|
Miss Pettigrew Lives for a Day
|
| 00:00:19 |
Miss Pettigrew, |
| 00:00:20 |
I was warned of your |
| 00:00:23 |
and I should have known |
| 00:00:25 |
"governess of last resort." |
| 00:00:27 |
But I had no idea |
| 00:00:30 |
You are dismissed. |
| 00:00:32 |
Away! |
| 00:00:33 |
Allow me one last chance... |
| 00:00:34 |
Goodbye, Miss Pettigrew. |
| 00:00:44 |
I'm owed |
| 00:01:31 |
I say! I'm terribly sorry! |
| 00:01:33 |
Oh, no! My things! |
| 00:01:34 |
My things! |
| 00:01:35 |
Let me help you with that. |
| 00:01:36 |
They'll have me back |
| 00:01:39 |
Oh! |
| 00:01:39 |
Oh, nothing serious. |
| 00:01:41 |
No. |
| 00:01:43 |
Wait! Your... |
| 00:01:45 |
Your belongings! |
| 00:01:47 |
Sorry! |
| 00:02:25 |
Gerry? |
| 00:02:26 |
Edythe, if you can keep your hands |
| 00:02:30 |
We're getting our |
| 00:02:34 |
That's naughty! |
| 00:02:44 |
Let's get out |
| 00:03:28 |
Washburns. |
| 00:03:31 |
Lovely girl. |
| 00:03:33 |
Independence. |
| 00:03:35 |
For six hours? |
| 00:03:36 |
The Randle boys, |
| 00:03:39 |
" Wrestled retired Colonel Johnson to |
| 00:03:43 |
"shouting, 'Nazi warmonger' |
| 00:03:47 |
"Miss Pettigrew thought |
| 00:03:50 |
A little joke. |
| 00:03:51 |
"Ambulance called. |
| 00:03:55 |
Yes. And now |
| 00:03:57 |
Miss Pettigrew, |
| 00:04:01 |
My goodness, there |
| 00:04:03 |
Do you think that work |
| 00:04:05 |
No, no. |
| 00:04:08 |
But Mrs. Brummegan was... |
| 00:04:11 |
Well, fond of a sherry, |
| 00:04:14 |
As a vicar's daughter, |
| 00:04:16 |
No, she found you rather |
| 00:04:19 |
And that is, I'm afraid, |
| 00:04:21 |
Miss Holt? |
| 00:04:23 |
The Lafosse household rang |
| 00:04:27 |
Thank you. Yes, I |
| 00:04:29 |
A person can change. |
| 00:04:30 |
I haven't seen any sign of that. |
| 00:04:32 |
She could stop drinking. |
| 00:04:34 |
Our clients don't adapt to |
| 00:04:37 |
you adapt to them! |
| 00:04:39 |
I am trying, |
| 00:04:40 |
Give me one last chance. |
| 00:04:43 |
My dear woman, I |
| 00:04:46 |
I'm afraid we have nothing |
| 00:04:48 |
Good day, Miss Pettigrew. |
| 00:04:50 |
The situation is most |
| 00:04:52 |
The day after? |
| 00:04:53 |
Only if you desire the exercise. |
| 00:04:56 |
Miss Holt. |
| 00:04:59 |
Yes, Miss Holt? |
| 00:05:01 |
Miss Darlington is finishing with |
| 00:05:04 |
She would be perfect for the |
| 00:05:07 |
I think she would |
| 00:05:09 |
Can you refer |
| 00:05:11 |
Certainly. |
| 00:05:18 |
Thank you. |
| 00:05:22 |
I said good day, |
| 00:05:24 |
Good day. |
| 00:05:50 |
Amazing. |
| 00:06:31 |
Hi. |
| 00:06:33 |
I have come |
| 00:06:36 |
What time is it? |
| 00:06:38 |
It's five minutes |
| 00:06:41 |
10:00? |
| 00:06:44 |
In the morning? |
| 00:06:48 |
Oh, God! |
| 00:07:13 |
Oh, my God, |
| 00:07:15 |
I was given to believe |
| 00:07:17 |
Miss Holt's |
| 00:07:19 |
Darn right, honey. |
| 00:07:25 |
Allow me. |
| 00:07:30 |
Neat! |
| 00:07:31 |
Time? |
| 00:07:33 |
Six minutes |
| 00:07:34 |
Can I be of any |
| 00:07:36 |
Not unless you can get Phil out of |
| 00:07:39 |
I've known my share of |
| 00:07:41 |
You too, huh? |
| 00:07:43 |
Phil! It's time |
| 00:07:46 |
Damn it! |
| 00:07:47 |
I can get your boy up |
| 00:07:49 |
You could? Really? |
| 00:07:50 |
Certainly. |
| 00:07:52 |
One must not stand for |
| 00:07:54 |
They just need to know |
| 00:07:56 |
First door at the top |
| 00:08:04 |
Philip? |
| 00:08:07 |
Rise and shine, Philip! |
| 00:08:11 |
As I said to your mother, I |
| 00:08:16 |
You naughty boy, get up! |
| 00:08:22 |
I kind of am up, |
| 00:08:26 |
Oh, golly! |
| 00:08:35 |
Excuse me, Mrs. Lafosse, |
| 00:08:38 |
Mrs. Lafosse... |
| 00:08:40 |
Oh, heavens! |
| 00:08:42 |
Answer that, will you? If it's |
| 00:08:55 |
Good morning, this is Miss Holt |
| 00:08:59 |
I've just rung to say that one of our |
| 00:09:06 |
Hello? |
| 00:09:07 |
No, no, |
| 00:09:11 |
I'm afraid that |
| 00:09:16 |
Goodbye. |
| 00:09:32 |
Don't really do kitchens. |
| 00:09:36 |
Any luck with Phil? |
| 00:09:38 |
I'm so sorry, Mrs. |
| 00:09:40 |
Delysia, I'm afraid I walked in |
| 00:09:46 |
I fear that I have outraged |
| 00:09:49 |
Oh, no, Phil doesn't |
| 00:09:52 |
He's a much bigger boy |
| 00:09:55 |
Oh, you noticed. |
| 00:09:58 |
Uh... |
| 00:10:08 |
Hello? |
| 00:10:10 |
Darling! |
| 00:10:25 |
Really? |
| 00:10:27 |
Mmm-hmm. |
| 00:10:29 |
You, too. |
| 00:10:40 |
He's at the club. |
| 00:10:41 |
Be here in 10 minutes. |
| 00:10:43 |
Who? |
| 00:10:45 |
Another man? |
| 00:10:46 |
Well, of course |
| 00:10:48 |
Jeepers. |
| 00:10:49 |
I'm afraid there has been |
| 00:10:52 |
I can see the problem clearly |
| 00:10:56 |
You do? |
| 00:10:58 |
Pardon? |
| 00:11:00 |
Well, yes. |
| 00:11:03 |
From the moment I set eyes on you, I just |
| 00:11:06 |
Yes, you can. |
| 00:11:09 |
Thank you. |
| 00:11:11 |
Have I? |
| 00:11:13 |
A two-pronged attack |
| 00:11:16 |
Though I don't think you |
| 00:11:22 |
Or Michael. |
| 00:11:24 |
Is he your son? |
| 00:11:26 |
Michael wants |
| 00:11:28 |
Another man? |
| 00:11:30 |
You don't have to wake |
| 00:11:32 |
Besides, that's only three. |
| 00:11:36 |
Phil's rather free |
| 00:11:38 |
He's a theater producer. |
| 00:11:41 |
Phil's got his first show on at |
| 00:11:44 |
Well... |
| 00:11:45 |
I'm pretty sure |
| 00:11:55 |
Hello again. |
| 00:11:57 |
Awfully sorry about earlier. I |
| 00:11:59 |
That is some relief, |
| 00:12:01 |
Jolly nice to meet you, dear |
| 00:12:04 |
Who is she, gorgeous? |
| 00:12:06 |
She's, um... |
| 00:12:08 |
You know, I'm not |
| 00:12:12 |
Pettigrew. |
| 00:12:15 |
Guinevere. |
| 00:12:17 |
Guinevere. Wow. |
| 00:12:18 |
Yes, but who is she? |
| 00:12:21 |
What in the world is she doing |
| 00:12:23 |
when you are |
| 00:12:25 |
beneath that delightful |
| 00:12:27 |
We have... |
| 00:12:29 |
An engagement. |
| 00:12:30 |
Meeting. Important meeting. |
| 00:12:32 |
Two... |
| 00:12:33 |
Not 22, Guinevere, |
| 00:12:37 |
What the dickens |
| 00:12:38 |
as another hour in bed |
| 00:12:41 |
You don't mind, |
| 00:12:43 |
It's all a bit new to me, |
| 00:12:45 |
Besides, I have |
| 00:12:47 |
Come back to bed, |
| 00:12:56 |
Baby, baby, I'd |
| 00:12:58 |
Come on, it's an awfully good |
| 00:13:02 |
Edythe's lingerie |
| 00:13:03 |
Anyway, haven't you |
| 00:13:06 |
Who are you lunching? |
| 00:13:08 |
Charlotte Warren. |
| 00:13:11 |
Why? She run out of carrots? |
| 00:13:13 |
But you said the lead was mine. |
| 00:13:16 |
It is. It is. I'm sure it |
| 00:13:18 |
I just have to |
| 00:13:20 |
being the bounder with |
| 00:13:22 |
You know, he wants me to meet |
| 00:13:26 |
If you like |
| 00:13:27 |
It's just lunch, darling. |
| 00:13:30 |
Remind your producer why you're |
| 00:13:38 |
Charlotte Warren |
| 00:13:39 |
Know her, what? |
| 00:13:41 |
I did happen to see her last |
| 00:13:43 |
With who? |
| 00:13:45 |
A man. |
| 00:13:47 |
Mmm. |
| 00:13:48 |
Mmm. |
| 00:13:50 |
Mmm. |
| 00:13:51 |
I knew it! |
| 00:13:53 |
Danny ruddy Greenwood, |
| 00:13:56 |
Well, we'll see |
| 00:13:58 |
Oh, Phil, you can't think that |
| 00:14:03 |
Not with that |
| 00:14:20 |
Jacket? |
| 00:14:25 |
A quick egg |
| 00:14:27 |
I regret |
| 00:14:30 |
You know this? |
| 00:14:31 |
Bacon? |
| 00:14:33 |
Sausage? |
| 00:14:34 |
Smoked haddock fillets? |
| 00:14:36 |
Toast. |
| 00:14:38 |
I saw the baker's girl |
| 00:14:41 |
Allow me. |
| 00:14:48 |
Guinevere, you've got to get him |
| 00:14:52 |
Toast is only |
| 00:14:54 |
I realize it is not |
| 00:14:56 |
isn't it possible simply not to |
| 00:15:00 |
Oh, I can't do that. |
| 00:15:02 |
It's his flat. |
| 00:15:05 |
Jeepers, he's early! |
| 00:15:29 |
Toast! |
| 00:15:30 |
Marvelous. |
| 00:15:32 |
Tie? |
| 00:15:34 |
Any tea on the go, |
| 00:15:37 |
Sweets, |
| 00:15:38 |
Danny Greenwood |
| 00:15:40 |
sending flowers around to |
| 00:15:42 |
You think so? |
| 00:15:44 |
That does seem to be the |
| 00:15:47 |
It does, doesn't it? |
| 00:15:49 |
Not that you're in the least bit |
| 00:15:52 |
No. No. Darling, you're the |
| 00:15:54 |
And I don't just |
| 00:15:56 |
I say. |
| 00:15:59 |
What? |
| 00:16:00 |
Clean it up. |
| 00:16:13 |
I can't go yet. I have |
| 00:16:16 |
Just... Right now? |
| 00:16:18 |
Delysia... |
| 00:16:21 |
I love you. |
| 00:16:28 |
Fiddlesticks, |
| 00:16:30 |
You and me. |
| 00:16:43 |
Don't let any rabbits |
| 00:16:47 |
Bye. |
| 00:16:49 |
Delysia? |
| 00:17:01 |
Lift up the spout? |
| 00:17:02 |
I rather think so, yes. |
| 00:17:12 |
Delysia? Is that you? |
| 00:17:17 |
He saw the gown, |
| 00:17:19 |
I believe we |
| 00:17:21 |
You're a bona fide |
| 00:17:23 |
Miss Lafosse, |
| 00:17:25 |
it has been a most exciting, one might |
| 00:17:31 |
though I can't help feeling one |
| 00:17:36 |
But now that the crisis has been |
| 00:17:39 |
What? Oh, you can't go. Please |
| 00:17:43 |
Goodness. |
| 00:17:43 |
Guinevere... |
| 00:17:46 |
I don't know what I'd do |
| 00:17:50 |
It's Nick. |
| 00:17:51 |
I need saving. |
| 00:17:52 |
Mmm-hmm. Have you ever been |
| 00:17:55 |
I don't believe so, no. |
| 00:17:56 |
Well, it's what they do |
| 00:17:59 |
The snake fixes the animal with |
| 00:18:03 |
It stays when it |
| 00:18:04 |
It wants to stay, |
| 00:18:07 |
And I am that |
| 00:18:10 |
And Nick Calderelli, coming up the |
| 00:18:14 |
When he's here, I just... I can't |
| 00:18:18 |
So bad. And when I waver, |
| 00:18:22 |
I need you |
| 00:18:29 |
Please. Stay. |
| 00:18:33 |
I can see I have no choice. |
| 00:18:37 |
Oh, thank you! |
| 00:18:44 |
But I'm afraid it is you |
| 00:18:47 |
You're right. I must. |
| 00:18:49 |
The time has come |
| 00:18:50 |
And with you beside me, |
| 00:18:53 |
confident, firm. |
| 00:18:55 |
There is something so sensual about fur |
| 00:19:00 |
Miss Lafosse, |
| 00:19:03 |
Strong, confident, firm. |
| 00:19:06 |
I know! But I can't help it. |
| 00:19:10 |
But I must. |
| 00:19:12 |
Nick! |
| 00:19:13 |
I feel like I've just climbed bloody |
| 00:19:19 |
Darling. |
| 00:19:21 |
It's you! |
| 00:19:23 |
That wasn't you, was it? |
| 00:19:24 |
In the lift? |
| 00:19:27 |
Lift? Oh, you mean elevator. |
| 00:19:33 |
I didn't know |
| 00:19:34 |
But, Nick, I get so |
| 00:19:37 |
This is... |
| 00:19:38 |
Pettigrew. |
| 00:19:41 |
A pleasure, Miss |
| 00:19:44 |
And you are, |
| 00:19:46 |
I am Miss Lafosse's new |
| 00:19:48 |
Social secretary. |
| 00:19:50 |
Really? |
| 00:19:52 |
Isn't it a little early |
| 00:19:55 |
I beg your pardon? |
| 00:19:57 |
I haven't had |
| 00:19:58 |
It's nice to meet you, |
| 00:20:00 |
but D and I haven't seen |
| 00:20:02 |
Got a lot of |
| 00:20:04 |
So if you |
| 00:20:07 |
But of course. |
| 00:20:15 |
But, Nick, darling! |
| 00:20:17 |
Well, I've got a fashion show |
| 00:20:19 |
Fashion show be damned. Who |
| 00:20:24 |
Damned or not, I'm afraid Miss |
| 00:20:28 |
Well, cancel. |
| 00:20:30 |
Come on, darling. |
| 00:20:31 |
Close the door |
| 00:20:32 |
I'm sure that we can schedule |
| 00:20:34 |
I beg your pardon? |
| 00:20:35 |
I think that Miss |
| 00:20:36 |
Wednesday at 9:30. |
| 00:20:38 |
No. I'm penciling now. |
| 00:20:40 |
Nick, darling, I'm afraid |
| 00:20:42 |
I'm terribly busy |
| 00:20:46 |
Oh. |
| 00:21:03 |
You haven't... |
| 00:21:07 |
You haven't had any |
| 00:21:09 |
No, darling. |
| 00:21:12 |
I thought I saw Phil |
| 00:21:15 |
Phil? |
| 00:21:16 |
Do we know him? |
| 00:21:18 |
Andy Goldman's |
| 00:21:21 |
Pouring Daddy's millions away at the |
| 00:21:25 |
Pile on the Piffle. |
| 00:21:29 |
Pepper? |
| 00:21:41 |
Since when did girls together |
| 00:22:03 |
If I want to smoke cigars, |
| 00:22:05 |
thank you very much. |
| 00:22:08 |
What, they're yours? |
| 00:22:11 |
You betcha, baby. |
| 00:22:15 |
Oh! |
| 00:22:16 |
And you thought |
| 00:22:18 |
What? |
| 00:22:20 |
You, of all people? |
| 00:22:23 |
I'm wounded, |
| 00:22:26 |
Darling, sweetheart. |
| 00:22:28 |
Please forgive me. |
| 00:22:31 |
No. |
| 00:22:33 |
No. It's... |
| 00:22:41 |
All right, |
| 00:22:42 |
Fashion show. |
| 00:22:44 |
Come again? |
| 00:22:45 |
Fashion show. |
| 00:22:47 |
Fashion... |
| 00:22:49 |
And that will be your punishment, man |
| 00:22:52 |
What? So I'm being thrown out |
| 00:22:56 |
I'm sorry, darling. |
| 00:22:59 |
Very well. |
| 00:23:05 |
Tonight then. |
| 00:23:08 |
Miss Pettigrew. |
| 00:23:10 |
Good day. |
| 00:23:12 |
Tonight is booked. |
| 00:23:26 |
You were magnificent! |
| 00:23:29 |
Are you all right? |
| 00:23:31 |
I have never sworn |
| 00:23:35 |
Not even in my mind. |
| 00:23:37 |
Well, I didn't hear you swear. |
| 00:23:40 |
I said damned and hell. |
| 00:23:42 |
Oh, that's not swearing. |
| 00:23:44 |
They came out of the |
| 00:23:46 |
Desperation. |
| 00:23:49 |
A little desperation and life can |
| 00:23:52 |
In my case, a smoking, swearing accomplice |
| 00:23:58 |
No! Really? |
| 00:24:03 |
Oh, you mean here. |
| 00:24:06 |
But I was the desperate one. |
| 00:24:09 |
Think of what would have |
| 00:24:11 |
I shudder to think what |
| 00:24:14 |
Morals are very important |
| 00:24:16 |
I am the daughter |
| 00:24:19 |
Poor you. |
| 00:24:20 |
No. It was a perfectly |
| 00:24:24 |
But I am beginning to think |
| 00:24:27 |
But it's not |
| 00:24:30 |
Occasionally |
| 00:24:36 |
All right, it's always like |
| 00:24:38 |
Please don't go. |
| 00:24:39 |
This is the most important |
| 00:24:43 |
I'll phone up that Holt lady right |
| 00:24:46 |
Oh, no, no, no! Thank you. |
| 00:24:51 |
I don't even know |
| 00:24:55 |
I only got one because |
| 00:24:57 |
Charlotte " Rabbit" Warren's got one, |
| 00:25:02 |
Now that I see you in |
| 00:25:04 |
Am I? That's very |
| 00:25:07 |
Phil, gone. Nick, gone. And that |
| 00:25:13 |
I'm only happy to have |
| 00:25:15 |
Miss Pettigrew, |
| 00:25:17 |
I love you. |
| 00:25:28 |
Well, come on! |
| 00:25:42 |
Why don't you slip |
| 00:25:44 |
I mean, nobody died, |
| 00:25:47 |
Or did Carole make you wear that |
| 00:25:51 |
Make herself look |
| 00:25:53 |
Carole? |
| 00:25:55 |
That's not a game I play, |
| 00:25:57 |
So, let's lose the |
| 00:26:00 |
These clothes appear to be |
| 00:26:03 |
You're kidding. |
| 00:26:06 |
Shoes? |
| 00:26:08 |
I'm afraid not. |
| 00:26:09 |
Oh. So, let's go buy some! |
| 00:26:12 |
I'm not in a position to. |
| 00:26:15 |
Out of cash? |
| 00:26:17 |
None at all? |
| 00:26:19 |
Wow. You social secretaries |
| 00:26:23 |
Roulette, was it? Blackjack? |
| 00:26:26 |
Well. Whatever, |
| 00:26:28 |
No, no, no, I couldn't possibly... |
| 00:26:30 |
I, for one, am not running around |
| 00:26:33 |
After the lingerie show, |
| 00:27:05 |
It's so frightening. |
| 00:27:08 |
Yeah. Cap sleeves. |
| 00:27:14 |
It's a nice color, though. |
| 00:27:20 |
Are you cold? |
| 00:27:21 |
Well, perhaps a little. |
| 00:27:25 |
Oh, no, I couldn't. |
| 00:27:28 |
It's a little thank-you |
| 00:27:33 |
It's beautiful. |
| 00:28:04 |
Guinevere! Don't |
| 00:28:11 |
Today is the day that |
| 00:28:13 |
who's going to play the lead |
| 00:28:15 |
And with the lingerie |
| 00:28:17 |
it's no contest, honey. |
| 00:28:19 |
" Delysia Lafosse |
| 00:28:21 |
How exciting! Is it |
| 00:28:23 |
It is to be a West End smash, Guinevere, |
| 00:28:27 |
I thought |
| 00:28:29 |
Well, I've got a voice. But that's |
| 00:28:32 |
First stop, West End. |
| 00:28:34 |
Have you done much |
| 00:28:36 |
Didn't you catch |
| 00:28:37 |
One of mine. |
| 00:28:41 |
Oh, you did see it? |
| 00:28:42 |
Oh, yes! Which part were you? |
| 00:28:45 |
I was in the restaurant scene. |
| 00:28:46 |
In the back. |
| 00:28:49 |
Behind the palm tree |
| 00:28:51 |
I... |
| 00:28:51 |
I think they cut that |
| 00:28:53 |
A little de trop for you |
| 00:28:55 |
Of course. Of course |
| 00:28:57 |
with Errol Flynn and... |
| 00:29:00 |
Seen that as well? |
| 00:29:01 |
Four's a Crowd is |
| 00:29:03 |
Who were you? |
| 00:29:04 |
Here we are. |
| 00:29:35 |
Guinevere. Come on. |
| 00:29:44 |
She's naked! |
| 00:29:46 |
Well, hardly. There's so much whalebone on |
| 00:29:50 |
This season's must-have |
| 00:29:52 |
the Slimlastic corset and uplift |
| 00:29:57 |
If you don't mind a collapsed lung. |
| 00:30:00 |
Edythe? She owns the |
| 00:30:04 |
All the latest fashion. |
| 00:30:06 |
Another slenderizer from |
| 00:30:09 |
is this unique wrap-around |
| 00:30:12 |
and front-to-back gussets, |
| 00:30:14 |
with rustproof steel |
| 00:30:16 |
Rustproof steel. You guys |
| 00:30:23 |
Guinevere? |
| 00:30:25 |
A man. In the room. |
| 00:30:28 |
Oh. Oh, |
| 00:30:31 |
He designs underwear. |
| 00:30:33 |
And not these walking |
| 00:30:35 |
Beautiful things. |
| 00:30:37 |
There are very few men who really |
| 00:30:41 |
It doesn't matter |
| 00:30:43 |
he can see right through to |
| 00:30:46 |
Oh. |
| 00:30:48 |
Oh, this is |
| 00:30:49 |
And new this season from Mimi, |
| 00:30:58 |
He's dating Edythe. |
| 00:30:59 |
Tempestuous is the word |
| 00:31:02 |
I mean, of course she's a |
| 00:31:06 |
As you can see, it's going to |
| 00:31:09 |
And in that ever-practical |
| 00:31:12 |
you're going to have to employ |
| 00:31:15 |
That's if you can afford one |
| 00:31:16 |
through the nose |
| 00:31:19 |
Oh, dear. |
| 00:31:21 |
I guess they had |
| 00:31:22 |
And you'd better |
| 00:31:24 |
because there's no hiding |
| 00:31:26 |
Not a support in sight |
| 00:31:39 |
Excuse me a moment? |
| 00:31:42 |
Thank you, ladies. |
| 00:31:49 |
Joe. |
| 00:31:52 |
So, what can you do to prop |
| 00:31:57 |
If you must talk |
| 00:31:58 |
did you know that the Elgin |
| 00:32:01 |
No, I can't say that I did. |
| 00:32:04 |
Now aren't they |
| 00:32:07 |
worn a little into something |
| 00:32:11 |
Joe Blomfield, you are |
| 00:32:15 |
Or maybe I'm saying |
| 00:32:21 |
You don't tamper with |
| 00:32:25 |
You allow it to be. |
| 00:32:27 |
That's my advice to you. |
| 00:32:37 |
That scarf, if I may say, |
| 00:32:42 |
Well, thank you. |
| 00:32:46 |
You know, I think it's the most |
| 00:32:50 |
Now the flatterer |
| 00:32:53 |
Sorry? |
| 00:32:55 |
The design. |
| 00:32:59 |
My goodness. |
| 00:33:02 |
You really didn't know. |
| 00:33:05 |
Well, that is a compliment |
| 00:33:09 |
Joe Blomfield. |
| 00:33:11 |
Guinevere Pettigrew. |
| 00:33:18 |
Not to worry. |
| 00:33:44 |
Well, I didn't |
| 00:33:45 |
because I couldn't |
| 00:33:47 |
Why not? |
| 00:33:49 |
Having a bath? |
| 00:33:50 |
No, I just didn't |
| 00:33:51 |
and now Joe says |
| 00:33:53 |
Just because of one stupid |
| 00:33:58 |
Edythe, Miss Pettigrew. |
| 00:34:01 |
Miss Pettigrew is my |
| 00:34:04 |
Really? |
| 00:34:05 |
How intriguing. |
| 00:34:07 |
I know. Lost her shirt |
| 00:34:10 |
But she is the best in London. |
| 00:34:13 |
Just freed up after Carole Lombard |
| 00:34:16 |
Isn't that right, |
| 00:34:17 |
I heard it's |
| 00:34:20 |
Haven't we met before? |
| 00:34:22 |
I don't believe so. |
| 00:34:23 |
Recently. |
| 00:34:27 |
You really shouldn't wear |
| 00:34:28 |
They're not your color. |
| 00:34:31 |
The funeral parlor thing? |
| 00:34:34 |
We're on our way to your little store to |
| 00:34:37 |
My shop and salon are at |
| 00:34:39 |
Oh! |
| 00:34:40 |
Come with us! |
| 00:34:41 |
We can do Guinevere, and |
| 00:34:43 |
and I can tell you about |
| 00:34:48 |
Hang it all, the bone structure's |
| 00:34:51 |
Beatrice, cancel my appointments. |
| 00:34:55 |
Perfect! |
| 00:34:58 |
What is she going to do? |
| 00:35:04 |
Turned Nick |
| 00:35:06 |
She didn't like him. |
| 00:35:07 |
Good heavens! He let her? |
| 00:35:10 |
My dear, the woman can |
| 00:35:12 |
No. Definitely not. It's too pink, |
| 00:35:16 |
And she's coming to the party? |
| 00:35:18 |
She's going to clinch the lead |
| 00:35:21 |
Oh, no, not the red. Not |
| 00:35:24 |
But I thought you'd secured |
| 00:35:26 |
Well, I thought so, too. |
| 00:35:27 |
And I played it magnificently, |
| 00:35:32 |
But then Phil announced that he was |
| 00:35:35 |
Charlotte Warren? |
| 00:35:36 |
Oh, my dear. |
| 00:35:38 |
So you can see why I |
| 00:35:41 |
I do indeed. |
| 00:35:43 |
I wonder... |
| 00:35:45 |
Yes? |
| 00:35:48 |
Oh, nothing. |
| 00:35:51 |
That one! |
| 00:35:58 |
Miss Lafosse? Oh! |
| 00:36:01 |
Oh! |
| 00:36:05 |
Thank you. Very nice. |
| 00:36:23 |
Guinevere, |
| 00:36:33 |
And you're sure that's all |
| 00:36:35 |
Just a late train? |
| 00:36:37 |
You're as bad as Joe. |
| 00:36:39 |
Gerry and I are finished. |
| 00:36:45 |
So Tabitha and I bumped into him |
| 00:36:49 |
We got the last train in to Victoria |
| 00:36:52 |
My fruit fedora was much |
| 00:36:55 |
Joe can check with the station |
| 00:36:58 |
Arrived at 11:30 and took |
| 00:37:01 |
The whole thing |
| 00:37:02 |
One late train and the |
| 00:37:05 |
Men are so untrusting. |
| 00:37:11 |
Are you all right? |
| 00:37:15 |
Sorry, I was just |
| 00:37:21 |
Everything all right, |
| 00:37:23 |
Oh, yes. Just a moment. |
| 00:37:35 |
This is me? |
| 00:37:37 |
All you. |
| 00:37:39 |
As nature intended. |
| 00:37:43 |
Guinevere, control |
| 00:37:46 |
The mascara! |
| 00:37:47 |
No, of course. |
| 00:37:49 |
That was close. |
| 00:37:50 |
Well, I'm just gonna put this, and a |
| 00:37:53 |
I'll be right back. |
| 00:37:59 |
Well, what |
| 00:38:03 |
I suppose I've never felt |
| 00:38:08 |
A social secretary |
| 00:38:10 |
Carole Lombard's social |
| 00:38:15 |
Eyeliner. |
| 00:38:26 |
As you're such |
| 00:38:29 |
I was wondering whether you |
| 00:38:32 |
Smooth this little |
| 00:38:36 |
We're getting married, |
| 00:38:39 |
It would mean |
| 00:38:41 |
I'm afraid |
| 00:38:44 |
Really? |
| 00:38:47 |
You and I, Guinevere, we don't have |
| 00:38:53 |
We have to work at it, |
| 00:38:55 |
act a little to get |
| 00:38:57 |
You know what I mean, |
| 00:39:00 |
There. |
| 00:39:01 |
I'm sure Delysia |
| 00:39:02 |
Well, that should put a |
| 00:39:05 |
My, you do look ravishing. |
| 00:39:08 |
Guinevere has very kindly offered |
| 00:39:12 |
But that's a marvelous idea. If anybody |
| 00:39:15 |
Isn't that right? |
| 00:39:17 |
Okay. Come on. |
| 00:39:35 |
Listen. |
| 00:39:37 |
Nick? |
| 00:39:39 |
Fingers like bananas. |
| 00:39:42 |
Philip? |
| 00:39:44 |
Oh, yes. |
| 00:39:46 |
Permit me. |
| 00:39:56 |
Thief. Burglar. |
| 00:39:58 |
I've had some reactions to my |
| 00:40:01 |
I saw you at the jail. |
| 00:40:04 |
Oh, it's you! |
| 00:40:06 |
I say, I'm awfully |
| 00:40:09 |
Michael! |
| 00:40:12 |
It's so good to see you. |
| 00:40:15 |
One picks up a few tricks |
| 00:40:17 |
Breaking and entering |
| 00:40:20 |
So. |
| 00:40:22 |
What have you got |
| 00:40:25 |
Oh, well... |
| 00:40:26 |
I think I must have gotten the |
| 00:40:29 |
I'm awfully sorry, Michael. |
| 00:40:31 |
Can you ever forgive me? |
| 00:40:36 |
Now what do you say? |
| 00:40:38 |
Part of me says if you do that again, |
| 00:40:42 |
And another part |
| 00:40:45 |
I deserve it. Every bit. |
| 00:40:49 |
Oh, no. Don't play that game |
| 00:40:52 |
What do you mean? |
| 00:40:54 |
You've made a fool out |
| 00:40:57 |
Oh, don't say that, Michael. |
| 00:40:59 |
You can do anything |
| 00:41:01 |
Shake me again... No, better not |
| 00:41:06 |
Or maybe, |
| 00:41:09 |
maybe kiss me? |
| 00:41:19 |
Not a chance. |
| 00:41:21 |
Why, you... |
| 00:41:23 |
You know that. But even I've |
| 00:41:26 |
No more games, |
| 00:41:28 |
No more Phil, no more Nick. |
| 00:41:33 |
I'll never |
| 00:41:34 |
You wouldn't. |
| 00:41:36 |
See this? The Queen Mary. |
| 00:41:38 |
Two tickets. Sails for |
| 00:41:41 |
I'm playing the Upper Deck Cocktail |
| 00:41:46 |
Now tell me I wouldn't. |
| 00:41:49 |
But what about |
| 00:41:50 |
You and me together, |
| 00:41:54 |
So we'll be the best |
| 00:42:04 |
Or not. |
| 00:42:09 |
Isn't there a decent drink |
| 00:42:11 |
Yes. What would you like? |
| 00:42:14 |
It's me who should |
| 00:42:16 |
After our unfortunate meeting |
| 00:42:20 |
How do you take |
| 00:42:22 |
He does seem to be a little |
| 00:42:24 |
Yes. |
| 00:42:26 |
Well, I'm afraid that might be my fault. |
| 00:42:29 |
Ice pick? |
| 00:42:31 |
Somewhere. |
| 00:42:34 |
I want the pick |
| 00:42:37 |
See? He's such |
| 00:42:39 |
He takes love |
| 00:42:40 |
Is that a problem? |
| 00:42:42 |
Of course |
| 00:42:44 |
Michael Pardew. |
| 00:42:46 |
Pettigrew. |
| 00:42:49 |
About time we had |
| 00:42:51 |
It's certainly a problem |
| 00:42:52 |
when the girl doesn't |
| 00:42:55 |
Oh, Michael. |
| 00:42:56 |
Not a word from you. |
| 00:42:58 |
What do think of this? |
| 00:43:00 |
last of the |
| 00:43:01 |
Dom Pérignon champagne. |
| 00:43:04 |
Strawberries. |
| 00:43:07 |
I was scared. |
| 00:43:08 |
You were scared? |
| 00:43:10 |
How do you think a pianist without |
| 00:43:12 |
feels proposing to the most |
| 00:43:16 |
Dare I ask |
| 00:43:17 |
Well, after an hour and a half |
| 00:43:20 |
I opened the champagne. |
| 00:43:22 |
One glass didn't seem enough. |
| 00:43:25 |
Then I had a bit |
| 00:43:27 |
as we floated pastthe |
| 00:43:29 |
Oh, dear. |
| 00:43:29 |
Decided the ring I had |
| 00:00:02 |
what better place to get one |
| 00:00:06 |
The rest is all |
| 00:00:08 |
there appears to have been an |
| 00:00:11 |
You didn't. |
| 00:00:14 |
Thirty days |
| 00:00:19 |
But you know what? |
| 00:00:20 |
Prison certainly |
| 00:00:23 |
Pure and simple, |
| 00:00:27 |
And it's a one-word |
| 00:00:35 |
Don't you think that on |
| 00:00:40 |
a little time |
| 00:00:41 |
Oh, stalling tactic. |
| 00:00:44 |
Is it because I'm not |
| 00:00:46 |
Certainly not. |
| 00:00:47 |
Well, it's true. I'm wearing |
| 00:00:50 |
I could never offer |
| 00:00:53 |
Oh. |
| 00:00:53 |
And who pays you |
| 00:00:55 |
You telling me you give Nick |
| 00:00:58 |
No! And every damned shilling |
| 00:01:01 |
Which is why it's got |
| 00:01:04 |
Money or love? That's the |
| 00:01:08 |
With you singing and me playing, |
| 00:01:16 |
Yes or no, Delysia? |
| 00:01:20 |
You are a most uncommonly |
| 00:01:26 |
But surely a lady |
| 00:01:28 |
to consider the most |
| 00:01:31 |
A moment? |
| 00:01:33 |
You did say you |
| 00:01:36 |
Damn it, I did, too. |
| 00:01:41 |
Okay, here's the deal. |
| 00:01:43 |
I'll play for you today, |
| 00:01:45 |
and for the rest of your |
| 00:01:50 |
Never again |
| 00:01:56 |
See you later, Miss Pettigrew. |
| 00:01:59 |
In my professional |
| 00:02:05 |
As for you, |
| 00:02:07 |
it's now or never. |
| 00:02:09 |
The ship sails |
| 00:02:14 |
He is... |
| 00:02:16 |
Impossible. |
| 00:02:21 |
So you marry him. |
| 00:02:33 |
Guinevere? |
| 00:02:35 |
Tell me the honest truth. |
| 00:02:40 |
Nothing that can't be unfixed |
| 00:02:44 |
But take a look |
| 00:02:46 |
With Nick, I get this magnificent |
| 00:02:50 |
And with Phil, |
| 00:02:52 |
I get the best part on the West End |
| 00:02:56 |
And with Michael? |
| 00:02:58 |
With Michael... |
| 00:03:01 |
I get the best friend |
| 00:03:03 |
Is that all Michael is? |
| 00:03:06 |
Well, |
| 00:03:10 |
he's rather passionate, too. |
| 00:03:20 |
I know what |
| 00:03:23 |
Michael's the one. |
| 00:03:29 |
But what about |
| 00:03:31 |
And who says I'm looking |
| 00:03:33 |
this very minute, anyway? |
| 00:03:36 |
Not everything comes along |
| 00:03:41 |
There are times when |
| 00:03:44 |
or you certainly |
| 00:03:47 |
No. |
| 00:03:49 |
No, I won't accept that. |
| 00:03:51 |
This " all of you or none of |
| 00:03:56 |
It's too much. |
| 00:03:58 |
But he is in love |
| 00:04:00 |
Can you say that |
| 00:04:05 |
Guinevere, |
| 00:04:07 |
haven't you ever been torn between |
| 00:04:11 |
No, I can't say I've had |
| 00:04:18 |
You are beautiful, Delysia. |
| 00:04:22 |
Well, it's not a bad figure, |
| 00:04:29 |
Have you ever been |
| 00:04:33 |
Once. |
| 00:04:36 |
" all of you |
| 00:04:38 |
Oh, yes. |
| 00:04:39 |
From him or from you? |
| 00:04:42 |
Both. |
| 00:04:43 |
Really? Do tell. |
| 00:04:47 |
No. |
| 00:04:48 |
All a long time ago. |
| 00:04:50 |
You'll catch your death. |
| 00:05:00 |
Allow me. |
| 00:05:06 |
Excuse me, madam. |
| 00:05:10 |
Excuse me. |
| 00:05:15 |
Excuse me? |
| 00:05:17 |
Take that through |
| 00:05:19 |
And you do the same as well. |
| 00:05:22 |
Party about to start |
| 00:05:25 |
Party? There's a party? |
| 00:05:28 |
Miss Lafosse? |
| 00:05:30 |
There's a troop of people downstairs who |
| 00:05:33 |
there is to be |
| 00:05:34 |
Yes. |
| 00:05:36 |
Today? |
| 00:05:38 |
Yes. Didn't I say? |
| 00:05:40 |
Oh. |
| 00:05:41 |
Silly me. |
| 00:05:44 |
Will there be many people? |
| 00:05:46 |
I should say so, |
| 00:05:48 |
It's the big one. |
| 00:05:49 |
The big one? |
| 00:05:51 |
Phil's going to make |
| 00:05:53 |
What do you think? |
| 00:05:54 |
Do I get the part? Hmm? |
| 00:05:57 |
Oh, yes. |
| 00:06:18 |
My dear, you look as if you've never |
| 00:06:22 |
Why, thank you, |
| 00:06:24 |
Oh, it's not a drink, |
| 00:06:26 |
Good luck, darlings. |
| 00:06:29 |
Joe's the old one |
| 00:06:35 |
Work your magic. |
| 00:06:51 |
Of all the nerve. |
| 00:06:53 |
Well. Time to make |
| 00:06:56 |
Are you sure |
| 00:06:57 |
Mmm. |
| 00:07:00 |
Phil, darling. |
| 00:07:01 |
Delysia, sweetheart. |
| 00:07:04 |
This is Charlotte Warren. |
| 00:07:08 |
Do you know |
| 00:07:10 |
A pleasure. |
| 00:07:12 |
How nice |
| 00:07:14 |
Phil and I had such a lovely lunch |
| 00:07:17 |
Well, I thought he'd have a |
| 00:07:20 |
May I suggest retiring |
| 00:07:22 |
I think you're |
| 00:07:24 |
Tin hat on. |
| 00:07:29 |
I'm sorry, |
| 00:07:31 |
How do you do? |
| 00:07:33 |
You were entirely |
| 00:07:36 |
Guinevere? |
| 00:07:37 |
Is that you? |
| 00:07:39 |
You look marvelous. |
| 00:07:41 |
Charlotte, I just wanted to let |
| 00:07:44 |
That is so |
| 00:07:47 |
To the victor the spoils, to the |
| 00:07:50 |
And so wise. |
| 00:07:51 |
I hope I can be |
| 00:07:55 |
Wisdom requires more than |
| 00:07:57 |
Though a little bird tells me that the |
| 00:08:01 |
You'd look ravishing |
| 00:08:07 |
And I won't forget about those |
| 00:08:12 |
Silly me, I've forgotten how |
| 00:08:19 |
Now, Philip, |
| 00:08:20 |
how are your deliberations over |
| 00:08:23 |
Well, between |
| 00:08:25 |
Charlotte has the most |
| 00:08:27 |
And I have to say, Daddy's quite |
| 00:08:31 |
So you're going to give |
| 00:08:34 |
Delysia's going to be a bit |
| 00:08:41 |
Hey ho. |
| 00:08:44 |
Does Charlotte have quite the |
| 00:08:48 |
No. No, no, |
| 00:08:52 |
Do you think that was more |
| 00:08:54 |
I mean, we both |
| 00:08:57 |
It did occur to me |
| 00:09:00 |
purely to secure the part? |
| 00:09:02 |
I have no doubt that Miss Lafosse |
| 00:09:09 |
Unquestionably, the most |
| 00:09:12 |
My dear woman, |
| 00:09:14 |
I do. |
| 00:09:16 |
The scales have fallen |
| 00:09:19 |
So pleased to have helped. |
| 00:09:21 |
You've just made me |
| 00:09:25 |
You seem to have made |
| 00:09:27 |
Oh. Yes. |
| 00:09:32 |
Joe Blomfield. |
| 00:09:34 |
A great pleasure. |
| 00:09:36 |
Have we met before? I feel sure |
| 00:09:40 |
I don't think so, |
| 00:09:42 |
but I'm delighted |
| 00:09:51 |
I have met your fiancée, |
| 00:09:54 |
Edythe? Um... |
| 00:09:57 |
No longer my fiancée, |
| 00:09:58 |
Really? I'm so sorry. |
| 00:10:03 |
It would be ungentlemanly |
| 00:10:05 |
Of course. |
| 00:10:11 |
You know, these things |
| 00:10:13 |
May I? |
| 00:10:14 |
Why not? |
| 00:10:22 |
Progress? |
| 00:10:24 |
I'm afraid not. |
| 00:10:26 |
Nor is there likely to be. |
| 00:10:27 |
Transformations work |
| 00:10:30 |
It would take me 30 seconds to put |
| 00:10:35 |
I told you, |
| 00:10:38 |
Victoria Station. |
| 00:10:40 |
Nor have I forgotten with whom |
| 00:10:46 |
Oh, you have. |
| 00:10:47 |
If you want to continue |
| 00:10:50 |
Now we all of us need things in |
| 00:10:54 |
Well, he's a man of |
| 00:10:59 |
You need to stay off of |
| 00:11:11 |
I see Edythe |
| 00:11:15 |
If it weren't to commit another |
| 00:11:22 |
As Miss Lafosse would say, |
| 00:11:26 |
To be indiscreet back, |
| 00:11:28 |
she's rather more crazy about my position |
| 00:11:33 |
A woman scorned |
| 00:11:36 |
And a bruised heart will often |
| 00:11:39 |
Oh, I sometimes wonder where |
| 00:11:43 |
A woman with an absent heart |
| 00:11:47 |
Edythe? |
| 00:11:49 |
Shed tears? |
| 00:11:53 |
You people! |
| 00:11:55 |
With your green drinks and your |
| 00:12:00 |
You're all playing at love. |
| 00:12:03 |
One minute her, the next minute |
| 00:12:05 |
Well, I'm not playing. |
| 00:12:09 |
Love is not a game. |
| 00:12:31 |
You've worked |
| 00:12:33 |
I can't do it. |
| 00:12:35 |
Joe just came up |
| 00:12:36 |
if he was being a cad |
| 00:12:38 |
I've no idea what you said, |
| 00:12:43 |
It must be extraordinary |
| 00:12:45 |
Extraordinary? No. |
| 00:12:48 |
Delysia, darling, is it |
| 00:12:51 |
Well, if Miss P said it, |
| 00:12:53 |
So I can tell the whole |
| 00:12:56 |
Officially an item, what? |
| 00:12:58 |
What? |
| 00:13:01 |
At the very same time that you |
| 00:13:05 |
Oh! |
| 00:13:07 |
And what better time |
| 00:13:09 |
You're absolutely right, |
| 00:13:12 |
Come on, gorgeous, no |
| 00:13:20 |
Well, I suppose |
| 00:13:25 |
You wanted the part. He'd |
| 00:13:31 |
No, Delysia, |
| 00:13:37 |
But I must. |
| 00:13:47 |
Ladies and gentlemen, |
| 00:13:53 |
as you might know, |
| 00:13:54 |
I'm putting on Pile on the Pepper |
| 00:13:58 |
Have I mentioned this? |
| 00:14:01 |
Anyway, it is my pleasure to |
| 00:14:05 |
cast the lead |
| 00:14:09 |
She is not only Hortensia |
| 00:14:13 |
she is also my Hortensia, |
| 00:14:18 |
Ladies and gentlemen, |
| 00:14:20 |
your Hortensia |
| 00:14:24 |
Delysia Lafosse! |
| 00:14:46 |
So |
| 00:14:47 |
let's dance! |
| 00:15:08 |
Michael? |
| 00:15:20 |
May I? |
| 00:16:06 |
They don't remember |
| 00:16:11 |
No. They don't. |
| 00:16:17 |
Delysia's name in lights at the |
| 00:16:21 |
Well, it's certainly what |
| 00:16:26 |
Joe, my dear, |
| 00:16:28 |
I don't think I could ever forgive |
| 00:16:32 |
got in the way of something |
| 00:16:37 |
I was wondering, could you |
| 00:16:44 |
Of course, my dear. |
| 00:16:49 |
Nice to have met you. |
| 00:16:52 |
Did you see the planes? |
| 00:17:11 |
Madam? |
| 00:17:12 |
Not now, thank you. |
| 00:18:04 |
Well, what do you know? |
| 00:18:06 |
It's my last night |
| 00:18:09 |
I'm going to be a star. |
| 00:18:13 |
Well, aren't you going |
| 00:18:16 |
I have done you |
| 00:18:19 |
You have done what I asked. |
| 00:18:22 |
It may well be my job, but what I have |
| 00:18:27 |
You have lost a man who |
| 00:18:29 |
not for who |
| 00:18:33 |
And you, who are you to tell |
| 00:18:38 |
I'm nobody. But apparently |
| 00:18:45 |
No. |
| 00:18:47 |
I have no one. |
| 00:18:49 |
I am not |
| 00:18:50 |
I am an expert on the |
| 00:18:53 |
And that is a fate from which I |
| 00:19:00 |
Guinevere. |
| 00:19:02 |
No pity, please. I endure |
| 00:19:21 |
Where to, ma'am? |
| 00:19:22 |
Scarlet Peacock, please. |
| 00:19:46 |
Do you know what |
| 00:19:48 |
I was under the impression |
| 00:19:53 |
Sarah Grubb. |
| 00:19:56 |
One of the Pittsburgh Grubbs. |
| 00:19:59 |
My father |
| 00:20:03 |
No one else in the world |
| 00:20:06 |
He doesn't judge me. |
| 00:20:08 |
No. He wouldn't. |
| 00:20:10 |
But you do. |
| 00:20:12 |
I certainly do not. |
| 00:20:13 |
Oh, you think you don't, |
| 00:20:19 |
This is all I own, |
| 00:20:24 |
And two dozen pair |
| 00:20:30 |
For all the fancy apartments |
| 00:20:32 |
do you know how close I am |
| 00:20:37 |
Every day I wake up |
| 00:20:40 |
if I make the wrong move, |
| 00:20:42 |
with no clothes, |
| 00:20:46 |
and no friends. |
| 00:20:50 |
Just plain old |
| 00:20:54 |
Do you know what that's like? |
| 00:20:56 |
Yes, I do. |
| 00:21:02 |
You do? |
| 00:21:04 |
In that at least, |
| 00:21:09 |
And now my mascara's gonna run. |
| 00:21:12 |
That will never do. |
| 00:21:19 |
Here we are, ma'am. |
| 00:21:36 |
How are you? |
| 00:21:38 |
Hey. |
| 00:21:43 |
Having fun? |
| 00:21:54 |
Sweetheart. |
| 00:21:56 |
Now, I've heard the news, darling. |
| 00:22:01 |
Oh. |
| 00:22:02 |
I thought you'd |
| 00:22:04 |
Furious, me? Why? |
| 00:22:05 |
No. You and me, |
| 00:22:08 |
We both get what we want |
| 00:22:13 |
I get it, D. |
| 00:22:18 |
No, Nick, I... |
| 00:22:19 |
I'll see you back |
| 00:22:24 |
How can he just... He treats |
| 00:22:29 |
You don't think of |
| 00:22:30 |
Of course not. |
| 00:22:34 |
Delysia! |
| 00:22:35 |
Darling! |
| 00:22:41 |
Darling, you look perfect, what? |
| 00:22:47 |
Guinevere, how lovely. |
| 00:22:49 |
To you, I owe a special |
| 00:22:52 |
Champagne! The only thing as |
| 00:22:56 |
Darling, come on, finish |
| 00:23:00 |
It's all back on. |
| 00:23:02 |
Darling, |
| 00:23:04 |
Did you hear |
| 00:23:05 |
These two lovebirds are |
| 00:23:08 |
Congrats, dear fellow. |
| 00:23:10 |
We were going to keep it to ourselves |
| 00:23:14 |
Oh, do I ever. |
| 00:23:15 |
Sorry, darling. |
| 00:23:17 |
It's nice to see |
| 00:23:19 |
May I add my |
| 00:23:21 |
Let's dance! |
| 00:23:22 |
If you don't mind, |
| 00:23:23 |
Oh, you drone on, Joey. |
| 00:23:25 |
Leonard will take me for |
| 00:23:27 |
Be delighted, Edy. |
| 00:23:28 |
Delysia, Phil, come on. |
| 00:23:30 |
Of course! |
| 00:24:15 |
Well, as we have |
| 00:24:17 |
I have no option but to |
| 00:24:20 |
Alas, I can dance |
| 00:24:46 |
Are you all right? |
| 00:24:48 |
Well, to take |
| 00:24:50 |
You didn't take me, |
| 00:25:01 |
I'm sure Edythe can cope. |
| 00:25:09 |
What happened to that |
| 00:25:11 |
you were wearing |
| 00:25:13 |
What are you |
| 00:25:16 |
Despite your most elegant transformation, |
| 00:25:21 |
Mr. Blomfield. |
| 00:25:23 |
As are the eyes. Most |
| 00:25:26 |
I'm not really sure |
| 00:25:28 |
I'm sorry. Professional |
| 00:25:32 |
I have to remember you're |
| 00:25:36 |
Am I terribly |
| 00:25:39 |
Indeed you are. |
| 00:25:41 |
And all the better for it. |
| 00:25:44 |
Am I making you |
| 00:25:48 |
This is the most comfortable |
| 00:26:28 |
Ladies and gentlemen, |
| 00:26:31 |
welcome to Nick Calderelli's |
| 00:26:39 |
I'm delighted to introduce you tonight |
| 00:26:44 |
And she can sing, too. |
| 00:26:48 |
It's my pleasure |
| 00:26:51 |
Delysia Lafosse! |
| 00:27:04 |
You're too kind, really. |
| 00:27:08 |
Hello, Michael. |
| 00:27:12 |
And to get us |
| 00:27:14 |
we'll start with |
| 00:27:19 |
Change of program. |
| 00:27:22 |
If I Didn't Care. |
| 00:27:32 |
If I didn't care |
| 00:27:39 |
More than words can say |
| 00:27:47 |
If I didn't care |
| 00:27:53 |
Would I feel this way? |
| 00:28:00 |
If this isn't love |
| 00:28:06 |
Then why do I thrill? |
| 00:28:13 |
And what makes my head go |
| 00:28:20 |
While my heart stands still? |
| 00:28:26 |
If I didn't care |
| 00:28:32 |
Would it be the same? |
| 00:28:39 |
Would my every prayer |
| 00:28:46 |
With just your name? |
| 00:28:52 |
And would I be sure |
| 00:28:59 |
Beyond compare? |
| 00:29:05 |
Would all this be true |
| 00:29:09 |
If I didn't care |
| 00:29:12 |
For |
| 00:29:14 |
you? |
| 00:29:19 |
If I didn't care |
| 00:29:27 |
Would it be the same? |
| 00:29:34 |
Would my every prayer |
| 00:29:41 |
With just your name? |
| 00:29:48 |
And would I be sure |
| 00:29:55 |
Beyond compare? |
| 00:30:02 |
Would all this be true |
| 00:30:06 |
If I didn't care |
| 00:30:11 |
For |
| 00:30:15 |
you? |
| 00:30:47 |
Thank you, thank you. |
| 00:30:51 |
Really. |
| 00:30:54 |
Well, let's try something a |
| 00:31:06 |
Ladies and gentlemen, |
| 00:31:09 |
Sir, stay... |
| 00:31:11 |
You don't want to put |
| 00:31:12 |
My wife? |
| 00:31:21 |
I'm here, Delysia. |
| 00:31:24 |
It's just a drill. |
| 00:31:26 |
But it won't always be, |
| 00:31:28 |
We're going to war, |
| 00:31:29 |
Yes, we are. |
| 00:31:31 |
And that is why you must not waste |
| 00:31:35 |
Listen to me. |
| 00:31:37 |
Once, I too |
| 00:31:39 |
Not your grand ones. |
| 00:31:42 |
Marriage, children |
| 00:31:45 |
He died. |
| 00:31:48 |
A good, solid man. |
| 00:31:51 |
You would call him |
| 00:31:54 |
but he smiled whenever he saw me, |
| 00:32:00 |
Your heart knows |
| 00:32:03 |
Trust it, |
| 00:32:12 |
Michael? |
| 00:32:14 |
Michael? |
| 00:32:16 |
Michael? |
| 00:32:21 |
Oh! |
| 00:32:22 |
Delysia! |
| 00:32:25 |
Nothing for 19 years and |
| 00:32:29 |
I'm so sorry. |
| 00:32:31 |
The part's still yours, |
| 00:32:36 |
Well, that's all right, Phil. |
| 00:32:38 |
You enjoy your Hortensia. |
| 00:32:41 |
It's just a drill, ladies and |
| 00:32:45 |
This is the safest |
| 00:32:46 |
Come on, let's have |
| 00:32:48 |
And some music, please! |
| 00:32:57 |
Michael? |
| 00:33:08 |
Michael? |
| 00:33:18 |
Michael, please wait! |
| 00:33:22 |
Delysia, you've made your |
| 00:33:27 |
Michael. Please. You have... |
| 00:33:30 |
Where do you think you're sneaking |
| 00:33:33 |
You have the rest |
| 00:33:34 |
No, Nick, |
| 00:33:37 |
Nobody walks |
| 00:33:39 |
She said no. |
| 00:33:41 |
What, and she does |
| 00:33:42 |
Never once, as a matter of |
| 00:33:44 |
The point is she doesn't |
| 00:33:46 |
Let's go, Delysia. |
| 00:33:48 |
No. |
| 00:33:51 |
I'm warning you, |
| 00:33:54 |
You, warning me? |
| 00:33:57 |
After you, Delysia. |
| 00:34:05 |
Sock him in the jaw! |
| 00:34:07 |
What? |
| 00:34:12 |
I'm a pianist, damn it. |
| 00:34:14 |
Why, you pathetic... |
| 00:34:19 |
Darling. |
| 00:34:20 |
This is your fault. |
| 00:34:22 |
Is the offer still open? |
| 00:34:23 |
Get up! |
| 00:34:28 |
Well? Is it a yes |
| 00:34:31 |
What? |
| 00:34:32 |
Will you doggone marry me |
| 00:34:51 |
Yes. God help me. Yes. |
| 00:36:09 |
I don't think |
| 00:36:14 |
Did you lose many? |
| 00:36:16 |
Just one. You? |
| 00:36:19 |
Almost every |
| 00:36:27 |
One tries to forget. |
| 00:36:29 |
If only one could. |
| 00:36:35 |
You know, I distracted |
| 00:36:39 |
youth, parties, |
| 00:36:41 |
I mean, I trained in |
| 00:36:45 |
Socks? |
| 00:36:48 |
There's a great deal of engineering in |
| 00:36:52 |
Stitching of the heel... |
| 00:36:54 |
By comparison, designing a |
| 00:36:57 |
Not that there |
| 00:37:02 |
None of them |
| 00:37:06 |
And all very easy |
| 00:37:10 |
But you know what? |
| 00:37:13 |
I'm done with it. |
| 00:37:15 |
I'm going back |
| 00:37:17 |
You know who you are |
| 00:37:21 |
You certainly do. |
| 00:37:31 |
Told you about Gerry, |
| 00:37:34 |
Didn't take you long |
| 00:37:36 |
Joe? |
| 00:37:38 |
Hello, Edythe. |
| 00:37:40 |
Did she also tell you that she hangs |
| 00:37:44 |
A tramp masquerading as some |
| 00:37:54 |
Goodbye, |
| 00:38:08 |
No, actually, |
| 00:38:11 |
Neither about that, |
| 00:38:16 |
But I'm grateful for |
| 00:38:56 |
Hello? |
| 00:38:59 |
Delysia? |
| 00:39:09 |
Miss Lafosse? |
| 00:39:17 |
Come on, come on, |
| 00:39:20 |
Michael, |
| 00:39:23 |
Guinevere! Are you all |
| 00:39:26 |
Perfectly well, |
| 00:39:28 |
We've been scouring London for you. |
| 00:39:29 |
Miss Lafosse... |
| 00:39:30 |
You have not been at the roulette |
| 00:39:32 |
Please, Delysia, |
| 00:39:35 |
I expect you've heard that I am |
| 00:39:39 |
I'm afraid I found |
| 00:39:42 |
Miss Pettigrew, if that's you |
| 00:39:48 |
Guinevere, |
| 00:39:49 |
Sarah Grubb is not going to |
| 00:39:53 |
Come on, Grubb! This is |
| 00:39:56 |
Boat won't wait. |
| 00:39:58 |
Are you really going? |
| 00:40:01 |
To New York? |
| 00:40:04 |
How wonderful. |
| 00:40:05 |
But, Guinevere, |
| 00:40:09 |
Don't you worry |
| 00:40:11 |
Why, Miss Holt is holding a job |
| 00:40:24 |
I will never forget the day |
| 00:40:28 |
Not ever. |
| 00:40:31 |
Nor I. |
| 00:40:39 |
Oh, goodbye, Guinevere. |
| 00:40:41 |
Off with you. Away. |
| 00:40:46 |
Oh, come and visit! |
| 00:42:00 |
Forgive the intrusion. |
| 00:42:05 |
I'm glad to see |
| 00:42:06 |
Oh, yes. Quite safe. |
| 00:42:14 |
Am I right in thinking you're no |
| 00:42:18 |
Quite correct. |
| 00:42:20 |
So you're free? |
| 00:42:23 |
Might you be looking |
| 00:42:26 |
No. Absolutely not. |
| 00:42:28 |
Oh. |
| 00:42:32 |
I'm looking for you. |
| 00:42:35 |
Me? |
| 00:42:37 |
I've been looking for you |
| 00:42:42 |
all of my life. |
| 00:42:46 |
If you'll have me. |
| 00:42:53 |
A nod of the head |
| 00:43:02 |
And I am, at a stroke, |
| 00:43:22 |
What a night. |
| 00:43:25 |
Have you eaten, |
| 00:43:28 |
Oh, Joe, |
| 00:43:28 |
I have not eaten for |
| 00:44:01 |
Some music, please! |
