My Mom s New Boyfriend
|
00:01:02 |
Is everything all right? |
00:01:05 |
It would be fine if you |
00:01:08 |
Next time you eat garlic, |
00:01:11 |
please do it after the robbery, |
00:01:20 |
D'accord. |
00:02:02 |
What did I tell you? |
00:02:04 |
What did I tell you? |
00:02:06 |
You have to make sure |
00:02:37 |
Who are your partners? |
00:02:39 |
Oh, I don't know. I don't know. |
00:02:41 |
Are you telling me you don't know |
00:02:45 |
I don't know. |
00:02:48 |
How long were you |
00:02:51 |
I don't know. |
00:02:53 |
Are you the one who tried |
00:02:56 |
six months ago in Rome? |
00:02:59 |
I don't know. |
00:03:00 |
You don't know much, do you? |
00:03:04 |
I don't know. No idea. |
00:03:07 |
Maybe you'd like |
00:03:11 |
How would you like that? |
00:03:14 |
I don't know. |
00:03:15 |
Well, I do know. |
00:03:17 |
You won't like it one bit. |
00:03:19 |
Maybe we postpone |
00:03:23 |
What do you think of that? |
00:03:27 |
I'll be out of any jail |
00:03:32 |
And why is that? |
00:03:33 |
Because I have to see |
00:04:17 |
You all right, Mom? |
00:04:21 |
Mom? You all right? |
00:04:23 |
Sure, sure. |
00:04:30 |
Am I dead? |
00:04:32 |
No, Mom, you're not dead. |
00:04:35 |
Damn it! |
00:04:38 |
Oh, Henry. |
00:04:42 |
I know you have... |
00:04:45 |
Honestly, I'm so proud of you, son. |
00:04:49 |
I'm just gonna miss you so much. |
00:04:51 |
I know, I know. |
00:04:54 |
No more smoking. Come on. |
00:04:55 |
Henry, it's all I've got left. |
00:04:57 |
That's not true. |
00:04:58 |
Wait a second. |
00:05:00 |
What, what, what? |
00:05:02 |
No. No, Mom. |
00:05:04 |
Yes, Henry. |
00:05:08 |
Like your soda? |
00:05:10 |
Yeah, thank you. |
00:05:11 |
You're such a good son, Henry. |
00:05:17 |
Oh, my God. |
00:05:19 |
I can't believe you're leaving. |
00:05:28 |
Your father |
00:05:30 |
I'm not so sure about that. |
00:05:33 |
Why do you say that, Henry? |
00:05:35 |
Because I'm an FBI agent, |
00:05:38 |
True, true, |
00:05:40 |
Look, you know that I might |
00:05:43 |
you know, maybe... maybe even at all |
00:05:47 |
but I want you to know |
00:05:52 |
Make sure of that, Henry, |
00:06:12 |
Here you go. |
00:06:33 |
Here you go. |
00:07:03 |
Hello? |
00:07:11 |
Mom? |
00:07:31 |
Who the hell are you? |
00:07:46 |
Excuse me. |
00:07:49 |
Excuse me... miss? |
00:07:57 |
Oh, my God. |
00:08:01 |
Henry! |
00:08:05 |
Mom? |
00:08:07 |
Careful on the deck. |
00:08:09 |
I see that, but when did |
00:08:11 |
Oh, Henry, I kicked ass |
00:08:15 |
You wouldn't believe |
00:08:17 |
Oh, my stocks just kept splitting |
00:08:21 |
That's great. |
00:08:25 |
Hey, listen. Okay, okay. |
00:08:26 |
Here. You wanna know what, |
00:08:29 |
and cover those up. |
00:08:32 |
Oh, Henry. For God's sake, |
00:08:35 |
These were very, very expensive. |
00:08:36 |
There's so much I have to tell you. |
00:08:38 |
- Yeah? |
00:08:40 |
Well, go slow. |
00:08:41 |
Okay. Okay. |
00:08:43 |
So I dropped you off at the airport |
00:08:46 |
What was in it? |
00:08:48 |
Well, honestly, a lot of sugar, |
00:08:51 |
This guy dropped a quarter in my cup. |
00:08:54 |
- Oh, Mom. |
00:08:55 |
He saved my life. |
00:08:57 |
So I said, "Marty, you've gotta be |
00:09:03 |
Who's Marty? |
00:09:04 |
I don't go by Martha anymore. |
00:09:10 |
Okay. |
00:09:12 |
Well, Mom, I have |
00:09:17 |
Yes? |
00:09:20 |
I'm engaged. |
00:09:24 |
You're engaged? |
00:09:26 |
I got engaged to a wonderful woman |
00:09:30 |
who also works in the Bureau, |
00:09:32 |
and she's flying in this afternoon. |
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Oh, Henry! Oh, my God! |
00:09:42 |
Mom? |
00:09:47 |
This is Emily. |
00:09:48 |
Oh, Emily! |
00:09:51 |
Oh, Mrs. Durand. |
00:09:52 |
Oh, Marty. |
00:09:54 |
Oh, I have a daughter. |
00:09:56 |
Henry. |
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Oh, she's lovely. |
00:09:59 |
God, something smells great. |
00:10:01 |
Yeah, oh, I'm making |
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Don't expect anything too edible, |
00:10:08 |
Oh, no, I'm sure it'll be great. |
00:10:09 |
I don't even care about the food. |
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I'm just so happy |
00:10:14 |
You know, Henry told me |
00:10:16 |
In fact, you were |
00:10:18 |
Kind of worried about how obsessed |
00:10:22 |
Well, I hope you like garlic |
00:10:25 |
spanakopita appetizers, |
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and there's a very spicy |
00:10:33 |
This is great. |
00:10:35 |
Well, I got it from this Italian chef |
00:10:40 |
You... you have a boyfriend? |
00:10:43 |
A boyfriend? No. |
00:10:45 |
Hell, no. Not gonna make |
00:10:48 |
- Okay, good. |
00:10:52 |
Party hearty, Marty. |
00:10:55 |
You okay? |
00:10:57 |
Oh, yeah, I'm fine. |
00:10:58 |
So, Emily, what is it |
00:11:01 |
Are you a field agent like Henry? |
00:11:04 |
Yeah, I work in the field, |
00:11:07 |
Right on, right on, |
00:11:09 |
Well, nothing that exciting, but yeah. |
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Mom, you've barely |
00:11:13 |
I don't mean to be rude |
00:11:15 |
but there was something |
00:11:18 |
There was some business |
00:11:22 |
Over dinner? |
00:11:23 |
Yeah, but I can change my plans. |
00:11:26 |
No, don't be silly. |
00:11:29 |
Where are you going? |
00:11:31 |
Well, my date's not coming till 10:30, |
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and Henry, don't worry... after 12:00, |
00:11:38 |
So, tell us about your boyfriends. |
00:11:40 |
Okay. All right. |
00:11:43 |
Well, there was Enrico, the chef. |
00:11:45 |
He was adorable. |
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He would sit outside |
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on the front lawn at night |
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It was really just heartbreaking. |
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Just sad. |
00:12:01 |
Right? |
00:12:02 |
Don't make me miss him. |
00:12:05 |
Emily knows what I mean. |
00:12:08 |
Anyway, it just took me |
00:12:11 |
that there was |
00:12:14 |
- Missing from inside the house? |
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Missing inside here, spiritually. |
00:12:21 |
So started my quest |
00:12:23 |
inner peace, inner joy, |
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the person |
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in a sea of nicotine |
00:12:31 |
Yeah. This is so great. |
00:12:33 |
Yeah, yeah. |
00:12:35 |
So what did you do? |
00:12:36 |
I went to India. |
00:12:39 |
You went to India? |
00:12:40 |
Yeah. |
00:12:41 |
You used to never leave the house. |
00:12:43 |
Then I went to Tibet |
00:12:47 |
and I read the Koran, |
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And then I understood. |
00:12:52 |
What? |
00:12:53 |
That the whole world is |
00:12:58 |
and so it doesn't matter |
00:13:00 |
or your religion is science, |
00:13:03 |
We all seek our reason for being. |
00:13:07 |
That is so beautiful. |
00:13:09 |
And the reason why we're here is...? |
00:13:16 |
To have fun, |
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because it's all over too freakin' fast. |
00:13:28 |
Marty! |
00:13:29 |
Well, I'll get that. |
00:13:40 |
Hey, honey, can you get that? |
00:13:42 |
Yeah, yeah, I'm coming. |
00:13:51 |
Can I help you? |
00:13:53 |
Yeah, dude, I'm here for Marty. |
00:14:00 |
Dude? |
00:14:02 |
What? |
00:14:04 |
No, no, no. |
00:14:06 |
You said "dude." |
00:14:09 |
Yeah. |
00:14:15 |
Hey, Mom, there's some kid here. |
00:14:18 |
- You want me to just... |
00:14:20 |
I can wait out here. |
00:14:21 |
Okay. Well, could you please |
00:14:24 |
to collect money |
00:14:26 |
or try and sell me |
00:14:29 |
- Where is he? |
00:14:33 |
That's rude, Henry. |
00:14:37 |
- Eddie. Hi. |
00:14:38 |
Hey. I'm so sorry. |
00:14:41 |
Oh, it's okay. |
00:14:42 |
You can't be too careful about |
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Yeah, dude. |
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Oh, my gloves. |
00:15:00 |
So, back to living with Mom, huh? |
00:15:03 |
Yep. |
00:15:06 |
You were doing some sort |
00:15:09 |
Yeah. |
00:15:12 |
Would you tell me about it? |
00:15:13 |
If I did, it wouldn't be a secret. |
00:15:20 |
Yeah. |
00:15:21 |
That's awesome. |
00:15:25 |
- Did you ever kill anybody? |
00:15:28 |
All right. Got 'em. |
00:15:30 |
Good night, Henry. |
00:15:31 |
Bye, Mom. |
00:15:32 |
What's that, Eddie? |
00:15:33 |
That's the beast, my dear. |
00:15:35 |
Beast tonight. |
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You know it. |
00:15:39 |
Very special of you |
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You only deserve the best, darling. |
00:15:49 |
Don't wait up, Henry! |
00:16:08 |
Did that sound like a Harley? |
00:16:11 |
Something passes by this house |
00:16:15 |
Come back to bed. |
00:16:16 |
- She can take care of herself. |
00:16:18 |
- She's a grown woman. |
00:16:20 |
- She did a bang-up job raising you. |
00:16:24 |
Wait a minute. |
00:16:28 |
- What is it, honey? |
00:16:31 |
No woman has ever |
00:16:34 |
Oh, you've got to be kidding. |
00:16:38 |
And I know you want me, too! |
00:16:40 |
Jiminy Cricket, really, honey? |
00:16:42 |
I know! |
00:16:45 |
What is this guy doing? |
00:16:47 |
I want to make sweet love to you, |
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and I want to do it... |
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now! |
00:16:57 |
What's so funny? |
00:16:59 |
Your mom must be |
00:17:01 |
Emily! |
00:17:02 |
- What? Does that bother you? |
00:17:05 |
We're sexual beings, Henry. |
00:17:07 |
It is the denial of it |
00:17:18 |
I'm gonna call the cops on you! |
00:17:22 |
Marty! |
00:17:23 |
Will you go get me my gun? |
00:17:25 |
Oh, God, leave him alone. |
00:17:27 |
Come on. |
00:17:31 |
Come on. Come to bed. |
00:17:33 |
Let's fool around. |
00:17:35 |
You want... you want to fool around |
00:17:38 |
Yeah. |
00:17:44 |
I'm getting it myself. |
00:17:47 |
Would you ever do that for me |
00:17:51 |
Do what? Drive an expensive car |
00:17:54 |
No. To hell with him, Henry. |
00:17:57 |
We haven't seen |
00:17:59 |
Wait, why would you say that? |
00:18:01 |
Why would you even think |
00:18:03 |
We just got engaged. |
00:18:06 |
A little sympathy here, |
00:18:08 |
I'm sitting here, |
00:18:11 |
I've got some drunk Italian chef |
00:18:14 |
who's not even here... |
00:18:16 |
She's on a date riding |
00:18:20 |
At least somebody is. |
00:18:31 |
Hello, Enrico. |
00:18:34 |
I'm Martha... |
00:18:36 |
Marty's son. |
00:18:38 |
I'm gonna be staying here awhile. |
00:18:42 |
The one in the FBI. |
00:18:44 |
That's the one. |
00:18:53 |
Tell your mother that I |
00:18:57 |
Yeah, I'm sure |
00:19:00 |
Ciao. |
00:19:06 |
You come to my restaurant, |
00:19:09 |
I make wonderful Kung Pao chicken. |
00:19:12 |
I'm gonna move the car right now. |
00:19:14 |
You better move on. |
00:19:58 |
No. Thank you. |
00:20:05 |
Your mom is like a mongoose, |
00:20:09 |
Yeah? |
00:20:11 |
Insane. |
00:20:15 |
We keeping you up? |
00:20:16 |
Yes. |
00:20:18 |
I'm sorry to hear about that. |
00:20:22 |
Gonna get back up there. |
00:20:29 |
Hey. Good morning, honey. |
00:20:30 |
Good morning, Mom. |
00:20:34 |
Oh, he had to leave early. |
00:20:36 |
He had a final. |
00:20:38 |
Well, let's hope |
00:20:44 |
Grape-Nuts? |
00:20:46 |
No. Thank you. |
00:20:51 |
Is there something wrong? |
00:20:57 |
Okay, look. Mom... |
00:21:00 |
I've been thinking |
00:21:06 |
I am glad that you've |
00:21:09 |
you know, that you've |
00:21:11 |
dare I say it, |
00:21:13 |
Don't you think |
00:21:17 |
Well, Henry, |
00:21:19 |
Can you pass me the milk? |
00:21:21 |
Right, yeah, |
00:21:23 |
It's just... would it kill you |
00:21:28 |
Henry, listen. |
00:21:32 |
We're just, you know... |
00:21:34 |
We're just having a little fun. |
00:21:37 |
You know what I've been |
00:21:40 |
You know, I think |
00:21:43 |
I know. |
00:21:45 |
I hope you know |
00:21:47 |
'cause I never found |
00:21:49 |
and I don't think |
00:21:52 |
not for one second. |
00:21:54 |
I won't. |
00:22:02 |
I heard you and your mom |
00:22:05 |
She seems kind of lonely. |
00:22:07 |
Lonely? It sounds like she's been |
00:22:10 |
I think we should |
00:22:12 |
We're not matchmaking. |
00:22:15 |
See, someone like that, |
00:22:17 |
He's probably buying a toy |
00:22:19 |
How do you know that's not |
00:22:38 |
Oh, my God. Oh. |
00:22:40 |
Hi, Mom. Are you having fun? |
00:22:44 |
I feel like I'm on ecstasy! |
00:22:47 |
Gonna pretend |
00:22:49 |
Hey, Mom. Can we go? |
00:22:52 |
- You're embarrassing me. |
00:22:53 |
Can we go? |
00:22:56 |
I can only wish |
00:22:59 |
Can't force it. |
00:23:05 |
Jesus Christ. |
00:23:07 |
- What is this thing? Mom? |
00:23:08 |
It was my fault. |
00:23:11 |
I am terribly sorry. |
00:23:15 |
Hi. |
00:23:17 |
Hello. I'm very sorry. |
00:23:19 |
Aren't you a little old |
00:23:21 |
You could've killed her. |
00:23:23 |
Yeah, could have been... tragic. |
00:23:25 |
It's nothing. |
00:23:27 |
Nothing. |
00:23:28 |
- Mom, you could have been hurt. |
00:23:32 |
It's not nothing! |
00:23:33 |
She said it's nothing. |
00:23:35 |
All right. Come here. |
00:23:39 |
It's a small island hidden away |
00:23:42 |
called Antiga. |
00:23:44 |
I think you mean Antigua. |
00:23:46 |
No, no, no. Antiga. |
00:23:49 |
Antigua is a trap for tourists. |
00:23:52 |
No, I spend all morning |
00:23:56 |
crescent-shaped inlet |
00:24:00 |
There's a reef that cuts it off |
00:24:03 |
and you just stand there |
00:24:06 |
with the sun rising behind them. |
00:24:11 |
It's the most mesmerizing place |
00:24:17 |
Sounds perfect. |
00:24:18 |
It is, but at the same time, |
00:24:21 |
You know, about a century ago |
00:24:24 |
and buried the city under water. |
00:24:27 |
You can still see tops of the buildings |
00:24:31 |
At night, the locals celebrate |
00:24:34 |
with a feast of the sea's bounty, |
00:24:36 |
and they sing folk songs |
00:24:38 |
under a sky where I swear |
00:24:43 |
Maybe the most |
00:24:49 |
Sorry. |
00:24:52 |
It's okay. In many cultures, |
00:24:58 |
- See? |
00:24:59 |
- Oh, yeah. |
00:25:01 |
I insist. I insist. |
00:25:03 |
Keep it. Well... |
00:25:07 |
It's always nice to make new friends. |
00:25:09 |
Listen, guys, if you're not doing |
00:25:14 |
I'd like you all to experience |
00:25:17 |
No, I think we're busy, Mr... |
00:25:21 |
Oh, please, please. |
00:25:23 |
Okay, Tommy, |
00:25:31 |
Or... or... or not. |
00:25:35 |
Good. |
00:25:44 |
All right. This is it. |
00:25:47 |
This statue is actually |
00:25:50 |
a recently discovered work. |
00:25:52 |
It's one of the most priceless |
00:25:57 |
to have come |
00:26:00 |
He represents |
00:26:02 |
believe to be Bernini's mother |
00:26:05 |
Right on. Right on. |
00:26:09 |
Isn't it? |
00:26:13 |
You see, it's... it's all balanced. |
00:26:16 |
Balanced. |
00:26:17 |
Those two really seem |
00:26:20 |
Yeah. |
00:26:21 |
At least he's of voting age. |
00:26:27 |
Nice. |
00:26:28 |
What is? |
00:26:31 |
Those are laser detection devices. |
00:26:33 |
The statue has been |
00:26:36 |
for several years now. |
00:26:38 |
In fact, there have been two attempts |
00:26:44 |
Tommy. Well, this has... |
00:26:48 |
And there is no reason |
00:26:50 |
Guys, listen, I know |
00:26:53 |
that I've been going to for years. |
00:26:55 |
Yeah, but we just ate. |
00:26:56 |
No, no, of course. |
00:26:59 |
How about Saturday night? |
00:27:02 |
Marty? Henry? Emily? |
00:27:05 |
You will be my guests. |
00:27:06 |
Yes. |
00:27:11 |
Marty, these are flowers for you. |
00:27:14 |
I have flowers for you. |
00:27:16 |
I have... they are for you. |
00:27:22 |
It is shit compared to your beauty. |
00:27:26 |
Right on time. |
00:27:28 |
Can I make an observation? |
00:27:31 |
Only if I can shoot Enrico. |
00:27:34 |
Okay, for a long time, |
00:27:37 |
you were always |
00:27:40 |
Yes. |
00:27:41 |
And you doted on your mom |
00:27:45 |
because your father |
00:27:48 |
Yeah. |
00:27:49 |
And then you became |
00:27:53 |
Okay. |
00:27:54 |
So, I'm just thinking that maybe... |
00:27:56 |
you're a little hung up |
00:27:59 |
Oh, that is disgusting! |
00:28:01 |
I don't mean in a sexual way. |
00:28:03 |
Good. I would hope not. |
00:28:04 |
Although... |
00:28:07 |
there's a large sexual component |
00:28:10 |
Oh, God. |
00:28:13 |
All right. Forget it. |
00:28:20 |
Do you ever think of your mom |
00:28:22 |
Oh, God! |
00:28:26 |
It's just a question. |
00:28:28 |
Well, let me answer your question. |
00:28:30 |
Thank God I haven't, |
00:28:33 |
Now I'm not sure how I'm gonna |
00:28:36 |
Thank you very much. |
00:28:39 |
Marty! |
00:28:44 |
Are you sleeping? |
00:28:50 |
Marty Durand? |
00:28:51 |
That's me. |
00:28:53 |
Could you sign here |
00:28:56 |
Those are really lovely. |
00:28:58 |
Yes, they are. |
00:29:00 |
"Till next we meet. Tommy." |
00:29:02 |
See. I like this Tommy guy. |
00:29:05 |
- Okay, come on. Let's go. |
00:29:07 |
- Bye. |
00:29:08 |
Bye. |
00:29:09 |
Bye. |
00:29:17 |
Your mom is a big girl. |
00:29:20 |
- Yeah. |
00:29:21 |
Yeah, yeah. No, no, no. |
00:29:24 |
It's just my luck, |
00:29:26 |
- I love you. |
00:29:27 |
I'll see you later. |
00:29:30 |
- You're late. |
00:29:32 |
- We have a briefing. |
00:29:34 |
- Now. |
00:29:38 |
On that Bernini statue |
00:29:42 |
last night, |
00:29:44 |
that they have reason to believe |
00:29:46 |
the same crew |
00:29:49 |
that attempted to steal it in Paris |
00:29:51 |
are gonna try to take another shot |
00:29:55 |
We're inclined to agree. |
00:29:58 |
Interpol believes |
00:30:00 |
one French, one Greek, |
00:30:06 |
Niko Evangelatos |
00:30:09 |
only high-end merchandise. |
00:30:11 |
He was known |
00:30:13 |
at the time |
00:30:15 |
We know for a fact |
00:30:17 |
that he's here |
00:30:20 |
Jean Yves Tatao |
00:30:24 |
He's believed to have been involved |
00:30:27 |
where over $6 million was stolen. |
00:30:31 |
Now, very little |
00:30:34 |
believed to be the ringleader. |
00:30:37 |
Oh, shit! |
00:30:40 |
Don't get up. Don't get up. |
00:30:41 |
Special Agent Wagner |
00:30:44 |
Are you certain this is the same man |
00:30:49 |
Is the woman on your right |
00:30:51 |
Yes, sir. |
00:30:55 |
That's a good-looking woman. |
00:31:02 |
This is a really good-looking woman. |
00:31:08 |
Hey, Alex, she's |
00:31:11 |
She's beautiful. |
00:31:14 |
She's stunning. |
00:31:18 |
Look, how long has your mother |
00:31:21 |
Well, the same as me. |
00:31:23 |
Same as you? |
00:31:24 |
Well, we... |
00:31:26 |
she spent the day |
00:31:28 |
and I happened to be... |
00:31:32 |
I need to know |
00:31:36 |
- We went to the museum. |
00:31:38 |
To look at the statue. |
00:31:41 |
- And? |
00:31:43 |
We looked at the statue. |
00:31:44 |
He went on and on, |
00:31:47 |
so I didn't listen closely |
00:31:49 |
Does he know you're an agent? |
00:31:51 |
- I don't believe so. |
00:31:52 |
Let's keep it that way |
00:31:55 |
I want you to encourage your mother |
00:31:58 |
It's not an option. |
00:32:01 |
Oh, and one more thing... |
00:32:03 |
share this with no one, |
00:32:05 |
not even your fiancée. |
00:32:24 |
Tommy. |
00:32:25 |
Hey. How are you, Howie? |
00:32:27 |
- Henry. |
00:32:30 |
- Glad you could make it. |
00:32:34 |
This is... this is beautiful, cozy. |
00:32:38 |
Do you know |
00:32:40 |
No. |
00:32:43 |
Oh, you play the piano? |
00:32:45 |
No. |
00:32:47 |
- The bongos? |
00:32:49 |
Right. |
00:32:52 |
- Hi. |
00:32:55 |
Hi, Tommy. |
00:32:57 |
Thank you, same here. |
00:32:58 |
- Same here. |
00:33:01 |
Breathtaking. |
00:33:02 |
I know! I know. |
00:33:10 |
Hi. |
00:33:13 |
Nice to see you. |
00:33:14 |
Same here. Same here. |
00:33:15 |
I only say that because |
00:33:19 |
Fat. |
00:33:20 |
Just huge. |
00:33:21 |
It's hard to believe. |
00:33:23 |
Would you like |
00:33:25 |
Tommy, can I |
00:33:28 |
- Sure, yeah. |
00:33:30 |
Scotch. |
00:33:33 |
Oh, rocks or neat or... |
00:33:36 |
Oh, neat, yeah. |
00:33:38 |
Sweetie, you all right |
00:33:40 |
Great. Thanks. |
00:33:44 |
Are you trying |
00:33:46 |
tell you all my secrets? |
00:33:49 |
Just kidding. Just kidding. |
00:33:53 |
Oh, don't worry. |
00:33:55 |
Really? Why is that? |
00:33:57 |
I'd like to propose a toast... |
00:33:59 |
210. |
00:34:00 |
Oh, my God. |
00:34:01 |
...to new friends. |
00:34:03 |
Yeah, to new friends. |
00:34:04 |
- Here you go. All right. |
00:34:07 |
How can you get out of a ticket? |
00:34:08 |
- Oh, she's joking. |
00:34:11 |
- All right. |
00:34:15 |
I'm sorry. Excuse me. |
00:34:16 |
- It went on the... |
00:34:18 |
Yeah. Sorry. Fine. |
00:34:21 |
Yeah. We're field agents. |
00:34:23 |
Isn't that perfect? |
00:34:25 |
Yeah, both... |
00:34:28 |
Henry and Emily just got back |
00:34:33 |
Well, that... that is impressive. |
00:34:36 |
It sounds kind of dangerous. |
00:34:38 |
- Well... it wasn't. |
00:34:40 |
185. |
00:34:41 |
I was just tracking |
00:34:44 |
So then you do |
00:34:46 |
Yes. |
00:34:47 |
I'm very impressed. |
00:34:50 |
Yes, yes. I do. I do. |
00:34:52 |
But, okay, shall we go? |
00:34:53 |
Wait, Tommy. |
00:34:55 |
170. |
00:34:56 |
- Getting better, getting better. |
00:34:59 |
Big benchmark for me... 170. |
00:35:01 |
Let's go, Howie. |
00:35:02 |
- Henry. |
00:35:03 |
- 210. |
00:35:05 |
Well, 250, then down to 170 |
00:35:08 |
That's very interesting. |
00:35:10 |
- Coming? |
00:35:18 |
Where's the restaurant? |
00:35:19 |
Right there. |
00:35:25 |
Trust me, please. |
00:35:39 |
- That's right, Officer. |
00:35:42 |
Do you see that... |
00:36:01 |
- Thank you. |
00:36:03 |
- Okay, where are the menus? |
00:36:05 |
Victor just brings food |
00:36:07 |
Love that. |
00:36:08 |
What kind of food? |
00:36:10 |
Well, I generally don't ask. |
00:36:12 |
It's some of the tastiest stuff |
00:36:14 |
- You having fun? |
00:36:18 |
Listen, my mom and I |
00:36:21 |
so generally, we don't like to eat |
00:36:24 |
So are you sure |
00:36:27 |
You mean, do they serve food? |
00:36:29 |
Yeah, but I doubt a health inspector |
00:36:33 |
What do you do |
00:36:37 |
I'm an international |
00:36:39 |
Henry, will you |
00:36:42 |
You know, my guess is |
00:36:44 |
that half the clientele here |
00:36:47 |
- You think? |
00:36:49 |
Maybe we should |
00:36:52 |
I wanna make sure when they |
00:36:54 |
that's all we're getting, |
00:36:56 |
- Alligator sausage. |
00:36:58 |
This is Albanian moonshine. |
00:37:00 |
Here we go. All right. |
00:37:02 |
Made in my bathroom, |
00:37:04 |
In your bathtub? Thank you. |
00:37:07 |
I thought it was water. |
00:37:08 |
Oh, no, no. |
00:37:10 |
Oh, all right. Fill 'er up. |
00:37:12 |
I'm not kidding. |
00:37:14 |
Make it a double! |
00:37:18 |
All right, so... |
00:37:21 |
- What is that? |
00:37:31 |
Don't throw the cups! |
00:37:33 |
Guys, you are good people. |
00:37:36 |
I'm glad we all met... |
00:37:39 |
especially you, Marty. |
00:37:41 |
I don't wanna |
00:37:44 |
I feel I've known you for years. |
00:37:49 |
Is that a good thing? |
00:37:50 |
Yeah. |
00:37:53 |
Some people |
00:37:55 |
Oh, that's really nice, Tommy. |
00:37:58 |
Your eyes... |
00:38:00 |
Your eyes don't lie, do they. |
00:38:04 |
Life's too short for lies. |
00:38:13 |
I think that's your cell phone. |
00:38:17 |
You know, it's funny... |
00:38:19 |
I don't hear it. |
00:38:25 |
Okay. But maybe you should get it |
00:38:35 |
Whoever this is, |
00:38:38 |
Who are those people |
00:38:40 |
Well, I'm a little busy right now. |
00:38:43 |
Where are you? |
00:38:45 |
Try to look to your right. |
00:38:49 |
Salut. |
00:38:52 |
Prick. |
00:38:53 |
Was that important? |
00:38:55 |
I'll be right back. |
00:38:57 |
Oh, I have to go |
00:39:01 |
Oh, hello. |
00:39:07 |
Are you rich doctor? |
00:39:11 |
No. |
00:39:12 |
It's all right. |
00:39:13 |
Here we go. |
00:39:16 |
- Okay. |
00:39:17 |
Bathroom? Water closet? |
00:39:19 |
A bathroom. |
00:39:20 |
Henry, just go with it. Relax. |
00:39:22 |
You want to go to bathroom with me? |
00:39:24 |
Bathroom. Bathroom. |
00:39:25 |
- Bathroom. Toilet-ay? |
00:39:28 |
I'm very sorry. |
00:39:31 |
How do you say |
00:39:33 |
Who's the woman? |
00:39:34 |
A friend. |
00:39:36 |
She's very pretty. |
00:39:37 |
Yeah, she is. |
00:39:38 |
She also looks |
00:39:40 |
You think? |
00:39:47 |
- Hi. |
00:39:49 |
- Friends of yours? |
00:39:50 |
Jean Yves and Niko, |
00:39:59 |
Bathroom? |
00:40:01 |
- Yes, there. |
00:40:02 |
- See you at the table? |
00:40:13 |
Let's go. |
00:40:14 |
We gotta go? |
00:40:19 |
I need the cash. |
00:40:21 |
It's all right, sweetheart. |
00:40:34 |
So... |
00:40:37 |
Marty, tell me your life story. |
00:40:41 |
Okay. Well, I feel like |
00:40:46 |
the first one |
00:40:49 |
We met when I was in high school. |
00:40:52 |
And one with Henry. |
00:40:55 |
And now this one. |
00:40:58 |
What about you? |
00:41:01 |
Me. Well, I am looking |
00:41:03 |
to retiring, settling down. |
00:41:08 |
I just have to do |
00:41:10 |
- Hotels and... |
00:41:12 |
Yeah, yeah. |
00:41:15 |
and after that |
00:41:17 |
Yes, yes! |
00:41:20 |
Coast if you want. |
00:41:22 |
I believe that we should |
00:41:25 |
Hopefully, we have done |
00:41:27 |
all the stupid things |
00:41:30 |
Well, I think there's time |
00:41:46 |
Do you realize |
00:41:49 |
and for your career, |
00:41:52 |
Sir, just how dangerous |
00:41:55 |
Because my mom |
00:41:58 |
and quite frankly, sir, |
00:42:03 |
Your mother couldn't be |
00:42:05 |
She'll have 24-hour surveillance |
00:42:06 |
and protection if anything |
00:42:11 |
So then, how would this |
00:42:14 |
You're going to lead |
00:42:16 |
You'll have five agents under you. |
00:42:19 |
Well, no, no. |
00:42:23 |
I can't be in charge of bugging |
00:42:30 |
As I said, |
00:42:35 |
Oh, my God. |
00:42:37 |
You know, I never took |
00:42:41 |
I mean, the last thing |
00:42:43 |
is to make one |
00:42:45 |
- Well, thank you, sir. |
00:42:47 |
we have a lovely little outpost |
00:42:51 |
Now, I don't know, |
00:42:55 |
you might find that |
00:43:11 |
All right, when you're done in here, |
00:43:13 |
let's hit the bathrooms |
00:43:17 |
- Bedroom. |
00:43:19 |
Oh, this ought to be great! |
00:43:22 |
Can you move that mike |
00:43:24 |
That's great. |
00:43:26 |
Hey, Felder, come on. |
00:43:31 |
Geez, Henry. Come on. |
00:43:34 |
This is where the good stuff |
00:43:37 |
right in the middle of coitus. |
00:43:39 |
"We rob the place Tuesday night." |
00:43:41 |
We're talking about my mother! |
00:43:42 |
Look, we need |
00:43:45 |
any phone call |
00:43:47 |
Any call made |
00:43:49 |
and I'll have a trace |
00:43:51 |
Not the subject... |
00:43:54 |
Okay, Henry. |
00:43:55 |
We're also going to need |
00:43:57 |
in order to triangulate her location. |
00:43:59 |
See, it's called triangulation, Henry. |
00:44:01 |
Triangulation, Henry. |
00:44:07 |
Fine. |
00:44:18 |
Phone coming in. |
00:44:22 |
Hello? |
00:44:23 |
Marty? It's Tommy. |
00:44:25 |
Bingo. |
00:44:28 |
Are we still on for tonight? |
00:44:30 |
We are so on. |
00:44:33 |
Oh, good. |
00:44:35 |
See you. |
00:44:41 |
(318) 555-1000. |
00:44:44 |
He's at the... El Dorado Hotel. |
00:44:46 |
Oh, it is nice there. |
00:44:48 |
When the hell were you there? |
00:44:49 |
Oh, I was there. |
00:44:50 |
They leave these little mints |
00:44:53 |
Oh, forget about it. |
00:44:55 |
Just get Simpson |
00:44:57 |
Tell them he's at the El Dorado Hotel. |
00:45:00 |
Find out if he's got a car |
00:45:03 |
- Man. |
00:45:16 |
All right. |
00:45:23 |
Are you strapped in? |
00:45:25 |
Why? |
00:45:27 |
You wanna have some fun? |
00:45:29 |
Yes. |
00:45:31 |
What did you have in mind? |
00:45:32 |
Let's open this baby up |
00:45:40 |
Shit. We've been made. |
00:45:42 |
Don't engage! Don't engage! |
00:46:17 |
Come on, come on, come on. |
00:47:05 |
It's beautiful, isn't it? |
00:47:07 |
Everything pales next to you. |
00:47:09 |
Oh, my God! |
00:47:16 |
Do you mind |
00:47:17 |
Yeah, sure. Ask away. |
00:47:31 |
You were gonna ask me something? |
00:47:33 |
I was just wondering... |
00:47:36 |
how could anybody |
00:47:40 |
Oh, come on. Don't fall for this. |
00:47:43 |
My ex-husband had a lot of problems, |
00:47:46 |
if that's what you're asking. |
00:47:48 |
I'm sorry. |
00:47:50 |
Well, don't worry about it. |
00:47:51 |
We weren't speaking at the time. |
00:47:56 |
You've always been |
00:47:59 |
I guess. |
00:48:01 |
Oh, baby. |
00:48:03 |
Hey, knock it off. |
00:48:06 |
So, what do you see |
00:48:11 |
Well, when I see you, |
00:48:13 |
I see nothin' but trouble. |
00:48:15 |
Yeah. |
00:48:18 |
I am so bad |
00:48:25 |
Oh, come on. |
00:48:29 |
Gotta hand it to this guy, |
00:48:31 |
Yup. Very smooth. |
00:48:33 |
Tell me... tell me about Henry. |
00:48:37 |
Yeah. Henry. |
00:48:38 |
Well, Henry... |
00:48:41 |
Well, he's just the most beautiful, |
00:48:43 |
sensitive, intelligent, lovely... |
00:48:45 |
- loving son... |
00:48:49 |
As much as I love him, though, |
00:48:50 |
he can be a real piece |
00:48:53 |
Why is that? |
00:48:54 |
Well, he can be a real watchdog. |
00:48:58 |
Shut up! |
00:48:59 |
I'm probably responsible for that. |
00:49:01 |
I think I might have |
00:49:03 |
He used to be |
00:49:05 |
I think I transferred |
00:49:07 |
and he was so busy |
00:49:09 |
that he missed out |
00:49:11 |
I feel very responsible about that, |
00:49:16 |
Your mom's |
00:49:19 |
Yup. Very special. |
00:49:21 |
Well, his job has to be tough. |
00:49:23 |
I mean, I would imagine |
00:49:26 |
you start to believe |
00:49:28 |
Uh, yeah, like you, |
00:49:31 |
l... I would like for him |
00:49:34 |
that there's nothing |
00:49:36 |
that my intentions are... |
00:49:39 |
you know, very honorable. |
00:49:45 |
Your eyes don't lie, do they. |
00:49:50 |
They can't, I guess. |
00:49:54 |
Well, don't worry about |
00:49:58 |
'cause remember, |
00:50:03 |
Oh, baby. |
00:50:06 |
Oh, wow. She is hot! |
00:50:08 |
Felder! That is enough! |
00:50:10 |
I am not gonna tell you again. |
00:50:14 |
This is so good. |
00:50:18 |
I love it. |
00:50:20 |
- Are you hungry at all? |
00:50:22 |
Let's get the heck out of here. |
00:50:27 |
You know, I haven't been |
00:50:30 |
- Heading east on River Walk. |
00:50:33 |
I thought you were the one |
00:50:36 |
There is a difference |
00:50:40 |
Oh, so you're not excited? |
00:50:44 |
You're a tricky woman. |
00:51:01 |
Oh, no, no, no... |
00:51:10 |
Tommy... |
00:51:12 |
Tommy, I think we really |
00:51:15 |
- Yes! Very smart. |
00:51:21 |
Wait, what happened |
00:51:26 |
Because I just do. |
00:51:28 |
You're not acting like a person |
00:51:33 |
I think I'm falling in love. |
00:51:35 |
Oh, God. |
00:51:39 |
Do you have to go home? |
00:51:41 |
Yes, she does! |
00:51:43 |
- Yes, I do. |
00:51:45 |
Yes, she does! |
00:51:47 |
Listen, I... |
00:51:50 |
I have a beautiful suite |
00:51:53 |
We could really be alone there. |
00:51:55 |
No. She said no! |
00:51:57 |
- Ten bucks says she goes. |
00:52:02 |
Okay. |
00:52:11 |
Easy money. |
00:52:24 |
You're so sexy. |
00:52:27 |
I know! |
00:52:29 |
I mean, look at... look at that. |
00:52:31 |
Look at those moves. |
00:52:35 |
- That's unbelievable. Yeah. |
00:52:38 |
- You know. |
00:52:39 |
look at my ass. |
00:52:41 |
Oh, like a wild animal. |
00:52:44 |
Olympic. Come over here. |
00:52:45 |
I'm gonna give you |
00:52:48 |
Oh, Tommy. |
00:52:50 |
Ah, you learned that position. |
00:52:54 |
Oh, yes. |
00:52:56 |
I just got cable. |
00:53:03 |
Wha... what? |
00:53:07 |
What is that thing? |
00:53:10 |
Oh, that's my jaw. |
00:53:14 |
What is that? |
00:53:15 |
Don't worry. |
00:53:21 |
- Close your eyes. |
00:53:24 |
And open your mouth. |
00:53:25 |
Okay. Oh, Tommy. |
00:53:27 |
Are you ready? |
00:53:32 |
Oh, Tommy. It's so big. |
00:53:36 |
And so juicy. |
00:53:38 |
Yeah, it is. |
00:53:41 |
Tell me, tell me. |
00:53:42 |
The itsy-bitsy spider |
00:53:46 |
Went up the water spout |
00:53:49 |
Yeah, why not? |
00:53:51 |
Down came the rain |
00:53:54 |
And washed that spider out |
00:53:58 |
Oh, okay. All right. |
00:53:59 |
Randle, turn that shit off. |
00:54:01 |
No, no, no. |
00:54:03 |
Work-related my ass, Felder. |
00:54:05 |
... all the rain. |
00:54:06 |
God. |
00:54:08 |
And the itsy-bitsy spider |
00:54:12 |
Went up the spout again |
00:54:17 |
- Keep... keep going. |
00:54:19 |
It's good. |
00:54:20 |
Don't, don't. |
00:54:21 |
- Come on, Henry. |
00:54:22 |
- Don't. No, no, no. |
00:54:24 |
You wanna hear how |
00:54:27 |
Look, take your hands off! |
00:54:29 |
Oh, geez. |
00:54:35 |
- Henry? |
00:54:37 |
Can you give me a hand in here? |
00:54:39 |
Yeah. |
00:54:47 |
Henry, we have |
00:54:51 |
Oh, Jesus. |
00:54:53 |
Sweetie, I'm sorry. |
00:54:55 |
I can't do this tonight, okay? |
00:54:57 |
l... I know... |
00:55:00 |
It's just I have had |
00:55:03 |
Come on, Henry. |
00:55:04 |
Let's fool around. |
00:55:06 |
Okay, no, no, no... |
00:55:09 |
- Shit. |
00:55:17 |
What's this? |
00:55:22 |
That would be... |
00:55:24 |
A bug? |
00:55:27 |
Yeah. |
00:55:30 |
Oh, my God! |
00:55:32 |
Henry, this is like |
00:55:34 |
No, no, no. |
00:55:37 |
What? No. |
00:55:39 |
Henry, you are listening in |
00:55:45 |
Yeah. |
00:55:49 |
After that, the subjects retired |
00:55:53 |
where a very passionate night ensued. |
00:55:57 |
And after that, nothing else |
00:56:02 |
I can't help thinking... |
00:56:05 |
I wish my wife would try |
00:56:09 |
Oh, yeah. |
00:56:11 |
Oh, yeah. |
00:56:19 |
Turkey. |
00:56:28 |
All right... |
00:56:30 |
Henry. |
00:56:33 |
I think I know what you're up to. |
00:56:36 |
And that would be? |
00:56:40 |
You're protecting your mother. |
00:56:44 |
I don't know |
00:56:46 |
Listen, I am not trying |
00:56:49 |
Good, 'cause we both know |
00:56:52 |
And I am not trying |
00:56:54 |
That's not what I want. |
00:57:00 |
What do you want, then? |
00:57:02 |
I want us to become friends. |
00:57:07 |
I'm gonna have |
00:57:12 |
- How so? |
00:57:16 |
She made me |
00:57:20 |
I don't want to continue |
00:57:25 |
I'm gonna be making |
00:57:27 |
International consulting |
00:57:30 |
I guess I am just getting tired |
00:57:36 |
Sounds like you don't trust |
00:57:39 |
I don't. |
00:57:42 |
They are thieves. |
00:57:49 |
Yeah. |
00:57:53 |
Henry, do you mind |
00:57:58 |
Not at all. |
00:58:03 |
Turkey sandwich, please. |
00:58:08 |
- It's not coming up. |
00:58:11 |
Positive. |
00:58:14 |
Oh, hi. |
00:58:17 |
What? |
00:58:18 |
How was lunch? |
00:58:19 |
Lunch? |
00:58:20 |
Yes. Lunch with Tommy. |
00:58:23 |
It was good. How did... |
00:58:27 |
Felder's got a big mouth. |
00:58:28 |
Great. Well, I'm glad |
00:58:32 |
Okay. Please tell me |
00:58:34 |
that those are not |
00:58:38 |
Henry? |
00:58:41 |
All right. Come with me. |
00:58:45 |
- That's the men's room. |
00:58:48 |
Okay. Listen to me, all right? |
00:58:51 |
I was given strict orders not |
00:58:54 |
Of what? |
00:58:58 |
Guys, get out. |
00:59:03 |
What? |
00:59:05 |
The Bureau's watching Tommy. |
00:59:08 |
We're watching Tommy? Why? |
00:59:10 |
'Cause Mom picked |
00:59:13 |
She really hit the jackpot. |
00:59:15 |
Tommy's an international art thief. |
00:59:18 |
I really have to go. |
00:59:20 |
I really don't care. |
00:59:22 |
- Get out! |
00:59:27 |
You have to tell her. |
00:59:29 |
Yeah, and then resign. |
00:59:32 |
Oh, God. |
00:59:36 |
Henry, I'm so sorry. |
00:59:42 |
Screw you, Henry. |
00:59:55 |
Say, Tommy, |
00:59:57 |
- Coffee? |
01:00:00 |
So, listen... |
01:00:03 |
There are four grates |
01:00:06 |
12 by 24 inches each, |
01:00:08 |
so we should keep |
01:00:12 |
minimum. |
01:00:13 |
So, Tommy... |
01:00:16 |
Why don't you tell us |
01:00:21 |
I hope... |
01:00:23 |
you're planning on |
01:00:27 |
because if you're not, |
01:00:29 |
I'm gonna take it away from you |
01:00:31 |
and I'm gonna stick it |
01:00:34 |
Hey. Hey, Tommy. |
01:00:36 |
Let us not be rude, huh? |
01:00:38 |
We want to talk like gentlemen. |
01:00:43 |
All right. |
01:00:44 |
He's the son of the woman |
01:00:47 |
We got involved. |
01:00:48 |
I had no idea |
01:00:50 |
If I dump her now, |
01:00:57 |
Look, we're knocking off |
01:01:00 |
What sense would it make |
01:01:05 |
Maybe you got caught |
01:01:08 |
and you decided |
01:01:11 |
I have always had |
01:01:15 |
You never tell us how you |
01:01:30 |
So... |
01:01:32 |
are we going to keep this civil, |
01:01:35 |
or am I going to be doing this |
01:01:40 |
Well, Tommy, so I presume |
01:01:43 |
you would like |
01:01:47 |
I'll see you at midnight. |
01:01:49 |
It stinks in here. |
01:01:59 |
Hey, Henry, I'm about to go. |
01:02:15 |
What are you doing? |
01:02:21 |
Mom, we need to talk. |
01:02:26 |
Okay. |
01:02:29 |
Outside by the pool. |
01:02:34 |
Outside by the pool. |
01:02:37 |
What is it with you, Henry? |
01:02:39 |
Why do we have to talk outside? |
01:02:40 |
What are you always |
01:02:42 |
It's like you're just listening |
01:02:46 |
and just not listening to the music. |
01:02:47 |
What is it with you? |
01:02:50 |
Mom... |
01:02:53 |
What I'm gonna tell you |
01:02:57 |
my career, and everything |
01:03:01 |
but I want you to know... |
01:03:06 |
I only care about you. |
01:03:08 |
Well, that is |
01:03:10 |
but what the hell |
01:03:12 |
It's about Tommy. |
01:03:16 |
What? What is it? |
01:03:19 |
The FBI has been watching him. |
01:03:25 |
Why? |
01:03:27 |
Doesn't matter why. |
01:03:29 |
Yeah, it matters why, Henry. |
01:03:31 |
It does matter why. |
01:03:36 |
He's a thief. |
01:03:38 |
- He's a thief? |
01:03:46 |
Well... |
01:03:49 |
Boy, I can pick 'em, huh? |
01:03:53 |
I'm sorry. |
01:03:56 |
The... entire house |
01:04:00 |
You've been under surveillance. |
01:04:02 |
I didn't have any say |
01:04:06 |
Wait a second. Wait a minute. |
01:04:10 |
You're saying that everything |
01:04:13 |
every conversation I've been having, |
01:04:16 |
you've been listening to? |
01:04:18 |
Yes. |
01:04:22 |
I just thought |
01:04:26 |
It is very important |
01:04:28 |
that you don't tell Tommy |
01:04:32 |
Well, exactly what am I |
01:04:34 |
He's gonna be here |
01:04:36 |
Act normal, |
01:04:37 |
and know that if anything happens, |
01:04:56 |
Are you all right? |
01:05:01 |
How are my eyes? |
01:05:03 |
Your eyes are beautiful. |
01:05:06 |
Beautiful. |
01:05:11 |
Hey, Marty. |
01:05:12 |
Can I propose a toast? |
01:05:16 |
Sure. |
01:05:19 |
Raise your glass. |
01:05:27 |
To us. |
01:05:29 |
I love you, Marty. |
01:05:46 |
You know, there... |
01:05:50 |
What else do you need to know? |
01:05:51 |
I mean, I'm crazy about you. |
01:05:53 |
Well, let's just talk a little bit |
01:05:57 |
- No. |
01:06:00 |
- No, it's boring. |
01:06:03 |
I'm very, very interested in |
01:06:10 |
All right, Marty. All right. |
01:06:15 |
I've been working on a project |
01:06:19 |
It's kind of important to me... |
01:06:22 |
or that's what I thought |
01:06:25 |
Now I can't think straight. |
01:06:28 |
Things that I thought were important |
01:06:32 |
Wait, what does that mean? |
01:06:35 |
That you were gonna quit |
01:06:38 |
No, I can't. |
01:06:41 |
But after tomorrow, |
01:06:42 |
I will close this deal, |
01:06:46 |
Marty, give me 48 hours, please. |
01:06:52 |
All right, we got him. |
01:06:54 |
Alert the troops. |
01:06:55 |
It goes down tomorrow night. |
01:06:59 |
All right. |
01:07:05 |
So... |
01:07:08 |
am I gonna see you again? |
01:07:12 |
That all depends on you. |
01:07:14 |
Oh, Marty, what's going on? |
01:07:16 |
Nothing. |
01:07:18 |
Oh, come on. Come on! |
01:07:22 |
Marty, what's wrong with you? |
01:07:24 |
I don't know |
01:07:25 |
coming into people's lives |
01:07:28 |
like it's some kind |
01:07:30 |
What are you talking about? |
01:07:32 |
Oh, you know exactly |
01:07:34 |
I swear I have no idea |
01:07:36 |
You are not being |
01:07:42 |
I will be. |
01:07:50 |
God... damn it! |
01:07:53 |
I just... |
01:07:56 |
God! |
01:08:00 |
Damn it. |
01:08:13 |
Are you all right? |
01:08:18 |
I hope you're happy, Henry. |
01:08:25 |
Jesus. |
01:08:42 |
Fuck it. |
01:09:58 |
Yeah. |
01:09:59 |
It's Simpson. |
01:10:01 |
He checked in for the night, |
01:10:02 |
putting a "Do Not Disturb" |
01:10:05 |
and asked for |
01:10:07 |
All right. Well, stay there. |
01:10:09 |
Oh, Henry, the guy |
01:10:12 |
I said stay there. |
01:10:25 |
Mom? |
01:10:27 |
Henry. |
01:10:31 |
I'm feeling really empty |
01:11:43 |
- Back to work. |
01:12:04 |
Oh, no, get off him! |
01:12:06 |
Get off him! |
01:12:08 |
Get up against that car! |
01:12:12 |
You okay, buddy? |
01:12:16 |
I am now. |
01:14:03 |
Yeah. |
01:14:04 |
Durand, Wagner. |
01:14:05 |
An alarm just went off |
01:14:07 |
City cops are on their way, |
01:14:09 |
but you better go check it out. |
01:14:11 |
Okay. Yeah, I'm there. |
01:14:13 |
- What is it? |
01:14:15 |
The... the alarm |
01:14:18 |
Well, I'm going with you. |
01:14:20 |
No, you're not |
01:14:23 |
Yeah, well, screw procedure. |
01:14:26 |
All right, fine. |
01:14:30 |
We're tired of this! |
01:14:56 |
Who's in charge here? |
01:14:58 |
I am, sir. Canales. |
01:15:02 |
So, what the hell |
01:15:04 |
- Well, the alarm went off, sir. |
01:15:07 |
Yeah, we don't know |
01:15:09 |
Was somebody at the monitor |
01:15:11 |
Yes, sir. |
01:15:12 |
- Turn the damn thing off! |
01:15:14 |
Cut it! |
01:15:15 |
- Cut it? |
01:15:17 |
Deactivate! |
01:15:24 |
Agent Durand. |
01:15:26 |
Looks like it was a false alarm. |
01:15:28 |
Well, I'm almost there. |
01:15:31 |
You'd better back |
01:15:33 |
Looks like tomorrow |
01:15:35 |
Yeah, it's a good idea. |
01:15:39 |
False alarm. |
01:15:49 |
Again? |
01:16:00 |
Agent Durand. |
01:16:01 |
The alarm went off again. |
01:16:03 |
I'm on my way. |
01:16:04 |
You're never gonna believe this. |
01:16:06 |
- Now what? |
01:16:13 |
- Agent Henry Durand. |
01:16:16 |
Police Chief Malone. |
01:16:17 |
What seems to be the problem? |
01:16:19 |
Well, there seems to be a malfunction |
01:16:22 |
And it keeps going off on its own? |
01:16:24 |
Well, either that |
01:16:26 |
Is the alarm back on? |
01:16:29 |
- You want it on? |
01:16:34 |
- Activate it. |
01:17:00 |
Well, let's get a computer tech |
01:17:03 |
Yeah, that's what I said. |
01:17:04 |
He's on his way. |
01:17:21 |
Okay. |
01:17:23 |
Shut it off! |
01:17:25 |
Deactivate! |
01:17:26 |
Oh, this can't go on all night! |
01:17:30 |
Well, you're right about that. |
01:17:34 |
Okay, I want you to place |
01:17:37 |
Leave the alarm off |
01:17:39 |
- Understood? |
01:17:41 |
What are you thinkin'? |
01:17:43 |
Let's check in on Tommy. |
01:18:26 |
Keep it close |
01:18:28 |
Yes, sir. |
01:18:30 |
Good evening, sir. |
01:18:32 |
I need you to send |
01:18:35 |
Room 927? |
01:18:59 |
You're right. |
01:19:01 |
He's at the museum. |
01:19:04 |
- What are you talking about? |
01:19:12 |
Security. Canales. |
01:19:14 |
This is Henry Durand, FBI. |
01:19:16 |
I want you to shut down |
01:19:18 |
and call back the police immediately. |
01:19:21 |
Why? I can see it as clear as day. |
01:19:24 |
Yeah, well, |
01:19:28 |
They're not there. |
01:19:29 |
They're there, |
01:19:31 |
Look, they hacked into |
01:19:34 |
The images on the screen |
01:19:37 |
Call back the damn police. |
01:19:45 |
Damn it. |
01:19:52 |
Tommy, listen to me, please. |
01:19:54 |
About the partnership... |
01:19:56 |
I think it is over. |
01:19:59 |
Au revoir. |
01:20:01 |
Vamos, Nikos. |
01:20:30 |
That's it. |
01:20:38 |
What the hell's going on? |
01:20:43 |
That was a huge mista... |
01:21:10 |
All right, let's split up. |
01:21:40 |
Museum Security. |
01:21:42 |
Hey, got a man down. |
01:21:47 |
- Hang in there. |
01:21:49 |
Hang in there. |
01:21:58 |
Freeze, Tommy! |
01:22:04 |
Good for you, Henry. |
01:22:07 |
Excellent police work. |
01:22:09 |
I'm sure you are thrilled. |
01:22:11 |
- I have no weapons. |
01:22:14 |
Henry, your mother is in danger. |
01:22:15 |
No, she's not. Not anymore. |
01:22:18 |
Hi, Emily. |
01:22:20 |
Be quiet, Tommy. |
01:22:21 |
Henry, listen to me, please. |
01:22:23 |
I knew you were following me |
01:22:26 |
That's why I misled you |
01:22:28 |
I knew you were listening, |
01:22:30 |
but I had to make sure |
01:22:32 |
Sure, sure, sure, Tommy. |
01:22:33 |
Whatever you say, |
01:22:35 |
Yeah, that's my... |
01:22:36 |
Well, no, no, Lucero |
01:22:39 |
My real name |
01:22:42 |
Wanna hear your rights, |
01:22:44 |
No, I pretty much know my rights. |
01:22:45 |
- Then we can skip the boring... |
01:22:48 |
Jean Yves and Niko |
01:22:52 |
This is not about |
01:22:54 |
Sure. |
01:22:55 |
They sell high-end goods |
01:22:57 |
And you would know this how? |
01:23:02 |
Henry... Emily... |
01:23:07 |
I am with the CIA. |
01:23:11 |
Okay, now I've heard everything. |
01:23:13 |
I was introduced |
01:23:15 |
I was working |
01:23:17 |
When they approached me, |
01:23:19 |
I had to get involved. |
01:23:20 |
- Sure. |
01:23:21 |
Get down on the ground! |
01:23:23 |
- If I declined... |
01:23:25 |
No, no, no. Henry, I am telling you |
01:23:28 |
These two guys know |
01:23:30 |
Get down on the ground right now! |
01:23:32 |
Listen to me! Listen! |
01:23:34 |
They shot me. |
01:23:38 |
I am the only person who knows |
01:23:41 |
If they suspect I said |
01:23:43 |
This is a fascinating story, Tommy. |
01:23:45 |
- Down on the ground now! |
01:23:48 |
Fine. I will send |
01:23:50 |
No, no, no. That will get |
01:23:53 |
We have to take them by surprise |
01:23:56 |
Come on, kids! |
01:23:58 |
You want me to give you a gun? |
01:23:59 |
Well, yes, I am with the CIA. |
01:24:02 |
Okay, well, if he's an agent, |
01:24:06 |
We've already got |
01:24:08 |
Run a print. Great idea. |
01:24:09 |
But wait, wait, wait. |
01:24:12 |
Where did you get my print? |
01:24:15 |
I lifted it at the deli. |
01:24:20 |
Nice pull, Henry. Nice pull. |
01:24:22 |
Good, good. |
01:24:23 |
So, if he's telling the truth, |
01:24:25 |
then we've got a match. |
01:24:27 |
Brilliant. |
01:24:29 |
Hey, Henry? Your mother? |
01:24:34 |
Okay, yes. Yes, yes. |
01:24:37 |
Thank you. We appreciate it. |
01:24:40 |
Looks like your mom picked a winner. |
01:24:43 |
Tommy is who he says he is. |
01:24:47 |
All right, there's a gun |
01:24:50 |
- Give it to him. |
01:24:52 |
Thank you. |
01:25:27 |
Niko! |
01:25:41 |
Hello? |
01:25:44 |
- Hello? |
01:25:46 |
- Is everything all right at the house? |
01:25:48 |
I think your mom's |
01:25:50 |
A movie? |
01:25:52 |
Oh, I heard some talking |
01:25:54 |
Oh, shit. |
01:25:55 |
Oh, shit. |
01:25:56 |
Randle, wake up. |
01:25:58 |
You got the board. |
01:26:00 |
What happened? What? |
01:26:20 |
I think there's two guys inside. |
01:26:22 |
I can... I can hear |
01:26:25 |
She's not my mom, |
01:26:28 |
What the hell's |
01:26:30 |
He's in the CIA. |
01:26:32 |
I'm pretty sure |
01:26:35 |
CIA. |
01:26:42 |
Who the hell's the guy |
01:26:45 |
Help, help! |
01:26:50 |
You hear that? |
01:26:54 |
He's not bad. |
01:26:55 |
That's Enrico. |
01:26:57 |
He's still in love with me. |
01:27:02 |
Enrico, shut up. Shut up. |
01:27:04 |
You have to get out of here. |
01:27:06 |
What, you're going to shoot me? |
01:27:08 |
- Shoot me for being in love?! |
01:27:11 |
Love is not a crime! |
01:27:14 |
Listen, lady, you're going to get up |
01:27:19 |
One peep, |
01:27:24 |
I'm going in there, |
01:27:26 |
and I'm going to make sweet love |
01:27:30 |
And I'm going to say... |
01:27:31 |
Shit. |
01:27:34 |
Thank you! |
01:27:35 |
Who is this guy? |
01:27:36 |
It's a long story. Come on. |
01:27:39 |
Can't we just kill her and go? |
01:27:42 |
If this Tommy Lucero |
01:27:45 |
we are dead people back home. |
01:27:47 |
Dead people! |
01:27:48 |
Hit her! |
01:27:49 |
Wait, wait, wait, wait. |
01:27:52 |
Jeany, just get her to the car. |
01:27:54 |
Her son's in the FBI. |
01:27:56 |
You think the house is bugged? |
01:27:59 |
Oh, right. |
01:28:01 |
It's not like anybody... |
01:28:04 |
- We're ten feet from the front door! |
01:28:08 |
Let's go. |
01:28:10 |
We are standing |
01:28:11 |
and you two thugs |
01:28:16 |
CIA, drop them! Both of you! |
01:28:18 |
Right now! You are under arrest! |
01:28:20 |
You're not dead. |
01:28:21 |
I am not dead, |
01:28:23 |
Put your weapons down now! |
01:28:26 |
Drop your weapon |
01:28:29 |
Don't you point that gun |
01:28:35 |
Oh, man. |
01:28:43 |
And what part |
01:28:46 |
I'm not related to anybody. |
01:28:48 |
I just think she's hot. |
01:28:57 |
Marty. |
01:29:02 |
Oh, hey, is a bad time? |
01:29:09 |
There's certainly a lot of you, |
01:29:11 |
Do you always swarm? |
01:29:21 |
- Well... |
01:29:23 |
Glad to help, sir. |
01:29:25 |
You did good on this. |
01:29:28 |
Thank you, sir. |
01:29:33 |
Mom. |
01:29:35 |
Are you sure you're all right? |
01:29:38 |
Oh, Henry, wow. |
01:29:41 |
Very, very impressed by you. |
01:29:43 |
Very aggressive. |
01:29:46 |
Well, I had some help. |
01:29:49 |
- Henry. |
01:29:50 |
Thank you. |
01:29:52 |
Thank you. |
01:29:59 |
Well... |
01:30:00 |
So, you're CIA. |
01:30:02 |
Yes, I am. |
01:30:03 |
Well, I was. I just finished. |
01:30:08 |
It's very James Bond. |
01:30:09 |
Yes, I guess. |
01:30:12 |
Look, I have quite a bit |
01:30:15 |
Yeah. |
01:30:16 |
Just tell me the truth. |
01:30:18 |
I love you. |
01:30:19 |
Okay. |
01:30:20 |
- Yeah. |
01:30:21 |
- Okay, come here. Please. |
01:30:30 |
It's beautiful, isn't it? |
01:30:33 |
Let them have their moment. |
01:30:51 |
Marty! |
01:30:54 |
I love you! |
01:30:56 |
And I know you love me too! |
01:30:58 |
I know it! I know it! |
01:31:01 |
I know, I can feel it in my body. |
01:31:07 |
I want to make sweet love to you |
01:31:09 |
and I want to do it... now! |
01:32:52 |
One, two, three. Okay. |
01:34:45 |
Oh, am I interrupting? |
01:34:52 |
It's a party. I can make some... |
01:34:56 |
That was not the door. |
01:35:09 |
Hey, you get my flowers? |
01:35:15 |
Are you hungry? |
01:35:22 |
That was window. |
01:35:29 |
My back! |
01:35:42 |
It's a good drum, huh? |
01:36:04 |
I just broke a string. |
01:36:08 |
That's right! |
01:36:49 |
All right, we've had enough. |
01:36:52 |
We gotta go work, everybody. |
01:36:55 |
Can you believe this? |
01:38:57 |
Subtitles by LeapinLar |