|
Mulholland Drive
|
| 00:04:54 |
What are you doing? |
| 00:05:09 |
Get out of the car. |
| 00:08:52 |
The boys found this... |
| 00:08:54 |
on the floor in back |
| 00:08:56 |
Yeah, they showed me. |
| 00:09:01 |
Could be unrelated. |
| 00:09:03 |
Could be. |
| 00:09:06 |
Any of those dead kids wearin' |
| 00:09:12 |
No. Could be someone's missin' maybe. |
| 00:09:17 |
That's what I'm thinkin'. |
| 00:09:57 |
Just one more bag after that. |
| 00:11:45 |
I just wanted to come here. |
| 00:11:48 |
To Winkie's? |
| 00:11:51 |
This Winkie's. |
| 00:11:55 |
Okay. |
| 00:12:01 |
It's kind of embarrassing... |
| 00:12:06 |
Go ahead. |
| 00:12:09 |
I had a dream about this place. |
| 00:12:11 |
Oh boy. |
| 00:12:13 |
You see what I mean? |
| 00:12:18 |
Okay, so you had a dream about this place. |
| 00:12:22 |
Tell me. |
| 00:12:27 |
Well... |
| 00:12:30 |
it's the second one I've had... |
| 00:12:33 |
but they are both the same... |
| 00:12:36 |
they start out that I'm in here but... |
| 00:12:39 |
it's not day or night. |
| 00:12:43 |
It's kinda half night, you know? |
| 00:12:46 |
but it |
| 00:12:49 |
except for the light. |
| 00:12:52 |
And I'm scared like I can't tell ya. |
| 00:12:58 |
Of all people, |
| 00:13:00 |
you're standing right over there... |
| 00:13:07 |
by that counter. |
| 00:13:10 |
You're in both dreams |
| 00:13:16 |
I get even more frightened when I see |
| 00:13:23 |
then I realize what it is. |
| 00:13:30 |
There's a man... |
| 00:13:33 |
in back of this place. |
| 00:13:37 |
He's the one who's doing it. |
| 00:13:41 |
I can see him through the wall. |
| 00:13:44 |
I can see his face... |
| 00:13:52 |
I hope that I never see that face ever... |
| 00:13:55 |
outside of the dream. |
| 00:14:08 |
That's it. |
| 00:14:10 |
So... |
| 00:14:12 |
you came to see if he's out there. |
| 00:14:18 |
To get rid of this god-awful feeling. |
| 00:14:24 |
Right then. |
| 00:15:13 |
It's around here. |
| 00:16:24 |
Dan? You all right? |
| 00:16:55 |
Hello? |
| 00:16:58 |
The girl is still missing. |
| 00:17:22 |
Talk to me. |
| 00:17:24 |
The same. |
| 00:18:04 |
Oh... |
| 00:18:36 |
It's time to say goodbye, Betty. |
| 00:18:40 |
It's been so nice travelling with you. |
| 00:18:42 |
Thank you, Irene. |
| 00:18:45 |
It was sure great to have you to talk to. |
| 00:18:47 |
Remember I'll be watching for you on the big screen. |
| 00:18:49 |
Okay Irene. |
| 00:18:53 |
Good luck, Betty dear. |
| 00:18:56 |
Take care of yourself and be careful. |
| 00:18:59 |
I will. Thanks again. |
| 00:19:03 |
Betty, it was so nice meeting you |
| 00:19:06 |
- Thank you. |
| 00:19:17 |
My bags! |
| 00:19:18 |
Where to? |
| 00:19:21 |
1612 Havenhurst. |
| 00:19:26 |
Got it! |
| 00:20:45 |
Ten bucks says you're Betty. |
| 00:20:47 |
Yes, I am, Mrs. Lenoix. |
| 00:20:50 |
It is Mrs. Lenoix isn't it? |
| 00:20:52 |
Oh, in all my living glory, baby. |
| 00:20:55 |
Pleased to meet you. |
| 00:20:58 |
Everybody else does. |
| 00:21:01 |
OK, Coco. |
| 00:21:08 |
Wilkins?! |
| 00:21:11 |
If that damned dog craps |
| 00:21:15 |
I'm just gonna bake his little butt for breakfast. |
| 00:21:18 |
You don't have pets do you? |
| 00:21:20 |
They're allowed, |
| 00:21:24 |
You know, there was a man that lived here once... |
| 00:21:27 |
that had a prize fighting kangaroo. |
| 00:21:29 |
Well, you just wouldn't believe... |
| 00:21:32 |
what that kangaroo did to this courtyard. |
| 00:21:36 |
Let's see your Aunt's apartment |
| 00:21:39 |
I can hardly wait! |
| 00:21:48 |
It's unbelievable! |
| 00:21:51 |
I told ya. |
| 00:21:54 |
Well, you and your Aunt probably have |
| 00:21:58 |
And if you need anything, |
| 00:22:01 |
Everybody in this building's |
| 00:22:04 |
or they wouldn't be here. |
| 00:22:07 |
If you like, later on |
| 00:22:10 |
No hard feelings if you don't. |
| 00:23:39 |
Oh my! I'm sorry. My Aunt Ruth didn't tell |
| 00:23:43 |
- I'm so sorry. |
| 00:23:46 |
I'm Ruth's niece. My name's Betty. |
| 00:23:49 |
I'm sure she told you I was coming. |
| 00:23:52 |
There was an accident. |
| 00:23:54 |
I came here. |
| 00:23:56 |
I understand. |
| 00:23:59 |
Sorry. Are you all right? |
| 00:24:03 |
What happened? |
| 00:24:06 |
A car... |
| 00:24:09 |
a car accident. |
| 00:24:13 |
Oh... You OK? |
| 00:24:17 |
I think so. |
| 00:24:20 |
I was just... |
| 00:24:22 |
taking a shower. |
| 00:24:24 |
Oh my god. I'm sorry. |
| 00:24:26 |
I'll let you get back to that. |
| 00:24:35 |
What's your name? |
| 00:24:40 |
I'm sorry. I'll get out of here |
| 00:25:22 |
My name's... |
| 00:25:25 |
Hi... |
| 00:25:28 |
do you work with my Aunt? |
| 00:25:30 |
No... I... |
| 00:25:33 |
it's none of my business. |
| 00:25:40 |
She has pretty red hair... |
| 00:25:42 |
She's letting me stay here while she's working on a movie... |
| 00:25:45 |
that's being made in Canada... |
| 00:25:47 |
but I guess you already know that. |
| 00:25:50 |
I couldn't afford a place |
| 00:25:53 |
Unless of course I'm discovered |
| 00:25:57 |
Of course, I'd rather be known as |
| 00:26:00 |
but sometimes people end up being both |
| 00:26:03 |
so that is, I guess you'd say, |
| 00:26:11 |
I'm sorry, |
| 00:26:15 |
I mean I just came here from Deep River, Ontario... |
| 00:26:17 |
now I'm in this... |
| 00:26:20 |
dream place. |
| 00:26:22 |
You can imagine how I feel. |
| 00:26:31 |
Oh... What? Sit down... |
| 00:26:38 |
Where were you hurt? |
| 00:26:43 |
We should call a doctor. |
| 00:26:45 |
But, this could be serious. |
| 00:26:48 |
I need to sleep. |
| 00:26:50 |
If you have a concussion |
| 00:26:52 |
It will feel okay if I sleep. |
| 00:26:55 |
I just need to |
| 00:27:56 |
You see Adam... there are some suggestions |
| 00:28:00 |
that are to be brought forward... |
| 00:28:02 |
and I know you said you |
| 00:28:05 |
and that's all anybody here |
| 00:28:09 |
What are you talking about? |
| 00:28:11 |
An open mind... |
| 00:28:14 |
You're in the process of |
| 00:28:17 |
I'm... |
| 00:28:19 |
We're asking you to |
| 00:28:34 |
What was it last time? |
| 00:28:40 |
OK. Let's try the next one. |
| 00:28:42 |
He's not gonna like it. |
| 00:28:44 |
We'll see. |
| 00:28:53 |
Ah... Castigliane brothers. |
| 00:28:55 |
Let me introduce you around... |
| 00:28:59 |
please... take a seat. |
| 00:29:02 |
this is Mr. Darby, |
| 00:29:04 |
and this is the director Adam Kesher... |
| 00:29:08 |
and his manager Robert Smith. |
| 00:29:44 |
Oh, |
| 00:29:46 |
She's very pretty. |
| 00:29:50 |
May I offer you, gentlemen... |
| 00:29:55 |
Espresso. |
| 00:29:58 |
- What's the photo for? |
| 00:30:03 |
No, that's it. |
| 00:30:06 |
I think you're gonna enjoy your espresso |
| 00:30:08 |
I've done quite a bit of a research |
| 00:30:12 |
This one comes highly recommended. |
| 00:30:14 |
What's the photo for? |
| 00:30:17 |
It's a recommendation... |
| 00:30:20 |
a recommendation to you, Adam, |
| 00:30:24 |
- It's not a recommendation. |
| 00:30:28 |
What girl? For what? |
| 00:30:32 |
We'd be happy to put her |
| 00:30:36 |
You'd be pleased to know |
| 00:30:42 |
Interest? No. |
| 00:30:44 |
There's six of the top |
| 00:30:47 |
This is the girl. |
| 00:30:49 |
- Ray, take care of this. |
| 00:30:52 |
Hold on? |
| 00:30:54 |
There's no way. |
| 00:31:12 |
Napkin. |
| 00:31:14 |
- Pardon? |
| 00:31:18 |
Of course. |
| 00:31:21 |
Excuse me. |
| 00:31:39 |
Is that all sir? |
| 00:32:38 |
Shit. |
| 00:32:39 |
Sorry! |
| 00:32:42 |
That's considered one of the finest |
| 00:32:45 |
What's going on here? |
| 00:32:48 |
HELP ME! |
| 00:32:52 |
This is the girl. |
| 00:32:54 |
Hey! |
| 00:33:00 |
It's no longer your film. |
| 00:33:07 |
This is the girl. |
| 00:33:48 |
Did the Castigliane brothers get out of |
| 00:33:52 |
- The two guys in dark suits? |
| 00:33:54 |
- Yes. |
| 00:34:07 |
Castigliane brothers? |
| 00:34:09 |
Beat it, pal. |
| 00:34:55 |
Good afternoon, Mr. Roque. |
| 00:35:00 |
Her name's Camilla Rhodes. |
| 00:35:04 |
The director doesn't want her. |
| 00:35:10 |
Do you want him replaced? |
| 00:35:15 |
I know they said... |
| 00:35:19 |
Then? |
| 00:35:22 |
Then... |
| 00:35:24 |
that means we should... |
| 00:35:30 |
Yes? |
| 00:35:33 |
Shut everything down... |
| 00:35:35 |
Is that something that... |
| 00:35:39 |
do you want us... |
| 00:35:41 |
to shut everything down? |
| 00:35:48 |
Then we'll shut everything down. |
| 00:36:21 |
Oh man, that's unheard of... |
| 00:36:24 |
an accident like that... |
| 00:36:30 |
- That's unreal, right? |
| 00:36:32 |
Hell, yeah. |
| 00:36:35 |
Unbelievable. |
| 00:36:43 |
So, bro... God you look good! |
| 00:36:46 |
What have you been doin'? |
| 00:36:48 |
Just doin' some stuff |
| 00:36:51 |
Yeah? Making ends meet, huh? |
| 00:36:55 |
Hardly. |
| 00:36:58 |
I know, man. |
| 00:37:00 |
Look at my digs. |
| 00:37:03 |
Times are tough, bro. |
| 00:37:06 |
Hey, man, |
| 00:37:11 |
I hope you're not goin' to get in any trouble. |
| 00:37:13 |
It was just a thing. |
| 00:37:15 |
The story made you laugh. |
| 00:37:17 |
- It was a funny story. |
| 00:37:24 |
Hey, so that's it? |
| 00:37:27 |
It's the famous black book. |
| 00:37:32 |
The history of the world |
| 00:38:07 |
Oh, man!. |
| 00:38:21 |
Something bit me |
| 00:38:59 |
God! |
| 00:39:14 |
Hey man! |
| 00:39:16 |
She's hurt bad! Could you come here |
| 00:39:20 |
She's hurt bad! |
| 00:39:25 |
Come on man! |
| 00:39:27 |
I can't do everything by myself! |
| 00:39:50 |
Hey man!. |
| 00:40:33 |
OH! |
| 00:40:51 |
...okay Aunt Ruth... I'll try. |
| 00:40:54 |
I'm gonna study those lines |
| 00:40:59 |
Yep, either here |
| 00:41:03 |
or I'll take them with a coffee in the courtyard... |
| 00:41:05 |
like a regular movie star. |
| 00:41:08 |
Oh! I got a real |
| 00:41:10 |
She was in the shower and I opened the door... |
| 00:41:16 |
...what do you mean? |
| 00:41:19 |
...she was in an accident. |
| 00:41:22 |
...Rita, your friend. |
| 00:41:26 |
No, Coco unlocked the door. |
| 00:41:30 |
...No, she didn't see her. |
| 00:41:33 |
...she's sleeping. |
| 00:41:37 |
I'm sure there's some explanation for this |
| 00:41:39 |
I don't think we have to do that. |
| 00:41:43 |
Please don't worry... |
| 00:42:01 |
You're awake... |
| 00:42:07 |
I think I misunderstood. |
| 00:42:09 |
I thought you knew my Aunt and |
| 00:42:12 |
I just talked to my Aunt on the phone and she wants me |
| 00:42:28 |
I'm... sorry. I... |
| 00:42:30 |
What is it Rita? |
| 00:42:36 |
I thought when I woke up... |
| 00:42:38 |
I thought sleep would do it... |
| 00:42:41 |
What's wrong? |
| 00:42:45 |
I don't know who I am. |
| 00:42:48 |
What do you mean? |
| 00:42:50 |
I'm not. I don't know what my name is. |
| 00:42:54 |
I don't know who I am! |
| 00:43:08 |
This is your purse. |
| 00:43:13 |
You want to know, don't you? |
| 00:43:17 |
I... yes, but... I... |
| 00:44:54 |
You sure you don't want anything? |
| 00:44:58 |
Not a coke or something? |
| 00:45:01 |
No... thanks though... |
| 00:45:03 |
I'll take a |
| 00:45:08 |
Sure, reach inside my shirt pocket there. |
| 00:45:16 |
Any new girls on the street lately? |
| 00:45:23 |
No. I haven't seen any. |
| 00:45:26 |
A brunette? |
| 00:45:28 |
...maybe a little beat up? |
| 00:45:37 |
You'll keep your eyes open for me won't |
| 00:45:39 |
- Sure. |
| 00:45:46 |
That money. |
| 00:45:50 |
You don't know where it came from? |
| 00:45:55 |
When you think of them... |
| 00:46:02 |
does it make you remember anything? |
| 00:46:06 |
something... |
| 00:46:10 |
...something there. |
| 00:46:26 |
What did you say? |
| 00:46:27 |
They fired everyone. |
| 00:46:30 |
Who fired everyone? |
| 00:46:32 |
Ray did! |
| 00:46:36 |
and then they closed the set... |
| 00:46:39 |
You'd better |
| 00:46:44 |
You've got to talk to Ray |
| 00:46:47 |
I'm going home. |
| 00:46:49 |
Home?! |
| 00:46:50 |
Meet me at the office. |
| 00:46:52 |
...you've got to do something Adam! |
| 00:46:54 |
I'm going home, Cynthia. |
| 00:46:56 |
Adam, this isn't like you. |
| 00:46:58 |
Please come to the office. |
| 00:47:00 |
- There must be something we can do. |
| 00:47:14 |
I wonder where you were going. |
| 00:47:21 |
Mulholland drive. |
| 00:47:28 |
Mulholland drive? |
| 00:47:32 |
That's where I was going... |
| 00:47:35 |
Mulholland Drive. |
| 00:47:39 |
Maybe that's where the accident was. |
| 00:47:43 |
There must be a police report. |
| 00:47:46 |
We could call anonymously from a pay phone... |
| 00:47:49 |
just to see if there was an accident. |
| 00:47:52 |
Come on. It'll be just like in the movies. |
| 00:47:54 |
We'll pretend to be someone else. |
| 00:47:59 |
I want to walk around anyway. |
| 00:48:01 |
I'm |
| 00:48:04 |
Come on Rita. |
| 00:48:16 |
Okay... but just |
| 00:48:21 |
...just to see. |
| 00:48:23 |
Just to see |
| 00:48:27 |
on Mulholland Drive. |
| 00:49:13 |
Lorraine? |
| 00:49:16 |
Lorraine... you home? |
| 00:49:19 |
Lorraine... |
| 00:49:43 |
Now, you've done it! |
| 00:49:47 |
Just forget you ever saw. |
| 00:49:53 |
What the hell are you even doing here? |
| 00:50:08 |
What are you doing? |
| 00:50:14 |
THAT'S MY JEWELRY! |
| 00:50:32 |
That bastard |
| 00:50:36 |
He's probably upset Lorraine. |
| 00:50:45 |
WHAT.. ARE... YOU... DOING!? |
| 00:50:48 |
STOP IT! |
| 00:50:51 |
Adam, STOP IT! |
| 00:50:54 |
STOP IT! |
| 00:50:57 |
Adam, STOP IT! |
| 00:51:02 |
What're you doin' |
| 00:51:10 |
That's not a way to treat your wife, buddy. |
| 00:51:15 |
Throw him out! |
| 00:51:20 |
Throw him out! |
| 00:51:30 |
Get out! |
| 00:52:12 |
Let's hide it. |
| 00:52:59 |
There's one. |
| 00:53:17 |
Hollywood Police Department |
| 00:53:19 |
I'm inquiring about an accident that |
| 00:53:23 |
Hold please. |
| 00:53:27 |
- Sergeant Baxter, |
| 00:53:32 |
well, I heard a sound last night |
| 00:53:36 |
I want to know if there was an |
| 00:53:40 |
Yes, there was. |
| 00:53:42 |
- Can you tell me what happened? |
| 00:53:45 |
- Was anyone hurt? |
| 00:53:55 |
There was an accident. |
| 00:53:57 |
He wouldn't tell me anything else, |
| 00:53:59 |
I just know it was. |
| 00:54:03 |
Maybe there's something about it in the papers. |
| 00:54:05 |
Come on we'll buy a cup of coffee |
| 00:54:12 |
Maybe it happened so late it's not going |
| 00:54:16 |
There's nothing? |
| 00:54:19 |
Not that I can see. |
| 00:54:23 |
That's Ok. |
| 00:54:29 |
Thanks... |
| 00:54:30 |
...Diane. |
| 00:54:39 |
That'd be all? |
| 00:54:42 |
Rita, you want something? |
| 00:54:47 |
- No. Just the coffee. |
| 00:54:58 |
What is it Rita? |
| 00:55:08 |
I remember something... |
| 00:55:16 |
- What is it? |
| 00:55:20 |
Maybe that's my name. |
| 00:55:27 |
D. Selwyn... it's the only one. |
| 00:55:31 |
I'm gonna call. |
| 00:55:41 |
It's strange to be calling yourself. |
| 00:55:43 |
Maybe it's not me. |
| 00:55:54 |
Hello... this is me. |
| 00:55:56 |
Leave me a message. |
| 00:56:00 |
It's not my voice... |
| 00:56:03 |
but I know her. |
| 00:56:07 |
Maybe that isn't Diane Selwyn's voice. |
| 00:56:11 |
Maybe that's your roommate... |
| 00:56:13 |
or if it is Diane Selwyn... |
| 00:56:16 |
she can tell you who you are. |
| 00:56:19 |
Maybe. Maybe. Maybe. |
| 00:57:04 |
- Yeah, right... get lost! |
| 00:57:07 |
Like hell it is! Get out... NOW! |
| 00:57:09 |
Get out! |
| 00:57:19 |
Get out of here! |
| 00:57:25 |
I guess you don't understand English. |
| 00:57:28 |
Here's the door. |
| 00:57:31 |
OUT! |
| 00:58:03 |
- Yeah... what is it, Cookie? |
| 00:58:06 |
but there seems tobe some problem |
| 00:58:10 |
What? I pay you cash, Cookie. |
| 00:58:17 |
Fact is two guys from your bank came by. |
| 00:58:20 |
My bank? |
| 00:58:23 |
- How'd they know I was here? |
| 00:58:27 |
What did they say? |
| 00:58:28 |
I'm afraid they said |
| 00:58:33 |
and your line of credit has been cancelled. |
| 00:58:38 |
It's unbelievable. |
| 00:58:42 |
Look... |
| 00:58:46 |
I don't know what's going on. |
| 00:58:49 |
That's so much baloney. |
| 00:58:53 |
I've got enough cash for you Cookie. |
| 00:58:56 |
I know... I know... |
| 00:58:58 |
Don't worry... |
| 00:59:00 |
I'm sorry. |
| 00:59:03 |
It was my duty to inform you. |
| 00:59:09 |
People you're hiding from, |
| 00:59:15 |
Right. |
| 00:59:18 |
I'm sorry |
| 00:59:43 |
Hello? |
| 00:59:45 |
Someone's maybe shut off my money! |
| 00:59:47 |
I know. |
| 00:59:49 |
What do you mean you know? |
| 00:59:51 |
Somebody called. When they couldn't get you... |
| 00:59:53 |
they told me you were as good as broke. |
| 00:59:55 |
I didn't believe them, |
| 00:59:58 |
- And? |
| 01:00:00 |
But I'm not broke! |
| 01:00:02 |
I know, but you're broke. |
| 01:00:06 |
I'm at Cookie's Downtown. |
| 01:00:09 |
Do you know somebody called the "The Cowboy"? |
| 01:00:13 |
- "The Cowboy"? |
| 01:00:16 |
Yeah, the Cowboy. |
| 01:00:17 |
This guy, the Cowboy, |
| 01:00:21 |
Jason said he thought it would be a good idea. |
| 01:00:25 |
Oh, Jason thought it would be a good idea |
| 01:00:28 |
Should I wear my ten gallon hat and my six shooters? |
| 01:00:31 |
Listen. Something tells me this guy is connected |
| 01:00:36 |
and I think you should do it and I think you should |
| 01:00:40 |
What's going on, Cynthia? |
| 01:00:42 |
It's been a very strange day... |
| 01:00:46 |
and getting stranger. |
| 01:00:51 |
Where do I meet this Cowboy? I mean... |
| 01:00:55 |
Sort of, funny boy. |
| 01:00:57 |
If I tell him the |
| 01:00:59 |
you have to go to the top of |
| 01:01:02 |
There's a corral up there where he'll be. |
| 01:01:06 |
You've got to be kidding me! |
| 01:01:09 |
Will you meet with him? |
| 01:01:11 |
Yeah, sure. |
| 01:01:14 |
It's been that kind of a day. |
| 01:01:17 |
I'll call him, right away... |
| 01:01:19 |
then I'll call you back. |
| 01:01:22 |
You could stay at my place, if you want it. |
| 01:01:27 |
Cynthia... I don't think it'll be a good idea. |
| 01:01:29 |
I'm just offering a place to stay. |
| 01:01:32 |
And I appreciate the offer, Cynthia. |
| 01:01:35 |
Now go on and give the Cowboy a yodel |
| 01:01:38 |
Okay, but you don't know what you're missing. |
| 01:01:42 |
Just get along little dowgie and call me back. |
| 01:01:57 |
It's right about here on Sierra Bonita. |
| 01:02:00 |
That's not too far away. |
| 01:02:03 |
What's wrong with that? |
| 01:02:06 |
I'm not sure about this. |
| 01:02:10 |
I know you're afraid of something. |
| 01:02:13 |
We'll be careful. Promise. |
| 01:02:17 |
Tomorrow we'll go over there... |
| 01:02:21 |
and we'll find out. |
| 01:02:36 |
It'll be okay. |
| 01:02:41 |
It's probabily Coco |
| 01:02:46 |
Yes? |
| 01:02:47 |
May I help you? |
| 01:02:49 |
Someone is in trouble. |
| 01:02:53 |
Who are you? |
| 01:02:56 |
What are you doing in Ruth's apartment? |
| 01:02:59 |
She's letting me stay here. |
| 01:03:01 |
I'm her niece. My name's Betty. |
| 01:03:03 |
No it's not. |
| 01:03:05 |
That's not what she said. |
| 01:03:08 |
Someone is in trouble. |
| 01:03:13 |
I'm sorry, but I don't know who you are |
| 01:03:16 |
Louise... |
| 01:03:22 |
Oh, Coco! I've been trying to find |
| 01:03:25 |
That one is in my room |
| 01:03:29 |
I want you to get her out. |
| 01:03:33 |
This is Louise Bonner. I'm sure she |
| 01:03:35 |
Louise, this is Betty, |
| 01:03:40 |
In fact and |
| 01:03:43 |
Betty's a young actress and I was just delivering... |
| 01:03:45 |
some faxed pages of a scene |
| 01:03:49 |
- Well, here they are honey. |
| 01:03:52 |
Now come along Louise |
| 01:03:54 |
I'm sorry. It happens sometimes. |
| 01:03:57 |
No, she said it was someone else |
| 01:04:00 |
Stop it, Louise. I'm taking you home... |
| 01:04:03 |
Come on. |
| 01:04:05 |
- Goodnight Betty. |
| 01:04:08 |
Goodnight. |
| 01:04:49 |
Cowboy! |
| 01:05:59 |
- Howdy! |
| 01:06:04 |
Beautiful evening. |
| 01:06:10 |
Sure want to thank ya for coming |
| 01:06:13 |
from that nice hotel Downtown. |
| 01:06:17 |
No problem. |
| 01:06:21 |
Well now, here's a man who wants to get |
| 01:06:25 |
Kinda anxious to get to it are ya? |
| 01:06:28 |
Whatever. |
| 01:06:31 |
A man's attitude... |
| 01:06:34 |
...a man's attitude |
| 01:06:37 |
the way his life will be. |
| 01:06:40 |
Is that somethin' you might agree with? |
| 01:06:43 |
Sure. |
| 01:06:45 |
Now... did you answer because you thought |
| 01:06:49 |
or did you think about what I said... |
| 01:06:51 |
and answer cause you |
| 01:06:57 |
I agree with what you said... truly. |
| 01:07:02 |
What did I say? |
| 01:07:07 |
That a man's attitude determines to a |
| 01:07:12 |
So since you agree... |
| 01:07:15 |
you must be a person who does not care about the good life. |
| 01:07:20 |
How's that? |
| 01:07:24 |
Well, stop for a little second and |
| 01:07:28 |
Can you do that for me? |
| 01:07:33 |
Okay, I'm thinking. |
| 01:07:39 |
No. You're not thinkin' |
| 01:07:41 |
You're too busy being a smart aleck to be thinkin'. |
| 01:07:46 |
Now I want ya to think |
| 01:07:50 |
Can you try that for me? |
| 01:07:52 |
Look... where's this going? |
| 01:07:57 |
There's sometimes a buggy. |
| 01:08:00 |
How many drivers does a buggy have? |
| 01:08:03 |
One. |
| 01:08:05 |
So let's just say I'm drivin' this buggy... |
| 01:08:09 |
and you if fix your attitude you can |
| 01:08:14 |
Okay. |
| 01:08:15 |
I want you to go back to work tomorrow. |
| 01:08:19 |
You were re-casting the lead |
| 01:08:22 |
audition many girls for |
| 01:08:26 |
When you see the girl that was |
| 01:08:31 |
"This is the girl". |
| 01:08:34 |
The rest of the cast can stay. |
| 01:08:37 |
That is up to you. |
| 01:08:40 |
But that lead girl is not up to you. |
| 01:08:45 |
Now, you will see me one more time... |
| 01:08:48 |
if you do good. |
| 01:08:50 |
You will see me two more times... |
| 01:08:53 |
if you do bad. |
| 01:08:56 |
Good night. |
| 01:09:22 |
You're still here? |
| 01:09:24 |
I came back. |
| 01:09:27 |
Nobody wants you here! |
| 01:09:30 |
Really? |
| 01:09:32 |
My parents are right upstairs! |
| 01:09:35 |
- So... surprise... |
| 01:09:39 |
But you won't... |
| 01:09:41 |
If you're trying to blackmail me... |
| 01:09:45 |
You're playing a dangerous game here. |
| 01:09:47 |
You know what I want... |
| 01:09:49 |
Get out! |
| 01:09:53 |
he trusts you... |
| 01:09:56 |
This will be the end of everything. |
| 01:09:58 |
What about you? |
| 01:10:02 |
Stop! Just stop! That's what you said |
| 01:10:06 |
If I tell what happened... |
| 01:10:10 |
so get out of here before... |
| 01:10:12 |
Before what? |
| 01:10:15 |
Before I kill you. |
| 01:10:19 |
Then they'd put you in jail. |
| 01:10:24 |
Then I cry, cry, cry, and then I say with big emotion: |
| 01:10:28 |
"I hate you... I hate us both!" |
| 01:10:34 |
Such a lame scene. |
| 01:10:36 |
But you are really good. |
| 01:10:39 |
Thank you dahling! |
| 01:10:56 |
Hi there! |
| 01:10:57 |
Who are you? |
| 01:11:11 |
Betty, can I see you outside for a minute? |
| 01:11:28 |
- What is it Coco? |
| 01:11:33 |
I was afraid of that. |
| 01:11:34 |
She wants to know |
| 01:11:39 |
It's just for a night or two, |
| 01:11:42 |
I tried to explain that to Aunt Ruth, |
| 01:11:44 |
and her plane was leaving, |
| 01:11:47 |
I kept telling her it was my friend Rita... |
| 01:11:50 |
and she kept saying |
| 01:11:53 |
Look at me straight, sweetie. |
| 01:11:56 |
Coco... she's very nice. |
| 01:11:58 |
Honey... you're a good kid. |
| 01:12:00 |
What you're telling me is a load of horse-pucky |
| 01:12:03 |
even though it comes from a good place. |
| 01:12:06 |
Now, I'm gonna trust you |
| 01:12:09 |
- Thank you. |
| 01:12:13 |
Louise Bonner says there's trouble in there. |
| 01:12:15 |
Remember last night? |
| 01:12:17 |
Well, sometimes she's wrong, |
| 01:12:21 |
but if there is trouble |
| 01:12:35 |
Is everything all right? |
| 01:12:37 |
Is it bad for you that I'm here? |
| 01:12:39 |
No, no, everything is A-okay. |
| 01:12:42 |
Now, I've gotta fix that sandwich! |
| 01:12:45 |
And my audition is in one hour. |
| 01:13:08 |
I hope I'm back in a couple of hours. |
| 01:13:11 |
- Don't drink all the coke. |
| 01:13:14 |
When I get back I'll have the cab |
| 01:13:17 |
- Okay. |
| 01:13:48 |
Voilà! |
| 01:13:50 |
Betty Elms, I'd like you to meet... |
| 01:13:53 |
Jack Tuptman, my assistant, |
| 01:13:56 |
Woody Katz who we've |
| 01:13:58 |
of "Chuck". |
| 01:14:03 |
Bob Brooker, the director |
| 01:14:04 |
and Julie Chadwick... |
| 01:14:07 |
Now, our surprise guest is: |
| 01:14:10 |
Linney James. |
| 01:14:12 |
Alas we can't afford her to cast our show, |
| 01:14:14 |
but as casting agents go... |
| 01:14:17 |
she's the best. |
| 01:14:20 |
Why thank you, Wally. |
| 01:14:23 |
Very pleased to meet you. |
| 01:14:25 |
This is my assistant, Nicki. |
| 01:14:29 |
Oh, and the ever lovely Martha, |
| 01:14:31 |
Martha Johnson, who |
| 01:14:35 |
Hi. |
| 01:14:38 |
So shall we get it to go? |
| 01:14:42 |
Would you like a water or a coffee |
| 01:14:46 |
No, no, I'm fine. |
| 01:14:48 |
Well then, let's everyone take a seat. |
| 01:14:55 |
Betty, why don't you join Woody over there |
| 01:15:01 |
Bob, do you have anything you wish to say... |
| 01:15:04 |
something to Betty before we begin? |
| 01:15:07 |
No... it's not a contest, |
| 01:15:11 |
the two of them with themselves, |
| 01:15:17 |
so don't play it for real... |
| 01:15:21 |
until it gets real. |
| 01:15:29 |
Okay. |
| 01:15:31 |
Just tell me where it hurts, baby. |
| 01:15:34 |
What? |
| 01:15:35 |
Hey Bobby, I want to play this one nice and close, |
| 01:15:37 |
like |
| 01:15:39 |
what's her name? The one with the black hair. |
| 01:15:42 |
- Whaddya think? |
| 01:15:44 |
Just don't rush that line again. |
| 01:15:46 |
I told you... |
| 01:15:51 |
Bobby, acting is reacting... |
| 01:15:54 |
I just play off 'em. They all say: |
| 01:15:57 |
"They're gonna arrest you" like that... |
| 01:15:59 |
"put you in jail"... |
| 01:16:01 |
so I react like that. |
| 01:16:04 |
What's your name? |
| 01:16:06 |
Yeah... Betty, look... You don't rush it. I |
| 01:16:11 |
We're gonna play it nice and close... |
| 01:16:14 |
just like in the movies. OK? |
| 01:16:19 |
Dad's best friend goes to work. |
| 00:00:13 |
You're still here? |
| 00:00:17 |
I came back. |
| 00:00:20 |
- Nobody wants you here. |
| 00:00:24 |
My parents are right upstairs! |
| 00:00:28 |
So... surprise! |
| 00:00:30 |
I can call them... |
| 00:00:34 |
But you won't... |
| 00:00:52 |
You're playing a dangerous game here... |
| 00:00:56 |
if you're trying to blackmail me... |
| 00:00:59 |
it's not gonna work. |
| 00:01:03 |
You know what I want.. |
| 00:01:05 |
it's not that difficult. |
| 00:01:10 |
Get out... |
| 00:01:14 |
Get out before I call my dad. |
| 00:01:17 |
He trusts you... |
| 00:01:20 |
You're... |
| 00:01:22 |
his best friend. |
| 00:01:28 |
This will be the end of everything. |
| 00:01:33 |
What about you? |
| 00:01:37 |
Stop... |
| 00:01:40 |
stop it! |
| 00:01:43 |
That's what you said from the beginning. |
| 00:01:48 |
If I tell them what happened... |
| 00:01:50 |
and put you in jail, |
| 00:01:59 |
so get out of here... |
| 00:02:02 |
before... |
| 00:02:07 |
Before what? |
| 00:02:27 |
Before... |
| 00:02:30 |
I kill you. |
| 00:02:47 |
Then they'd put you in jail. |
| 00:02:58 |
I hate you... |
| 00:03:02 |
I hate us both! |
| 00:03:19 |
- I'm going to take her over there. |
| 00:03:27 |
Wow! |
| 00:03:29 |
There it was all right! |
| 00:03:32 |
Baby, you got away with it! |
| 00:03:38 |
Very good. Really. |
| 00:03:41 |
I mean it was forced maybe... |
| 00:03:44 |
but still humanistic. |
| 00:03:48 |
Yeah, |
| 00:03:49 |
very good, |
| 00:03:51 |
really. |
| 00:04:00 |
Oh I thank you Betty... |
| 00:04:03 |
and I really mean that sincerely. |
| 00:04:05 |
I mean, it was extraordinary. |
| 00:04:10 |
You've done your Aunt proud... |
| 00:04:11 |
and I'm going to tell her |
| 00:04:16 |
Now, you and I... |
| 00:04:18 |
are gonna speak again soon. |
| 00:04:20 |
Thank you Mr. Brown. |
| 00:04:23 |
Thank you, Wally. |
| 00:04:25 |
I'm sure you all have a lot to |
| 00:04:28 |
Well, yes indeed. |
| 00:04:32 |
Don't you be a stranger around here. |
| 00:04:35 |
- We'd love to have you here. |
| 00:04:38 |
Thank you again, Mr. Brown. |
| 00:04:40 |
It was nice meeting all of you. |
| 00:04:50 |
Wow! |
| 00:04:53 |
How do you find her... |
| 00:04:55 |
God, that was awful! |
| 00:04:59 |
Not you Betty. |
| 00:05:02 |
But poor Wally. |
| 00:05:04 |
He'll never get that picture made. |
| 00:05:06 |
Wally's days were up twenty years ago. |
| 00:05:08 |
You know Woody Katz |
| 00:05:11 |
And the cast is terrible... |
| 00:05:14 |
Oh, God, terrible |
| 00:05:16 |
Poor old fool Wally... |
| 00:05:18 |
It was very nice |
| 00:05:22 |
and Wally... Mr. Brown... |
| 00:05:25 |
Settle down, Betty. Don't get me wrong. |
| 00:05:28 |
I ought to. I was married |
| 00:05:32 |
And I love actors, all actors. |
| 00:05:35 |
We just get a little catty sometimes. |
| 00:05:38 |
Now we want to take you across |
| 00:05:41 |
who's a head above the rest |
| 00:05:43 |
He's got a project that you would kill! |
| 00:05:46 |
Knock it right out of the park. |
| 00:07:42 |
Cut it! Thank you very |
| 00:07:45 |
Checking the gate? |
| 00:07:47 |
Thank you! |
| 00:07:49 |
Thank you very much, for coming in |
| 00:07:52 |
Oh, are you kidding me? I love this script! |
| 00:07:56 |
Look... I love you... |
| 00:07:58 |
but there's no way they're gonna let me cast this thing |
| 00:08:00 |
- I'll let you know as soon as I can. |
| 00:08:02 |
cause my manager's gonna be bugging |
| 00:08:06 |
- It'll be my pleasure. Now, get out of here. |
| 00:08:09 |
don't forget me. |
| 00:08:11 |
See ya later. |
| 00:08:15 |
Hank... where's Hank? |
| 00:08:17 |
- Who's next, Hank? |
| 00:08:21 |
- Is she ready? |
| 00:08:24 |
- Bring her in. |
| 00:08:33 |
Sylvia North's story, |
| 00:08:38 |
Ok, here we go... |
| 00:08:41 |
- Roll sound please... |
| 00:08:43 |
Playback! |
| 00:09:17 |
Get Jason over here. |
| 00:09:19 |
Cindy... Adam wants to see Jason. |
| 00:10:01 |
Did you want to tell me something, Adam? |
| 00:10:14 |
This is the girl! |
| 00:10:21 |
Excellent choice, Adam. |
| 00:10:35 |
Oh... my goodness. |
| 00:10:47 |
I have to be somewhere. |
| 00:10:49 |
I promised a friend. |
| 00:10:52 |
I'm sorry. I must go... |
| 00:11:20 |
It should be around here... |
| 00:11:23 |
2590... That's it. |
| 00:11:26 |
Up there! |
| 00:11:27 |
- Does it look familiar? |
| 00:11:38 |
- Don't stop! |
| 00:11:40 |
- Those men in front, in the car. |
| 00:11:45 |
No... but... |
| 00:11:46 |
Go around to the back. |
| 00:12:37 |
Selwyn... number 12. |
| 00:13:03 |
Now, you've got me scared. |
| 00:13:30 |
See, I told you there was nothing |
| 00:14:37 |
Betty wait... wait |
| 00:14:40 |
Oh no... don't. |
| 00:15:08 |
No one's home. |
| 00:15:10 |
Yes? |
| 00:15:18 |
Number 17. |
| 00:15:21 |
But it said number 12. |
| 00:15:26 |
I switched apartments with her. |
| 00:15:30 |
It's down in the end on the left. |
| 00:15:37 |
She hasn't been around for a few days... |
| 00:15:42 |
- Oh... we'll leave her a note. |
| 00:15:48 |
She's still got some of my stuff. |
| 00:15:56 |
You go ahead. |
| 00:16:14 |
I guess you're not Diane Selwyn. |
| 00:16:16 |
Guess I'm not. |
| 00:16:55 |
Still no one's home I guess. |
| 00:17:27 |
- What are you doing? |
| 00:17:28 |
C'mon help me in. Come on. |
| 00:17:31 |
I'll open the front door. |
| 00:17:40 |
C'mon. |
| 00:20:14 |
I know what you're doing. |
| 00:20:37 |
I know what you have to do, |
| 00:20:42 |
but let me do it. |
| 00:20:53 |
Let me do it. |
| 00:21:19 |
You look like someone else. |
| 00:21:43 |
Good night, Betty. |
| 00:21:45 |
You don't wear it in the house. |
| 00:21:47 |
What? |
| 00:21:50 |
The wig. |
| 00:21:53 |
Just I'm looking at myself again... |
| 00:21:56 |
I'll take it off to sleep. |
| 00:21:58 |
And you don't have to sleep on that couch. |
| 00:22:00 |
No, it's okay. |
| 00:22:03 |
No it's not. |
| 00:22:06 |
C'mon, just get in and get a good night sleep. |
| 00:22:40 |
It's more confortable than the couch, isn't it? |
| 00:22:44 |
Yes. |
| 00:22:53 |
Thank you, Betty. |
| 00:22:56 |
It's nothing. |
| 00:22:58 |
I shouldn't have let you sleep |
| 00:23:00 |
No... I mean... |
| 00:23:03 |
Thank you for everything. |
| 00:23:09 |
You're welcome. |
| 00:23:21 |
Good night, sweet Betty. |
| 00:23:33 |
Good night. |
| 00:24:17 |
Have you ever done this before? |
| 00:24:22 |
I don't know! |
| 00:24:24 |
Have you? |
| 00:24:39 |
I want to with you... |
| 00:25:08 |
I'm in love with you. |
| 00:25:25 |
I'm in love with you. |
| 00:25:54 |
Silencio. |
| 00:25:58 |
Silencio. |
| 00:26:01 |
Silencio. |
| 00:26:05 |
No hay banda. |
| 00:26:09 |
No hay banda. |
| 00:26:12 |
No hay orquestra. |
| 00:26:17 |
Silencio. |
| 00:26:27 |
Silencio. |
| 00:26:31 |
Silencio. |
| 00:26:34 |
Rita? |
| 00:26:37 |
Rita, wake up |
| 00:26:42 |
- No, no... |
| 00:26:46 |
No it's not ok. |
| 00:26:49 |
What's wrong? |
| 00:26:52 |
Go with me somewhere... |
| 00:26:56 |
It's 2 o'clock |
| 00:27:03 |
Go with me somewhere... |
| 00:27:06 |
Sure. Now? |
| 00:27:12 |
Right now! |
| 00:28:48 |
No hay banda! |
| 00:28:52 |
There is no band! |
| 00:28:55 |
Il n'est pas de orquestra! |
| 00:28:59 |
This is all... |
| 00:29:02 |
a tape-recording. |
| 00:29:05 |
No hay banda! |
| 00:29:06 |
and yet |
| 00:29:12 |
If we want to hear a clarinette... |
| 00:29:15 |
listen... |
| 00:29:23 |
Un trombon "à coulisse". |
| 00:29:31 |
Un trombon "con sordina". |
| 00:29:35 |
Sient le son du trombon in sourdine. |
| 00:29:45 |
Hear le son... |
| 00:29:48 |
and mute it... drop it... |
| 00:30:10 |
It's all recorded. |
| 00:30:15 |
No hay banda! |
| 00:30:19 |
It's all a tape. |
| 00:30:33 |
Il n'est pas de orquestra. |
| 00:30:37 |
It is... |
| 00:30:39 |
an illusion. |
| 00:30:46 |
Listen... |
| 00:32:02 |
Senoras y senores... |
| 00:32:04 |
el club Silencio les presenta |
| 00:32:11 |
Rebekah del Rio. |
| 00:36:54 |
Betty? |
| 00:36:59 |
Betty? |
| 00:37:13 |
Donde estas? |
| 00:37:29 |
Betty? |
| 00:39:59 |
Hey, pretty little girl... |
| 00:40:02 |
time to wake up. |
| 00:41:41 |
- Where have you been? |
| 00:41:45 |
My lamp and dishes... |
| 00:41:49 |
C'mon Diane, |
| 00:41:55 |
I put your dishes in that box. |
| 00:42:18 |
- That's my ashtray. |
| 00:42:33 |
Anytime... |
| 00:42:34 |
I'm just making sure, Diane. |
| 00:42:47 |
- This is it? |
| 00:42:55 |
Ah, by the way, those two detectives |
| 00:43:52 |
Camilla! |
| 00:43:57 |
You've come back! |
| 00:45:41 |
What was that you were saying, beautiful? |
| 00:45:44 |
I said: |
| 00:45:46 |
"You drive me wild". |
| 00:46:02 |
We shouldn't do this anymore... |
| 00:46:11 |
Don't say that... |
| 00:46:18 |
Don't ever say that! |
| 00:46:21 |
Don't Diane, |
| 00:46:23 |
Stop it... |
| 00:46:27 |
I've tried to tell you this before. |
| 00:46:39 |
It's him, isn't it? |
| 00:46:52 |
I'm not trying to show you how to do the scene. |
| 00:46:55 |
Just watch me... |
| 00:46:57 |
and I think you'll understand what I'm getting at. |
| 00:47:04 |
Don't seat so rigid... |
| 00:47:07 |
just, just relax... |
| 00:47:10 |
The two of you are alone... |
| 00:47:12 |
and it's real comfortable... |
| 00:47:16 |
like you've known each other forever... |
| 00:47:19 |
even if you don't say anything... |
| 00:47:24 |
Hank, can you just clear the set... |
| 00:47:26 |
there's too many people around here... |
| 00:47:29 |
Clear the set! |
| 00:47:31 |
Everyone get a cup of coffee. |
| 00:47:34 |
- Everyone please! |
| 00:47:38 |
Yes, true. Diane can stay. |
| 00:47:49 |
Now when she starts to cry... |
| 00:47:51 |
don't pull her toward you. |
| 00:47:54 |
Let her fall in to you... |
| 00:47:58 |
Let her fall. |
| 00:48:03 |
When you kiss her... |
| 00:48:07 |
It's just a continuation of that move |
| 00:48:12 |
There is no break... |
| 00:48:39 |
Kill the lights! |
| 00:48:51 |
Don't be mad! |
| 00:48:53 |
- Don't make it be like this! |
| 00:48:56 |
You want me to make this easy for you? No! |
| 00:48:59 |
No-fucking-way it's not gonna be! |
| 00:49:02 |
It's not easy for me! |
| 00:50:29 |
Hello, it's me... |
| 00:50:31 |
leave a message... |
| 00:50:41 |
Hello? |
| 00:50:47 |
Diane, the car is waiting. |
| 00:50:50 |
Are you ok? |
| 00:50:52 |
You comin'? |
| 00:51:00 |
Good... |
| 00:51:02 |
It means so much to me. |
| 00:51:05 |
Go on... the car is right outside the house.. |
| 00:51:09 |
It's been waiting, ok? |
| 00:51:16 |
Ok. |
| 00:51:18 |
It's 6980, Mulholland drive. |
| 00:51:23 |
Mulholland drive. |
| 00:52:35 |
What are you doing? |
| 00:52:43 |
A surprise... |
| 00:53:08 |
Shortcut. |
| 00:53:12 |
C'mon sweetheart. |
| 00:53:20 |
It's beautiful. |
| 00:53:22 |
A secret path. |
| 00:54:32 |
Ah, perfect timing! |
| 00:54:35 |
Welcome, Diane. |
| 00:54:43 |
Well... |
| 00:54:45 |
Here's to love... |
| 00:54:57 |
Here's to love... |
| 00:55:04 |
Ah, here she is... |
| 00:55:15 |
I don't believe you met my mother... |
| 00:55:19 |
Hi, I'm Diane Selwyn. |
| 00:55:21 |
Just call me Coco, everybody does... |
| 00:55:24 |
- Pleased to meet you... |
| 00:55:26 |
I'm starving... |
| 00:55:35 |
I'm sorry, I was late. |
| 00:55:57 |
I'm from Deep River, Ontario... |
| 00:56:00 |
a small town. |
| 00:56:02 |
So, you rolled in here from Canada. |
| 00:56:07 |
I've always wanted to come here. |
| 00:56:11 |
I won this jitterbug contest... |
| 00:56:14 |
that sort of led to acting... |
| 00:56:18 |
you know, wanting to act. |
| 00:56:22 |
When my aunt died... |
| 00:56:26 |
anyway, she left me so money... |
| 00:56:31 |
In the movies? |
| 00:56:34 |
Yes. |
| 00:56:36 |
How did you meet Camilla? |
| 00:56:40 |
On a "Sylvia North Story". |
| 00:56:43 |
Camilla was great in that. |
| 00:57:00 |
Yeah, I wanted the lead so bad. |
| 00:57:04 |
Anyway, Camilla got the part. |
| 00:57:10 |
The director... |
| 00:57:13 |
Bob Brooker? |
| 00:57:15 |
Yes. |
| 00:57:19 |
He didn't think so much of me... |
| 00:57:27 |
anyway, that's when we became friends. |
| 00:57:31 |
She helped me... |
| 00:57:33 |
getting some parts |
| 00:57:38 |
I see. |
| 00:57:55 |
So, I got the pool... |
| 00:57:58 |
and she got the pool-man. |
| 00:58:02 |
I couldn't believe it |
| 00:58:13 |
Sometimes good things happen. |
| 00:59:09 |
So, I guess we saved the best for last... |
| 00:59:15 |
Do you want to tell them? |
| 00:59:16 |
No, you to tell them. |
| 00:59:22 |
Camilla and I... |
| 00:59:37 |
are going to be... |
| 00:59:51 |
Sorry about that. |
| 01:00:01 |
No, I'm fine. |
| 01:00:09 |
This is the girl. |
| 01:00:12 |
Don't show me this photothing here. |
| 01:00:16 |
It's just an actress' photo, everybody's got one. |
| 01:00:21 |
You got the money? |
| 01:00:23 |
Sure do. |
| 01:00:36 |
Ok, once you hand that over to me, it's a done deal. |
| 01:00:44 |
Are you sure you want this? |
| 01:00:51 |
More than anything in this world. |
| 01:01:05 |
When it's finished, you'll find this where i told you. |
| 01:01:22 |
What's it open? |
| 01:05:50 |
Silencio |
