My Best Friend s Wedding
|
03:31:52 |
Ready? Okay. |
03:31:54 |
Wlshing and hoping |
03:31:57 |
And thlnking and praying |
03:31:59 |
Plannlng and dreaming |
03:32:01 |
Each night of his charms |
03:32:05 |
That won't get you |
03:32:10 |
So if you're looking |
03:32:13 |
That you can share |
03:32:18 |
All you've got to do |
03:32:20 |
ls hold him and klss hlm |
03:32:22 |
And love hlm |
03:32:27 |
Show him that you care |
03:32:32 |
Do the things |
03:32:36 |
Wear your hair |
03:32:43 |
'Cause you won't get him |
03:32:45 |
Thlnking and praying |
03:32:49 |
Just wlshing and hoping |
03:32:52 |
And thlnking and praying |
03:32:54 |
Plannlng and dreaming |
03:33:00 |
That won't get you |
03:33:05 |
So if you're thlnking |
03:33:08 |
True love ls |
03:33:17 |
And squeeze him |
03:33:19 |
Just do it |
03:33:23 |
You will be his |
03:34:49 |
Two and two, menu ! |
03:34:53 |
Guillermo! |
03:34:55 |
Two pigeons! Right away! |
03:34:57 |
''V. l.P.'' |
03:35:07 |
Give me two grain! |
03:35:09 |
- l'll take that polenta! |
03:35:12 |
- This is the one l'm waiting for! |
03:35:14 |
l need that special meat now. |
03:35:18 |
l will kiIl your family it you don't |
03:35:21 |
Yes, sir. |
03:35:40 |
l'm writing it up as... |
03:35:43 |
inventive and... |
03:35:45 |
contident. |
03:35:52 |
- Did the chap trom Newsday ever calI? |
03:35:58 |
ls this a real interview |
03:36:00 |
- you're setting me up with? |
03:36:02 |
l don't send you men anymore. |
03:36:05 |
lt's Mlchael. |
03:36:10 |
l can't walt to talk to you. |
03:36:16 |
Oall me. 4:00 in the mornlng, |
03:36:20 |
- Who called? Man ot the moment? |
03:36:24 |
It's my Michael. Michael O'NeaI. |
03:36:28 |
The wandering sportswriter. |
03:36:31 |
Sophomore year at Brown... |
03:36:33 |
we had this one hot month. |
03:36:36 |
But you know me. |
03:36:40 |
So l get up the nerve |
03:36:44 |
and he gives me this look. |
03:36:47 |
Then he said, ''The thing |
03:36:50 |
I'm losing the best triend |
03:36:53 |
At that moment, |
03:36:57 |
So l cried for maybe |
03:37:01 |
kissed him... |
03:37:03 |
and we've been best friends |
03:37:07 |
We've seen each other |
03:37:11 |
losing jobs... |
03:37:13 |
losing parents, Iosing lovers. |
03:37:15 |
We've traveled all over. |
03:37:18 |
The best times ot my lite, maybe. |
03:37:21 |
Drinking and talking, |
03:37:25 |
Go on. This is so moving. |
03:37:29 |
He's nothing like me. |
03:37:33 |
l rememher this one night |
03:37:37 |
He takes a razor out |
03:37:40 |
cuts his tinger, takes my hand, |
03:37:43 |
- l'm gonna be sick. |
03:37:46 |
it we've never married, |
03:37:49 |
We never talked about it again. |
03:37:52 |
l don't know |
03:37:56 |
You're about to be 28 |
03:38:00 |
- How old is he? |
03:38:04 |
Desperate to talk. |
03:38:16 |
Cheers. |
03:38:20 |
''Digital Answering System'' |
03:38:29 |
''Red'' |
03:38:38 |
- Good evenlng. The Drake Hotel. |
03:38:42 |
- but sinoe it's so late-- |
03:38:47 |
Hello? |
03:38:51 |
You've been enrolled |
03:38:54 |
Hey, beautllul. |
03:38:57 |
l mlss you. l've been |
03:39:01 |
I've been on a book tour. |
03:39:03 |
- l llgured you were out ol town. |
03:39:06 |
Qr you're just averaging 30 days |
03:39:08 |
- lt's less when it's you. |
03:39:13 |
ll you turn me down, |
03:39:15 |
lt l could just tell you |
03:39:21 |
This is prohably going |
03:39:24 |
the biggest laugh |
03:39:27 |
but l was thinking about you, |
03:39:30 |
this unbelievably insane night |
03:39:35 |
like a thousand years ago. |
03:39:38 |
- You probablY won't remember this-- |
03:39:40 |
l thlnk about that nlght |
03:39:43 |
You do? |
03:39:45 |
But lt's not why l called. |
03:39:48 |
lt's not. |
03:39:50 |
l oalled beoause l met someone. |
03:39:55 |
That's great. |
03:39:57 |
You haven't realIy seen anybody |
03:40:02 |
You don't understand. |
03:40:04 |
l've never lelt thls way |
03:40:07 |
- She's all wrong lor me. |
03:40:11 |
She's a junlor |
03:40:13 |
She's 20. Her name's Klm. |
03:40:16 |
Her dad ls thls billlonalre. He owns |
03:40:20 |
l've always been uncomlortable |
03:40:23 |
- Sure. |
03:40:26 |
They're such wonderlul people. |
03:40:31 |
So you've met her parents? |
03:40:35 |
Jules, we're gettlng marrled |
03:40:40 |
- Hello? |
03:40:45 |
lt's Wednesday night. |
03:40:47 |
How can you possibly |
03:40:49 |
Aotually, lt starts tomorrow. |
03:40:51 |
lt's a lour-day weddlng |
03:40:54 |
and 10 mlllion people |
03:40:58 |
Aren't you working this weekend? |
03:41:02 |
The Sox are at home and Sports ls |
03:41:08 |
Wait. |
03:41:10 |
Taklng oll a weekend |
03:41:15 |
Jules, l'm scared. |
03:41:18 |
- Mayhe we should talk about this. |
03:41:22 |
ll you can't come and hold my hand, |
03:41:26 |
Please oome. |
03:41:30 |
l can 't wait lor you |
03:41:33 |
''United Airlines'' |
03:41:37 |
Let's stop tor a drink. |
03:41:39 |
l'm a busy girl. l've got tour days |
03:41:43 |
steal the bride's tellow, |
03:41:47 |
He adored me |
03:41:50 |
- l can see why. |
03:41:54 |
Plus, she's got hilIions ot dollars, |
03:41:57 |
So don't go feeling all sorry |
03:42:04 |
l can't lose him, George. |
03:42:10 |
You glve your hand to me |
03:42:11 |
You glve your hand to me |
03:42:14 |
And then you say hello |
03:42:17 |
l can hardly speak |
03:42:20 |
My heart is heating so |
03:42:24 |
And anyone can tell |
03:42:28 |
You think you know me well |
03:42:31 |
But you don't know me |
03:42:37 |
No, you don't know the one |
03:42:41 |
Who dreams ol you at nlght |
03:42:45 |
Wants to klss your llps |
03:42:48 |
Wants to hold you tlght |
03:42:51 |
l am just a lrlend |
03:42:54 |
That's all l've ever been |
03:42:58 |
- Oan you believe l'm gonna do this? |
03:43:17 |
This just makes everything |
03:43:20 |
Since l've met Michael, all l've heard |
03:43:26 |
l've never had a sister. |
03:43:36 |
l have this monstrous tavor |
03:43:38 |
- Excuse me? |
03:43:40 |
shattered her pelvis line dancing |
03:43:45 |
- Be my maid ot honor? |
03:43:49 |
Shouldn't you promote a bridesmaid |
03:43:54 |
My bridesmaids are my only two |
03:43:58 |
debutante sisters trom Nashville |
03:44:02 |
My exit! |
03:44:06 |
I have tour days |
03:44:08 |
lt's time tor you |
03:44:25 |
- Do you like the color? |
03:44:28 |
- lsn't that pertect tor her? |
03:44:30 |
This is going to be tighter. |
03:44:33 |
- lt's beautitul. |
03:44:36 |
l don't want her to trip, |
03:44:41 |
Would you rather the dattodil? |
03:44:46 |
l thought the bridesmaids |
03:44:50 |
Not you. You wouldn't he comtortabIe |
03:44:56 |
What else did he tell you? |
03:44:58 |
You hate weddings. |
03:45:02 |
You're not up |
03:45:04 |
or anything that's assumed |
03:45:09 |
including marriage |
03:45:14 |
Love? |
03:45:17 |
Michael and I were a wrong tit |
03:45:20 |
He said that too. |
03:45:23 |
l thought l was like you, |
03:45:27 |
until l met rumpled, |
03:45:30 |
Then l tound l was just |
03:45:33 |
like all those tlighty nitwits |
03:45:36 |
lt's tunny, huh? |
03:45:40 |
l need a cigarette. |
03:45:51 |
George, how do you thlnk l leel? |
03:45:53 |
All she does is talk |
03:45:56 |
- She's just so dreamy. |
03:46:01 |
l don't know it l can do it. |
03:46:05 |
You want me to turn around |
03:46:07 |
Not the person l was expecting. |
03:46:14 |
l've seen you |
03:46:19 |
Things are ditterent now. |
03:46:27 |
l guess so. |
03:46:34 |
You look really good... |
03:46:37 |
without your olothes on. |
03:46:50 |
She's toast. |
03:46:54 |
''Caution 2-Way Tratfic'' |
03:47:01 |
- Where is the honeymoon exactly? |
03:47:03 |
lt San Antonio sweeps Saoramento, |
03:47:07 |
Or Phoenix. Or depending |
03:47:09 |
Garden spots, all. |
03:47:11 |
A swing ot mayhe 40 degrees Fahrenheit |
03:47:14 |
but there's tine tood and cocktails |
03:47:18 |
It's his career. l'm supportive. |
03:47:22 |
l want to be with the man l love. |
03:47:26 |
He's Iucky. One woman in a billion |
03:47:32 |
The guy's a one-man festival |
03:47:35 |
You've been introduced |
03:47:38 |
Ot his snoring? |
03:47:41 |
You know that snartle one? |
03:47:46 |
Now it's got this phlegm-rattling thing |
03:47:58 |
Earplugs work. |
03:48:00 |
- What about-- |
03:48:03 |
The bathroom's a swamp. |
03:48:06 |
He likes action movies. |
03:48:09 |
He loves karaoke bars... |
03:48:11 |
- and l can't carry a tune. |
03:48:14 |
He sucks soup |
03:48:16 |
That's a trademark move. |
03:48:21 |
But he sure can kiss. |
03:48:26 |
lt's been a while. |
03:48:35 |
After two weeks |
03:48:40 |
l made a command deoision |
03:48:48 |
l threw the Iist away. |
03:48:49 |
He's not a balance sheet. |
03:48:51 |
Loving him means |
03:48:54 |
Do you get nervous |
03:48:55 |
lt's sweet ot you |
03:48:57 |
but nothing ever could give me |
03:49:01 |
- Do you become hysterical in contined-- |
03:49:07 |
You. You're always |
03:49:09 |
this pertect creature |
03:49:11 |
Pertection can get wearing |
03:49:14 |
l'm not kidding. l had to tace up |
03:49:17 |
Believe me, l've got them. |
03:49:19 |
Am l gonna be jealous ot you |
03:49:23 |
- Our paths will keep orossing. |
03:49:25 |
- He'll always talk about you. |
03:49:26 |
The answer was so simple. |
03:49:30 |
l was gonna predict that. |
03:49:33 |
You win. |
03:49:37 |
l've missed a step. |
03:49:39 |
He's got you on a pedestal... |
03:49:42 |
and me in his arms. |
03:49:52 |
My God, it's the bride |
03:49:56 |
- Are you okay, honey? |
03:49:59 |
Did she say the wrong thing again? |
03:50:02 |
- l'm Julianne Potter. |
03:50:04 |
- You oan just call us eager. |
03:50:08 |
- As maid of honor, you get first pick. |
03:50:12 |
- He's mine. |
03:50:15 |
ls this Michael's Julianne? |
03:50:17 |
l'm lsabelle Wallace. |
03:50:20 |
My handsome new son |
03:50:24 |
My husband says |
03:50:27 |
so you can hang with Michael. |
03:50:29 |
But tirst you have to meet |
03:50:32 |
That is, it you've absorbed |
03:50:50 |
Who ordered a beer? |
03:50:51 |
- Let me help you with that. |
03:50:56 |
Sorry. l was contusing you |
03:50:59 |
Julianne Potter, this is Hank and Eric |
03:51:02 |
- Nioe to meet you. |
03:51:04 |
- Hi, there. |
03:51:06 |
And this is Walter, |
03:51:10 |
Future tather-in-law. |
03:51:12 |
Thank you. |
03:51:14 |
If he gives you any griet, |
03:51:18 |
- And this guy You know. |
03:51:22 |
l told him to make you best man, |
03:51:27 |
Best-looking guy |
03:51:30 |
- Great to see you. |
03:51:33 |
- Scotty, that will do. |
03:51:36 |
Remember, it is the duty |
03:51:39 |
to dance |
03:51:42 |
Dance? You can't dance. |
03:51:45 |
- When did you learn to dance? |
03:51:51 |
You're an impostor. |
03:51:54 |
What did you do |
03:51:57 |
''Ohicago Tribune" |
03:52:00 |
You just haven't seen me |
03:52:07 |
Some people mlght llnd |
03:52:12 |
- day atter daY, year atter year. |
03:52:15 |
How can you like someone |
03:52:17 |
No potential |
03:52:21 |
But then, she does have |
03:52:25 |
- All right. |
03:52:26 |
They got him. |
03:52:29 |
When l hug her, |
03:52:31 |
l don't have to let go |
03:52:34 |
She lets me hoId her |
03:52:36 |
- Batting seoond, the shortstop-- |
03:52:40 |
- Nothing. |
03:52:44 |
You and that yucky love stuft. |
03:52:46 |
You always get like that |
03:52:49 |
l do not. |
03:52:52 |
When we were-- |
03:52:55 |
- When we were-- |
03:53:02 |
Did l, when-- |
03:53:04 |
- Yes. |
03:53:08 |
You pulled away when l tried |
03:53:16 |
l've ohanged. |
03:53:19 |
l mean, l'm not the girl |
03:53:23 |
Really? |
03:53:24 |
Any relationship over two weeks |
03:53:28 |
This is not about longevity. |
03:53:32 |
This is about... |
03:53:34 |
being comfortable... |
03:53:37 |
with the yucky love stuft. |
03:53:42 |
All right. |
03:53:44 |
And l am. |
03:53:49 |
And it's wlsdom born ol paln |
03:53:53 |
yes, l've pald the prlce |
03:53:55 |
But look how much l've galned |
03:53:58 |
- ll l have to |
03:54:00 |
- l can do anythlng |
03:54:02 |
The doorman told me. |
03:54:05 |
l am strong |
03:54:09 |
l am woman |
03:54:19 |
l didn't realize |
03:54:22 |
This is so great. |
03:54:24 |
- You tolks thirsty? |
03:54:27 |
- Blended, no salt. |
03:54:29 |
- You? |
03:54:31 |
Two words tor you. |
03:54:33 |
Margarita. |
03:54:35 |
Vespa. |
03:54:38 |
Florence. |
03:54:41 |
Me hanging on in the rain. |
03:54:43 |
- l love Florence. |
03:54:49 |
Where was my pass? |
03:54:50 |
- ''No, the pier is tor tishing!'' |
03:54:53 |
- ''Fishing!'' |
03:54:58 |
You should take her there. |
03:55:05 |
''lt San Antonio |
03:55:09 |
You're ott the road in September, and |
03:55:17 |
l'm not coming back senior year. |
03:55:23 |
Don't architects find a degree |
03:55:29 |
l travel every week. Got college hall, |
03:55:33 |
I think the most important thing |
03:55:36 |
Say, Pinky, l wanna hear you sing. |
03:55:41 |
Kimmy hates to sing. |
03:55:47 |
All right, tolks. |
03:55:49 |
my bride-to-be here |
03:55:54 |
What? |
03:55:56 |
No, she doesn't want to, Michael. |
03:55:59 |
Oome on. |
03:56:02 |
please give it up tor the dazzling |
03:56:06 |
ot Miss KimberlY Wallace! |
03:56:13 |
Oome on. |
03:56:28 |
l just don 't know what to do |
03:56:34 |
Don't know just what to do |
03:56:38 |
l'm so used to doing |
03:56:42 |
Everything lor you |
03:56:45 |
- You suck! |
03:56:50 |
And now that we're through |
03:56:54 |
l just don't know |
03:56:56 |
What to do wlth my tlme |
03:57:01 |
l'm so lonesome lor you |
03:57:04 |
lt's a crlme |
03:57:06 |
Golng to a movle |
03:57:38 |
ll your new love |
03:57:42 |
Ever turns you down |
03:57:45 |
Come back |
03:57:47 |
l wlll be around |
03:57:54 |
l just don 't know what to do |
03:57:59 |
Like a summer rose |
03:58:04 |
lt needs the sun and the rain |
03:58:10 |
l need your sweet love |
03:58:15 |
l need your sweet love to ease |
03:58:23 |
All the paln |
03:58:35 |
That was just terrible! |
03:58:47 |
''Steakhouse'' ''Park'' ''Taxi'' |
03:58:50 |
- Maybe we don't have to go. |
03:58:53 |
As bride-to-be, |
03:58:57 |
l'd baby-sit you, but mY loyalty |
03:59:02 |
- lt's not really a time ot need. |
03:59:07 |
- ''Sure''? |
03:59:15 |
- Call me Iater? |
03:59:21 |
- Bye. |
03:59:36 |
Were you pretty shocked |
03:59:39 |
Shocked? No. |
03:59:44 |
A little. |
03:59:46 |
A lot. |
03:59:50 |
That explains the thump. |
03:59:53 |
You like her, don't you? |
03:59:57 |
- I do. |
04:00:01 |
l mean, she's-- |
04:00:07 |
She seriously |
04:00:12 |
But to make that kind |
04:00:17 |
- What? Leaving school? |
04:00:22 |
Putting her career on hold |
04:00:25 |
where you travel 52 weeks a year... |
04:00:28 |
to places |
04:00:32 |
- ''Dumb job''? |
04:00:36 |
My joh never hothered you betore. |
04:00:38 |
lt doesn't bother me now, |
04:00:42 |
Her tather owns the Sox |
04:00:50 |
l'm just surprised |
04:00:54 |
What? |
04:00:57 |
The corner ottice with a view. |
04:00:59 |
You in a nice blue suit. |
04:01:02 |
Permanent Ohicago address, |
04:01:06 |
Never. |
04:01:08 |
She would never even think ot that. |
04:01:12 |
You don't know her. |
04:01:23 |
- But Michael loves his job. |
04:01:25 |
Bad games, bad pay, |
04:01:28 |
bad hotels, real had food... |
04:01:30 |
homeless, rootless, lonely... |
04:01:33 |
your copy makes it |
04:01:35 |
What's not to love? |
04:01:37 |
Why would he trade that tor running, |
04:01:41 |
at a powerfuI complex conglomerate |
04:01:45 |
- That's what my tather and l discussed. |
04:01:51 |
So do you think |
04:01:54 |
Michael? |
04:01:55 |
It would be the greatest thing |
04:01:59 |
Present company excepted. |
04:02:02 |
Thls ls what we do: |
04:02:06 |
Mlohael does a lavor lor Walter. |
04:02:08 |
Walter's reorganlzlng |
04:02:11 |
and needs a brilllant guy |
04:02:14 |
that he can completely trust. |
04:02:16 |
Then you beg. |
04:02:19 |
lt's only slx months. |
04:02:25 |
- He'll see right through it. |
04:02:30 |
At the end ot six months... |
04:02:32 |
he will be happy... |
04:02:35 |
settled... |
04:02:36 |
successtul. |
04:02:53 |
Wow. |
04:02:55 |
You look beautiful. |
04:02:58 |
Never can tell. |
04:03:01 |
Just the way you look tonlght |
04:03:06 |
Okay, kid, you're up. |
04:03:19 |
lt's really my father |
04:03:25 |
He's reorganizing some |
04:03:29 |
Public reIations |
04:03:35 |
It would only be |
04:03:40 |
- Qr three or tour. |
04:03:45 |
l think you ought to listen to her. |
04:03:52 |
You gonna tell me |
04:03:55 |
Why don't you start |
04:03:59 |
l am being honest. |
04:04:01 |
All of a sudden l'm supposed |
04:04:05 |
torget my tamily, |
04:04:07 |
- forget the things l had planned? |
04:04:11 |
Glad l heard this |
04:04:14 |
- What is that supposed to mean? |
04:04:17 |
l work in a Iow-paying, |
04:04:21 |
which, unfortunately, |
04:04:27 |
- lt sounds like a great opportunitY. |
04:04:32 |
How oome you never took |
04:04:35 |
l'Il tell you why, |
04:04:38 |
- And it's not me either. |
04:04:40 |
Damn straight that's how l teel ! |
04:04:44 |
My job's not good enough. |
04:04:48 |
- l never said that! |
04:04:55 |
Great, Kim. |
04:04:57 |
Two days betore our wedding, you lay |
04:05:04 |
Fine. l'm an insensitive. |
04:05:07 |
You're hetter oft without me. |
04:05:10 |
You are so right. |
04:05:16 |
We settled this, and l reneged. |
04:05:19 |
You have to torgive me and torget |
04:05:24 |
Please. |
04:05:30 |
l'm sorry. |
04:05:57 |
George and Werner are not ln. |
04:06:00 |
Brevity ls the order ol the day. |
04:06:02 |
George, answer thls, damn it! |
04:06:04 |
l'm ln a meltdown here! |
04:06:08 |
The little twerp groveled! |
04:06:12 |
Mlchael and l are the same person: |
04:06:17 |
We deserve each other. |
04:06:20 |
l'm oompletely out ol sneaky ldeas. |
04:06:23 |
ol my rapldly lraylng rope! |
04:06:25 |
Yo u have got to thlnk ol somethlng! |
04:06:32 |
- Cottee, anyone? |
04:06:38 |
''The Drake'' |
04:07:13 |
This is very Marcel Maroeau. |
04:07:16 |
Now, relax. We don't want your faoe |
04:07:21 |
What a hideous room. |
04:07:24 |
Death by a mini-har. |
04:07:31 |
You flew all the waY here. |
04:07:34 |
l have to go back this evening. |
04:07:38 |
You're butting in. |
04:07:41 |
What l mean when l say |
04:07:45 |
is that there is nothing annoying |
04:07:48 |
lt is vulnerable and endearing. |
04:07:53 |
You like her. |
04:07:55 |
lt l didn't have to hate her, |
04:07:58 |
This is my whole lite's happiness. |
04:08:01 |
l have to be ruthless. |
04:08:04 |
He was in love with me |
04:08:07 |
l oan make him happier |
04:08:09 |
l am breaking her heart |
04:08:11 |
but really doing her |
04:08:13 |
She would he so miserahle tagging along |
04:08:27 |
Do you really love him... |
04:08:30 |
or is this just about winning? |
04:08:32 |
Seriously. |
04:08:37 |
ln the beginning, |
04:08:41 |
He belonged to me. |
04:08:46 |
But now, when l'm with him... |
04:08:50 |
he's just so wonderful. |
04:08:54 |
How oome l never knew that |
04:08:58 |
lt's amazing the clarity that comes |
04:09:04 |
George, believe me... |
04:09:07 |
it he was feeIing |
04:09:10 |
then he would know how l teel. |
04:09:12 |
lt's horrible. |
04:09:15 |
What? |
04:09:18 |
Just tell him you love him. |
04:09:23 |
Tell him You've loved him |
04:09:27 |
but you were atraid ot love. |
04:09:31 |
Tell him you were atraid ot love, |
04:09:35 |
- Needing what? |
04:09:38 |
We all are, sweetheart. |
04:09:40 |
l'm sorry about that. |
04:09:42 |
Tell him this is the worst, cruelest, |
04:09:48 |
but there it is. |
04:09:50 |
He's got to ohoose. |
04:09:53 |
Tell him the aotual truth? |
04:09:56 |
Maybe not the actuaI truth. |
04:10:00 |
Highlights. |
04:10:10 |
Arms at your sides, please. |
04:10:25 |
- Good morning. |
04:10:27 |
- You don't like the suit? |
04:10:31 |
One thing tirst. |
04:10:40 |
- Guard this with your lite. |
04:10:43 |
- The ring. |
04:10:46 |
- l don't trust Scotty with it. |
04:10:49 |
Please. |
04:10:51 |
You're practically |
04:10:53 |
- Thank you. |
04:10:58 |
Will she like it? |
04:11:06 |
- What did you want to talk about? |
04:11:09 |
You wanted to talk |
04:11:16 |
We've known each other |
04:11:19 |
Not that long, hut a long time. |
04:11:22 |
And in that time... |
04:11:24 |
we've grown close. |
04:11:30 |
Very close. |
04:11:33 |
- l think so. |
04:11:36 |
So sometimes-- |
04:11:41 |
Oould you exouse us? |
04:11:48 |
Sometimes... |
04:11:50 |
people think... |
04:11:52 |
they know how they teel |
04:11:55 |
but they don't... |
04:11:58 |
until... |
04:12:01 |
until they do. |
04:12:04 |
l have a point. |
04:12:07 |
- Am l getting to it? |
04:12:09 |
Whatever it is you have to say |
04:12:17 |
''A big deal'' is a relative term. |
04:12:35 |
Who's that guy? |
04:12:40 |
lt's George. l've told you |
04:12:43 |
What's he doing here? |
04:12:49 |
- He's here to be with me. |
04:12:54 |
Because he's my triend. |
04:12:59 |
My best triend these days. |
04:13:04 |
You've been busy. |
04:13:08 |
So all ot this |
04:13:33 |
l'm speechless. |
04:13:35 |
That's Jules. |
04:13:37 |
- Congratulations. |
04:13:39 |
What? |
04:13:41 |
l told him, puppY. lt we're engaged, |
04:13:47 |
He's raoing back to New York. |
04:13:51 |
to fuck me. |
04:13:58 |
Takes a tew hours. |
04:14:03 |
God. |
04:14:08 |
Give me your ring. |
04:14:10 |
When you ask a girl to marry you, |
04:14:13 |
l can't believe you're doing this to me. |
04:14:17 |
- You're insane! |
04:14:29 |
Stop it. |
04:14:34 |
ls something wrong? |
04:14:39 |
l guess it's just the way |
04:14:42 |
lt always seemed... |
04:14:46 |
seemed like-- |
04:14:48 |
- It sounded like George was-- |
04:14:52 |
Actually, yes. |
04:14:56 |
Oommon misconception. |
04:15:00 |
lt is. |
04:15:02 |
George likes to pretend |
04:15:13 |
And why would you do that? |
04:15:17 |
l tind it attracts women. |
04:15:19 |
lndeed. |
04:15:22 |
Big time. |
04:15:27 |
Right. |
04:15:35 |
Qh, my God. |
04:15:39 |
- Underplay. |
04:15:41 |
l'm Jules' tiance, George. |
04:15:43 |
Just in town tor a quick pre-conjugal |
04:15:47 |
l do. |
04:15:50 |
- You're going to humiliate me. |
04:15:52 |
Just one thing. |
04:15:55 |
George! Oh, my God! |
04:16:00 |
- l don't know why I'm so carried away. |
04:16:04 |
lt's so-- |
04:16:07 |
Against God's plan? |
04:16:09 |
No! lt's just wondertul ! |
04:16:12 |
lt's so wondertul! |
04:16:19 |
Mom! |
04:16:24 |
- What? |
04:16:28 |
You must be |
04:16:30 |
Julianne's tiance. |
04:16:34 |
- What's going on? |
04:16:36 |
- Why didn't you tell us? |
04:16:38 |
l wanted to. l wanted |
04:16:42 |
but Jules said, |
04:16:46 |
This is Kimmy's day. |
04:16:47 |
Let's not take the attention |
04:16:51 |
Dear, sweet... |
04:16:53 |
adorable, |
04:16:56 |
Those were her very words. |
04:16:59 |
l think l'm gonna cry. |
04:17:01 |
Me too. |
04:17:03 |
This is so sweet ot you |
04:17:06 |
l insist you stay tor lunch. |
04:17:08 |
- No, absolutely-- |
04:17:10 |
Love the bag, love the shoes, |
04:17:13 |
- Darling, what about your fIight? |
04:17:24 |
l can tell you this now, |
04:17:27 |
Ahout me? |
04:17:29 |
All those stories that Michael told me |
04:17:32 |
but all those broken relationships, |
04:17:36 |
It must have hurt going through so many |
04:17:39 |
She couldn't sit down for seven years |
04:17:44 |
And the man of your dreams |
04:17:50 |
She's talking about me. |
04:17:54 |
Yes, darling? |
04:17:55 |
- How did you and Julianne meet? |
04:18:00 |
But, Poopy, |
04:18:02 |
Actually, |
04:18:06 |
Would you like to tell it, |
04:18:09 |
- lt's private. |
04:18:13 |
l tirst met Julianne... |
04:18:16 |
in a mental institution. |
04:18:20 |
Julianne was there visiting |
04:18:22 |
she'd sent insane |
04:18:24 |
and l was there |
04:18:28 |
He thought he was Dionne Warwick. |
04:18:31 |
- Who is Dionne Warwick? |
04:18:35 |
She's Whitney Houston's aunt. |
04:18:37 |
She's very good |
04:18:39 |
- lsn't she? |
04:18:50 |
There l was with Dionne. |
04:18:53 |
We were having a sing-along, |
04:18:57 |
breezing through the doors |
04:19:00 |
l saw her. |
04:19:02 |
A vision in pink. |
04:19:07 |
- You don't wear pink. |
04:19:10 |
Sometimes she does wear pink. |
04:19:12 |
- You do. |
04:19:15 |
l said to Dionne... |
04:19:17 |
''Dionne, who is this vision? |
04:19:21 |
Surely, she must be the understudy |
04:19:24 |
Look at her skin. |
04:19:27 |
- ln that moment, l knew. |
04:19:30 |
We do! |
04:19:35 |
- l'm very curious. |
04:19:39 |
l knew... |
04:19:41 |
that someday |
04:19:44 |
like some glittering... |
04:19:47 |
Doris Day-Rock Hudson |
04:19:52 |
l said to Dionne... |
04:19:54 |
''Dionne, l'm in love. |
04:19:57 |
Could this siren love me? |
04:20:00 |
Are the gods that kind?'' |
04:20:03 |
And Dionne turned to me, |
04:20:15 |
What did she say? |
04:20:19 |
The moment l wake up |
04:20:24 |
Belore l put on my makeup |
04:20:27 |
l say a little prayer lor you |
04:20:32 |
While comblng my halr now |
04:20:36 |
While wonderlng |
04:20:39 |
l say a little prayer lor you |
04:20:43 |
Forever and ever |
04:20:46 |
And l will love you |
04:20:48 |
Forever and ever |
04:20:51 |
Qh, how l love you |
04:20:53 |
Together lorever |
04:20:56 |
To llve without you |
04:20:59 |
Hearthreak lor me |
04:21:01 |
Go, Granddaddy! |
04:21:05 |
l run lor the hus, dear |
04:21:09 |
While rldlng |
04:21:17 |
At work l just take time |
04:21:20 |
And all through |
04:21:46 |
My darllng, believe me |
04:21:49 |
For me there is no one but you |
04:21:56 |
- Please love me too |
04:22:00 |
- And l'm ln love wlth you |
04:22:03 |
Answer my prayer, baby |
04:22:06 |
Say you love me too |
04:22:32 |
All right, now! |
04:22:37 |
- Heartbreak for you, actually. |
04:22:40 |
Get on your plane. l'll call at the turn |
04:22:47 |
- lt never would have worked out. |
04:22:51 |
Difterent temperaments. |
04:22:55 |
Look, tell him you love him. |
04:22:59 |
Bite the bullet. |
04:23:13 |
What will he do? |
04:23:14 |
''Be Caretul |
04:23:24 |
He'll ohoose Kim. |
04:23:26 |
You'll stand beside her |
04:23:29 |
kiss him good-bye |
04:23:34 |
That's what you came here to do. |
04:23:38 |
So do it. |
04:23:56 |
George isn't my fiance, Miohael. |
04:24:00 |
lt's heen over tor ages... |
04:24:01 |
but he can't accept it. |
04:24:04 |
l'd built you up so muoh... |
04:24:06 |
l couldn't let him lose faoe |
04:24:10 |
He could never stack up to the one man |
04:24:21 |
This is strange. |
04:24:25 |
l gotta tell you, when You-- |
04:24:27 |
When you told me that You were |
04:24:33 |
l got this really strange-- |
04:24:39 |
You were jealous? |
04:24:47 |
Orazy jealous. |
04:24:51 |
l'm sorry. |
04:24:59 |
Oan we maybe spend some time alone |
04:25:06 |
Would that be all right? |
04:25:35 |
l've been thinking a Iot |
04:25:40 |
Have you? |
04:25:46 |
- There are a Iot ot memories. |
04:25:52 |
lt's kind ot embarrassing |
04:25:57 |
you've sort ot been, |
04:26:00 |
the woman in my life. |
04:26:05 |
You've been the man in mine. |
04:26:08 |
And I was thinking |
04:26:11 |
alone together, you know? |
04:26:17 |
Except tor that hot aftair |
04:26:19 |
Except tor that. |
04:26:29 |
l mean, you commit |
04:26:34 |
and then it seems |
04:26:38 |
and then you torget |
04:26:47 |
You and l didn't-- |
04:26:49 |
ln our relationships |
04:26:53 |
we didn't use |
04:27:01 |
Kimmy says |
04:27:04 |
you say it. |
04:27:07 |
You say it right then, |
04:27:10 |
Otherwise, |
04:27:14 |
Passes you by. |
04:27:39 |
We don't even have a song. |
04:27:42 |
Kimmy and l don't have a song. |
04:27:47 |
Do you think that's a bad sign? |
04:27:53 |
Someday |
04:27:55 |
When l'm awlully low |
04:27:58 |
And the world ls cold |
04:28:01 |
l will leel a glow |
04:28:07 |
And the way you look tonlght |
04:28:13 |
ls your dance card tilled? |
04:28:15 |
l'd have to check. |
04:28:19 |
ls that right? |
04:28:24 |
Wlth each word |
04:28:26 |
your tenderness grows |
04:28:30 |
Tearlng my lears apart |
04:28:36 |
With each laugh |
04:28:41 |
To uches my loolish heart |
04:29:24 |
Excuse me. |
04:29:29 |
- l thought Michael was picking me up. |
04:29:32 |
He's got a lot to do. |
04:29:35 |
Ot course. |
04:29:38 |
Kim said when Michael turned the job |
04:29:43 |
Friction? No. |
04:29:45 |
Good. |
04:29:47 |
l haven't caused a prohlem, |
04:29:50 |
You haven't. Nobody has. |
04:29:54 |
Listen, |
04:29:56 |
AotuaIly, l needed |
04:29:58 |
- ls it possible to use your oftice? |
04:30:01 |
- At the end ot the hall on the lett. |
04:30:05 |
Take your time. |
04:30:15 |
E-maiI. |
04:30:18 |
''File'' ''New Letter'' ''Open'' ''Close'' |
04:30:28 |
To: Eric lsaacson... |
04:30:33 |
''Mail Out'' |
04:30:39 |
From: Walter Wallace. |
04:30:45 |
You can do this. lt's easy. |
04:30:48 |
lt's like it never happened. |
04:30:52 |
Eric, l need a tavor. |
04:30:56 |
My daughter's |
04:31:00 |
is in your hands. |
04:31:02 |
l have oftered Mike O'Neal... |
04:31:06 |
my new son-in-law... |
04:31:08 |
a great opportunity... |
04:31:11 |
in my company. |
04:31:13 |
To his own detriment... |
04:31:17 |
Michael wilI not... |
04:31:19 |
accept our ofter... |
04:31:23 |
while he works tor you. |
04:31:51 |
My daughter joins me |
04:31:55 |
tor your cooperation. |
04:31:59 |
With gratitude, Walter. |
04:32:03 |
''Do You Wish To Send?'' |
04:32:06 |
Why would l send this? |
04:32:12 |
''Save For Later'' ''Delete'' |
04:32:17 |
Save tor later. |
04:32:24 |
lt's not like l'm sending it. |
04:32:26 |
l'm just saving it |
04:32:29 |
till we come hack here and... |
04:32:32 |
Michael can see it. |
04:32:33 |
Perfectly harmless. |
04:33:15 |
''Wallace Oompany'' |
04:33:28 |
Send out this, this, |
04:33:32 |
That's it. |
04:33:34 |
l'm holding tour or five e-mails |
04:33:38 |
- Yes, sir. |
04:33:41 |
All set? |
04:33:45 |
l can't believe this! |
04:33:47 |
lt's no big deal. |
04:33:50 |
There's got to be a janitor |
04:33:54 |
or a cleaning woman |
04:33:57 |
Somebody has to be in this huilding! |
04:34:02 |
What's the big deal |
04:34:06 |
- l'm up against a deadline. |
04:34:08 |
- I'm getting married tomorrow. |
04:34:11 |
Everybody wilI be busy |
04:34:14 |
and this is really mY Iast ohance. |
04:34:16 |
lf l oould just get up to Walter's |
04:34:19 |
Then l could just e-mail |
04:34:23 |
Tomorrow's Sunday. |
04:34:24 |
Nobody's doing business. |
04:34:26 |
Monday morning, crack ot dawn, |
04:34:32 |
Give it up, kid. |
04:34:36 |
Can't win them all. |
04:34:51 |
Good night. |
04:35:01 |
This thing mean |
04:35:08 |
We'll use the phone |
04:35:10 |
Walter's probably not even asIeep. |
04:35:12 |
- l'll drive you up there. |
04:35:15 |
We'll get the right key, |
04:35:18 |
lt l tall asleep on the altar tomorrow, |
04:35:21 |
l'll he there. |
04:35:23 |
These are all trom Eric. |
04:35:28 |
My wedding. You'd think my boss |
04:35:31 |
Maybe it's congratulations. |
04:35:43 |
What is it? |
04:35:52 |
''Mike, l can't believe l'm doing this to |
04:35:55 |
but l think you need |
04:35:59 |
to know what |
04:36:06 |
l received the following e-maiI |
04:36:11 |
'Erio, l need a tavor. |
04:36:17 |
lsabelle, l need to talk to Kim. |
04:36:19 |
- ls anythlng wrong? |
04:36:21 |
PIease put her on. |
04:36:28 |
Oould you give me a minute? |
04:36:31 |
Please? |
04:37:21 |
Excuse me, miss. |
04:37:27 |
Just stepped out. |
04:37:33 |
lt's a nonsmoking tloor too. |
04:37:35 |
Maybe you could go down |
04:37:39 |
Why don't you have me arrested? |
04:37:43 |
l mean it. |
04:37:45 |
l am a dangerous, criminal person. |
04:37:51 |
l do bad things |
04:37:56 |
You can make a citizen's arrest. |
04:37:58 |
lt'd be like getting Al Capone |
04:38:09 |
Oan l help you, miss? |
04:38:17 |
Do you smoke, Richard? |
04:38:20 |
Yes, l do, but-- |
04:38:22 |
lt's a nonsmoking tloor. |
04:38:27 |
But you know what? |
04:38:51 |
You know, |
04:38:59 |
''This too shall pass.'' |
04:39:05 |
Thanks, Riohard. |
04:39:32 |
l want you to quit this shit. |
04:39:35 |
lt'll kill you. |
04:39:41 |
What happened? |
04:39:45 |
lt's over. |
04:39:48 |
She said |
04:39:51 |
A bad combination. |
04:39:54 |
There's a big... |
04:39:56 |
brunch tomorrow morning |
04:39:59 |
She said, |
04:40:05 |
What am l supposed |
04:40:08 |
It's for the best. |
04:40:12 |
She was right. |
04:40:16 |
l am crazy... |
04:40:20 |
to tall tor someone |
04:40:28 |
l'm so glad you're here. |
04:40:37 |
Have you stilI got that ring? |
04:40:52 |
l tried it on, |
04:41:33 |
Why don't we take a walk |
04:41:40 |
l just want to be alone. |
04:41:42 |
ls that okay? |
04:41:44 |
Sure. |
04:41:49 |
Maybe l'll go back to New York |
04:41:54 |
Eric will understand. |
04:41:59 |
if you want. |
04:42:02 |
''lt San Antonio |
04:42:06 |
l've never been to Texas. |
04:42:57 |
''Brown'' |
04:43:18 |
You what? |
04:43:42 |
- Can l try that? |
04:43:55 |
- Exouse me. |
04:44:00 |
So thls ls your baslc |
04:44:02 |
l came here to confront everybody. |
04:44:06 |
Besides, she hasn't told anyone. |
04:44:09 |
There is a wedding at 6:00. |
04:44:20 |
Have you changed your mind? |
04:44:28 |
l made a decision. |
04:44:34 |
l'll go telI them. |
04:44:38 |
First, |
04:44:43 |
Could you |
04:44:49 |
These are the most beautitul tlowers |
04:44:56 |
How is he? |
04:45:00 |
He's sort ot wondering... |
04:45:02 |
why you haven't told your parents |
04:45:07 |
l don't know. l'm still hoping |
04:45:11 |
How could he think that |
04:45:15 |
l only minored in psych, |
04:45:20 |
mayhe Michael couIdn't commit |
04:45:23 |
so he created... |
04:45:25 |
a delusion... |
04:45:27 |
produced an unconscious, |
04:45:30 |
manitestation ot-- |
04:45:35 |
l'm better with food. |
04:45:39 |
You're Michael. |
04:45:43 |
You order... |
04:45:47 |
oreme hrulee tor dessert. |
04:45:50 |
lt's beautitul. lt's sweet. |
04:45:53 |
lt's irritatingly pertect. |
04:45:57 |
Suddenly, Michael realizes... |
04:45:59 |
he doesn't want creme brulee. |
04:46:02 |
- He wants something eIse. |
04:46:09 |
- Jell-O. |
04:46:13 |
- Why Jell-O? |
04:46:17 |
Jell-O makes him comtortable. |
04:46:21 |
l realize |
04:46:23 |
it's Jell-O, |
04:46:28 |
l could be Jell-O. |
04:46:31 |
Oreme brulee |
04:46:34 |
You oould never be Jell-O. |
04:46:37 |
- l have to be Jell-O. |
04:46:40 |
Tell your parents. If you're waiting |
04:46:45 |
- it's considered poor torm. |
04:46:48 |
Whatever delusions |
04:46:51 |
there's truth |
04:46:53 |
l want him to work |
04:46:56 |
l want to stay in school, |
04:47:01 |
Please, tell him it's my fault |
04:47:06 |
You're the only person |
04:47:14 |
- l'll be right baok. |
04:47:30 |
How is she? |
04:47:32 |
- Knock it oft! |
04:47:38 |
- l asked you-- |
04:47:40 |
Totally, completely, |
04:47:46 |
Do you think |
04:47:51 |
Love is a strong word... |
04:47:55 |
and l don't know that |
04:47:58 |
l guess l wouldn't be totally ott base |
04:48:02 |
she does possess |
04:48:10 |
Sure, she does. |
04:48:13 |
She's crazy about you. |
04:48:15 |
You llll up my senses |
04:48:20 |
Llke a nlght in the lorest |
04:48:25 |
Llke the mountalns |
04:48:31 |
Llke a walk ln the rain |
04:48:33 |
Tell her l'll marry her |
04:48:37 |
it she'll still have me. |
04:48:41 |
Please. |
04:48:44 |
Llke a sleepy blue ocean |
04:48:49 |
l'lI be right back. |
04:48:56 |
Oome love me again |
04:49:12 |
What did he say? |
04:49:20 |
He said... |
04:49:25 |
''Marry me.'' |
04:49:31 |
Thank God you were here. |
04:49:35 |
l got so contused. |
04:49:37 |
lt happens. |
04:49:39 |
Got a minute? |
04:49:43 |
What's up? |
04:49:56 |
l have to say this quick or l'll |
04:49:59 |
and then you'll never hear it, |
04:50:02 |
This is, by far, the dumbest thing |
04:50:07 |
So dumb, in faot, that l can't. |
04:50:13 |
What's wrong? |
04:50:22 |
l love you. |
04:50:26 |
l've just been too arrogant |
04:50:30 |
Now l'm just scared. |
04:50:32 |
l realize this comes |
04:50:36 |
but l really have this gigantic |
04:50:43 |
Ohoose me. Marry me. |
04:50:46 |
Let me make you happy. |
04:50:50 |
That sounds like three favors, |
04:50:52 |
But-- |
04:51:34 |
- Lovely together. |
04:51:40 |
That's our maid of honor. |
04:51:59 |
''Floral Design/Speoial Events'' |
04:52:03 |
Please! You'll never catch her! |
04:52:08 |
Doesn't anybody |
04:52:10 |
Nobody trusts anyone anymore? |
04:52:14 |
A good Samaritan. |
04:52:16 |
''Auto Memory Storing'' |
04:52:18 |
Too little ol |
04:52:20 |
What the world needs now |
04:52:22 |
Come back here! |
04:52:24 |
''Shy tendrils of russet pleasure... |
04:52:28 |
began their unbidden journey. |
04:52:32 |
She moaned. |
04:52:34 |
The tonnage ot Years ot anguish, |
04:52:38 |
lt is not going well ! |
04:52:41 |
Thls is what comes ol telllng the truth |
04:52:45 |
- Gettlng what you deserve lsn 't lalr. |
04:52:48 |
I have stolen a bread van, and l'm |
04:52:53 |
This is all your tault! |
04:52:55 |
l said that l Ioved him, |
04:52:57 |
- Thls is what's happened! |
04:53:00 |
When you klssed Mlohael, |
04:53:03 |
What do you mean? |
04:53:05 |
Was there anything there leading you |
04:53:11 |
That's heside the point. |
04:53:13 |
- Who interrupted you? |
04:53:15 |
And Mlohael started chaslng her |
04:53:18 |
Mlchael's chaslng Klmmy? |
04:53:19 |
Yo u're chasing Michael? |
04:53:21 |
Who's chasing you? |
04:53:24 |
There's your answer: Klmmy. |
04:53:26 |
JuIes, you are not the one! |
04:53:28 |
Now, lor God's sake, |
04:53:32 |
You have a small, but distinct, window |
04:53:55 |
''Exit'' ''Oanal St.'' |
04:54:09 |
All aboard! |
04:54:17 |
Excuse me. |
04:55:18 |
l have a confession to make. |
04:55:20 |
Another contession. |
04:55:28 |
Besides that l love you, |
04:55:39 |
The e-mail that Walter sent |
04:55:48 |
l wrote that. |
04:55:53 |
l'm the bad guy. |
04:55:57 |
Are you orazy? |
04:55:58 |
Are you completely insane? |
04:56:03 |
I mean, Jules, |
04:56:08 |
lt wasn't supposed |
04:56:12 |
l just wanted you |
04:56:17 |
God. |
04:56:22 |
l have done nothing |
04:56:25 |
not even terribly imaginative things |
04:56:38 |
l was just trying to win you... |
04:56:44 |
to win you back. |
04:56:47 |
But that doesn't excuse |
04:56:51 |
l'm pond scum. |
04:56:55 |
Lower, actually. |
04:56:57 |
l'm like the tungus that feeds |
04:57:01 |
Lower. |
04:57:06 |
The pus that intects the mucus... |
04:57:09 |
that cruds up the tungus |
04:57:21 |
On the other hand... |
04:57:26 |
thank you... |
04:57:29 |
tor loving me that much. |
04:57:32 |
That way... |
04:57:34 |
it's pretty flattering. |
04:57:37 |
Exoept it makes me tungus. |
04:57:41 |
That part l knew. |
04:57:55 |
God. |
04:58:01 |
l'm glad you didn't get |
04:58:06 |
l oame here looking tor her. |
04:58:11 |
- Why would she be here? |
04:58:18 |
l had to cover a game in Milwaukee, |
04:58:22 |
The train was starting |
04:58:28 |
l jumped up on the step |
04:58:32 |
and without... |
04:58:35 |
a thought in my head, |
04:58:40 |
The train was pulling out, |
04:58:48 |
Just once. |
04:58:51 |
And blew me a kiss. |
04:59:06 |
lt would've been |
04:59:10 |
You can't believe |
04:59:13 |
You will tind her, and you'll look |
04:59:18 |
l just hope that it's soon. |
04:59:23 |
Just wait. |
04:59:25 |
We'll split up. |
04:59:27 |
You will go to every romantic place |
04:59:30 |
and l wilI go someplace brilliant, |
04:59:36 |
We will tind her. |
04:59:42 |
Wallaoe egreglous resldence, |
04:59:44 |
lt's Jules. |
04:59:47 |
She slipped out, the little monkey, |
04:59:50 |
''Commotion''? |
04:59:52 |
My sister was licking an ice sculpture, |
04:59:56 |
And that's a commotion? |
04:59:58 |
lt's a sculpture of the David. |
05:00:00 |
So Kimmy would be-- |
05:00:02 |
She's probably with Michael |
05:00:06 |
Either that or crying in her nachos |
05:00:09 |
- Exouse me? |
05:00:11 |
trom some guy who says he saw her |
05:00:13 |
- Right. |
05:00:16 |
Can you bring my dress |
05:00:18 |
l have to pick something up |
05:00:21 |
Don't torget to shave now. |
05:00:25 |
Here we go. |
05:00:27 |
There we go. |
05:00:30 |
lt's going to be okay. |
05:00:37 |
''Federal Express'' |
05:00:52 |
l know you're in here. |
05:00:54 |
Just leave me alone, |
05:01:03 |
Who the hell |
05:01:06 |
- Cat fight! |
05:01:09 |
pretending to he my friend, |
05:01:13 |
Who asked you to do that? |
05:01:16 |
Michael trusted you, |
05:01:19 |
You wanted to keep me cIose. |
05:01:23 |
- l was right! |
05:01:25 |
- But that's not my tault. |
05:01:28 |
- At my parents' house! |
05:01:30 |
On my wedding daY! |
05:01:32 |
- Bitch. |
05:01:34 |
Shut up! |
05:01:36 |
Now l love this man, |
05:01:38 |
l'm going to give him up to some |
05:01:47 |
All right. |
05:01:50 |
l kissed him. |
05:01:53 |
l tried to steal him. |
05:02:01 |
l lost. |
05:02:08 |
He doesn't love me. |
05:02:19 |
l haven't done much that l'm proud ot |
05:02:26 |
l'd like to take you |
05:02:30 |
so you can walk down |
05:02:33 |
and marry the man |
05:02:37 |
Because he sure wants |
05:04:33 |
So ralse our glasses and wish Mlke |
05:04:37 |
tor a long and happy life |
05:04:41 |
tilled with happiness. |
05:04:47 |
- l guess that's it. |
05:04:57 |
Now let's hear from the maid of honor, |
05:05:11 |
l had the strangest dream. |
05:05:15 |
l dreamt that some psychopath was |
05:05:26 |
Luckily, l woke up and l see... |
05:05:32 |
that the world |
05:05:39 |
for my hest triend... |
05:05:43 |
has won the best woman. |
05:05:56 |
l didn't get you a gitt. |
05:06:00 |
However, |
05:06:02 |
However, |
05:06:08 |
until you two |
05:06:15 |
Someday |
05:06:20 |
When l'm awlully low |
05:06:25 |
When the world ls cold |
05:06:29 |
l will leel a glow |
05:06:33 |
Just thinklng ol you |
05:06:38 |
And the way you look |
05:06:44 |
Tonlght |
05:06:47 |
Qh, but you're lovely |
05:06:54 |
Wlth your smlle so warm |
05:06:59 |
And your oheeks so solt |
05:07:04 |
There ls nothing lor me |
05:07:07 |
But to love you |
05:07:13 |
Just the way you look |
05:07:17 |
Tonlght |
05:07:32 |
- lt's mine! |
05:07:39 |
l got it! |
05:08:10 |
Bye. |
05:08:59 |
Hey, gorgeous, |
05:09:02 |
Not particularly, |
05:09:05 |
What? You spllt them up? |
05:09:07 |
No, l said good-bye. |
05:09:09 |
Good glrl. |
05:09:12 |
Be prouder still |
05:09:14 |
l have big plans tor dancing. |
05:09:16 |
Just give me 30, 35 years. |
05:09:20 |
The mlsery... |
05:09:22 |
the exqulslte tragedy. |
05:09:24 |
The Susan Hayward ol lt all. |
05:09:27 |
l can ploture you there slttlng alone |
05:09:30 |
Did I tell you |
05:09:32 |
Halr swept up. |
05:09:35 |
Probably drummlng your llngernalls |
05:09:39 |
the way you do when you're |
05:09:41 |
Perhaps looklng at those nails thlnklng: |
05:09:45 |
my evll plottlng to have that manioure, |
05:09:49 |
l didn't tell you |
05:09:52 |
Suddenly, a lamlllar song. |
05:09:54 |
The moment l wake up |
05:09:59 |
And you're oll your ohalr |
05:10:05 |
wonderlng, searchlng, |
05:10:08 |
like a dapple deer. |
05:10:11 |
Has God heard your llttle prayer? |
05:10:13 |
Wlll Clnderella dance agaln? |
05:10:16 |
And then, suddenly, |
05:10:22 |
and there he ls: |
05:10:24 |
sleek, stylish... |
05:10:27 |
radlant with charisma. |
05:10:30 |
Blzarrely, |
05:10:33 |
But then, so are you. |
05:10:38 |
And he comes towards you... |
05:10:42 |
the moves ol a jungle cat. |
05:10:45 |
Although you qulte oorrectly sense |
05:10:49 |
gay... |
05:10:50 |
llke most devastatlngly handsome |
05:10:56 |
you think, what the hell... |
05:11:00 |
lite goes on. |
05:11:03 |
Mayhe there won't be marriage. |
05:11:06 |
Maybe there won't be sex. |
05:11:09 |
But, by God, |
05:11:32 |
Bond. Jane Bond. |
05:11:39 |
l can't llve without you |