
01:49:05 Because we didn't get a new
01:49:08 thought maybe that we were
01:49:11 We never started looking for a new
01:49:15 We worked on ourselves,
01:49:21 so when someone else steps in,
01:49:25 They're not stepping in our shit,
01:49:30 All right, thinking about
01:49:33 So we're gonna need
01:49:36 You know, we know you're
01:49:39 We need to make sure...
01:49:41 Jason kind of triggered this whole thing
01:49:45 And I can't believe it's been two years.
01:49:48 We realized that we kind of wanted
01:49:52 Somebody who had been
01:49:55 We've grown a lot, man.
01:49:58 and this band.
01:50:00 And last time, when we did this
01:50:05 16 years ago, I guess it was,
01:50:06 we literally sat down and started
01:50:10 you know, the day after
01:50:12 So now it's 16 years later,
01:50:18 When Jason left,
01:50:22 Do you want a four or five?
01:50:24 Whatever.
01:50:29 This one's a five-string.
01:50:33 Keep searching
01:50:36 Keep on searching
01:50:39 This search goes on
01:50:42 This search goes on
01:50:45 The band-- These guys
01:50:47 like, five to 600 guitars,
01:50:52 On and on
01:50:53 Tick tick tick tick tick tick tock
01:50:57 Tick tick tick tick tick tick tock
01:51:00 Tick tick tick tick tick tick tock
01:51:03 Tick tick tick tick tick tick tock
01:51:08 You went into
01:51:11 Which one of me are you talking to?
01:51:14 Think that we should just spend the
01:51:19 Don't you?
01:51:21 I had a vision of us jamming
01:51:25 I guess I just feel this is just
01:51:28 like, just doing our own thing.
01:51:32 This morning I heard him say
01:51:36 It's not about what he says.
01:51:41 - All right?
01:51:44 Yeah. I guess the only other thing
01:51:47 you know, when we leave this up
01:51:51 a lot of it depends
01:51:54 You know,
01:51:57 Not that I wanna break up
01:51:59 if you wanna go deeper, you know?
01:52:01 But I think what might be really good
01:52:06 go out and do this...
01:52:18 Metallica stuff?
01:52:20 - I could try "Battery."
01:52:23 You can play that fast
01:52:26 Battery
01:52:53 That's a fucking pretty mighty
01:52:56 - Yeah, it's fucking--
01:52:58 It's the Mesa and the Hiwatt.
01:53:00 Is there anything else you know
01:53:50 Cliff. It was just like you saw Cliff,
01:53:52 and me and James went,
01:53:56 He hit it out of the park.
01:54:00 And that's where it
01:54:03 Because if Cliff Burton
01:54:05 maybe he wouldn't be the guy either.
01:54:09 I mean, the three guys that I like
01:54:12 that I would love to Frankenstein,
01:54:15 - Yeah! Definitely.
01:54:17 That would be great.
01:54:21 I don't think you should settle.
01:54:26 If you don't hit it out of the park
01:54:28 then you're gonna end up
01:54:31 in the same situation you did
01:54:36 A four count, then...
01:54:40 Just follow.
01:55:07 He was the first guy of any of them
01:55:10 - that didn't look like he was struggling.
01:55:14 Do you know what I mean
01:55:16 You know, with some
01:55:18 it was sort of 10 percent
01:55:21 or something like that. You don't
01:55:24 It's like the last three songs,
01:55:26 like "Sanitarium," "Nothing Else
01:55:30 - "Sad But True."
01:55:33 I looked over at him
01:55:35 and he was just right in the pocket
01:55:38 And then afterwards, when he
01:55:42 it hadn't been played that way
01:55:46 It's just, like:
01:55:50 - Yeah.
01:55:53 - Yeah.
01:55:57 All right, are we
01:56:31 Well, the second time
01:56:33 I mean, that was, for me,
01:56:35 that you make us play better, man.
01:56:37 You make the band sound
01:56:40 - So solid.
01:56:43 Well, I feel awesome, man.
01:56:45 - You're the chosen one.
01:56:49 And we want you to be a real member
01:56:53 And we'd like to offer you--
01:56:57 To show you how serious
01:56:59 offer you a million dollars
01:57:04 - And--
01:57:06 And as a kind of a good-faith thing
01:57:09 It's an advance.
01:57:11 you're gonna be making
01:57:13 Here's money up front to get you
01:57:18 "This is a reality. This is my future.
01:57:22 with my new family."
01:57:27 I can't really talk right now.
01:57:29 Invisible kid
01:57:32 Got stuck where he hid
01:57:35 Invisible kid
01:57:38 Where he'll never be known
01:57:41 Invisible kid
01:57:44 Got stuck where he hid
01:57:47 Invisible kid
01:57:50 Where he'll never be known
01:57:56 There's things that I miss,
01:57:58 and things, you know, like that. But
01:58:02 and way more days and even hours
01:58:08 all right.
01:58:11 You know, "You did the right thing
01:58:21 I don't know if it's the right time
01:58:24 but, I don't know,
01:58:27 About, you know, you and us and
01:58:34 And, you know, when I heard
01:58:36 and all of that, that brought up
01:58:39 "Wow, what is Phil's perception of,
01:58:45 with Metallica?" You know?
01:58:47 Well, I appreciate that. I was--
01:58:50 If it scared you, and that's part
01:58:53 then let me say we haven't decided
01:58:56 I've tried to make it clear
01:59:01 I think we've told people we're selling
01:59:03 but that doesn't mean
01:59:07 And we won't likely move
01:59:09 if there's not a future out there
01:59:14 because, you know, that's my--
01:59:17 I wanna make sure
01:59:20 I wanna be sure that the tour's on.
01:59:22 And I also, as I said,
01:59:26 for each of you and for the band.
01:59:32 I'd like us to honour what we had,
01:59:36 and if you wanna be away from--
01:59:38 You know, on your own or something
01:59:40 until we come back in June,
01:59:43 I don't know. I guess I have a problem
01:59:45 with the, "Let's see how it works out.
01:59:48 and then, "No, let's honour what
01:59:51 You know? That's kind of strange
01:59:55 Because I think that you use
01:59:59 when they're convenient at times,
02:00:02 Personal stuff or business things.
02:00:06 They're-- The boundaries are--
02:00:13 There's that element of-- Of trust that
02:00:19 And l-- And that-- I'm really sorry
02:00:24 I've been swimming uphill on that one
02:00:27 and I'd like for us
02:00:29 But maybe we can't.
02:00:30 I've gotta tell you that l--
02:00:34 either James or us, says:
02:00:37 You know, then I really think that
02:00:44 you know, just, you know,
02:00:47 You know, it's just, you know,
02:00:49 you know, timeout for a while,
02:00:52 That is great, although we--
02:00:56 Then it should be put on the table,
02:01:00 and should be able to walk away
02:01:05 which is now there are trust issues
02:01:07 I don't know how to separate out--
02:01:10 In its simplest form,
02:01:13 that you tell him that he needs
02:01:16 - If he has--
02:01:17 I'm not saying that.
02:01:18 I see that as a conflict of interest.
02:01:20 Look, I am saying you guys
02:01:25 It's okay for me to say
02:01:29 The premise is,
02:01:32 And I'm good with that.
02:01:35 Anyway, you go... It's--
02:01:40 - Anyway, let's jam.
02:01:42 I'm taking off. I'll see you
02:01:46 Thanks, man.
02:01:48 Who's in charge of my head today?
02:01:53 Dancing devils in angel's way
02:01:58 It's my time now
02:02:02 It's my time now
02:02:07 Look out, motherfuckers
02:02:11 I'm gonna make my head my home
02:02:17 The sons of bitches
02:02:21 Tried to make me
02:02:23 You've been in the band for five
02:02:25 It's such an honour,
02:02:36 Your voting interest will equal
02:02:38 in a new account,
02:02:40 will be one-third of the difference
02:02:41 between 100 percent
02:02:44 This is about as lawyer as you get.
02:02:48 - Sort of laying out--
02:02:50 Okay, so, for instance, in the first
02:02:55 So when we do a vote, you
02:02:58 you get 32 votes, you get five votes,
02:03:01 - But this doesn't mean anything.
02:03:05 I think in the spirit
02:03:07 we better do 25, and then
02:03:10 That works, that's fine. Cool.
02:03:33 Now, here it also says, "You will not
02:03:36 in the new Metallica account,
02:03:38 to recover any losses out
02:03:40 For instance, buying the documentary,
02:03:44 If the documentary loses money
02:03:47 any more money again,
02:03:50 Exactly.
02:03:54 "What'd you do with your money?"
02:03:56 "I went and bought a car,
02:03:58 and we went and bought
02:04:00 It was just-- You gotta keep
02:04:16 By the end of this week,
02:04:21 Because in three days, we won't
02:04:24 Well, the thing that stood out to me
02:04:29 I mean, there's--
02:04:33 - I like that title quite a bit.
02:04:36 just to say,
02:04:38 - Yeah, well, it's true. That's cool.
02:04:40 I think Frantic is a better album title.
02:04:44 - I think that's--
02:04:46 - It's more about the record.
02:04:49 It's an original statement.
02:04:52 Well, this is an angry record,
02:04:54 but you read the lyrics,
02:04:57 - It's also frantic.
02:04:58 Frantic is more like,
02:05:03 They don't--
02:05:05 They don't know what they're doing.
02:05:06 They're trying to climb back up
02:05:10 They're not sure of themselves."
02:05:12 I mean, hello, that's a fair thing.
02:05:14 I mean, if you think that Frantic
02:05:18 I never thought of it like that.
02:05:20 If it's St. Anger,
02:05:23 "These guys are angry. I know it.
02:05:25 They're angry about Napster.
02:05:28 that's coming in.
02:05:31 I'm angry too. I get it."
02:05:38 I think you guys know the idea about
02:05:44 So let me get this straight.
02:05:45 You're gonna go to
02:05:47 and Metallica's gonna play
02:05:50 - Yeah!
02:05:54 St. Anger 'round my neck
02:05:59 St. Anger 'round my neck
02:06:04 He never gets respect
02:06:09 St. Anger 'round my neck
02:06:14 I've been asked to come out here
02:06:17 about what this song means to us.
02:06:19 Anger's an emotion that I've struggled
02:06:25 - St. Anger 'round my neck
02:06:30 He never gets respect
02:06:38 There's a lot of misspent anger
02:06:40 that has come out sideways
02:06:44 Including yourselves.
02:06:46 And if I hadn't had music in my life,
02:06:48 it's quite possible I could be in here,
02:06:53 And I'd much rather be alive.
02:06:59 Madly in anger with you
02:07:01 I'm madly in anger with you
02:07:04 I'm madly in anger with you
02:07:07 I'm madly in anger with you
02:07:10 I'm pretty nervous up here.
02:07:13 I'm just trying to share
02:07:15 I'm not here to sell nothing,
02:07:24 Everyone is born good.
02:07:27 Everyone's got the same size soul,
02:07:31 So we're very proud to be
02:07:33 and play some music for you.
02:07:57 More than any other record,
02:07:59 but for me, this is like product
02:08:02 of what we're just doing, hanging out.
02:08:05 - It's almost like a diary.
02:08:07 It's like, here's our memories on CD,
02:08:11 It's like we've proven that
02:08:15 - without negative energy.
02:08:17 Okay, and I don't think anybody ever
02:08:22 You know? You can make
02:08:24 and fucked up, okay?
02:08:28 - between the people creating it.
02:08:32 It hit me, you know? This project's
02:08:36 I think I'm kind of bummed
02:08:38 I'm kind of, just, kind of liking
02:08:44 or the safeness in that.
02:08:49 Creating, you know?
02:08:55 I've been kind of coming down
02:09:02 I mean, getting up at 5 in the morning,
02:09:06 Just not really knowing
02:09:10 So I'm with you.
02:09:14 Like, I don't wanna let you go home.
02:09:17 I don't know.
02:09:19 I really appreciate that.
02:09:25 I don't know, I can feel myself
02:09:27 with some depression or something,
02:09:34 And I don't wanna do that.
02:09:35 I wanna feel the sadness of--
02:09:37 I mean, I didn't feel depressed,
02:09:40 And that's when I knew it was
02:09:44 My old stuff, you know?
02:09:46 I mean, there is some of that, but...
02:09:51 Sadness and depression, I guess
02:09:57 And, Phil, all the stuff
02:10:01 You've set out all the tools,
02:10:04 And you allowed us to build
02:10:12 With guidance.
02:10:15 I really appreciate your bringing
02:10:19 And there is a difference between
02:10:21 Clearly.
02:10:28 This is the hugest chapter in my life.
02:13:47 If I could have my wasted days back
02:13:50 Would I use them to get
02:13:56 Stand back. Stand back.
02:13:58 - I love you.
02:14:02 Can I find it inside
02:14:04 Could I have my wasted days back
02:14:13 You live it or lie it
02:14:16 You live it or lie it
02:14:19 My lifestyle determines my deathstyle
02:14:23 Determines my deathstyle
02:14:26 Keep searching
02:14:32 This search goes on
02:14:38 Keep searching, keep on searching
02:14:43 This search goes on
02:14:48 Frantic
02:14:50 Frantic
02:14:53 Frantic
02:14:56 Frantic
02:15:08 Go!
02:15:22 Thank you so much
02:15:24 for supporting Metallica through all
02:15:28 Metallica loves you!
02:15:32 Yeah!
02:15:47 Yeah!
02:15:49 Fucking a!
02:15:56 Metallica! Metallica! Metallica!