|
Miami Vice
|
| 00:01:33 |
Keep going. |
| 00:02:40 |
Here comes security. |
| 00:03:29 |
Yo. |
| 00:03:31 |
All right. It was a good run. |
| 00:03:33 |
Better than coming in third. |
| 00:03:36 |
Yeah, all right. |
| 00:03:40 |
Are you ready, baby? |
| 00:03:44 |
There's Michael. |
| 00:03:50 |
Here we go. |
| 00:03:54 |
MAN: I know you're looking for |
| 00:03:58 |
Hey, ladies. |
| 00:04:01 |
The Latina. |
| 00:04:02 |
Man, that's Miss Cuba. |
| 00:04:04 |
Hi. |
| 00:04:07 |
And the tall Jamaican, |
| 00:04:10 |
(CHUCKLING) |
| 00:04:12 |
Oh, yeah. |
| 00:04:14 |
One for three |
| 00:04:18 |
All right. Let's go for three |
| 00:04:25 |
(NUMB/ENCORE PLAYING) |
| 00:04:50 |
(INAUDIBLE) |
| 00:05:36 |
Hey, darling. |
| 00:05:40 |
Lemon or lime? |
| 00:05:42 |
Lime. |
| 00:05:44 |
Where you from? |
| 00:05:46 |
Lisboa. That's in Portugal. |
| 00:05:49 |
But you got your tan in Miami? |
| 00:05:59 |
What's your name? |
| 00:06:01 |
Rita. |
| 00:06:09 |
See you later, Rita. |
| 00:06:52 |
Hey, Michael. |
| 00:06:54 |
(LAUGHS) |
| 00:06:56 |
Neptune. |
| 00:06:57 |
Hey, baby. |
| 00:07:00 |
Here you go. |
| 00:07:04 |
Let me hit you now. |
| 00:07:05 |
No, no, no. |
| 00:07:07 |
Be cool. |
| 00:07:09 |
Hit me later. |
| 00:07:17 |
What's with number three? |
| 00:07:24 |
She's sick, man. |
| 00:07:29 |
That's cool. I'll go with two. |
| 00:07:32 |
Let's go, sweetheart. |
| 00:08:40 |
NEPTUNE: Do you know how much |
| 00:08:42 |
GIRL: No. |
| 00:08:44 |
(GROANING) |
| 00:08:46 |
(NEPTUNE SPEAKING CREOLE) |
| 00:08:52 |
BOUNCER: Where you going? |
| 00:09:10 |
SONNY: Easy. Easy. |
| 00:09:18 |
Neptune should ease up |
| 00:09:21 |
Flip the girls upstairs |
| 00:09:25 |
His day will come. |
| 00:09:27 |
(PHONE RINGING) |
| 00:09:29 |
Hello? |
| 00:09:35 |
SONNY: Hello? |
| 00:09:39 |
Hello? |
| 00:09:40 |
ALONZO ON PHONE: Sonny? |
| 00:09:47 |
Sonny? |
| 00:09:48 |
Alonzo? |
| 00:09:50 |
Alonzo, I can't talk. |
| 00:09:53 |
Take care of Leonetta for me. |
| 00:09:56 |
Ask Ricardo to do that. |
| 00:09:59 |
I gave up nothing on you. |
| 00:10:01 |
They're on their own. |
| 00:10:05 |
(CAR HORN BLARING) |
| 00:10:07 |
Alonzo, what are you |
| 00:10:10 |
I'm falling by the house, |
| 00:10:13 |
and then I'm gone. |
| 00:10:15 |
So whatever you can |
| 00:10:17 |
Alonzo. |
| 00:10:21 |
Goodbye. |
| 00:10:25 |
What is it? |
| 00:10:27 |
Something's wrong. |
| 00:10:29 |
He told you to |
| 00:10:33 |
(TELEPHONE RINGING) |
| 00:10:38 |
FBI Miami. |
| 00:10:40 |
This is Detective Crockett, |
| 00:10:46 |
(TELEPHONE RINGING) |
| 00:10:56 |
RICO ON MACHINE: Leonetta, |
| 00:11:07 |
(ANSWERING MACHINE BEEPING) |
| 00:11:15 |
This is ASAC John Fujima. |
| 00:11:18 |
Detective Crockett. |
| 00:11:19 |
What's your Miami-Dade |
| 00:11:21 |
447-Charlie-1292. |
| 00:11:24 |
447-Charlie-1292. |
| 00:11:27 |
FBI OFFICER ON PHONE: |
| 00:11:29 |
Bobby G., it's Rico. |
| 00:11:30 |
Hey, that transponder we had |
| 00:11:34 |
When's the last time |
| 00:11:35 |
I don't know. |
| 00:11:40 |
Okay. So? |
| 00:11:41 |
SONNY: One of your deals |
| 00:11:43 |
Confidential informant |
| 00:11:47 |
CI's name is Alonzo Stevens. |
| 00:11:50 |
We haven't spoken to him |
| 00:11:52 |
How do I discuss this over |
| 00:11:54 |
How the hell do I know? |
| 00:11:56 |
We got the phone call |
| 00:11:58 |
That is the hand |
| 00:12:03 |
Now, I do not know what case |
| 00:12:07 |
it is going bad, |
| 00:12:22 |
It's a preliminary |
| 00:12:27 |
RICO ON PHONE: Meet and greet? |
| 00:12:29 |
You flash me yours, |
| 00:12:31 |
FUJIMA: Who are you? |
| 00:12:33 |
Ricardo Tubbs. |
| 00:12:35 |
Yeah, deal goes down |
| 00:12:38 |
So, what? |
| 00:12:40 |
FUJIMA: That's right. |
| 00:12:42 |
Colombians? Russians? |
| 00:12:43 |
White supremacists. |
| 00:12:45 |
And that tape is not gonna |
| 00:12:48 |
Aryan Brotherhood? Mongols? |
| 00:12:50 |
We think Aryan Brotherhood, |
| 00:12:56 |
What's up? |
| 00:12:57 |
Get Michael out of there. |
| 00:12:59 |
What about Neptune? |
| 00:13:01 |
It's Neptune's lucky night. |
| 00:13:04 |
What else |
| 00:13:06 |
He said that it went bad, |
| 00:13:16 |
ZITO: Rico, |
| 00:13:18 |
Hey, he just got |
| 00:13:45 |
We got meth, |
| 00:13:49 |
Mitsus, Ames, Colombian H. |
| 00:13:52 |
Ice. |
| 00:13:56 |
Party down with the coke. |
| 00:13:58 |
You're looking at 92% pure. |
| 00:14:00 |
Not like that jumped-on powder |
| 00:14:09 |
Never seen green? |
| 00:14:24 |
You got the green. |
| 00:14:29 |
We party. |
| 00:14:30 |
Larry'll call you in the a.m. |
| 00:14:42 |
Hey, Ivan! |
| 00:14:44 |
My brother. |
| 00:14:50 |
How long have you been working |
| 00:14:53 |
(ENGINE STARTING) |
| 00:15:30 |
Alonzo, pull over! |
| 00:15:35 |
Pull over! |
| 00:15:48 |
Stay back! |
| 00:15:49 |
What'd you do? |
| 00:15:52 |
I fronted their undercover |
| 00:15:56 |
They're Feds, |
| 00:15:58 |
I was the middleman. |
| 00:16:01 |
What, 15%? |
| 00:16:02 |
Yeah, yeah, yeah, |
| 00:16:07 |
They grabbed Leonetta. |
| 00:16:14 |
They took Leonetta. |
| 00:16:20 |
I gave them up, man. |
| 00:16:23 |
Gave up the Feds. Everything. |
| 00:16:28 |
Everything I knew. |
| 00:16:31 |
Got people there now. |
| 00:16:38 |
How did they |
| 00:16:39 |
How the hell do I know? |
| 00:16:41 |
They knew one Russian was FBI |
| 00:16:45 |
They knew I knew. |
| 00:16:48 |
Rico, I gotta go. |
| 00:16:49 |
Alonzo. Alonzo. |
| 00:16:51 |
(RICO DIALING PHONE) |
| 00:16:54 |
(RINGING) |
| 00:16:56 |
Rico, I got to go. |
| 00:16:57 |
Alonzo. Alonzo! |
| 00:16:58 |
I gotta fucking go! |
| 00:17:11 |
(HANGS UP) |
| 00:17:13 |
You don't... |
| 00:17:18 |
You don't... |
| 00:17:22 |
You don't need to go home. |
| 00:17:29 |
They said |
| 00:17:32 |
They lied. |
| 00:17:53 |
RICO: Alonzo! |
| 00:18:04 |
Prints on the fridge. |
| 00:18:07 |
Hold on. |
| 00:18:13 |
(PHONE RINGING) |
| 00:18:15 |
Yeah. |
| 00:18:17 |
CASTILLO: Where are you? |
| 00:18:19 |
Just a couple blocks away. |
| 00:18:22 |
Turn around. |
| 00:18:23 |
Turn around? |
| 00:18:26 |
Meet me in 15 minutes, |
| 00:18:56 |
What the hell just happened? |
| 00:18:59 |
Who's this? |
| 00:19:00 |
He needs to talk to you. |
| 00:19:04 |
I'm Fujima. |
| 00:19:07 |
So, this was your operation? |
| 00:19:10 |
We trusted our informant, |
| 00:19:13 |
What, did you |
| 00:19:15 |
What the fuck happened, man? |
| 00:19:18 |
SONNY: And so did our... |
| 00:19:25 |
They discovered |
| 00:19:31 |
This was an interagency |
| 00:19:36 |
The leak could have come |
| 00:19:39 |
I gotta assume |
| 00:19:42 |
Compromised? Your whole |
| 00:19:47 |
Meanwhile, it does not track. |
| 00:19:52 |
White supremacist gang? |
| 00:19:53 |
White prison gangs is tweakers |
| 00:19:57 |
Bouncing the old lady around |
| 00:20:00 |
And how did they get |
| 00:20:06 |
And what we here |
| 00:20:09 |
Miami-Dade wasn't |
| 00:20:13 |
Oh. |
| 00:20:15 |
They don't know you. |
| 00:20:16 |
So, you want to recruit us? |
| 00:20:19 |
Identify them. Who are they? |
| 00:20:22 |
How did they cut into us? |
| 00:20:23 |
How do we cut into them? |
| 00:20:26 |
How do we get |
| 00:20:29 |
Make a buy. That worked well. |
| 00:20:32 |
Sell to them? We supply them? |
| 00:20:35 |
No, they got |
| 00:20:37 |
Colombian named José Yero, |
| 00:20:40 |
Okay. So what about Yero? |
| 00:20:43 |
FUJIMA: Possible. |
| 00:20:45 |
Money laundering? Transpo? |
| 00:20:47 |
He outsources |
| 00:20:50 |
Okay. |
| 00:20:52 |
Do we run an undercover |
| 00:20:57 |
So we transport |
| 00:21:00 |
So can we run a load for Yero |
| 00:21:04 |
He transships out of Haiti. |
| 00:21:06 |
Flies his product in from |
| 00:21:14 |
This is a FLIR image |
| 00:21:19 |
FUJIMA: AWAC shot it. |
| 00:21:23 |
That's all we got. |
| 00:21:29 |
All right. If they do this, |
| 00:21:32 |
I'd like them deputized |
| 00:21:37 |
Fine by me. |
| 00:21:38 |
Because your op sec is blown, |
| 00:21:40 |
your agency can't know |
| 00:21:45 |
That's why I came alone. |
| 00:21:49 |
Sorry about your men. |
| 00:22:00 |
What'd you spot? |
| 00:22:04 |
Go-fast boats running |
| 00:22:09 |
Total darkness? |
| 00:22:11 |
Plus, who runs four 250 Mercs |
| 00:22:15 |
Sal Maguda. |
| 00:22:16 |
He that good? |
| 00:22:22 |
SONNY: Bleaching it down. |
| 00:22:24 |
Must have just unloaded. |
| 00:22:37 |
RICO: Who are we? |
| 00:22:53 |
(RICO SHOUTING IN CREOLE) |
| 00:23:07 |
Do you know |
| 00:23:09 |
What are you doing? |
| 00:23:58 |
(TELEPHONE RINGING) |
| 00:24:01 |
Hello? |
| 00:24:03 |
Hey, Nicholas, my ace. |
| 00:24:06 |
Everything's good. You? |
| 00:24:07 |
RICO ON PHONE: We good. |
| 00:24:09 |
As a matter of fact, |
| 00:24:16 |
Nicholas, how you doing? |
| 00:24:17 |
Sonny. What's up? |
| 00:24:19 |
Somebody's something's |
| 00:24:22 |
Not too distant in the future. |
| 00:24:24 |
Except he had |
| 00:24:28 |
Call Colombia. |
| 00:24:30 |
Man, that's José Yero. |
| 00:24:34 |
NICHOLAS: He is AUC, you know. |
| 00:24:39 |
You know who they are? |
| 00:24:43 |
You mean, they walk around |
| 00:24:46 |
No. They farm, process, |
| 00:24:50 |
I know what it means. |
| 00:24:51 |
No, see, |
| 00:24:54 |
A player negotiates too hard |
| 00:24:57 |
'cause these guys |
| 00:25:00 |
I gotta know |
| 00:25:02 |
It's none of your |
| 00:25:03 |
It can come back on me, baby. |
| 00:25:04 |
It can't come back |
| 00:25:06 |
Am I assured of that? |
| 00:25:07 |
Hey, sunshine. |
| 00:25:09 |
When has Rico or Sonny |
| 00:25:12 |
I mean, when has anything |
| 00:25:16 |
RICO: You saying I lie to you? |
| 00:25:18 |
Yes, you are. |
| 00:25:19 |
NICHOLAS: It's just |
| 00:25:22 |
"That's why," what? |
| 00:25:25 |
this group goes from zero |
| 00:25:28 |
You made a 15% commission |
| 00:25:32 |
I put you into, |
| 00:25:33 |
you know, which is why |
| 00:25:36 |
And you question |
| 00:25:38 |
Fuck that. I will cap your |
| 00:25:42 |
Yeah, then we can kick back |
| 00:25:46 |
After we clean this place up. |
| 00:25:48 |
Plus he's gonna commission |
| 00:25:52 |
Anybody looking at |
| 00:25:55 |
SONNY: Any reason |
| 00:25:58 |
That's the sound of |
| 00:26:02 |
On account of how fast |
| 00:26:06 |
Why is this happening to me? |
| 00:26:09 |
Because you |
| 00:26:11 |
Can't do time, |
| 00:26:13 |
SONNY: He's cool. |
| 00:26:29 |
NICHOLAS: All I know, |
| 00:26:32 |
they do big volume |
| 00:26:35 |
Can you vouch for them? |
| 00:26:36 |
Yeah. Of course |
| 00:26:39 |
All right. Check them out |
| 00:27:40 |
Hey, you. |
| 00:27:43 |
Wake up. |
| 00:27:44 |
What happened to you? |
| 00:27:47 |
I can't talk about it. |
| 00:27:50 |
This is all right. |
| 00:28:17 |
(GRUNTS) |
| 00:28:26 |
I'm just joking. |
| 00:28:28 |
(BOTH LAUGHING) |
| 00:28:55 |
Go to sleep. |
| 00:29:14 |
Any word? |
| 00:29:25 |
Hey, Trudy. Hey, Sonny. |
| 00:29:27 |
Hey, Trudy. |
| 00:29:29 |
Who are we here? |
| 00:29:31 |
It's the same fabricated |
| 00:29:36 |
TRUDY: Rico. |
| 00:29:38 |
3-to-5 on assault, |
| 00:29:42 |
Sonny, Marine Corps, |
| 00:29:45 |
Five out of eight, |
| 00:29:48 |
Pelican Bay, |
| 00:29:50 |
And then it goes cold, |
| 00:29:52 |
'cause presumably you're both |
| 00:29:56 |
What about this place? |
| 00:29:58 |
It'll show up |
| 00:30:01 |
How'd they test? |
| 00:30:02 |
And who tested them? |
| 00:30:04 |
TRUDY: Helene in NYPD. |
| 00:30:06 |
And she worked through |
| 00:30:08 |
and then she found your |
| 00:32:01 |
(PHONE RINGING) |
| 00:32:05 |
SONNY ON PHONE: Yeah. |
| 00:32:07 |
You're on. |
| 00:32:11 |
NICHOLAS: He'll negotiate |
| 00:32:14 |
Call me after you've landed |
| 00:32:16 |
'cause only when you're |
| 00:32:25 |
(THUNDER RUMBLING) |
| 00:32:30 |
Be careful. Be cool. |
| 00:32:50 |
Approaching. |
| 00:32:53 |
Clear to the ILS runway 1-0 |
| 00:33:33 |
Why do I get the feeling |
| 00:33:37 |
'Cause everybody knows |
| 00:34:36 |
Sit. |
| 00:34:38 |
José. |
| 00:34:39 |
Sonny Burnett. |
| 00:34:43 |
Thank you for coming down. |
| 00:34:45 |
So, let's lay it out. |
| 00:34:46 |
Nicholas say you |
| 00:34:48 |
That's nice, 'cause we got |
| 00:34:51 |
Real tight. |
| 00:34:52 |
Move to where? |
| 00:34:54 |
To New York, |
| 00:34:56 |
Move when? |
| 00:34:58 |
That's kind of all of |
| 00:35:00 |
RICO: That means |
| 00:35:02 |
So, the price, is it right? |
| 00:35:06 |
Price is right. |
| 00:35:07 |
But how I know if you |
| 00:35:15 |
What's that? |
| 00:35:17 |
Yeah, your business. |
| 00:35:20 |
Whose product you move? |
| 00:35:22 |
Other than Nicholas, |
| 00:35:30 |
Well, my mommy |
| 00:35:34 |
And we don't talk about |
| 00:35:36 |
And we didn't come down here |
| 00:35:38 |
Business auditions for us. |
| 00:35:44 |
And knows all about us, |
| 00:35:46 |
That way we don't waste avgas |
| 00:35:50 |
(ALL CLAMORING) |
| 00:36:02 |
SONNY: You want us to be |
| 00:36:05 |
You can't find out |
| 00:36:07 |
Why do I not buy that? |
| 00:36:09 |
You with DEA? |
| 00:36:11 |
They targeting |
| 00:36:14 |
You wearing a wire? |
| 00:36:23 |
RICO: I'm gonna tell you |
| 00:36:25 |
People gonna come in here, |
| 00:36:27 |
They're gonna look around |
| 00:36:30 |
"That's some crazy |
| 00:36:32 |
"Jackson Pollock?" |
| 00:36:38 |
"No, viejo. That was |
| 00:36:43 |
So, we can close |
| 00:36:50 |
But then ain't nobody |
| 00:36:58 |
ISABELLA: José. |
| 00:37:00 |
(ISABELLA SPEAKING SPANISH) |
| 00:37:18 |
So let's talk equipment. |
| 00:37:19 |
Adam A500s, carbon composite, |
| 00:37:23 |
1,400 nautical-mile range, |
| 00:37:25 |
We like Caravelles and 727s |
| 00:37:28 |
to transshipment |
| 00:37:30 |
Big loads, we like containers. |
| 00:37:32 |
Smaller loads |
| 00:37:36 |
So, what's the weight? |
| 00:37:37 |
First, let's talk logistics. |
| 00:37:39 |
You pick up a load, |
| 00:37:43 |
and our people then |
| 00:37:45 |
Now, not so fast. People |
| 00:37:49 |
You know, |
| 00:37:51 |
dopers, first-timers, |
| 00:37:54 |
They didn't do time with us, |
| 00:37:57 |
Once we pick up the load, |
| 00:37:59 |
it'll be a date, time, |
| 00:38:01 |
Like, "There's a 18-wheeler |
| 00:38:03 |
in north Miami with the keys |
| 00:38:05 |
You pick it up, |
| 00:38:11 |
So, when you |
| 00:38:16 |
Never. |
| 00:38:17 |
'Cause how you drop loads, |
| 00:38:21 |
Then it don't work. |
| 00:38:23 |
Red light, green light, José. |
| 00:38:26 |
They also call me Cochi Loco. |
| 00:38:30 |
That means "crazy pig." |
| 00:38:33 |
'Cause I run security |
| 00:38:36 |
I get people to tell me |
| 00:38:40 |
And I have eyes everywhere. |
| 00:38:44 |
That part of what I do, |
| 00:38:49 |
Other people negotiate money, |
| 00:38:53 |
Yes, no, maybe so. |
| 00:38:59 |
Not me. |
| 00:39:00 |
So, what the hell |
| 00:39:03 |
I had to lay my eyes on you. |
| 00:39:04 |
Why is that? |
| 00:39:06 |
To see if you go meet the Man. |
| 00:39:13 |
And? |
| 00:39:17 |
You seem okay. |
| 00:39:22 |
But him, |
| 00:39:24 |
I don't like how he looks. |
| 00:39:29 |
Do you want to |
| 00:39:33 |
'Cause I don't give a shit |
| 00:39:38 |
Wait by the phone |
| 00:39:42 |
You get a call, |
| 00:39:46 |
And then you can piss off |
| 00:40:44 |
Yero said New York |
| 00:40:48 |
Then this load |
| 00:40:51 |
That may take load number two. |
| 00:40:57 |
(PHONE RINGING) |
| 00:41:04 |
(SPEAKING CREOLE) |
| 00:41:10 |
That was fast. |
| 00:41:37 |
Full signal, no service. |
| 00:41:43 |
This is the type of stuff |
| 00:41:47 |
Yeah. What's it doing |
| 00:42:16 |
Out of the car. |
| 00:42:41 |
MAN: See the three trucks? |
| 00:43:01 |
SONNY: Where'd |
| 00:43:23 |
Ready, boss? |
| 00:43:34 |
Excuse me, |
| 00:43:37 |
I have many things to do, |
| 00:43:41 |
I will try you out |
| 00:43:47 |
1,000 ki's out of Colombia. |
| 00:43:52 |
In all matters, |
| 00:43:55 |
you must do |
| 00:43:59 |
In this business with me, |
| 00:44:04 |
If you say |
| 00:44:06 |
you must do |
| 00:44:11 |
Then you will prosper |
| 00:44:17 |
You will contact and work |
| 00:44:20 |
on logistics, |
| 00:44:23 |
To do with money and terms, |
| 00:44:28 |
I look forward |
| 00:44:33 |
Whether we do or do not, |
| 00:44:39 |
I extend my best wishes |
| 00:44:47 |
Thank you for |
| 00:45:51 |
Signal's back. |
| 00:45:58 |
TRUDY: Hello? |
| 00:46:03 |
Sure. |
| 00:46:04 |
You sure? |
| 00:46:07 |
Yeah. What's up? |
| 00:46:09 |
Yeah. Just saying what's up, |
| 00:46:16 |
I'm bored. |
| 00:46:20 |
Bored, okay. All right, |
| 00:46:23 |
Yeah. |
| 00:46:26 |
Hey. |
| 00:46:30 |
Thanks for the flowers. |
| 00:46:34 |
Flowers? What flowers? |
| 00:46:36 |
The bouquet here. |
| 00:46:40 |
It's $500 worth of roses. |
| 00:46:44 |
Yellow. |
| 00:46:50 |
Was there a note? |
| 00:46:52 |
You mean with the flowers? |
| 00:46:53 |
Was there a note |
| 00:47:06 |
"Salutations from your friend |
| 00:47:11 |
I thought it was from you. |
| 00:47:18 |
Okay, we're on our way. |
| 00:47:21 |
We'll grab a bite. |
| 00:47:54 |
TRUDY: The lease is under |
| 00:48:00 |
It'd take the FBI a week. |
| 00:48:03 |
About three hours, four. |
| 00:48:06 |
Yes, I am impressed. |
| 00:48:12 |
The flowers? They mean, |
| 00:48:14 |
"where your dog lives, |
| 00:48:16 |
"We can reach out |
| 00:48:20 |
Listen. Even if |
| 00:48:21 |
the only thing they're |
| 00:48:25 |
Trust what you built. |
| 00:48:27 |
That's quality. |
| 00:48:35 |
You trying to reassure me? |
| 00:48:39 |
You're worried about me? |
| 00:48:46 |
I got Gina on back up. |
| 00:48:52 |
You and Sonny |
| 00:48:57 |
If your focus is on me, |
| 00:49:00 |
you will miss something |
| 00:49:03 |
I'd die if anything |
| 00:49:09 |
You worry about you. |
| 00:49:12 |
You and Sonny. And I'm fine. |
| 00:49:18 |
They sent us some flowers. |
| 00:49:23 |
Thanks for the flowers. |
| 00:50:14 |
Flight 000 is airborne. |
| 00:50:18 |
PILOT: This is November |
| 00:50:44 |
CONTROLLER: Good afternoon. |
| 00:50:49 |
WOMAN: November 636 |
| 00:50:53 |
636. |
| 00:51:07 |
CONTROLLER: |
| 00:51:10 |
Radar contact. |
| 00:51:13 |
King Air 1206 Sierra, |
| 00:51:16 |
you see anything |
| 00:51:24 |
This is November 1206 Sierra. |
| 00:51:30 |
I got a double hit. |
| 00:51:46 |
Let me see. |
| 00:51:49 |
CONTROLLER: Go down to 220. |
| 00:51:52 |
Ghost. One blip, one plane. |
| 00:52:18 |
(TELEPHONE RINGING) |
| 00:52:20 |
Yeah. |
| 00:52:21 |
Oye, Burnett. Our client |
| 00:52:26 |
Yeah, but we had a problem |
| 00:52:29 |
SONNY ON PHONE: |
| 00:52:37 |
You know a detail shop |
| 00:52:40 |
I do. |
| 00:52:41 |
Across the street |
| 00:52:51 |
Here we go. |
| 00:52:58 |
Only two. |
| 00:53:17 |
RICO: They tried to |
| 00:53:23 |
YERO: Haitians stole |
| 00:53:27 |
That's my load. |
| 00:53:29 |
RICO: How'd they know |
| 00:53:34 |
How'd they know? |
| 00:53:40 |
See you later. |
| 00:53:51 |
YERO: I see you, |
| 00:53:56 |
all in the same place. |
| 00:53:58 |
Well, you don't like us |
| 00:54:00 |
we can go ahead |
| 00:54:02 |
What other suspicions |
| 00:54:13 |
(SPEAKING SPANISH) |
| 00:54:20 |
We want our product back. |
| 00:54:23 |
Sure. |
| 00:54:24 |
How much? |
| 00:54:26 |
How much... |
| 00:54:30 |
For what? |
| 00:54:31 |
For recovering that. |
| 00:54:35 |
Nothing. |
| 00:54:37 |
Nothing? |
| 00:54:39 |
Consider it an investment |
| 00:54:44 |
in the future of |
| 00:54:48 |
That is because it's yours. |
| 00:54:59 |
So is this a one-time deal? |
| 00:55:02 |
Or is something else |
| 00:55:14 |
Give them the shipment |
| 00:55:23 |
RICO: Conveyance? |
| 00:55:24 |
By ocean. Out of Barranquilla. |
| 00:55:30 |
José has details. |
| 00:55:47 |
Lay it out. |
| 00:55:49 |
You're gonna get |
| 00:55:53 |
Ma'am. |
| 00:55:55 |
Do me one favor. |
| 00:55:57 |
In return for the risks |
| 00:56:00 |
allow me to buy you a drink. |
| 00:56:10 |
How fast does that go? |
| 00:56:13 |
Goes very fast. |
| 00:56:17 |
Show me. |
| 00:56:19 |
Where would you like to go? |
| 00:56:23 |
What do you like to drink? |
| 00:56:27 |
I'm a fiend for mojitos. |
| 00:56:31 |
I know a place. |
| 00:56:35 |
RICO: Partner. |
| 00:56:40 |
I know what I'm doing. |
| 00:56:51 |
All right. |
| 00:56:53 |
longs and lats |
| 00:56:55 |
But I need a vector, |
| 00:56:57 |
Ships move, that's why |
| 00:56:59 |
Ship stops, |
| 00:57:02 |
At sea, that is |
| 00:57:05 |
AWACS, Coast Guard, |
| 00:57:26 |
I take you to |
| 00:57:29 |
Where is that? |
| 00:57:32 |
Bodeguita del Medio. |
| 00:57:34 |
Oh, the Keys? |
| 00:57:38 |
Havana. |
| 00:57:40 |
Havana? |
| 00:57:43 |
Cubans don't like my business. |
| 00:57:46 |
And they don't |
| 00:57:48 |
It's okay, |
| 00:58:08 |
Grab the wheel. |
| 00:58:22 |
You do business in Cuba |
| 00:58:27 |
I never do business in Cuba. |
| 00:58:29 |
And Jesús is not my husband. |
| 00:58:38 |
I'm a businesswoman. |
| 00:58:42 |
I do not need a husband |
| 00:58:55 |
(SEATBELT CLICKING) |
| 00:59:39 |
(CUBAN MUSIC PLAYING) |
| 01:00:00 |
You like the mojito? |
| 01:00:01 |
Mojito's great. |
| 01:00:07 |
Do you dance? |
| 01:00:10 |
I dance. |
| 01:03:22 |
(SPEAKING SPANISH) |
| 01:03:42 |
My aunt. She old. |
| 01:03:47 |
This was my mother house. |
| 01:03:50 |
You grew up in this house? |
| 01:03:53 |
And then we went to Angola. |
| 01:03:58 |
She's still in Africa? |
| 01:04:01 |
She died there |
| 01:04:11 |
(ISABELLA SPEAKING SPANISH) |
| 01:04:18 |
You will like it. |
| 01:04:20 |
Allman Brothers. |
| 01:04:23 |
No. |
| 01:04:24 |
Lynyrd Skynyrd? Free Bird? |
| 01:04:26 |
No Skynyrd. |
| 01:04:28 |
Well, that was |
| 01:04:30 |
And he played |
| 01:04:32 |
But his luck was... |
| 01:04:37 |
Well, my dad never got lucky, |
| 01:04:42 |
Yeah, I didn't see |
| 01:04:50 |
You look like your mother? |
| 01:04:52 |
Why? |
| 01:04:56 |
I show you photograph. |
| 01:05:12 |
This is a bad idea. |
| 01:05:17 |
This is past a bad idea. |
| 01:05:19 |
And it has no future. |
| 01:05:22 |
That's right. |
| 01:05:24 |
So, then there's |
| 01:05:28 |
Come here. |
| 01:06:23 |
See? |
| 01:06:29 |
Lucinda somebody's wedding. |
| 01:06:32 |
Everybody is with couples. |
| 01:06:35 |
Husbands and wives, |
| 01:06:40 |
But she is the most special. |
| 01:07:49 |
Let's talk |
| 01:08:00 |
You pay us zero. |
| 01:08:05 |
Is it December? |
| 01:08:07 |
Why? |
| 01:08:09 |
Did Christmas |
| 01:08:11 |
No. |
| 01:08:14 |
We become partners |
| 01:08:17 |
What we want is |
| 01:08:23 |
And why, you're thinking, |
| 01:08:26 |
would I be crazy enough |
| 01:08:29 |
It's because Sonny and Ricardo |
| 01:08:34 |
We guarantee loads. |
| 01:08:37 |
Comes up short, we make good. |
| 01:08:41 |
Your operation will run |
| 01:08:49 |
And you are the 25% partner? |
| 01:08:53 |
You? |
| 01:08:55 |
What if I tell you |
| 01:09:01 |
And merely to propose this |
| 01:09:07 |
Then I would say to you, |
| 01:09:10 |
Okay. So? |
| 01:09:18 |
Think of the cash |
| 01:09:20 |
Cash is not difficult. |
| 01:09:30 |
Seventeen. |
| 01:09:36 |
I would say you're |
| 01:09:40 |
Maybe I'm only one. |
| 01:09:45 |
You've convinced me. |
| 01:09:52 |
(TELEPHONE RINGING) |
| 01:09:59 |
RICO ON PHONE: What's up? |
| 01:10:01 |
I'm on my way back. |
| 01:10:25 |
The meeting with Castillo |
| 01:10:28 |
What's up, Sonny. You okay? |
| 01:10:30 |
So, where you been? |
| 01:10:31 |
Hit a couple of jazz clubs, |
| 01:10:34 |
Where? |
| 01:10:35 |
Where's Vedado? |
| 01:10:37 |
You went to Havana, Cuba? |
| 01:10:39 |
No, Havana, Louisiana. |
| 01:10:40 |
Don't we have a meet? |
| 01:10:41 |
You making moves |
| 01:10:43 |
No. |
| 01:10:45 |
We're making |
| 01:10:46 |
Oh, so that's supposed to |
| 01:10:49 |
Something like that. |
| 01:10:54 |
So what happened |
| 01:10:57 |
Went to Dominicans |
| 01:10:58 |
We think load number two's |
| 01:11:01 |
South Florida. |
| 01:11:03 |
Okay, that's great. |
| 01:11:07 |
But we wanna go |
| 01:11:10 |
Why are we going exploring? |
| 01:11:13 |
Who's the "we"? |
| 01:11:14 |
Only thing you've |
| 01:11:17 |
How's that? |
| 01:11:18 |
José Yero, cocaine producer? |
| 01:11:21 |
Yero's middle management, |
| 01:11:25 |
run by |
| 01:11:28 |
Montoya's the new news. |
| 01:11:31 |
Moving? |
| 01:11:32 |
Colombian coke and H, |
| 01:11:35 |
E from Holland, |
| 01:11:37 |
What's this got to do |
| 01:11:41 |
We're seeing their ops. |
| 01:11:43 |
Transpo. You know, |
| 01:11:46 |
It would take years |
| 01:11:50 |
We want to stay under, |
| 01:11:55 |
and hold off busting |
| 01:11:59 |
We illuminate Montoya's |
| 01:12:03 |
No one has ever tread before |
| 01:12:05 |
Well, the answer's no. |
| 01:12:08 |
We take the Aryan Brothers, |
| 01:12:12 |
It's a bird in the hand. |
| 01:12:13 |
I'm not changing my op plan |
| 01:12:18 |
Look, I know undercover |
| 01:12:20 |
some outlaw attitude. |
| 01:12:24 |
Okay, but that... |
| 01:12:25 |
Chill. Sonny, chill. |
| 01:12:30 |
You know what |
| 01:12:32 |
He'll get his picture |
| 01:12:35 |
save his punk-ass career |
| 01:12:38 |
We are not backing off this. |
| 01:12:44 |
Where you on this? |
| 01:12:47 |
100% with Sonny. |
| 01:12:52 |
Change the mission statement. |
| 01:12:58 |
I have to run it |
| 01:13:00 |
Hey, slick. |
| 01:13:04 |
You don't have the time |
| 01:13:07 |
If I close this down, |
| 01:13:11 |
I will close it down |
| 01:13:14 |
And you can |
| 01:13:20 |
All right, do it. |
| 01:13:25 |
You fucking better be right. |
| 01:13:36 |
So, what's going on? |
| 01:13:38 |
As in, there's undercover |
| 01:13:43 |
Oh, you think |
| 01:13:51 |
I will never doubt you. |
| 01:14:39 |
(FEMALE NEWSCASTER |
| 01:14:52 |
Did you find it? |
| 01:14:55 |
Dominion or Blackstone |
| 01:14:58 |
Through Hong Kong bank? |
| 01:15:01 |
Ukrainian shipment? |
| 01:15:03 |
Eight tons, |
| 01:15:08 |
on the 27th. |
| 01:15:11 |
Tell me about |
| 01:15:14 |
They want 18% of the product |
| 01:15:19 |
Our risk goes to zero. |
| 01:15:22 |
And Burnett? |
| 01:15:25 |
What does your |
| 01:15:31 |
My intuition about Burnett? |
| 01:15:38 |
I slept with him in Havana. |
| 01:15:47 |
And? |
| 01:15:50 |
A serious man. |
| 01:15:53 |
Ambitious, |
| 01:15:57 |
After a few good runs, |
| 01:16:02 |
That's my girl. |
| 01:16:05 |
But José Yero thinks |
| 01:16:09 |
On the next load, he wants |
| 01:16:20 |
What do you wanna do? |
| 01:16:26 |
I like the diminished risk. |
| 01:16:28 |
I like businessmen who are |
| 01:16:37 |
On the other hand, |
| 01:16:43 |
After the load is received, |
| 01:16:57 |
We will try a few runs |
| 01:17:01 |
I will tell José. |
| 01:18:04 |
(SPEAKING SPANISH) |
| 01:18:55 |
(SPEAKING SPANISH) |
| 01:18:58 |
(SPEAKING SPANISH) |
| 01:19:08 |
Hey, what's up? |
| 01:19:10 |
It's a pleasure. |
| 01:19:13 |
I redid it. |
| 01:19:14 |
And I got places in Medellín, |
| 01:19:20 |
You like clubs? |
| 01:19:21 |
Oh, yeah. I'm a disco guy. |
| 01:19:25 |
(SPEAKING SPANISH) |
| 01:19:28 |
In the back. |
| 01:19:44 |
In Colón, in Panama, |
| 01:19:50 |
Crates with Russian marking. |
| 01:19:53 |
Do not open them. |
| 01:19:55 |
The 4,000 ki's you move |
| 01:20:01 |
So long as |
| 01:20:06 |
Sure. |
| 01:20:07 |
But the crates, |
| 01:20:11 |
You want us to break down |
| 01:20:14 |
No. It's one, |
| 01:20:19 |
RICO: José, my ace. |
| 01:20:22 |
Skies are crowded, man. |
| 01:20:24 |
AWAC's, ICE, |
| 01:20:28 |
Do you have any counterintel |
| 01:20:32 |
YERO: Sure. |
| 01:20:35 |
Check your e-mail. |
| 01:21:13 |
(TELEPHONE RINGING) |
| 01:21:19 |
BODYGUARD: Hello? |
| 01:21:23 |
It's José. |
| 01:21:25 |
José, what is it? |
| 01:21:27 |
YERO ON PHONE: |
| 01:21:29 |
Why? |
| 01:21:32 |
MONTOYA: So? |
| 01:21:34 |
They are wrong. |
| 01:21:36 |
Somehow, |
| 01:21:40 |
You ran them. |
| 01:21:43 |
YERO: Yes. |
| 01:21:47 |
Yes. |
| 01:21:49 |
We made their deal. |
| 01:21:51 |
And Isabella |
| 01:23:19 |
ISABELLA: |
| 01:23:22 |
It said, "Live now. |
| 01:23:30 |
You got assets somewhere? |
| 01:23:34 |
Insurance? |
| 01:23:36 |
Why? |
| 01:23:40 |
Things go wrong. |
| 01:23:44 |
The odds catch up. |
| 01:23:51 |
Probability is like gravity. |
| 01:23:57 |
You cannot negotiate |
| 01:24:02 |
One day... |
| 01:24:06 |
One day you should |
| 01:24:10 |
Just cash out and get out. |
| 01:24:13 |
Yeah? |
| 01:24:14 |
Yeah. As far |
| 01:24:16 |
Would you find me? |
| 01:24:18 |
Yes, I would. |
| 01:24:21 |
This is very Cuban. |
| 01:24:25 |
It's the talk of a man. |
| 01:24:28 |
If he were your husband, |
| 01:24:31 |
he would never |
| 01:24:35 |
And he would never put you |
| 01:24:38 |
that could hurt you. |
| 01:24:41 |
And where would you be? |
| 01:24:45 |
A while longer still |
| 01:24:50 |
Would you? |
| 01:24:53 |
If you couldn't, |
| 01:24:58 |
since I was 17. |
| 01:25:15 |
But none of this will happen. |
| 01:25:18 |
Because what do you |
| 01:25:21 |
Look around you. |
| 01:25:24 |
It's controlled |
| 01:25:47 |
RICO: Let me talk to Fujima. |
| 01:25:49 |
FUJIMA ON PHONE: Who's this? |
| 01:25:51 |
Ricardo. |
| 01:25:52 |
Okay, go ahead. |
| 01:25:55 |
Listen, I want you to |
| 01:25:57 |
An informant |
| 01:25:59 |
departed Barranquilla |
| 01:26:01 |
for South Florida with plans |
| 01:26:05 |
in broad daylight |
| 01:26:08 |
Okay. |
| 01:26:10 |
For Customs, you say Monday. |
| 01:26:12 |
For FBI operations in DC, |
| 01:26:15 |
FBI Miami, you say Wednesday, |
| 01:26:19 |
Coast Guard on Friday. |
| 01:26:23 |
keep it out of |
| 01:28:24 |
Yero hit me back. |
| 01:28:25 |
He says U.S. assets expects |
| 01:28:30 |
Tuesday day only went out |
| 01:28:36 |
So what's up? |
| 01:28:38 |
Anything could be in |
| 01:28:44 |
This one has too many |
| 01:28:49 |
It's your call. |
| 01:28:52 |
Where you at? |
| 01:28:54 |
The message from Yero |
| 01:28:57 |
where the leak is coming from. |
| 01:28:59 |
So, let's take it |
| 01:29:46 |
(MEN CHATTERING) |
| 01:29:55 |
RICO: Move! |
| 01:30:03 |
We got to go. Rápido. |
| 01:30:20 |
Let's go. Let's go. |
| 01:30:22 |
How we looking? |
| 01:30:25 |
RICO: Good. Let's move! |
| 01:30:32 |
That's it. Take off. |
| 01:30:41 |
Let's hit it. |
| 01:30:54 |
All right, Julio, |
| 01:30:57 |
Break the lines. |
| 01:30:58 |
We'll rendezvous |
| 01:31:10 |
(TRUDY GROANING) |
| 01:31:13 |
WOMAN ON TV: If there's |
| 01:31:16 |
it's right |
| 01:31:18 |
And that's why today, |
| 01:31:23 |
"What can we do to make |
| 01:31:26 |
"a vacation destination |
| 01:31:29 |
"without the hassle |
| 01:31:33 |
We'll answer these questions |
| 01:32:29 |
Be loaded up in a minute. |
| 01:32:42 |
(DIALING ON TELEPHONE) |
| 01:32:45 |
(PHONE RINGING) |
| 01:32:51 |
Yeah? |
| 01:32:52 |
ARYAN BROTHER ON PHONE: |
| 01:32:54 |
Who are you? Who is this? |
| 01:32:57 |
Shut up and listen. |
| 01:33:10 |
ANCHORWOMAN ON TV: Developing |
| 01:33:13 |
We turn things over to |
| 01:33:16 |
WEATHERMAN ON TV: |
| 01:33:19 |
that's when Hurricane Danny |
| 01:33:22 |
And now we have our own |
| 01:33:25 |
Somebody's proving |
| 01:33:28 |
Yeah. |
| 01:33:29 |
ANCHORWOMAN ON TV: All right, |
| 01:33:30 |
And we've got |
| 01:33:33 |
Your rates |
| 01:33:34 |
Say hello, honey. |
| 01:33:37 |
Some nice friends you got. |
| 01:33:40 |
Urban trailer trash with B.O. |
| 01:33:56 |
MAN: Yeah. |
| 01:33:59 |
They know. |
| 01:34:06 |
It's me. We're on. |
| 01:34:21 |
Pay attention. |
| 01:34:22 |
I will now tell you |
| 01:34:26 |
This is happening our way. |
| 01:34:28 |
COLEMAN ON PHONE: You have |
| 01:34:32 |
Head up the Miami River. |
| 01:34:35 |
to make it to |
| 01:34:37 |
When you're there, |
| 01:34:41 |
You fuck up, we fuck her up. |
| 01:34:51 |
What's the deal? |
| 01:34:52 |
For doing the deed, |
| 01:35:00 |
RICO: J.C.! |
| 01:35:45 |
RICO: Zito! |
| 01:35:47 |
Zito, you copy? |
| 01:35:51 |
ZITO ON RADIO: Don't hear you. |
| 01:35:58 |
Zito, do you copy? |
| 01:36:01 |
ZITO ON RADIO: |
| 01:36:11 |
RICO ON RADIO: |
| 01:36:16 |
What's the ask? |
| 01:36:18 |
RICO: They want us to drop |
| 01:36:21 |
They got eyes on us. |
| 01:36:23 |
We're on a timetable. |
| 01:36:25 |
we get will be |
| 01:36:27 |
Where do we hook up? |
| 01:36:28 |
Hook up at the Port bridge |
| 01:36:31 |
RICO: Port bridge. |
| 01:36:38 |
ZITO: What did Trudy say? |
| 01:36:40 |
Urban trailer park. |
| 01:36:43 |
Was it near the freeway? |
| 01:36:46 |
ZITO: Sonny, Rico, |
| 01:36:48 |
where is the drop site? |
| 01:36:49 |
RICO: We'll know last minute. |
| 01:36:52 |
Maybe in a trailer park |
| 01:36:54 |
Look for antennas. |
| 01:36:58 |
They will not kill her |
| 01:37:01 |
Once they've got the goods, |
| 01:37:04 |
When they see the boat, |
| 01:37:08 |
Did they prove she's alive? |
| 01:37:11 |
That's the first thing |
| 01:37:25 |
Try Paradise Trailer Park |
| 01:37:50 |
Sonny, I got a possible. |
| 01:37:54 |
It's on the corner lot |
| 01:38:47 |
For you. |
| 01:38:49 |
Hello? |
| 01:38:51 |
Where are you? |
| 01:38:53 |
ISABELLA: Geneva. |
| 01:38:57 |
Yero's buyer |
| 01:39:01 |
What the fuck's going on? |
| 01:39:02 |
ISABELLA: What's he want? |
| 01:39:03 |
SONNY: |
| 01:39:06 |
It's Yero, not the buyer. |
| 01:39:08 |
ISABELLA: |
| 01:39:12 |
I do not know |
| 01:39:15 |
But whatever |
| 01:39:26 |
So? |
| 01:39:36 |
SWITEK ON RADIO: Slow as we |
| 01:39:43 |
Copy that. |
| 01:40:29 |
Hold it. |
| 01:41:08 |
Clear. |
| 01:41:39 |
CASTILLO ON RADIO: |
| 01:41:42 |
Copy. |
| 01:41:43 |
I'm approaching |
| 01:41:48 |
It's clear. Sonny's |
| 01:41:55 |
Four people. Two shooters. |
| 01:42:23 |
Milano's Pizza. |
| 01:42:32 |
ARYAN BROTHER 2: |
| 01:42:34 |
No. |
| 01:42:43 |
GINA: Hold it! |
| 01:42:45 |
Hold it! |
| 01:42:47 |
Drop the detonator! |
| 01:42:53 |
Drop the detonator! |
| 01:43:03 |
WOMAN: Leon, no. |
| 01:43:26 |
Shoot me, she dies. |
| 01:43:31 |
Shoot me. Go ahead. |
| 01:43:34 |
Fuck it. We can all go. |
| 01:43:36 |
That's cool. |
| 01:43:38 |
What will happen is... |
| 01:43:40 |
What will happen is, |
| 01:43:44 |
into the medulla |
| 01:43:46 |
and you will be dead |
| 01:43:50 |
Your finger won't even twitch. |
| 01:43:53 |
So, tell me, sport, |
| 01:43:56 |
Hey... |
| 01:44:02 |
Get down! |
| 01:44:10 |
Be still. |
| 01:44:42 |
TRUDY: Motherfucker! |
| 01:44:46 |
All right? |
| 01:44:58 |
(SPEAKING SPANISH) |
| 01:45:01 |
(TELEPHONE RINGING) |
| 01:45:06 |
COLEMAN ON PHONE: |
| 01:45:07 |
Those guys and your product |
| 01:45:24 |
Stay here until we clear. |
| 01:45:27 |
Our QTH is C-33. |
| 01:45:29 |
We are in the northeast corner |
| 01:45:33 |
SONNY: Clear! |
| 01:46:06 |
(BEEPS) |
| 01:46:31 |
(SIRENS WAILING) |
| 01:46:38 |
Get out of the car. |
| 01:46:39 |
Get out! |
| 01:46:41 |
Open the door. |
| 01:46:46 |
Open the door. |
| 01:46:50 |
Come on. |
| 01:47:27 |
You know what gets me? |
| 01:47:31 |
The prospect |
| 01:47:34 |
Of her losing her life |
| 01:47:39 |
Is that what she thinks? |
| 01:47:40 |
No, it's what I think. |
| 01:47:43 |
She'd tell me, |
| 01:47:47 |
"Same as you. |
| 01:47:49 |
Yeah. |
| 01:47:55 |
Hey. |
| 01:47:59 |
She's in recovery. |
| 01:48:04 |
We're gonna keep her totally |
| 01:48:09 |
She's in a coma. |
| 01:48:11 |
And her right lung |
| 01:48:17 |
So what's her chances? |
| 01:48:19 |
The brain swelling |
| 01:48:21 |
You relieve the pressure? |
| 01:48:23 |
Not surgically. |
| 01:48:26 |
And any complication, |
| 01:48:32 |
She's in bad shape. |
| 01:48:41 |
I will recover the load, |
| 01:48:44 |
but all I know |
| 01:48:46 |
is we don't have our load. |
| 01:48:50 |
So I plead with you |
| 01:48:58 |
Go ahead. |
| 01:49:15 |
Do you see this? |
| 01:49:26 |
This is not casual. |
| 01:50:03 |
(TELEPHONE RINGING) |
| 01:50:17 |
Yeah. |
| 01:50:19 |
YERO ON PHONE: You okay? |
| 01:50:20 |
I heard some bad shit happened |
| 01:50:31 |
Cut the crap. |
| 01:50:33 |
You got my product, man. |
| 01:50:37 |
SONNY: You got my money. |
| 01:50:39 |
Here's the deal. |
| 01:50:41 |
Here's a new deal, cash money. |
| 01:50:44 |
Three a ki |
| 01:50:49 |
And we ain't waiting |
| 01:50:51 |
We had a different deal. |
| 01:50:53 |
This is the only deal, |
| 01:50:58 |
Mail you a refund, maybe. |
| 01:51:05 |
Okay, man. Let's do this. |
| 01:51:10 |
And I want you there. |
| 01:51:14 |
I'm out of town. |
| 01:51:16 |
I'll wait. |
| 01:51:21 |
'Cause if you're there, |
| 01:51:24 |
guarantees it's for real. |
| 01:51:28 |
Tomorrow night. |
| 01:51:29 |
I be there. |
| 01:51:34 |
You got my number. |
| 01:51:39 |
Yeah, well, follow up |
| 01:51:46 |
Yero's coming back to the U.S. |
| 01:51:49 |
He's coming back himself. |
| 01:51:57 |
How do we deal? |
| 01:51:58 |
I mean, how's anybody |
| 01:52:03 |
Nobody does. He's compelled. |
| 01:52:05 |
We got his 4,000 ki's, |
| 01:52:09 |
That's right. |
| 01:52:17 |
All right. Now, here's |
| 01:52:21 |
They will change out the place |
| 01:52:25 |
And it'll be |
| 01:52:29 |
I run it. |
| 01:52:31 |
I run it. |
| 01:52:35 |
They won't initiate |
| 01:52:38 |
And I won't let the product |
| 01:52:42 |
and you have cover. |
| 01:52:43 |
Okay. |
| 01:52:45 |
I don't care how much |
| 01:52:50 |
Clear? |
| 01:52:52 |
Yeah. |
| 01:53:21 |
What shit have you pulled? |
| 01:53:22 |
You know what |
| 01:53:24 |
Yes, I do. |
| 01:53:27 |
Do you wanna call him? |
| 01:53:36 |
You're all mine now. |
| 01:53:51 |
It's that time. |
| 01:53:56 |
RICO: Badges get flashed, |
| 01:54:02 |
Arrests get made. |
| 01:54:05 |
That's what we do. |
| 01:54:09 |
So? |
| 01:54:11 |
So, fabricated identity |
| 01:54:16 |
collapses into one frame. |
| 01:54:20 |
You ready for that |
| 01:54:25 |
I absolutely am not. |
| 01:54:32 |
So, where you at with that? |
| 01:54:35 |
I'm with her 100%. |
| 01:54:44 |
She could be a white collar |
| 01:54:51 |
But she's with them. |
| 01:54:56 |
Like Trudy would say, |
| 01:55:01 |
I ain't playing. |
| 01:55:15 |
ZITO: Time. |
| 01:55:18 |
Let's do this. |
| 01:55:47 |
(TELEPHONE RINGING) |
| 01:55:48 |
Yeah. |
| 01:55:50 |
ARYAN BROTHER: I'm on them. |
| 01:55:58 |
What's up? |
| 01:56:00 |
The location got changed. |
| 01:56:02 |
Bojean shipyard, |
| 01:57:00 |
I can't find the shooters. |
| 01:57:04 |
Stall. |
| 01:57:05 |
Copy that. |
| 01:57:17 |
Where's the product? |
| 01:57:18 |
Where's the money? |
| 01:57:21 |
How do I know |
| 01:57:23 |
Here's how that works, |
| 01:57:25 |
somebody from my side |
| 01:57:27 |
Only then do we |
| 01:57:29 |
Then somebody from your side |
| 01:57:32 |
The money's right here, |
| 01:57:35 |
CASTILLO: |
| 01:57:46 |
Where's Yero? |
| 01:57:49 |
YERO: Right here! |
| 01:57:51 |
And I brought your friend. |
| 01:57:57 |
Jesús gave her to me |
| 01:57:59 |
to ask questions |
| 01:58:05 |
We a couple now. |
| 01:58:07 |
After work, she and me go |
| 01:58:16 |
When I get tired, |
| 01:58:18 |
Her leg in one place, |
| 01:58:22 |
You guys ever see that? |
| 01:58:27 |
Anyway, she here now |
| 01:58:30 |
to make sure |
| 01:58:40 |
CASTILLO: Still no shooter. |
| 01:58:44 |
My guy, show him the money. |
| 01:58:48 |
I don't want him! |
| 01:58:50 |
Why? |
| 01:58:51 |
What difference |
| 01:58:53 |
Listen to me, asshole, |
| 01:58:54 |
I do not want that |
| 01:58:56 |
You wanna see your dope? |
| 01:59:02 |
Or it travels. |
| 01:59:13 |
Stay here, bitch. |
| 01:59:21 |
Let her go. |
| 01:59:28 |
Check the dope, |
| 01:59:30 |
then come right back. |
| 02:00:02 |
Got one. |
| 02:00:07 |
On the container. Hold it. |
| 02:00:22 |
I got number two. |
| 02:00:24 |
Port side, third deck, |
| 02:00:31 |
Fire. |
| 02:00:39 |
(GUNS FIRING) |
| 02:00:41 |
(ALL CLAMORING) |
| 02:01:29 |
Go! |
| 02:01:37 |
Go! |
| 02:01:46 |
Go! |
| 02:02:08 |
GINA: Go! |
| 02:02:11 |
Move it, man. Run, run, run! |
| 02:02:57 |
Crockett. I'm on your right. |
| 02:04:14 |
Who are you? |
| 02:04:25 |
Who are you? |
| 02:05:04 |
Get up. |
| 02:05:05 |
Get up. |
| 02:05:33 |
Get in. Get in! |
| 02:05:42 |
Zito? |
| 02:06:26 |
Fuck you. |
| 02:08:14 |
What is this? |
| 02:08:38 |
Gloria? Sonny. |
| 02:08:45 |
All right. Just get him |
| 02:09:26 |
A man named Frank |
| 02:09:29 |
He will run you |
| 02:09:32 |
And from there, |
| 02:09:36 |
And nobody will follow you. |
| 02:09:42 |
Including me. |
| 02:09:59 |
Remember, |
| 02:10:02 |
I said |
| 02:10:05 |
time is luck. |
| 02:10:09 |
Yeah. |
| 02:10:13 |
Luck ran out. |
| 02:10:20 |
This was too good to last. |
| 02:11:56 |
Nurse? |
