|
Munich
|
| 00:01:16 |
Best place we went to |
| 00:01:18 |
Definitely, man. |
| 00:01:20 |
Way to go, buddy. |
| 00:01:22 |
You guys coming back |
| 00:01:28 |
Hey! |
| 00:01:30 |
Aw shame, shame. |
| 00:01:34 |
Hundred-meter dash |
| 00:01:39 |
Where are you guys from? |
| 00:01:42 |
What's your event? |
| 00:01:46 |
They don't speak English, |
| 00:01:49 |
Let's help them over. |
| 00:01:53 |
Here you go. |
| 00:01:55 |
Let's go. |
| 00:02:00 |
Up. Yeah. All right? |
| 00:02:08 |
You guys take care. |
| 00:02:12 |
Take it easy. |
| 00:02:14 |
You're taking |
| 00:02:16 |
Watch yourself, man. |
| 00:03:54 |
I'm Jim McKay |
| 00:03:55 |
at this moment, |
| 00:03:58 |
just outside |
| 00:04:01 |
The peace of what |
| 00:04:04 |
was shattered just before dawn |
| 00:04:08 |
There is |
| 00:04:11 |
are being held hostage |
| 00:04:13 |
It now appears that |
| 00:04:16 |
out the window. |
| 00:04:19 |
They want what they call |
| 00:04:21 |
to release 200 Arabs, |
| 00:04:25 |
or the hostages |
| 00:04:28 |
The terrorist communiqué ends |
| 00:04:30 |
for revolutionaries |
| 00:04:34 |
This is |
| 00:04:38 |
eight or nine terrified |
| 00:04:41 |
are being held prisoner. |
| 00:04:43 |
The demands have been many-- |
| 00:04:47 |
This certainly has to be |
| 00:04:49 |
A man with a stocking mask |
| 00:04:53 |
What's going on inside |
| 00:04:56 |
- Just a short |
| 00:04:58 |
another in this long series |
| 00:05:01 |
The spokesman for the group |
| 00:05:06 |
It seems to be a process |
| 00:05:09 |
- Does it mean |
| 00:05:12 |
Come and get us. |
| 00:05:14 |
As Peter Jennings indicated, |
| 00:05:17 |
because of very |
| 00:05:20 |
would not be allowed |
| 00:05:22 |
And there you see an athlete |
| 00:05:25 |
in which is obviously |
| 00:05:27 |
Peter Jennings, once again, |
| 00:05:29 |
inside the Olympic village. |
| 00:05:32 |
what do you see now? |
| 00:05:33 |
Jim, there are |
| 00:05:36 |
maybe a dozen already, |
| 00:05:40 |
in athletic uniforms. |
| 00:06:02 |
Stop! |
| 00:06:04 |
It now |
| 00:06:07 |
where the hostages |
| 00:06:09 |
and the German police |
| 00:06:11 |
Officials seem to have decided |
| 00:06:13 |
when the leader |
| 00:06:15 |
and demanded |
| 00:06:17 |
pointing out |
| 00:06:19 |
was being watched |
| 00:06:20 |
within the apartment. |
| 00:06:21 |
Apparently, new demands |
| 00:06:24 |
and their hostages, |
| 00:06:26 |
when or where |
| 00:06:27 |
This is Peter. |
| 00:06:29 |
to report to us |
| 00:06:31 |
This is Cosell. |
| 00:06:34 |
We have an immense flurry |
| 00:06:37 |
Suddenly, in the whole area |
| 00:06:42 |
they have been clearing |
| 00:06:44 |
Obviously wary of an assault |
| 00:07:01 |
- ...within |
| 00:07:03 |
- What I'm hearing |
| 00:07:04 |
they're heading to an airport |
| 00:07:08 |
- ...says the chopper |
| 00:07:10 |
at the back |
| 00:07:11 |
Can you see gate number seven? |
| 00:07:13 |
This is Vance Kolvig. |
| 00:07:16 |
four hostages |
| 00:07:19 |
and it looks like |
| 00:07:22 |
Yes, I just got back |
| 00:07:24 |
and it was obvious |
| 00:07:26 |
quite serious |
| 00:07:27 |
- Here we are, |
| 00:07:30 |
police cars.... |
| 00:07:32 |
Police are pouring in through |
| 00:07:35 |
and here come some more. |
| 00:07:37 |
Seven armored cars |
| 00:07:39 |
They're mounting |
| 00:07:41 |
The latest word we get |
| 00:07:44 |
quote, "all hell has broken |
| 00:08:02 |
It's just arrived, Peter. |
| 00:08:04 |
to the helicopters. |
| 00:08:06 |
that all the hostages, |
| 00:08:11 |
We repeat, we have confirmed, |
| 00:08:15 |
The fighting ceased |
| 00:08:16 |
Well, that's at least 24 |
| 00:08:19 |
and now we can see |
| 00:08:20 |
There was a terrible |
| 00:08:23 |
somehow the hostages are safe. |
| 00:08:25 |
And, |
| 00:08:28 |
have died by German gunfire. |
| 00:08:30 |
Originally it was said |
| 00:08:33 |
but now that has been changed. |
| 00:08:35 |
An Olympic spokesman |
| 00:08:37 |
- Of the areas |
| 00:08:45 |
They've spent their youth, |
| 00:08:47 |
they've spent all their money |
| 00:08:49 |
Now they have a chance |
| 00:08:52 |
And, of course, |
| 00:08:54 |
are perfectly compatible |
| 00:08:56 |
And now, as you say, Peter, |
| 00:08:58 |
They've been jolted apart |
| 00:09:00 |
seeming to come just a little |
| 00:09:03 |
We've just gotten |
| 00:09:06 |
my father used to say |
| 00:09:08 |
are seldom realized. |
| 00:09:12 |
They've now said |
| 00:09:15 |
Two were killed |
| 00:09:18 |
yesterday morning. |
| 00:09:20 |
Nine were killed |
| 00:09:25 |
They're all gone. |
| 00:09:28 |
- ...before a quiet |
| 00:09:30 |
After the ceremony, |
| 00:09:32 |
saw the coffins |
| 00:09:34 |
Ioaded onto an airplane |
| 00:09:37 |
Enormous crowds also gathered |
| 00:09:40 |
and in Jerusalem on the plaza |
| 00:09:43 |
People are weeping, |
| 00:09:46 |
The funerals, |
| 00:09:49 |
are expected to draw |
| 00:09:52 |
These are the names |
| 00:09:54 |
at the Munich Olympics, |
| 00:09:57 |
beaten, and finally murdered |
| 00:10:00 |
Yosef Gottfreund. |
| 00:10:03 |
Eliezaar Halfen. |
| 00:10:05 |
Yakov Springer. |
| 00:10:07 |
Dr. Wadi Haddad. |
| 00:10:10 |
Abu Daoud. |
| 00:10:12 |
Mahmoud Hamshari. |
| 00:10:13 |
Andre Spitzer. |
| 00:10:15 |
Zeev Friedman. |
| 00:10:17 |
Kehat Schur. |
| 00:10:19 |
Wael Zwaiter. |
| 00:10:21 |
Dr. Basil al-Kubaisi. |
| 00:10:23 |
Kamal Nasser. |
| 00:10:25 |
Mark Slavin. |
| 00:10:27 |
Amitzur Shapira. |
| 00:10:29 |
David Berger. |
| 00:10:31 |
Kemal Adwan. |
| 00:10:33 |
Abu Youssef. |
| 00:10:35 |
Mohammed Boudia. |
| 00:10:36 |
Yosef Romano. |
| 00:10:38 |
Moshe Weinberg. |
| 00:10:40 |
Hussein al-Chir. |
| 00:10:41 |
Ali Hassan Salameh. |
| 00:10:47 |
As all of |
| 00:10:50 |
for the people.... |
| 00:10:51 |
I tried not to think |
| 00:10:54 |
...a very private, |
| 00:10:58 |
I have the world's most |
| 00:11:02 |
Well, they were just athletes. |
| 00:11:05 |
Look what happened |
| 00:11:10 |
What now? |
| 00:11:14 |
Now we're going |
| 00:11:18 |
Eleven names. |
| 00:11:20 |
Give us the order, |
| 00:11:27 |
It's the same as Eichmann. |
| 00:11:31 |
We say to these butchers: |
| 00:11:32 |
"You didn't want |
| 00:11:34 |
"then we don't have |
| 00:11:38 |
There's legitimacy for this. |
| 00:11:44 |
Ambushed |
| 00:11:49 |
while the rest of the world |
| 00:11:52 |
and brass bands |
| 00:11:56 |
And the world |
| 00:11:58 |
We've responded. |
| 00:12:00 |
A response no one heard. |
| 00:12:01 |
Air strikes on |
| 00:12:04 |
No one notices what happens |
| 00:12:06 |
Sixty Arabs dead, at least. |
| 00:12:09 |
This is about fixing |
| 00:12:11 |
Well, it's not just |
| 00:12:14 |
Let me remind you. |
| 00:12:16 |
Ali Hassan Salameh, |
| 00:12:20 |
He is the architect |
| 00:12:24 |
These people. |
| 00:12:27 |
They're sworn to destroy us. |
| 00:12:31 |
Forget peace for now. |
| 00:12:34 |
We have to show them |
| 00:12:37 |
We have laws, |
| 00:12:40 |
Some people say |
| 00:12:43 |
I've always resisted |
| 00:12:47 |
But I don't know |
| 00:12:49 |
and where they come from. |
| 00:12:52 |
Palestinians? |
| 00:12:54 |
They're not recognizable. |
| 00:12:59 |
You tell me what law |
| 00:13:06 |
Today I'm hearing |
| 00:13:10 |
Every civilization |
| 00:13:12 |
to negotiate compromises |
| 00:13:19 |
I've made a decision. |
| 00:13:21 |
The responsibility |
| 00:13:32 |
Avner? |
| 00:13:33 |
We're going to Jerusalem. |
| 00:13:38 |
Come on, sir. |
| 00:13:48 |
Hello. I'm General Zamir. |
| 00:13:50 |
Yes. |
| 00:13:52 |
You swore us in. |
| 00:13:54 |
My unit, |
| 00:13:56 |
I don't remember you. |
| 00:13:59 |
Of course, I know your father. |
| 00:14:11 |
Avner. |
| 00:14:14 |
It's been.... |
| 00:14:18 |
I remember. |
| 00:14:21 |
Harari. |
| 00:14:23 |
General Nadav. |
| 00:14:26 |
And General Yariv. |
| 00:14:28 |
How are you? |
| 00:14:30 |
He's fine. Thank you. |
| 00:14:34 |
Coffee? It's wonderful |
| 00:14:37 |
Sit. |
| 00:14:42 |
The chief of the Mossad, |
| 00:14:44 |
and the Prime Minister. |
| 00:14:49 |
This is something new. |
| 00:14:51 |
What happened in Munich |
| 00:14:56 |
We want to ask you. |
| 00:15:00 |
An important mission. |
| 00:15:04 |
and your family, |
| 00:15:06 |
And it is dangerous. |
| 00:15:09 |
Not even your wife. |
| 00:15:15 |
Now you should |
| 00:15:19 |
Do you have any questions? |
| 00:15:23 |
So, this isn't about |
| 00:15:29 |
No questions? |
| 00:15:31 |
Did we mention |
| 00:15:34 |
You know, my sister |
| 00:15:37 |
No, I didn't know that. |
| 00:15:39 |
I couldn't go |
| 00:15:42 |
because she died. |
| 00:15:45 |
That upset people, |
| 00:15:49 |
Family matters. |
| 00:15:55 |
Your wife is pregnant. |
| 00:15:59 |
Mazel tov. |
| 00:16:01 |
You were one |
| 00:16:03 |
You know, |
| 00:16:07 |
You liked having |
| 00:16:11 |
Truth be told, |
| 00:16:14 |
No? |
| 00:16:17 |
Your mother |
| 00:16:38 |
Tomorrow morning. |
| 00:16:41 |
If you can't decide |
| 00:16:44 |
you can't decide. |
| 00:16:55 |
Her sister died. |
| 00:16:57 |
But I think she didn't go |
| 00:17:00 |
because some people |
| 00:17:01 |
for not negotiating |
| 00:17:12 |
She didn't go |
| 00:17:13 |
because she didn't |
| 00:17:16 |
It's a good sign |
| 00:17:18 |
You'll say yes. |
| 00:17:20 |
I'm your case officer. |
| 00:17:48 |
How late in the pregnancy |
| 00:17:55 |
Labor. |
| 00:18:10 |
Don't worry about it. |
| 00:18:15 |
Will you? |
| 00:18:18 |
Whatever they want, |
| 00:18:21 |
I need things for the baby. |
| 00:18:23 |
I can't live |
| 00:18:27 |
Your mother, |
| 00:18:31 |
She abandoned you |
| 00:18:34 |
My father was missing. |
| 00:18:35 |
He was in prison, |
| 00:18:37 |
Oh, yes. |
| 00:18:40 |
Yeah, so she took you |
| 00:18:45 |
Now you think Israel |
| 00:18:54 |
So listen. |
| 00:18:57 |
I'm going to go along |
| 00:19:01 |
Do you understand me? |
| 00:19:07 |
I'm not the hero's nice wife. |
| 00:19:16 |
First you resign from Mossad. |
| 00:19:21 |
It says we do not employ you, |
| 00:19:24 |
or legal aid |
| 00:19:27 |
It's a contract |
| 00:19:30 |
Do I get a copy? |
| 00:19:32 |
Your pension contribution |
| 00:19:35 |
You're now officially |
| 00:19:37 |
Unemployed and uninsured. |
| 00:19:41 |
You'll open two accounts... |
| 00:19:43 |
at the Union de Banques Suisse |
| 00:19:45 |
on Rue du Commerce. |
| 00:19:46 |
Operational funds in one box, |
| 00:19:50 |
which you don't take |
| 00:19:52 |
when you get what accumulates. |
| 00:19:54 |
Also, for each of your men, |
| 00:19:57 |
How many men do I have |
| 00:20:01 |
we will deposit |
| 00:20:05 |
You take it out, |
| 00:20:08 |
I want receipts. |
| 00:20:11 |
You are not working |
| 00:20:13 |
You're working for Israel, |
| 00:20:15 |
I'm an old Galicianer |
| 00:20:19 |
And I don't trust Yekke putzes |
| 00:20:22 |
with unlimited operational |
| 00:20:24 |
I was born in Israel. |
| 00:20:26 |
Where is your grandpa from? |
| 00:20:29 |
You're a Yekke. |
| 00:20:31 |
Your wife receives monthly |
| 00:20:36 |
Also, we leave |
| 00:20:39 |
You can leave messages |
| 00:20:42 |
But there shouldn't be |
| 00:20:47 |
Bring me receipts, |
| 00:20:51 |
Whatever you are doing, |
| 00:20:58 |
We have 11 Palestinian |
| 00:21:00 |
Each had a hand |
| 00:21:02 |
You're going to kill them, |
| 00:21:05 |
They're all in Europe now. |
| 00:21:06 |
You'll stay there |
| 00:21:08 |
Europe only, |
| 00:21:11 |
And not Eastern Bloc. |
| 00:21:13 |
Who needs it? |
| 00:21:16 |
You'll have no contact |
| 00:21:19 |
You're not going to give me |
| 00:21:21 |
We deposit money |
| 00:21:24 |
into a box we don't |
| 00:21:27 |
We can't help you because |
| 00:21:29 |
You'll do what |
| 00:21:31 |
You think they report back |
| 00:21:35 |
We want them dead. |
| 00:21:38 |
Nothing better than |
| 00:21:40 |
You can ask questions now. |
| 00:21:42 |
Am I alone? |
| 00:21:44 |
They know useful things |
| 00:21:47 |
cleanup to make sure |
| 00:21:49 |
accidentally |
| 00:21:50 |
next to the dead body. |
| 00:21:55 |
Who kills the targets? |
| 00:21:58 |
Use guns if you have to, |
| 00:22:01 |
One of your guys |
| 00:22:03 |
We want everyone to read |
| 00:22:06 |
Who knows who blew him up? |
| 00:22:08 |
Why me? |
| 00:22:11 |
I'm not an experienced |
| 00:22:14 |
So I'm not known. |
| 00:22:17 |
And also, I lived in Frankfurt |
| 00:22:20 |
so I'm a Yekke Jew |
| 00:22:22 |
That's a good reason. |
| 00:22:25 |
You aren't a sabra |
| 00:22:27 |
I am a sabra. |
| 00:22:29 |
I know so much about you. |
| 00:22:32 |
with a dog and a baby |
| 00:22:35 |
No bellhops. No civilians. |
| 00:22:37 |
That kind of trouble |
| 00:22:39 |
The hard thing will |
| 00:22:42 |
Some of them, anyway, |
| 00:22:44 |
The hard thing will be |
| 00:22:46 |
by getting caught |
| 00:22:49 |
You want the last piece |
| 00:22:52 |
Smart decision. |
| 00:22:54 |
After all, you just signed |
| 00:22:59 |
This is |
| 00:23:02 |
Welcome aboard Flight SA 74 |
| 00:23:05 |
We are now at a cruising |
| 00:23:09 |
and we wish you |
| 00:23:56 |
Don't shoot. |
| 00:24:23 |
Easy, easy, easy. |
| 00:26:18 |
Press the buzzer |
| 00:26:39 |
Have a nice day. |
| 00:26:46 |
I'm not good at it. |
| 00:26:48 |
Hebrew? |
| 00:26:49 |
A team leader who cooks. |
| 00:26:51 |
Years in the kibbutz kitchen. |
| 00:26:54 |
Done what? |
| 00:26:55 |
Sit. Come on. |
| 00:26:58 |
Because I joined Mossad |
| 00:27:03 |
Look, I want to kill |
| 00:27:07 |
Thank you. |
| 00:27:08 |
So, some of you have training |
| 00:27:11 |
He sells antiques. |
| 00:27:13 |
It's a front, |
| 00:27:15 |
I'm a documents |
| 00:27:17 |
with a sharp eye |
| 00:27:21 |
And you? |
| 00:27:22 |
Oh, I make toys. |
| 00:27:24 |
I thought you made bombs. |
| 00:27:28 |
For bombs, |
| 00:27:30 |
My wife's expecting. |
| 00:27:32 |
Mazel tov. |
| 00:27:34 |
Beautiful. When? |
| 00:27:38 |
Think we'll be done |
| 00:27:40 |
Is it Ali Hassan Salameh |
| 00:27:45 |
I mean, that's the job, |
| 00:27:48 |
We're here to kill |
| 00:27:54 |
It's strange, isn't it, |
| 00:27:58 |
Think of yourself |
| 00:28:01 |
A soldier in a war. |
| 00:28:06 |
to assassinate people, right? |
| 00:28:10 |
Mazels on the baby, |
| 00:28:12 |
That's just fantastic. |
| 00:28:16 |
You make dolls |
| 00:28:19 |
and you shop for sofas... |
| 00:28:22 |
and you, |
| 00:28:24 |
Me? I worry. |
| 00:28:27 |
So, why'd they make you |
| 00:28:30 |
Because he really knows |
| 00:29:00 |
Hello? |
| 00:29:02 |
- Surprised? |
| 00:29:04 |
You broke my jaw, man. |
| 00:29:06 |
And you were sleeping |
| 00:29:08 |
Listen, I'm in town. |
| 00:29:10 |
Yeah, actually, |
| 00:29:12 |
Do you want to come over? |
| 00:29:45 |
She's incredible, |
| 00:29:46 |
I have no idea |
| 00:30:23 |
I miss you, man. |
| 00:30:26 |
That was a long time ago. |
| 00:30:34 |
I have some names. |
| 00:30:36 |
Some people I need to find |
| 00:30:43 |
Give me my money, |
| 00:30:47 |
One hundred fifty. |
| 00:30:51 |
Cash. |
| 00:30:52 |
$100,000. |
| 00:30:57 |
These people I'm looking for, |
| 00:31:01 |
We might. |
| 00:31:05 |
But maybe you know someone |
| 00:31:08 |
And it's Americans |
| 00:31:11 |
Yes. See? |
| 00:31:13 |
James Madison. |
| 00:31:16 |
Americans. |
| 00:31:18 |
We'll ask some friends. |
| 00:31:21 |
Hiding? |
| 00:31:23 |
Munich was a big success |
| 00:31:25 |
The implications of Munich |
| 00:31:27 |
They got everyone's attention. |
| 00:31:32 |
Give me a few names. |
| 00:31:37 |
I can't help if I don't know |
| 00:31:40 |
We'll have to trust. |
| 00:31:42 |
You have to cross the line. |
| 00:31:45 |
I trust you. You carry cash |
| 00:31:49 |
Nowadays, |
| 00:31:52 |
Talk, talk, talk. |
| 00:31:54 |
Name me an Arab. |
| 00:32:00 |
Abu Daoud. |
| 00:32:01 |
Abu Youssef. |
| 00:32:03 |
Wael Zwaiter. |
| 00:32:06 |
Kamal Nasser. |
| 00:32:09 |
Salameh. |
| 00:32:11 |
Wait. Who are these guys? |
| 00:32:14 |
Sixty thousand per name. |
| 00:32:17 |
If it's good information. |
| 00:32:21 |
Wael Zwaiter's here, |
| 00:32:24 |
He just translated |
| 00:32:27 |
Tomorrow there's a reading. |
| 00:32:31 |
He has a niece he calls |
| 00:32:33 |
Are you trying |
| 00:32:36 |
We need to talk. Alone. |
| 00:32:40 |
And also maybe you need people |
| 00:32:43 |
Cars. Vans. |
| 00:32:58 |
If you tell anybody |
| 00:33:02 |
Just don't. |
| 00:33:04 |
Just don't. |
| 00:33:24 |
Anything you need, |
| 00:33:27 |
I need receipts. |
| 00:34:45 |
Keep talking. Keep talking. |
| 00:35:20 |
Thank you for coming. |
| 00:38:25 |
Are you Wael Zwaiter? |
| 00:38:28 |
Yes, and who are you? |
| 00:38:34 |
Do you know |
| 00:38:41 |
Are you |
| 00:38:44 |
He already said yes. |
| 00:38:48 |
What are we doing? |
| 00:38:54 |
What do I do? |
| 00:38:56 |
Do you know why we're here? |
| 00:39:18 |
What happened? |
| 00:39:20 |
We shot him. |
| 00:39:22 |
We shot him eight times, |
| 00:39:23 |
Did you kill him? |
| 00:39:25 |
He shit his pants. |
| 00:40:15 |
Drink some wine. |
| 00:40:18 |
That old Pesach story. |
| 00:40:21 |
The angels are rejoicing... |
| 00:40:23 |
because the Egyptians |
| 00:40:28 |
I didn't say we're rejoicing. |
| 00:40:30 |
I said, "We're celebrating." |
| 00:40:33 |
And God said to the angels, |
| 00:40:35 |
"I've just killed |
| 00:40:38 |
Mr. Zwaiter. |
| 00:40:40 |
He cost us, |
| 00:40:48 |
You didn't finish the story. |
| 00:40:50 |
The angels respond to God. |
| 00:40:52 |
They say, |
| 00:40:54 |
"because |
| 00:40:57 |
"they'll understand |
| 00:40:58 |
Which was? |
| 00:41:01 |
Don't fuck with the Jews. |
| 00:41:04 |
I don't know |
| 00:41:07 |
I'm goddamn rejoicing. |
| 00:41:10 |
Here. Put that down. |
| 00:41:12 |
No, please. |
| 00:41:14 |
Dance with me. Come on. |
| 00:41:16 |
Come on. |
| 00:41:20 |
Come on. Hey. |
| 00:41:54 |
This is.... |
| 00:41:58 |
Franz Storsch. |
| 00:42:01 |
You can call me Louis. |
| 00:42:06 |
Our service |
| 00:42:12 |
A Jew and a Frenchman. |
| 00:42:15 |
I'm not a Jew. |
| 00:42:19 |
It's a kind of a wild leek. |
| 00:42:24 |
My papa sometimes loses |
| 00:42:27 |
I know nothing about food. |
| 00:42:29 |
Why does he make me shop? |
| 00:42:35 |
You're wondering |
| 00:42:38 |
Or CIA or KGB. |
| 00:42:40 |
Or an agent with a profitable |
| 00:42:44 |
I could be anybody. |
| 00:42:47 |
Identity. |
| 00:42:51 |
Here's what isn't boring. |
| 00:42:54 |
As long as you don't work |
| 00:42:56 |
I'm in private business. |
| 00:42:59 |
I'm in private business, too. |
| 00:43:02 |
We can locate almost anyone |
| 00:43:07 |
and we are ideologically |
| 00:43:10 |
We love everybody, |
| 00:43:12 |
I get my feelings confused. |
| 00:43:15 |
If you're not working |
| 00:43:17 |
we know, or we find... |
| 00:43:19 |
we don't find, you don't pay. |
| 00:43:22 |
Initially |
| 00:43:25 |
to bring the Lufthansa |
| 00:43:28 |
and then take onboard |
| 00:43:30 |
at the end of the runway, |
| 00:43:34 |
while an Arab held |
| 00:43:36 |
Hey, Avner. |
| 00:43:38 |
A Lufthansa jet was hijacked |
| 00:43:41 |
The hijackers |
| 00:43:43 |
who survived Munich... |
| 00:43:44 |
and the Germans said yes, |
| 00:43:47 |
The Arabs would be flown |
| 00:43:50 |
Look. |
| 00:43:52 |
They're in Libya. |
| 00:44:01 |
No qualms about rejoicing |
| 00:44:05 |
The Israeli kills the Arabs... |
| 00:44:10 |
in Egypt, in Jordan, |
| 00:44:12 |
Look at them. |
| 00:44:15 |
They're movie stars. |
| 00:44:18 |
But did you shoot |
| 00:44:21 |
It's not important to say |
| 00:44:26 |
We should go to Tripoli. |
| 00:44:29 |
Kill them. |
| 00:44:30 |
We don't go |
| 00:44:32 |
We stick to the names |
| 00:44:37 |
Mahmoud Hamshari. |
| 00:44:46 |
Do you think, |
| 00:44:48 |
that you achieved anything |
| 00:44:50 |
We have made our voice heard |
| 00:44:56 |
Are those your words? |
| 00:45:01 |
The same thing again. |
| 00:45:02 |
They have made their voice |
| 00:45:07 |
who has not been hearing |
| 00:45:12 |
Well, I believe what |
| 00:45:15 |
that now the world |
| 00:45:19 |
We are, for 24 years, |
| 00:45:24 |
Our homes taken from us. |
| 00:45:26 |
Living in camps, |
| 00:45:30 |
Nothing decent |
| 00:45:33 |
And, so was the attack |
| 00:45:37 |
The PLO condemns |
| 00:45:40 |
Though for 24 years... |
| 00:45:43 |
...our civilians have been |
| 00:45:46 |
Tell them about all |
| 00:45:50 |
spilled by Israel. |
| 00:45:52 |
You know, |
| 00:45:54 |
two refugee camps |
| 00:45:57 |
Tell them that-- |
| 00:45:59 |
Right after Munich |
| 00:46:03 |
And where does it end? |
| 00:46:18 |
I'm sorry, |
| 00:46:21 |
Yes, yes. Sorry. |
| 00:46:24 |
You see it. |
| 00:46:27 |
This way, please. |
| 00:48:30 |
This man, we don't know |
| 00:48:33 |
Hamshari arranged |
| 00:48:37 |
in Copenhagen |
| 00:48:38 |
Now he organizes |
| 00:48:40 |
He organizes? |
| 00:48:41 |
In Tel Aviv they showed you |
| 00:48:43 |
Not evidence. |
| 00:48:45 |
this is the story |
| 00:48:47 |
Why? Don't you? |
| 00:48:48 |
It's a crisis, a war. |
| 00:48:51 |
What? Be thinking? |
| 00:48:55 |
You want to wire Ephraim |
| 00:48:57 |
You're on your own. |
| 00:49:00 |
Okay, I'm done. |
| 00:49:02 |
Don't think about it. |
| 00:49:05 |
Okay. |
| 00:49:06 |
So, now, I turn it on. |
| 00:49:12 |
He picks up the phone, |
| 00:49:16 |
then I take out the key, |
| 00:49:19 |
and turn. |
| 00:50:24 |
So now we wait |
| 00:50:55 |
Is the truck |
| 00:50:57 |
Will the remote still work? |
| 00:51:16 |
Yeah, |
| 00:51:19 |
You can't start improvising |
| 00:51:22 |
Don't worry. It's okay. |
| 00:52:54 |
Stop! |
| 00:52:57 |
Abort. |
| 00:53:44 |
Are we on or off? |
| 00:54:04 |
Mahmoud Hamshari? |
| 00:54:20 |
He's at the hospital Cochin. |
| 00:54:23 |
I don't know |
| 00:54:26 |
Why did you put a firecracker |
| 00:54:28 |
Because I didn't want |
| 00:54:30 |
What do you want from me? |
| 00:54:32 |
Another $200,000, more |
| 00:54:36 |
Yeah, if he's been eliminated. |
| 00:54:38 |
No one notices a shooting. |
| 00:54:40 |
Bombs achieve |
| 00:54:42 |
They eliminate targets |
| 00:54:45 |
That only works |
| 00:54:47 |
Lunch? |
| 00:54:56 |
- The Israeli embassy |
| 00:54:59 |
shortly after 9:30 |
| 00:55:01 |
Dr. Ami Shachori was opening |
| 00:55:04 |
when the envelope exploded, |
| 00:55:07 |
They discovered |
| 00:55:12 |
I guess they missed one. |
| 00:55:15 |
I guess there was a big pileup |
| 00:55:19 |
They found other letters |
| 00:55:22 |
Canada, Argentina, Vienna, |
| 00:55:26 |
Dozens of them, mainly posted |
| 00:55:30 |
It's all Black September. |
| 00:55:32 |
It's a response, then. |
| 00:55:34 |
To Hamshari. |
| 00:55:36 |
And to Zwaiter. |
| 00:55:38 |
They're talking to us. |
| 00:55:42 |
Where are you? |
| 00:55:45 |
I'm in New York, |
| 00:55:48 |
I'll call again. |
| 00:56:01 |
Are you going |
| 00:56:05 |
Why is this taking |
| 00:56:07 |
It isn't fast. |
| 00:56:09 |
We have the best hospitals |
| 00:56:13 |
When you were born, |
| 00:56:18 |
He was in prison. |
| 00:56:22 |
Should you be here? |
| 00:56:24 |
Aren't you on duty? |
| 00:56:26 |
What are you going to do? |
| 00:56:31 |
How is he? |
| 00:56:33 |
I don't visit |
| 00:56:35 |
Wilma lets him yell at her |
| 00:56:38 |
She depresses me. |
| 00:56:45 |
How are you? |
| 00:56:48 |
I'm managing. |
| 00:56:55 |
I'm proud |
| 00:56:58 |
You don't know |
| 00:57:10 |
I look at you and I know |
| 00:57:17 |
- She is frighteningly |
| 00:57:19 |
She takes after you. |
| 00:57:22 |
I want you to move, |
| 00:57:25 |
I've arranged a place for us |
| 00:57:27 |
I can't come back to Israel. |
| 00:57:30 |
New York? |
| 00:57:31 |
I can see more of you |
| 00:57:37 |
But I have my family here, |
| 00:57:41 |
You want my parents |
| 00:57:44 |
Look what they did to me. |
| 00:57:47 |
Don't you want your daughter |
| 00:57:52 |
She'll always be an Israeli. |
| 00:57:54 |
Not in Brooklyn. |
| 00:57:57 |
I can't do what I'm doing |
| 00:58:00 |
What are you doing? |
| 00:58:03 |
Don't do it then, Avner. |
| 00:58:07 |
You're the only home |
| 00:58:10 |
What? |
| 00:58:13 |
This is so corny. |
| 00:58:14 |
It wasn't easy for me |
| 00:58:17 |
Don't laugh at me then. |
| 00:58:19 |
Why did I have to marry |
| 00:58:22 |
You're ruining my life. |
| 00:58:24 |
Your mother's teasing me. |
| 00:58:39 |
Look at the waistline bulge |
| 00:58:42 |
Look at that. |
| 00:58:45 |
As are the Russians. |
| 00:58:48 |
It's definitely him. |
| 00:58:50 |
Hussein Abad al-Chir. |
| 00:58:53 |
His room is next to |
| 00:58:56 |
They married in Cyprus |
| 00:58:58 |
A mixed marriage. |
| 00:59:00 |
A shande for the goyim. |
| 00:59:01 |
Yeah, okay. |
| 00:59:04 |
The KGB brings him home |
| 00:59:07 |
He turns on the light, |
| 00:59:09 |
turns off the light, |
| 00:59:15 |
I knew a field agent |
| 00:59:18 |
So every night he slept |
| 00:59:22 |
He still does, every night. |
| 00:59:25 |
Sleeps in closets. |
| 00:59:27 |
Now if al-Chir |
| 00:59:30 |
But if he gets in the bed, |
| 00:59:34 |
it closes the circuit. |
| 00:59:37 |
Then we hit the remote. |
| 00:59:46 |
Okay. |
| 00:59:48 |
Okay, we're good. |
| 00:59:55 |
Careful. |
| 01:00:01 |
I've checked into the room |
| 01:00:05 |
Why? |
| 01:00:08 |
When he gets into bed... |
| 01:00:09 |
I give the signal |
| 01:00:13 |
And if the bomb's too powerful |
| 01:00:17 |
Well, that won't happen. |
| 01:00:19 |
Right? |
| 01:00:20 |
Robert? |
| 01:00:22 |
Robert? |
| 01:00:25 |
It won't. No. |
| 01:00:28 |
Okay. |
| 01:00:30 |
Avner. |
| 01:00:34 |
Boy or girl? |
| 01:00:37 |
A girl. |
| 01:00:39 |
Mazel tov. |
| 01:00:44 |
News from Paris. |
| 01:00:48 |
Dr. Hamshari succumbed |
| 01:00:51 |
So, again, mazel tov, Avner. |
| 01:01:50 |
Steve, shut up. |
| 01:02:11 |
Hey. |
| 01:02:33 |
Good evening. |
| 01:02:35 |
Good evening. |
| 01:02:37 |
Beautiful night. |
| 01:02:39 |
Beautiful night, yeah. |
| 01:02:42 |
Where are you from? |
| 01:02:45 |
Yes? |
| 01:02:49 |
I thought perhaps a Swede. |
| 01:02:53 |
I taught in Sweden, |
| 01:02:57 |
Really? |
| 01:02:58 |
Teaching Lebanese |
| 01:03:02 |
In Swedish. |
| 01:03:11 |
Were you here last night? |
| 01:03:13 |
No. Just checked in. |
| 01:03:18 |
Don't plan to sleep. |
| 01:03:20 |
They keep at it all night. |
| 01:03:23 |
There, for hours. |
| 01:03:26 |
Take a sleeping pill. |
| 01:03:27 |
I can sleep through anything. |
| 01:03:29 |
You don't want to borrow |
| 01:03:30 |
Thank you very much. |
| 01:03:32 |
Yes. |
| 01:03:33 |
So, good night. |
| 01:03:35 |
Pleasant dreams. |
| 01:04:25 |
Wait for the signal. |
| 01:04:28 |
Wait for Avner's light |
| 01:05:30 |
Go! Go! Go! |
| 01:05:50 |
Oh, my God! |
| 01:05:54 |
Oh, my eyes. |
| 01:05:57 |
Can someone help me? |
| 01:05:59 |
I can't see. |
| 01:06:01 |
Avner! |
| 01:06:06 |
Please! Oh, my God! |
| 01:06:10 |
I can't see. |
| 01:06:13 |
Can you see? |
| 01:06:15 |
The stairs are that way. |
| 01:06:16 |
Go that way. |
| 01:06:20 |
It was much too powerful. |
| 01:06:23 |
You could've blown up |
| 01:06:25 |
Target number three |
| 01:06:26 |
The ceiling |
| 01:06:28 |
Avner might have been killed. |
| 01:06:30 |
The plastique was not |
| 01:06:31 |
It couldn't have been |
| 01:06:33 |
Someone changed the marking |
| 01:06:35 |
What if someone changed |
| 01:06:37 |
What do you mean? |
| 01:06:39 |
Avner, Louis provided |
| 01:06:42 |
Yes. Why? |
| 01:06:45 |
We have no idea who he is. |
| 01:06:48 |
He's finding our targets. |
| 01:06:50 |
But without him, |
| 01:06:52 |
The plastique was |
| 01:06:56 |
Someone changed the label. |
| 01:06:59 |
For all we know, |
| 01:07:01 |
They're using us to do |
| 01:07:04 |
That's bullshit. |
| 01:07:05 |
Hey, |
| 01:07:13 |
Louis arranged it. |
| 01:07:47 |
There was nothing wrong |
| 01:07:50 |
Bomb makers are nervous, |
| 01:07:53 |
Fear makes them sloppy-- |
| 01:07:54 |
There's nothing wrong |
| 01:07:56 |
It's your explosives. |
| 01:07:59 |
We found three more |
| 01:08:02 |
Three? |
| 01:08:07 |
Thought you'd be pleased. |
| 01:08:10 |
Who? |
| 01:08:12 |
Kemal Adwan, Kamal Nasser, |
| 01:08:17 |
Adwan and Abu Youssef. |
| 01:08:20 |
Where? |
| 01:08:22 |
They're in Beirut. |
| 01:08:24 |
Adwan, Nasser, Youssef. |
| 01:08:27 |
Serious characters, huh? |
| 01:08:29 |
Extremely serious. |
| 01:08:31 |
Smile, Mr. Storsch. |
| 01:08:37 |
I'd like to pay you |
| 01:08:39 |
These three names. |
| 01:08:43 |
$600,000. |
| 01:08:47 |
Monsieur Storsch, my group... |
| 01:08:50 |
we don't care much |
| 01:08:52 |
any governments. |
| 01:08:53 |
We don't work with |
| 01:08:55 |
That's an absolute condition |
| 01:08:58 |
You understand? |
| 01:08:59 |
If I learn that your sudden |
| 01:09:02 |
to buy our acquiescence |
| 01:09:06 |
with, let us say, |
| 01:09:09 |
I don't work for Ml6 or CIA-- |
| 01:09:13 |
Trust me. You don't. |
| 01:09:15 |
Lie to me and you will find me |
| 01:09:19 |
and unhappy. |
| 01:09:22 |
Let me buy you a drink. |
| 01:09:25 |
At these prices, |
| 01:09:28 |
- It's obviously |
| 01:09:31 |
Abu Youssef is like |
| 01:09:35 |
It's like Arafat, Habash, |
| 01:09:37 |
Of course he's significant. |
| 01:09:39 |
and enthusiasm. |
| 01:09:41 |
I know who he is. |
| 01:09:43 |
Abu Youssef is the worst guy |
| 01:09:45 |
And Adwan, |
| 01:09:49 |
We get the significance. |
| 01:09:52 |
We want to go to Beirut. |
| 01:09:53 |
You keep away |
| 01:09:55 |
Mossad and the army |
| 01:09:57 |
What is this contraption? |
| 01:09:59 |
You can't send the army. |
| 01:10:04 |
You won't allow it? |
| 01:10:05 |
Our source doesn't know |
| 01:10:08 |
You aren't Mossad. |
| 01:10:09 |
If commandos go to Beirut, |
| 01:10:12 |
Why don't you |
| 01:10:15 |
The food will get cold. |
| 01:10:16 |
We have to go to Beirut. |
| 01:10:19 |
This is our information, |
| 01:10:20 |
That's touching |
| 01:10:23 |
Listen. |
| 01:10:25 |
Reasonably? |
| 01:10:26 |
Well, we expected that. |
| 01:10:30 |
Lots of people in Mossad |
| 01:10:33 |
No one knows. |
| 01:10:35 |
So everyone's asking, |
| 01:10:38 |
"Is it our guys? |
| 01:10:40 |
Big egos. Lots of screaming. |
| 01:10:44 |
I can maybe include |
| 01:10:46 |
but excluding Mossad |
| 01:10:48 |
Accept it. |
| 01:10:50 |
We will, |
| 01:10:53 |
Who is your source? |
| 01:10:56 |
It's time you told me. |
| 01:10:58 |
That, by the way, |
| 01:11:00 |
You can't order him. |
| 01:11:02 |
Shut up. I pay you. |
| 01:11:04 |
I work for a metal box |
| 01:11:08 |
You want to find it empty? |
| 01:11:11 |
What's the matter with you? |
| 01:11:13 |
With all of you? |
| 01:11:16 |
This is not a game, |
| 01:11:18 |
Who has the source? |
| 01:11:21 |
Give me his goddamn number! |
| 01:11:24 |
I hope the old lady next door |
| 01:11:26 |
She's a little deaf |
| 01:11:32 |
Give me the source |
| 01:11:35 |
Let us go to Beirut. |
| 01:11:37 |
After Beirut, |
| 01:11:42 |
Let us do our job. |
| 01:12:27 |
A lot of manpower |
| 01:12:58 |
Ehud Barak. |
| 01:13:37 |
Go! |
| 01:14:15 |
Where the fuck is he? |
| 01:14:19 |
Door! |
| 01:14:29 |
Let's go! |
| 01:14:31 |
Go! Go! |
| 01:14:34 |
Go! |
| 01:15:13 |
It's him! |
| 01:15:33 |
Fedayeen! |
| 01:15:42 |
Go! |
| 01:16:48 |
My papa would like |
| 01:16:51 |
My papa. |
| 01:16:55 |
I thought you ran the group. |
| 01:16:57 |
Everybody works for someone. |
| 01:17:01 |
I wasn't in Beirut. |
| 01:17:03 |
Well, someone was there. |
| 01:17:05 |
The Israeli army, according |
| 01:17:08 |
But you stayed away... |
| 01:17:10 |
after you paid |
| 01:17:14 |
I don't like to keep |
| 01:17:16 |
I need to tell my people |
| 01:17:19 |
You don't know |
| 01:17:20 |
And you'll need |
| 01:17:25 |
Forget it, Louis. |
| 01:17:27 |
We're done here. |
| 01:17:35 |
Shit. |
| 01:17:37 |
Wait! |
| 01:17:39 |
Wait! |
| 01:18:26 |
We're here. |
| 01:18:48 |
Papa! |
| 01:19:05 |
He's over there. |
| 01:19:19 |
Louis says you're a cook. |
| 01:19:22 |
I know how to cook, yeah. |
| 01:19:24 |
You help me? |
| 01:19:31 |
Bring these there. |
| 01:19:38 |
No, no. Don't wash. |
| 01:19:42 |
But then why put them |
| 01:19:44 |
If the juices spurt out, |
| 01:19:47 |
The whole kitchen |
| 01:19:51 |
Peel off the fat. |
| 01:19:57 |
Let me see your hands. |
| 01:20:01 |
Too big for a good cook. |
| 01:20:04 |
That was my problem, too. |
| 01:20:06 |
but I have thick, stupid, |
| 01:20:10 |
Well, we are tragic men. |
| 01:20:27 |
These are going to be |
| 01:20:30 |
Skin them and prick them, |
| 01:20:34 |
A little torture, |
| 01:20:38 |
You call me "Papa." |
| 01:20:41 |
No? |
| 01:20:46 |
You are devoted to him? |
| 01:20:48 |
Am I here because |
| 01:20:51 |
Your papa must be |
| 01:20:55 |
We'll pick a few. |
| 01:20:58 |
There are so many people |
| 01:21:00 |
But they are your family. |
| 01:21:02 |
Yes. We don't work |
| 01:21:06 |
Louis said. But.... |
| 01:21:07 |
But you did |
| 01:21:30 |
- I blew up trains, |
| 01:21:32 |
and trucks full of Germans |
| 01:21:37 |
My brothers were killed, |
| 01:21:42 |
She was a young girl. |
| 01:21:44 |
Papa, the guest doesn't |
| 01:21:48 |
We paid this price, |
| 01:21:52 |
by Gaullist scum... |
| 01:21:53 |
and the Nazis |
| 01:21:58 |
We stay away |
| 01:22:01 |
We say grace? |
| 01:22:03 |
Maybe our guest |
| 01:22:10 |
No, no, no. |
| 01:22:20 |
Our Father, who gives us |
| 01:22:24 |
who obey the rules |
| 01:22:29 |
...whose prevarications |
| 01:22:42 |
In my despair |
| 01:22:46 |
who dress |
| 01:22:50 |
and who read nonsense |
| 01:22:53 |
about Algerians |
| 01:22:57 |
not Algerians or French... |
| 01:22:58 |
or flesh and blood, |
| 01:23:02 |
So I have sympathy |
| 01:23:06 |
and who does what he must |
| 01:23:14 |
I will say grace. |
| 01:23:25 |
There's some opinion |
| 01:23:27 |
for what happened |
| 01:23:30 |
We didn't know |
| 01:23:32 |
I'm in business with death. |
| 01:23:38 |
The world has been rough |
| 01:23:43 |
It's right to respond roughly |
| 01:23:48 |
You pay well |
| 01:23:54 |
But no more infractions. |
| 01:24:12 |
A few andouillettes |
| 01:24:17 |
black blood sausage |
| 01:24:22 |
We cover it in ash |
| 01:24:27 |
You could have been my son. |
| 01:24:32 |
But you're not. |
| 01:24:36 |
We'll do business, |
| 01:25:29 |
I have a new name for you. |
| 01:25:32 |
I want Ali Hassan Salameh. |
| 01:25:37 |
No. |
| 01:25:40 |
You know where he is. |
| 01:25:42 |
Salameh. |
| 01:25:47 |
Salameh. |
| 01:25:56 |
Zaid Muchassi. |
| 01:26:01 |
Zaid Muchassi is in Athens |
| 01:26:05 |
Not one of our names. |
| 01:26:07 |
He is Black September's |
| 01:26:10 |
Hussein al-Chir |
| 01:26:13 |
Yes. But you put a bomb |
| 01:26:16 |
and now he's defunct. |
| 01:26:20 |
I hear he's much tougher |
| 01:26:29 |
We offer Muchassi's |
| 01:26:33 |
What new rate? |
| 01:26:36 |
is $200,000 for one name. |
| 01:26:43 |
I need you to find me |
| 01:26:47 |
Of course. Safe house. |
| 01:27:12 |
Is this Louis's idea |
| 01:27:15 |
I've had nightmares |
| 01:27:20 |
So when they explode, |
| 01:27:23 |
here all around his room. |
| 01:27:26 |
It burns at around |
| 01:27:28 |
So the air catches fire. |
| 01:27:32 |
Everything in the vicinity |
| 01:27:34 |
Now, the bad news is |
| 01:27:36 |
so I modified them |
| 01:27:40 |
I also should mention |
| 01:27:42 |
like World War II. |
| 01:27:43 |
Only four were viable. |
| 01:27:47 |
There's a porter at the hotel |
| 01:27:50 |
He's gonna let us in the room |
| 01:27:52 |
Hey. Who provided |
| 01:27:56 |
Louis. |
| 01:28:13 |
Tallyho. |
| 01:28:36 |
Stop! Stop! |
| 01:28:38 |
PLO! PLO! |
| 01:28:42 |
Put the gun down |
| 01:28:44 |
Basque! Basque! |
| 01:28:49 |
Okay. |
| 01:29:00 |
Put the gun down! |
| 01:29:10 |
Put it down. |
| 01:29:35 |
Which French? Louis? |
| 01:29:40 |
Basque. ETA. |
| 01:29:45 |
He's ANC. |
| 01:29:50 |
We are from Amman. |
| 01:29:54 |
Said. George. Abed. |
| 01:30:00 |
We paid for two nights. |
| 01:30:03 |
He said it was safe. |
| 01:30:05 |
He told us the same. |
| 01:30:12 |
Yes. |
| 01:30:16 |
So we're safe? |
| 01:30:20 |
Safe. |
| 01:30:22 |
Everyone is safe. |
| 01:31:31 |
Eventually the Arab states |
| 01:31:36 |
They don't like Palestinians, |
| 01:31:40 |
It won't be like 1967. |
| 01:31:42 |
The rest of the world |
| 01:31:46 |
They won't help when |
| 01:31:51 |
Israel will cease |
| 01:31:56 |
What? |
| 01:31:59 |
This is a dream. |
| 01:32:03 |
You sound like a Jew. |
| 01:32:05 |
I'm the voice |
| 01:32:08 |
You people have nothing |
| 01:32:11 |
You'll never get |
| 01:32:13 |
You'll all die old men |
| 01:32:16 |
We have a lot of children. |
| 01:32:19 |
So we can wait forever. |
| 01:32:21 |
And if we need to, |
| 01:32:24 |
You kill Jews and the world |
| 01:32:26 |
and thinks you are animals. |
| 01:32:29 |
But then the world |
| 01:32:32 |
They'll start to ask questions |
| 01:32:37 |
You are Arabs. There are lots |
| 01:32:43 |
You're a Jew sympathizer. |
| 01:32:46 |
All you Germans, |
| 01:32:49 |
Well, you give us money, |
| 01:32:53 |
And the Jews exploit |
| 01:32:56 |
My father didn't gas |
| 01:33:02 |
Tell me something, Ali. |
| 01:33:07 |
Do you really miss |
| 01:33:10 |
Do you honestly think |
| 01:33:15 |
That chalky soil |
| 01:33:17 |
Is that what you really |
| 01:33:20 |
It absolutely is. |
| 01:33:24 |
It will take a hundred years, |
| 01:33:28 |
How long did it take the Jews |
| 01:33:32 |
How long did it take |
| 01:33:35 |
And look how well |
| 01:33:37 |
You don't know what it is |
| 01:33:41 |
That's why you European Reds |
| 01:33:44 |
You say, "It's nothing," |
| 01:33:49 |
ETA, ANC, IRA... |
| 01:33:52 |
we all pretend |
| 01:33:55 |
but we don't care. |
| 01:33:57 |
We want to be nations. |
| 01:34:01 |
Home is everything. |
| 01:34:43 |
No, no, no. |
| 01:34:47 |
You only take money |
| 01:34:50 |
Of course. |
| 01:35:44 |
Look there. |
| 01:35:46 |
Here they come |
| 01:35:53 |
The Russians and... |
| 01:35:58 |
Cinderella. |
| 01:36:19 |
Do we detonate |
| 01:36:32 |
Why are the Russians waiting? |
| 01:36:34 |
Why don't they leave? |
| 01:36:41 |
We are waiting. Stay calm. |
| 01:36:56 |
He's in his room. Do it. |
| 01:37:00 |
How do we know if he's alone? |
| 01:37:11 |
I don't understand it. |
| 01:37:12 |
It's a piece of shit. |
| 01:37:15 |
What? Fuck! Not again. |
| 01:37:18 |
Where's the explosion? |
| 01:37:22 |
What's gone wrong? |
| 01:37:24 |
You know what? |
| 01:37:25 |
Or maybe it's delayed-- |
| 01:37:27 |
Or maybe it could |
| 01:37:30 |
Careful with that stuff, |
| 01:37:38 |
Hans! |
| 01:37:39 |
Hans, get back here! |
| 01:37:44 |
Hey, hey! |
| 01:37:48 |
Hans. No, no. |
| 01:38:18 |
So how long |
| 01:38:21 |
Maybe one hour. |
| 01:39:24 |
I know you. |
| 01:39:27 |
Stop! |
| 01:39:49 |
Get in! Head down! |
| 01:40:24 |
Ali? Ali? Ali? |
| 01:40:34 |
Are you incapable of making |
| 01:40:37 |
Shut up! You shut up! |
| 01:40:39 |
Does anybody speak Greek? |
| 01:40:41 |
Shut him up! |
| 01:40:43 |
That's not good! |
| 01:40:45 |
Every single bomb, |
| 01:40:48 |
I was not trained to do this! |
| 01:40:50 |
I was trained |
| 01:40:56 |
Holy shit. |
| 01:40:59 |
Shin Bet |
| 01:41:04 |
A toy maker. |
| 01:41:05 |
They figured I was good |
| 01:41:09 |
But then after Munich, |
| 01:41:14 |
So I said yes. |
| 01:41:22 |
Come on. Here. |
| 01:41:34 |
The three |
| 01:41:37 |
took out |
| 01:41:40 |
Then they threw hand grenades |
| 01:41:43 |
waiting to clear |
| 01:41:47 |
It was all over |
| 01:41:50 |
And the firing |
| 01:41:51 |
Salameh is in London. |
| 01:41:56 |
He goes there periodically |
| 01:42:00 |
His what? |
| 01:42:05 |
Bullshit. |
| 01:42:06 |
Salameh guarantees |
| 01:42:09 |
won't touch |
| 01:42:11 |
In exchange, |
| 01:42:14 |
And they don't ask |
| 01:42:18 |
Did he tell them |
| 01:42:20 |
Did the CIA |
| 01:42:22 |
The CIA didn't even know |
| 01:42:24 |
before Munich. |
| 01:42:27 |
One of the guerrillas was shot |
| 01:42:29 |
by a ricochet bullet. |
| 01:42:31 |
A second was blown up |
| 01:42:33 |
- Since then, |
| 01:42:36 |
Hasn't he? |
| 01:42:39 |
All manner |
| 01:42:42 |
Shooting tourists |
| 01:42:44 |
blowing up pharmacies |
| 01:42:47 |
and that Mossad agent |
| 01:42:50 |
Europe hasn't been |
| 01:42:56 |
Do you have to |
| 01:42:59 |
Salameh is in London. |
| 01:43:12 |
We followed him |
| 01:43:14 |
He's here for eye treatment. |
| 01:43:16 |
You followed him? |
| 01:43:18 |
Wearing sunglasses |
| 01:43:20 |
There were bodyguards. |
| 01:43:22 |
Were they armed? |
| 01:43:23 |
Well then, |
| 01:43:25 |
if you'd give me half a chance |
| 01:43:27 |
I'm the only one who actually |
| 01:43:30 |
Maybe that's why |
| 01:43:32 |
We only go after our targets. |
| 01:43:34 |
I mean, why are we worried |
| 01:43:36 |
Do you have any idea |
| 01:43:39 |
It's time |
| 01:43:42 |
Including, incidentally, |
| 01:43:46 |
which has no death penalty. |
| 01:43:47 |
You know what your problem is, |
| 01:43:50 |
You're disorientated. |
| 01:43:52 |
Because the guys |
| 01:43:54 |
and this is London |
| 01:43:57 |
I'm not disoriented. |
| 01:43:58 |
I'm keeping my sanity |
| 01:44:01 |
that in spite of-- |
| 01:44:02 |
But it's the same old war |
| 01:44:04 |
I'm still, |
| 01:44:05 |
...over the same old |
| 01:44:07 |
It's just we've brought |
| 01:44:09 |
and it's not like |
| 01:44:12 |
Unless we learn |
| 01:44:15 |
We act like them |
| 01:44:17 |
What, you think |
| 01:44:20 |
How do you think we got |
| 01:44:22 |
Somebody |
| 01:44:25 |
I think we have a double agent |
| 01:44:26 |
Don't you dare accuse me |
| 01:44:29 |
My son died in '67, |
| 01:44:32 |
Everything you can ask, |
| 01:44:34 |
Ask for a reassignment |
| 01:44:37 |
Why, it's not distasteful |
| 01:44:41 |
'Cause the only blood that |
| 01:44:46 |
Nice job, eh. |
| 01:44:51 |
If the bodyguards are armed, |
| 01:44:54 |
They're armed. |
| 01:45:43 |
Taxi! |
| 01:45:44 |
Taxi! |
| 01:46:29 |
Roger Burke, you ugly fuck! |
| 01:46:32 |
Get your hands off me. |
| 01:46:34 |
Put them up. |
| 01:46:36 |
Let's show these limey fucks |
| 01:46:38 |
Hey, wait a minute! |
| 01:46:41 |
Roger Burke. |
| 01:46:42 |
No, you idiot. That is not-- |
| 01:46:45 |
That's not him. Come on. |
| 01:46:48 |
I'm sorry about my friend, |
| 01:46:50 |
He's a fucked-up, |
| 01:46:53 |
Hey, come here. |
| 01:46:57 |
Come on. Calm down! |
| 01:46:59 |
Hey, come here! |
| 01:47:04 |
Back off. Get back! |
| 01:47:08 |
Back off! Back off! |
| 01:47:10 |
It's me. All right! |
| 01:47:12 |
All right. Come on. |
| 01:47:14 |
It's me, Roger, Orrin! |
| 01:47:17 |
It's me. Remember me? Sorry. |
| 01:47:22 |
You should have ducked, |
| 01:47:31 |
Fucking Americans! |
| 01:47:33 |
What the fuck is that? |
| 01:47:35 |
Yes, of course |
| 01:47:59 |
I take it she'd |
| 01:48:03 |
You old dog. |
| 01:48:05 |
He's got some ideas. |
| 01:48:08 |
Oh, the American bloke? |
| 01:48:11 |
So you've heard these rumors? |
| 01:48:13 |
Wild stories. |
| 01:48:16 |
Yeah. |
| 01:48:42 |
Can I? |
| 01:48:51 |
I have to go to bed soon. |
| 01:48:56 |
What kind of work do you do? |
| 01:49:01 |
The kind that drives you |
| 01:49:04 |
We must have the same job, |
| 01:49:08 |
I love your accent. |
| 01:49:11 |
I love your perfume. |
| 01:49:23 |
Cuts right through |
| 01:49:27 |
Does it? |
| 01:49:29 |
It's very nice. |
| 01:49:36 |
Look, I don't want |
| 01:49:40 |
but it's late... |
| 01:49:42 |
and I do have to get up early. |
| 01:49:46 |
So.... |
| 01:49:49 |
So? |
| 01:49:53 |
So, you're very nice, and.... |
| 01:49:58 |
Are you really going |
| 01:50:08 |
I just can't. |
| 01:50:10 |
Pity. |
| 01:50:12 |
You're very attractive. |
| 01:50:18 |
If you come to your senses... |
| 01:50:20 |
once you get up |
| 01:50:23 |
well, maybe I'll be here. |
| 01:50:26 |
Or maybe I'll be in my room, |
| 01:50:37 |
Good night. |
| 01:50:58 |
The drunk Americans. |
| 01:51:02 |
They could've been. |
| 01:51:05 |
They work both sides. |
| 01:51:08 |
Or Louis is Mossad. |
| 01:51:11 |
but they're using him |
| 01:51:13 |
There's no direct link. |
| 01:51:14 |
Or Mossad's giving it to CIA, |
| 01:51:17 |
and Ephraim's demanding |
| 01:51:19 |
because he knows |
| 01:51:22 |
Stop chasing the mice |
| 01:51:30 |
You know, |
| 01:51:34 |
I thought the same about you. |
| 01:51:36 |
From the beginning |
| 01:51:39 |
I was born reluctant. |
| 01:51:41 |
If I can't kvetch, |
| 01:51:43 |
You ever feel reluctant? |
| 01:51:45 |
I'm not comfortable |
| 01:51:48 |
I knew guys like you |
| 01:51:51 |
You'll do any terrifying thing |
| 01:51:54 |
but you have to do it running. |
| 01:51:57 |
You think you can outrun |
| 01:52:03 |
The only thing that really |
| 01:52:10 |
But everyone's overtaken, |
| 01:52:15 |
Now, the mice need a brandy. |
| 01:52:17 |
No, I'm going to go upstairs, |
| 01:52:20 |
You okay drinking |
| 01:52:21 |
It's just a shot |
| 01:52:28 |
Oh. |
| 01:52:29 |
Beware of the local |
| 01:52:33 |
You can't miss her. |
| 01:52:57 |
Hello. |
| 01:52:58 |
This is a trunk call |
| 01:53:00 |
Do you accept the charges? |
| 01:53:01 |
Shit, Avner, |
| 01:53:05 |
How are you? |
| 01:53:07 |
I miss you. |
| 01:53:09 |
You're in England |
| 01:53:12 |
or the North Pole-- |
| 01:53:17 |
So listen, I was thinking... |
| 01:53:19 |
when I'm finished doing |
| 01:53:22 |
I want to come to Brooklyn |
| 01:53:24 |
Brooklyn is depressing. |
| 01:53:27 |
Listen to her talk. |
| 01:53:30 |
Can you hear me? |
| 01:53:35 |
Hey. Talk to me. |
| 01:53:40 |
Daphna, make her talk. |
| 01:53:53 |
Dada. |
| 01:53:59 |
Hey. |
| 01:54:04 |
This is my voice, darling. |
| 01:54:09 |
This is what I sound like. |
| 01:54:14 |
Listen, I have to get |
| 01:54:17 |
She'll dream about you. |
| 01:54:51 |
We're standing at |
| 01:54:56 |
Are we going? |
| 01:54:59 |
Can we talk to someone, |
| 01:55:00 |
Shut up, okay? |
| 01:55:02 |
Just to tell our families. |
| 01:55:06 |
Everybody, just relax, okay? |
| 01:55:09 |
We will ride this bus |
| 01:55:13 |
or to your Olympic Games. |
| 01:57:13 |
Carl. You asshole. |
| 01:57:17 |
I saw her first. |
| 01:57:37 |
Carl? |
| 01:59:16 |
She's Dutch, not political, |
| 01:59:19 |
She lives in Hoorn. |
| 01:59:23 |
This is dependable |
| 01:59:25 |
For which you pay nothing. |
| 01:59:27 |
We're giving you this. |
| 01:59:30 |
Because you want me to believe |
| 01:59:32 |
with the murder of my partner. |
| 01:59:34 |
We inhabit a world |
| 01:59:38 |
We live and die at the places |
| 01:59:41 |
That's what we accept. |
| 01:59:44 |
We buy information for you |
| 01:59:49 |
This alerts them. |
| 01:59:50 |
You're not the only people |
| 01:59:53 |
You're telling me |
| 01:59:55 |
He's telling you |
| 01:59:58 |
The race is not |
| 02:00:02 |
but time and chance |
| 02:00:18 |
Evil falls suddenly. |
| 02:00:22 |
Who can say when it falls? |
| 02:00:47 |
So you're really gonna |
| 02:00:51 |
All this blood comes back |
| 02:00:55 |
Even if it takes years, |
| 02:00:59 |
We're Jews, Avner. |
| 02:01:01 |
Jews don't do wrong |
| 02:01:03 |
We can't afford to be |
| 02:01:06 |
I don't know that |
| 02:01:08 |
Suffering thousands of years |
| 02:01:13 |
But we're |
| 02:01:16 |
That's Jewish. |
| 02:01:18 |
That's what I knew, |
| 02:01:21 |
And now I'm losing it, |
| 02:01:24 |
That's-- |
| 02:01:27 |
That's my soul. |
| 02:01:31 |
You need to go rest somewhere. |
| 02:01:37 |
When I need you again, |
| 02:02:32 |
Excuse me. Who are you? |
| 02:02:43 |
Do you know why we're here? |
| 02:02:45 |
I want to get dressed, okay? |
| 02:02:53 |
Maybe you want to hire me. |
| 02:03:01 |
No. Don't. |
| 02:03:03 |
It's such a fucking waste |
| 02:03:17 |
Where're you going? |
| 02:03:19 |
Shell. Shell. |
| 02:03:22 |
Yeah. |
| 02:03:59 |
Leave it. |
| 02:04:18 |
In seven months |
| 02:04:22 |
We've killed one replacement. |
| 02:04:25 |
One of our targets |
| 02:04:27 |
including Ali Hassan Salameh, |
| 02:04:31 |
One of our own has fallen. |
| 02:04:33 |
Since we began, the other side |
| 02:04:37 |
hijacked three planes... |
| 02:04:39 |
killed 130 passengers |
| 02:04:43 |
and killed our military |
| 02:04:46 |
Some of it was |
| 02:04:50 |
who replaced Zaid Muchassi... |
| 02:04:52 |
who replaced Hussein al-Chir. |
| 02:04:55 |
Black September's original |
| 02:05:01 |
But new leaders |
| 02:05:03 |
for whom Black September |
| 02:05:09 |
And to dispatch |
| 02:05:11 |
we must have spent something |
| 02:05:15 |
You've been cooking. |
| 02:05:19 |
Mrs. Meir |
| 02:05:23 |
the world must see |
| 02:05:26 |
will be from now on |
| 02:05:31 |
But killing Palestinians |
| 02:05:37 |
If all 11 were dead, |
| 02:05:42 |
You're lying. |
| 02:05:47 |
With each time we kill, |
| 02:05:51 |
Maybe they'll have to keep |
| 02:05:52 |
Forever. |
| 02:05:55 |
Five targets are still alive. |
| 02:05:57 |
That's five men |
| 02:05:59 |
Eventually you forget that |
| 02:06:02 |
For me personally, |
| 02:06:03 |
One day I'm going to wake up, |
| 02:06:06 |
I'm going to go back to bed, |
| 02:06:11 |
Hey, Hans? You know there's |
| 02:06:15 |
Why don't you stop drinking |
| 02:06:17 |
I mean, there's enough food |
| 02:06:23 |
I keep seeing that |
| 02:06:30 |
It's not that I wish |
| 02:06:34 |
I wish I had let you |
| 02:06:37 |
Yeah, |
| 02:06:56 |
Avner. |
| 02:07:00 |
Avner. |
| 02:07:03 |
Avner. |
| 02:07:05 |
I went to Hans' flat |
| 02:07:08 |
just to check up on him |
| 02:07:12 |
Anyway, he's gone somewhere, |
| 02:07:15 |
and he's not come back. |
| 02:07:38 |
Knife. |
| 02:07:44 |
They didn't take anything. |
| 02:12:08 |
What? |
| 02:12:40 |
It will be beautiful. |
| 02:12:44 |
- Ali Hassan Salameh |
| 02:12:48 |
He's at a compound |
| 02:12:52 |
Bomb makers often die |
| 02:12:57 |
In Athens |
| 02:13:02 |
Many people must want |
| 02:13:05 |
But why would I do that? |
| 02:13:14 |
It's dangerous |
| 02:13:18 |
But he planned |
| 02:13:24 |
Eliminate him, |
| 02:13:31 |
Yes, Louis. I do. |
| 02:13:37 |
You could have a kitchen |
| 02:13:43 |
It costs dearly, |
| 02:14:43 |
Shit! |
| 02:14:47 |
Can you tell how many? |
| 02:15:08 |
That's him. |
| 02:15:14 |
Are you sure it's him, Avner? |
| 02:15:18 |
You have to be sure. |
| 02:16:22 |
I'm Avner Kaufman. |
| 02:16:24 |
You want to ride with us? |
| 02:16:27 |
Please. |
| 02:16:34 |
I'm Amos. |
| 02:16:38 |
We're not supposed to know |
| 02:16:41 |
because we're not officers. |
| 02:16:42 |
We're just shit |
| 02:16:46 |
We've heard about |
| 02:16:51 |
We want to say |
| 02:16:58 |
It's an honor for me, |
| 02:17:10 |
I have no problems |
| 02:17:12 |
except the woman |
| 02:17:16 |
Steve's told us about her. |
| 02:17:18 |
We took a leave |
| 02:17:19 |
and killed her |
| 02:17:20 |
Don't be an idiot. |
| 02:17:21 |
Otherwise, as I said, |
| 02:17:25 |
Except three |
| 02:17:28 |
According |
| 02:17:29 |
I should say, emphatically, |
| 02:17:31 |
not in any way your fault. |
| 02:17:33 |
He sings your praises. |
| 02:17:34 |
Best guy he ever worked for, |
| 02:17:40 |
He says this French group.... |
| 02:17:44 |
They sold |
| 02:17:47 |
They helped kill your men. |
| 02:17:50 |
I know Steve believes that, |
| 02:17:52 |
Tell us who they are. |
| 02:17:56 |
They won't work with you. |
| 02:18:00 |
It's about loyalty. |
| 02:18:03 |
That's your only loyalty! |
| 02:18:08 |
Okay. |
| 02:18:11 |
This is General Hofi |
| 02:18:14 |
You look good. |
| 02:18:16 |
Listen, the Prime Minister |
| 02:18:20 |
She wishes she could tell you |
| 02:18:22 |
She never heard of you, |
| 02:18:25 |
Good. She says you've done |
| 02:18:28 |
For Israel. |
| 02:18:34 |
That's it. |
| 02:18:49 |
June 16, 1973. |
| 02:18:54 |
Go ahead. |
| 02:19:00 |
Tell me what you learned. |
| 02:19:05 |
What I learned? |
| 02:19:07 |
What did you learn? |
| 02:19:11 |
For God's sake! |
| 02:19:13 |
Tell me the names and numbers |
| 02:19:20 |
Avner, tell me. |
| 02:19:21 |
Tell me the names and numbers |
| 02:19:26 |
Please. |
| 02:19:28 |
I can have you |
| 02:19:32 |
You can't. |
| 02:19:37 |
I don't exist. |
| 02:19:41 |
You look terrible. |
| 02:19:46 |
You don't |
| 02:19:51 |
I'm alive, right? |
| 02:19:56 |
I'm not a fool, Avner. |
| 02:20:10 |
Everyone in Europe died. |
| 02:20:15 |
A huge family. |
| 02:20:20 |
I never talked |
| 02:20:22 |
I knew. |
| 02:20:27 |
I didn't die, |
| 02:20:29 |
When I arrived, |
| 02:20:33 |
and prayed for a child. |
| 02:20:36 |
I never prayed before, |
| 02:20:39 |
And I could feel every |
| 02:20:46 |
You are what we prayed for. |
| 02:20:49 |
What you did, |
| 02:20:52 |
You did for your daughter, |
| 02:20:55 |
Every one of the ones |
| 02:21:00 |
We had to take it, |
| 02:21:04 |
A place to be |
| 02:21:09 |
I thank God for hearing |
| 02:21:14 |
Do you want to know, Mama? |
| 02:21:17 |
Do you want me to tell you |
| 02:21:22 |
No. |
| 02:21:24 |
Whatever it took, |
| 02:21:30 |
A place on Earth. |
| 02:21:36 |
At last. |
| 02:21:47 |
What's this? |
| 02:21:50 |
From Rehovot? |
| 02:21:53 |
Eat it on the plane. |
| 02:21:56 |
I hope it gives you |
| 02:21:59 |
Listen, forget it. |
| 02:22:01 |
You go see |
| 02:22:03 |
Then we're gonna put you |
| 02:22:05 |
Not Europe. |
| 02:22:07 |
You think it over. |
| 02:22:13 |
No. |
| 02:22:40 |
That's all right. |
| 02:22:42 |
Oh, no, no, no. |
| 02:22:45 |
Look at that beautiful hair. |
| 02:23:35 |
Nightmares? |
| 02:23:38 |
Yes. |
| 02:23:42 |
Come back to bed. |
| 02:23:47 |
I have no idea |
| 02:23:55 |
The place is nice. |
| 02:24:01 |
The kitchen's too big. |
| 02:25:21 |
Sylvie, I need to speak |
| 02:25:26 |
Is Louis there? |
| 02:25:29 |
I need to speak |
| 02:25:32 |
212-664-7665. |
| 02:25:36 |
I'll wait. He must call me. |
| 02:25:43 |
Am I being hunted? |
| 02:25:45 |
Is my family being hunted? |
| 02:25:47 |
How is your father? |
| 02:25:52 |
I don't know. |
| 02:25:55 |
Are they going to be okay? |
| 02:25:57 |
I'm sending you a parcel |
| 02:26:00 |
Real cheese. |
| 02:26:03 |
It isn't pasteurized, |
| 02:26:08 |
It's a real pleasure |
| 02:26:12 |
I think about you |
| 02:26:15 |
Do you believe me? |
| 02:26:18 |
Avner? |
| 02:26:20 |
You believe me, Avner? |
| 02:26:24 |
You know my name? |
| 02:26:26 |
Of course I do. |
| 02:26:29 |
Now, listen to me. |
| 02:26:33 |
No harm will come to you |
| 02:27:00 |
You can't go in there, sir. |
| 02:27:05 |
I tried to stop him. |
| 02:27:07 |
Security! |
| 02:27:11 |
If you're Mossad, |
| 02:27:12 |
If you don't, |
| 02:27:15 |
Being in this room |
| 02:27:17 |
Shut up and listen to me. |
| 02:27:19 |
I won't hesitate to kill |
| 02:27:21 |
if you hurt my child. |
| 02:27:23 |
Or wives if you hurt my wife, |
| 02:27:26 |
I don't care. |
| 02:27:29 |
I'll give every name |
| 02:27:32 |
I'll tell them everything |
| 02:32:04 |
I love you. |
| 02:32:31 |
Avner. |
| 02:32:37 |
Phone for you. |
| 02:32:39 |
He's Israeli. |
| 02:32:46 |
You think we'd hurt |
| 02:32:49 |
I think anyone is capable |
| 02:32:52 |
I think you're losing |
| 02:32:59 |
Did I commit murder? |
| 02:33:04 |
I want you to give me proof |
| 02:33:06 |
had a hand in Munich. |
| 02:33:07 |
I don't discuss such things |
| 02:33:10 |
You want to discuss, |
| 02:33:12 |
You want your daughter |
| 02:33:14 |
I want evidence. |
| 02:33:20 |
Professor Hamshari |
| 02:33:23 |
He was implicated |
| 02:33:27 |
He was recruiting |
| 02:33:29 |
You stopped him. |
| 02:33:30 |
We should have tried |
| 02:33:32 |
And Zwaiter, your harmless |
| 02:33:34 |
He was behind the bomb |
| 02:33:38 |
He was working |
| 02:33:39 |
I could go on |
| 02:33:41 |
According to evidence |
| 02:33:43 |
If these |
| 02:33:46 |
Like Eichmann. |
| 02:33:48 |
If these guys live, |
| 02:33:50 |
Whatever doubts you have, |
| 02:34:04 |
You did well, |
| 02:34:06 |
I killed seven men. |
| 02:34:09 |
We'll get him, of course. |
| 02:34:14 |
You think you were |
| 02:34:16 |
It's a big operation. |
| 02:34:20 |
Does that assuage your guilt? |
| 02:34:23 |
Did we accomplish |
| 02:34:25 |
Every man we killed |
| 02:34:28 |
Why cut my fingernails? |
| 02:34:31 |
Did we kill to replace |
| 02:34:33 |
or the Palestinian leadership? |
| 02:34:35 |
You tell me what we've done. |
| 02:34:37 |
You killed them |
| 02:34:38 |
you now choose to abandon. |
| 02:34:41 |
The country |
| 02:34:45 |
You killed them for Munich, |
| 02:34:50 |
There's no peace |
| 02:34:53 |
You know this is true. |
| 02:34:56 |
Your father is sick, |
| 02:34:58 |
You're a sabra. |
| 02:35:02 |
What I came to say |
| 02:35:06 |
come home. |
| 02:35:21 |
Come to my house |
| 02:35:25 |
Come on. |
| 02:35:27 |
It's written someplace |
| 02:35:30 |
ask you to come |
| 02:35:33 |
So break bread with me, |
| 02:35:42 |
No. |
