Mission Impossible II
|
00:00:35 |
Well, Dmitri, |
00:00:39 |
must begin with something |
00:00:44 |
a villain. |
00:00:46 |
Therefore, in the search |
00:00:51 |
we created a monster, |
00:00:55 |
Chimera. |
00:01:00 |
I beg you, Dmitri, |
00:01:03 |
and accompany me |
00:01:06 |
However we travel, |
00:01:09 |
within 20 hours of departure. |
00:01:29 |
*** Ashes, ashes *** |
00:01:32 |
*** They all fall down *** |
00:01:42 |
Folks, we're |
00:01:45 |
Look out your window now. We have |
00:01:49 |
You keep staring at that watch as if |
00:01:54 |
Oh, yes. |
00:01:56 |
I suppose I'm a bit anxious. |
00:01:58 |
You'll soon be with old friends. |
00:02:00 |
I'm with an old friend now, Dmitri. |
00:02:03 |
I'm sorry it couldn't be |
00:02:07 |
I'm sorry too. |
00:02:15 |
You don't know Gradski |
00:02:18 |
Did he... know... |
00:02:21 |
before the end |
00:02:24 |
Yes, he knew. Just... |
00:02:26 |
Not in time to save him. |
00:02:29 |
No. |
00:02:32 |
After you've been infected with Chimera |
00:02:36 |
Not even Bellerophon. |
00:02:40 |
You can carry them |
00:02:44 |
Yes. |
00:02:46 |
And you'll get us to safe place |
00:02:51 |
This is your captain again. |
00:02:55 |
but abrupt drop in cabin pressure. |
00:02:57 |
As a precaution, |
00:03:00 |
Please put them on and sit back, relax. |
00:03:03 |
There's nothing |
00:03:06 |
Are you concerned? |
00:03:09 |
Not so far. |
00:03:11 |
Just put on your oxygen mask. |
00:03:14 |
Okay. |
00:03:22 |
Denver Center, |
00:03:26 |
We're unable to maintain |
00:03:29 |
We've initiated a descent |
00:03:32 |
Captain... |
00:04:13 |
It seems we have |
00:04:16 |
You keep calling me Dmitri. |
00:04:21 |
You are not Dmitri? |
00:04:36 |
No. |
00:04:40 |
Wallis, hold on to this. |
00:04:53 |
Ulrich, remember to pull the... |
00:04:58 |
Remember to pull |
00:05:01 |
All done, chief. |
00:05:06 |
Terrain. Terrain. |
00:05:10 |
Terrain. |
00:05:15 |
Okay, dive, dive! |
00:05:18 |
two, one, go! |
00:05:28 |
Terrain. Terrain. |
00:05:31 |
Terrain. Terrain. |
00:05:36 |
- Terrain. Terrain. Pull up. Pull up. |
00:06:42 |
*** Hey, hey now *** |
00:06:44 |
*** Time is for the taking *** |
00:06:46 |
*** Better get it while you can *** |
00:06:50 |
*** Come, hey, come away *** |
00:06:53 |
*** Souca souca na na *** |
00:06:55 |
*** Come on, come on, miss allez, allez *** |
00:06:58 |
*** With a souca souca mama *** |
00:07:26 |
*** Hey, mister see that sister *** |
00:07:29 |
*** Don't you let them feel you *** |
00:07:31 |
*** Sticks and stones may break your bones *** |
00:07:34 |
*** But now her looks could kill you *** |
00:07:36 |
*** Hey, come away *** |
00:07:40 |
*** Come on, come on, miss allez, allez *** |
00:07:42 |
*** With a souca souca mama *** |
00:07:44 |
*** Oh, hey, come away *** |
00:07:48 |
*** Come on, come on, miss allez, allez *** |
00:07:51 |
*** With a souca souca mama *** |
00:07:53 |
*** Oh, hey, come away *** |
00:07:57 |
*** Come on, come on, miss allez, allez *** |
00:07:59 |
*** With a souca souca mama *** |
00:08:02 |
*** Come on, come on, miss allez, allez *** |
00:08:04 |
*** With a souca souca mama *** |
00:08:06 |
*** With a souca souca mama *** |
00:08:08 |
*** With a souca souca mama *** |
00:08:52 |
Good morning, Mr. Hunt. |
00:08:54 |
Your mission, |
00:08:56 |
involves the recovery of |
00:09:00 |
You may select any two team members, |
00:09:02 |
but it is essential that the third |
00:09:05 |
She is a civilian and |
00:09:09 |
You have 48 hours |
00:09:12 |
and meet me in Seville |
00:09:15 |
As always, should you or any member |
00:09:19 |
the secretary will disavow |
00:09:22 |
And, Mr. Hunt, |
00:09:25 |
please be good enough to let us know |
00:09:28 |
This message |
00:09:31 |
If I let you know where I'm going... |
00:09:34 |
then I won't be on holiday. |
00:13:02 |
I see you found it. |
00:13:06 |
What are you doing here? |
00:13:08 |
Think you're the only one |
00:13:12 |
Huh. You're not just |
00:13:32 |
Do you mind if I'm on top? |
00:13:35 |
No. Either way works for me. |
00:14:01 |
- You'll never find it there. |
00:14:05 |
Find what? |
00:14:07 |
His ex's Bulgari necklace |
00:14:15 |
And are you gonna tell me |
00:14:20 |
Far left. |
00:14:32 |
This is very disconcerting. |
00:14:35 |
Hey, you put me here. |
00:14:40 |
Right. |
00:14:58 |
Hmm! |
00:15:06 |
Now, who are you, |
00:15:11 |
- I wouldn't do that. |
00:15:14 |
That. |
00:15:22 |
No, no, no. |
00:15:26 |
Mr. Keys, it is you. |
00:15:28 |
It is Mr. Keys, |
00:15:31 |
No, no. |
00:15:33 |
Now, Miss Hall, my associate has |
00:15:37 |
But obviously we do feel the alarm |
00:15:41 |
- Isn't that right, Miss Hall? |
00:15:44 |
Much, much too long, I'd say. |
00:15:48 |
Under the circumstances, |
00:15:51 |
resetting the sensors |
00:15:53 |
How do you feel |
00:15:56 |
Perfect. |
00:15:59 |
Shall we? |
00:16:04 |
- Miss Hall. |
00:16:06 |
Haven't you forgotten something? |
00:16:13 |
What are you trying to do, señorita? |
00:16:16 |
The thought had crossed my mind. |
00:16:20 |
I'm missing something here, aside |
00:16:24 |
Even after I screwed up the job, |
00:16:25 |
I could've walked out of there |
00:16:27 |
At least you walked. |
00:16:29 |
Why did you watch me |
00:16:31 |
I wanted to see how good you were. |
00:16:34 |
Sounds terrific. |
00:16:39 |
Now be serious. |
00:16:42 |
you couldn't possibly want me |
00:16:44 |
- You didn't do that badly. |
00:16:46 |
Quite the gentleman. |
00:16:49 |
Not really. |
00:16:56 |
Sorry. |
00:17:02 |
I don't do laundry, cook, |
00:17:06 |
who set me up on their territory |
00:17:33 |
Hola. |
00:17:35 |
Hi. |
00:17:40 |
Where did you get this number? |
00:17:45 |
Would you like it? |
00:18:03 |
Pull over and listen to me, |
00:18:06 |
- Listen to what? |
00:18:10 |
- And I think you could use mine. |
00:18:13 |
- What are you talking about? |
00:18:16 |
Interpol, every Dutch authority. |
00:18:20 |
- I can make them all go away. |
00:18:24 |
You're a spy! |
00:18:26 |
you've gotta catch me! |
00:18:30 |
Whoa! |
00:18:49 |
You having fun? |
00:19:02 |
Sorry. |
00:19:09 |
Idiota. |
00:19:12 |
Sorry. |
00:19:14 |
Watch the road. |
00:20:17 |
What's your name? |
00:20:20 |
Ethan Hunt. |
00:20:22 |
Well, Ethan Hunt, |
00:20:25 |
what is it you want |
00:20:30 |
A lot more than I thought. |
00:20:34 |
Awfully short notice. |
00:20:38 |
Care to wait a decent interval? |
00:20:41 |
Who wants to be decent? |
00:21:37 |
So what have you got |
00:21:39 |
When they've got |
00:21:45 |
This wasn't exactly by the book. |
00:21:47 |
They've got a book for this? |
00:21:49 |
Oh, they've got |
00:21:52 |
So, this thing |
00:21:55 |
I don't know |
00:21:58 |
I don't even know |
00:22:02 |
What am I doing here? |
00:22:05 |
And I thought I'm supposed to be... |
00:22:07 |
some kind of thief |
00:22:10 |
So do I... sort of. |
00:22:22 |
Damn, you're beautiful. |
00:23:35 |
Espresso? Cappuccino? |
00:23:37 |
- No, thanks. |
00:23:40 |
Festival's a pain in the ass. |
00:23:43 |
Honoring their saints |
00:23:46 |
Lets you know what they think |
00:23:49 |
Damn near set me on fire |
00:23:52 |
Sorry I barged in |
00:23:55 |
I'm sorry I didn't |
00:23:57 |
Don't be. It wouldn't |
00:23:59 |
You're sorry, and I'm sorry. |
00:24:01 |
Why did you phrase it like that? |
00:24:05 |
- Like what? |
00:24:08 |
You've gotta be kidding. |
00:24:19 |
Well, Dmitri, |
00:24:23 |
Just as in the old days, huh? |
00:24:26 |
When you saved our lives, |
00:24:31 |
Dmitri... |
00:24:33 |
we have this little problem. |
00:24:36 |
Every search for a hero... |
00:24:40 |
must begin with something |
00:24:43 |
a villain. |
00:24:45 |
Therefore, in the search |
00:24:50 |
we created a monster, Chimera. |
00:24:54 |
I beg you, Dmitri, |
00:24:57 |
come to Sydney and accompany me |
00:25:02 |
However we travel, |
00:25:05 |
within 20hours of departure. |
00:25:08 |
I fear I can entrust this |
00:25:13 |
Dmitri, as we say, |
00:25:19 |
Do you have any idea |
00:25:21 |
- An idea? Yeah. |
00:25:24 |
Like it's a good idea |
00:25:26 |
and a bad idea to fly him |
00:25:29 |
- Is he still in Sydney? |
00:25:35 |
So is his colleague Gradski, |
00:25:37 |
We had Nekhovich on a flight from |
00:25:43 |
- Dead? |
00:25:47 |
If he didn't want |
00:25:50 |
how did you get him |
00:25:53 |
Oh, you were there. |
00:26:03 |
When I couldn't find you, |
00:26:05 |
Sean Ambrose was the obvious choice. |
00:26:07 |
Now, he doubled you, what, |
00:26:11 |
- Twice. |
00:26:17 |
We had our reservations |
00:26:20 |
Isn't it a little late |
00:26:22 |
No, not necessarily. |
00:26:26 |
List a Captain Harold Macintosh |
00:26:30 |
As far as the media and all |
00:26:33 |
Captain Macintosh |
00:26:35 |
But, in fact, he missed it. |
00:26:37 |
He did, however, |
00:26:41 |
in cargo. |
00:26:43 |
Stuffed into a rather small |
00:26:47 |
Now, someone on that flight |
00:26:50 |
designed to bring the plane down |
00:26:53 |
Someone skillful enough to bring |
00:26:57 |
So there's one thing we know |
00:27:00 |
You do think it was Ambrose? |
00:27:03 |
Sean feels he hasn't done the job unless |
00:27:07 |
The question is why? What was this, |
00:27:12 |
Only Ambrose knows that. |
00:27:15 |
In any case, you must recover this... |
00:27:21 |
In order to do that, I have to figure |
00:27:25 |
That is where Miss Hall comes in. |
00:27:31 |
Excuse me? |
00:27:33 |
Miss Hall and Ambrose |
00:27:35 |
which he took very seriously. |
00:27:37 |
She walked away, and he's been |
00:27:39 |
We believe she's our surest |
00:27:43 |
And then what? |
00:27:44 |
Well, make sure |
00:27:47 |
gets him to confide in her, |
00:28:04 |
You made it sound as if I was recruiting |
00:28:08 |
Well, then I misled you, |
00:28:12 |
Either way, we're asking her |
00:28:16 |
not do anything |
00:28:18 |
Voluntarily, I might add. |
00:28:23 |
No, she's got no training |
00:28:26 |
What, to go to bed with a man |
00:28:29 |
She's got all |
00:28:36 |
I don't think |
00:28:38 |
- You mean it'll be difficult. |
00:28:41 |
Well, this is not Mission Difficult, |
00:28:45 |
Difficult should be |
00:28:47 |
I'm open to suggestion. |
00:28:49 |
If you can think of a quicker way, |
00:28:52 |
You might take a look at these... |
00:28:54 |
if you have any further qualms |
00:29:51 |
How many people are capable |
00:29:59 |
Sean Ambrose, for one. |
00:30:08 |
Right. |
00:30:20 |
This wasn't what |
00:30:26 |
But it is what you'd |
00:30:33 |
What? Oh, let my conscience |
00:30:36 |
Something like that. |
00:30:38 |
I don't have a conscience. |
00:30:44 |
Are you gonna try |
00:30:46 |
Generally, I don't favor |
00:30:49 |
not when there's a chance |
00:30:52 |
- Is that the only reason? |
00:30:55 |
Me? No. |
00:30:58 |
thinking that somewhere, this got |
00:31:01 |
Would it make you feel any better |
00:31:04 |
- Yeah, much. |
00:31:43 |
You know, Sean will never |
00:31:45 |
if I pitch up saying, |
00:31:49 |
What wouldn't |
00:31:51 |
That I needed him |
00:31:55 |
Destitute. |
00:31:59 |
The kind I couldn't possibly |
00:32:02 |
Serious trouble, Nyah, is something |
00:32:11 |
This transponder chip |
00:32:16 |
It transmits your location |
00:32:19 |
which can be read |
00:32:22 |
We can then track you |
00:32:24 |
Anywhere. |
00:32:28 |
Since your arrest, |
00:32:31 |
to every law enforcement agency. |
00:32:33 |
I know Sean Ambrose, |
00:32:35 |
and guarantee |
00:32:38 |
he's monitoring |
00:32:40 |
He knows you're there. |
00:32:44 |
And he has the means |
00:32:49 |
Nyah... |
00:32:53 |
Nyah... |
00:32:55 |
I'm not gonna lose you. |
00:33:54 |
Ethan Hunt? G'day, mate. |
00:33:57 |
Anything you need me to get, |
00:34:00 |
I'll have a look around. |
00:34:06 |
- Shit. |
00:34:10 |
This ain't funny. |
00:34:12 |
I just bought |
00:34:15 |
and you got me in a helicopter |
00:34:52 |
Computer's up. We got her. |
00:34:54 |
Let's put in the coordinates |
00:35:22 |
Visuals aren't coming up. |
00:35:24 |
The satellite doesn't work |
00:35:27 |
Yeah, I heard about you, Luther. |
00:35:30 |
and a pleasure |
00:35:37 |
Come on. Isn't there any way |
00:35:40 |
With what? This is |
00:35:43 |
Ohhh! |
00:36:38 |
Ethan, here we go. |
00:36:48 |
Aye. |
00:36:50 |
Now, there's a bloke who knows |
00:36:56 |
Don't get me wrong, mate. |
00:37:01 |
- Is it him? |
00:37:03 |
- So we've got him! |
00:37:06 |
'Cause we don't know what he's got, |
00:37:08 |
where he's got it or |
00:37:18 |
- Not much luggage. |
00:37:22 |
I'm incredibly grateful, Sean. |
00:37:24 |
How in the world did you find me? |
00:37:29 |
How I usually find you, Nyah. |
00:37:32 |
Magic. |
00:37:48 |
Mmm, mmm! |
00:37:54 |
No bugs, either. |
00:37:57 |
She's clean. |
00:37:59 |
All cats are. |
00:38:08 |
- Your room? |
00:38:13 |
- And my room? |
00:38:31 |
She did it. |
00:38:35 |
Yeah? We just rolled up |
00:38:42 |
Now we'lI see |
00:38:45 |
Try it on. |
00:38:51 |
Go ahead. |
00:38:59 |
I'm dying to see |
00:39:31 |
You're not interested |
00:39:34 |
Oh, I am. |
00:39:39 |
Later. |
00:40:03 |
Every search for a hero... |
00:40:05 |
must begin with something |
00:40:08 |
a villain. |
00:40:10 |
Therefore, in the search |
00:40:14 |
we created a monster, Chimera. |
00:40:18 |
Nekhorvich was |
00:40:21 |
Why is he going on |
00:40:23 |
Nekhorvich specialized |
00:40:28 |
In the myth, |
00:40:30 |
Bellerophon was prince |
00:40:34 |
A monster with the head of a lion... |
00:40:37 |
and the tail of a serpent... |
00:40:40 |
who plagued the ancient world. |
00:40:43 |
I think Nekhorvich created |
00:40:46 |
and the antivirus to kill it, |
00:40:49 |
named Bellerophon. |
00:40:51 |
That simple, huh? |
00:40:56 |
Why not? |
00:41:14 |
£37 million. |
00:41:18 |
Now, that's a promising bid |
00:41:23 |
Don't look so worried, Hugh. |
00:41:30 |
We'lI need this at the track... |
00:41:33 |
if we're gonna get the other half. |
00:41:45 |
Well, then... sorted. |
00:41:56 |
Not everything. |
00:41:59 |
Why do you think |
00:42:03 |
From her point of view or mine? |
00:42:06 |
Well, she wasn't |
00:42:09 |
when she left you six months ago. |
00:42:13 |
The question is, |
00:42:24 |
One considers her timing, of course. |
00:42:26 |
Getting nicked within a week |
00:42:29 |
Suggestive, |
00:42:34 |
but hardly conclusive. |
00:42:41 |
Well, you've thought about it, |
00:42:49 |
Tell me, Hugh, |
00:42:52 |
you don't exactly hang on Nyah's |
00:42:59 |
That's a fairly ratty nail that. |
00:43:05 |
Sean, please! |
00:43:08 |
Suppose she is some sort of Trojan |
00:43:13 |
Why should I deny myself |
00:43:18 |
Or don't you think I can learn |
00:43:22 |
I do! I do! I do! I do! |
00:43:24 |
Now, Hugh, |
00:43:27 |
you must realize |
00:43:30 |
have the burden |
00:43:32 |
And I may or may not know |
00:43:36 |
but I'm willing to take |
00:43:40 |
I am gagging for it. |
00:44:05 |
Come on! |
00:44:09 |
Darling! You won! |
00:44:12 |
- I suppose I did. |
00:44:16 |
He's never won a bloody thing. |
00:44:19 |
- "Thief in the Night." |
00:44:22 |
I'm, uh... |
00:44:25 |
I'm off to grab a drink. |
00:44:28 |
Mmm. |
00:44:46 |
"Naturally Vain." |
00:44:48 |
Pardon me? |
00:44:50 |
Naturally Vain... in the fourth. |
00:44:54 |
Check her out. She's due. |
00:45:10 |
You can speak |
00:45:13 |
Where are you? |
00:45:15 |
Mounting enclosure |
00:45:31 |
How's it going? |
00:45:33 |
Just like old times. |
00:45:36 |
Just like old times? |
00:45:39 |
Just about. |
00:45:44 |
Tell me who you've run into |
00:45:47 |
Near as I can tell, there's about a half |
00:45:51 |
Maybe more. |
00:45:55 |
He's the only one I recognize. |
00:45:59 |
We know him. He's over your left |
00:46:03 |
Ambrose has photos of newspapers |
00:46:07 |
Thirty seven million |
00:46:10 |
What's that about? |
00:46:13 |
Bids from possible Chimera buyers. |
00:46:26 |
Ambrose is meeting |
00:46:29 |
Big bloke. Ginger hair. |
00:46:39 |
- Who is this guy? |
00:46:48 |
John McCloy, |
00:46:52 |
In 1989, acquired Biocyte |
00:46:57 |
He was Nekhorvich's boss. |
00:46:59 |
Right. He worked for him |
00:47:03 |
Ambrose is showing something |
00:47:07 |
Whatever McCloy's |
00:47:21 |
Ambrose just pulled... |
00:47:22 |
the camera's memory card |
00:47:26 |
Put it in his inner left |
00:47:29 |
Confirm left jacket pocket. |
00:47:32 |
Roger that. |
00:47:36 |
Nyah. Nyah, Ambrose |
00:47:40 |
- There's an envelope inside... |
00:47:42 |
That's right. |
00:47:45 |
- Where do I meet you? |
00:47:48 |
- Are you sure you're up to this? |
00:47:53 |
- There you are! |
00:47:55 |
Well, yeah. |
00:47:59 |
But they're about to close |
00:48:01 |
- Nyah! |
00:48:04 |
Not at all. |
00:48:08 |
- And with interest. |
00:48:14 |
Hold on. |
00:48:28 |
Put down a thousand for me. |
00:48:34 |
- To win? |
00:48:40 |
- Billy, make sure Nyah's not followed. |
00:48:41 |
- Billy, make sure Nyah's not followed. |
00:48:43 |
Luther, digital camera |
00:48:46 |
Betting table 12. |
00:49:02 |
- There you go. |
00:49:04 |
Oh, sorry about that, mate. |
00:49:10 |
Say again? |
00:49:13 |
Whatever you're about, |
00:49:16 |
Never know who you might run into. |
00:49:19 |
So where's the loo? |
00:49:22 |
Thanks, mate. |
00:49:47 |
How'd you do? |
00:49:49 |
Don't turn around. |
00:49:51 |
I managed. |
00:49:58 |
You turned around. |
00:50:00 |
What are you gonna do? |
00:50:27 |
I'm booted up. |
00:50:36 |
Are you getting this? |
00:50:48 |
"Sergei Gradski: |
00:50:52 |
20 hours after exposure". |
00:51:31 |
God. |
00:51:40 |
Stamp 's out of the loo. |
00:51:43 |
He's coming out of the tunnel, |
00:51:45 |
- I want you out of Ambrose's place. |
00:51:48 |
What's happened? |
00:51:54 |
Okay, he's coming up |
00:51:56 |
You've done your job. |
00:52:00 |
- Thirty steps. |
00:52:02 |
He's touched your heart. |
00:52:06 |
Fifteen, fourteen, twelve, eleven. |
00:52:08 |
I want you out of there now. |
00:52:11 |
- Nine, Ethan. Eight. |
00:52:14 |
I'm coming in and getting you out. |
00:52:16 |
Ethan, get out of there! |
00:52:19 |
You placed your bet, ma'am? |
00:52:23 |
Just. |
00:52:27 |
Horses are ready to race. |
00:52:39 |
Come on! Come on! Your nag's |
00:52:46 |
Come on! Come on! |
00:52:51 |
You picked another winner! |
00:53:00 |
I thought you |
00:53:03 |
Hugh, take care of |
00:53:08 |
Where is it? |
00:53:10 |
In the envelope |
00:53:16 |
My right jacket pocket. |
00:53:19 |
We at our state-of-the-art |
00:53:23 |
recognize that eternal vigilance |
00:53:27 |
whether it's funding the teaching center |
00:53:30 |
removing aerosol products |
00:53:32 |
or braving the influenza quarantine |
00:53:35 |
At Biocyte, your life |
00:53:41 |
We've got an opportunity here. |
00:53:44 |
I'm not going to miss it. |
00:54:16 |
George, take me home. |
00:54:34 |
George? |
00:54:39 |
George! |
00:54:49 |
What the hell? |
00:54:55 |
George! |
00:55:04 |
George! George! |
00:55:12 |
Sean? |
00:55:18 |
Sean? |
00:55:56 |
Shhh. |
00:56:00 |
Easy. |
00:56:02 |
Oh, Ethan. |
00:56:04 |
Are you okay? |
00:56:06 |
Yeah, I am now. |
00:56:52 |
- What is this? |
00:56:56 |
You crashed |
00:57:01 |
Dead, certainly. |
00:57:06 |
On the other hand, when my colleague |
00:57:10 |
and your blood pressure, |
00:57:19 |
You are infected with Chimera, |
00:57:25 |
No use, my friend. |
00:57:27 |
The medical staff |
00:57:31 |
Doctors don't fancy the idea |
00:57:34 |
How could I possibly be infected? |
00:57:37 |
That's exactly what Gradski said |
00:57:41 |
You've got the antidote, |
00:57:45 |
- You stole Bellerophon! All of it! |
00:57:48 |
I need it! I need it now, |
00:57:51 |
And what about Gradski, who you |
00:57:56 |
How was I to know they needed... |
00:57:57 |
to be treated with Bellerophon |
00:57:59 |
- By asking me. |
00:58:03 |
I needed to know just how bad |
00:58:07 |
not just the lab. |
00:58:10 |
You were genetically splicing |
00:58:12 |
to create a cure for all influenzas. |
00:58:15 |
But you were also creating |
00:58:19 |
the cure would be priceless. |
00:58:21 |
I needed Chimera in order |
00:58:24 |
It's not that difficult |
00:58:26 |
Look, I've got the virus. |
00:58:30 |
I need them both. |
00:58:33 |
Time was a shot of penicillin |
00:58:35 |
every bloody bug in the zoo. |
00:58:37 |
If I couldn't make money killing |
00:58:42 |
well, you'd help me put one out |
00:58:46 |
Well, there it is. |
00:58:49 |
I, John C. McCloy, |
00:58:52 |
am in business to make money. |
00:58:56 |
Now, forget any deal you may have |
00:59:01 |
Get me treated, |
00:59:04 |
You know, |
00:59:06 |
I think it's a little late for that. |
00:59:10 |
Do give my regards to Gradski... |
00:59:14 |
if you see him. |
00:59:27 |
Well... |
00:59:31 |
I've heard... |
00:59:36 |
all I need to hear. |
00:59:41 |
Nyah... |
00:59:44 |
it's imperative that we do nothing |
00:59:49 |
What? |
00:59:51 |
You told me to get out of there |
00:59:54 |
- I thought you were here to collect me! |
00:59:57 |
Listen to me. |
01:00:01 |
It is critical, |
01:00:05 |
that you do whatever Ambrose asks. |
01:00:13 |
Do you understand me? |
01:00:18 |
Don't worry. |
01:00:21 |
It will all be over... |
01:00:30 |
That's a promise. |
01:00:35 |
Go on. |
01:00:38 |
Go on. Off you go. |
01:01:10 |
Luther, we know this much. |
01:01:13 |
to go to the Center for |
01:01:16 |
He's carrying a virus |
01:01:19 |
and the cure for that virus, |
01:01:25 |
Ambrose doesn't have the virus. |
01:01:27 |
That's why Ambrose needs McCloy. |
01:01:30 |
So we go into Biocyte, kill Chimera, |
01:01:33 |
Ambrose has a cure |
01:01:37 |
and we're home free. |
01:01:39 |
You were right. |
01:01:44 |
So he knows. |
01:01:46 |
He'll be going into Biocyte. |
01:01:50 |
Good. Then we'll know |
01:01:57 |
Well done, Hugh. |
01:01:59 |
Well done. |
00:00:15 |
Where's George? |
00:00:19 |
My regular driver? |
00:00:21 |
He's gone home sick. |
00:00:26 |
- Is the building up and running yet? |
00:00:32 |
- That's not exactly it. |
00:00:35 |
Their storage structure. |
00:00:41 |
- Okay, take a look at this. |
00:00:45 |
All storage and production |
00:00:48 |
in this lab on the 42nd floor. |
00:00:50 |
Hunt's target will be the Chimera, |
00:00:53 |
stored and manufactured |
00:00:58 |
If you look at Hunt's |
00:01:03 |
he invariably favors |
00:01:07 |
He'll never break into Biocyte from |
00:01:11 |
No garage entrances. |
00:01:13 |
Lobby's protected by five guards |
00:01:18 |
Not goin' in from the ground. |
00:01:21 |
The atrium? |
00:01:25 |
Runs down through the center |
00:01:28 |
Provides 24-hournaturallight via |
00:01:32 |
Optimal growing conditions |
00:01:34 |
Ends in a glass floor which doubles |
00:01:40 |
Uh-uh. The atrium roof |
00:01:44 |
And if the louvers are up for |
00:01:48 |
the civil emergency alarms |
00:01:50 |
Those, even I can't stop. |
00:01:52 |
Ethan, we have |
00:01:54 |
to get you in |
00:01:58 |
No, Hunt will prefer to enter |
00:02:02 |
where security is minimal. |
00:02:03 |
He'll undoubtedly engage |
00:02:07 |
before he'll risk harming a hair |
00:02:24 |
- Check-check. Got copy? |
00:02:31 |
Luther, how we doin'? |
00:02:33 |
Not there yet, |
00:02:39 |
Billy, ready to go? |
00:02:44 |
Okay, package away in five... |
00:02:46 |
I'm not ready. |
00:02:48 |
Come on, Luther! We gotta go! |
00:02:50 |
Wait, there's |
00:03:01 |
Luther, we're out of time. On the count. |
00:03:04 |
Please, baby, open up, open up. |
00:03:07 |
- Five, four, |
00:03:10 |
three, two, one! |
00:03:12 |
- I'm going now! |
00:03:49 |
Twenty five, |
00:03:53 |
twenty two, twenty one, twenty. |
00:03:57 |
Ethan, you've got 19seconds |
00:04:08 |
Okay, retracting cable! |
00:04:15 |
Come on! |
00:04:17 |
Nine, eight, seven, six, |
00:04:21 |
five, four, three, two... |
00:04:26 |
Cable's clear! |
00:04:41 |
Transponder activated. |
00:04:52 |
He'll breach the lab |
00:04:55 |
whether you break in |
00:04:58 |
It's 23:00 hours, one minute... |
00:05:01 |
when the air filtration generators will |
00:05:05 |
and the rotating guards |
00:05:07 |
to our break-in from below. |
00:05:11 |
Ethan, |
00:05:13 |
Just a friendly reminder. We'll be |
00:05:48 |
I'm betting |
00:05:51 |
rather than attempt |
00:05:53 |
He'lI have to do it |
00:05:56 |
First, the incubation room |
00:06:03 |
And finally, |
00:06:07 |
holding the last remaining Chimera |
00:06:12 |
He won't be allowed to destroy |
00:06:31 |
What's this? |
00:06:33 |
Not exactly, sport. |
00:06:41 |
John C. McCloy. |
00:07:03 |
Billy, I think we've got a problem. |
00:07:05 |
Nyah's on the wing up early. |
00:07:09 |
Yeah, I got you, Luther. |
00:07:12 |
- In the building. |
00:07:15 |
Sounds like you're saying |
00:07:17 |
I am. She is. |
00:07:20 |
Uh, well, then she's not likely |
00:07:24 |
She's in the elevator, |
00:07:26 |
The question is.: |
00:07:28 |
I can't get through to Ethan, |
00:07:30 |
- Yeah, well, when's that? |
00:07:32 |
five-and-a-haIf minutes. |
00:08:09 |
Chimera |
00:08:12 |
outside optimal range. |
00:08:15 |
Chimera in vitro pH |
00:08:19 |
outside optimal range. |
00:08:21 |
Chimera working seed stock pH |
00:08:25 |
Alert. |
00:08:28 |
Alert. |
00:08:37 |
Come on, Ethan. |
00:08:56 |
Subject is contaminant-free. |
00:08:58 |
Zero contaminant factor. |
00:09:11 |
Come on, come on, |
00:09:13 |
Luther, what the hell can we do? |
00:09:17 |
What can we do? |
00:09:19 |
Hope he kills all the bugs before |
00:10:12 |
However we travel, |
00:10:14 |
I must arrive at my destination |
00:10:23 |
How was I to know |
00:10:25 |
with Bellerophon within 20hours? |
00:10:50 |
Get him. |
00:11:13 |
How much longer |
00:11:15 |
We've got29seconds |
00:11:18 |
then Ethan will be back on-line. |
00:11:41 |
Ahh! |
00:12:05 |
Luther! Luther! |
00:12:38 |
Hold your fire! |
00:12:40 |
Hold your fire, damn it! |
00:12:56 |
Well, Hunt... |
00:12:59 |
how've you been? |
00:13:04 |
Fighting a bit of a cold. |
00:13:06 |
Aww. |
00:13:10 |
You know, that was the hardest part |
00:13:13 |
grinning like an idiot |
00:13:17 |
I would've thought the hardest part was |
00:13:21 |
to get your gun off. |
00:13:23 |
You were in such a hurry |
00:13:26 |
you never figured out |
00:13:28 |
- I knew where it was. |
00:13:31 |
Then you knew the only way Nekhorvich |
00:13:34 |
is by injecting himseIf and using |
00:13:37 |
You knew that... |
00:13:40 |
destroying the very thing |
00:13:50 |
Stop! |
00:13:55 |
Hit that bloody gun, and you'll |
00:13:59 |
There it is, guys. |
00:14:03 |
The last of it. |
00:14:06 |
What was the top bid? |
00:14:08 |
Why? You gonna make me |
00:14:11 |
Than £37 million? |
00:14:14 |
Oh! |
00:14:16 |
Somebody has been slipping you |
00:14:21 |
Come on out here, you bad girl. |
00:14:36 |
Sean, she doesn't belong here. |
00:14:41 |
She wouldn't be here... |
00:14:44 |
if it wasn't for you, Hunt. |
00:14:53 |
From this moment, you are |
00:14:58 |
And if you're looking out |
00:15:01 |
I suggest you advise her to pick up |
00:15:06 |
Ball's in your court, Hunt. |
00:15:16 |
Nyah's in the building. |
00:15:20 |
Thank you. |
00:15:37 |
How do you know he won't shoot you |
00:15:41 |
Please. One can't hold Nyah |
00:15:44 |
You know women, mate. |
00:15:47 |
Won't let go of one branch |
00:15:53 |
Get it, Nyah. |
00:16:27 |
I am waiting. |
00:16:41 |
Things haven't exactly worked out the |
00:16:45 |
Sorry. |
00:17:03 |
You bitch! |
00:17:20 |
You're not gonna shoot me, Sean. |
00:17:24 |
'Cause she's worth £37 million. |
00:17:58 |
- What did you think you were doing? |
00:18:00 |
Just trying to stop you |
00:18:04 |
You who don't have a conscience. |
00:18:07 |
I guess I lied. |
00:18:35 |
You can't get us both |
00:18:51 |
I'm infected with Chimera. |
00:18:53 |
You know you don't have a choice. |
00:18:57 |
Do it now! |
00:19:19 |
We've got 1 9 hours and 58 minutes! |
00:19:21 |
I'll get Bellerophon |
00:19:28 |
Just stay alive! |
00:20:39 |
Feel like pleading for your life? |
00:20:46 |
Well, then, how about dying... |
00:20:49 |
so you can make me a lot of money? |
00:20:58 |
In just a few hours time, |
00:21:02 |
of going down in history |
00:21:07 |
G'day. |
00:21:12 |
There's not a chance of locating Nyah |
00:21:15 |
And there's not a chance of doing that |
00:21:19 |
How much time does she have left? |
00:21:21 |
Not long. But whatever happens, |
00:21:25 |
- What do you mean? |
00:21:27 |
Nyah will kill herself. |
00:21:30 |
So first things first. |
00:22:25 |
Ethan, Ambrose and his team |
00:22:27 |
over the bridge, |
00:22:29 |
Copy that. |
00:22:37 |
You all right, mate? Looks like |
00:22:41 |
What's it look like from there? |
00:22:45 |
Risky. |
00:24:02 |
Simon? Simon! |
00:24:05 |
Stay here. |
00:24:23 |
Breached the structure |
00:24:37 |
It's a DNA match. |
00:24:49 |
And they certainly have Bellerophon. |
00:24:53 |
Well, then you've got |
00:24:56 |
which means I've got |
00:24:58 |
Not exactly. |
00:25:03 |
- What do you want? |
00:25:07 |
Stock options, |
00:25:17 |
Cut her loose... |
00:25:21 |
The more crowded the better. |
00:25:25 |
Ethan, just picked up an Ambrose |
00:25:29 |
- Where is she? |
00:25:43 |
Somewhere in Sydney? |
00:25:46 |
I can't until... |
00:25:47 |
I can get the GPS up |
00:25:49 |
The clock is ticking. |
00:25:54 |
How quickly can you manufacture |
00:25:57 |
No time at all, |
00:25:59 |
Good. Biocyte stock is just a few weeks |
00:26:03 |
- What are you talking about? |
00:26:05 |
- Where? |
00:26:09 |
You create the supply, Mr. McCloy. |
00:26:11 |
We've just created the demand. |
00:26:13 |
Three million people in Sydney... |
00:26:15 |
and 17 million people |
00:26:17 |
are going to need Bellerophon |
00:26:20 |
not to mention |
00:26:22 |
Now, this is how |
00:26:24 |
- Wallis, the shares outstanding are? |
00:26:27 |
Which means, Mr. McCloy, we need to |
00:26:32 |
We'll borrow your 30 million |
00:26:34 |
Your stock has never sold |
00:26:38 |
When your stock goes north of 200, |
00:26:40 |
which it will, those options |
00:26:44 |
and I will own 51% of Biocyte. |
00:26:49 |
This is outrageous. |
00:26:52 |
I will not let you |
00:26:55 |
Sit down. |
00:27:35 |
You'll be a billionaire. |
00:27:39 |
I have terrorists and... |
00:27:40 |
other pharmaceutical |
00:27:48 |
The ball's in your court, |
00:28:44 |
Run that bastard down. |
00:28:59 |
We're running short |
00:29:04 |
We have got to conclude |
00:29:08 |
Yes. Start the transfer. |
00:29:17 |
Follow it... |
00:30:25 |
Uh! |
00:30:27 |
Raise your hands very slowly. |
00:30:30 |
Sure you want me to do this? |
00:30:32 |
Raise your hands very slowly. |
00:31:08 |
Ethan, Ethan, do you copy? |
00:31:16 |
Keep it going! |
00:31:25 |
Sean, this rat's reached the end of the maze. |
00:31:30 |
Is he alive? |
00:31:32 |
Yeah, more or less. |
00:31:36 |
Bring him to me. |
00:31:38 |
Go! |
00:31:46 |
Sean, transfer completed. |
00:32:08 |
Well done, Stamp. |
00:32:30 |
Stop mumbling! |
00:32:32 |
I'm afraid he's got no choice. |
00:32:35 |
I believe I broke his jaw. |
00:32:38 |
Stamp, I'm impressed. |
00:32:40 |
Right. We don't have |
00:32:43 |
Whatever you got to say, |
00:32:48 |
How about giving us a big smile? |
00:32:53 |
- No? |
00:32:57 |
Get down on your knees. |
00:33:03 |
Now, this is what's known... |
00:33:07 |
as getting your gun off. |
00:34:17 |
There he is! |
00:34:29 |
Ethan! |
00:34:45 |
Just back off |
00:35:44 |
Luther, clear the bridge for me! |
00:35:50 |
Hunt's heading for the bridge, |
00:36:09 |
Oh, I'm mad now. |
00:36:48 |
Ha-ha! |
00:37:19 |
- You all right, mate? |
00:38:23 |
Ethan, the computer's up. |
00:38:26 |
She's moved out of the city. |
00:38:27 |
She's on the north head bluff |
00:38:30 |
- But I can't get a visual. |
00:38:32 |
She's only got |
00:38:34 |
Track ahead and pick her up! |
00:38:43 |
-I can't get a good shot. |
00:38:48 |
My earpiece is failing! |
00:38:51 |
Bring her to me! |
00:39:01 |
Billy, north head bluff. |
00:39:29 |
- Get out there and keep firing! |
00:39:32 |
Slow down, mate! |
00:41:29 |
Range is 2K. |
00:44:17 |
Ahhh! |
00:44:56 |
Go ahead. |
00:45:00 |
It's not a bad way to go. |
00:45:03 |
It's a lot better than |
00:45:51 |
Hey, there she is! |
00:47:52 |
Hunt! |
00:47:58 |
You should've killed me. |
00:49:36 |
Miss Hall's blood, it appears, |
00:49:38 |
has absolutely no elements |
00:49:41 |
not even antibodies. |
00:49:43 |
Yes. I gathered as much. |
00:49:45 |
But you were under specific |
00:49:48 |
to bring back a living sample |
00:49:51 |
I'd be very interested to know how, |
00:49:55 |
it subsequently got destroyed. |
00:49:57 |
By fire. |
00:50:01 |
Oh. Well, Mr. Hunt, |
00:50:04 |
as for Miss Hall, |
00:50:08 |
her criminal record |
00:50:12 |
Wiped out. |
00:50:18 |
I do. |
00:50:20 |
Yeah. Where is she now, by the way? |
00:50:24 |
I don't know. |
00:50:28 |
So, what are your plans? |
00:50:30 |
I don't know. |
00:50:34 |
I'll let you know where I'm going. |
00:50:36 |
You don't have to do that. |
00:50:39 |
It wouldn't be a vacation |
00:51:30 |
Let's get lost. |