|
Midnight Meat Train The
|
| 00:03:33 |
Maya? |
| 00:03:42 |
- Hey. |
| 00:03:48 |
- Did you finish your reading? |
| 00:03:51 |
Most of it. |
| 00:03:56 |
You know how everyone's complaining |
| 00:03:59 |
...and how they wish they could go back |
| 00:04:03 |
Well, it turns out there never |
| 00:04:08 |
It's always been a hell hole. |
| 00:04:17 |
You don't find me fascinating anymore? |
| 00:04:22 |
What? |
| 00:04:24 |
- Babe, are you all right? |
| 00:04:27 |
- No? |
| 00:04:29 |
Some Russian cabbie |
| 00:04:32 |
- Yeah. |
| 00:04:33 |
...through a storefront window. |
| 00:04:36 |
...loading the body in the bag, |
| 00:04:41 |
...something that the Post |
| 00:04:43 |
- I don't think it's good enough. |
| 00:04:47 |
You know, like news that meant |
| 00:04:50 |
...and only shoot the stuff you want. |
| 00:04:56 |
I'd marry you. |
| 00:04:58 |
That's it? |
| 00:04:59 |
What else do you want? |
| 00:05:02 |
Well... |
| 00:05:05 |
...how about... |
| 00:05:07 |
...you in a bed... |
| 00:05:12 |
...not worrying about anything... |
| 00:05:14 |
...for at least an hour, |
| 00:05:19 |
...really, really happy. |
| 00:05:21 |
- It's a deal. |
| 00:05:22 |
- Yeah. |
| 00:05:24 |
You like that? That's good. So... |
| 00:05:29 |
You know how you're wishing |
| 00:05:32 |
...to some of his fancy art-world friends? |
| 00:05:34 |
And you can never understand why he doesn't? |
| 00:05:37 |
Well, I called him today and I said: |
| 00:05:39 |
"How come you don't introduce Leon... |
| 00:05:41 |
...to any of your fancy friends?" |
| 00:05:44 |
- What? |
| 00:05:46 |
...because he figured that |
| 00:05:54 |
So I asked for you. |
| 00:05:57 |
Isn't that great? |
| 00:06:01 |
Do you know who Susan Hoff is? |
| 00:06:04 |
Of course. You're kidding. |
| 00:06:06 |
Do I look like I'm kidding you? |
| 00:06:09 |
- You're meeting her tomorrow. |
| 00:06:12 |
No. |
| 00:06:18 |
Does my hour start now? |
| 00:06:34 |
Whatever you do, don't mention Maya. |
| 00:06:37 |
What? Why? |
| 00:06:39 |
Susan likes her artists |
| 00:06:44 |
Actually, you know what? |
| 00:06:47 |
The male part isn't that important. |
| 00:06:53 |
Here we go. Come on. |
| 00:06:57 |
- Hello, my darling. |
| 00:07:01 |
- Sorry that we're late. |
| 00:07:04 |
Punctuality means nothing to me. |
| 00:07:07 |
You know when I first knew |
| 00:07:10 |
When he was three days late for lunch. |
| 00:07:13 |
So tell me about your work. |
| 00:07:17 |
Explain it to me. What interests you? |
| 00:07:21 |
- The city. |
| 00:07:24 |
Because no one's ever captured it. |
| 00:07:28 |
...the heart of it. |
| 00:07:34 |
Then you're failing. |
| 00:07:45 |
You were at the right place, |
| 00:07:49 |
- Yeah. |
| 00:07:52 |
The image grabs our attention, |
| 00:07:55 |
It's melodrama, arresting but empty. |
| 00:07:58 |
I want to know what comes next. I want |
| 00:08:02 |
...when the filth touches him. |
| 00:08:05 |
The next time you find yourself |
| 00:08:08 |
...stay put, be brave, keep shooting. |
| 00:08:13 |
Then come see me. |
| 00:08:27 |
- She hates my work. |
| 00:08:29 |
When she hates somebody's work, |
| 00:08:32 |
- You got three. |
| 00:08:34 |
Well, I wouldn't go that far. |
| 00:08:42 |
You think she's right, don't you? |
| 00:08:53 |
She's not. |
| 00:11:11 |
Oh, no, no, no. |
| 00:11:13 |
Time to pay the toll, baby. |
| 00:11:15 |
Leave me alone, please. |
| 00:11:17 |
Yeah. |
| 00:11:26 |
- You gotta pay on your knees, baby. |
| 00:11:36 |
What the fuck you gonna do, bitch? |
| 00:11:40 |
Why don't you come |
| 00:11:42 |
What? |
| 00:11:45 |
That's good. |
| 00:11:47 |
Yeah, that's great. |
| 00:11:49 |
All right, stop right there. |
| 00:11:57 |
Ever starred in a movie before? |
| 00:12:19 |
Yo. Let's go. |
| 00:12:32 |
Dead motherfucker. |
| 00:12:40 |
You okay? |
| 00:12:42 |
Thanks. |
| 00:12:45 |
Most people would have ran away. |
| 00:12:49 |
Oh, yeah. |
| 00:12:53 |
I didn't this time. |
| 00:12:54 |
Yeah. |
| 00:13:19 |
Thanks. |
| 00:14:29 |
- Hey, babe? |
| 00:14:30 |
You seen my purse? |
| 00:14:32 |
- Yeah, it's on the chair. |
| 00:14:38 |
When did you take these? |
| 00:14:41 |
Last night. |
| 00:14:44 |
You have to show these to Susan Hoff. |
| 00:14:49 |
...I mean, this is it. |
| 00:14:51 |
Yeah, you think so? |
| 00:14:52 |
Yeah, because if it's not, |
| 00:14:56 |
Hey. Good morning. |
| 00:14:59 |
Morning. |
| 00:15:01 |
Babe, I'll see you later. |
| 00:15:05 |
All right. |
| 00:15:10 |
- Here you go, sir. |
| 00:15:13 |
Hands off. |
| 00:15:20 |
- No fucking way. |
| 00:15:22 |
I said never again. |
| 00:15:23 |
If I don't care that your disgusting |
| 00:15:26 |
...why do you care that tofu |
| 00:15:29 |
Because my customers, real Americans |
| 00:15:32 |
...they don't want their cheese steak |
| 00:15:36 |
- It makes me wanna puke. |
| 00:15:38 |
- I'll know. |
| 00:15:40 |
- Now you admit it. |
| 00:15:42 |
My gramps, God rest his soul... |
| 00:15:44 |
Jesus. If he saw me do this, |
| 00:15:47 |
Yeah, and your regular customers |
| 00:16:09 |
Maya. |
| 00:16:13 |
That's the same girl, right? |
| 00:16:15 |
She's a model. |
| 00:16:17 |
"Erika Sakaki disappeared |
| 00:16:20 |
...shortly after 2 a.m." |
| 00:16:22 |
Oh, my God. |
| 00:16:24 |
- What? |
| 00:16:27 |
I gotta go. |
| 00:16:28 |
- Where are you going? |
| 00:16:37 |
And they ran off after you made |
| 00:16:41 |
No, you see them? No, no. |
| 00:16:44 |
It wasn't until I pointed out |
| 00:16:46 |
That's what made them leave. |
| 00:16:50 |
- Where did they go? |
| 00:16:52 |
...but it's quite possible, |
| 00:16:55 |
...to say that perhaps they went |
| 00:16:58 |
...and entered the same train |
| 00:17:01 |
And you? |
| 00:17:02 |
I told you. I... |
| 00:17:04 |
I did not get on the train. |
| 00:17:08 |
- Okay. |
| 00:17:12 |
Well, I'm sure anything |
| 00:17:15 |
...will be on that surveillance tape. |
| 00:17:17 |
Do you sell your photos? |
| 00:17:19 |
What? Yes, but not like this. |
| 00:17:25 |
Erika's a pretty big model. |
| 00:17:27 |
Tabloids be interested in these. |
| 00:17:29 |
Really? I wouldn't know. |
| 00:17:33 |
- Is that so? |
| 00:17:35 |
...if that's what you're indicating. |
| 00:17:37 |
Look, I... I saw these guys. |
| 00:17:40 |
I thought that they looked |
| 00:17:43 |
But you did continue to photograph her? |
| 00:17:48 |
Well, yeah, yeah, but... |
| 00:17:51 |
Why? |
| 00:18:00 |
When you come up |
| 00:18:29 |
What? |
| 00:18:32 |
It's nothing. |
| 00:18:34 |
- ...the person that would say, "whoa." |
| 00:18:37 |
I don't. |
| 00:18:40 |
I haven't said it since high school. |
| 00:18:44 |
But that's how good it is. |
| 00:18:53 |
I'm having a group show |
| 00:18:56 |
Get me two more images that strong... |
| 00:19:01 |
...and you'll be a part of it. |
| 00:19:12 |
Okay. |
| 00:19:15 |
Oh, good. |
| 00:19:16 |
Without your unconditional |
| 00:19:21 |
...and without you finally introducing |
| 00:19:25 |
I can't believe you made me wait |
| 00:19:28 |
none of this would have been possible. |
| 00:19:33 |
I love you both. |
| 00:19:36 |
- Cheers. |
| 00:19:45 |
- Now, I must depart. |
| 00:19:47 |
- What? Where are you...? What? |
| 00:19:49 |
That's not tonight. No. |
| 00:19:52 |
Why can't...? |
| 00:19:53 |
- Two more shots. That's all I need. |
| 00:20:15 |
Hey, tell your wife to relax. |
| 00:20:18 |
Sweetie, I take the train every day. |
| 00:20:22 |
But you hear these stories. |
| 00:20:24 |
That was ages ago. Look, no graffiti, |
| 00:20:28 |
You can understand the conductor. |
| 00:20:34 |
We're getting at off the next stop, |
| 00:20:37 |
...but we're getting off, okay. |
| 00:20:39 |
All right, fine. You know what? |
| 00:20:42 |
...and Leigh here can cook us... |
| 00:20:44 |
- ...a nice romantic dinner for three. |
| 00:20:49 |
- You'd have to talk my wife into bed. |
| 00:20:51 |
- Randle. |
| 00:20:53 |
You know, it's cheap wine. |
| 00:20:56 |
Cheaper than the plate. |
| 00:20:57 |
- Maybe if you didn't sleep... |
| 00:21:00 |
- What? |
| 00:21:01 |
Randle! |
| 00:21:09 |
Randle! |
| 00:21:29 |
No! |
| 00:21:39 |
Why are you doing this? |
| 00:22:21 |
No! |
| 00:24:47 |
I'm sorry, mister, I... |
| 00:24:48 |
I just wanted a picture of you. |
| 00:24:51 |
Sometimes I don't know |
| 00:30:23 |
- Hey, buddy? |
| 00:30:24 |
Mind if I take a look? |
| 00:30:26 |
- Officer, you can't do that. |
| 00:30:28 |
Orange Alert and above, |
| 00:30:31 |
How do I know |
| 00:30:33 |
It's a camera. |
| 00:31:15 |
Yeah. Life's like a box of chocolates. |
| 00:31:36 |
What the hell is going on? |
| 00:31:39 |
Supposed to be a local. |
| 00:32:21 |
This is a citizen's arrest. |
| 00:32:27 |
Damn. |
| 00:32:42 |
Damn! |
| 00:32:51 |
I'm gonna shove |
| 00:33:04 |
I'm very disappointed in you, Mahogany. |
| 00:33:07 |
Clean up the mess. |
| 00:33:49 |
Jeez. |
| 00:33:52 |
God. |
| 00:33:55 |
- How'd you get in here? |
| 00:34:01 |
Okay, before you freak out... |
| 00:34:04 |
...let me just say it's not |
| 00:34:07 |
...until I make enough money, but it's... |
| 00:34:10 |
It says that we're engaged |
| 00:34:13 |
It's not bad, hey? |
| 00:34:15 |
No. |
| 00:34:20 |
- I have horrible taste. |
| 00:34:24 |
- It's beautiful. |
| 00:34:37 |
It should fit. |
| 00:34:45 |
I can't imagine my life without you. |
| 00:34:50 |
Don't even try. |
| 00:34:55 |
I love you. |
| 00:35:39 |
Baby. |
| 00:36:16 |
No! |
| 00:38:15 |
Who's this guy? |
| 00:38:17 |
Oh. I don't know. A butcher. |
| 00:38:21 |
He was at the station the night |
| 00:38:24 |
Are they for your show? |
| 00:38:26 |
- No, there's just something about him. |
| 00:38:30 |
But why are you following him? |
| 00:38:33 |
It seems like you should be |
| 00:38:36 |
No, no, I know, |
| 00:38:39 |
- ...and he was at the station... |
| 00:38:43 |
...give a picture |
| 00:38:47 |
I mean, people disappear all the time. |
| 00:38:49 |
Whatever happened, they'll figure it out. |
| 00:43:35 |
- What? |
| 00:43:37 |
What's wrong? |
| 00:43:39 |
How can I put this delicately? |
| 00:43:42 |
You look like shit. |
| 00:43:44 |
Give me a break. |
| 00:43:45 |
Doing what? Contracting TB? |
| 00:43:48 |
Hey, Otto, take a look |
| 00:43:51 |
What the fuck happened to you? |
| 00:43:54 |
What are your specials? |
| 00:43:56 |
We have brisket on rye, |
| 00:44:00 |
...chicken parmigiana on r... |
| 00:44:08 |
What? What's the big deal? |
| 00:44:15 |
Fuck it. Give me one of these. |
| 00:44:18 |
You sure about that? It's a steak. Meat. |
| 00:44:23 |
Absolutely. |
| 00:44:50 |
Hey. |
| 00:44:57 |
I know I look like shit. |
| 00:45:03 |
More of the butcher? |
| 00:45:05 |
That's where he works. |
| 00:45:10 |
Babe, listen to me. |
| 00:45:14 |
I eat it all the time. |
| 00:45:19 |
Shouldn't you be focusing |
| 00:45:21 |
Oh, God, remember what you told me? |
| 00:45:24 |
About how people are always missing |
| 00:45:28 |
- Right? |
| 00:45:29 |
Usually, there's a reason. |
| 00:45:32 |
Look at this. These pins represent |
| 00:45:36 |
Not one of them has ever turned up. |
| 00:45:39 |
Not even a corpse. Nothing. |
| 00:45:42 |
- Okay, so what do you think happened? |
| 00:45:48 |
Somebody's abducting them. |
| 00:45:52 |
And they never find the bodies |
| 00:45:55 |
- He butchers them? |
| 00:45:56 |
- Baby... Listen to me. I'm sure... |
| 00:46:00 |
This is... |
| 00:46:05 |
So some guy was accused of kidnap... |
| 00:46:07 |
- A guy who worked... |
| 00:46:09 |
A guy who worked in the same plant. |
| 00:46:11 |
What are you saying? |
| 00:46:14 |
Is that what you're saying? |
| 00:46:17 |
How does that work? How...? |
| 00:46:19 |
No, no. I don't know. Maybe, but look... |
| 00:46:22 |
...the point is that it's happened before. |
| 00:46:25 |
No, this guy's involved somehow. |
| 00:46:29 |
I was there the night that it happened. |
| 00:46:31 |
She got abducted. |
| 00:46:34 |
That's his hand. You know how I know? |
| 00:46:37 |
...of him going down into the subway, |
| 00:46:41 |
This is the guy, Maya. It's been |
| 00:46:44 |
It's happened. I don't know |
| 00:46:47 |
This is not what's going on, okay? |
| 00:46:50 |
This is all fake, okay? It's not. |
| 00:46:53 |
No more. No more night shoots. |
| 00:46:56 |
No more, please. Just day shoots. |
| 00:46:58 |
I don't want you to shoot terrible things. |
| 00:47:00 |
I want you to stop |
| 00:47:03 |
I want you to stop with the butcher. |
| 00:47:05 |
I just want you to shoot |
| 00:47:08 |
What makes you happy? |
| 00:47:13 |
Please. |
| 00:47:14 |
Don't leave me. |
| 00:47:18 |
You, I love you. |
| 00:47:21 |
I love you. |
| 00:48:04 |
I got it. |
| 00:48:13 |
That's good. |
| 00:48:30 |
I'm sorry. |
| 00:48:33 |
Why? |
| 00:48:35 |
I'm sorry. |
| 00:48:58 |
Jurgis showed me a picture |
| 00:49:00 |
...that's gonna make your boy |
| 00:49:03 |
Yeah? So? |
| 00:49:08 |
What do you have to do to get a date |
| 00:49:12 |
Magically transform into someone |
| 00:49:22 |
Maya. Can I talk to you for a second? |
| 00:49:24 |
No fucking way. |
| 00:49:27 |
No. Come back later. She's busy. |
| 00:49:33 |
You okay? |
| 00:49:35 |
You were right. |
| 00:49:40 |
That's all I wanted to say. |
| 00:51:29 |
Candy. You want to buy some candy? |
| 00:51:32 |
Sorry, man. |
| 00:51:38 |
Whatever, man. |
| 00:51:49 |
You want to buy some candy, mister? |
| 00:51:56 |
- Go to somebody else. |
| 00:52:36 |
Was that a game or what? |
| 00:55:59 |
Oh, shit. |
| 00:56:21 |
Hey! Open up! |
| 00:56:22 |
Open the fucking door! |
| 00:56:25 |
Open the fucking door! |
| 00:58:42 |
My God. |
| 00:58:49 |
- Who is it? |
| 00:58:52 |
Oh, thank God, baby. |
| 00:58:54 |
Where have you been? |
| 00:58:57 |
Leon, what's the matter? Leon. |
| 00:58:59 |
Leon, what's going on? |
| 00:59:05 |
Leon? |
| 00:59:07 |
Babe, come on, open up. |
| 00:59:14 |
Leon, open the door. |
| 00:59:18 |
Leon, you're scaring me. |
| 00:59:24 |
Please open the door. |
| 00:59:29 |
This is not fair, Leon. |
| 00:59:34 |
Open the door. |
| 00:59:38 |
Open this fucking door now! |
| 00:59:40 |
You know you can't do this. |
| 00:59:43 |
You cannot just be out, gone all night, |
| 00:59:46 |
...and then fucking lock the door |
| 00:59:54 |
- I need to sleep. |
| 00:59:56 |
Babe, babe, babe, what happened? |
| 01:00:01 |
Oh, God. What is this? |
| 01:00:04 |
Honey. |
| 01:00:06 |
We have to get you |
| 01:00:12 |
I followed him into the subway. |
| 01:00:15 |
Wha...? |
| 01:00:17 |
It's always the late train. |
| 01:00:19 |
Probably the same one each time. |
| 01:00:24 |
...and then he kills them. |
| 01:00:27 |
He butchers them like cattle. |
| 01:00:31 |
I saw it. |
| 01:00:33 |
I took pictures. |
| 01:00:38 |
They never find the remains because |
| 01:00:45 |
We have to... |
| 01:00:49 |
There's an abandoned subway station... |
| 01:00:51 |
- ...underneath the meat plant. |
| 01:00:54 |
Here's what we're gonna do. |
| 01:00:58 |
...and when the doctors |
| 01:01:00 |
...I'm gonna take your pictures, |
| 01:01:03 |
They won't listen. My camera's gone. |
| 01:01:06 |
- What? |
| 01:01:09 |
- That's the only proof I have. |
| 01:01:12 |
I'm gonna call an ambulance, okay? |
| 01:01:26 |
- It's okay. |
| 01:01:29 |
They'll think I'm a lunatic. |
| 01:01:32 |
I know. I want to help you. |
| 01:01:34 |
Help me. I want to help you. |
| 01:01:36 |
No. |
| 01:01:39 |
Sleep. |
| 01:01:43 |
My opening's tonight. |
| 01:02:02 |
- We're as crazy as he is. |
| 01:02:05 |
Because we know what |
| 01:02:08 |
He doesn't. |
| 01:02:10 |
What else are we gonna do? |
| 01:02:13 |
We need his camera. |
| 01:03:26 |
Jesus Christ. |
| 01:03:27 |
No, no, no. |
| 01:03:31 |
I want you to wait here. |
| 01:03:34 |
...just make a sound, okay? Hey. |
| 01:04:29 |
- Jurgis. |
| 01:04:32 |
If he comes back, we're screwed. |
| 01:04:34 |
It's gonna go a lot faster |
| 01:04:37 |
I'm gonna go this way. Fuck. |
| 01:07:43 |
Jurgis? |
| 01:08:08 |
Jurgis. |
| 01:09:13 |
- Miss Jones. |
| 01:09:16 |
Calm down. Please, sit. |
| 01:09:22 |
I just received the report |
| 01:09:26 |
They went to the room you gave me. |
| 01:09:29 |
But that can't be right. |
| 01:09:32 |
He let them examine the place. |
| 01:09:35 |
No. |
| 01:09:37 |
He's a butcher. |
| 01:09:38 |
Leon says that he slaughters people... |
| 01:09:40 |
...he kills them. |
| 01:09:43 |
- What are you talking about? |
| 01:09:45 |
I didn't believe it either. |
| 01:09:48 |
I saw the tools he uses. |
| 01:09:51 |
Okay, let's talk about |
| 01:09:55 |
The tenant said a family heirloom |
| 01:10:00 |
- He wants it back. |
| 01:10:02 |
With a check for every murder |
| 01:10:05 |
You cannot give that back. |
| 01:10:08 |
Let me see it, please. |
| 01:10:12 |
The tenant doesn't want |
| 01:10:15 |
He just wants his property back. |
| 01:10:18 |
I don't have it. |
| 01:10:21 |
Jurgis does. |
| 01:10:24 |
You have to find Jurgis. |
| 01:10:26 |
Look, you've already admitted |
| 01:10:29 |
That's very serious. |
| 01:10:32 |
If you do not go back with me, |
| 01:10:36 |
And you'll be arrested, Miss Jones. |
| 01:10:52 |
Phil and Sue Bennet. |
| 01:10:56 |
But to give themselves |
| 01:10:58 |
...they wait for my third suggestion. |
| 01:11:02 |
The Kleins. They'll want some |
| 01:11:05 |
Just a little postmodern chitchat. |
| 01:11:07 |
Humor them. It's a sale. |
| 01:11:11 |
The Franks. |
| 01:11:14 |
...but if anyone can convert them... |
| 01:11:17 |
Jack, Andi... |
| 01:11:20 |
...I'd like you to meet Leon. |
| 01:11:24 |
Andi thinks you're more like |
| 01:11:28 |
Andi, that's... |
| 01:11:31 |
I actually started out as a painter. |
| 01:11:34 |
Duty calls. If you'll excuse me. |
| 01:11:42 |
Excuse me. |
| 01:11:43 |
Sure. |
| 01:12:25 |
Come on, your public awaits you. |
| 01:12:31 |
I'm not holding my breath on that one. |
| 01:12:36 |
Leon? |
| 01:12:38 |
Where are you going? |
| 01:12:41 |
I said, where are you going? |
| 01:12:47 |
I got a train to catch. |
| 01:12:53 |
- No, you said medium rare. |
| 01:12:56 |
Hey, zip it, huh? |
| 01:12:58 |
It's hot. Hold on one second. |
| 01:13:01 |
Hey, where the hell you been? |
| 01:13:04 |
- Where is it? |
| 01:13:06 |
Maya. All right, now you're |
| 01:13:09 |
What? Stop. What are you doing? |
| 01:13:11 |
All right, Maya. |
| 01:13:13 |
Stop right... Hey, hey! |
| 01:13:15 |
Don't you... If you... Don't leave! |
| 01:13:16 |
Maya! Maya! |
| 01:13:19 |
Leon, are you there? |
| 01:13:21 |
That butcher, baby, the butcher, |
| 01:13:24 |
You... I... That cop, detective, I... |
| 01:13:27 |
Miss Jones. |
| 01:13:33 |
I want the book, Miss Jones. |
| 01:13:35 |
Tell me what's fucking going on. |
| 01:13:40 |
Now. |
| 01:13:43 |
Do you have any idea? |
| 01:13:46 |
Where is Jurgis? |
| 01:13:51 |
Tell me. |
| 01:13:56 |
He's on the train. |
| 01:13:59 |
14th Street. First one after 2:00. |
| 01:18:10 |
No! |
| 01:18:39 |
No! |
| 01:18:42 |
No! |
| 01:18:49 |
Oh, my God. |
| 01:19:04 |
Maya. |
| 01:19:09 |
Oh, my God, Jurgis. |
| 01:19:11 |
Maya. Maya. |
| 01:19:17 |
Oh, my God. I'm so sorry. |
| 01:19:52 |
Oh, God. Oh, God. |
| 01:20:34 |
No! |
| 01:20:46 |
No. No! |
| 01:20:58 |
Hey! |
| 01:23:45 |
No, Jurgis! |
| 01:23:53 |
No. |
| 01:25:35 |
Leon? |
| 01:26:14 |
Please, step away from the meat. |
| 01:30:11 |
Take this... |
| 01:30:27 |
Welcome. |
| 01:31:01 |
He didn't have what it takes anymore. |
| 01:31:06 |
He knew it must be done. |
| 01:31:08 |
It was a privilege. |
| 01:31:15 |
I envy you. |
| 01:31:59 |
Before you were born... |
| 01:32:01 |
...or the birth of any other |
| 01:32:06 |
Or longer. And now you found us... |
| 01:32:10 |
...as only a few before you have. |
| 01:32:14 |
The intimate circle |
| 01:32:17 |
...we protect and nurture them... |
| 01:32:20 |
...and order is thereby preserved. |
| 01:32:28 |
It must be done |
| 01:32:34 |
You'll understand soon enough. |
| 01:33:23 |
- Now, serve as we all do... |
| 01:33:28 |
...without question. |
| 01:34:05 |
Police say Miss Jones |
| 01:34:07 |
... are only missing at this point... |
| 01:34:09 |
... although foul play has not |
| 01:34:12 |
... preparations are underway |
| 01:34:15 |
... of several nations |
| 01:34:17 |
The mayor's office |
| 01:34:19 |
... supporting prospects |
| 01:34:22 |
Meetings are scheduled |
| 01:34:24 |
The meetings will include a tour of |
| 01:34:29 |
Stay tuned to WEQT for further |
