|
Moulin Rouge
|
| 00:00:56 |
[Orchestra Tuning Up] |
| 00:01:02 |
[Audience Applauding] |
| 00:01:33 |
[Orchestra: |
| 00:01:43 |
[Orchestra Continues] |
| 00:01:52 |
[''Cancan''] |
| 00:02:03 |
[Ends] |
| 00:02:05 |
[Ends] |
| 00:02:05 |
[Resumes, Softly] |
| 00:02:14 |
There was a boy |
| 00:02:21 |
A very strange |
| 00:02:30 |
They say he wandered |
| 00:02:37 |
Very far |
| 00:02:42 |
Overland and sea |
| 00:02:47 |
[Man Shouting] |
| 00:02:51 |
A little shy |
| 00:02:54 |
- Turn away from this village of sin, |
| 00:02:58 |
for it is a veritable |
| 00:03:00 |
But very wise |
| 00:03:05 |
Was he |
| 00:03:09 |
And then one day |
| 00:03:17 |
A magic day |
| 00:03:19 |
He passed my way |
| 00:03:26 |
And while we spoke |
| 00:03:33 |
Fools and kings |
| 00:03:37 |
This he said to me |
| 00:03:47 |
[Man] |
| 00:03:50 |
[ Quiet Sobbing ] |
| 00:03:52 |
You'll ever learn |
| 00:03:57 |
Is just to love |
| 00:04:14 |
[Man Narrating] |
| 00:04:20 |
A nightclub. |
| 00:04:25 |
A dancehall and a bordello... |
| 00:04:28 |
- The Moulin Rouge! |
| 00:04:33 |
A kingdom |
| 00:04:38 |
where the rich and powerful |
| 00:04:41 |
of the underworld. |
| 00:04:46 |
The most beautiful |
| 00:04:49 |
was the woman I loved. |
| 00:04:52 |
Satine. |
| 00:04:54 |
A courtesan, |
| 00:04:56 |
she sold her love to men. |
| 00:04:59 |
They called her |
| 00:05:03 |
and she was the star... |
| 00:05:06 |
of the Moulin Rouge. |
| 00:05:11 |
[Crowd Cheering] |
| 00:05:19 |
[ Quiet Sobbing ] |
| 00:05:23 |
The woman I loved... |
| 00:05:26 |
is... |
| 00:05:31 |
dead. |
| 00:05:36 |
-[Typing Resumes] |
| 00:05:40 |
one year ago. |
| 00:05:47 |
It was 1899, |
| 00:05:50 |
I knew nothing of the Moulin Rouge, |
| 00:05:54 |
or Satine. |
| 00:05:56 |
The world had been swept up |
| 00:05:59 |
and I had traveled from London |
| 00:06:02 |
On the hill near Paris |
| 00:06:06 |
- It was not, as my father had said-- |
| 00:06:10 |
But the center |
| 00:06:13 |
- Of the revolution |
| 00:06:16 |
They were known as |
| 00:06:27 |
and that which I believed in |
| 00:06:31 |
Always this ridiculous |
| 00:06:35 |
There was only one problem-- |
| 00:06:39 |
-[Typewriter Bell Dings] |
| 00:06:41 |
an unconscious Argentinean |
| 00:06:44 |
[ Man Shouts ] |
| 00:06:47 |
He was quickly joined |
| 00:06:50 |
How do you do? |
| 00:06:52 |
My name is Henri Marie Raymond |
| 00:06:57 |
- What? |
| 00:06:59 |
- We were just upstairs |
| 00:07:01 |
A play, something very modern |
| 00:07:07 |
- And it's set in Switzerland. |
| 00:07:10 |
suffered from a sickness |
| 00:07:13 |
Perfectly fine one moment, |
| 00:07:15 |
-[Glass Breaking] |
| 00:07:19 |
Wonderful. Now the narcoleptic |
| 00:07:22 |
Therefore, the scenario will not |
| 00:07:25 |
He's right, Toulouse. |
| 00:07:28 |
- Find someone to read the part. |
| 00:07:31 |
to read the role of a young, |
| 00:07:35 |
[Narrator Continues] |
| 00:07:37 |
standing in for |
| 00:07:40 |
The hills animate |
| 00:07:43 |
With the euphonious symphonies |
| 00:07:47 |
Ha, ha, ha-ha-ha |
| 00:07:49 |
Oh, stop, stop! |
| 00:07:51 |
Stop that insufferable droning. |
| 00:07:54 |
Can we please just stick |
| 00:07:57 |
There seemed to be artistic differences |
| 00:08:00 |
I don't think a nun |
| 00:08:02 |
What if he sings, ''The hills are vital, |
| 00:08:06 |
- No, no. The hills quake and shake. |
| 00:08:09 |
The hills are incarnate |
| 00:08:12 |
[Crashing Sound] |
| 00:08:15 |
- No. |
| 00:08:17 |
- The hills-- |
| 00:08:18 |
Are chanting |
| 00:08:21 |
Frank is living in my foot. |
| 00:08:23 |
[All Arguing] |
| 00:08:25 |
The hills are alive |
| 00:08:32 |
With the sound |
| 00:08:34 |
Of music |
| 00:08:42 |
Whoa! |
| 00:08:46 |
The hills are alive with |
| 00:08:50 |
- The hills are alive-- |
| 00:08:52 |
Of music |
| 00:08:55 |
It fits perfectly. |
| 00:08:57 |
With songs |
| 00:09:01 |
For a thousand years |
| 00:09:07 |
- [ All Gasping ] |
| 00:09:11 |
-Audrey, you two should |
| 00:09:15 |
But Toulouse's suggestion that Audrey |
| 00:09:18 |
- was not what Audrey wanted to hear. |
| 00:09:21 |
Here's to your first job |
| 00:09:24 |
Toulouse, Zidler |
| 00:09:27 |
No offense, but have you ever |
| 00:09:30 |
- No. |
| 00:09:32 |
- The boy has talent! |
| 00:09:35 |
I like him! Nothing funny. |
| 00:09:38 |
The hills are alive |
| 00:09:42 |
See, Satie, with Christian |
| 00:09:44 |
the truly bohemian revolutionary show |
| 00:09:47 |
- But how will we convince Zidler? |
| 00:09:51 |
- Satine. |
| 00:09:54 |
and pass me off |
| 00:09:58 |
Once Satine heard my modern poetry, |
| 00:10:01 |
and insist to Zidler that I |
| 00:10:03 |
The only problem was, I kept hearing |
| 00:10:06 |
You'll end up wasting your life |
| 00:10:09 |
with a cancan dancer! |
| 00:10:11 |
- No, I can't write the show |
| 00:10:14 |
- I don't even know if I am |
| 00:10:17 |
- Do you believe in beauty? |
| 00:10:19 |
- Freedom? |
| 00:10:21 |
- Truth? |
| 00:10:23 |
Love? Love. |
| 00:10:26 |
Above all things, |
| 00:10:29 |
Love is like oxygen. |
| 00:10:32 |
Love lifts us up where we belong. |
| 00:10:35 |
[ Laughing ] |
| 00:10:38 |
You're the voice of the children |
| 00:10:41 |
We can't be fooled! |
| 00:10:43 |
Let's drink to the new writer |
| 00:10:47 |
It was the perfect plan. |
| 00:10:49 |
I was to audition for Satine, |
| 00:10:54 |
There was a boy |
| 00:10:58 |
I'm the green fairy. |
| 00:11:01 |
[ All ] |
| 00:11:05 |
With the sound of music |
| 00:11:09 |
[ Hysterical Laughing ] |
| 00:11:13 |
A very strange |
| 00:11:17 |
Yeah, freedom, beauty |
| 00:11:20 |
Truth and love |
| 00:11:25 |
- The hills are alive |
| 00:11:29 |
- No, you won't fool the children |
| 00:11:34 |
- Of the revolution |
| 00:11:38 |
And I was to perform |
| 00:11:43 |
Yaaah! |
| 00:11:56 |
Harold Zidler |
| 00:11:59 |
- They called them his ''Diamond Dogs. '' |
| 00:12:02 |
Voulez-vous coucher |
| 00:12:05 |
Avec moi ce soir |
| 00:12:08 |
Hey, sista, go, sista |
| 00:12:12 |
- Hey, sista, go, sista |
| 00:12:14 |
- Soul sista, flow, sista |
| 00:12:17 |
- Hey, sista, go, sista |
| 00:12:20 |
- Go, sister, giuchie, giuchie, ya ya |
| 00:12:23 |
- Dada |
| 00:12:27 |
- You'll have fun |
| 00:12:29 |
Just scratch |
| 00:12:32 |
- Have a little wiggle |
| 00:12:37 |
- Moulin Rouge! |
| 00:12:41 |
Voulez-vous coucher |
| 00:12:45 |
Voulez-vous coucher |
| 00:13:02 |
Got some dark desire |
| 00:13:05 |
Love to play with fire |
| 00:13:07 |
Why not let it rip |
| 00:13:09 |
Live a little bit |
| 00:13:12 |
Here we are now |
| 00:13:15 |
Voulez-vous coucher |
| 00:13:18 |
'Cause we can cancan |
| 00:13:20 |
Outside it may be raining |
| 00:13:22 |
But in here |
| 00:13:27 |
The Moulin Rouge |
| 00:13:30 |
[ Screaming ] |
| 00:13:33 |
'Cause we can cancan |
| 00:13:36 |
Here we are now |
| 00:13:42 |
Outside things |
| 00:13:44 |
But in here |
| 00:13:46 |
Yeah! Whoa! |
| 00:13:50 |
[Stops Abruptly] |
| 00:13:52 |
[ Whispers ] |
| 00:14:00 |
-Because we can cancan |
| 00:14:03 |
Hey, sista, go, sista |
| 00:14:07 |
Giuchie, giuchie |
| 00:14:10 |
Giuchie, giuchie |
| 00:14:13 |
Because we can cancan |
| 00:14:17 |
Creole Lady Marmalade |
| 00:14:20 |
Because we can cancan |
| 00:14:26 |
Yes, we can |
| 00:14:30 |
'Cause it's good for your mind |
| 00:14:34 |
Gaah! |
| 00:14:40 |
[ Cackling ] |
| 00:14:41 |
Hey, sista, go, sista |
| 00:14:48 |
Voulez-vous coucher |
| 00:14:50 |
Psst, psst. |
| 00:14:52 |
We successfully |
| 00:14:57 |
[Zidler Echoing] |
| 00:14:59 |
[Zidler Echoing] |
| 00:15:06 |
It's her, |
| 00:15:17 |
The French are glad |
| 00:15:21 |
To die |
| 00:15:24 |
For love |
| 00:15:27 |
They delight |
| 00:15:30 |
In fighting duels |
| 00:15:34 |
[Narrating]But someone else |
| 00:15:37 |
But I prefer a man |
| 00:15:41 |
Who lives |
| 00:15:44 |
Zidler's investor. |
| 00:15:47 |
And gives expensive jewels |
| 00:15:53 |
The Duke. |
| 00:15:56 |
[ Men Cheering ] |
| 00:16:08 |
A kiss on the hand |
| 00:16:10 |
- Oh, my! |
| 00:16:13 |
But diamonds are |
| 00:16:17 |
A kiss may be grand, but it |
| 00:16:20 |
- Wow! |
| 00:16:23 |
Or help you feed |
| 00:16:26 |
Men grow cold |
| 00:16:30 |
And we all lose our charms |
| 00:16:34 |
But square-cut |
| 00:16:37 |
These rocks |
| 00:16:39 |
Diamonds are |
| 00:16:43 |
- When am I going to meet the girl? |
| 00:16:46 |
After her number, |
| 00:16:48 |
just you |
| 00:16:52 |
- Totally alone. |
| 00:16:57 |
After her number, |
| 00:17:00 |
just you and Mademoiselle Satine |
| 00:17:03 |
- Alone? |
| 00:17:04 |
- Yes, totally alone. |
| 00:17:07 |
'Cause we are living |
| 00:17:10 |
In a material world |
| 00:17:12 |
And I am a material girl |
| 00:17:16 |
[ Kisses ] |
| 00:17:19 |
Come and get me, boys. |
| 00:17:22 |
- Ow! |
| 00:17:27 |
Excuse me. |
| 00:17:32 |
- Black Star, Roscor. |
| 00:17:35 |
Talk to me, Harry Zidler. |
| 00:17:38 |
There may come a time |
| 00:17:41 |
- When a lass needs a lawyer |
| 00:17:43 |
But diamonds are |
| 00:17:47 |
There may come a time |
| 00:17:49 |
When a hard-boiled employer |
| 00:17:52 |
- Thinks you're-- Aah! |
| 00:17:54 |
Don't worry, don't worry. |
| 00:17:57 |
- [ Gasps ] |
| 00:17:59 |
- Is the Duke here, Harold? |
| 00:18:03 |
- [ Gasps ] |
| 00:18:05 |
- Where is he? |
| 00:18:09 |
Excuse me, Christian. |
| 00:18:12 |
Diamonds are a girl's best |
| 00:18:17 |
- Are you sure? |
| 00:18:20 |
Let me finish. I'm ever so sorry! |
| 00:18:23 |
- That's the one, chickpea. |
| 00:18:25 |
I hope that demonic little loon |
| 00:18:29 |
Clean yourself off, you bourgeois pig! |
| 00:18:31 |
[ Mutters, Gasps ] |
| 00:18:35 |
[Gasps] |
| 00:18:39 |
[ Growling ] |
| 00:18:42 |
- Will he invest? |
| 00:18:45 |
After spending the night with you, |
| 00:18:49 |
What's his type? |
| 00:18:52 |
Bright and bubbly? Ah! |
| 00:18:56 |
I'd say smoldering temptress. |
| 00:18:59 |
-[Crowd Cheering] |
| 00:19:03 |
Remember, a real show |
| 00:19:06 |
with a real audience. |
| 00:19:08 |
- And you'll be-- |
| 00:19:15 |
- 'Cause that's when those louses |
| 00:19:17 |
- Go back to their spouses |
| 00:19:19 |
- Amazonian goddess! |
| 00:19:21 |
- Are a |
| 00:19:24 |
Girl's |
| 00:19:26 |
Best |
| 00:19:28 |
Friend |
| 00:19:35 |
- I believe you are expecting me. |
| 00:19:39 |
I'm afraid |
| 00:19:50 |
[ Squeals ] |
| 00:19:52 |
- [ Whining ] |
| 00:19:58 |
-[Crowd Chanting] |
| 00:20:00 |
- Satine! Satine! Satine! Satine! |
| 00:20:04 |
I see you've already met |
| 00:20:07 |
I'll take care of it, Toulouse. |
| 00:20:10 |
Hit her with your most |
| 00:20:14 |
- [ Whooping ] |
| 00:20:17 |
- Dance until the morning light |
| 00:20:20 |
You can leave them |
| 00:20:23 |
Feel the beat |
| 00:20:24 |
-Dance until the morning light |
| 00:20:27 |
- You can leave them all behind |
| 00:20:30 |
- Incredible. |
| 00:20:32 |
I told you, |
| 00:20:41 |
Whoo! Whoo! |
| 00:20:45 |
That Duke |
| 00:20:49 |
So wonderful of you to take |
| 00:20:53 |
It sounds very exciting. |
| 00:20:56 |
- Really? |
| 00:20:59 |
I'm sure I will. |
| 00:21:05 |
- Oh-ho! |
| 00:21:09 |
do it in private. |
| 00:21:11 |
- Did he? |
| 00:21:15 |
- [ Grunts ] |
| 00:21:18 |
Ohh! |
| 00:21:23 |
Mmm, a poetry reading. |
| 00:21:26 |
Oh, I love a little poetry |
| 00:21:32 |
Entertain us |
| 00:21:34 |
Here we are now |
| 00:21:41 |
- 'Cause we're stupid |
| 00:21:44 |
[ Cheering ] |
| 00:21:50 |
Diamonds |
| 00:21:53 |
Hah! Hah! |
| 00:21:55 |
Diamonds |
| 00:22:01 |
Square-cut |
| 00:22:05 |
These rocks won't lose |
| 00:22:08 |
Their shape |
| 00:22:11 |
Diamonds |
| 00:22:14 |
- Fantastic! |
| 00:22:19 |
Best-- |
| 00:22:22 |
[ Gasping ] |
| 00:22:38 |
[Zidler] |
| 00:22:57 |
[ Triumphant Yelling ] |
| 00:23:04 |
[Yelling Continues] |
| 00:23:06 |
[With Crowd] |
| 00:23:21 |
Don't know if that Duke's gonna get |
| 00:23:24 |
Don't be unkind, Nini. |
| 00:23:27 |
She fainted, just fainted. |
| 00:23:35 |
[Crowd]Satine! Satine! |
| 00:23:39 |
Satine! Satine! |
| 00:23:40 |
- You frightened her away! |
| 00:23:45 |
But I can see some lonely |
| 00:23:49 |
looking for |
| 00:23:51 |
-[Crowd Cheering] |
| 00:23:54 |
you can Hunkadola with them! |
| 00:24:02 |
-[Bandleader]All together, now! |
| 00:24:06 |
[ Gasping, Panting ] |
| 00:24:15 |
Oh, Marie. |
| 00:24:21 |
[ Whispering ] |
| 00:24:26 |
-Just a little fainting spell. |
| 00:24:28 |
Get back out front and make |
| 00:24:30 |
- Nothing for you to be worrying about. |
| 00:24:33 |
[Panting, Coughing] |
| 00:24:35 |
[Panting, Coughing |
| 00:24:49 |
Come out of the garden, baby |
| 00:24:51 |
You'll catch your death |
| 00:24:53 |
Young girls |
| 00:24:55 |
- They call them the Diamond Dogs |
| 00:25:02 |
Find Zidler. |
| 00:25:05 |
- [ Groans ] |
| 00:25:09 |
With a patron like him, |
| 00:25:12 |
Oh, Marie, do you really think |
| 00:25:15 |
Why not? |
| 00:25:18 |
You hook that Duke, and you'll be |
| 00:25:22 |
I'm gonna be a real actress, Marie. |
| 00:25:26 |
I'm gonna fly away from here. |
| 00:25:30 |
- Duckling, is everything all right? |
| 00:25:32 |
- Of course, Harold. |
| 00:25:35 |
You certainly weaved your magic |
| 00:25:39 |
- How do I look? |
| 00:25:41 |
- Smoldering temptress. |
| 00:25:46 |
How could he possibly resist |
| 00:25:50 |
Everything's going so well! |
| 00:25:56 |
I'll meet you |
| 00:25:58 |
- Close the door and dim the lights |
| 00:26:00 |
Straight to the elephant! |
| 00:26:02 |
This is a wonderful place |
| 00:26:05 |
Don't you think? |
| 00:26:07 |
Hmm? |
| 00:26:10 |
- Poetic enough for you? |
| 00:26:14 |
[ Giggling ] |
| 00:26:16 |
A little, uh, supper? |
| 00:26:20 |
I'd rather just, um, |
| 00:26:23 |
[Bottle Crashing Into Ice] |
| 00:26:26 |
Oh. |
| 00:26:30 |
Very well. |
| 00:26:34 |
Then why dont you... |
| 00:26:37 |
come down here? |
| 00:26:39 |
Let's get it |
| 00:26:41 |
I-I prefer |
| 00:26:44 |
- Oh. |
| 00:26:46 |
It's sometimes |
| 00:26:49 |
and I'd like you |
| 00:26:51 |
It's quite modern what I do, and it |
| 00:26:55 |
but I think if you're open, |
| 00:27:00 |
- I'm sure I will. |
| 00:27:07 |
The-- |
| 00:27:09 |
The sky is-- is-- |
| 00:27:13 |
with the bluebirds. |
| 00:27:16 |
I know. Come on. |
| 00:27:22 |
-[Moaning] |
| 00:27:25 |
There might be some shaking. |
| 00:27:32 |
Um, is everything all right? |
| 00:27:35 |
Um, I'm a little nervous. |
| 00:27:37 |
- It's just sometimes |
| 00:27:40 |
you know, |
| 00:27:42 |
Oh, yes, yes, yes. |
| 00:27:47 |
- Does that inspire you? |
| 00:27:50 |
- [ Yells ] |
| 00:27:53 |
- Make love? |
| 00:27:55 |
- Well, I came to-- |
| 00:27:58 |
- Can't you feel the poetry? |
| 00:28:00 |
Whoa! |
| 00:28:03 |
Oh, come on. |
| 00:28:05 |
- Feel it. |
| 00:28:07 |
- Free the tiger! |
| 00:28:09 |
[ Snarling, Yelling ] |
| 00:28:13 |
Big boy. |
| 00:28:14 |
He's got a huge talent! |
| 00:28:17 |
Yes, I need your poetry now! |
| 00:28:19 |
- All right. |
| 00:28:22 |
- It's a little bit funny. |
| 00:28:25 |
This f-feeling inside. |
| 00:28:28 |
I'm not one of those who can-- |
| 00:28:31 |
Is this-- Is this okay? |
| 00:28:35 |
Oh, poetry. Yes. |
| 00:28:38 |
Yes. Yes, this is what I want, |
| 00:28:41 |
[ Laughing ] |
| 00:28:44 |
- I-- I don't have much money, |
| 00:28:46 |
-but, boy, if I did, |
| 00:28:48 |
- I'd buy a big house |
| 00:28:51 |
- Oh, it's so good! |
| 00:28:53 |
- Wonderful. |
| 00:28:55 |
- Wonderful. |
| 00:28:58 |
Oh, don't! Don't! |
| 00:29:00 |
- No, no, no. Don't stop. |
| 00:29:04 |
Give me more! |
| 00:29:06 |
Yes! Yes! Oh! |
| 00:29:09 |
- But it's the best I can do. |
| 00:29:14 |
Yes! Yes! Yes! |
| 00:29:16 |
My gift is my song |
| 00:29:21 |
[Echoing] |
| 00:29:24 |
And this one's for you |
| 00:29:30 |
And you can tell |
| 00:29:35 |
That this is your song |
| 00:29:39 |
It may be quite simple, but |
| 00:29:43 |
Now that it's done |
| 00:29:47 |
Hope you don't mind |
| 00:29:51 |
That I put down |
| 00:29:57 |
How wonderful life is |
| 00:30:01 |
Now you're in the world |
| 00:30:08 |
Sat on the roof |
| 00:30:11 |
And I kicked off the moss |
| 00:30:16 |
Well, some of these verses |
| 00:30:18 |
Well, they |
| 00:30:22 |
But the sun's been kind |
| 00:30:26 |
While I wrote this song |
| 00:30:30 |
It's for people like you |
| 00:30:32 |
That keep it turned on |
| 00:30:39 |
So excuse me forgetting |
| 00:30:43 |
But these things I do |
| 00:30:46 |
You see, I've forgotten |
| 00:30:50 |
If they're green |
| 00:30:54 |
Anyway, the thing is |
| 00:30:57 |
What I really mean |
| 00:31:02 |
Yours are |
| 00:31:04 |
I've ever seen |
| 00:31:09 |
[Singing Opera |
| 00:31:17 |
And you can tell |
| 00:31:21 |
This is your song |
| 00:31:25 |
It may be quite simple, but |
| 00:31:28 |
Now that it's done |
| 00:31:30 |
[ Howling ] |
| 00:31:33 |
I hope you don't mind |
| 00:31:35 |
That I put down |
| 00:31:41 |
How wonderful life is |
| 00:31:44 |
Now you're |
| 00:31:52 |
[ Opera Continues ] |
| 00:31:55 |
[Toulouse] |
| 00:31:58 |
[ Holds Note ] |
| 00:32:08 |
[ Laughing ] |
| 00:32:11 |
Oh. |
| 00:32:14 |
I can't believe it. |
| 00:32:17 |
I'm in love. |
| 00:32:19 |
I'm in love with a young, |
| 00:32:21 |
handsome, talented duke. |
| 00:32:25 |
- [ Giggles ] |
| 00:32:27 |
Not that the title's |
| 00:32:31 |
I'm not a duke. |
| 00:32:33 |
- Not a duke? |
| 00:32:35 |
[Music Winds Down] |
| 00:32:38 |
- A writer? |
| 00:32:42 |
-[Satine]No! |
| 00:32:44 |
Oh, no. You're not another of Toulouse's |
| 00:32:48 |
- tragically impoverish protégés? |
| 00:32:51 |
Oh, no! |
| 00:32:53 |
- I'm going to kill him! |
| 00:32:57 |
- Toulouse told me-- |
| 00:32:59 |
- My dear Duke! |
| 00:33:01 |
- The Duke? |
| 00:33:03 |
My dear, are you decent |
| 00:33:06 |
[ Gasping ] |
| 00:33:08 |
Where were you? |
| 00:33:10 |
Mmm. I, uh-- |
| 00:33:12 |
- I was waiting. |
| 00:33:15 |
Allow me to introduce |
| 00:33:18 |
Mmm, monsieur, how wonderful |
| 00:33:24 |
The pleasure, I fear, |
| 00:33:29 |
I'll leave you two squirrels |
| 00:33:32 |
A kiss on the hand |
| 00:33:36 |
[ Chuckles ] |
| 00:33:39 |
- Mmm. |
| 00:33:42 |
Oh. Well. |
| 00:33:44 |
After tonight's |
| 00:33:47 |
you must surely be in need |
| 00:33:50 |
Don't! You... |
| 00:33:53 |
just... |
| 00:33:57 |
Charming. |
| 00:33:59 |
[ Squealing ] |
| 00:34:02 |
I feel like dancing! |
| 00:34:05 |
Yoo! Whoo-whoo! |
| 00:34:07 |
- [ Trilling ] |
| 00:34:11 |
[ Trilling Continues ] |
| 00:34:14 |
Uh-- Uh-- Um-- Um-- |
| 00:34:16 |
Whoop, whoop, whoop, whoo! |
| 00:34:18 |
- You see, I should like |
| 00:34:20 |
It's-- |
| 00:34:24 |
- What is? |
| 00:34:27 |
- feeling... |
| 00:34:31 |
- [ Whispering ] I'm not one of those-- |
| 00:34:33 |
- who can easily... hide! |
| 00:34:36 |
No! |
| 00:34:38 |
I don't have much money, |
| 00:34:40 |
but if I did, |
| 00:34:43 |
where we both could live. |
| 00:34:47 |
[ Whimpering ] |
| 00:34:51 |
- [ Exhales ] |
| 00:34:56 |
I hope you don't mind |
| 00:35:00 |
That I put down |
| 00:35:10 |
How wonderful life is |
| 00:35:15 |
Now you're in |
| 00:35:18 |
The world |
| 00:35:24 |
That's very beautiful. |
| 00:35:28 |
It's from |
| 00:35:31 |
Suddenly, with you here, |
| 00:35:33 |
I finally understood |
| 00:35:36 |
''How wonderful life is |
| 00:35:40 |
What meaning is that, |
| 00:35:42 |
[ Cries Out ] |
| 00:35:45 |
[Weeping] |
| 00:35:48 |
Don't you toy |
| 00:35:51 |
You-- You must know the effect |
| 00:35:55 |
[Sobs] |
| 00:35:57 |
Let's make love! |
| 00:35:59 |
You want to make love, |
| 00:36:02 |
- Make love? |
| 00:36:05 |
[ Gasps, Growls ] |
| 00:36:08 |
[ Moans ] |
| 00:36:12 |
[ Whispering ] |
| 00:36:14 |
Yes, you're right. |
| 00:36:19 |
Wait? Wait? Uh-- |
| 00:36:22 |
There's a power in you |
| 00:36:24 |
- You should go. |
| 00:36:26 |
Yes, but we'll see each other |
| 00:36:30 |
We-We must wait. |
| 00:36:33 |
Get out. |
| 00:36:35 |
Do you have any idea-- |
| 00:36:38 |
if you were found-- |
| 00:36:42 |
[Moaning] |
| 00:36:45 |
Oh! Oh, my G-- |
| 00:36:47 |
Satine. |
| 00:36:51 |
-[Crowd Shouting] |
| 00:36:54 |
Oh, right on target. |
| 00:37:02 |
[ Whispering ] |
| 00:37:06 |
I'll put you in bed. |
| 00:37:14 |
Oh! |
| 00:37:15 |
I forgot my hat. |
| 00:37:17 |
- Foul play? |
| 00:37:20 |
- Oh, Duke. |
| 00:37:23 |
this feeling inside. |
| 00:37:25 |
Beautifully spoken, Duke. |
| 00:37:28 |
- The writer? |
| 00:37:33 |
Ha-ha-ha-ha-ha-ha! |
| 00:37:35 |
You expect me to believe that scantily |
| 00:37:38 |
in the middle of the night, |
| 00:37:42 |
How's the rehearsal going? |
| 00:37:44 |
- Shall we take it from the top, eh? |
| 00:37:48 |
-Sorry. Got held up. |
| 00:37:54 |
Oh, my goodness! |
| 00:37:56 |
When I spoke those words to you |
| 00:38:00 |
Yes, I realized how much work we |
| 00:38:05 |
If you're rehearsing, |
| 00:38:08 |
- We didn't bother Harold. |
| 00:38:12 |
Harold, you made it. It's all right. |
| 00:38:16 |
- Emergency rehearsal? |
| 00:38:19 |
- Hmm? |
| 00:38:22 |
- Audrey's left. |
| 00:38:25 |
Yes, the Duke's already a big fan |
| 00:38:29 |
- That's why he's so keen to invest. |
| 00:38:32 |
Invest! |
| 00:38:35 |
You can hardly blame me |
| 00:38:38 |
- Christian. |
| 00:38:40 |
- I'm way ahead of you, Zidler. |
| 00:38:43 |
Why don't you and I go to my office |
| 00:38:45 |
- What's the story? |
| 00:38:47 |
Well, if I'm to invest, |
| 00:38:50 |
Ah, yes. |
| 00:38:54 |
Toulouse? |
| 00:38:56 |
[ Nervous Laugh ] |
| 00:39:00 |
- Well, it's-it's about-- |
| 00:39:03 |
- Love? |
| 00:39:09 |
And it's set in Switzerland! |
| 00:39:12 |
- Switzerland? |
| 00:39:14 |
India. India! |
| 00:39:18 |
And there's a courtesan. |
| 00:39:21 |
The most beautiful courtesan |
| 00:39:25 |
But her kingdom's invaded |
| 00:39:28 |
In order to save her kingdom, |
| 00:39:33 |
But on the night |
| 00:39:35 |
she mistakes a penniless-- |
| 00:39:39 |
penniless sitar player... |
| 00:39:41 |
for the evil maharajah, |
| 00:39:45 |
He wasn't trying to trick her |
| 00:39:48 |
because he's appearing |
| 00:39:51 |
I will play penniless |
| 00:39:54 |
He will sing like an angel, |
| 00:39:59 |
Yes. Yes, all right. |
| 00:40:03 |
Well, the penniless sitar player |
| 00:40:06 |
they have to hide their love |
| 00:40:08 |
The penniless sitar player's sitar is |
| 00:40:12 |
And-And I will play |
| 00:40:16 |
-[Plunks Note] |
| 00:40:19 |
[Imitating Notes] |
| 00:40:21 |
-And you are-- |
| 00:40:24 |
- And he gives the game away? |
| 00:40:27 |
- Tell him about the cancan. |
| 00:40:30 |
It's an erotic spectacular scene |
| 00:40:33 |
violent, vibrant, |
| 00:40:38 |
that this whole production |
| 00:40:41 |
- What do you mean by that? |
| 00:40:44 |
a magnificent, opulent, |
| 00:40:48 |
gargantuan bedazzlement, |
| 00:40:50 |
a sensual ravishment. |
| 00:40:54 |
- It will be... |
| 00:40:56 |
Spectacular Spectacular! |
| 00:40:59 |
No words in the vernacular |
| 00:41:02 |
Can describe |
| 00:41:05 |
You'll be dumb |
| 00:41:08 |
Returns are fixed |
| 00:41:11 |
You must agree |
| 00:41:14 |
And on top of your fee |
| 00:41:19 |
You'll be involved |
| 00:41:26 |
So exciting, the audience |
| 00:41:29 |
So delighting |
| 00:41:31 |
So exciting, the audience |
| 00:41:34 |
So delighting |
| 00:41:37 |
- Elephants |
| 00:41:39 |
- Indians |
| 00:41:40 |
- Acrobats |
| 00:41:42 |
- Exotic girls |
| 00:41:44 |
-Musclemen, contortionists |
| 00:41:48 |
Electric lights, machinery |
| 00:41:51 |
So exciting, the audience |
| 00:41:53 |
So delighting |
| 00:41:56 |
So exciting, the audience |
| 00:41:59 |
So delighting |
| 00:42:04 |
Spectacular Spectacular |
| 00:42:06 |
Can describe this great event |
| 00:42:10 |
The hills are alive |
| 00:42:14 |
With the sound of music |
| 00:42:17 |
So exciting, the audience |
| 00:42:20 |
So delighting |
| 00:42:23 |
So exciting, the audience |
| 00:42:26 |
So delighting |
| 00:42:31 |
Yes, but what happens |
| 00:42:41 |
[ Gasps ] |
| 00:42:42 |
[ Clears Throat ] |
| 00:42:45 |
The courtesan |
| 00:42:48 |
Are pulled apart |
| 00:42:51 |
But in the end |
| 00:42:54 |
And their love |
| 00:43:02 |
It's a little bit funny |
| 00:43:05 |
This feeling inside |
| 00:43:11 |
So exciting, the audience |
| 00:43:14 |
So delighting |
| 00:43:16 |
The sitar players secret song |
| 00:43:21 |
Though the tyrant rants and rails |
| 00:43:23 |
- [ Whinnying ] |
| 00:43:27 |
- You will not escape! |
| 00:43:31 |
- No ones going to. |
| 00:43:34 |
- So delighting |
| 00:43:40 |
So exciting, the audience |
| 00:43:42 |
So delighting |
| 00:43:47 |
Years |
| 00:43:50 |
[ Screaming ] |
| 00:43:54 |
[Ends] |
| 00:43:57 |
Generally, I like it. |
| 00:43:59 |
[ Cheering ] |
| 00:44:02 |
[Christian Narrating] |
| 00:44:06 |
and the bohemians |
| 00:44:08 |
The end of the century! |
| 00:44:11 |
The bohemian revolution |
| 00:44:14 |
-[Cackling] |
| 00:44:17 |
-No, you won't fool |
| 00:44:22 |
- I love sex. |
| 00:44:24 |
[Guffawing] |
| 00:44:30 |
[Christian] While the celebration |
| 00:44:36 |
But all I could |
| 00:44:38 |
How wonderful life is |
| 00:44:43 |
Was she thinking about me? |
| 00:44:46 |
Now you're in |
| 00:44:50 |
The world |
| 00:44:55 |
[Christian's Voice, Faint] |
| 00:44:57 |
I'm a writer. |
| 00:45:00 |
He wasn't trying to trick her |
| 00:45:03 |
It's about love... |
| 00:45:06 |
overcoming all obstacles. |
| 00:45:22 |
I |
| 00:45:26 |
Follow |
| 00:45:28 |
The night |
| 00:45:35 |
Can't stand |
| 00:45:38 |
The light |
| 00:45:43 |
When will I begin |
| 00:45:50 |
To live again |
| 00:45:57 |
One day I'll fly away |
| 00:46:05 |
Leave all this |
| 00:46:11 |
What more could your love |
| 00:46:17 |
When will love |
| 00:46:19 |
Be through with me |
| 00:46:26 |
Why live life |
| 00:46:28 |
From dream to dream |
| 00:46:32 |
And dread the day |
| 00:46:36 |
When dreaming |
| 00:46:41 |
Ends |
| 00:46:44 |
How wonderful life is |
| 00:46:48 |
Now you're |
| 00:46:51 |
In the world |
| 00:47:12 |
One day I'll fly away |
| 00:47:19 |
Leave all this |
| 00:47:25 |
Why live life |
| 00:47:27 |
From dream to dream |
| 00:47:35 |
And dread the day |
| 00:47:41 |
When dreaming |
| 00:47:47 |
- Ends |
| 00:47:51 |
One day |
| 00:47:53 |
I'll fly away |
| 00:48:02 |
Fly |
| 00:48:05 |
Fly |
| 00:48:10 |
Away |
| 00:48:15 |
- Sorry! |
| 00:48:17 |
I saw-- I saw |
| 00:48:19 |
- I climbed up the-- |
| 00:48:22 |
I couldn't sleep, and I wanted to |
| 00:48:25 |
Oh. Of course. |
| 00:48:29 |
Yes, Toulouse-- |
| 00:48:32 |
You're-- |
| 00:48:35 |
- You're very talented. |
| 00:48:38 |
It's going to be |
| 00:48:40 |
Anyway, I-I'd better go |
| 00:48:43 |
we both have |
| 00:48:46 |
Wait. No, please, wait. |
| 00:48:52 |
Before, when we were-- |
| 00:48:54 |
when we were-- |
| 00:48:56 |
when you thought |
| 00:48:59 |
you said that you loved me, |
| 00:49:02 |
- I fit was just an act? |
| 00:49:05 |
- Of course. |
| 00:49:07 |
It just felt real. |
| 00:49:12 |
Christian, |
| 00:49:17 |
I'm paid to make men believe |
| 00:49:20 |
Yes. |
| 00:49:26 |
Silly of me, to think y-you could |
| 00:49:33 |
- I can't fall in love with anyone. |
| 00:49:37 |
But a life without love, |
| 00:49:40 |
No, being on the street, |
| 00:49:42 |
- No, love is like oxygen. |
| 00:49:55 |
- A girl has got to eat. |
| 00:49:58 |
- She'll end up on the street. |
| 00:50:03 |
Love is just a game |
| 00:50:05 |
I was made for loving you, baby |
| 00:50:10 |
The only way |
| 00:50:13 |
Is to pay a lovely fee |
| 00:50:15 |
Just one night |
| 00:50:19 |
There's no way |
| 00:50:23 |
- In the name of love |
| 00:50:27 |
One night |
| 00:50:30 |
You crazy fool |
| 00:50:35 |
Don't-- |
| 00:50:40 |
I can't survive |
| 00:50:45 |
Oh, baby |
| 00:50:48 |
Don't leave me this way |
| 00:50:53 |
You'd think that people |
| 00:50:57 |
Of silly love songs |
| 00:51:00 |
I look around me |
| 00:51:04 |
It isn't so |
| 00:51:07 |
Some people want to |
| 00:51:10 |
With silly love songs |
| 00:51:12 |
Well, what's wrong |
| 00:51:15 |
I'd like to know |
| 00:51:18 |
'Cause here I go again |
| 00:51:23 |
Oh, no! |
| 00:51:25 |
Love lifts us up |
| 00:51:29 |
- Get down! Get down! |
| 00:51:33 |
On a mountain high |
| 00:51:37 |
Love makes us act |
| 00:51:42 |
Throw our lives away |
| 00:51:45 |
For one happy day |
| 00:51:47 |
We could be heroes |
| 00:51:51 |
Just for one day |
| 00:51:53 |
You |
| 00:51:56 |
No, I won't. |
| 00:51:59 |
And I |
| 00:52:02 |
I'll drink all the time. |
| 00:52:06 |
We should be lovers |
| 00:52:10 |
We can't do that |
| 00:52:13 |
We should be lovers |
| 00:52:17 |
And that's a fact |
| 00:52:21 |
Though nothing |
| 00:52:24 |
Will keep us together |
| 00:52:28 |
We could steal time |
| 00:52:31 |
Just for one day |
| 00:52:35 |
We could be heroes |
| 00:52:38 |
Forever and ever |
| 00:52:42 |
We could be heroes |
| 00:52:45 |
Forever and ever |
| 00:52:49 |
We could be heroes |
| 00:52:52 |
Just because |
| 00:52:55 |
I |
| 00:53:01 |
Will always love you |
| 00:53:04 |
I |
| 00:53:09 |
Can't help loving |
| 00:53:13 |
You |
| 00:53:16 |
How wonderful |
| 00:53:21 |
Now you're in |
| 00:53:24 |
The world |
| 00:53:29 |
You're gonna be bad for business. |
| 00:53:38 |
[Singing Opera |
| 00:53:55 |
How wonderful |
| 00:53:58 |
Life is |
| 00:54:03 |
Now you're in |
| 00:54:08 |
The world |
| 00:54:15 |
[Typewriter Clicking] |
| 00:54:16 |
[Typewriter Clicking] |
| 00:54:17 |
[Christian Narrating]How wonderful |
| 00:54:22 |
[Faint Ghostly Singing] |
| 00:54:26 |
But in the Duke, |
| 00:54:29 |
Zidler had gotten much more |
| 00:54:34 |
The conversion of the |
| 00:54:39 |
So in return, |
| 00:54:42 |
that, um, uh, |
| 00:54:45 |
exclusively. |
| 00:54:47 |
Naturally, I shall require |
| 00:54:50 |
I shall require the deeds |
| 00:54:53 |
My dear Duke, I-- |
| 00:54:55 |
Please! Don't think |
| 00:54:59 |
I shall hold the deeds |
| 00:55:02 |
- And if there are any shenanigans, |
| 00:55:04 |
my manservant Warner... |
| 00:55:10 |
will deal with it |
| 00:55:13 |
that you underworld |
| 00:55:15 |
Satine will be mine. |
| 00:55:17 |
It's not that I'm |
| 00:55:20 |
I just don't like... |
| 00:55:22 |
other people |
| 00:55:25 |
[ Exhales ] |
| 00:55:30 |
I... understand... |
| 00:55:33 |
completely, Duke. |
| 00:55:37 |
Good. Now that we have |
| 00:55:40 |
it would appear that, uh, |
| 00:55:43 |
to transform |
| 00:55:47 |
Into a theater! |
| 00:55:50 |
I shall woo Satine |
| 00:55:55 |
We will have created... |
| 00:55:57 |
the world's first |
| 00:56:01 |
entirely electric, |
| 00:56:03 |
totally bohemian, |
| 00:56:07 |
stage spectacular! |
| 00:56:12 |
[Screaming, Murmuring] |
| 00:56:15 |
The show must go on! |
| 00:56:18 |
[Christian] |
| 00:56:21 |
but Satine would not attend the supper |
| 00:56:25 |
You have betrayed me! |
| 00:56:27 |
Mad with jealousy, the evil maharajah |
| 00:56:30 |
to make the penniless sitar player |
| 00:56:33 |
Oh, yes! Of course! |
| 00:56:35 |
''Thank you for curing me of |
| 00:56:38 |
says the penniless sitar player, |
| 00:56:43 |
- No! No! |
| 00:56:45 |
- [ Laughing ] |
| 00:56:48 |
Oh, but a life without love, |
| 00:56:50 |
- Yes, but the sitar player... |
| 00:56:54 |
with the magical sitar-- |
| 00:56:55 |
That's my part, Christian! |
| 00:56:59 |
- Don't you dare. No. |
| 00:57:02 |
His magic sitar, who can |
| 00:57:05 |
[Christian] ''The greatest thing |
| 00:57:09 |
and be loved in return. '' |
| 00:57:13 |
- [ Gasps ] |
| 00:57:15 |
Oh, well, we have so much to do, |
| 00:57:17 |
Well, if the young writer |
| 00:57:19 |
I don't why see why you both |
| 00:57:22 |
- So the magical sitar player |
| 00:57:28 |
The greatest thing |
| 00:57:31 |
- [ Gasps ] |
| 00:57:33 |
- Master... |
| 00:57:35 |
make... contract. |
| 00:57:37 |
Oh, my dear, sweet Duke. |
| 00:57:40 |
Been trilling them |
| 00:57:42 |
[Christian] |
| 00:57:44 |
it was almost too easy for |
| 00:57:47 |
to invent perfectly legitimate reasons |
| 00:57:52 |
Mademoiselle Satine, I haven't quite |
| 00:57:57 |
The ''Will the Lovers Be Meeting at |
| 00:58:02 |
I wondered if I could work on it |
| 00:58:05 |
But, my dear, I've arranged |
| 00:58:10 |
It's not important. |
| 00:58:12 |
Oh, how dare you! |
| 00:58:15 |
The ''Lovers Will Be Meeting in the |
| 00:58:18 |
is the most important |
| 00:58:20 |
We will work on it tonight |
| 00:58:23 |
- B-B-But, my dear-- |
| 00:58:28 |
I'm sorry. |
| 00:58:30 |
[Woman Singing In Hindi] |
| 00:58:33 |
[Zidler] |
| 00:58:35 |
Bright and early tomorrow morning, |
| 00:58:38 |
the lovers are discovered. |
| 00:58:41 |
- Zidler. |
| 00:58:44 |
Everything is arranged for that special |
| 00:58:48 |
You might as well eat it yourself, |
| 00:58:51 |
- Impossible. |
| 00:58:54 |
but she's always at it |
| 00:58:58 |
If I don't see her tonight, |
| 00:59:02 |
No, dear Duke! |
| 00:59:06 |
All right. All right. |
| 00:59:11 |
8:00, then. |
| 00:59:15 |
- [ Giggles ] |
| 00:59:19 |
Yes. |
| 00:59:31 |
- [ Whispering ] What time? |
| 00:59:34 |
- Promise? |
| 00:59:36 |
Go! |
| 00:59:38 |
- [ Gasps ] |
| 00:59:41 |
The Duke holds the deeds |
| 00:59:44 |
He's spending |
| 00:59:47 |
He's given you a beautiful new dressing |
| 00:59:52 |
- And you're dallying with the writer. |
| 00:59:55 |
Harold, don't be ridicu-- |
| 00:59:57 |
I saw you together! |
| 01:00:01 |
It's nothing. |
| 01:00:03 |
It's just an infatuation. |
| 01:00:06 |
[ Whispers ] |
| 01:00:08 |
The ''infatuation'' will end. |
| 01:00:13 |
Go to the boy. |
| 01:00:18 |
The Duke is expecting you |
| 01:00:27 |
[Satine] |
| 01:00:31 |
This very moment |
| 01:00:35 |
I wouldn't fear |
| 01:00:37 |
For I've never known |
| 01:00:40 |
Completeness |
| 01:00:43 |
Like being here |
| 01:00:48 |
Wrapped in |
| 01:00:53 |
Loving |
| 01:00:55 |
[Whispers] |
| 01:00:58 |
Why live life |
| 01:01:03 |
From dream |
| 01:01:05 |
To dream |
| 01:01:11 |
And dread the day |
| 01:01:16 |
[ Wheezing, Panting ] |
| 01:01:21 |
-[Christian]How could I know, |
| 01:01:24 |
-in those last, fatal days, |
| 01:01:28 |
[ Coughs ] |
| 01:01:30 |
[ Continues Panting ] |
| 01:01:32 |
that a force |
| 01:01:37 |
[ Gasps, Coughs ] |
| 01:01:39 |
and stronger than love... |
| 01:01:42 |
had begun to take hold |
| 01:01:47 |
[Coughing Intensifies] |
| 01:01:50 |
[ Gasps ] |
| 01:01:54 |
Where is she? |
| 01:02:05 |
-[Marie]Do you think she'll |
| 01:02:21 |
Confessing? What kind of imbecile |
| 01:02:25 |
She suddenly had |
| 01:02:28 |
to go to a priest and-- |
| 01:02:31 |
and confess her sins. |
| 01:02:34 |
- What? |
| 01:02:38 |
She looked upon tonight |
| 01:02:41 |
She looked upon tonight |
| 01:02:42 |
- Her wedding night? |
| 01:02:46 |
She says you make her |
| 01:02:50 |
virgin. |
| 01:02:53 |
Virgin? |
| 01:02:55 |
You know. Touched... |
| 01:03:00 |
The first-- |
| 01:03:02 |
She says it feels |
| 01:03:06 |
when you hold her... |
| 01:03:09 |
and you touch her. |
| 01:03:13 |
Like a virgin. |
| 01:03:15 |
She's made it through the wilderness |
| 01:03:20 |
She didn't know |
| 01:03:23 |
Until she found you |
| 01:03:28 |
She was beat, incomplete |
| 01:03:31 |
She had been had |
| 01:03:36 |
But you made her feel |
| 01:03:40 |
Yes, you ma-a-a-de her feel |
| 01:03:43 |
Shiny and new, ohhh |
| 01:03:48 |
Like a virgin |
| 01:03:51 |
Touched for |
| 01:03:54 |
Like a vir-ir-ir-irgin |
| 01:03:57 |
Your hearts beat |
| 01:04:00 |
- Gonna give you all her love |
| 01:04:03 |
- Her fear is fading fast |
| 01:04:06 |
- She's saving it all for you |
| 01:04:08 |
- Only love can last |
| 01:04:11 |
- She's so fine and she's thine |
| 01:04:14 |
- She'll be yours |
| 01:04:15 |
Till the end of time |
| 01:04:19 |
Yes, you ma-a-a-a-ade |
| 01:04:22 |
She has nothing to hide |
| 01:04:26 |
- Like a virgin |
| 01:04:27 |
- Touched for the very first time |
| 01:04:30 |
- Touched for the very first |
| 01:04:34 |
- When your hearts beat both in time |
| 01:04:36 |
- Like a virgin |
| 01:04:39 |
- Feels so good inside |
| 01:04:44 |
And you touch her |
| 01:04:47 |
- Ohhh! |
| 01:04:54 |
Ohh-ohhh! |
| 01:04:56 |
[ Whimpers ] |
| 01:05:22 |
She's so fine |
| 01:05:26 |
Makes me strong |
| 01:05:29 |
Now, her love thawed out |
| 01:05:32 |
Yes, her lo-o-o-o-ove |
| 01:05:35 |
What was scared and cold |
| 01:05:42 |
- Like a virgin! |
| 01:05:44 |
Touched for |
| 01:05:47 |
[Zidler] |
| 01:05:50 |
When your hearts beat |
| 01:05:53 |
- Like a virgin! |
| 01:05:56 |
Feels so good inside |
| 01:05:58 |
- Feels so good inside |
| 01:06:01 |
When you hold her |
| 01:06:05 |
- Ahh-ahh-ahh-ahh-ahh |
| 01:06:11 |
- Ahhhhhh |
| 01:06:15 |
[ Harmonizing ] |
| 01:06:21 |
La la la |
| 01:06:24 |
La la la |
| 01:06:32 |
[Typing] |
| 01:06:34 |
[Christian]Harold Zidler's brilliant |
| 01:06:40 |
But no lie, |
| 01:06:43 |
could save Satine. |
| 01:06:50 |
Monsieur Zidler, |
| 01:06:55 |
She has consumption. |
| 01:07:00 |
My little sparrow is dying? |
| 01:07:07 |
[Zidler] |
| 01:07:10 |
The show must go on. |
| 01:07:15 |
[Christian]All night |
| 01:07:20 |
and now, |
| 01:07:22 |
he felt the cold stab |
| 01:07:25 |
[Coughs] |
| 01:07:31 |
Where were you last night? |
| 01:07:36 |
I told you. |
| 01:07:44 |
You don't have to |
| 01:07:46 |
[ Sighs ] |
| 01:07:50 |
We have to end it. |
| 01:07:54 |
Everyone knows. |
| 01:07:58 |
Harold knows. |
| 01:08:01 |
Sooner or later |
| 01:08:12 |
On opening night, |
| 01:08:19 |
And the jealousy |
| 01:08:29 |
- [ Whispers ] Christian. |
| 01:08:32 |
We'll put it in the show, and no matter |
| 01:08:35 |
whenever you hear it or when you sing it |
| 01:08:38 |
then you'll know it'll mean |
| 01:08:42 |
- I won't get jealous. |
| 01:08:46 |
We have to end it. |
| 01:08:48 |
We have to end it. |
| 01:08:54 |
[ Sighs ] |
| 01:09:05 |
Never knew |
| 01:09:09 |
I could feel like this |
| 01:09:15 |
Like I've never |
| 01:09:22 |
Before |
| 01:09:25 |
Want to vanish |
| 01:09:27 |
Inside your kiss |
| 01:09:33 |
Now, uh, this new scene |
| 01:09:37 |
writes a secret song |
| 01:09:40 |
so that whatever is happening, |
| 01:09:43 |
th-they remember their love, |
| 01:09:45 |
We could take it |
| 01:09:48 |
So let's take it-- |
| 01:09:50 |
- [ Whispering ] We must be careful. |
| 01:09:53 |
We will conduct our love affair |
| 01:09:56 |
Seasons may change |
| 01:10:00 |
Winter to spring |
| 01:10:03 |
Honestly, amigo, |
| 01:10:06 |
But I love you |
| 01:10:09 |
Until the end |
| 01:10:13 |
Of time |
| 01:10:16 |
Come what may |
| 01:10:23 |
Come what may |
| 01:10:30 |
I will love you |
| 01:10:34 |
Until my dying |
| 01:10:40 |
Day |
| 01:10:47 |
Suddenly the world |
| 01:10:50 |
Seems such |
| 01:10:53 |
- My dear! A little frog! |
| 01:10:55 |
Suddenly it moves |
| 01:10:57 |
With such a perfect grace |
| 01:11:01 |
Suddenly my life |
| 01:11:05 |
Such a waste |
| 01:11:10 |
It all revolves |
| 01:11:11 |
Around you |
| 01:11:15 |
[ Christian, Satine ] |
| 01:11:19 |
No river too wide |
| 01:11:23 |
Sing out this song |
| 01:11:25 |
And I'll be there |
| 01:11:30 |
Storm clouds may gather |
| 01:11:34 |
And stars may collide |
| 01:11:41 |
- But I love you |
| 01:11:44 |
- Until the end |
| 01:11:47 |
[ Together] |
| 01:11:50 |
Come what may |
| 01:11:57 |
Come what may |
| 01:12:04 |
I will love |
| 01:12:10 |
You |
| 01:12:19 |
[Typing] |
| 01:12:24 |
[ Panting ] |
| 01:12:30 |
The magical sitar player |
| 01:12:32 |
''The greatest thing |
| 01:12:36 |
is just to love |
| 01:12:40 |
This ending's silly. |
| 01:12:43 |
Why would the courtesan |
| 01:12:46 |
Whoops! |
| 01:12:54 |
[Orchestra] |
| 01:12:56 |
[Chorus] |
| 01:13:02 |
Come |
| 01:13:04 |
Come what may |
| 01:13:08 |
- Yes, I will love you |
| 01:13:12 |
Come what may |
| 01:13:16 |
For I will love you |
| 01:13:20 |
Until my dying |
| 01:13:25 |
Day |
| 01:13:29 |
[ Ends ] |
| 01:13:31 |
[ Ends ] |
| 01:13:33 |
I don't like this ending. |
| 01:13:40 |
Don't like the ending, |
| 01:13:42 |
Why would the courtesan choose |
| 01:13:46 |
over the maharajah, |
| 01:13:48 |
who is offering |
| 01:13:51 |
That's real love. |
| 01:13:54 |
Once the sitar player |
| 01:13:57 |
he will leave the courtesan |
| 01:14:00 |
I suggest that in the end |
| 01:14:04 |
B-But, sorry-- |
| 01:14:07 |
Sorry, but that ending |
| 01:14:13 |
I don't care about |
| 01:14:15 |
Why shouldn't the courtesan |
| 01:14:19 |
Because she doesn't love you! |
| 01:14:25 |
H-Him. |
| 01:14:28 |
H-Him. Sh-She doesn't love h-- |
| 01:14:38 |
[ Whispers ] |
| 01:14:48 |
Monsieur Zidler, |
| 01:14:53 |
with the courtesan |
| 01:14:57 |
and without |
| 01:15:03 |
It will be rehearsed |
| 01:15:05 |
ready for the opening |
| 01:15:08 |
M-My dear Duke, |
| 01:15:11 |
Harold! Oh! |
| 01:15:14 |
The poor Duke is |
| 01:15:19 |
These silly writers let their |
| 01:15:29 |
Now, why don't you and I... |
| 01:15:33 |
have a little supper, |
| 01:15:37 |
and then afterwards... |
| 01:15:40 |
we can let |
| 01:15:42 |
how we would prefer |
| 01:15:45 |
Hmm? |
| 01:15:54 |
Thank you, Elizabeth. |
| 01:15:58 |
I don't want you |
| 01:16:01 |
[ Sighs ] |
| 01:16:05 |
[ Laughing, Chattering ] |
| 01:16:10 |
It's for us. |
| 01:16:14 |
You promised. |
| 01:16:18 |
You promised to me you wouldn't |
| 01:16:28 |
It will be all right. |
| 01:16:30 |
Yes, it will. |
| 01:16:34 |
- He's waiting. |
| 01:16:50 |
Come |
| 01:16:53 |
What may |
| 01:17:12 |
Come what may. |
| 01:17:25 |
[Christian]She had gone |
| 01:17:29 |
and for our part... |
| 01:17:32 |
we could do nothing |
| 01:17:39 |
My dear Duke, I hope |
| 01:18:01 |
-[Cough] |
| 01:18:05 |
Don't worry, Shakespeare. |
| 01:18:08 |
You'll get your ending |
| 01:18:11 |
end in. |
| 01:18:14 |
- Hey, hey! Nini! No! |
| 01:18:19 |
[Nini Gasping, Panting] |
| 01:18:25 |
Never fall in love with a woman |
| 01:18:29 |
It always ends bad! |
| 01:18:39 |
The boy has a ridiculous |
| 01:18:43 |
I mean, I indulge his fantasy |
| 01:18:47 |
We need him, |
| 01:18:50 |
but only until |
| 01:18:53 |
We have a dance... |
| 01:19:02 |
in the brothels |
| 01:19:20 |
It tells the story... |
| 01:19:28 |
- of a prostitute... |
| 01:19:31 |
[Murmuring, Whistling] |
| 01:19:36 |
[ Laughs ] |
| 01:19:47 |
and a man... |
| 01:19:51 |
who falls in love... |
| 01:19:55 |
with her. |
| 01:20:02 |
[Violin: Sustained Note] |
| 01:20:07 |
[Full Orchestra: Tango] |
| 01:20:13 |
First there is desire. |
| 01:20:23 |
Then passion. |
| 01:20:32 |
Then suspicion. |
| 01:20:39 |
Jealousy! Anger! |
| 01:20:41 |
Betrayal! |
| 01:20:43 |
Where love is for the highest bidder, |
| 01:20:46 |
Without trust, |
| 01:20:50 |
Jealousy. |
| 01:20:52 |
Yes, jealousy... |
| 01:20:55 |
will drive you mad! |
| 01:20:59 |
Roxanne |
| 01:21:06 |
You don't have to |
| 01:21:11 |
Walk the streets |
| 01:21:14 |
You don't care if it's wrong |
| 01:21:19 |
Roxanne |
| 01:21:23 |
You don't have to |
| 01:21:28 |
Roxanne |
| 01:21:32 |
You don't have to |
| 01:21:37 |
His eyes upon your face |
| 01:21:42 |
-His hand |
| 01:21:44 |
Upon your hand |
| 01:21:46 |
His lips |
| 01:21:48 |
Caress your skin |
| 01:21:51 |
It's more than I can stand |
| 01:21:57 |
Oh |
| 01:21:59 |
-Roxanne |
| 01:22:03 |
My heart cry |
| 01:22:07 |
Roxanne |
| 01:22:10 |
Feelings I can't fight |
| 01:22:16 |
- [ Coughs ] |
| 01:22:18 |
To leave me |
| 01:22:20 |
But just don't |
| 01:22:24 |
And please |
| 01:22:26 |
Believe me when I say |
| 01:22:30 |
I love you |
| 01:22:34 |
When this production succeeds, |
| 01:22:37 |
you will no longer |
| 01:22:41 |
but an actress. |
| 01:22:44 |
I will make you... |
| 01:22:47 |
a star. |
| 01:22:58 |
Accept it... |
| 01:23:00 |
as a gift |
| 01:23:02 |
to his courtesan. |
| 01:23:04 |
[ Sighs ] |
| 01:23:06 |
Oh, and-- |
| 01:23:11 |
and the ending? |
| 01:23:16 |
Let Zidler keep... |
| 01:23:18 |
his fairy tale ending. |
| 01:23:20 |
- Roxanne |
| 01:23:23 |
- Does my heart cry |
| 01:23:29 |
-Roxanne |
| 01:23:33 |
- I can't fight |
| 01:23:37 |
-Roxanne |
| 01:23:40 |
To leave me |
| 01:23:41 |
But just don't |
| 01:23:45 |
And please |
| 01:23:47 |
Believe me when I say |
| 01:23:52 |
I love you |
| 01:24:00 |
Come what |
| 01:24:02 |
May |
| 01:24:07 |
I will love you |
| 01:24:13 |
Till my dying |
| 01:24:20 |
Day |
| 01:24:23 |
No. |
| 01:24:26 |
No? |
| 01:24:29 |
Oh, I see. |
| 01:24:32 |
It's our very own |
| 01:24:38 |
[ Sighs, Sobs ] |
| 01:24:40 |
Silence! |
| 01:24:42 |
- [ Gasps, Cries Out ] |
| 01:24:45 |
You made me believe |
| 01:24:50 |
No. |
| 01:24:54 |
[Orchestra Resumes] |
| 01:25:03 |
- Roxanne |
| 01:25:07 |
-Does my heart |
| 01:25:09 |
Cry |
| 01:25:12 |
Feelings |
| 01:25:15 |
I can't hide |
| 01:25:19 |
- [ Gasps ] |
| 01:25:21 |
Does my heart cry |
| 01:25:26 |
- Roxanne |
| 01:25:30 |
- You don't have to |
| 01:25:34 |
Why |
| 01:25:36 |
Does my heart |
| 01:25:41 |
Cry |
| 01:25:44 |
[ Screams ] |
| 01:25:47 |
Roxanne |
| 01:25:49 |
Feelings |
| 01:25:51 |
I can't |
| 01:25:54 |
Hide |
| 01:25:56 |
[ Screaming ] |
| 01:25:59 |
[Argentinean] |
| 01:26:07 |
- [ Gasps ] |
| 01:26:32 |
[Door Opens] |
| 01:26:34 |
[ Sobbing ] |
| 01:26:35 |
[ Sobbing ] |
| 01:26:37 |
- [ Sighs ] |
| 01:26:39 |
I saw you there and I-- |
| 01:26:41 |
I felt differently, |
| 01:26:45 |
And the Duke, he saw. |
| 01:26:48 |
He saw, and he-- |
| 01:26:53 |
Christian, I love you. |
| 01:26:55 |
It's okay. |
| 01:26:58 |
I couldn't deal with it. |
| 01:27:01 |
I didn't want to lie. |
| 01:27:04 |
And he knows. |
| 01:27:06 |
- He knows, and he saw you. |
| 01:27:08 |
You don't have to pretend anymore. |
| 01:27:10 |
We'll leave tonight. |
| 01:27:13 |
Leave? Wh-- |
| 01:27:15 |
Wh-- The show? Wh-- |
| 01:27:19 |
I don't care. |
| 01:27:21 |
I don't care about the show. |
| 01:27:25 |
We have each other, |
| 01:27:27 |
and that's all that matters. |
| 01:27:30 |
Yes. |
| 01:27:32 |
As long as |
| 01:27:38 |
- We have each other. |
| 01:27:41 |
Take Miss Satine to her dressing room |
| 01:27:44 |
- No one must see you. |
| 01:27:46 |
- Darling, you go and pack, |
| 01:27:54 |
It's the boy. He-- |
| 01:27:59 |
I want her back, Zidler. |
| 01:28:01 |
Find her-- |
| 01:28:05 |
Tell her... |
| 01:28:07 |
that the show |
| 01:28:11 |
and she will come to me |
| 01:28:17 |
or I'll have the boy killed. |
| 01:28:20 |
Killed? |
| 01:28:27 |
Killed. |
| 01:28:38 |
[ Gasps ] |
| 01:28:40 |
Forgive the intrusion, |
| 01:28:43 |
You're wasting your time, |
| 01:28:45 |
Stop it. |
| 01:28:47 |
The Duke |
| 01:28:51 |
[ Gasps ] |
| 01:28:53 |
The Duke |
| 01:28:55 |
Unless you do his ending |
| 01:28:58 |
the Duke |
| 01:29:06 |
[ Sighing ] |
| 01:29:09 |
[ Sniffs ] |
| 01:29:14 |
He can't scare us. |
| 01:29:16 |
He's a powerful man. |
| 01:29:24 |
- [ Grunts ] |
| 01:29:26 |
I don't need you anymore! |
| 01:29:28 |
All my life you've made me |
| 01:29:33 |
But Christian loves me. |
| 01:29:36 |
He loves me, Harold. |
| 01:29:38 |
He loves me, |
| 01:29:41 |
and that is |
| 01:29:43 |
We're going away |
| 01:29:45 |
away from the Duke, |
| 01:29:50 |
Good-bye, Harold. |
| 01:29:52 |
You're dying, Satine. |
| 01:29:54 |
[ Gasps ] |
| 01:29:59 |
You're dying. |
| 01:30:01 |
[ Panting, Coughs ] |
| 01:30:09 |
[ Exhales ] |
| 01:30:11 |
[ Whispers ] |
| 01:30:13 |
No, my love. |
| 01:30:18 |
Marie? |
| 01:30:36 |
I'm dying. |
| 01:30:45 |
I was a fool |
| 01:30:48 |
To |
| 01:30:51 |
Believe |
| 01:30:55 |
A fool |
| 01:30:58 |
To |
| 01:31:00 |
Believe |
| 01:31:04 |
It all ends |
| 01:31:09 |
Today |
| 01:31:12 |
Yes, it all |
| 01:31:15 |
Ends |
| 01:31:20 |
Today |
| 01:31:26 |
[Zidler] |
| 01:31:30 |
Only you can save him. |
| 01:31:33 |
[Bird Chirping] |
| 01:31:38 |
He'll fight for me. |
| 01:31:40 |
Yes, unless he believes |
| 01:31:44 |
What? |
| 01:31:47 |
You're a great actress, |
| 01:31:50 |
Make him believe |
| 01:31:52 |
[ Inhales ] |
| 01:31:55 |
Use your talent |
| 01:31:59 |
Hurt him. |
| 01:32:02 |
Hurt him to save him. |
| 01:32:05 |
There is no other way. |
| 01:32:09 |
The show must go on, |
| 01:32:13 |
We're creatures |
| 01:32:16 |
We can't afford to love. |
| 01:32:22 |
Today's |
| 01:32:26 |
The day |
| 01:32:29 |
[ Zidler, Satine, Chorus ] |
| 01:32:36 |
[ Solo ] |
| 01:32:49 |
[ Spoken Verse ] |
| 01:32:52 |
another mindless crime... |
| 01:32:55 |
behind the curtain... |
| 01:32:59 |
in the pantomime. |
| 01:33:04 |
On and on |
| 01:33:07 |
Does anybody know |
| 01:33:12 |
[ Zidler, Chorus ] |
| 01:33:16 |
We leave it all |
| 01:33:19 |
Another heartache |
| 01:33:22 |
Another failed romance |
| 01:33:27 |
On and on |
| 01:33:30 |
Does anybody know |
| 01:33:32 |
What we are living for |
| 01:33:38 |
The show must go on |
| 01:33:43 |
The show must go on |
| 01:33:50 |
Outside |
| 01:33:53 |
On the stage |
| 01:33:55 |
That holds |
| 01:34:00 |
The show must go on |
| 01:34:06 |
The show must go on |
| 01:34:13 |
Inside |
| 01:34:18 |
My makeup |
| 01:34:19 |
May be flaking |
| 01:34:23 |
But my smile |
| 01:34:26 |
Still stays on |
| 01:34:30 |
[Zidler, Chorus] |
| 01:34:36 |
The show must go on |
| 01:34:42 |
I'll top the bill |
| 01:34:46 |
I have to find the will |
| 01:34:50 |
On with the |
| 01:34:51 |
On with the |
| 01:34:54 |
On with the |
| 01:34:57 |
Show |
| 01:35:00 |
[Zidler] |
| 01:35:05 |
[Zidler] |
| 01:35:11 |
[Chorus] |
| 01:35:13 |
-Must go on |
| 01:35:17 |
Must go |
| 01:35:20 |
On |
| 01:35:45 |
What's wrong? |
| 01:35:47 |
I'm staying with the Duke. |
| 01:35:50 |
After I left you, |
| 01:35:53 |
and he offered me |
| 01:35:55 |
Everything that I've |
| 01:35:58 |
He has one condition. |
| 01:36:01 |
I must never see you again. |
| 01:36:05 |
- I'm sorry. |
| 01:36:09 |
- You knew who I was. |
| 01:36:12 |
I don't expect you |
| 01:36:14 |
The difference between you and I is |
| 01:36:18 |
But this is my home. |
| 01:36:23 |
- The Moulin Rouge is my home. |
| 01:36:28 |
There must be something else. |
| 01:36:31 |
[ Gasping, Panting ] |
| 01:36:33 |
There's something the matter. Tell me |
| 01:36:36 |
- Tell me the truth! Tell me the truth! |
| 01:36:39 |
The truth? |
| 01:36:45 |
The truth is, |
| 01:36:47 |
I am the Hindu courtesan... |
| 01:36:52 |
and I choose the maharajah. |
| 01:36:55 |
[Thunder Crashing, |
| 01:36:57 |
That's how the story |
| 01:37:04 |
[Thunder Continues Crashing, |
| 01:37:10 |
Jealousy has driven him mad! |
| 01:37:31 |
Satine! |
| 01:37:35 |
Satine! |
| 01:37:42 |
Satine! |
| 01:37:45 |
[ Grunting ] |
| 01:38:18 |
Things aren't always |
| 01:38:21 |
Things are exactly |
| 01:38:24 |
Christian, you may see me only as |
| 01:38:29 |
whose friends are just pimps |
| 01:38:33 |
but I know |
| 01:38:37 |
if only because I long for it |
| 01:38:42 |
She loves you. I know it. |
| 01:38:47 |
Go away, Toulouse. |
| 01:38:53 |
Go away. |
| 01:38:58 |
Go away! |
| 01:39:10 |
[Christian]I wanted to shut out |
| 01:39:14 |
but he had filled me |
| 01:39:16 |
[Door Shuts] |
| 01:39:18 |
And there was only one way |
| 01:39:22 |
I had to know. |
| 01:39:25 |
So I returned... |
| 01:39:27 |
to the Moulin Rouge... |
| 01:39:30 |
one... |
| 01:39:31 |
last... |
| 01:39:33 |
time. |
| 01:39:34 |
time. |
| 01:39:49 |
She's mine! |
| 01:39:52 |
[Audience Cheering] |
| 01:39:58 |
[ Toulouse ] I only speak the truth |
| 01:40:02 |
I only speak the truth |
| 01:40:06 |
I only speak the truth! |
| 01:40:10 |
[ Singing In Hindi ] |
| 01:40:14 |
[ Continues ] |
| 01:40:53 |
-[Ends] |
| 01:40:57 |
[ Vocalizing High Notes ] |
| 01:41:05 |
[ Continues ] |
| 01:41:12 |
[ Gasps, Coughs ] |
| 01:41:16 |
[Recedes] |
| 01:41:18 |
- [ Panting ] |
| 01:41:20 |
[Resumes] |
| 01:41:27 |
Kiss |
| 01:41:29 |
Hand |
| 01:41:31 |
Diamonds |
| 01:41:32 |
Best friend |
| 01:41:35 |
Kiss |
| 01:41:37 |
Grand |
| 01:41:40 |
Diamonds |
| 01:41:41 |
Best friend |
| 01:41:44 |
Men |
| 01:41:46 |
Cold |
| 01:41:49 |
Girls, old |
| 01:41:52 |
And we all |
| 01:41:56 |
In the end |
| 01:42:01 |
[ Vocalizing ] |
| 01:42:09 |
Diamonds are a |
| 01:42:12 |
Diamonds are a |
| 01:42:15 |
Diamonds are a |
| 01:42:17 |
Diamonds are a |
| 01:42:19 |
Diamonds are a |
| 01:42:21 |
Diamonds are a |
| 01:42:24 |
[Tempo Slows] |
| 01:42:34 |
Girl's |
| 01:42:37 |
Best |
| 01:42:41 |
Friend |
| 01:42:46 |
She is mine. |
| 01:42:48 |
[ Whispers ] |
| 01:43:00 |
-[Ends] |
| 01:43:08 |
I know she still loves him. |
| 01:43:12 |
How about one of them |
| 01:43:14 |
Then you agree something is wrong. |
| 01:43:19 |
[Zidler Shouts] |
| 01:43:21 |
I raise high |
| 01:43:26 |
and welcome my loyal subjects |
| 01:43:30 |
in celebration... |
| 01:43:32 |
- [ Coughing ] |
| 01:43:35 |
What a magnificent |
| 01:43:38 |
A little bit more for me. |
| 01:43:41 |
[ Panting, Gasping ] |
| 01:43:44 |
The boy's here. |
| 01:43:47 |
I told Satine that if Christian were |
| 01:43:50 |
He very soon will be. |
| 01:44:01 |
-[Cheering, Applause Continue] |
| 01:44:04 |
That's it. That's why she's |
| 01:44:07 |
That's it, that's it. |
| 01:44:09 |
Christian! |
| 01:44:12 |
No! Aah! |
| 01:44:13 |
Aaah! God! |
| 01:44:16 |
- I've come to pay my bill. |
| 01:44:21 |
You shouldn't be here, |
| 01:44:25 |
Just leave. |
| 01:44:29 |
Killed. Killed? |
| 01:44:32 |
- [ Wheezes ] |
| 01:44:38 |
- [ Gasps ] |
| 01:44:40 |
Why shouldn't I pay you? |
| 01:44:42 |
- Please, Christian. |
| 01:44:45 |
[Zidler]Jealousy has driven |
| 01:44:48 |
- You did your job so very well. |
| 01:44:52 |
The boy's taken Satine. |
| 01:44:54 |
Why can't I pay you |
| 01:44:58 |
[ Panting ] Don't, Christian. |
| 01:45:02 |
- [ Continues Panting ] |
| 01:45:06 |
But I have found them! |
| 01:45:08 |
- Stop him, stop him, stop him! |
| 01:45:11 |
- [ Screams ] |
| 01:45:13 |
[ Gasps ] |
| 01:45:16 |
- If it wasn't real, |
| 01:45:20 |
Christian! Christian! |
| 01:45:22 |
Open the doors! |
| 01:45:27 |
Let me pay! |
| 01:45:30 |
- Open the doors! |
| 01:45:33 |
- Tell me you don't love me! |
| 01:45:35 |
- Tell me you don't love me! |
| 01:45:38 |
Tell me you don't love me! |
| 01:45:41 |
[ Audience Gasping, |
| 01:45:43 |
[Woman] |
| 01:45:45 |
[ Whimpers ] |
| 01:45:59 |
Ha ha ha! |
| 01:46:02 |
I am not fooled! |
| 01:46:05 |
Though he has shaved off his beard |
| 01:46:10 |
mine eyes do not lie. |
| 01:46:13 |
For it is he, |
| 01:46:16 |
the same |
| 01:46:19 |
- [ Laughing, Murmuring ] |
| 01:46:23 |
[ Audience Gasps ] |
| 01:46:27 |
Oh, Lord. No! |
| 01:46:38 |
- [ Grunts ] |
| 01:46:41 |
[ Coughs ] |
| 01:46:44 |
[ Panting ] |
| 01:46:46 |
This woman is yours now. |
| 01:46:52 |
- I've paid my whore. |
| 01:46:58 |
I owe you nothing. |
| 01:47:02 |
And you are nothing to me. |
| 01:47:09 |
[ Choking Back Sobs ] |
| 01:47:26 |
[ Whispers ] |
| 01:47:36 |
This sitar player... |
| 01:47:39 |
doesn't love you. |
| 01:47:41 |
See, he flees the kingdom! |
| 01:47:45 |
Pumpkin, it's for the best. |
| 01:47:49 |
The show must go on. |
| 01:47:53 |
And now, my bride, |
| 01:47:56 |
it is time for you to raise |
| 01:48:00 |
and say your wedding vows. |
| 01:48:04 |
-Sing to our gods your-- |
| 01:48:06 |
-[Toulouse Yelling] |
| 01:48:10 |
The greatest thing |
| 01:48:13 |
is just to love |
| 01:48:18 |
in return! |
| 01:48:37 |
Never knew |
| 01:48:42 |
I could |
| 01:48:45 |
Feel |
| 01:48:48 |
Like this |
| 01:48:54 |
It's like |
| 01:48:59 |
The sky |
| 01:49:02 |
Before |
| 01:49:05 |
Want to vanish |
| 01:49:08 |
Inside |
| 01:49:11 |
Your kiss |
| 01:49:15 |
Every day |
| 01:49:19 |
More and more |
| 01:49:23 |
Listen to my heart |
| 01:49:27 |
Can you hear it sing |
| 01:49:32 |
Come back to me |
| 01:49:36 |
And forgive |
| 01:49:38 |
Everything |
| 01:49:41 |
- [ Gasps, Panting ] |
| 01:49:48 |
Seasons may change |
| 01:49:53 |
Winter to spring |
| 01:50:04 |
[ Whispers ] |
| 01:50:05 |
[Audience Continues Murmuring] |
| 01:50:08 |
Till the end |
| 01:50:10 |
Of |
| 01:50:13 |
Time |
| 01:50:21 |
Come what |
| 01:50:25 |
May |
| 01:50:33 |
Come what may |
| 01:50:43 |
Come what may |
| 01:50:50 |
Come what may |
| 01:51:00 |
I will love you |
| 01:51:03 |
I will love you |
| 01:51:06 |
Until my dying |
| 01:51:13 |
Day |
| 01:51:15 |
[ Harmonizing ] |
| 01:51:22 |
Come what may |
| 01:51:25 |
Come what may |
| 01:51:32 |
I will love you |
| 01:51:37 |
- Until my dying |
| 01:51:41 |
He's got a gun! |
| 01:51:47 |
- Aaah! |
| 01:51:49 |
-[Audience Applauding] |
| 01:51:55 |
- Shut up! |
| 01:51:58 |
- Guards, seize them! |
| 01:52:00 |
Vive la vie de boheme! |
| 01:52:03 |
-[Audience Gasping] |
| 01:52:05 |
[ Shouting, Screaming ] |
| 01:52:11 |
All right! No problem! |
| 01:52:15 |
- No matter what you say |
| 01:52:16 |
- No matter what you say |
| 01:52:18 |
The show |
| 01:52:22 |
[Zidler] |
| 01:52:23 |
Come on |
| 01:52:27 |
For freedom |
| 01:52:31 |
Beauty, truth |
| 01:52:35 |
And love |
| 01:52:37 |
-[Satine]I'll fly away |
| 01:52:42 |
- I'll fly away |
| 01:52:45 |
- My gift |
| 01:52:47 |
-Is my song |
| 01:52:50 |
[Chorus Continues] |
| 01:52:55 |
The children |
| 01:52:58 |
-No, you can't fool |
| 01:53:00 |
- The children of the revolution |
| 01:53:07 |
- [ Hammer Cocks ] |
| 01:53:09 |
...olution |
| 01:53:14 |
[ Harmonizing ] |
| 01:53:17 |
[Chorus Continues] |
| 01:53:21 |
Yes, I will love you |
| 01:53:29 |
I will love you |
| 01:53:33 |
- Until my |
| 01:53:36 |
- My way! My way! |
| 01:53:54 |
[Audience Continues Cheering] |
| 01:54:05 |
Stand by |
| 01:54:08 |
[Stage Manager] |
| 01:54:38 |
- Satine! |
| 01:54:44 |
[Coughing] |
| 01:54:45 |
Satine. |
| 01:54:49 |
Are you all right? |
| 01:54:51 |
- [ Wheezing, Gasping ] |
| 01:54:53 |
Darling. Satine. |
| 01:54:56 |
[ Continues Wheezing ] |
| 01:54:58 |
[ Coughs, Gasps ] |
| 01:55:01 |
God. Oh, God. |
| 01:55:13 |
Somebody get some help! |
| 01:55:16 |
Hold the curtain! |
| 01:55:19 |
[ Wheezing ] |
| 01:55:24 |
I-- I-- |
| 01:55:28 |
-[Whispers]I'm dying. |
| 01:55:30 |
-Shh. Shh. |
| 01:55:34 |
[Panting] |
| 01:55:38 |
You'll be all right. You'll be |
| 01:55:44 |
Cold. I'm co-- |
| 01:55:47 |
Cold. |
| 01:55:50 |
[ Panting ] |
| 01:55:55 |
You're okay. |
| 01:55:59 |
[ Trembling ] |
| 01:56:05 |
You've got to go on, |
| 01:56:08 |
Can't go on without you, |
| 01:56:11 |
You've got |
| 01:56:22 |
Tell-- |
| 01:56:24 |
Tell our story, Christian. |
| 01:56:28 |
[ Sobbing ] |
| 01:56:30 |
Yes. |
| 01:56:33 |
Promise me. |
| 01:56:38 |
Promise me. |
| 01:56:40 |
[ Wheezes ] |
| 01:56:42 |
[ Whispers ] |
| 01:56:45 |
That way I'll-- |
| 01:56:48 |
I'll always be with you. |
| 01:56:59 |
[ Panting Subsides, |
| 01:57:27 |
[Christian Sobbing] |
| 01:57:41 |
[Sobbing Continues, |
| 01:57:53 |
[ Cries Out, |
| 01:58:23 |
[Applause] |
| 01:58:55 |
There was |
| 01:58:59 |
A boy |
| 01:59:04 |
A very strange |
| 01:59:08 |
Enchanted |
| 01:59:13 |
Boy |
| 01:59:18 |
[ Typing ] |
| 01:59:26 |
[Christian] |
| 01:59:29 |
Weeks turned into months. |
| 01:59:31 |
And then one |
| 01:59:36 |
I went to my typewriter, |
| 01:59:38 |
I sat down... |
| 01:59:40 |
and I wrote our story. |
| 01:59:44 |
A story about a time, |
| 01:59:47 |
a story about a place, |
| 01:59:51 |
a story about the people. |
| 01:59:54 |
But above all things, |
| 01:59:57 |
a story about love. |
| 02:00:02 |
A love... |
| 02:00:03 |
that will live... |
| 02:00:05 |
forever. |
| 02:00:10 |
The... |
| 02:00:12 |
end. |
| 02:00:18 |
[Christian] |
| 02:00:23 |
You'll ever learn |
| 02:00:29 |
Is just to love |
| 02:00:35 |
And be loved |
| 02:00:41 |
In return |
