Analyze That
|
00:01:24 |
How did he know about the money? |
00:01:25 |
And how did he know |
00:01:28 |
We didn't find out about it |
00:01:30 |
- I don't know. |
00:01:34 |
He hates your fucking guts. |
00:01:37 |
- I don't know. |
00:01:41 |
You said Peezee was a mamaluke |
00:01:44 |
Now all of a sudden |
00:01:47 |
- I just don't think it was him. |
00:01:50 |
If not Peezee, then who? |
00:01:57 |
I think it was you, Ducks. |
00:02:02 |
You gotta be kidding. |
00:02:06 |
Caesar? Caesar, you know me. |
00:02:09 |
What kind of fucking idiot would |
00:02:12 |
- A dead fucking idiot. |
00:02:16 |
Caesar. |
00:02:17 |
Caesar! |
00:02:38 |
- This is garbage. Change the channel. |
00:02:43 |
No. Hey! |
00:02:45 |
What are you doing, asshole? |
00:02:51 |
Sorry, Mr. Vitti. |
00:02:58 |
Oh, man. |
00:03:00 |
- Forget about it. |
00:03:02 |
Let them watch what they want. |
00:03:04 |
- Good night, Paul. |
00:03:06 |
- All right, what do youse wanna watch? |
00:03:09 |
All right, all right. |
00:03:10 |
Step out. |
00:03:14 |
- Hey, Earl, what's up? |
00:03:17 |
- Did you ask to be transferred? |
00:03:19 |
- What's up? |
00:03:21 |
Anyway, thanks |
00:03:24 |
- I'll see you around. |
00:04:08 |
Isaac Sobel was a man of rigorous belief |
00:04:14 |
A patriarch with an almost biblical sense |
00:04:19 |
A man of faith and courage, |
00:04:24 |
A rock and a tree. |
00:04:27 |
A good friend who will be deeply missed. |
00:04:31 |
I'd like to call on Isaac's son, Dr. Ben Sobel, |
00:04:47 |
It's not easy for me |
00:04:51 |
...because, in a sense, |
00:04:54 |
One is the public Isaac Sobel... |
00:04:58 |
...the eminent psychotherapist... |
00:05:00 |
...and popular author known to millions |
00:05:05 |
The second is the private man. |
00:05:08 |
My father. |
00:05:10 |
Dad. |
00:05:13 |
And for those of you |
00:05:15 |
...and know our family, |
00:05:19 |
He was a psychotic, mind-fucking prick. |
00:05:22 |
An arrogant, ego-inflated son of a bitch. |
00:05:25 |
I wish you were alive |
00:05:31 |
Now I'd like to call on Isaac's son, |
00:05:34 |
...who would like to say a few words. |
00:05:40 |
Who the hell would have |
00:05:44 |
It's yours. |
00:05:49 |
- Hello? |
00:05:52 |
- I have to take this. |
00:05:54 |
I'm sorry. It's mine. |
00:05:56 |
- Yes? |
00:05:58 |
- You don't call me back? |
00:06:01 |
Not a good time? Let me explain something, |
00:06:04 |
- This is not a good time. |
00:06:08 |
Get off. |
00:06:09 |
- I have to go. |
00:06:12 |
- Call back. |
00:06:34 |
Hey, Fredo. Yeah, you, Guido. |
00:06:38 |
Come over here. |
00:06:43 |
You're a dead man. |
00:06:48 |
385, mess hall. |
00:07:33 |
- Thanks, Lorenzo. |
00:07:40 |
I can't believe he's gone. |
00:07:42 |
I can't believe what you said. |
00:07:45 |
- You had to tell everybody? |
00:07:48 |
I might have strayed |
00:07:51 |
I'm grieving. It's a big loss, |
00:07:57 |
Mr. And Mrs. Sobel, |
00:07:59 |
I'm Agent Miller, |
00:08:02 |
Federal Bureau of Investigation. |
00:08:04 |
- We'd like to ask you a few questions. |
00:08:07 |
We've just come from a funeral. |
00:08:09 |
We know this is a difficult time for you. |
00:08:14 |
Sure, sit down. |
00:08:18 |
- Sorry about your father. |
00:08:20 |
It's very, very difficult. |
00:08:28 |
I mean, there were issues, like there are |
00:08:33 |
He wasn't a very warm man. |
00:08:35 |
- Ben. |
00:08:36 |
Once today. Enough. |
00:08:39 |
Okay. No, I'm just saying |
00:08:43 |
...great, great legs... |
00:08:45 |
Man. |
00:08:47 |
Dr. Sobel, you received a call |
00:08:51 |
Why would you say |
00:08:54 |
Because we monitor |
00:08:57 |
Then, yes, I did. |
00:08:59 |
- That was him? On the phone? |
00:09:01 |
- Why didn't you tell me? |
00:09:05 |
- Michael. |
00:09:07 |
Well, she's in the FBI. |
00:09:10 |
Okay, I see, and I don't. |
00:09:13 |
No, don't tell Laura. |
00:09:18 |
Did I say that? Did I say that? |
00:09:20 |
- You folks need a minute? |
00:09:22 |
Yeah, we're phenomenal. |
00:09:25 |
Just two words of advice, |
00:09:30 |
Pants suit. |
00:09:36 |
She's grieving. You know, it's a process. |
00:09:40 |
Vitti? |
00:09:42 |
We were involved in some |
00:09:46 |
I mean, I wasn't, you know, "involved." |
00:09:51 |
But I was treating him |
00:09:54 |
...and then some people tried to kill us. |
00:09:58 |
It was really nothing. |
00:09:59 |
Shortly after you two spoke, |
00:10:03 |
Really? What kind of breakdown? |
00:10:05 |
I think you had better go up there |
00:10:21 |
I'm treating him with Thorazine. |
00:10:25 |
Seems to keep him pretty calm. |
00:10:27 |
That would keep |
00:10:32 |
And he just keeps singing |
00:10:35 |
"Tonight." "Maria." The balcony scene. |
00:10:39 |
You should get him to do "Officer Krupke." |
00:10:51 |
- Paul? |
00:10:52 |
Paul, it's me. Dr. Sobel. |
00:10:55 |
Maria? |
00:10:58 |
Tony? |
00:11:02 |
Maria! Oh, Maria! |
00:11:05 |
- Oh, my God! Thank God you've come! |
00:11:08 |
- You've got to get me out of here! |
00:11:11 |
- Do you promise? |
00:11:13 |
- Te adoro. |
00:11:20 |
This is how it's been. |
00:11:21 |
He sings for a while, |
00:11:25 |
And you did a neurological workup? |
00:11:27 |
Yeah. No tumors, no seizures, |
00:11:31 |
Paul? |
00:11:33 |
If you're faking, Paul, I'm gonna know. |
00:11:41 |
When I was a resident, |
00:11:54 |
Well, I don't think he's faking. |
00:11:58 |
Street smart, yeah... |
00:12:00 |
...but we're talking about an IQ |
00:12:06 |
So if he is truly... |
00:12:10 |
...catatonic, if I stuck him |
00:12:14 |
- This is just plain saline, isn't it? |
00:12:17 |
Yeah. Then he shouldn't |
00:12:26 |
That's gotta hurt. |
00:12:29 |
No reaction at all. |
00:12:31 |
I want to do some |
00:12:34 |
Sure. |
00:12:40 |
Paul, I'm gonna give you some tests |
00:12:44 |
Now, do I have your consent |
00:12:49 |
Mommy is mad at me |
00:12:54 |
- I'm gonna take that as a yes. |
00:12:56 |
Okay. |
00:12:58 |
Paul, I have 10 cards, each with |
00:13:03 |
Here's the first card. |
00:13:05 |
Now look at it, |
00:13:08 |
I see a bat. |
00:13:11 |
A bat or a weasel. |
00:13:14 |
- A bat or a weasel? |
00:13:17 |
Bat. Bat-weasel. |
00:13:20 |
Do you see anything else? |
00:13:24 |
Just a pussy with teeth. |
00:13:28 |
- Pussy with teeth. |
00:13:32 |
Next card. |
00:13:46 |
Excellent, Paul. |
00:13:48 |
One hour and 12 minutes. |
00:13:51 |
I want you to take a look at this |
00:13:54 |
I think we got a picture of a guy, |
00:13:57 |
Comes home, sees his wife |
00:14:01 |
...and she's been fucking him |
00:14:04 |
So she's having intercourse...? |
00:14:06 |
With a midget. |
00:14:10 |
Very good. |
00:14:12 |
It doesn't matter |
00:14:15 |
Tell them they got no leverage. |
00:14:17 |
- Mr. Chapin? |
00:14:21 |
- Hi, I'm Dr. Ben Sobel. |
00:14:24 |
- My pleasure. |
00:14:27 |
Okay... |
00:14:29 |
Based on his symptoms and his test results, |
00:14:34 |
...and if it persists, |
00:14:37 |
And Dr. Kassam, the psychiatrist |
00:14:41 |
- So he's crazy. |
00:14:46 |
See, in certain people, prolonged exposure |
00:14:51 |
...like soldiers in combat, for instance, |
00:14:56 |
...can produce a temporary |
00:15:00 |
- How temporary? |
00:15:03 |
...if the precipitating stresses are removed. |
00:15:07 |
Which means he's not gonna get better |
00:15:10 |
He could conceivably get worse. |
00:15:12 |
Right now he thinks |
00:15:15 |
And he could deteriorate to the point |
00:15:19 |
Then he's got a real problem. He goes |
00:15:23 |
Would they actually release him? |
00:15:25 |
Oh, yeah. I'm sure they'll want |
00:15:28 |
...who's now certifiably deranged |
00:15:31 |
Why don't they release him |
00:15:34 |
...or a center where he can get |
00:15:36 |
Based on my earlier work with him, |
00:15:39 |
...and I think he's making |
00:15:45 |
Okay... |
00:15:47 |
...I'll tell you what I'm gonna do. |
00:15:50 |
I'm gonna release him |
00:15:53 |
Mine? Oh, no. |
00:15:57 |
Mr. Chapin, thank you, anyway, |
00:16:01 |
- See, my father just died. |
00:16:04 |
And I'm grieving. It's a process. |
00:16:10 |
And I have this burning sensation |
00:16:12 |
- Yeah, I've had that too. |
00:16:16 |
- You wanna see him killed in prison? |
00:16:18 |
Or sent to a facility |
00:16:20 |
- Of course not. |
00:16:22 |
I told my son we couldn't have a dog. |
00:16:27 |
I'm gonna talk |
00:16:29 |
...and get you certified |
00:16:32 |
I can't be an institution. |
00:16:34 |
I handle neurotic soccer moms |
00:16:37 |
You have got 30 days to get him |
00:16:40 |
That means sane, sober |
00:16:44 |
Now I'm warning you, doctor. |
00:16:47 |
...or if I find out this was a setup |
00:16:50 |
...I will hold you totally responsible. |
00:16:53 |
And you will pay dearly. |
00:16:55 |
You'll be stripped of your license |
00:17:00 |
Are we clear? |
00:17:02 |
Yes. |
00:17:04 |
Do you want him or not? |
00:17:10 |
- Yes. |
00:17:17 |
- Tony. |
00:17:19 |
You okay? |
00:17:21 |
- Doctor, sign here and here, please. |
00:17:25 |
Okay, thank you very much. |
00:17:40 |
You fucking piece of shit! I tell you someone |
00:17:44 |
- I knew it. I knew it! You faked! |
00:17:49 |
- You used me to get you out of prison. |
00:17:52 |
I'm singing West Side Story |
00:17:55 |
- What were you doing? |
00:17:58 |
What's that got to do with somebody |
00:18:01 |
- My father died. |
00:18:04 |
With you, it's always, "Me, me, me." |
00:18:08 |
Are you hearing this? |
00:18:10 |
- I'm deeply sorry for your loss, okay? |
00:18:14 |
- All right. Who's after you? |
00:18:17 |
Could be my old crew, could be |
00:18:20 |
Lou the Wrench? Why "the Wrench"? |
00:18:22 |
The guy's a maniac. |
00:18:26 |
- Off? |
00:18:29 |
The feds are putting pressure on everybody. |
00:18:33 |
It's like the fall |
00:18:36 |
- What does this have to do with you? |
00:18:38 |
The last thing they want to do |
00:18:41 |
Just explain to them that you're out of it |
00:18:45 |
That's a really imaginative thought. |
00:18:48 |
Maybe they'd throw a party |
00:18:51 |
What, are you kidding me? |
00:18:52 |
Believe me, nobody's happy |
00:19:09 |
- Wanna grab your stuff? |
00:19:12 |
I don't think you understand. |
00:19:15 |
You stay here. Therapy every day. |
00:19:19 |
You gotta be kidding me. |
00:19:20 |
Are you coming in, or do I have |
00:19:25 |
Some fucking life this is gonna be. |
00:19:30 |
Do you really think he's crazy? |
00:19:34 |
If he thinks I think he's crazy, |
00:19:38 |
Locked up, he's of absolutely no use to us. |
00:19:40 |
But back on the street, Vitti has |
00:19:44 |
It's like throwing gasoline on a fire. |
00:19:46 |
- That's if he goes back to his old life. |
00:19:51 |
He's been a menace to society |
00:19:53 |
- Being a criminal is all he knows. |
00:19:58 |
Then all we have to do is sit back |
00:20:03 |
We need to stay on Vitti. |
00:20:06 |
How could you? |
00:20:08 |
That mobster in my house, |
00:20:12 |
It's not like I had a lot of choice. |
00:20:14 |
It's a new law? |
00:20:17 |
He's in my custody. |
00:20:20 |
- Why couldn't he just go home? |
00:20:24 |
Sure, yeah, everybody gets |
00:20:27 |
- You wanna go to Ohio? |
00:20:30 |
His life was threatened. |
00:20:33 |
How thoughtful. |
00:20:36 |
I know this is a terrible imposition, |
00:20:39 |
Well, you didn't want him, |
00:20:44 |
Here he is. |
00:20:46 |
Hey, you. |
00:20:48 |
- Coffee? |
00:20:50 |
Somebody said something about coffee. |
00:20:52 |
Yeah, that was you. |
00:20:55 |
So, what's the holdup? |
00:20:58 |
Ben, why don't you make |
00:21:01 |
I'm gonna take a long bath. |
00:21:06 |
Excuse her, usually |
00:21:09 |
...but she's grieving. It's a process. |
00:21:14 |
Hey, doc, listen. |
00:21:15 |
I got a friend coming over, |
00:21:18 |
What kind of friend? |
00:21:22 |
- No, it's a personal thing, you know? |
00:21:25 |
They won't be staying late, will they? |
00:21:27 |
- Are you that fucking pussy-whipped? |
00:21:30 |
- This has nothing to do with Laura. |
00:21:33 |
We were having a disagreement, yes. |
00:21:35 |
But some conflict is normal |
00:21:38 |
- Or? |
00:21:39 |
- You're pussy-whipped. |
00:21:42 |
When the coffee's ready, |
00:22:04 |
Forty minutes. |
00:22:07 |
- How long are you gonna let them go on? |
00:22:10 |
How much longer can they go on? |
00:22:12 |
Another five minutes, I'll break it up |
00:22:18 |
Oh, God. Oh, God. |
00:22:22 |
Give me a break. She's faking. |
00:22:27 |
What? |
00:22:28 |
Nobody sounds like that. |
00:22:30 |
Oh, yeah. |
00:22:33 |
Oh, God. Oh, God! |
00:22:37 |
Come on, nobody sounds like that. |
00:22:40 |
- I don't know. |
00:22:48 |
Yeah? |
00:22:49 |
- Paul, I have to talk to you. |
00:22:51 |
- I have to talk to you. |
00:22:53 |
Now. |
00:22:55 |
Hold on. |
00:22:59 |
- Yeah? |
00:23:04 |
I'll ask her. |
00:23:06 |
That's not what I'm talking about. |
00:23:08 |
Actually, I'm right in the middle |
00:23:11 |
Paul, now. |
00:23:13 |
And, miss, there's no smoking |
00:23:20 |
Okay, Paul, what do you think |
00:23:23 |
Minding my own business, |
00:23:25 |
That's difficult to do with |
00:23:28 |
I been in the can |
00:23:30 |
- What am I supposed to do? |
00:23:32 |
That's what I wanted. You told me I can't. |
00:23:37 |
I'm not trying to punish you, |
00:23:40 |
I thought you might appreciate a nice |
00:23:44 |
Yeah, that's what I've been jerking off to |
00:23:48 |
A fucking home-cooked meal. |
00:23:51 |
- All right, Paul? |
00:23:52 |
- The girl's gotta go. |
00:23:56 |
Yes, I'm very... |
00:23:59 |
I didn't hear nothing |
00:24:01 |
We don't think it's necessary to wake |
00:24:04 |
If you're quiet, you could do it |
00:24:07 |
Paul, that is not funny. |
00:24:10 |
What is that? |
00:24:11 |
I told her if I wasn't back in two minutes |
00:24:15 |
- This is not a good start. |
00:24:26 |
- Here, Aunt Esther. |
00:24:28 |
And again, I'm so sorry |
00:24:32 |
We would've loved to have you stay with us, |
00:24:37 |
His father always had room for us. |
00:24:40 |
- Don't say that to me. |
00:24:41 |
You go to hell! I am so out of here! |
00:24:44 |
Go on, get out of here, |
00:24:47 |
You crazy pain in the ass! |
00:24:51 |
Go ahead, go back to turning tricks |
00:24:57 |
How's it going? |
00:24:59 |
Food. |
00:25:02 |
Paul? |
00:25:03 |
- Paul, what are you doing? |
00:25:06 |
I'm just looking for something |
00:25:10 |
Who do you have to fuck |
00:25:14 |
Not you, I hope. |
00:25:16 |
He's new in town. Let's go in the office, |
00:25:20 |
- What's in the office? |
00:25:25 |
Hey, doc, what's up with your family? |
00:25:28 |
I know. All you did was flash everybody |
00:25:31 |
By the look of some of them broads, they |
00:25:36 |
- It's good for them. |
00:25:38 |
Well, when the paramedics revive |
00:25:42 |
Sit down. |
00:25:47 |
So... |
00:25:49 |
Paul, do you mind? |
00:25:53 |
I think we've seen enough |
00:25:59 |
So, what are you gonna do, Paul? |
00:26:00 |
I'm gonna find out |
00:26:03 |
They could shoot through that window |
00:26:07 |
- So I gotta deal with that. |
00:26:13 |
I'm talking about a job, work. |
00:26:15 |
There's gotta be something |
00:26:18 |
I like hitting guys over the head |
00:26:21 |
So sporting goods. |
00:26:22 |
- Yeah, exactly. |
00:26:27 |
So who are you? |
00:26:29 |
- Who am I? |
00:26:34 |
I'm Paul Vitti. I'm the boss. |
00:26:36 |
The boss of what? The boss of Jelly? |
00:26:40 |
Because you're not the boss of me. |
00:26:42 |
So, what are you the boss of? |
00:26:47 |
I see what you're doing, you. |
00:26:51 |
- What am I doing? |
00:26:54 |
Look at me. I'm starting to get anxious. |
00:26:56 |
It's very understandable |
00:26:59 |
I mean, you spent your whole life |
00:27:02 |
...and now you can't be that anymore, |
00:27:06 |
I mean, if you're not |
00:27:11 |
Let me ask you this way. |
00:27:12 |
When you were a kid, |
00:27:16 |
- I was a kid. Who remembers that shit? |
00:27:20 |
- Did you want to be a baseball player? |
00:27:23 |
A fireman? An astronaut. |
00:27:26 |
Come on, what did you wanna be? |
00:27:32 |
- It was stupid. |
00:27:35 |
- What, are you afraid to tell me? |
00:27:38 |
So tell me. I'm not here to judge you. |
00:27:42 |
There was one time |
00:27:47 |
...maybe 6, 6 and a half, 7. |
00:27:55 |
I thought that I wanted to be a... |
00:27:58 |
For a second... |
00:28:01 |
- What? |
00:28:04 |
Little kid. |
00:28:06 |
What? |
00:28:08 |
- Tell me. |
00:28:12 |
- A cowboy, really? |
00:28:14 |
Well, that's interesting. |
00:28:16 |
How did that start? |
00:28:18 |
I was watching television |
00:28:21 |
You know, we watched |
00:28:25 |
And my... |
00:28:29 |
My father got me the whole outfit. |
00:28:32 |
He got me a 10-gallon white hat... |
00:28:35 |
...the boots, the spurs, the cap guns... |
00:28:38 |
...the whole bit. |
00:28:40 |
Then he took me upstate to my uncle's farm |
00:28:45 |
And there was cows and all that stuff. |
00:28:49 |
And it was all "yippee kai-ay" |
00:28:54 |
So, what happened? |
00:28:56 |
- I don't know. What happened? |
00:29:00 |
I was in East Harlem. I joined a street gang |
00:29:04 |
"Why didn't I become a cowboy?" |
00:29:05 |
Something else happened when you |
00:29:09 |
Yeah. |
00:29:11 |
That's when your father was murdered. |
00:29:14 |
Yeah, I think about it every day. |
00:29:20 |
- What's that got to do with anything? |
00:29:23 |
It's very interesting because your father |
00:29:28 |
He was in the Mob, |
00:29:34 |
Yeah, he did. |
00:29:36 |
Your father wanted you to have |
00:29:39 |
He did, yeah. |
00:29:41 |
He wanted me to go to college. |
00:29:45 |
That's because he had died |
00:29:50 |
See, Paul, before, you said, |
00:29:53 |
...but when I look at you, |
00:29:57 |
...who's scared and confused |
00:30:06 |
You. |
00:30:07 |
- You. You're good, you. |
00:30:10 |
- No, you're good. You're better than good. |
00:30:13 |
You're real good. |
00:30:16 |
That's all I wanted. I never could |
00:30:20 |
- But you have to... |
00:30:23 |
New beginnings. I'm ready. |
00:30:27 |
There's somebody that I work with. |
00:30:30 |
- He places people in jobs. He's excellent. |
00:30:34 |
- I'm ready to jump in with both feet. |
00:30:37 |
- I'm ready! |
00:30:44 |
That was not a good thing. |
00:30:47 |
Hi, doc. |
00:30:49 |
- Jelly, what are you doing here? |
00:30:53 |
- I thought you were in prison. |
00:30:56 |
- Well, how did you get out? |
00:30:58 |
It turns out the evidence |
00:31:02 |
I see. |
00:31:03 |
Anyway, two of the witnesses decided |
00:31:09 |
...he committed suicide. |
00:31:10 |
How? |
00:31:12 |
He stabbed himself in the back four times |
00:31:16 |
Very unfortunate. |
00:31:37 |
Good to have you back. |
00:31:39 |
We're in a war, Paul. |
00:31:43 |
The Rigazzis are walking all over us. |
00:31:45 |
We need you, Paul. |
00:31:48 |
You know, Sally, I'm out of it. |
00:31:51 |
- It's over for me. I don't do this no more. |
00:31:54 |
What are you talking about? |
00:31:57 |
Air France, they're still talking about it. |
00:32:01 |
Paul, think about it. For me? |
00:32:06 |
- I'll think about it. |
00:32:08 |
Come on, what is this? |
00:32:11 |
You just got out of college, for chrissakes. |
00:32:14 |
I'll have one drink, |
00:32:29 |
- Yeah, what? |
00:32:31 |
That's how you answer the door, you? |
00:32:34 |
You got a problem with that? |
00:32:37 |
- Yeah, what? |
00:32:47 |
Paul, what a nice surprise. |
00:32:49 |
- Yeah, Patti, how's it going? |
00:32:52 |
Come here, you. Give me a kiss. |
00:32:57 |
Get over here. |
00:32:58 |
Come on, what did I do? |
00:33:02 |
Come on. |
00:33:05 |
- How are you, Paul? |
00:33:11 |
- You missed a spot. |
00:33:14 |
Hey, I know. Sorry to hear about Carmine. |
00:33:17 |
- He was a good man. |
00:33:20 |
You live with someone for 21 years. Then |
00:33:25 |
- It's hard. |
00:33:27 |
Especially since the talk was |
00:33:30 |
- That's why I try not to gossip. It's ugly. |
00:33:34 |
Just a sec. Michelle, Theresa, it's 10:30. |
00:33:41 |
It's so hard being a single parent |
00:33:44 |
For instance, a lot of people |
00:33:47 |
...that you're gonna try |
00:33:50 |
I said, "No, Paul would |
00:33:54 |
- Never. Not me. |
00:33:56 |
So you look good. |
00:33:59 |
Yeah, I been working out who's been |
00:34:03 |
It's a dog-eat-dog world out there. |
00:34:05 |
And you know nobody will be safe |
00:34:09 |
- So you had nothing to do with it? |
00:34:13 |
I did not try and kill you. All right? |
00:34:16 |
Look, I want us to be friends, you know? |
00:34:19 |
Who knows? |
00:34:20 |
Maybe we'll be more than friends. |
00:34:23 |
You wanna lick my beaters? |
00:34:26 |
Patti, let's get serious. |
00:34:28 |
I wanna be left alone, okay? |
00:34:31 |
I'm not doing anything, |
00:34:35 |
...which is what I should |
00:34:38 |
- Sure, I understand, okay? |
00:34:40 |
I do. I understand. Relax. |
00:34:44 |
No, I gotta go. I got a business thing |
00:34:47 |
If you get something going, we'd expect |
00:34:51 |
- No, this is a legitimate thing. It's different. |
00:34:55 |
Yeah, well, you'll get over it. |
00:34:57 |
Give me a kiss. |
00:35:01 |
- Take care of yourself, huh? |
00:35:03 |
All right. |
00:35:04 |
- Don't be a stranger, Paul. |
00:35:10 |
Watch him like a hawk. |
00:35:12 |
It would break my heart, but if he steps |
00:35:17 |
It'll be my pleasure. |
00:35:24 |
Look at the size of that trunk. |
00:35:29 |
Just kidding. |
00:35:33 |
- Okay, thank you. We appreciate it. |
00:35:35 |
- Hey, what kind of car youse drive, anyway? |
00:35:40 |
That's like a Toyota. |
00:35:43 |
- It's a Lexus. |
00:35:45 |
Japanese, right? |
00:35:48 |
Anyway, let's get serious. |
00:35:52 |
- We have to think about it. |
00:35:54 |
You told me you liked it. You asked me |
00:35:59 |
You drove it. You love it. |
00:36:02 |
You know, it's a lot of money, |
00:36:05 |
Consider it? |
00:36:07 |
You been breaking my balls for an hour... |
00:36:09 |
...asking me about |
00:36:12 |
- "What about the light?" |
00:36:15 |
You're not a customer |
00:36:17 |
- You want to buy the car or not? |
00:36:20 |
You wanna see the manager? |
00:36:23 |
- Here's the manager. Right here. |
00:36:25 |
- Come on. |
00:36:27 |
What should I do? |
00:36:29 |
You hear him? He just said, |
00:36:31 |
What should they get? |
00:36:34 |
Hey, he just said it. He's the boss. |
00:36:37 |
So tell me, how was your first day? |
00:36:39 |
Good. Good. Good. |
00:36:41 |
That's great, Paul. That's great. |
00:36:47 |
Almost. |
00:36:48 |
6:45, okay. |
00:36:50 |
- Paul, thanks for everything. |
00:36:54 |
I only got two hands, left and right. |
00:36:57 |
Now get out of here. |
00:37:01 |
- Mr. Torre. Mr. Torre. Let him through. |
00:37:05 |
- How are you? My son Michael. |
00:37:08 |
- I wanted to ask you something. |
00:37:10 |
You think the Yankees |
00:37:13 |
- We'll do our best. |
00:37:17 |
Very important. |
00:37:20 |
- Try. |
00:37:23 |
- Go eat. |
00:37:25 |
- Welcome back. |
00:37:28 |
Hey, Paul. |
00:37:30 |
- Hey, Joey. |
00:37:33 |
- Yeah, well, you know... |
00:37:35 |
I'm gonna take the four now. |
00:37:37 |
When Mr. Arnold comes in |
00:37:40 |
So, what are you doing? |
00:37:43 |
You know, I'm on parole. |
00:37:46 |
I got a piece of the joint. |
00:37:50 |
I get it. We're gonna |
00:37:52 |
- All right, okay. I'll see you, Joe. |
00:38:03 |
Big smiles, everybody. |
00:38:05 |
Thanks, Paul. Appreciate it. |
00:38:07 |
Hey, can you get us a Pelligrino, |
00:38:10 |
...and more bread |
00:38:13 |
- You want more bread? |
00:38:17 |
There you go. |
00:38:21 |
I'll get your drinks now. |
00:38:23 |
This stone is supposed to be a G color. |
00:38:27 |
That's the fluorescent light. |
00:38:30 |
It makes everything look yellow. |
00:38:32 |
No, I thought fluorescent light |
00:38:36 |
What am I, Edison? That's a fuck... It's the |
00:38:41 |
Well, maybe. |
00:38:44 |
Look from that angle. |
00:38:46 |
What do you think? |
00:38:48 |
I don't... |
00:38:49 |
I don't know. |
00:38:53 |
- It's a little... |
00:38:57 |
Could we look at it with a lens? |
00:39:00 |
Do you have a lens? |
00:39:05 |
We just asked for a lens. |
00:39:18 |
- Where do you think you're going? |
00:39:21 |
The orphanage found my real parents. |
00:39:24 |
No, you're not. You're in my custody. |
00:39:27 |
For what? The more we talk, the worse I get. |
00:39:31 |
- I had that dream again. |
00:39:34 |
No, the other one. |
00:39:38 |
And then I'm scared out of my mind... |
00:39:41 |
...and these giants are coming at me |
00:39:45 |
Too bad. |
00:39:47 |
- The limp-sword dream? |
00:39:48 |
- I probably shouldn't be listening to this. |
00:39:51 |
Paul? |
00:39:53 |
Sorry. |
00:39:54 |
Let's talk about it. |
00:39:57 |
And you don't think this dream is sexual? |
00:40:00 |
You're thinking the sword is my cock, |
00:40:03 |
Because I was with Sheila last night, |
00:40:07 |
- I don't need to know that. |
00:40:11 |
Congratulations. It's a nice thing to have. |
00:40:13 |
- He's built like a racehorse in that area. |
00:40:18 |
- I've seen it. |
00:40:21 |
- So, what does it mean? |
00:40:24 |
I think, in this case, |
00:40:27 |
You're under a lot of pressure. |
00:40:29 |
You're changing your life, |
00:40:33 |
Doc, nothing is gonna fit though. |
00:40:35 |
Forget about it. I'll fucking kill myself. |
00:40:38 |
You know they take taxes out |
00:40:41 |
Like, I'm doomed. |
00:40:44 |
I'll wind up selling hot dogs on the street. |
00:40:48 |
Take a deep breath, Paul. |
00:40:50 |
- I mean, my heart's beating like a rabbit! |
00:40:55 |
That's all it is. |
00:40:58 |
And breathe in and then breathe out. |
00:41:02 |
- This is your fault. |
00:41:05 |
- This is all your fault. |
00:41:07 |
You tell me to get a job like |
00:41:10 |
Really? Is it? You know what, |
00:41:13 |
If it's not appreciated, |
00:41:16 |
...then find somebody else to talk to, |
00:41:20 |
Because I didn't ask to be born! |
00:41:32 |
What the hell is that about? |
00:41:34 |
I'm sorry. I'm grieving. It's a process. |
00:41:41 |
All right, I'm the patient. That's enough. |
00:41:48 |
Now what are you taking? |
00:41:50 |
Echinacea, goldenseal. |
00:41:52 |
Immune system. |
00:41:57 |
Okay. |
00:41:59 |
Do you know the television show |
00:42:02 |
Yeah, I know it. |
00:42:03 |
The producer of the show |
00:42:06 |
A mutual friend told him I know you, |
00:42:10 |
...and said that he would like to meet you. |
00:42:13 |
I don't know. Why don't |
00:42:21 |
We just got him out of our house. |
00:42:24 |
- That's not very professional, is it? |
00:42:27 |
He's meeting a television producer |
00:42:30 |
He's very nervous about it, and he |
00:42:34 |
He's a grown man. |
00:42:36 |
He doesn't. He needs a buffer. |
00:42:41 |
If you say "buffer" one more time... |
00:42:47 |
331, they're all inside. |
00:42:50 |
We'll be back before they finish dinner. |
00:42:52 |
Didn't you just take two of those? |
00:42:54 |
Did I? No, that was the other... The Chinese |
00:42:59 |
Just don't drink anything. |
00:43:01 |
Drink? Honey, I'm a doctor, |
00:43:09 |
I adore this place. |
00:43:15 |
Yeah, it smells good. |
00:43:17 |
Did you try the yellowtail, Paul? |
00:43:20 |
They got any real food around here? |
00:43:29 |
Raoul, what's very interesting about Paul |
00:43:34 |
He has no filter. He says whatever comes |
00:43:39 |
- What's with you? |
00:43:41 |
- You sound like a fucking retard. |
00:43:45 |
I probably shouldn't |
00:43:48 |
It interacted, and it's giving me a little |
00:43:52 |
- It will be gone in about an hour. |
00:43:56 |
See that? |
00:43:59 |
I love it! I absolutely love it. |
00:44:01 |
In two seconds, I'm gonna stick |
00:44:06 |
He will stick a fucking fork in my eye! |
00:44:10 |
Unfiltered. |
00:44:11 |
Could I get another one of these, please? |
00:44:13 |
Me too. I'd like a cosmopolitan. |
00:44:16 |
- No. No. No. |
00:44:17 |
- The buffer has had too much. |
00:44:20 |
Mr. Berman, I love your show. |
00:44:24 |
Thank you. |
00:44:26 |
And Anthony Bella, |
00:44:28 |
He grew up in Bensonhurst, right |
00:44:33 |
I hate to bust your bubble, but there's |
00:44:37 |
He's, like, a professional Italian |
00:44:40 |
Listen, Paul, I have to ask, would you be |
00:44:45 |
...as a consultant and technical advisor, |
00:44:50 |
Making sure the dialogue rings true. |
00:44:53 |
- Yeah, whatever. |
00:44:57 |
Fantastic! |
00:44:58 |
How about a toast? |
00:45:02 |
Down! |
00:45:13 |
That restaurant was really good. |
00:45:15 |
I liked it up until the attempted whacking. |
00:45:18 |
Now, is that the right terminology, |
00:45:22 |
Sorry. |
00:45:23 |
Do you know that you were muttering and |
00:45:28 |
What are those pills? What are you taking? |
00:45:30 |
You know, at this point, |
00:45:33 |
Okay? Because I am staring |
00:45:39 |
You don't need this. You don't need |
00:45:43 |
Especially not right now. |
00:45:48 |
I think you need to be grieving |
00:45:51 |
You know, it's just, I'm finding |
00:45:59 |
You know, I became a therapist... |
00:46:03 |
...because he was a therapist. |
00:46:06 |
Because his approval was so important |
00:46:12 |
And I never really got it. |
00:46:16 |
So now I'm thinking, is this...? |
00:46:19 |
Is this the reason I did it? |
00:46:21 |
And now that he's gone, |
00:46:25 |
Because I don't know. |
00:46:28 |
Come here, baby. |
00:46:30 |
I just want you to be happy. |
00:46:37 |
Hey, pal. |
00:46:43 |
- I'll ask you once. Who are you working for? |
00:46:49 |
- Fuck you. |
00:46:51 |
Yeah. No, no, no, wait, wait! |
00:46:55 |
- Stop! |
00:46:58 |
Get me up! Stop! Get me up! |
00:47:00 |
Drop him. |
00:47:01 |
I'm working for Lou the Wrench. Rigazzi. |
00:47:04 |
- The Wrench? |
00:47:05 |
- How do you spell his name? |
00:47:09 |
Can't even spell his fucking name right, |
00:47:12 |
Pull him up. |
00:47:19 |
What's the matter with you? |
00:47:21 |
You said drop him. |
00:47:22 |
- I said pull him back up. |
00:47:25 |
Then you heard what you wanted to hear. |
00:47:29 |
I guess you got me there. |
00:47:55 |
What the hell happened to you? |
00:47:57 |
Vitti threw me off a roof. |
00:47:59 |
Vitti? You talked to Vitti? |
00:48:02 |
Yeah, I talked to Vitti. |
00:48:04 |
- What did you say to him? |
00:48:08 |
- You sure you didn't tell him anything? |
00:48:12 |
Can I go now? I think my leg's broken. |
00:48:15 |
That must hurt, huh? |
00:48:18 |
I have something for that. |
00:48:28 |
I hate to see people in pain. |
00:48:30 |
Get him out of here. |
00:48:34 |
What about Vitti? |
00:48:35 |
He's a hard man to kill. |
00:48:38 |
But he's not immortal. |
00:48:41 |
Our time will come. |
00:48:43 |
- Okay, roll film. |
00:48:54 |
Hey, I like my sausage burnt. |
00:48:56 |
I don't know how you like your sausage? |
00:49:00 |
- You got the money? |
00:49:03 |
I'm still light 15 large. |
00:49:08 |
All I gotta... |
00:49:09 |
All I gotta... |
00:49:11 |
Cut! Cut! Can you do something |
00:49:15 |
Cut! |
00:49:17 |
Can you do something |
00:49:22 |
This is the trouble |
00:49:25 |
...although it's worth it |
00:49:29 |
Well, it looks authentic. |
00:49:31 |
Hey, Tony! |
00:49:33 |
Tony. |
00:49:34 |
Anthony Bella, Nicky Caesar. |
00:49:37 |
- This is Paul Vitti. |
00:49:41 |
- It's a pleasure to meet you, mate. |
00:49:44 |
I don't believe this. An English guy. |
00:49:46 |
- You ain't even Italian. |
00:49:49 |
- There's a lot of paisans down under. |
00:50:00 |
- You like to laugh, don't you? |
00:50:04 |
I don't have to do it if it bothers you. |
00:50:07 |
So, Paul, are you gonna join us? |
00:50:09 |
I'm thinking I might. |
00:50:12 |
Sensational, mate. I can't wait to work |
00:50:16 |
- All right, mate. |
00:50:18 |
- Can we get this fucking shot? |
00:50:21 |
Paul, thank you. And welcome. |
00:50:25 |
Welcome aboard. |
00:50:27 |
Couple of things. |
00:50:29 |
I don't know who makes these decisions... |
00:50:31 |
...but there are things that |
00:50:34 |
Yes, I sensed this myself. |
00:50:38 |
Which elements strike you as wrong? |
00:50:40 |
Well, the people, mainly. I mean, |
00:50:44 |
- What the fuck is that about? |
00:50:48 |
- And your background is what? |
00:50:51 |
That figures. I got some people |
00:50:54 |
...that will add a certain authenticity |
00:50:57 |
I would be eternally grateful |
00:51:00 |
Is there anything else that you would need? |
00:51:04 |
I'd like one of those trailers |
00:51:07 |
Done! Done! I am gonna go |
00:51:11 |
Right. |
00:51:13 |
Brian! |
00:51:16 |
- Hey, Paul. You really gonna do this? |
00:51:20 |
Are you out of your fucking mind? |
00:51:24 |
In a week, I'll fucking kill |
00:51:27 |
This is just a good cover till I figure out |
00:51:57 |
- You know, there's a line here. |
00:52:01 |
Take the chicken and the two pastas. |
00:52:03 |
You must be a teamster. |
00:52:12 |
"Tell me why I'd give a shit |
00:52:16 |
- No, no good. |
00:52:23 |
What about this line? "Stevie Wonder |
00:52:28 |
- No. Never. |
00:52:31 |
Never. |
00:52:40 |
"How much does the chosen snitch |
00:52:45 |
- No? |
00:52:46 |
- It's no good. |
00:52:48 |
Jesus. |
00:52:50 |
That's it. That's... |
00:52:56 |
- There's no dialogue in the scene. |
00:53:13 |
Get in the car. |
00:53:16 |
- We going to the prom? |
00:53:18 |
I know. |
00:53:26 |
Sit down. |
00:53:29 |
Careful. The eggs are on the bottom. |
00:53:31 |
- Oh, yeah? |
00:53:38 |
You the shrink taking care of Paul Vitti? |
00:53:42 |
- Yes, I am. |
00:53:44 |
I'm sorry, I don't discuss |
00:53:47 |
Discuss it. |
00:53:49 |
He's suffering from a chronic anxiety, |
00:53:53 |
And what? |
00:53:55 |
Antisocial personality disorder. |
00:53:59 |
Sociopathy. |
00:54:00 |
I'm getting a fucking headache here. |
00:54:04 |
He has a criminal temperament. |
00:54:08 |
He's a criminal? |
00:54:11 |
This is news? |
00:54:13 |
And for that you need a doctor degree? |
00:54:17 |
What do you do for him? |
00:54:19 |
I try to get him to see |
00:54:22 |
Wrong. |
00:54:24 |
You do not want him to change. |
00:54:29 |
That's Mrs. LoPresti. |
00:54:31 |
Patti. |
00:54:32 |
Patti, I'm Ben Sobel. |
00:54:36 |
Paul Vitti is very important to this family. |
00:54:39 |
We don't want to see you |
00:54:42 |
Stromboni? The thing they clean |
00:54:46 |
That's a Zamboni, asshole. Stromboni. |
00:54:49 |
It's a bull with his balls cut off. |
00:54:56 |
- No, we don't want to see that happen. |
00:54:59 |
No, I'm very attached to my balls. |
00:55:02 |
As you can probably tell. |
00:55:09 |
Then do the right thing. Understand? |
00:55:12 |
Yes. Yes, I do. |
00:55:19 |
Goodbye. |
00:55:24 |
No hard feelings. |
00:55:27 |
No, and probably never again. |
00:55:32 |
We're gonna need a grapple or a crane. |
00:55:37 |
I seen one in Bayonne, but I'll call around. |
00:55:40 |
All right, see what you can do. |
00:55:41 |
And we're gonna need a city bus. |
00:55:44 |
I got a guy in the Transit Authority. |
00:55:48 |
- Let me know when you want me to call. |
00:55:53 |
- Hey. How you doing? |
00:55:55 |
- Patti, how you doing? |
00:55:59 |
Excuse me. This is a closed set. |
00:56:02 |
Yeah? So am I. Let's walk. Come on. |
00:56:05 |
- I heard you had some more trouble. |
00:56:10 |
I don't have to tell you, Paul. Alone on |
00:56:14 |
That's what the family is all about. |
00:56:16 |
Since the old days when |
00:56:18 |
It's not something you walk away from. |
00:56:20 |
When you're a Jet, |
00:56:23 |
- What? |
00:56:26 |
So you wanna tell me what's going on? |
00:56:28 |
I see you have your whole crew |
00:56:30 |
Nothing's going on. They're actors now. |
00:56:32 |
Don't bullshit me, Paul. |
00:56:34 |
I know you're planning something, |
00:56:39 |
All right. All right, I'll tell you. |
00:56:43 |
You'll get your end. |
00:56:45 |
Just let us do what we gotta do. |
00:56:48 |
Okay? |
00:56:50 |
You're a good friend. I would never |
00:56:53 |
...but I'd feel better if you'd bring Eddie |
00:56:57 |
...you know, to help you with the job. |
00:56:59 |
Eddie "Yeah, what?" |
00:57:00 |
- He's a good man. |
00:57:02 |
He's young. He's got a lot to learn. |
00:57:04 |
What is this, crime school? |
00:57:08 |
Check him out. Talk to Frankie Brush. |
00:57:11 |
He's worked jobs with them before. |
00:57:14 |
Paul, please. For me. |
00:57:16 |
He does what I tell him, stays out of the |
00:57:20 |
All right. Fine. Thanks, Paul. |
00:57:24 |
Oh, God. Dear God. |
00:57:27 |
Look, sweetheart... |
00:57:29 |
Sweetheart, first of all... |
00:57:32 |
...we're not shooting the hooker scene |
00:57:35 |
And the hair, please, what is it? |
00:57:42 |
Raoul. This is a friend of mine. |
00:57:45 |
Patti. This is Patti Lo. This is Raoul. |
00:57:48 |
Patti Lo...? |
00:57:51 |
Patti LoPresti? |
00:57:53 |
I am so very, very sorry. |
00:57:58 |
How dare you not inform me |
00:58:01 |
You are fired! Get out! |
00:58:06 |
That is why I'm... |
00:58:10 |
And if there is anything at all |
00:58:13 |
Go fuck yourself. |
00:58:14 |
Immediately. Immediately. |
00:58:19 |
He's from the theater. |
00:58:36 |
- Should I wait here, Mr. Rigazzi? |
00:58:56 |
Get over your hurt feelings, okay? |
00:58:58 |
Tell me. Was she angry? |
00:59:00 |
Don't worry about it. I just wouldn't start |
00:59:05 |
I'll have Brian do it. He's new. |
00:59:07 |
Hey, Paul. |
00:59:09 |
Hey, Lou. |
00:59:11 |
This is Lou Rigazzi, Lou the Wrench. |
00:59:14 |
The Wrench? |
00:59:16 |
Brian? Sorry. |
00:59:18 |
Start my car! |
00:59:19 |
Now! |
00:59:21 |
Come on, I wanna talk to you. |
00:59:23 |
The guy who shot at you, |
00:59:26 |
- I never gave the order. |
00:59:28 |
He's been taken care of. |
00:59:31 |
Unless you're thinking |
00:59:34 |
Me? No. |
00:59:35 |
Good. Then I got no beef with you. |
00:59:38 |
Good, I can sleep better. |
00:59:40 |
Let me tell you, |
00:59:43 |
You wanna back a winner, |
00:59:47 |
It only makes sense. |
00:59:49 |
So you come work for me. |
00:59:52 |
No, thanks. |
00:59:55 |
So much for sleeping better. |
00:59:58 |
You be careful. |
01:00:03 |
Listen, Jelly, you just pick numbers. |
01:00:06 |
- You know why? It's an open race. |
01:00:09 |
- Hey, doc! How you doing? |
01:00:12 |
How are you? |
01:00:13 |
Mo-Mo. |
01:00:15 |
Mo-Mo, right. I was thinking of the cellist. |
01:00:18 |
Jelly, where's Paul? |
01:00:20 |
He's in his camper. |
01:00:23 |
Yeah. |
01:00:25 |
Doc, what are you doing here? |
01:00:27 |
What am I doing here? |
01:00:30 |
I came to tell you that you had a meeting |
01:00:34 |
Patti LoPresti! |
01:00:36 |
Patti who? |
01:00:37 |
Stop lying to me. Your whole gang is here. |
01:00:39 |
Who says I'm lying? I finally get a straight |
01:00:43 |
...and you start accusing me? |
01:00:46 |
Paul, it's not that I don't trust you. |
01:00:51 |
This is what's so hard |
01:00:53 |
You make one mistake |
01:00:55 |
So now you're the victim? |
01:00:58 |
Wait a second. |
01:01:00 |
- Say that again. |
01:01:02 |
- What you just said. "I want the truth." |
01:01:04 |
- No, strong, like before. |
01:01:07 |
That's it. That's good. |
01:01:09 |
- What? |
01:01:11 |
- I believed you. You could be an actor. |
01:01:14 |
You're better than the bums here. |
01:01:16 |
- There's this part you could do. |
01:01:20 |
We're shooting now. There's this part, |
01:01:24 |
I did do Music Man in high school. |
01:01:27 |
Jelly, what are you...? |
01:01:30 |
Help! Help! |
01:01:32 |
Hey, help me! |
01:01:34 |
I don't wanna do this! |
01:01:36 |
- Does that screaming sound real to you? |
01:01:41 |
That was not funny at all. There was |
01:01:46 |
If you didn't wanna do it, |
01:01:48 |
You said a scene on the roof. |
01:01:51 |
They didn't throw you off. |
01:01:55 |
I know what you're doing. |
01:01:58 |
...so you passive-aggressively |
01:02:01 |
Come on. You were great. |
01:02:04 |
Second take, I thought, |
01:02:07 |
Jelly wasn't giving me much, honestly. |
01:02:11 |
Screw you, Paul. |
01:02:15 |
- What are you doing, self-medicating again? |
01:02:18 |
Don't give me that decongestant, |
01:02:20 |
- Come on, what are you doing? |
01:02:24 |
...and I forget what else. |
01:02:27 |
Worry about what you're gonna say |
01:02:29 |
I mean, what are you gonna tell him? |
01:02:32 |
That you got your gang back together? |
01:02:36 |
- You recognize that car? |
01:02:39 |
The one that's been following us |
01:02:42 |
That? Oh, yeah. I know that car. That's a |
01:02:46 |
It's an eight bore. |
01:02:49 |
- Lose them. |
01:02:50 |
- Lose them. |
01:02:51 |
- Lose them! |
01:03:01 |
I'm gonna stop, Paul. |
01:03:04 |
The FBI is two cars back. |
01:03:13 |
I'm pulling over. |
01:03:15 |
Broad daylight is the best time. |
01:03:45 |
We gotta stop. This is a lease. |
01:03:49 |
Hey, it's a goddamn lease! |
01:03:51 |
- Move over. I'll drive. |
01:03:53 |
- Get in the back seat. Back seat! |
01:03:55 |
Get over! |
01:04:07 |
- Buckle up, doc. |
01:04:09 |
It ain't gonna get better. |
01:04:19 |
Stop it! |
01:04:47 |
Oh, my God. |
01:04:48 |
You think they'll get out? |
01:04:50 |
Yeah, that's James Bond and that |
01:04:56 |
- I feel bad. Where are you going? |
01:04:59 |
- Paul, your parole officer... |
01:05:02 |
- Paul, I'm warning you. If you leave now... |
01:05:06 |
That's it. You're on your own now, pal. |
01:05:10 |
I'm... |
01:05:12 |
...screwed. |
01:05:27 |
So where is he, doctor? |
01:05:29 |
I wish I knew. |
01:05:31 |
Considering I released him into your custody, |
01:05:38 |
He's got something in the works. |
01:05:41 |
I don't know anything. |
01:05:43 |
I really feel he's making |
01:05:45 |
- Oh, yeah? |
01:05:46 |
That's why we got two corpses |
01:05:50 |
Here. |
01:05:52 |
Vitti with Sal Masiello. |
01:05:54 |
Vitti with Patti LoPresti. |
01:05:57 |
Let me know. |
01:06:01 |
I am giving you 24 hours |
01:06:04 |
Otherwise, you're looking at obstruction |
01:06:11 |
- Can I go? |
01:06:14 |
We're impounding it as evidence. |
01:06:16 |
- Can I get a ride? |
01:06:22 |
I don't got a lot of time. |
01:06:24 |
They're probably gonna come looking for me, |
01:06:28 |
Paul, not that I'm questioning or anything, |
01:06:33 |
The guy is like a petty larceny scumbag. |
01:06:36 |
Hey, I ain't happy about it either. |
01:06:41 |
- Yeah? |
01:06:45 |
- Mr. Bella asked to meet you in makeup. |
01:06:48 |
- It's important. |
01:06:51 |
Here, here. |
01:06:58 |
- Paul, excellent, mate. Come here, please. |
01:07:02 |
I've gotta ask you a question. |
01:07:04 |
- I gotta... |
01:07:06 |
- Can we do it later? |
01:07:08 |
Paul, I'm looking for something to do when |
01:07:13 |
And I was thinking of punching the wall. |
01:07:16 |
But I did that when they killed Uncle Lenny, |
01:07:20 |
...actually, it was a van, when Peezee |
01:07:24 |
So I'm looking |
01:07:28 |
Something that doesn't involve, |
01:07:31 |
Kick something. Let me know |
01:07:34 |
Paul, wait. |
01:07:38 |
- Kick what? |
01:07:40 |
- Who? |
01:07:43 |
Knock him down, give him a |
01:07:46 |
- Why? |
01:07:48 |
You're pissed, he's there. |
01:07:51 |
My character wouldn't do that. |
01:07:54 |
- I don't know. You could yell real loud. |
01:07:57 |
That's really original. |
01:07:58 |
Shut your fucking mouth. |
01:08:01 |
Shut your fucking mouth. |
01:08:05 |
- What'd you say? |
01:08:08 |
- Wait. What are you doing? |
01:08:11 |
- You can cut that shit out right now. |
01:08:20 |
That was bloody great! |
01:08:22 |
My character could do that. |
01:08:31 |
Thank you. |
01:08:37 |
Jelly? Where's Paul? |
01:08:41 |
Michael. What are you doing? |
01:08:43 |
I'm working for Mr. Vitti. |
01:08:47 |
Oh, no. No. No. No, Michael, |
01:08:50 |
- You keep telling me to get a job. |
01:08:54 |
...not driving a getaway car. |
01:08:55 |
Dad. |
01:08:57 |
No "Dad" about this. He should have |
01:09:00 |
All right. Where is he? |
01:09:02 |
I cannot give you that information. |
01:09:05 |
You cannot give me that information? |
01:09:08 |
Look, I promised not to repeat anything |
01:09:12 |
You took an oath? |
01:09:16 |
Ben? |
01:09:17 |
What...? What happened? Where were you? |
01:09:20 |
I'll tell you the truth. I was involved |
01:09:23 |
- What? |
01:09:25 |
...and the men who were |
01:09:28 |
- Oh, my God! |
01:09:31 |
- When is this all gonna end? |
01:09:35 |
Why? A few days ago you weren't even |
01:09:38 |
Honey, I have to finish this. |
01:09:45 |
Go. |
01:09:46 |
- Go. Just don't get shot. |
01:09:49 |
- Please. |
01:09:50 |
- Hey, Clemenza. Where is he? |
01:09:53 |
You are gonna tell your father... |
01:09:55 |
...or so help me God, I'll kick |
01:09:58 |
Little Darlings, okay? It's a club in Queens. |
01:10:01 |
- Give me the keys to the car. |
01:10:05 |
- Give me the fucking keys! |
01:10:07 |
- Okay. |
01:10:08 |
Thank you. Bye. |
01:10:35 |
Hi. |
01:10:40 |
Excuse me. |
01:10:42 |
Excuse me. |
01:10:43 |
Jelly. |
01:10:45 |
- Hey, doc, what are you doing here? |
01:10:49 |
- I think she likes you. |
01:10:52 |
Man, give her a few dollars. |
01:10:58 |
Hi. I only have a 20, |
01:11:02 |
Ten, five, singles would be great. |
01:11:11 |
Okay. |
01:11:12 |
Thank you very much for giving me this. |
01:11:18 |
Thank you. |
01:11:20 |
Listen, this is my meter money, |
01:11:32 |
Where's Jelly? |
01:11:41 |
What are you doing? |
01:11:42 |
What do you mean? Blowing off |
01:11:46 |
Here he is. |
01:11:48 |
- How's it going, Paulie? |
01:11:51 |
You know my guys? |
01:11:54 |
Al Pacino? That's your real name? |
01:11:55 |
No. They call me that |
01:12:00 |
- The actor. |
01:12:03 |
Why? |
01:12:04 |
Because you look as much like |
01:12:11 |
- What are you looking at? |
01:12:14 |
It's, like, right through here, |
01:12:22 |
So we're all here? |
01:12:24 |
- We're all here. |
01:12:27 |
- Let's do what? |
01:12:29 |
- Let's do what? |
01:12:32 |
You're not telling me something. |
01:12:34 |
You're not telling me something. |
01:12:37 |
- I'm not leaving till you tell me... |
01:13:03 |
Okay, this is big. |
01:13:06 |
We only got one shot, and there's a million |
01:13:10 |
...so everybody listen carefully. |
01:13:14 |
The Federal Gold Depository |
01:13:18 |
Three times a year, a shipment of Gold bars |
01:13:23 |
...from the depository to a vault |
01:13:26 |
...to hold for foreiGn Governments |
01:13:32 |
Three o'clock in the morninG, |
01:13:36 |
...we're gonna hijack that truck. |
01:13:39 |
All right, everybody look at the map. |
01:13:50 |
- What the fuck is this? |
01:13:56 |
- Hi, guys. |
01:13:58 |
- Hi, Carol. |
01:14:00 |
Put the gun down. |
01:14:03 |
Put the fucking gun down, okay? |
01:14:05 |
- What are you doing? |
01:14:07 |
- He can make every guy in this room. |
01:14:11 |
Yeah? What, on the job? |
01:14:13 |
- Gonna start that "yeah, what?" shit again? |
01:14:17 |
I think in is better. |
01:14:22 |
- He's in. He's my responsibility. |
01:14:26 |
No more surprises. And from this |
01:14:30 |
Got it? |
01:14:33 |
Here, try this on. |
01:14:34 |
- Is this bulletproof? |
01:14:36 |
See if it fits under your shirt. |
01:14:39 |
I could fit you under my shirt. |
01:14:41 |
What are we, a Bloomingdale's? |
01:14:43 |
Hey, nobody knew you were coming down. |
01:14:48 |
We're all gonna be lucky to be alive. |
01:14:52 |
Hey, hey, watch it. |
01:14:54 |
Crazy, but not stupid. |
01:14:57 |
You do everything I tell you, keep your |
01:15:03 |
- Can you handle an M-16? |
01:15:05 |
No, twirl it like a fucking baton. |
01:15:08 |
- AK? |
01:15:10 |
- Kalashnikov? |
01:15:12 |
- Stop me when something hits your fancy. |
01:15:17 |
Yeah. This brings back fond memories. |
01:15:24 |
- Use it in good health. |
01:15:29 |
Great. |
01:15:34 |
Cold. Cold. |
01:15:41 |
- Check everything in there. |
01:15:55 |
- You okay? |
01:15:58 |
I'll try to get you out before |
01:16:00 |
- Just don't flip out on me, okay? |
01:16:43 |
Here they come. |
01:16:46 |
Big, big mistake. |
01:16:48 |
- They're here. |
01:17:01 |
Are you fucking kidding me? |
01:17:03 |
Move the truck! |
01:17:07 |
Where you going? |
01:17:11 |
It's a setup! |
01:17:14 |
Everybody get down, watch the walls! |
01:17:26 |
On my command, |
01:17:29 |
You're gonna take the rear. |
01:17:32 |
We're gonna back |
01:17:36 |
- What the fuck? |
01:17:39 |
They're lifting the fucking truck! |
01:17:42 |
Son of a bitch! |
01:17:49 |
Hold on! |
01:17:51 |
Hold on, Harold! Hold on! |
01:17:54 |
Going over. |
01:17:57 |
You have got to be fucking kidding me! |
01:18:01 |
Hang on! |
01:18:16 |
- It's not too late. You don't have to do this. |
01:18:28 |
What a day for my balls. |
01:18:33 |
Open the fucking door. |
01:18:38 |
- Where's the keys? |
01:18:40 |
They've got the keys at the bank. |
01:18:43 |
Keep your fucking head down. |
01:18:45 |
Get over here! |
01:18:49 |
Move. Get the fuck in there. |
01:18:52 |
Here we go. |
01:18:55 |
Take the gate. You guys take the gate. |
01:19:03 |
On the wall, guys. Get up on the wall! |
01:19:07 |
Get the gate! Move. Move. Move. |
01:19:09 |
Break through the gate. |
01:19:20 |
Get the ramp. |
01:19:21 |
You know, this might just fucking work. |
01:19:24 |
Go! Go! Go! Get over the wall. |
01:19:29 |
10-13, shots fired. |
01:19:33 |
10-13, shots fired. Shots fired. |
01:19:36 |
Move! Move! Move! Over the wall! |
01:19:39 |
- Get over the goddamn wall! |
01:19:50 |
Fifty bars. Fifty bars is all we need. |
01:19:52 |
- Let's go. |
01:19:54 |
350 an ounce, 16 ounces to a pound, |
01:19:58 |
- 22,995,000. |
01:20:02 |
Give or take. |
01:20:06 |
Hit it again! |
01:20:09 |
They're breaking down the door. |
01:20:12 |
Bobby, move up the Payloaders. |
01:20:15 |
So much for not peeing in my pants. |
01:20:27 |
- That's 50. |
01:20:30 |
- Come on. Let's go. |
01:20:32 |
We're moving out. |
01:20:35 |
Paul, remember what you said |
01:20:38 |
- Yeah. |
01:20:41 |
I had a perfect life, |
01:20:44 |
I'm going to prison. That'll be bad. |
01:20:47 |
- I'm small. I'm gonna be popular. |
01:20:50 |
- I can't calm down. I'm gonna die. |
01:20:53 |
- I can't breathe! I'm suffocating! |
01:20:56 |
- Get a hold of yourself! |
01:20:58 |
- We're not gonna die. |
01:21:05 |
- You feel better now? |
01:21:08 |
I wanted to be there for you. |
01:21:11 |
I want... But I couldn't |
01:21:14 |
Ever since my father died, I lost my way. |
01:21:22 |
But, Paul, now I know how you felt |
01:21:25 |
We don't have time for this. |
01:21:27 |
- But it's... |
01:21:28 |
- Don't do this. |
01:21:30 |
- Don't do this. |
01:21:33 |
- You were just a little kid. |
01:21:35 |
- But it's so sad. |
01:21:38 |
- All of his dreams for you died with him. |
01:21:44 |
- He loved you, Paul. He really loved you. |
01:21:48 |
- Loved him too. |
01:21:53 |
Oh, boy, this is bad. |
01:21:59 |
How's the heist going? |
01:22:10 |
Did you really think |
01:22:16 |
- Yeah. I had my hopes. |
01:22:18 |
- Mr. Rigazzi will be very grateful. |
01:22:22 |
Patti thought so too, but he played |
01:22:25 |
There's only one side |
01:22:29 |
What did you think? |
01:22:31 |
...and let some fucking broken-down valise |
01:22:34 |
So long, Mr. Vitti. |
01:22:44 |
I can't take it anymore! |
01:22:46 |
That's what I hate |
01:22:49 |
You keep changing the rules |
01:22:52 |
Well, not this time, you antisocial, |
01:22:57 |
This time |
01:22:59 |
You want a fresh one? |
01:23:05 |
This session is over. |
01:23:15 |
Son of a bitch. Ram it! |
01:23:20 |
Take them up and leave them there. |
01:23:22 |
- Nice going. Good plan. |
01:23:26 |
- Bye. |
01:23:29 |
What's a sociopath? |
01:23:31 |
I don't know. |
01:23:33 |
- Somebody! |
01:23:40 |
Come on! This way! Come on! |
01:23:43 |
- They're getting away! Come on. |
01:24:03 |
Drop your guns! |
01:24:06 |
Drop your guns! |
01:24:08 |
Drop your fucking guns! |
01:24:12 |
Drop your weapons, now! |
01:24:14 |
- Who the hell is this? |
01:24:19 |
Drop your fucking guns. Nobody move! |
01:24:21 |
Raoul! Look, if you're gonna |
01:24:26 |
Who are these people? |
01:24:30 |
- What are you doing on my street? |
01:24:33 |
- Take your permit and stick it up your ass! |
01:24:37 |
Release traffic, please. Release traffic. |
01:24:41 |
This is like a bloody Chinese fire drill... |
01:24:46 |
Jesus! |
01:24:47 |
- You are in trouble. You are in trouble! |
01:24:51 |
Prison? You think I'm powerless? |
01:24:53 |
- Enough. I'm going back to my trailer. |
01:24:56 |
- Move these cars, goddamn you! |
01:25:12 |
- Is there a problem, officer? |
01:25:16 |
That's it, we're screwed. |
01:25:25 |
You. |
01:25:27 |
Me? |
01:25:31 |
- You're one tough shrink. |
01:25:50 |
- Feeling pretty good, huh? |
01:25:54 |
What are you thinking? |
01:25:58 |
Do you go on the run |
01:26:00 |
Do you just go back to Sing Sing? |
01:26:04 |
- How does this work now? |
01:26:09 |
Hey, doc. Can't you let me enjoy this |
01:26:13 |
- Must you always be a fucking killjoy? |
01:26:16 |
- Five minutes. |
01:26:21 |
- And then what? |
01:26:22 |
- And then you'll see what. |
01:26:41 |
WWEN news time, 8:06. |
01:26:46 |
A quick resolution to last niGht's |
01:26:51 |
FBI aGents, |
01:26:54 |
...raided the RiGazzi PlumbinG Company |
01:26:57 |
...and recovered the 50 Gold bars |
01:27:02 |
Arrested in the raid were reputed crime |
01:27:06 |
...and 11 other hiGh-rankinG |
01:27:10 |
The rest of the stolen bullion |
01:27:13 |
...alonG with three hiGh-flyinG hijackers |
01:27:17 |
OrGanized crime |
01:27:22 |
...and I'm happy to report to the people |
01:27:26 |
...that this Great city is today |
01:27:32 |
Questions? |
01:27:44 |
Hey, doc. |
01:27:46 |
- Did you see Patti? |
01:27:48 |
- You gonna be okay? |
01:27:50 |
- She's glad the Wrench is out of the way. |
01:27:55 |
- What did he say? |
01:27:57 |
...and he said he won't come after you. |
01:28:02 |
Fuck him. |
01:28:05 |
So one big happy ending, right? |
01:28:07 |
- You gotta admit you feel better. |
01:28:11 |
Twenty million down the drain. |
01:28:14 |
- You're grieving, Paul. It's a process. |
01:28:17 |
It's not easy. But you gotta know |
01:28:20 |
You too, doc. |
01:28:21 |
- You hung in there. It took a lot of balls. |
01:28:25 |
You were a monster. |
01:28:27 |
- A lot of misplaced aggression, that's all. |
01:28:29 |
I'm gonna send you after people |
01:28:32 |
Give them a little psychology, |
01:28:41 |
I wanna thank you, doc. |
01:28:44 |
- You don't have to thank me, Paul. |
01:28:49 |
You. |
01:28:51 |
- You're good, you. |
01:28:53 |
No, no, no. You're very, very good. |
01:28:56 |
You got a gift, my friend. |
01:29:02 |
All right, I have a gift. |
01:29:07 |
All right. |
01:29:10 |
- Okay. Okay, doc. |
01:29:12 |
- Yeah. |
01:29:13 |
- I'll see you. |
01:29:22 |
Hey, doc. |
01:30:35 |
When I was a resident, we used to |
01:30:38 |
Just to have a little fun, |
01:30:48 |
Okay, let's just... Okay. |
01:30:58 |
When I was a resident at Downstate... |
01:31:01 |
...we used to play with the catatonics, |
01:31:08 |
Okay. |
01:31:16 |
I'm not hurting you. |
01:31:19 |
- Sorry. |
01:31:21 |
You told her at the drop of a hat. |
01:31:23 |
She's with the FBI. |
01:31:26 |
I see. And I don't need this information. |
01:31:28 |
No. No. Why? Why tell Paula? |
01:31:33 |
But your name's not Paula. |
01:31:34 |
- Who am I? |
01:31:36 |
Okay. |
01:31:39 |
- Hey, you. |
01:31:41 |
- What? |
01:31:43 |
Yeah. That was you. |
01:31:46 |
Yeah. |
01:31:50 |
- "So, what's the holdup?" |
01:31:51 |
I'm taking a long time. |
01:31:55 |
You also took mine. |
01:31:59 |
Here you go. Thank you very much. |
01:32:08 |
Hey, Michael. |
01:32:12 |
Jelly. |
01:32:14 |
Michael! |
01:32:16 |
If I could only get out of this car! |
01:32:18 |
Come on. Who would you...? |
01:32:20 |
- You hated your father. |
01:32:23 |
- No, I loved him. |
01:32:26 |
You hated him. You fucking hated him. |
01:32:34 |
- All right. I got it. I'll stop. |
01:32:39 |
- "Yeah. I can see how touched you are." |
01:32:42 |
- That's my line. |
01:32:45 |
What am I doing here? |
01:32:47 |
I came here to tell you |
01:32:51 |
- Come back and try again. |
01:32:52 |
Preliminary meeting. Preliminary meeting. |
01:32:55 |
You have a preliminary meeting |
01:32:59 |
Fuck you. Fuck you. It's "preliminary." |
01:33:02 |
I'm from the Bronx, |
01:33:06 |
Come in. |
01:33:09 |
Hey, doc, what are you doing here? |
01:33:11 |
- Preliminary. |
01:33:15 |
Come in. |
01:33:17 |
- No. |
01:33:20 |
A marker. |
01:33:22 |
You know who was always |
01:33:24 |
The late, great Groucho Marx. |
01:33:27 |
Because he would put stuff on his, |
01:33:30 |
He would draw them in on his eyebrows |
01:33:33 |
"That's the most ridiculous thing |
01:33:37 |
Hey, look. |
01:33:42 |
Salute me, I'm Captain Midnight. |
01:33:45 |
Ultimately, it's just sad. |
01:33:48 |
That's what I've been jerking off to |
01:33:52 |
Yeah, like a nice fucking lamb chop. |
01:33:58 |
A nice home-cooked meal. Like... |
01:34:03 |
- Let me think of a good one. |
01:34:13 |
Help me. |
01:34:17 |
I just wanted to see it again. |
01:34:20 |
- We still going? |
01:34:25 |
All right. That was great. |