|
Miss Muerte The Diabolical Dr
|
| 00:02:02 |
Doctor... |
| 00:02:05 |
Here's your coffee |
| 00:02:10 |
Thank you, Barbara |
| 00:02:11 |
We're fine. Don't worry... |
| 00:02:23 |
Who's that? |
| 00:02:24 |
Bresson |
| 00:02:25 |
What's up? |
| 00:02:26 |
A man escaped |
| 00:02:29 |
A man escaped? |
| 00:02:31 |
Yes. From Death Row |
| 00:02:37 |
Hans Bergen |
| 00:02:38 |
The Woodside Strangler |
| 00:02:40 |
The sadistic Killer |
| 00:02:41 |
Four murders in six months |
| 00:02:43 |
Unrepentant |
| 00:02:45 |
Will be hung at dawn |
| 00:04:08 |
Might be the police |
| 00:04:10 |
Go and see |
| 00:04:25 |
Irma! |
| 00:04:45 |
Hans Bergen |
| 00:04:58 |
Who is it? |
| 00:05:00 |
Bergen. |
| 00:05:03 |
From Death Row. As good as dead |
| 00:05:06 |
Here... |
| 00:05:08 |
Barbara, bring him in |
| 00:05:10 |
Now's your chance |
| 00:07:08 |
THE DIABOLICAL DR Z |
| 00:08:37 |
Which will help us determine |
| 00:08:42 |
in the treatment |
| 00:08:45 |
Tomorrow, Dr Moroni will address you |
| 00:08:48 |
But that's all from me |
| 00:08:50 |
I hope you found it of interest |
| 00:08:53 |
Thank you for your time |
| 00:08:59 |
Vicas! |
| 00:09:15 |
Vicas... |
| 00:09:22 |
We're already late |
| 00:09:27 |
Your attention, please |
| 00:09:29 |
An addition to the program |
| 00:09:31 |
Our friend Professor Zimmer |
| 00:09:42 |
Gentlemen... I thank you |
| 00:09:46 |
It was not easy for me |
| 00:09:49 |
As you know, I've been working |
| 00:09:54 |
...for more than 30 years |
| 00:09:57 |
Some of you may consider him |
| 00:10:01 |
But all of you have heard of |
| 00:10:05 |
According to him... |
| 00:10:07 |
there are certain precise areas |
| 00:10:12 |
That inspire us to act |
| 00:10:19 |
His research convinced him |
| 00:10:24 |
that good and bad |
| 00:10:29 |
That morality was located |
| 00:10:34 |
Now I have gone even beyond that |
| 00:10:44 |
With the help of my daughter, Irma |
| 00:10:48 |
I have managed to define precisely |
| 00:10:54 |
of both good and evil |
| 00:10:59 |
To control them is now easy |
| 00:11:02 |
I have perfected a Z-ray capable of |
| 00:11:09 |
And I have proof of my theories |
| 00:11:13 |
You've experimented on humans? |
| 00:11:15 |
No, Dr Kallman. No |
| 00:11:17 |
Only on animals |
| 00:11:19 |
How exactly? |
| 00:11:20 |
Did you perhaps find |
| 00:11:29 |
Dr Moroni, this is no joke |
| 00:11:33 |
I calmed a wild hyena and now |
| 00:11:38 |
I reversed the process |
| 00:11:42 |
She tried to attack herself |
| 00:11:49 |
What do you want from us? |
| 00:11:51 |
Permission to experiment on humans |
| 00:11:54 |
What! Are you mad? |
| 00:11:56 |
You Nazi bastard! |
| 00:11:57 |
Let me speak! |
| 00:11:59 |
By my method all the killers, |
| 00:12:05 |
can be turned into normal people |
| 00:12:08 |
Inoffensive |
| 00:12:09 |
Maybe even lead useful lives |
| 00:12:12 |
Professor, have you no shame? |
| 00:12:17 |
But what harm would it do |
| 00:12:19 |
if I used a criminal |
| 00:12:24 |
It's you who's the criminal |
| 00:12:30 |
I think our feeling is |
| 00:12:34 |
We formally forbid |
| 00:12:38 |
No, Vicas! No! |
| 00:12:48 |
Father |
| 00:12:50 |
Irma... promise you'll carry on |
| 00:12:56 |
Father... |
| 00:13:00 |
Yes. I promise |
| 00:13:21 |
Irma... |
| 00:13:24 |
Hello, Philippe |
| 00:13:29 |
Just like the old days, huh? |
| 00:13:38 |
Thanks for all your help |
| 00:13:43 |
Why not go home? |
| 00:13:45 |
I can't right now |
| 00:13:47 |
The house will seem so empty |
| 00:13:53 |
The way they treated your father |
| 00:13:56 |
- I thought... |
| 00:14:02 |
But it's over now |
| 00:14:11 |
Come on. Let's go |
| 00:14:19 |
I couldn't do anything |
| 00:14:21 |
I'm just a junior doctor. |
| 00:14:25 |
But I hate fools |
| 00:14:29 |
I'll never forget |
| 00:14:33 |
Ladies - and above all gentlemen... |
| 00:14:35 |
We present for your pleasure |
| 00:14:37 |
The strange and mysterious |
| 00:16:43 |
Want to go? |
| 00:16:45 |
I'll take you |
| 00:17:22 |
Goodbye |
| 00:17:35 |
Philippe! |
| 00:18:26 |
Going to Hartog? |
| 00:18:27 |
Yes. Just you? |
| 00:18:29 |
Yes |
| 00:18:47 |
I was expecting your boyfriend |
| 00:18:49 |
No. I always travel alone |
| 00:18:51 |
It's dangerous |
| 00:18:52 |
But not with you |
| 00:18:54 |
Come far? |
| 00:18:55 |
From Rotterdam |
| 00:18:57 |
My name's Juliann van Drokken |
| 00:18:59 |
I love travelling |
| 00:19:02 |
I have to hitch. |
| 00:19:06 |
But there's always some sucker... |
| 00:19:08 |
- Oh! I'm sorry |
| 00:19:11 |
Don't your parents worry? |
| 00:19:14 |
They're both dead |
| 00:19:15 |
Killed in the war. I was two |
| 00:19:19 |
I live alone |
| 00:19:20 |
But I do all right |
| 00:19:22 |
I make money somehow |
| 00:19:23 |
Model... hostess... secretary |
| 00:19:26 |
Oh! What a beautiful lake |
| 00:19:28 |
Can we stop for a swim? |
| 00:19:32 |
Why not |
| 00:19:38 |
I don't have a suit |
| 00:19:40 |
Borrow this one |
| 00:19:42 |
- Thanks |
| 00:20:11 |
The water's cold |
| 00:20:13 |
I don't mind |
| 00:20:15 |
I'm used to it |
| 00:20:16 |
I can stay in the water for hours |
| 00:20:38 |
Had enough? |
| 00:20:40 |
Yes. It's too cold for me |
| 00:20:44 |
It's great |
| 00:20:49 |
Beats a swimming pool |
| 00:24:31 |
What's wrong, Irma? |
| 00:24:38 |
What do you want? |
| 00:24:39 |
I was waiting for you |
| 00:24:41 |
To say good bye |
| 00:24:44 |
You're leaving? |
| 00:24:45 |
Yes |
| 00:24:46 |
I stayed for your father's sake |
| 00:24:49 |
It may sound silly |
| 00:24:50 |
But I admired him |
| 00:24:53 |
So now you're going? |
| 00:24:54 |
Yes. I can't stay here now |
| 00:24:58 |
That business with Bergen |
| 00:25:02 |
You pushed your father into it |
| 00:25:05 |
He never would have done it |
| 00:25:09 |
Bergen! |
| 00:27:30 |
Who are you? |
| 00:27:32 |
I am... Barbara Huberts |
| 00:27:35 |
You still want to leave? |
| 00:27:37 |
No |
| 00:27:38 |
You promise to obey me? |
| 00:27:40 |
I do |
| 00:27:41 |
Get up. |
| 00:27:44 |
Fetch the big mirror |
| 00:29:15 |
Sorry |
| 00:29:57 |
Bergen. Get the car ready |
| 00:29:59 |
Load all the equipment |
| 00:30:01 |
We're moving |
| 00:30:04 |
Where to? |
| 00:30:06 |
The old house |
| 00:30:09 |
I don't like that place |
| 00:30:11 |
It's been empty so long |
| 00:30:14 |
An excellent place to hide |
| 00:30:17 |
Dr Zimmer's daughter is dead |
| 00:30:20 |
Who'd look for her |
| 00:30:23 |
We have work to do, Barbara |
| 00:30:26 |
Vicas... Moroni... Kallman |
| 00:30:31 |
Now I need a woman |
| 00:30:34 |
A woman of blood and fire |
| 00:30:37 |
To seduce and destroy them |
| 00:30:41 |
Philippe! |
| 00:30:42 |
I can't stay |
| 00:30:47 |
I've got 3 days off. |
| 00:30:51 |
I got the tickets |
| 00:30:52 |
I hope you won't be too busy |
| 00:30:56 |
Nadia! |
| 00:30:58 |
Nadia, you're on |
| 00:31:00 |
Go on |
| 00:31:07 |
I can't wait |
| 00:31:08 |
And neither can I. |
| 00:31:12 |
Tomorrow - the airport at three |
| 00:31:32 |
Ladies - and above all gentlemen... |
| 00:31:35 |
we would now like to present... |
| 00:31:37 |
...the strange, the macabre, |
| 00:31:41 |
Miss Death! |
| 00:31:43 |
A message for Miss Death |
| 00:32:03 |
Do you like America? |
| 00:32:05 |
Who are you? |
| 00:32:06 |
My card's there |
| 00:32:09 |
I want to sign you up |
| 00:32:10 |
New York, Los Angeles, Las Vegas. |
| 00:32:15 |
You're kidding! |
| 00:32:17 |
You heard me |
| 00:32:18 |
5000 dollars on signature |
| 00:32:22 |
But I can't go now. I... |
| 00:32:25 |
I just want an option |
| 00:32:26 |
Your signature |
| 00:32:27 |
I only came in here by chance |
| 00:32:30 |
I loved your act |
| 00:32:32 |
In America you could try for films |
| 00:32:37 |
Hollywood... |
| 00:32:38 |
Yes |
| 00:32:40 |
I leave early tomorrow. |
| 00:32:45 |
Come to my agency |
| 00:32:46 |
Well... |
| 00:32:47 |
It's not far |
| 00:32:49 |
But... |
| 00:32:50 |
Don't bother to change |
| 00:32:52 |
It's next door. |
| 00:33:04 |
Are they real? |
| 00:33:07 |
Yes |
| 00:33:26 |
- You off? |
| 00:33:36 |
I really want to do films |
| 00:33:38 |
I've been trying this for a while. |
| 00:33:42 |
Miss Death was my creation |
| 00:33:44 |
But I want to move on. |
| 00:33:48 |
This way |
| 00:33:53 |
It's dark here |
| 00:33:56 |
Just down the stairs on the right |
| 00:34:03 |
Who's that? |
| 00:34:04 |
The caretaker |
| 00:34:24 |
- It's...? |
| 00:34:33 |
What's that? |
| 00:34:35 |
What do you want? |
| 00:34:39 |
Let me go! |
| 00:37:51 |
Passengers for Paris |
| 00:37:56 |
...we are now boarding |
| 00:38:04 |
I can't hear you |
| 00:38:06 |
She left yesterday? |
| 00:38:09 |
You're sure? |
| 00:38:11 |
Right... |
| 00:38:15 |
OK. Thanks |
| 00:38:19 |
Philippe, come on! |
| 00:38:21 |
Last call for Paris |
| 00:38:39 |
She's coming to |
| 00:38:41 |
Careful |
| 00:38:42 |
She's dangerous |
| 00:39:42 |
You only kill when I say so. |
| 00:39:46 |
Do you belong to me - |
| 00:39:51 |
Yes |
| 00:39:52 |
Never forget it |
| 00:39:55 |
Your magnificent nails |
| 00:39:58 |
You promise to obey me? |
| 00:40:02 |
Now help me with Barbara |
| 00:40:53 |
She's beautiful |
| 00:40:56 |
Yes. Very beautiful |
| 00:42:09 |
Who else lives here? |
| 00:42:12 |
Just a man |
| 00:42:16 |
Where is he? |
| 00:42:19 |
Abroad |
| 00:42:33 |
I love you Nadia. |
| 00:42:47 |
I have to go away |
| 00:42:50 |
A job came up |
| 00:42:57 |
...in Paris |
| 00:43:02 |
I'll write when I can. |
| 00:43:16 |
May I sit here? |
| 00:43:18 |
Please |
| 00:43:31 |
How rude of me |
| 00:43:46 |
You're going to Hartog, too? |
| 00:43:48 |
Yes |
| 00:43:50 |
All through the night |
| 00:43:53 |
You're alone? |
| 00:43:56 |
I prefer it. And you? |
| 00:43:59 |
Most of the time. For business |
| 00:44:04 |
I travel for pleasure |
| 00:44:07 |
I prefer trains |
| 00:44:09 |
Or boats... |
| 00:44:11 |
Slow boats |
| 00:44:14 |
I hate flying |
| 00:44:16 |
No intimacy |
| 00:44:18 |
Don't you agree? |
| 00:44:22 |
You're amazing |
| 00:44:26 |
- Am I...? |
| 00:44:29 |
...Dreaming? |
| 00:44:31 |
This train... |
| 00:44:33 |
This journey... |
| 00:44:36 |
You... |
| 00:44:39 |
Touch my hand |
| 00:44:49 |
Is that a dream? |
| 00:44:52 |
I don't know |
| 00:46:36 |
What incredible nails |
| 00:47:36 |
A present from Dr Zimmer |
| 00:49:42 |
There's blood on your dress. |
| 00:49:52 |
Done. We have no time to lose |
| 00:50:05 |
I hope I can be as successful |
| 00:50:08 |
as my father was with you |
| 00:50:30 |
I see him in the flames |
| 00:50:34 |
Why did I kill him? |
| 00:50:36 |
Why? |
| 00:50:37 |
Shut up! |
| 00:50:38 |
No. I must know why |
| 00:50:42 |
Let me go! |
| 00:50:44 |
Let me go! |
| 00:50:46 |
Let me go! |
| 00:50:49 |
Let me go |
| 00:51:14 |
She's starting to remember |
| 00:51:26 |
Open this door! |
| 00:51:34 |
You're scaring the fish |
| 00:51:39 |
It's your face that scares them |
| 00:51:43 |
Let's try further down |
| 00:52:30 |
I had to go away for two months |
| 00:52:32 |
an unexpected job in Paris |
| 00:52:49 |
Don't people usually knock? |
| 00:52:51 |
Sorry, I'm in a hurry |
| 00:52:52 |
If you want Nadia, |
| 00:52:55 |
Where is she? |
| 00:52:56 |
She went off with some English woman |
| 00:53:00 |
Did you recognise her? |
| 00:53:01 |
I'm not sure. |
| 00:53:05 |
What was she like? |
| 00:53:06 |
Brown hair... Strange glasses |
| 00:53:10 |
Anything else? |
| 00:53:12 |
No. Just those glasses |
| 00:53:13 |
Didn't suit her |
| 00:53:20 |
Another bad night? |
| 00:53:23 |
Very bad |
| 00:53:24 |
Not much you can do, I guess, |
| 00:53:28 |
Never stopped. All night long |
| 00:53:31 |
Terrible |
| 00:53:33 |
Well, I hope this case |
| 00:53:37 |
As overseas observer, |
| 00:53:43 |
I'm not wishing a disaster on you |
| 00:53:46 |
But things are a bit quiet |
| 00:53:50 |
I think we're here |
| 00:53:58 |
Why's he so tetchy? |
| 00:54:00 |
His wife's just had triplets |
| 00:54:02 |
They keep him awake all night |
| 00:54:07 |
Hello |
| 00:54:08 |
Inspector Grinder from Scotland Yard |
| 00:54:11 |
So...? |
| 00:54:12 |
It's a young woman |
| 00:54:15 |
Dead several days |
| 00:54:17 |
Burnt. No sign of drink or drugs |
| 00:54:19 |
No sign of a struggle. |
| 00:54:24 |
Might be an accident |
| 00:54:27 |
Whose car is it? |
| 00:54:28 |
Professor Zimmer's |
| 00:54:29 |
Zimmer's been dead two weeks |
| 00:54:31 |
Might be his daughter. |
| 00:54:35 |
Philippe Whitehouse? |
| 00:54:36 |
Yes |
| 00:54:37 |
Could you identify Irma Zimmer? |
| 00:54:39 |
I think so |
| 00:54:41 |
You knew her well? |
| 00:54:43 |
Fairly well |
| 00:54:44 |
I'm a doctor. I knew her father |
| 00:54:47 |
A doctor? |
| 00:54:48 |
Yes. A neurologist |
| 00:54:53 |
Did you know Dr... |
| 00:54:57 |
Yes. |
| 00:54:59 |
He was found dead last night |
| 00:55:01 |
Near the railway line |
| 00:55:04 |
Accident? |
| 00:55:13 |
Yes. It's Vicas |
| 00:55:16 |
He still had his papers and money |
| 00:55:20 |
Who's cat's that? |
| 00:55:21 |
It's Malou's |
| 00:55:23 |
- Malou? |
| 00:55:26 |
I find the death of Dr Vicas |
| 00:55:29 |
than the girl in the car |
| 00:55:33 |
However, I still think he |
| 00:55:38 |
And the scratches on his throat? |
| 00:55:39 |
Probably a wolf |
| 00:55:53 |
Take a look |
| 00:56:00 |
What...? |
| 00:56:01 |
Curare |
| 00:56:03 |
Found in the scratches |
| 00:56:05 |
He was attacked by an animal |
| 00:56:07 |
with nails that were long, sharp |
| 00:56:12 |
Know any wolves like that? |
| 00:56:37 |
Hard to be sure |
| 00:56:39 |
The body was badly burned |
| 00:56:42 |
We found... |
| 00:56:45 |
...this ring |
| 00:56:48 |
Yes, I think it's hers |
| 00:56:51 |
Our first clue |
| 00:56:53 |
Funny it's so hard to identify her |
| 00:56:58 |
Was she blond or brunette? |
| 00:57:00 |
Irma? Blonde |
| 00:57:02 |
A natural blonde? |
| 00:57:03 |
That, I don't know |
| 00:57:05 |
Dr Zimmer, his daughter |
| 00:57:10 |
They were all at the conference |
| 00:57:13 |
Weren't you there too? |
| 00:57:15 |
Yes |
| 00:57:17 |
Then I'd watch your back |
| 00:57:50 |
What's up love? |
| 00:57:53 |
A nightmare. |
| 00:57:56 |
Don't fret |
| 00:57:57 |
It's normal to be upset by death |
| 00:58:00 |
True. But this was so strange |
| 00:58:03 |
Yes |
| 00:58:03 |
He was seen at dinner |
| 00:58:07 |
She's disappeared |
| 00:58:09 |
A beautiful blonde. Really? |
| 00:58:13 |
I don't know |
| 00:58:15 |
Anyway, I'm going out for a coffee |
| 00:58:19 |
I have to work late tonight |
| 00:58:20 |
Don't be too long |
| 00:58:23 |
I don't like to be alone here |
| 00:58:25 |
I won't stay. Bye |
| 00:59:09 |
Evening, Christian |
| 00:59:10 |
Evening doctor |
| 00:59:12 |
- A coffee? |
| 00:59:17 |
Whisky please |
| 01:00:07 |
Leaving, doctor? |
| 01:00:09 |
I need some fresh air. |
| 01:03:51 |
Fancy it, big boy? |
| 01:04:27 |
Sandra? |
| 01:05:14 |
Police station |
| 01:05:31 |
Dr Moroni, you're finished |
| 01:05:34 |
Remember Dr Zimmer |
| 01:05:58 |
You know Dr Moroni? |
| 01:06:01 |
Why? Is he dead? |
| 01:06:03 |
They just found his body |
| 01:06:06 |
He was killed last night |
| 01:06:09 |
The same scratches on him? |
| 01:06:11 |
No. None at all |
| 01:06:14 |
Was Moroni at that conference? |
| 01:06:17 |
Indeed. |
| 01:06:23 |
Come to dinner |
| 01:06:24 |
Is that an order? |
| 01:06:26 |
No. An invitation |
| 01:06:32 |
Seems connected with that conference |
| 01:06:38 |
As though Zimmer is being avenged |
| 01:06:41 |
The police don't believe in ghosts |
| 01:06:43 |
Even if policemen do |
| 01:06:46 |
Another strong coffee please |
| 01:06:50 |
Still crying? |
| 01:06:51 |
All night... |
| 01:06:57 |
His daughter... |
| 01:06:58 |
Whose? |
| 01:07:00 |
Zimmer |
| 01:07:02 |
Well? |
| 01:07:03 |
Maybe it wasn't her body in that car |
| 01:07:08 |
All evidence in the murders |
| 01:07:13 |
points in the direction |
| 01:07:17 |
But nothing like Irma Zimmer |
| 01:07:20 |
But just like Miss Death |
| 01:07:21 |
Miss Death? |
| 01:07:23 |
It's the nails |
| 01:07:24 |
Nadia had those long, sharp nails |
| 01:07:27 |
Weren't you lovers? |
| 01:07:28 |
Yes, but it's over |
| 01:07:30 |
Inspector, what if someone |
| 01:07:34 |
Brainwashed her somehow... |
| 01:07:38 |
Turned Nadia into a killer |
| 01:07:51 |
Hey! |
| 01:07:54 |
No-one's there, they all died |
| 01:07:57 |
Right now, the house is closed |
| 01:08:02 |
The case is still under investigation |
| 01:08:05 |
His daughter's death |
| 01:08:11 |
Of course, but tell me... |
| 01:08:16 |
You're right. There was another place |
| 01:08:20 |
His family home. Near Hartog |
| 01:08:30 |
Reduce the levels |
| 01:08:36 |
Be careful! |
| 01:09:07 |
Bye, guys |
| 01:09:08 |
The wife's waiting |
| 01:09:12 |
See you Sunday |
| 01:09:14 |
Hey, Kallman! |
| 01:12:41 |
Josef, quickly! |
| 01:12:48 |
Help me carry her upstairs |
| 01:12:52 |
Of course, doctor |
| 01:13:35 |
Where am I? |
| 01:13:37 |
Dr Kallman's surgery |
| 01:13:40 |
My surgery |
| 01:13:42 |
Just as you wanted |
| 01:13:45 |
The first part of your plan |
| 01:13:50 |
What plan? |
| 01:13:52 |
I was ready for you |
| 01:13:54 |
The deaths of Moroni and Vicas |
| 01:13:59 |
That's not all |
| 01:14:05 |
I know Zimmer's theories |
| 01:14:09 |
I examined you closely |
| 01:14:12 |
I found the operation scars |
| 01:14:15 |
Your nails |
| 01:14:17 |
I know who you are |
| 01:14:23 |
Stay right there! |
| 01:14:34 |
Call the police |
| 01:14:45 |
Although I know you are being used |
| 01:14:50 |
I doubt the police |
| 01:14:54 |
I'm sorry |
| 01:14:57 |
That's them |
| 01:15:48 |
It's over |
| 01:15:50 |
She's no more use |
| 01:15:52 |
She could be dangerous |
| 01:15:56 |
Get rid of her quickly |
| 01:18:43 |
Yes. She's mine |
| 01:18:46 |
I control her |
| 01:18:48 |
She can't get away |
| 01:18:50 |
But... who are you? |
| 01:18:53 |
You don't know? |
| 01:18:55 |
Take a good look |
| 01:18:58 |
Irma |
| 01:19:00 |
Yes |
| 01:19:01 |
Irma Zimmer. Remember now? |
| 01:19:05 |
I'm sorry you got involved, Philippe |
| 01:19:08 |
I meant you no harm |
| 01:19:10 |
But you came between me and Nadia |
| 01:19:13 |
And I needed her |
| 01:19:14 |
No! |
| 01:19:16 |
Don't bother |
| 01:19:18 |
She only hears me |
| 01:19:21 |
I had to avenge my father |
| 01:19:24 |
She was the instrument |
| 01:19:26 |
You've killed Bergen |
| 01:19:27 |
That saves us the trouble |
| 01:19:29 |
His only purpose was to serve me |
| 01:19:33 |
Now I must get rid of Nadia |
| 01:19:37 |
She's no use to me now. |
| 01:19:41 |
You won't leave here alive |
| 01:19:44 |
I'm leaving - and so is Nadia |
| 01:19:47 |
Too late! |
| 01:20:31 |
Nadia. It's me - Philippe |
| 01:20:35 |
Philippe |
| 01:20:37 |
Nadia... wake up! |
| 01:21:34 |
Irma Zimmer |
| 01:21:36 |
Get me out of here |
| 01:21:53 |
Hello, Dr Whitehouse |
| 01:21:59 |
Inspector - It's incredible |
| 01:22:02 |
How did you guess? |
| 01:22:03 |
I stayed at my mother's |
| 01:22:08 |
Help her |
| 01:22:14 |
You're right |
| 01:22:16 |
This was a crime after all |
| 01:22:21 |
My darling, it's all over |
| 01:22:23 |
Don't worry |
| 01:22:25 |
Let's go |
| 01:22:26 |
I'll look after you. I'll cure you |
| 01:22:29 |
It's going to be all right, Nadia |
| 01:22:37 |
THE END |
