Minority Report
|
00:01:30 |
You know how blind I am without them. |
00:01:33 |
Howard, don't cry. |
00:01:56 |
Murder. |
00:02:31 |
- Good luck, John. |
00:02:34 |
Only the ones you give me. |
00:02:50 |
- What's coming? |
00:02:53 |
One male, one female. |
00:02:57 |
Agatha nailed the time at 8:04 a.m. |
00:03:02 |
Location's still uncertain. |
00:03:05 |
This will be case number 1108. |
00:03:12 |
Morning, detectives. |
00:03:15 |
Case number 1108, |
00:03:19 |
...recorded on holosphere |
00:03:21 |
My fellow witnesses are Dr. Katherine |
00:03:26 |
Good morning. |
00:03:27 |
Will the witness preview and validate |
00:03:31 |
Affirmative. I will validate. |
00:03:33 |
Go get them. |
00:03:35 |
- Standby. |
00:03:37 |
That is 24 minutes, 13 seconds |
00:04:08 |
You know how blind I am without them. |
00:04:12 |
All right, Howard Marks, |
00:04:15 |
Howard? Howard, breakfast. |
00:04:35 |
Four score and seven years ago... |
00:04:37 |
- He looked familiar. |
00:04:41 |
A man standing in the park |
00:04:44 |
- Seen him before. |
00:04:46 |
You're blind without your glasses. |
00:04:49 |
- In the bedroom. |
00:04:52 |
- You know how blind I am... |
00:05:08 |
I show eight Howard Markses in the |
00:05:13 |
Run their license and registration. |
00:05:20 |
I was thinking I'd stay home today. |
00:05:22 |
- What about your meeting? |
00:05:25 |
- Can you grab that? |
00:05:30 |
- Six licenses. Where do you want them? |
00:05:54 |
You know how blind I am without them. |
00:06:02 |
Got him in the Foxhall. |
00:06:05 |
Send DCPD. Set up a perimeter. |
00:06:08 |
I was thinking maybe I'd play hooky, |
00:06:13 |
- "We've come to dedicate a portion..." |
00:06:17 |
- What about your meeting? |
00:06:20 |
I've been working too much anyway. |
00:06:24 |
- "But in a larger s..." Good. |
00:06:27 |
- What do you say? |
00:06:30 |
- I would love to. |
00:06:33 |
I have an open house |
00:06:36 |
- Have consecrated, far above our |
00:06:40 |
I guess that's why you look so nice. |
00:06:45 |
Chief! We got a problem |
00:06:53 |
- It's no longer there. |
00:06:55 |
- Time frame? |
00:06:57 |
Investigator from the fed's here. |
00:07:00 |
I don't need some twink |
00:07:02 |
I wrote it on your calendar. |
00:07:04 |
See if the neighbors knew |
00:07:06 |
- Check all relations. |
00:07:09 |
Just get him some coffee, |
00:07:13 |
I got coffee, thanks. |
00:07:15 |
Danny Witwer, |
00:07:18 |
Oops. Gum? |
00:07:20 |
I'll give you the full tour |
00:07:22 |
They moved two weeks ago. Nobody |
00:07:26 |
Time horizon, 12 minutes. |
00:07:28 |
He's scrubbing the image, looking for... |
00:07:30 |
...clues as to where |
00:07:33 |
Original running bond brick pattern, |
00:07:39 |
And that this nation, under God, |
00:07:44 |
Victims are pronounced here, |
00:07:47 |
Beyond that, all we have to run on |
00:08:02 |
- Show a cop on horseback. |
00:08:05 |
- No Maglev system. |
00:08:09 |
Georgetown. |
00:08:10 |
The Pre-Cogs can see a murder |
00:08:13 |
A Red Ball. Crimes of passion have no |
00:08:18 |
Most of our scrambles are flash events. |
00:08:23 |
People have gotten the message. |
00:08:25 |
I show a match with Dwight Kingsley, |
00:08:29 |
- He did two dozen houses in D.C. |
00:08:39 |
Look at this kid. |
00:08:41 |
In this one, |
00:08:44 |
Yes. So? |
00:08:46 |
This one he's on the right. |
00:09:05 |
Merry-go-round. |
00:09:07 |
It's a park. |
00:09:12 |
There's only 16 of these old |
00:09:16 |
Two in Georgetown, one in |
00:09:19 |
It's gotta be Barnaby Woods. |
00:09:21 |
The way I drive? |
00:09:38 |
- Clear. |
00:09:59 |
Time horizon, six minutes. |
00:10:38 |
Let's go to bed. |
00:10:40 |
Let's do it in here. |
00:10:44 |
- But the bed is soft. |
00:11:33 |
Shit. |
00:11:36 |
Which one is it? |
00:11:44 |
- Not the bed. |
00:11:47 |
I don't want to be on the bed. |
00:11:53 |
- We're catching up to the future. |
00:11:57 |
- Jad? |
00:12:00 |
- Did he close the front door? |
00:12:03 |
Did Marks close the front door? |
00:12:13 |
Front door... |
00:12:18 |
I didn't wanna be on the bed. |
00:12:25 |
- Negative. The front door is open. |
00:12:37 |
I forgot my glasses. |
00:12:40 |
Howard. |
00:12:53 |
You know how blind I am without them. |
00:12:57 |
Howard, don't cry. |
00:12:59 |
Marks! |
00:13:19 |
Look at me. Look at me. |
00:13:26 |
Positive for Howard Marks. |
00:13:28 |
By mandate of the District of Columbia |
00:13:31 |
...you're under arrest for the future |
00:13:36 |
...that was to take place today |
00:13:39 |
- I didn't do anything. Sarah? |
00:13:44 |
Oh, God. |
00:13:48 |
- Put your hand on your head. |
00:13:53 |
I'm Officer Scott with the |
00:13:56 |
Sit here a minute and listen to me. |
00:13:58 |
Your husband is being arrested |
00:14:01 |
Oh, God, Howard, no. |
00:14:04 |
Howard, don't cry. |
00:14:12 |
Please, don't cry. |
00:14:19 |
I thought they stopped the murder. |
00:14:22 |
That's just an echo. |
00:14:26 |
The really bad ones |
00:14:29 |
Wally, erase the incoming. |
00:14:47 |
Imagine a world without murder. |
00:14:50 |
- I lost my best friend. |
00:14:53 |
- I lost my dad. |
00:14:55 |
Just six years ago, the homicide rate |
00:15:00 |
It seemed that only a miracle |
00:15:03 |
But instead of one miracle, we |
00:15:08 |
Within just one month |
00:15:11 |
... the murder rate in the District |
00:15:14 |
- They were waiting for me. |
00:15:17 |
- I was going to be stabbed. |
00:15:19 |
Within a year, Precrime effectively |
00:15:24 |
In the six years of our experiment... |
00:15:27 |
... there hasn't been a single murder. |
00:15:30 |
And now Precrime can work for you. |
00:15:32 |
We want to make certain |
00:15:35 |
... can bank on the infallibility |
00:15:38 |
And to ensure that what keeps us safe |
00:15:45 |
- Precrime. It works. |
00:15:47 |
- It works. |
00:15:49 |
- It works. |
00:15:51 |
Precrime. It works. |
00:15:54 |
On Tuesday, April 22, vote "yes" |
00:16:02 |
What's the matter? Can't sleep? |
00:16:10 |
- Just need a little clarity. |
00:16:14 |
You want the customary clarity or |
00:16:19 |
Give me the new stuff. |
00:16:21 |
New and improved clarity. |
00:16:27 |
Come on. Come on. |
00:16:29 |
Don't bust my balls. You've only given |
00:16:32 |
Sweet dreams, chief. |
00:16:37 |
Don't worry. |
00:16:40 |
I could use a little juice on my side. |
00:16:42 |
What do you think you know? |
00:16:45 |
It's like my daddy used to say: |
00:16:48 |
"In the land of the blind... |
00:16:52 |
...the one-eyed man is king. " |
00:17:18 |
I'm home. |
00:17:28 |
Overhead. |
00:18:25 |
Wall screen. |
00:18:33 |
- Sean. |
00:18:36 |
Can you teach me how to run faster? |
00:18:39 |
Because all the kids in my class |
00:18:44 |
That's good. |
00:18:45 |
Keep your knees up. |
00:18:48 |
Like that. Like that. |
00:18:52 |
- See, you're a natural runner. |
00:18:55 |
Yeah. Gotta keep running. |
00:18:59 |
Gotta keep running. |
00:19:02 |
- Will I be as fast as you someday? |
00:19:06 |
- You're gonna beat everybody. |
00:19:10 |
- I gotta go. Bye. |
00:19:14 |
- You gotta give me a kiss. |
00:19:17 |
Only Mommy kisses me on the lips. |
00:19:20 |
Yeah, all right. All right. |
00:19:22 |
I love you. |
00:19:24 |
- I love you, Sean. |
00:20:03 |
Reminds me of Rosarito Beach. |
00:20:07 |
Remember? |
00:20:09 |
We had 20 dollars and... |
00:20:12 |
Waiting in that van so the sun |
00:20:19 |
John. John. John, |
00:20:23 |
Look, I'm all ready for bed. |
00:20:28 |
It's time to put the camera |
00:20:31 |
... and time to come |
00:20:37 |
Why don't you put the camera down |
00:20:43 |
No? I promise I'll make it |
00:20:51 |
Put the camera down |
00:21:36 |
A gentleman at Justice |
00:21:39 |
In a week, people will vote |
00:21:42 |
...what we've been doing has been |
00:21:46 |
...or a chance to change the way |
00:21:49 |
John... |
00:21:51 |
...watch this Danny Witwer, |
00:21:56 |
- I met him yesterday. |
00:21:59 |
Answer his questions, |
00:22:01 |
If there's any problem, |
00:22:05 |
When the Pre-Cogs declare a killer, |
00:22:09 |
Since the shape and grain of each piece |
00:22:14 |
You understand the legalistic |
00:22:18 |
- Here we go again. |
00:22:21 |
...but we arrest individuals |
00:22:23 |
- They will. |
00:22:26 |
The Pre-Cogs see the future, |
00:22:29 |
But it's not the future if you stop it. |
00:22:31 |
- Isn't that a fundamental paradox? |
00:22:35 |
You're talking about predetermination, |
00:22:42 |
- Why'd you catch that? |
00:22:44 |
You're certain? |
00:22:46 |
But it didn't fall. You caught it. |
00:22:50 |
Preventing it doesn't change |
00:22:53 |
You ever get any false positives? |
00:22:56 |
Someone intends to kill, but doesn't. |
00:23:01 |
They don't see what you intend to do, |
00:23:05 |
Why can't they see |
00:23:08 |
Because of the nature of murder. |
00:23:10 |
Nothing's more destructive to the |
00:23:14 |
...than the untimely murder of a human. |
00:23:18 |
Iris Hineman. She developed Pre-Cogs, |
00:23:23 |
Speaking of interfacing, |
00:23:26 |
- To Hineman? |
00:23:30 |
- Cops aren't allowed inside the temple. |
00:23:35 |
We keep strict separation so that |
00:23:39 |
- I'll be the first one to go in then? |
00:23:43 |
- If it's a question of authority... |
00:23:47 |
You don't have any. |
00:23:49 |
I have a warrant in my pocket |
00:24:04 |
- Show it to me. |
00:24:12 |
This investigation of Precrime |
00:24:15 |
...under the direct supervision and |
00:24:20 |
I'm here as his representative... |
00:24:22 |
...which means you're now operating |
00:24:31 |
Seems you've been left |
00:24:44 |
All right, we're ready. Let's go. |
00:24:53 |
- Hold it right there. Hold on. |
00:24:58 |
Eye-dent: John Anderton. Approved. |
00:25:08 |
- Wally. |
00:25:10 |
Danny Witwer from Justice. |
00:25:14 |
- I can't touch you. |
00:25:16 |
- You can't be in here. |
00:25:20 |
- Tell me how... |
00:25:23 |
Sorry. Tell me how all this works. |
00:25:27 |
The photon milk acts as both a |
00:25:30 |
It enhances the images they receive. |
00:25:34 |
The twins are Arthur and Dashiell. |
00:25:39 |
White-light pinpoints pulse |
00:25:43 |
...and are reread after absorption |
00:25:46 |
In other words, we see what they see. |
00:25:51 |
They don't feel pain. We keep |
00:25:54 |
Plus, we maintain careful control |
00:25:58 |
Don't want them to drift off |
00:26:01 |
- They can't be kept too awake either. |
00:26:07 |
No. They're much more than that. |
00:26:12 |
Science has stolen |
00:26:17 |
In a way, they give us hope, |
00:26:21 |
It's interesting that some people |
00:26:25 |
Pre-Cogs are pattern-recognition filters. |
00:26:28 |
- Yet you call this room the "temple. " |
00:26:31 |
The oracle isn't where |
00:26:33 |
The power is with the priests, |
00:26:39 |
You guys are nodding like you know |
00:26:43 |
Well, come on, chief. The way we work, |
00:26:47 |
...we're more like clergy than cops. |
00:26:49 |
- Jad. |
00:26:51 |
Go to work. All of you. |
00:27:03 |
Sorry. Old habit. |
00:27:05 |
I spent three years at Fuller Seminary |
00:27:09 |
- My father was proud. |
00:27:12 |
I don't know. He was shot and killed |
00:27:17 |
I know what it's like |
00:27:20 |
Nothing's like the loss of a child. |
00:27:23 |
I don't have any children, so I can |
00:27:27 |
To lose your son |
00:27:31 |
Now we can make sure that |
00:27:35 |
- Tell me what it is you're looking for. |
00:27:39 |
There hasn't been a murder |
00:27:41 |
Perfect. I agree. |
00:27:47 |
It always is. |
00:27:49 |
John. |
00:28:34 |
Wally. |
00:28:41 |
Can you see? |
00:29:17 |
What happened? Her ACTH levels |
00:29:21 |
- What'd you do? |
00:29:23 |
Impossible. They're not aware of us. |
00:29:27 |
- She looked straight at me. |
00:29:31 |
- She spoke to me. |
00:29:35 |
What'd she say? |
00:29:37 |
"Can you see?" |
00:29:59 |
You the sentry? |
00:30:01 |
Yes, sir, I'm Gideon. |
00:30:04 |
You're Chief Anderton. |
00:30:07 |
The music relaxes the prisoners. |
00:30:10 |
I don't ever see you Precops down here. |
00:30:14 |
Not yet. |
00:30:17 |
- I got plenty of those. Kill type? |
00:30:21 |
That narrows it down. |
00:30:24 |
- Victim's Caucasian, female. |
00:30:27 |
I'm supposed to spruce up for a tour |
00:30:32 |
Stop. |
00:30:37 |
Roll back. |
00:30:40 |
There. |
00:30:41 |
She's a golden oldie. One of our first. |
00:30:47 |
- This is the composite of the three? |
00:30:52 |
Combined data stream |
00:30:55 |
- Just show me Agatha's data stream. |
00:31:00 |
...we go for a ride. |
00:31:24 |
My God. |
00:31:26 |
I'd forgotten there were so many. |
00:31:28 |
And to think they'd all be out there |
00:31:34 |
Look at them. |
00:31:37 |
But on the inside: Busy, busy, busy. |
00:31:41 |
Okey-pokey. |
00:31:45 |
He drowned a woman named |
00:31:49 |
The killer's a John Doe, |
00:32:08 |
Why is he still a John Doe? |
00:32:13 |
Those are not his eyes. He had them |
00:32:18 |
You can get it done on the street |
00:32:22 |
Okay, so you want |
00:32:26 |
That's right. |
00:32:34 |
We don't seem to have her data. |
00:32:38 |
Try again. |
00:32:41 |
This is odd. See? |
00:32:45 |
We have the two previsions. We got |
00:32:50 |
But Agatha's isn't here. |
00:32:55 |
Probably just a glitch. |
00:32:57 |
Tell me about the intended victim, |
00:33:01 |
Looks like she's a neuroin addict, |
00:33:06 |
Address history |
00:33:09 |
So she cleaned up. |
00:33:14 |
I guess glitches come in twos. |
00:33:18 |
You finally crawl your way out |
00:33:28 |
No. |
00:33:30 |
Can't let you take that out of here, |
00:33:34 |
- It's against the rules. |
00:33:44 |
Careful, chief. You dig up the past, |
00:33:54 |
The third prevision was what, |
00:33:58 |
No, the third prevision, |
00:34:03 |
That's not all. There are a dozen more |
00:34:08 |
You'd think we'd have found |
00:34:11 |
- It's stress. |
00:34:14 |
Herbal tea with honey. |
00:34:16 |
I hate herbal tea. |
00:34:20 |
Just drink it, |
00:34:23 |
- Can I get you anything, John? |
00:34:26 |
Witwer's scheduled for a tour |
00:34:30 |
Yeah, give him a tour. |
00:34:33 |
- Lara called me. |
00:34:36 |
She's worried about you. |
00:34:40 |
I'm fine. |
00:34:42 |
I understand you've been spending |
00:34:47 |
- I go running down there. |
00:34:51 |
What if Danny Witwer |
00:34:54 |
I'm fine. |
00:34:57 |
The minute Precrime goes national, |
00:35:02 |
- We won't let them. |
00:35:05 |
How is an old man and a cop on the |
00:35:10 |
My father once said to me... |
00:35:12 |
..."You don't choose the things |
00:35:16 |
There's a reason you are here. |
00:35:18 |
Had Precrime been in place earlier, |
00:35:24 |
Remember, the eyes... |
00:35:28 |
The eyes of the nation |
00:35:32 |
I'm not the generation |
00:35:36 |
...but people trust you when you |
00:35:40 |
They know that it's a belief born of |
00:35:45 |
I may have even encouraged it |
00:35:50 |
But now, |
00:35:58 |
They're not going to take it |
00:36:02 |
I won't let them. |
00:36:34 |
Bingo. |
00:36:49 |
- Hi, Daddy. |
00:36:51 |
- I made up a club. |
00:36:53 |
- We're called the Crescos. |
00:36:57 |
- We made up a soccer team. |
00:36:59 |
- We practice at school. |
00:37:02 |
Your daddy's in a lot of trouble, |
00:37:30 |
- Wait! |
00:37:35 |
Jad, how come you're not with |
00:37:38 |
We're in motion on something. We got a |
00:37:44 |
He takes a round in the 10-ring |
00:37:47 |
- Red Ball? |
00:37:49 |
It's premeditated. |
00:37:51 |
Amazing. There's someone within |
00:37:54 |
The victim's name is Leo Crow. |
00:37:56 |
This is case number 1109. Time of |
00:38:01 |
Start search for Leo Crow. Case 1109, |
00:38:06 |
...recorded on holosphere |
00:38:09 |
My fellow witnesses are Dr. Katherine |
00:38:14 |
Good morning. |
00:38:15 |
Are you ready |
00:38:18 |
- Ready when you are, John. |
00:38:27 |
I love this part. |
00:38:30 |
I've got no address. No tax returns |
00:38:35 |
Check NCIC. |
00:38:38 |
We'll send a protection team |
00:38:45 |
It looks like federal housing. |
00:38:48 |
Ouch. About a thousand of those |
00:38:52 |
Fractured images coming in. |
00:38:54 |
Numbers nine... |
00:38:59 |
Nine, six. |
00:39:06 |
Female, senior. She's smoking a pipe. |
00:39:11 |
She's laughing. |
00:39:15 |
Okay, now I'm inside a room. |
00:39:18 |
Windowpanes, aluminum extrusion. |
00:39:22 |
Two figures resolving in the room. |
00:39:26 |
- Wait! |
00:39:32 |
Looks like we got a third party. |
00:39:35 |
Wearing sunglasses, |
00:39:38 |
You're not gonna kill me. |
00:39:43 |
Goodbye, Crow. |
00:39:50 |
You're not gonna kill me. |
00:39:52 |
- Goodbye, Crow. |
00:39:58 |
Wait. Wait. |
00:40:01 |
You say something, chief? |
00:40:03 |
No. |
00:40:08 |
I'll get this one. |
00:40:10 |
We got time on this one, Jad. |
00:40:12 |
Mind getting me a piece |
00:40:15 |
- I'm starving. |
00:40:17 |
I think I'll get one for myself too. |
00:40:20 |
Take your time. |
00:40:39 |
Chief Anderton, |
00:40:43 |
I'm confused about... |
00:41:16 |
- Anderton, wait! |
00:41:19 |
Anderton, wait! |
00:41:22 |
Anderton, wait! |
00:41:30 |
I like you, chief. |
00:41:36 |
Give you two minutes |
00:41:55 |
Hold that, please. |
00:41:58 |
Thanks. |
00:42:03 |
- You're in a lot of trouble, John. |
00:42:06 |
I'll write the paranoia off to the |
00:42:10 |
Easy. |
00:42:11 |
- Easy. |
00:42:16 |
What are you gonna do? |
00:42:17 |
Possession will cost you six months |
00:42:20 |
I guess we won't be working together |
00:42:23 |
Now put the gun down, John. |
00:42:48 |
Lamar. Lamar. |
00:42:53 |
- Lamar? |
00:42:55 |
It's Witwer. He set me up! |
00:42:57 |
Stop, just wait. |
00:42:59 |
- Witwer! It's Witwer. |
00:43:02 |
- Somebody. |
00:43:04 |
- Somebody... Leo Crow. |
00:43:06 |
I have no idea! |
00:43:09 |
But I'm supposed to kill him |
00:43:12 |
- How could Witwer have access? |
00:43:16 |
- Why would anyone want to? |
00:43:18 |
- I doubt it. |
00:43:20 |
- Now listen, come in. |
00:43:22 |
I'll protect you until we |
00:43:25 |
Talk to Wally. See if Witwer's gone |
00:43:28 |
Ask Jad for any off-hour |
00:43:33 |
Who's Leo Crow? |
00:43:35 |
Security lockdown enabled. |
00:43:38 |
Lamar, they found me. |
00:43:45 |
Is there any way to override |
00:43:48 |
- No, no, no. |
00:43:50 |
I'll meet you anywhere you say. |
00:43:54 |
I can't. They'll get me. |
00:43:57 |
You can't run. |
00:43:59 |
Everybody runs. |
00:44:47 |
- Oh, my God! |
00:45:04 |
Oh, my gosh, are you okay? |
00:45:10 |
I'll bring him in. Unharmed. |
00:45:12 |
You're not gonna do that. |
00:45:15 |
What? |
00:45:16 |
Fletcher is second in command. |
00:45:21 |
- Do it. Find him. |
00:45:26 |
He came to see you the other day |
00:45:30 |
- What did you talk about? |
00:45:33 |
John doesn't think they have a deep |
00:45:36 |
Why are you protecting him? You knew |
00:45:40 |
- The man lost a child, for chrissake. |
00:45:44 |
- What did you talk about? |
00:45:47 |
It's my business. Investigation of a |
00:45:51 |
...falls under federal jurisdiction |
00:45:56 |
- He's my suspect. |
00:45:58 |
Call the attorney general. I'm sure |
00:46:02 |
I don't want John Anderton hurt. |
00:46:07 |
I'm going to enjoy working here. |
00:46:13 |
A road diverges in the desert. |
00:46:16 |
Lexus. |
00:46:17 |
The road you're on, John Anderton, |
00:46:21 |
- Make sure you... |
00:46:27 |
Good evening, John Anderton. |
00:46:32 |
John Anderton! You could use |
00:46:38 |
- John Anderton... |
00:46:41 |
Get away, John Anderton. |
00:47:03 |
He's been eye-dented on the Metro. |
00:47:08 |
Send units to each location. |
00:47:10 |
- Better make 20th. |
00:47:52 |
Fire them up! |
00:48:18 |
- Hey, Fletch. |
00:48:20 |
- That was a rough landing. |
00:48:22 |
- Work on that. |
00:48:25 |
- Yeah. |
00:48:28 |
Hey, don't do this. |
00:48:30 |
John? |
00:48:32 |
Don't run. |
00:48:34 |
You don't have to chase me. |
00:48:36 |
You don't have to run. |
00:48:38 |
Everybody runs, Fletch. |
00:48:41 |
You know we'll catch you. |
00:48:44 |
Everybody runs. |
00:48:47 |
- It doesn't have to be like this, John. |
00:48:51 |
Get your sick-sticks ready. |
00:48:55 |
Everybody runs, Fletch. |
00:48:57 |
Slow down, chief. Just take it easy. |
00:49:04 |
No sudden moves, chief. |
00:49:07 |
John, it's okay. |
00:49:09 |
- Fletch... |
00:49:40 |
Got a grip? |
00:49:42 |
- Got a grip? |
00:50:12 |
Anderton! |
00:50:45 |
Go away! Get out of my kitchen! |
00:50:48 |
Get out of my house! |
00:50:54 |
- Get them out of here! |
00:50:56 |
Pull him off me, Fletcher. |
00:51:01 |
Get him out of here! |
00:51:09 |
Get out of my house! Go! |
00:51:32 |
By mandate of the District of Columbia, |
00:51:36 |
Go to sleep. |
00:51:59 |
You two stay with me! |
00:56:31 |
Dr. Hineman. |
00:56:33 |
You're trespassing. |
00:56:42 |
That would be from the doll's eye, |
00:56:45 |
...the baneberry that scratched you |
00:56:48 |
It's not a true doll's eye. |
00:56:52 |
Once the poison gets into your |
00:56:56 |
...the most extraordinary display |
00:57:01 |
This just isn't your week, is it? |
00:57:06 |
Chief Anderton. |
00:57:10 |
I'm not a killer. |
00:57:17 |
You better drink this. |
00:57:19 |
Soon you won't be able to swallow, |
00:57:24 |
All of it. |
00:57:26 |
Okay, now take a minute |
00:57:31 |
Just what is it you think |
00:57:37 |
You could tell me how someone |
00:57:42 |
How would I know that? |
00:57:44 |
Because you invented Precrime. |
00:57:48 |
What's so funny? |
00:57:51 |
If the consequences of several genetic |
00:57:56 |
...can be called an invention, |
00:57:59 |
- You don't seem proud. |
00:58:01 |
I was trying to heal them, |
00:58:04 |
- Heal who? |
00:58:07 |
You're talking about the Pre-Cogs. |
00:58:11 |
You think they came from a test tube? |
00:58:16 |
I was doing genetic research, |
00:58:20 |
This was 10 years ago, |
00:58:24 |
It was impure, not the engineered |
00:58:31 |
All of these kids were born with severe |
00:58:37 |
Those few who survived, |
00:58:40 |
I call it a gift. For them, |
00:58:44 |
They would wake up in the night, |
00:58:47 |
...screaming, clawing at the walls. |
00:58:49 |
Because when these children |
00:58:53 |
...they dreamt only of murder |
00:58:58 |
It didn't take for us long to realize |
00:59:02 |
...that these dreams were about to come |
00:59:10 |
You say some of the children died? |
00:59:13 |
So many of them. |
00:59:17 |
Or maybe because of what we |
00:59:21 |
It's a perfect system now, isn't it? |
00:59:25 |
I'm not going to commit murder. |
00:59:27 |
I've never met the man |
00:59:30 |
And yet a chain of events has started |
00:59:34 |
- Not if I stay away from him. |
00:59:37 |
- You won't help? |
00:59:40 |
The Pre-Cogs are never wrong. |
00:59:46 |
But occasionally... |
00:59:48 |
...they do disagree. |
00:59:52 |
What? |
00:59:53 |
Most of the time, all three Pre-Cogs |
00:59:58 |
...but once in a while, one of them will |
01:00:02 |
Jesus Christ. |
01:00:07 |
Because these Minority Reports |
01:00:11 |
Why? |
01:00:12 |
For Precrime to function, there can't |
01:00:17 |
Who wants a justice system |
01:00:20 |
It may be reasonable, |
01:00:25 |
Are you saying |
01:00:28 |
I'm saying that every so often, |
01:00:32 |
...just might have |
01:00:34 |
Does Burgess know about this, |
01:00:38 |
I used to joke with Lamar that |
01:00:42 |
Parents often see their children as they |
01:00:47 |
Answer my question: Does Lamar |
01:00:53 |
Yes, of course, he knew. |
01:00:54 |
But at the time, we felt their existence |
01:01:00 |
Insignificant to you, maybe. |
01:01:02 |
But what about those people that |
01:01:06 |
- My God, if the country knew... |
01:01:12 |
- I believe in that system. |
01:01:15 |
You wanna bring it down. |
01:01:16 |
You will bring it down |
01:01:20 |
That'll be the most spectacular public |
01:01:26 |
- I'm not gonna kill anybody. |
01:01:29 |
- Why should I trust you? |
01:01:32 |
Certainly not the attorney general, |
01:01:36 |
And not the young federal agent, |
01:01:39 |
Not even the old man who just wants |
01:01:43 |
Don't trust anyone. |
01:01:49 |
You said the Minority Report |
01:01:51 |
The record is destroyed. |
01:01:54 |
I designed it so the report is stored |
01:02:00 |
What safe place is that? |
01:02:02 |
The safest place there is. |
01:02:06 |
Where is it? |
01:02:11 |
Inside the Pre-Cog who predicted it. |
01:02:19 |
All you have to do |
01:02:26 |
That's all, huh? |
01:02:31 |
Just walk into Precrime, |
01:02:34 |
...somehow tap into these Pre-Cogs |
01:02:38 |
- If you have one. |
01:02:41 |
Actually, you'll have to run out. |
01:02:47 |
You're insane. |
01:02:49 |
Or you think I am. |
01:02:51 |
I'll get eye-scanned a dozen times |
01:02:57 |
Sometimes in order to see the light, |
01:03:02 |
As a policeman... |
01:03:05 |
...I'm sure that you know |
01:03:08 |
...who can help you out |
01:03:18 |
It's funny how all |
01:03:21 |
When the chips are down, |
01:03:25 |
...every creature |
01:03:28 |
...is interested in one thing |
01:03:32 |
Its own survival. |
01:03:36 |
Find the Minority Report. |
01:03:44 |
How do I even know which one has it? |
01:03:46 |
It's always in the more gifted |
01:03:51 |
Which one is that? |
01:03:56 |
The female. |
01:04:01 |
We've got three men in a room. |
01:04:05 |
...John is here, and this |
01:04:09 |
The adjacent building suggests |
01:04:13 |
- There's thousands like this one. |
01:04:16 |
But he doesn't go there to kill Crow |
01:04:20 |
This is Chief Anderton's space. |
01:04:22 |
- He's not here. |
01:04:24 |
I doubt that. I'm betting |
01:04:28 |
He's smart enough to go |
01:04:32 |
There's fewer consumers, |
01:04:34 |
- Why won't he just run? |
01:04:40 |
We concentrate on the Sprawl. |
01:04:42 |
We do fly-overs in ships, |
01:04:45 |
Thermal scan the entire area. Read |
01:05:05 |
Where is she? |
01:05:25 |
Started blowing buttons for no reason |
01:05:35 |
This damn cold. |
01:05:38 |
Don't worry. I could cut open your |
01:05:42 |
...you wouldn't get an infection. Not |
01:05:47 |
That's comforting. |
01:05:49 |
You do understand I can't just |
01:05:53 |
Please, don't touch. |
01:05:54 |
Because the scanners would read the |
01:05:58 |
...and large men with guns will appear. |
01:06:03 |
What was that? |
01:06:05 |
What was that? |
01:06:07 |
- It's anesthesia. It's all downhill... |
01:06:11 |
You wouldn't break the hand |
01:06:16 |
Please, relax. |
01:06:22 |
All I'm trying to tell you is that I'll |
01:06:27 |
I know. |
01:06:29 |
- I have to replace them with new ones. |
01:06:34 |
- Why? |
01:06:38 |
What's it to you? |
01:06:40 |
Whatever you say. It's your money. |
01:06:50 |
Let me introduce my gorgeous |
01:07:16 |
- This is not a lot of money. |
01:07:23 |
Okay. |
01:07:29 |
- What did you give me? |
01:07:32 |
Tell you what, since we go way back... |
01:07:35 |
...why don't I give you my old pal |
01:07:39 |
You don't remember me, do you? |
01:07:42 |
- We know each other? |
01:07:45 |
From where? D.C.? |
01:07:48 |
- Baltimore. The East Side. |
01:07:52 |
Solomon P. Eddie, M.D. |
01:07:56 |
You remember? Specialized |
01:08:02 |
- I put you away. |
01:08:07 |
You made those tapes. |
01:08:10 |
They were performance pieces. |
01:08:14 |
- You set your patients on fire. |
01:08:18 |
Some not as quickly as others, but |
01:08:25 |
The future's so much more interesting |
01:08:34 |
Miss Van Eyck. |
01:08:38 |
She only has eyes for you. |
01:08:44 |
I know what you're thinking, John: |
01:08:48 |
Let's say that I spent an awful lot |
01:08:52 |
That was a great way to avoid the more |
01:08:58 |
Confinement was |
01:09:03 |
...eye-opener. |
01:09:09 |
For true enlightenment, |
01:09:13 |
...well, let's say, taking a shower |
01:09:16 |
...with an attitude you can't |
01:09:20 |
...whispers in your ear, "Oh, Nancy. " |
01:09:22 |
That was a lot of fun. |
01:09:26 |
...and giving me the opportunity to |
01:09:30 |
And now to return the favor. |
01:09:44 |
- This your work? |
01:09:48 |
I like it. |
01:09:50 |
- How do you take your coffee? |
01:09:53 |
- I don't have any cream. Sorry. |
01:09:56 |
- You and John ever come here? |
01:09:58 |
He's not here now, is he? |
01:10:02 |
I had to ask. |
01:10:07 |
- I don't have any sugar either. |
01:10:10 |
- He hasn't tried to contact you? |
01:10:13 |
Did he ever mention the name |
01:10:16 |
No, but I don't talk |
01:10:19 |
- So you haven't seen his apartment. |
01:10:22 |
Have you been there recently? |
01:10:26 |
- How long has he been doping? |
01:10:30 |
- You mean after he lost your son. |
01:10:37 |
But John was with him |
01:10:42 |
You said in your divorce papers |
01:10:45 |
- It wasn't a suicide attempt. |
01:10:48 |
The FBI found something |
01:10:52 |
John was upset. He... |
01:10:54 |
He took out his gun |
01:10:57 |
- This is all in your statement. |
01:11:02 |
You lose your son, |
01:11:06 |
Lamar thinks you left John because he |
01:11:11 |
I left him because every time |
01:11:17 |
Every time I got close to him, |
01:11:22 |
That's why I left him. |
01:11:25 |
And now you can leave. |
01:11:29 |
Don't take the bandages off |
01:11:37 |
If you take them off before then, |
01:11:43 |
In the fridge, there's milk. |
01:11:47 |
Make sure you drink a lot of water. |
01:11:50 |
How do I find the bathroom? |
01:11:53 |
The bathroom? |
01:11:59 |
The kitchen is your left. |
01:12:03 |
Don't scratch. Never scratch! |
01:12:07 |
Seeing as we're being pals, I'll give |
01:12:12 |
This is a temporary paralytic enzyme. |
01:12:16 |
- What is this? |
01:12:20 |
People won't even recognize you. |
01:12:22 |
In 30 minutes, it'll tighten up again. |
01:12:27 |
I'm gonna put this in your goody-bag, |
01:12:31 |
...leftovers. |
01:12:35 |
I'm setting up a timer. When it rings, |
01:12:40 |
- But not before then, or you will... |
01:12:45 |
Don't scratch. |
01:12:47 |
A little something from |
01:13:29 |
Don't take the bandages off |
01:13:32 |
If you take them off before then, |
01:13:58 |
- 25. 16 seconds. That's a new record. |
01:14:03 |
Is it a world record? |
01:14:07 |
- Now I wanna time you. |
01:14:10 |
There's no way |
01:14:13 |
How long can a whale hold its breath? |
01:14:16 |
For about 20 minutes. |
01:14:18 |
- So we gotta beat the whale. |
01:14:23 |
We gotta beat the whale. |
01:14:26 |
Here you go. |
01:14:28 |
It's gonna be 20 minutes. You sure |
01:14:32 |
Because you know |
01:14:35 |
- Ready? |
01:14:37 |
Three, two, one, go! |
01:14:57 |
Sean? |
01:15:01 |
Sean? |
01:15:06 |
Sean. |
01:15:13 |
Have you seen...? |
01:15:17 |
I'm looking for my son. Have you |
01:15:23 |
You seen my boy? |
01:17:14 |
Jad, we're ready to begin thermal scan |
01:17:20 |
You must really like me, don't you? |
01:17:23 |
That's why you asked to partner |
01:17:26 |
You're swell company. |
01:17:28 |
It's not that you don't trust me |
01:17:31 |
That you think I might, you know, |
01:17:34 |
No, I just wanna watch him use your |
01:17:38 |
Evanna, go. |
01:17:39 |
I show 27 warm bodies. |
01:17:43 |
Roger that. Confirmed, 27 warm bodies. |
01:17:46 |
- Four spyders, one per floor? |
01:18:06 |
Residents of 931 Powell, this is |
01:18:11 |
Under authority of P.C. section 6409, we |
01:18:18 |
Mom, I'm scared. |
01:18:21 |
Mommy, I'm scared. Mommy. |
01:18:23 |
That's gonna scan you. |
01:18:27 |
- It's okay. |
01:18:29 |
Stay still. Stay still. |
01:18:55 |
Come on! |
01:18:56 |
You stepped out on me |
01:18:59 |
I told you where I was. |
01:19:01 |
You're a no-good liar. |
01:19:04 |
You're lucky we... |
01:19:10 |
Leave me alone! |
01:20:28 |
We lost one. |
01:20:30 |
Roger that. Maybe it was |
01:20:34 |
It's an awful big cat. |
01:20:36 |
Fletcher. |
01:20:39 |
I'll go check it out. |
01:21:19 |
They're crying their eyes out. |
01:21:23 |
Keep your kids away from me. |
01:21:40 |
The big cat's back. What do you think? |
01:21:45 |
Or a guy who doesn't want to get read. |
01:21:47 |
Folks, be quiet, go back inside. |
01:22:01 |
Be quiet and close the door. |
01:22:10 |
We got an ID. It's not him. |
01:22:14 |
- Standing down. |
01:22:31 |
Fletcher, take a look. |
01:22:35 |
There's four people in this room, |
01:22:39 |
Four? There's Anderton, Crow |
01:22:42 |
The man in the sunglasses |
01:22:48 |
There's also someone here |
01:22:53 |
Definitely female. |
01:22:56 |
The Precrime program began in 2046 |
01:23:00 |
And now, nine years later, |
01:23:06 |
Why? Because Precrime works. |
01:23:08 |
Precrime has eliminated the need |
01:23:12 |
What happens now is the verification |
01:23:17 |
Can we see the Pre-Cogs? |
01:23:18 |
They have such a powerful gift, |
01:23:23 |
...so as not to be distracted. |
01:23:25 |
This display should give you some idea |
01:23:31 |
The Pre-Cogs get over |
01:23:35 |
That's more than Santa Claus gets. |
01:23:37 |
Each Pre-Cog has their own bedroom, |
01:23:41 |
It's wonderful to be a Pre-Cog. |
01:24:08 |
My mom's new boyfriend |
01:24:11 |
He's just not very intelligent. |
01:24:13 |
My mom wouldn't let me eat upstairs. |
01:24:28 |
Shit! |
01:24:47 |
Eye-dent: John Anderton. |
01:24:54 |
- Which I told her I'd be able to do. |
01:24:58 |
But she thinks I'll be irresponsible. |
01:25:06 |
You can't be in here. |
01:25:14 |
Easy there, old-timer. |
01:25:17 |
- You're not allowed here. |
01:25:19 |
- Do I know you? |
01:25:21 |
So I don't wanna have |
01:25:24 |
But only if you promise to help me. |
01:25:28 |
Hi, John. |
01:25:38 |
Who does that look like to you? |
01:25:42 |
I don't know. |
01:25:48 |
It's Agatha. |
01:25:54 |
- Are these all of her previsions? |
01:26:00 |
Just take me to the Leo Crow murder. |
01:26:03 |
They don't come out in any order. |
01:26:10 |
Can you see? |
01:26:25 |
- He's inside. |
01:26:28 |
- He sealed the door. |
01:26:30 |
Nobody fires a weapon inside |
01:26:34 |
- Is there another way out of there? |
01:26:37 |
John, move away from the tank. |
01:27:00 |
What does he want with a Pre-Cog? |
01:27:02 |
So he can kill whoever he wants to |
01:27:05 |
Well, there's still the other two. |
01:27:11 |
They're a hive mind. It takes all three |
01:27:19 |
They can't see murders anymore? |
01:27:21 |
Agatha, she's the key. |
01:27:25 |
...the one with the most talent. |
01:27:28 |
- She takes care of the other two. |
01:27:31 |
- Please bring her back. |
01:27:36 |
- It doesn't matter. He wins. |
01:27:39 |
She's with him when he kills Crow. |
01:27:44 |
Jad, put everything you've got into |
01:27:47 |
- How much time have we got, Gordon? |
01:27:51 |
...51 minutes, 30 seconds. |
01:27:56 |
You cold? Can you understand me? |
01:27:59 |
Are you cold? The shivers, |
01:28:03 |
It should wear off soon. |
01:28:08 |
You contain information. |
01:28:12 |
Can you just tell me who Leo Crow is? |
01:28:16 |
- Is it now? |
01:28:18 |
Is it now? |
01:28:21 |
Yes, this is all happening right now. |
01:28:25 |
I'm taking you some place in public... |
01:28:28 |
...which means you need |
01:28:31 |
I'm tired. I'm tired of the future. |
01:28:40 |
Hello, Mr. Yakamoto, |
01:28:44 |
How'd those assorted tank tops |
01:28:47 |
Mr. Yakamoto? |
01:28:54 |
Miss Belfor, did you come back for |
01:29:13 |
- If it's ransom, where's the damn note? |
01:29:18 |
It has to do with the information |
01:29:23 |
- He's trying to prove his innocence. |
01:29:27 |
Your average consumer can't buy |
01:29:30 |
It's been assembled and scrounged |
01:29:36 |
Assuming Anderton ordered this, |
01:29:49 |
Who's Rufus T. Riley? |
01:29:54 |
What's your pleasure? We got it |
01:29:57 |
..."Look, Ma, I can fly" fantasies... |
01:30:00 |
...which covers everything from bungee |
01:30:04 |
You can experience sex as a woman. |
01:30:07 |
Women come in to get laid |
01:30:11 |
Or just some good, clean fun. |
01:30:16 |
It's a big rush, but you come out |
01:30:19 |
I wanna kill my boss. |
01:30:24 |
Okay. |
01:30:25 |
- You got some images I can work with? |
01:30:30 |
Yeah, being concertmaster |
01:30:33 |
...is a popular choice. |
01:30:35 |
- I wanna kill my boss. |
01:30:38 |
You make this a terrible world |
01:30:41 |
Detective, nice of you to come here, |
01:30:46 |
- I need your help. |
01:30:48 |
- I make house calls. |
01:30:52 |
Hello, honey pie. |
01:30:56 |
...and you still have the time to |
01:31:00 |
- She's a Pre-Cog. |
01:31:03 |
- That's right. |
01:31:08 |
You brought a Pre-Cog here. |
01:31:25 |
Jesus Christ. |
01:31:27 |
- Are you reading my mind right now? |
01:31:31 |
I'm sorry for whatever I'm gonna do. |
01:31:38 |
She has information inside her. |
01:31:43 |
No way. I wouldn't even know |
01:31:46 |
Those thoughts about my cousin |
01:31:50 |
- You've been busted for felony hacking. |
01:31:52 |
So I need you to hack into her. |
01:31:58 |
I do this, I get to keep |
01:32:03 |
- They don't belong to anybody. |
01:32:08 |
You're gonna help me. |
01:32:16 |
Agatha, I need to see. I need to see |
01:32:22 |
And then we'll go. |
01:32:39 |
- She works. |
01:32:42 |
How do I slow this down? |
01:32:52 |
- Are you recording this? |
01:32:56 |
Yeah, recording. |
01:33:24 |
I know this already. |
01:33:30 |
Goodbye, Crow. |
01:33:32 |
Goodbye, Crow. |
01:33:42 |
- What happened? |
01:33:44 |
- What happened? |
01:33:46 |
- Where's the rest of it? |
01:33:51 |
Where's my Minority Report? |
01:33:56 |
Do I even have one? |
01:34:04 |
- Do I have one? |
01:34:09 |
- What? |
01:34:19 |
What? |
01:34:20 |
Agatha? What? What? |
01:34:24 |
- Can you see? |
01:34:43 |
Anne Lively. |
01:34:52 |
You want me to see who killed |
01:34:57 |
Yeah, but it's pouring |
01:35:06 |
I like my life. Everything's good. |
01:35:19 |
They're inside. |
01:35:22 |
Who? |
01:35:24 |
All your old teammates. |
01:35:27 |
Kenny, left chamber. |
01:35:30 |
Negative! |
01:35:32 |
- Negative! |
01:35:34 |
I don't deserve that. |
01:35:36 |
- You are the man. |
01:35:45 |
Can you see the umbrella? |
01:35:48 |
Take it. |
01:35:50 |
Take it! |
01:35:55 |
A man in a blue suit. |
01:36:07 |
You see a woman in a brown dress. |
01:36:13 |
Turn in here. |
01:36:21 |
Let's go. |
01:36:28 |
- Wait. |
01:36:30 |
Can you see the balloon man? |
01:36:35 |
Wait. |
01:36:39 |
- Wait. |
01:36:48 |
Wait. Wait. |
01:36:50 |
Wait. |
01:36:52 |
- Please, Mommy, can I have one? |
01:36:58 |
Wait. |
01:37:04 |
Thank you. |
01:37:07 |
- Anybody got an ID? Anybody? |
01:37:10 |
Scott, Ramos, take the east end. |
01:37:26 |
He knows. Don't go home. |
01:37:37 |
We've got eyes on. |
01:37:39 |
They're working, |
01:37:42 |
Please! Please! |
01:37:45 |
Drop some money. |
01:37:49 |
Can't you put it in my hand? |
01:37:52 |
May the Lord bless you. |
01:37:55 |
May God take care of you. |
01:38:18 |
Damn! |
01:38:48 |
That's the guy. |
01:39:08 |
- Rooms are 95 a night. |
01:39:12 |
I mind. |
01:39:14 |
How about now? |
01:39:16 |
Help yourself. |
01:39:31 |
He's here. |
01:39:34 |
Anderton, leave. |
01:39:43 |
You have a choice. |
01:39:46 |
I can't. I have to find out |
01:39:50 |
Please. |
01:39:51 |
Agatha, I'm not gonna kill the man. |
01:39:55 |
- What room is Crow in? |
01:39:58 |
Come on. |
01:40:00 |
Come on. |
01:41:21 |
Wrong room. |
01:41:51 |
Leave. |
01:41:53 |
Leave. |
01:42:51 |
Oh, God. |
01:42:57 |
This is Sean. |
01:42:59 |
My son. |
01:43:05 |
Every day for the last six years |
01:43:12 |
The first is what my son would |
01:43:18 |
...if I would recognize him |
01:43:25 |
And the second is what I would do |
01:43:34 |
You're right. |
01:43:37 |
I'm not being set up. |
01:43:42 |
You have to take me home. |
01:43:50 |
You said so yourself. |
01:43:54 |
I don't have an alternate future. |
01:43:58 |
I am going to kill this man. |
01:44:03 |
You still have a choice. |
01:44:07 |
You still have a choice. |
01:44:11 |
- Leo Crow? |
01:44:20 |
Six years ago, Baltimore... |
01:44:21 |
...you grabbed a kid at Francis |
01:44:25 |
Did I? I don't remember |
01:44:34 |
Who am I? Who am I? |
01:44:36 |
Do you know who I am? |
01:44:38 |
- You're somebody's father. |
01:44:43 |
Sean! |
01:44:45 |
I told him I was a policeman |
01:44:49 |
It wasn't so bad. I sang him a song. |
01:44:54 |
He was happy. He was happy. |
01:44:56 |
Is he alive? |
01:44:59 |
Is he all right? |
01:45:03 |
I put him in a barrel. |
01:45:07 |
He floated back up. I took him out. |
01:45:10 |
I was gentle. I was gentle. |
01:45:15 |
I was gentle. |
01:45:21 |
I'm sorry. |
01:45:23 |
I'm sorry. |
01:45:24 |
I'm sorry. |
01:45:26 |
I'm sorry. |
01:45:27 |
I'm so very sorry. |
01:45:32 |
How could you do that to my...? |
01:46:07 |
You can choose. |
01:46:12 |
You can choose. |
01:46:33 |
You have the right to remain silent. |
01:46:36 |
Anything you say or do can be used |
01:46:41 |
You have the right to an attorney... |
01:46:44 |
...now and during any |
01:46:49 |
If you can't afford an attorney... |
01:46:54 |
...we will appoint one. |
01:46:57 |
Do you understand these rights? |
01:47:01 |
You're not gonna kill me? |
01:47:06 |
- Do you understand these rights? |
01:47:13 |
If you don't go through with this, |
01:47:18 |
You're supposed to kill me. |
01:47:23 |
He? Who's he? |
01:47:26 |
I don't know. |
01:47:29 |
He told me I'd be released if I went |
01:47:33 |
If you did what? |
01:47:35 |
If you did what? |
01:47:38 |
If I acted like I killed your kid. |
01:47:43 |
If you killed my kid? |
01:47:46 |
Look, you don't kill me, |
01:47:50 |
What about the pictures? |
01:47:53 |
They're fake. He gave them to me. |
01:47:57 |
Now, listen to me. You... |
01:48:00 |
You tell me: |
01:48:04 |
I don't know. |
01:48:06 |
- Come on. |
01:48:09 |
- Who put you up to this? |
01:48:12 |
I tell you who, |
01:48:14 |
- Who made you do this? |
01:48:16 |
- You can do this. Kill me. |
01:48:19 |
- Kill me. |
01:48:22 |
Let go of the gun. It's okay. |
01:48:27 |
Let go of the gun. That's it. |
01:48:32 |
You're not gonna kill me. |
01:48:35 |
- Goodbye, Crow. |
01:48:52 |
- Did you see it? |
01:48:54 |
What's happening down there? |
01:48:57 |
Murder! |
01:48:59 |
Murder! |
01:49:03 |
Doesn't make sense. |
01:49:04 |
If you were a child killer, |
01:49:09 |
Anderton might have found them. |
01:49:11 |
- What kind of cop were you before this? |
01:49:14 |
This will be your first murder scene? |
01:49:18 |
This is an orgy of evidence. |
01:49:21 |
- Know how many orgies I had as a cop? |
01:49:25 |
None. |
01:49:31 |
This was all arranged. |
01:49:33 |
Today we saw the first murder in the |
01:49:39 |
Sadly enough, this failure was human. |
01:49:41 |
The protection team |
01:49:45 |
But the murder itself happened exactly |
01:49:50 |
Today's event put a human face |
01:49:54 |
Danny Witwer's on the phone. |
01:50:01 |
Lamar? |
01:50:10 |
- What? |
01:50:12 |
We're chasing the wrong man. |
01:50:16 |
Meet me at Anderton's. |
01:50:18 |
We recovered that |
01:50:27 |
I remember when I gave this |
01:50:32 |
Please, sir. |
01:50:36 |
Tell me what you have. |
01:50:43 |
This is the murder of a woman |
01:50:48 |
John told me about this. |
01:50:52 |
Yes. This is from the twins, |
01:50:55 |
Agatha's stream was missing. |
01:50:59 |
This one is from the Cyber Parlor. |
01:51:02 |
Anderton downloaded this directly |
01:51:09 |
- It's the same prevision. |
01:51:15 |
Look at the surface wind |
01:51:20 |
Moving away from shore. |
01:51:24 |
Now the second image, the one from |
01:51:29 |
Watch the water. |
01:51:32 |
The wind's changed. |
01:51:38 |
This murder's taking place |
01:51:42 |
Anderton was watching this |
01:51:46 |
He told me about |
01:51:49 |
- He was concerned you might find it. |
01:51:53 |
It was inside of Agatha. |
01:51:55 |
So the question is, why would someone |
01:52:00 |
Danny, just tell me |
01:52:04 |
I'm thinking someone |
01:52:08 |
How? |
01:52:10 |
Jad told me that sometimes the Pre-Cogs |
01:52:14 |
- It's called an echo. |
01:52:18 |
We teach the techs to identify |
01:52:22 |
Yeah, but what if a technician only |
01:52:28 |
What if he was looking at a completely |
01:52:33 |
I don't understand. |
01:52:35 |
All you'd have to do is hire someone |
01:52:37 |
...like a drifter, a neuroin addict, |
01:52:41 |
Precrime stops the murder |
01:52:44 |
...haloes the killer, takes him away. |
01:52:49 |
...having reviewed the prevision |
01:52:53 |
...commits the murder |
01:52:57 |
Technician takes a look, thinks he's |
01:53:07 |
It'd have to be someone with access |
01:53:12 |
Someone fairly high-up. |
01:53:17 |
Do you know what I hear? |
01:53:20 |
Nothing. |
01:53:24 |
No hovercraft out the window. |
01:53:28 |
Do you know why? |
01:53:30 |
Because right now, |
01:53:58 |
Can you see? It's beautiful. |
01:54:02 |
- Where are we going? |
01:54:13 |
- Burgess. |
01:54:15 |
- Yes, Lara. |
01:54:19 |
Is he there? |
01:54:22 |
Is the Pre-Cog with him? |
01:54:28 |
Keep them there. I'm on my way. |
01:54:31 |
Please don't tell Danny Witwer. |
01:54:36 |
I won't say a word. |
01:54:39 |
You just don't let John leave, |
01:54:44 |
He's no killer, Lamar. |
01:54:46 |
I know. |
01:54:59 |
It's cold. |
01:55:06 |
Lara, this is Agatha. |
01:55:14 |
You remember when I would read |
01:55:22 |
He got so scared when Tom and Becky |
01:55:30 |
I gotta sit down. |
01:55:33 |
I gotta figure this out. |
01:55:36 |
I gotta figure this out. |
01:56:18 |
They used Sean. |
01:56:21 |
They wanted me to think |
01:56:25 |
But he didn't. |
01:56:28 |
He didn't. |
01:56:32 |
Why would they set you up? |
01:56:42 |
Because I found out about her. |
01:56:46 |
About who? |
01:56:48 |
- How could I not have seen this? |
01:56:53 |
Anne Lively. |
01:56:57 |
Agatha. |
01:57:03 |
Dr. Hineman once said, |
01:57:07 |
...they look on and help. " |
01:57:10 |
Remember that, John. |
01:57:13 |
Agatha. |
01:57:14 |
Sean. |
01:57:20 |
He's on the beach now... |
01:57:23 |
...toe in the water. |
01:57:26 |
He's asking you to come in with him. |
01:57:30 |
He's been racing his mother |
01:57:35 |
There's so much love in this house. |
01:57:43 |
He's 10 years old. |
01:57:47 |
He's surrounded by animals. |
01:57:51 |
He wants to be a vet. |
01:57:55 |
You keep a rabbit for him, |
01:58:02 |
He's in high school. |
01:58:04 |
He likes to run, like his father. |
01:58:07 |
He runs the two-mile |
01:58:12 |
He's 23. |
01:58:15 |
He's at a university. |
01:58:18 |
He makes love |
01:58:21 |
He asks her to be his wife. |
01:58:24 |
He calls here and tells Lara, |
01:58:29 |
He still runs... |
01:58:32 |
...across the university and |
01:58:36 |
Oh, God. He's running so fast, |
01:58:41 |
He sees his daddy. |
01:58:47 |
But he's only 6 years old, |
01:58:52 |
And the other man is so fast. |
01:58:58 |
There was so much love in this house. |
01:59:02 |
I want him back so bad. |
01:59:07 |
So did she. |
01:59:10 |
Can't you see? |
01:59:15 |
She just wanted her little girl back. |
01:59:21 |
But it was too late. |
01:59:24 |
Her little girl was already gone. |
01:59:28 |
She's still alive. |
01:59:31 |
She didn't die. |
01:59:33 |
But she's not alive. |
01:59:37 |
Agatha? |
01:59:41 |
Just tell me... |
01:59:43 |
...who killed your mother? |
01:59:46 |
Who killed Anne Lively? |
01:59:50 |
I'm sorry, John, |
01:59:55 |
- What? |
02:00:14 |
I love you. |
02:00:17 |
- It's okay. |
02:00:20 |
- No! No! |
02:00:23 |
- John, no. |
02:00:43 |
John Anderton. |
02:00:45 |
By mandate of the D.C. |
02:00:49 |
...I'm placing you under arrest for the |
02:00:57 |
That's it. |
02:00:59 |
That's my girl. |
02:01:03 |
I was so worried about you. |
02:01:09 |
Did he hurt you? |
02:01:14 |
I missed you so much. |
02:01:16 |
It's okay. Wally's here. |
02:01:19 |
Wally's here. |
02:01:25 |
You're a part of my flock now, John. |
02:01:29 |
Welcome. |
02:01:31 |
It's actually kind of a rush. |
02:01:36 |
...that your life flashes |
02:01:39 |
...that all your dreams come true. |
02:01:59 |
This is all my fault. |
02:02:03 |
There was nothing anyone could do. |
02:02:10 |
I thought you might want |
02:02:18 |
I haven't worn this in years. I wanted |
02:02:24 |
You look great. |
02:02:25 |
I knew he was having trouble |
02:02:30 |
- The guy from USA Today is here. |
02:02:33 |
- He just wanted a few minutes before... |
02:02:39 |
- I thought you were retiring. |
02:02:43 |
But this incident with John made me |
02:02:49 |
This is John's legacy |
02:02:53 |
Now I have an obligation |
02:02:57 |
Lara, I know how difficult |
02:03:01 |
But maybe you can find |
02:03:05 |
...that John finally found |
02:03:12 |
Who's Anne Lively? |
02:03:16 |
- Who? |
02:03:19 |
John was talking about her |
02:03:23 |
I don't know who that is. |
02:03:26 |
John said something about him being |
02:03:32 |
- Well, we know why John was tagged. |
02:03:37 |
And Witwer? He was killed with |
02:03:42 |
Do you know the reason why |
02:03:46 |
- Sean. |
02:03:48 |
He came here to work for you |
02:03:52 |
...if he could just stop |
02:03:57 |
- I understand. |
02:04:00 |
Sir, they wanna start |
02:04:05 |
Lara... |
02:04:07 |
...John was the best cop I ever knew... |
02:04:10 |
...and, in some ways, |
02:04:13 |
But the scars he carried around... |
02:04:16 |
Well, I know he'd want us to honor |
02:04:21 |
And I also know why he married you: |
02:04:27 |
- Lamar... |
02:04:32 |
Could you please give me a hand? |
02:04:44 |
Listen, I'll tell you what I'll do. |
02:04:47 |
First thing Monday, |
02:04:51 |
And I'll have Gideon |
02:04:55 |
...see if anyone drowned a woman |
02:04:58 |
What did you say her name was? |
02:05:03 |
Anne Lively. |
02:05:06 |
But I never said she drowned. |
02:05:28 |
- Sir, the press conference is starting. |
02:05:37 |
We'll talk about this later. |
02:05:41 |
Perhaps tomorrow, |
02:06:22 |
I'd like a word with my husband. |
02:06:25 |
You're not authorized. |
02:06:28 |
How did you get in here? |
02:06:40 |
Thank you. |
02:06:41 |
Ladies and gentlemen, Lamar Burgess, |
02:06:49 |
On behalf of your staff, |
02:06:53 |
- Congratulations, sir. |
02:06:58 |
How did you get this? |
02:07:00 |
I padded your expense account |
02:07:06 |
Revolvers like this one |
02:07:10 |
...at the end of the Civil War |
02:07:13 |
The cylinders were loaded |
02:07:17 |
...to symbolize the end |
02:07:20 |
...that had ripped the country apart |
02:07:23 |
Ladies and gentlemen, |
02:07:27 |
...maybe we can all look forward |
02:07:31 |
...will have to discharge |
02:07:36 |
Now enjoy yourselves. |
02:07:43 |
Does this mean we can finally use |
02:07:50 |
Hello. |
02:07:52 |
Yes. Right away. |
02:07:55 |
- Excuse me, so sorry. |
02:07:58 |
- Sir? |
02:07:59 |
Sir, you have an emergency call |
02:08:04 |
Yes, this is Burgess. |
02:08:06 |
Hello, Lamar. I just wanted |
02:08:11 |
You created a world without murder. |
02:08:14 |
Everyone wants your name on a hat. |
02:08:17 |
All you had to do was kill someone |
02:08:24 |
A-room. Jad. |
02:08:26 |
Jad, it's Lara. John needs a favor. |
02:08:30 |
- What are you talking about? |
02:08:34 |
Just a junkie who had a kid once |
02:08:39 |
She cleaned herself up, |
02:08:42 |
She wanted Agatha. |
02:08:47 |
Jad, you getting this? It's from the |
02:08:51 |
It isn't the future. |
02:08:54 |
And the problem was, without Agatha, |
02:08:58 |
She's the strongest of the three. |
02:09:03 |
You wouldn't be where you are now, |
02:09:16 |
- What are you doing? |
02:09:19 |
- What you up to, big man? |
02:09:23 |
Slow down. |
02:09:45 |
Now you had to get rid of Anne Lively, |
02:09:50 |
How can you kill her |
02:09:54 |
Simple. Use a system |
02:09:58 |
You hired someone to kill her, knowing |
02:10:03 |
You lured Anne Lively |
02:10:07 |
... with the promise of reuniting her |
02:10:56 |
Where's my daughter? |
02:11:05 |
Where? |
02:11:08 |
Run! |
02:11:13 |
Run! |
02:11:26 |
When you were all alone, |
02:11:29 |
... in the same way the Pre-Cogs |
02:11:33 |
You made the real murder |
02:11:36 |
... knowing the tech would do what |
02:11:47 |
Anne Lively became |
02:11:52 |
So, what are you gonna do, Lamar? |
02:11:56 |
What are you gonna do? |
02:12:09 |
We got a Red Ball! |
02:12:16 |
Think about the lives |
02:12:20 |
Think about the lives |
02:12:23 |
Think of all the lives she will save. |
02:12:27 |
Don't you ever say his name! |
02:12:32 |
You used the memory of my dead son |
02:12:35 |
You used the memory of my dead son |
02:12:39 |
You knew that would |
02:12:42 |
- What are you gonna do now, Lamar? |
02:12:45 |
- How are you gonna...? |
02:12:48 |
Forgive me, John. |
02:12:58 |
Forgive me, John. |
02:13:12 |
Lamar. |
02:13:13 |
It's over. |
02:13:15 |
The question you have to ask is, |
02:13:34 |
No doubt the Pre-Cogs have |
02:13:37 |
No doubt. |
02:13:40 |
You see the dilemma, don't you? |
02:13:43 |
If you don't kill me, Pre-Cogs were |
02:13:48 |
If you do kill me, you go away... |
02:13:52 |
...but it proves the system works. |
02:14:03 |
So, what are you gonna do now? |
02:14:08 |
What's it worth? |
02:14:10 |
Just one more murder. |
02:14:15 |
You'll rot in hell with a halo, but |
02:14:21 |
All you have to do is kill me, |
02:14:28 |
Except... |
02:14:31 |
...you know your own future... |
02:14:33 |
...which means you can change it |
02:14:38 |
You still have a choice, Lamar. |
02:14:41 |
Like I did. |
02:14:48 |
Yes, I have a choice... |
02:14:52 |
...and I made it. |
02:14:55 |
Forgive me, John. |
02:14:59 |
Forgive me. |
02:15:06 |
Forgive me, my boy. |
02:15:26 |
Lamar! |
02:15:39 |
In 2054, the six-year Precrime |
02:15:51 |
All prisoners were unconditionally |
02:15:55 |
... although police departments |
02:16:47 |
Agatha and the twins... |
02:16:49 |
... were transferred |
02:16:53 |
... a place where they could |
02:16:57 |
... a place where they could |