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My One And Only en
00:00:24	All of you listening
00:00:26	Communism is the avowed enemy
00:00:32	Today, fourth June, 1953,
00:00:35	a thermonuclear device was...
00:00:45	A solid marriage is one of the most...
00:00:47	wonderful things in the world.
00:00:58	And now, my friends,
00:01:01	backed with "God Bless America"
00:02:02	Hey, kid.
00:02:06	Don't touch the car, will ya?
00:02:09	If I'd walked out
00:02:12	none of this would've happened.
00:02:14	You should be in school. Scram.
00:02:17	But I didn't leave,
00:02:20	How much is this one?
00:02:22	This one?
00:02:24	About 50 more years on your paper route,
00:02:28	And that works out to...
00:02:30	3,500. You happy?
00:02:33	I presume you'd consider
00:02:37	The money's legitimate, gentlemen.
00:02:40	- You heard him. Keep out of this.
00:02:42	Kid might've murdered his parents.
00:02:44	- But to Mickey, a sale's a sale.
00:02:49	You got five minutes to explain
00:02:55	My name is George Devereaux.
00:02:57	I live on the Upper West Side
00:03:00	This afternoon, my mother returned home
00:03:05	Mrs. Devereaux. We weren't
00:03:09	A lady should never do
00:03:14	My parents'
00:03:20	Holy shit.
00:03:22	Yep.
00:03:24	My father's a band leader.
00:03:27	Normally, he's better dressed than this.
00:03:29	His stage name is Dan Devereaux.
00:03:32	Although his real name is Dan Hamilton.
00:03:36	not Paris, France.
00:03:38	He made a lot of money
00:03:44	The only thing louder
00:03:47	My father is an artist...
00:03:50	with all the strengths
00:03:53	Dan, two-minute call.
00:03:55	- Comin'.
00:03:58	relies upon improvisation...
00:04:00	my mother's life is guided
00:04:05	Sayings.
00:04:08	What you do while you're in a room...
00:04:10	- You don't wanna go in there.
00:04:12	Please. Don't get up.
00:04:15	- This isn't what it looks like.
00:04:19	- Danny!
00:04:22	- My wife's not an idiot, for Christ's sake.
00:04:25	That's the nicest thing
00:04:28	Here. Let me help you.
00:04:30	You know, you really
00:04:33	It makes you look like a tramp.
00:04:35	What am I saying?
00:04:38	Hey. What are you doin'
00:04:42	- I'm leaving you.
00:04:45	Come on. You know
00:04:48	Never contradict a woman
00:04:51	It puts you at a great disadvantage.
00:04:54	I'm-I'm-I'm sorry. Baby, I am.
00:04:58	But they don't mean anything.
00:05:01	Oh, come on now, honey.
00:05:04	W-Where would you go?
00:05:07	- Where's my passport?
00:05:12	I don't need you around here anyway. All
00:05:15	- And everybody knows that.
00:05:18	- Well, what about the boys?
00:05:21	- Yeah. George, Robbie. The boys.
00:05:25	- They're at school, Miss Devereaux.
00:05:28	- I'm going to take them with me.
00:05:31	- Raise them.
00:05:33	Well, you don't think I'm leaving them here
00:05:36	Give me a break.
00:05:39	- I love my children.
00:05:41	I love my kids, and I'm shit for a father.
00:05:44	- Bernice?
00:05:46	Am I a lousy mother?
00:05:49	It's not my place to say, Miss Devereaux.
00:05:52	But if you wanna know the God's honest...
00:05:54	- There.
00:05:55	Go on, then.
00:06:27	Ten minutes later...
00:06:29	- my mother took my brother and me out of school.
00:06:33	I'm sorry, Mrs. Devereaux, but your boys
00:06:36	Of course they don't.
00:06:40	I'm sorry, Mr. Connors.
00:06:43	- They go to...
00:06:45	Radford. Of course.
00:06:48	They go to Radford.
00:06:55	Where is Radford?
00:06:57	My brother Robbie was playing
00:07:01	It is so nice to see that
00:07:05	Thank you.
00:07:08	He was playing Lady Macbeth?
00:07:10	In Shakespeare's time,
00:07:14	Right. I knew that.
00:07:17	That's all the cash there is in here,
00:07:20	- And all the jewelry.
00:07:24	What's in that cloth there?
00:07:28	- Oh.
00:07:31	Will that be all, Mrs. Devereaux?
00:07:37	That will be all. Thank you.
00:07:43	George, darling.
00:07:46	I want you to take this money
00:07:50	A car? Why? Where's Dad?
00:07:52	First things first.
00:07:55	- Well, what kind of car?
00:07:58	- I don't want a car.
00:08:00	Admirable taste as always, darling.
00:08:03	But we need something more practical.
00:08:05	- A Chevy?
00:08:09	So here I am,
00:08:11	It's not as easy as that, son.
00:08:13	- Is there a problem, George?
00:08:18	Well, thank you, Fred.
00:08:20	- May I call you Fred?
00:08:23	Well, how much is the car we want?
00:08:25	It's, uh, 3,500, ma'am.
00:08:27	- Give it to the nice man, George.
00:08:31	- That's not how you do what?
00:08:34	you offer me less than that,
00:08:37	All right. $1,000.
00:08:41	This is so much fun.
00:08:45	What?
00:08:47	It's a little low, Mom.
00:08:49	- Offer me, say, 2,500.
00:08:53	2,500.
00:08:55	- No.
00:08:58	You just said, "Offer me 2,500."
00:09:00	I can let you have it for 33, Mrs. Devereaux,
00:09:05	2,700.
00:09:07	3,275.
00:09:09	2,950, Fred, or we're out of here
00:09:14	- Huh?
00:09:18	What does he have to say about all this?
00:09:20	Your father has betrayed us,
00:09:24	What about marrying my father again?
00:09:26	Once was an adventure.
00:09:29	Look, you can't just take a kid
00:09:33	Ask any psychiatrist.
00:09:35	- That is what the telephone is for.
00:09:40	- Well, who's gonna drive the car?
00:09:43	Robbie doesn't have
00:09:45	- I'm too sensitive.
00:09:48	- George!
00:09:51	It would not be appropriate
00:09:53	It's 1953, Mom.
00:09:56	They smoke. They even
00:09:58	You're becoming very crude, darling.
00:10:01	Your father's influence, no doubt.
00:10:05	Nice car.
00:10:08	The only reason why I'm giving in...
00:10:11	is because I know that
00:10:15	It's time for your boy's medicine, ma'am.
00:10:18	- Bernice has your medicine, George. Take it.
00:10:21	I do not care whose medicine it is.
00:10:23	Just one of you take it,
00:10:26	Good-bye, Bernice.
00:10:28	I'll miss you.
00:10:31	Yeah. Take the parking brake off.
00:10:39	George! George!
00:10:41	Please don't get us killed.
00:10:46	My mother was
00:10:49	even if it meant
00:10:52	With that in mind, she told us
00:10:55	so she could teach me everything
00:10:59	which wasn't much.
00:11:01	George, I almost stabbed myself.
00:11:03	- You wanna drive?
00:11:05	You're a natural, darling.
00:11:08	- Anywhere in particular?
00:11:11	- Boston?
00:11:12	- For how long?
00:11:16	What are we going to do in Boston?
00:11:18	We're gonna start a new life.
00:11:20	We are going to have fun, that's what.
00:11:25	- Bette Davis was born in Boston.
00:11:29	It's full of museums and universities.
00:11:31	- Tea parties.
00:11:33	Accelerate, darling.
00:11:36	- Put the pedal to the metal, George.
00:11:40	- What did you just do?
00:11:43	Oh. Never, never look
00:11:47	It makes no difference what's behind you.
00:11:49	I don't even know why
00:11:51	Just look where you're going
00:11:54	- Understood?
00:11:56	Now go.
00:12:05	The whole drive up
00:12:07	planned their upcoming adventures.
00:12:09	Around Hartford, her euphoria
00:12:12	It made me think.
00:12:14	she'd proclaim this was all
00:12:17	and tell me to turn around
00:12:20	But she didn't.
00:12:22	We'll stay here until
00:12:25	- Mom, isn't this place a little...
00:12:28	Well, don't you think that
00:12:30	Certainly not.
00:12:34	- Sorry. I'm sorry. Oh!
00:12:37	- Are you okay?
00:12:40	- Oh, my goodness. Ann Devereaux.
00:12:42	- Ann Devereaux.
00:12:44	Wally's an old beau of mine,
00:12:47	He once asked me to marry him.
00:12:49	He tried to kill himself when I turned
00:12:53	Great. He deserves another chance.
00:12:56	Well, if that's the way you wanna put it.
00:12:59	So, is this the look
00:13:01	I'm trying to find you a balance between
00:13:06	- Try this one.
00:13:09	- You're like some predator.
00:13:13	Like the angler fish we studied in biology.
00:13:15	Never compare a woman to a fish, George...
00:13:18	- or anything with scales for that matter.
00:13:22	They're perfect.
00:13:26	We're newcomers here, and Wallace
00:13:29	whose friendship will help
00:13:32	I got a feeling this is all gonna
00:13:36	Nonsense.
00:13:39	Always.
00:13:48	What?
00:13:56	Wallace, you haven't changed a bit.
00:14:07	Thank you.
00:14:11	Goddamn, Ann.
00:14:15	Why can't we just go back...
00:14:17	to the way everything was, huh?
00:14:20	Well, sometimes,
00:14:23	Mm-hmm.
00:14:32	Wallace, is something wrong?
00:14:35	Um...
00:14:42	Things are, um...
00:14:49	Things are bad for me, Ann.
00:14:53	Well, divorce is a terrible experience.
00:14:58	But sometimes, good things can come from...
00:15:01	I'm not talking about divorce.
00:15:06	- Oh, your business.
00:15:09	I've had a setback,
00:15:14	Lots of cash, and fast.
00:15:19	Lower your voice, Wallace.
00:15:25	It's why I wanted to see you tonight.
00:15:29	Can you lend me some money?
00:15:33	Can I what?
00:15:35	75,000 would do it.
00:15:36	- Dollars?
00:15:39	Fifty. And I will get it back to you
00:15:44	It's not appropriate for you
00:15:48	Appropriate? Appropriate my ass!
00:15:51	I am broke, babe!
00:15:56	They're standin' in line
00:15:59	bigger than that flank steak you just had!
00:16:01	Sorry. I'm sorry.
00:16:05	Please excuse me while I powder my nose.
00:16:10	Okay.
00:16:29	Everything will work out for the best,
00:16:33	You'll see.
00:17:06	It's not our policy to extend credit
00:17:10	Oh. Well, is it your policy for your patrons
00:17:15	- Madam, please.
00:17:18	I returned from the ladies' room
00:17:22	Madam, all I know is that
00:17:25	Trust me, I already have.
00:17:28	Ma'am? May I be of assistance?
00:17:32	Well, who are you, cavalry?
00:17:34	Henry, I'll take care of that.
00:17:37	Harlan Williams.
00:17:39	We met at Julie Harper's
00:17:41	Yes, of course. Harlan.
00:17:45	Why does he wear that uniform all the time?
00:17:47	Hasn't anyone told him the war is over,
00:17:51	Now that he and Mom are engaged...
00:17:53	I bet he sends us off to military school.
00:17:55	I hate the way he calls me
00:17:58	I hate the way he keeps
00:18:01	like he's trying to dislodge a piece of meat
00:18:04	If he touches my hair one more time,
00:18:07	Holden Caulfield would tell him
00:18:11	Holden hates phonies more than anything.
00:18:13	Holden Caulfield
00:18:17	You ever think about goin' back to Dad?
00:18:20	He's your father, not mine.
00:18:22	What was your father like?
00:18:25	I saw a picture of him once.
00:18:30	You think Mom is crazy?
00:18:35	I can't tell.
00:18:40	Every time there's a picture
00:18:42	he's always wearing a wool cap
00:18:45	That's 'cause Stalin
00:18:49	That's why we're fighting
00:18:52	Because we're a country
00:18:55	- Right, George?
00:18:57	Hell, if the Commies did take over,
00:19:02	Every street would have
00:19:05	no matter which town you went to,
00:19:09	That's why our boys
00:19:11	so that doesn't happen.
00:19:21	Did I say something funny, George?
00:19:23	It was nothing, sir.
00:19:25	They weren't laughing at you, honey.
00:19:29	What was there to laugh with, George?
00:19:33	I think you're overreacting, darling.
00:19:35	Don't tell me I'm overreacting.
00:19:37	Why am I so goddamn funny, George?
00:19:41	Harlan.
00:19:46	Oh.
00:19:49	I'm sorry. I must be overtired.
00:19:51	It's probably just battle fatigue, sir.
00:19:56	Sorry about that, Georgie boy.
00:20:07	Hello? Who is this?
00:20:09	Nicky, is that you? Hello?
00:20:14	Oh, sweetie,
00:20:17	Just hang up.
00:20:19	Dad, it's...
00:20:38	Find anything interesting, George?
00:20:40	- No, sir. Good night, sir.
00:20:43	- I've gotta go.
00:20:45	Sit.
00:20:50	You think of yourself as
00:20:53	- My brother's older.
00:20:56	that Robbie's not likely
00:21:01	I'm gonna marry your mother.
00:21:04	- I know.
00:21:13	It's like dogs, see?
00:21:15	In every pack,
00:21:19	You've been that dog for a while.
00:21:23	Now, I'm going to be top dog.
00:21:26	And there's always the dog
00:21:32	Things can get pretty nasty
00:21:36	Son, you can fight me...
00:21:39	but I guarantee you,
00:21:45	You understand?
00:21:47	Woof, sir.
00:21:51	So, what's Harlan
00:21:55	His uniform, I assume.
00:21:57	- Does he sleep in that thing too?
00:22:01	Doesn't that just break your heart?
00:22:04	We should buy them something.
00:22:06	What a sweet idea.
00:22:08	- How much should we spend?
00:22:11	- $500.
00:22:14	Oh, I can't, George.
00:22:16	for the caterers, the band, the flowers.
00:22:19	And before that,
00:22:21	Look at them, Mother.
00:22:23	Are you telling me that you spent all the money
00:22:27	I just couldn't help myself.
00:22:30	And you should've seen them, darling.
00:22:33	I don't care if they were
00:22:38	You stole 500 bucks from me.
00:22:40	I didn't steal it, and I'll pay you back.
00:22:42	How are you gonna do that?
00:22:46	- How?
00:22:48	It was not your idea.
00:22:50	I bet it was your idea, you little turd.
00:22:53	It was my idea, and don't call him that.
00:22:57	I'll call him any damn thing I wanna call him.
00:23:00	- What are you talking about?
00:23:02	The pearl necklace I gave you.
00:23:04	- Why?
00:23:08	I will not.
00:23:09	- Give me that goddamn necklace!
00:23:13	- Leave her alone!
00:23:15	Give me those damn pearls!
00:23:17	- Leave her alone!
00:23:23	Damn it, stop! You stop!
00:23:26	If you touch my boy again...
00:23:29	you miserable son of a bitch,
00:23:35	Oh...
00:23:42	You jumped on his back?
00:23:45	Your brother was so brave.
00:23:49	Are we going home now?
00:23:51	- You know we can't do that.
00:23:54	- Because your father doesn't love me.
00:23:57	Well, you'll have
00:24:01	- We don't have any money left, do we?
00:24:03	How much?
00:24:06	Enough to keep us until I find someone.
00:24:09	- You mean, like, a husband?
00:24:12	Does it worry you that the last one
00:24:15	So, where's the next spot on the map?
00:24:19	Where is that map?
00:24:25	What's this?
00:24:27	- It's mine.
00:24:33	Does he ever write you back?
00:24:35	Where's he gonna write to?
00:24:38	- Well, what do you have to say
00:24:42	- Such as?
00:24:46	Women, guns, ice fishing.
00:24:48	Women.
00:24:52	wouldn't begin to fill a postcard.
00:24:55	That man's all potatoes and no meat.
00:24:59	Let's just go.
00:25:01	Where to this time?
00:25:06	- This is it here.
00:25:09	We were getting short on money,
00:25:11	unless she found herself a husband fast...
00:25:13	she'd have to swallow her pride and head back
00:25:21	I almost married a man in this city.
00:25:23	You almost married a man in every city.
00:25:25	Sarcasm is the refuge of scoundrels.
00:25:28	- Gene Kelly was born in Pittsburgh.
00:25:33	Suite 203.
00:25:39	- Not so bad.
00:25:47	Is that your car?
00:25:49	Yeah. It's a Cadillac Eldorado.
00:25:51	I know what it is.
00:25:54	How come you're staying here
00:25:56	We're not rich.
00:25:58	Well, your mom's pretty.
00:26:03	Whose else would it be?
00:26:05	I mean, is that her real color?
00:26:10	- I guess so.
00:26:14	Not me, though.
00:26:19	- What are you doing here?
00:26:22	- Anyone in particular?
00:26:28	- Where's your father?
00:26:30	Like Ricky Ricardo?
00:26:32	Yeah. Yeah, like him.
00:26:35	Hey, Bud.
00:26:38	Lucy and little Ricky moved in next door.
00:26:40	This is my brother Bud.
00:26:44	Bud doesn't talk much.
00:26:52	- Hello.
00:26:56	Thank you.
00:27:02	The automobile is seen
00:27:05	Sometimes male, sometimes female.
00:27:09	Fins are often compared
00:27:13	taillights to a sexual organ.
00:27:16	Myself, I think the Cadillac is feminine.
00:27:19	If you ever have any trouble with it,
00:27:22	We take it to a gynecologist.
00:27:30	Those are the most words
00:27:33	Maybe in his whole life put together.
00:27:45	It's called a TV dinner.
00:27:49	That's because it tastes like a TV?
00:27:51	It comes in that one little package,
00:27:55	Maybe it could eat itself too.
00:27:58	No. We're poor now.
00:28:00	start working in the steel mills.
00:28:02	- Oh, I love those boots they wear.
00:28:04	We're just conserving is all. And I thought
00:28:08	and share with each other
00:28:11	Just like a real family.
00:28:13	- Now, who's got some good news to share?
00:28:16	- I got the lead in the school play.
00:28:18	- Well, who are you playing?
00:28:21	- That's wonderful.
00:28:24	to start your life
00:28:26	George.
00:28:29	Well, I've got some good news.
00:28:31	I ran into Oliver Pearson yesterday
00:28:34	- Who's he?
00:28:36	He's invited me to
00:28:39	His family makes Pearson sewing machines.
00:28:41	It's your dream father, Robbie.
00:28:53	Doesn't work that way with me.
00:28:55	It's all lies, you know,
00:28:58	- It's all crap.
00:29:02	Sure it is.
00:29:04	without even looking.
00:29:06	The bad guy's gonna get killed...
00:29:08	and the handsome guy
00:29:11	- are gonna end up in love with each other.
00:29:14	Of course they will.
00:29:17	They always do.
00:29:19	Maybe.
00:29:21	It makes people feel better.
00:29:23	It makes them think that
00:29:26	Everybody's looking for the American dream,
00:29:31	No, it's not.
00:29:33	You know, things might be bad sometimes...
00:29:37	but in the end, everything works out.
00:29:39	It always does.
00:29:41	Oh, yeah?
00:29:46	People.
00:29:54	You know, for someone from New York,
00:30:02	Mr. Lomax in 2-C said he'd give me
00:30:06	- He did?
00:30:12	I don't know.
00:30:15	Have you ever... seen breasts?
00:30:19	Sure. One.
00:30:21	You saw one breast?
00:30:23	I meant once. I saw some once.
00:30:27	- Some?
00:30:30	I saw two once.
00:30:39	Do you wanna see mine?
00:30:41	Who, me? Now?
00:30:43	That way, you could tell me if you think
00:30:51	Okay. Sure, yeah.
00:31:05	You ready?
00:31:15	So how do they look?
00:31:18	All right. Good.
00:31:20	Fine. Of course, I don't have much
00:31:26	I don't think you should show them
00:31:31	Why not?
00:31:34	'Cause you're better than that.
00:31:46	If I tell you something, you won't laugh?
00:31:50	- I won't laugh.
00:31:57	Why don't you call Dad
00:32:01	- In your dreams.
00:32:06	We do not need that man's help.
00:32:08	And I wouldn't take it if we did.
00:32:11	Oh, here.
00:32:13	- Oh, thank you, darling. Perfect.
00:32:16	Don't worry.
00:32:19	We have fathers, remember?
00:32:23	- Then I'll find one of them too.
00:32:26	Nobody's good enough for you.
00:32:28	No matter what happens in our lives,
00:32:31	You ever think that maybe
00:32:34	And what would those be?
00:32:37	Maybe you're not smart enough for them.
00:32:40	Trust me, George. A woman never appears
00:32:44	than when she's listening to him.
00:33:09	- Mmm. Mmm!
00:33:14	You know, Ann,
00:33:18	Thank you, Oliver.
00:33:22	Come back to my place with me.
00:33:25	Oh, I can't. I have the boys.
00:33:29	They can take care of themselves.
00:33:32	I only wish.
00:33:35	No, honestly, I should go.
00:33:39	- And maybe...
00:33:41	Oliver... Oliver, please don't.
00:33:43	- Come on, baby. Don't be a prude.
00:33:45	I said stop!
00:33:48	Just what the fuck do you think
00:33:52	Conversation? Gosh. You go.
00:33:54	Get the hell out of here!
00:34:16	$600.
00:34:18	Those belonged to my grandmother.
00:34:20	Everything in here belonged
00:34:30	- Afternoon, Miss Devereaux.
00:34:33	You're a long way from home.
00:34:35	- Yes, I am.
00:34:39	Well, thank you, Bud. You have no idea
00:34:44	Can I give you a ride home?
00:34:47	Oh, l-I have to get some things,
00:34:49	Would you like to go for a drink later?
00:34:52	Not tonight,
00:34:54	Yeah, maybe.
00:35:02	Bud saw your mom
00:35:04	So?
00:35:08	I took your advice.
00:35:10	I told Mr. Lomax that
00:35:15	I told him he could see my finger
00:35:20	Come on.
00:35:26	You coming or what?
00:35:35	Charlie Currell is
00:35:38	- What's wrong with him?
00:35:41	He's handsome as ever,
00:35:45	- Oh, wow. I could live here.
00:35:50	Promise you won't say
00:35:53	- I won't if you won't.
00:35:56	- How do I look?
00:35:58	- George, how do I look?
00:36:03	Where is this guy? Hmm?
00:36:05	- I thought he couldn't wait to see you.
00:36:08	We can't monopolize all his time.
00:36:11	Why don't you boys go and mingle?
00:36:13	I love to mingle.
00:36:16	These are good. But don't put
00:36:18	or you'll squish 'em.
00:36:22	- Enjoying yourselves, gentlemen?
00:36:24	Very much so. You know,
00:36:28	- Is that right?
00:36:31	Ah. The noble Moor.
00:36:33	- Verily. Perchance you could
00:36:42	Someone would think it was a...
00:36:44	Ann!
00:36:49	Excuse me a minute.
00:36:51	- Annie!
00:36:54	- I see you found the place.
00:36:58	Uh-huh.
00:36:59	- Hi.
00:37:01	- They certainly are.
00:37:03	- Yes, sir.
00:37:05	- I don't like the sound of that.
00:37:08	- You'll never be old.
00:37:10	- Harry says I can't drive the MG.
00:37:13	Sweetheart, I want you to meet
00:37:15	Ann, this is Nancy.
00:37:18	- Nice to meet you, Nancy.
00:37:21	Well, your mother must've been
00:37:24	It's what women in her generation did.
00:37:28	Hey, a bunch of us
00:37:30	- Why don't you join us.
00:37:32	Mom, don't worry about us.
00:37:35	Well, maybe your mother
00:37:38	I could probably teach you
00:37:43	Come here.
00:37:45	- Don't pay any attention to Nancy.
00:37:47	Look, um, I should be
00:37:50	You and I could, uh, sneak off
00:37:54	- That sounds like fun, Charlie.
00:37:56	That's a lovely dress. Is it rayon?
00:37:59	No!
00:38:06	You going somewhere, darling?
00:38:08	For a walk.
00:38:11	You're going to see
00:38:15	So what if I am?
00:38:18	What are you gonna say to him?
00:38:22	That I wanna go back to New York
00:38:24	I'm not gonna let you do that, George.
00:38:27	We can't stay here anymore.
00:38:33	Darling, your father...
00:38:38	He doesn't want you.
00:38:40	- He does too want me.
00:38:43	I know him better than you do, and I know
00:38:47	George. I know
00:38:51	But things will change soon, I promise.
00:38:54	How? How will they change?
00:38:58	I'm going dancing tonight
00:39:04	Mom. Listen.
00:39:11	Charlie Currell is not interested in you.
00:39:13	- You know that for a fact, do you?
00:39:17	That girl he was with today
00:39:21	Don't say anything you'll regret.
00:39:24	You have two kids, for Christ's sake.
00:39:29	Isn't it obvious?
00:39:32	It is to everyone else.
00:40:24	Thank you. Thank you, Tanya.
00:40:26	Folks, that was "My One and Only"hit.
00:40:31	Hey. Give me time.
00:40:33	Give me time.
00:40:47	- Can I help you, ma'am?
00:40:49	I don't believe Mr. Currell's party
00:40:51	But they usually head right up
00:40:53	Thank you.
00:41:00	Hey, kid.
00:41:04	We're living here now.
00:41:06	Well, yeah, sure I got 'em.
00:41:08	You know how that is. Hey, Carl. Carl.
00:41:12	- Oh, sure, yeah. Hi. How are you?
00:41:15	- Hi, cutie.
00:41:17	- Hey! How's it goin', George?
00:41:20	- All right.
00:41:24	- So where are you livin'?
00:41:26	- Yeah? Nice place?
00:41:29	That must rankle your mother to no end.
00:41:32	Imagine her livin' with the riffraff.
00:41:34	- She's fine.
00:41:37	Hey, you want a Coke?
00:41:40	- You got a Coke?
00:41:42	- I don't want a Coke.
00:41:50	I want you to take me back
00:41:52	Take you back? Oh, man.
00:41:56	Son, I'd like to do that.
00:41:58	But I'm on the road for, like, what,
00:42:01	After this, we go straight to Cleveland.
00:42:04	- Hey, Carl, what's after Cleveland?
00:42:06	- Chicago.
00:42:08	Five weeks in Chicago.
00:42:10	- Kansas City.
00:42:12	- After that, Dallas.
00:42:14	And you'd hate Dallas, George.
00:42:17	- Phoenix.
00:42:19	Okay. Forget about it.
00:42:23	I was just kidding anyways.
00:42:26	- So how you fixed for money?
00:42:29	Yeah? You know, I send your mother money
00:42:32	- She does?
00:42:34	So I stopped.
00:42:36	Oh, man!
00:42:39	What was I thinkin'?
00:42:42	Your mother always thought
00:42:45	I hate to be the one
00:42:48	but your mother has got
00:42:51	- No, she doesn't.
00:42:53	She always figured she was some kind
00:42:57	But you gotta take it from me.
00:43:00	class doesn't count for anything.
00:43:03	If it ain't in the bank,
00:43:13	Let me see if I got some...
00:43:19	- You got any money on you?
00:43:21	Don't bullshit me, man.
00:43:24	- I got some.
00:43:27	Wait. Hey, hey.
00:43:30	Take the money.
00:43:33	till she finds some other guy
00:43:35	Did you ever love her?
00:43:38	Your mom? Yeah.
00:43:40	I loved her a lot.
00:43:45	- You ever love me?
00:43:49	- I better go.
00:43:52	I still love you, pal.
00:43:55	I mean, with my life
00:43:58	I was never cut out to be a father.
00:44:00	Just-Just like your mom
00:44:04	Yeah, well, at least she tries.
00:44:08	Yeah, she does try.
00:44:11	She loves you, kid.
00:44:15	See ya.
00:44:19	Hey.
00:44:21	I'll see you, George.
00:44:29	I'll see you around.
00:44:33	You owe me a hundred, Dan.
00:44:44	- Thank you.
00:45:01	Paging Mr. Foster.
00:45:04	Call for Mr. Foster at reception.
00:45:24	When your old friend shows up, you can
00:45:28	I doubt she'll even come, doll.
00:45:32	- Well, then it's probably past her bedtime.
00:45:39	- All aboard!
00:45:57	Martini? Certainly, ma'am.
00:46:21	- Hi, there. I'm Ann.
00:46:24	I'm Frank.
00:46:26	- Hello, Frank.
00:46:28	I hope you don't mind me
00:46:32	Not at all, no.
00:46:37	I don't normally do this.
00:46:39	- Ma'am.
00:46:44	I'm a little lonely tonight.
00:46:50	Yeah, I'm-I'm alone.
00:46:53	- From out of town?
00:46:58	So you're staying here at the hotel?
00:47:02	Well, actually, Ann,
00:47:05	Oh, do you?
00:47:11	I'm a detective.
00:47:14	And I'm arresting you for solicitation.
00:47:18	Prostitution.
00:47:25	You had me going there, Frank.
00:47:28	I'm not kidding, ma'am.
00:47:31	Now, listen, you have a choice here.
00:47:33	I can either handcuff you
00:47:36	which would be very unpleasant for you,
00:47:39	or you can walk quietly with me to the back
00:47:47	All right. Come on, doll.
00:47:59	It's ringing.
00:48:05	'Cause you know how he starts
00:48:09	Hello.
00:48:13	Yeah. Who is it?
00:48:14	Hey, hey, hey! Hey, y'all, keep it down,
00:48:17	- Who is it, Dan? Another girlfriend?
00:48:19	Hello? H...
00:48:22	Come on, baby.
00:48:25	Yeah. Hello? Who is it?
00:48:29	Oh, well.
00:48:34	There's no one there.
00:48:57	Come on.
00:49:00	- Come on.
00:49:04	Thank you.
00:49:07	I'd like to, um...
00:49:11	I need to explain.
00:49:13	You don't need to explain anything to me.
00:49:16	You just need to get home.
00:49:20	Thank you.
00:49:27	Well, good night.
00:49:30	Well, morning.
00:49:32	Yeah.
00:49:34	Thank you.
00:49:41	Oh, uh, Bud?
00:49:45	I would really appreciate it
00:49:50	If what didn't get around, ma'am?
00:49:54	You're the most beautiful woman
00:50:15	You take care of yourself, ma'am.
00:50:25	Bud?
00:50:27	You're the first real gentleman
00:50:45	- Where were you?
00:50:49	- What was wrong with it?
00:50:51	Bud fixed it. Ask him.
00:50:54	- He had rehearsal.
00:50:58	His too. We're leaving.
00:51:00	We're not goin' back to Dad now, are we?
00:51:04	You saw him, didn't you?
00:51:07	Yeah, I saw him, and he's a shit.
00:51:10	Don't talk like that about your father.
00:51:13	You'll regret it one day.
00:51:16	What do you care? Hmm?
00:51:19	It's pretty obvious that you're not
00:51:24	I have been loyal to your father...
00:51:27	since the day I met him...
00:51:30	which is something no one would make
00:51:33	That's what I said. He's a shit.
00:51:36	Your father adores you.
00:51:39	Right.
00:51:47	When you were two...
00:51:50	or maybe three years old...
00:51:52	you came down with something awful.
00:51:54	Like an earache or something.
00:51:56	Well, whatever it was, you were crying...
00:51:58	and nothin' anybody did
00:52:01	Until your father came into your room...
00:52:05	sat down on your bed,
00:52:11	- He did?
00:52:13	And whenever he would stop,
00:52:17	So he just kept on playing nonstop
00:52:22	What happened?
00:52:25	You got better.
00:52:28	That's the biggest bunch of crap
00:52:34	There are some things
00:52:38	Such as?
00:52:41	Such as you're not the only one
00:52:59	George.
00:53:05	- You guys leavin'?
00:53:07	They'll probably rent your apartment out
00:53:11	Probably will.
00:53:15	George, we should get going.
00:53:20	I'll see you around.
00:53:22	Yeah. Yeah, I'll see you around.
00:53:47	George. Mirror.
00:53:51	Bye.
00:53:53	George, this is ridiculous.
00:53:55	Is it a family tragedy, boys?
00:53:57	We're going to our Aunt Hope's
00:53:59	That counts as a tragedy.
00:54:01	Okay, everybody, let's, uh...
00:54:07	- Thank you.
00:54:12	Eat up, boys. Breakfast is
00:54:16	Especially when it's your only meal
00:54:20	You sure Aunt Hope has room for us all?
00:54:22	Your Aunt Hope and Uncle Tom
00:54:27	Uncle Tom's Cabin. How appropriate.
00:54:29	Aunt Hope... the woman that God forgot.
00:54:32	Your Aunt Hope is a good person.
00:54:34	What happened,
00:54:36	You did say you'd never
00:54:39	Well, I said a lot of things
00:54:43	- Why are we going there if you hate her so much?
00:54:47	It's being near her that I hate.
00:54:51	Things will turn our way soon.
00:55:02	Looking for somebody?
00:55:06	Yeah. Ann Devereaux.
00:55:10	They left yesterday.
00:55:16	She say where they were going?
00:55:19	- Who wants to know?
00:55:24	Your wife's a beautiful woman.
00:55:27	She's got a lot of class.
00:55:30	Yeah, well, I guess
00:55:36	They're heading west.
00:55:40	- Thanks, pal.
00:55:47	My mother always said
00:55:50	to go to her sister's in St. Louis.
00:55:52	So I guess we were officially desperate.
00:55:54	- Tom?
00:55:57	Hi, Tom!
00:55:59	Pull up around the back.
00:56:03	Where'd you get that car?
00:56:10	Hey, Hope, your crazy sister.
00:56:14	Robbie, you can have
00:56:16	Give him the meaty half, Tom.
00:56:18	- All right.
00:56:20	- I don't want your mashed potatoes, Aunt Hope.
00:56:22	You're our guests,
00:56:24	- even if it is with the food off our own plates.
00:56:28	No need to thank me. You're family.
00:56:32	even when they do show up hungry
00:56:34	Well, especially then.
00:56:37	So, from what you say, it sounds like you don't
00:56:40	The boys and I are on an adventure.
00:56:42	Oh.
00:56:45	I only wish Father were here to see where
00:56:50	Apple doesn't fall far
00:56:53	Guess not.
00:00:04	- It's a beauty.
00:00:06	- I won't have it sitting in front of my house.
00:00:09	So how long did you say you were staying?
00:00:12	- They just got here, Hope.
00:00:15	The first thing I'm doing
00:00:19	You? A job?
00:00:21	Is this the kind of job
00:00:24	Order number three up!
00:00:26	- Where's my ketchup?
00:00:31	Sorry about that.
00:00:32	Excuse me.
00:00:35	Oh. Oh, yes. I'm sorry.
00:00:37	Order number four up!
00:00:39	Yes, yes.
00:00:42	- Ann!
00:00:44	Excuse me.
00:00:47	Where's my coffee, sweet thing?
00:00:50	- Right here.
00:00:54	Hey! Where the hell are you goin'?
00:00:58	Oh!
00:01:04	You all right, honey?
00:01:06	Oh, I'm fine.
00:01:11	You're so pretty.
00:01:16	I'm supposed to tell you you're fired.
00:01:26	Is that man all right?
00:01:28	Raymond? Hell, it's the only time he didn't
00:01:38	Oh, there you go.
00:01:43	- Thank you.
00:01:46	All right.
00:01:48	I'm comin'.
00:01:53	Even God don't make green
00:01:56	Well, I can see the color in my head.
00:02:00	Oh. Uh, we'll be in touch,
00:02:03	I've got to find something to go
00:02:08	What color are they?
00:02:10	l-I got the swatches right here.
00:02:12	Hmm. Well,
00:02:15	It would bring out
00:02:20	Ooh. That's a nice color.
00:02:24	Oh. Who makes up these names?
00:02:27	Mr. Massey names all his paints himself.
00:02:30	Well, it's a beautiful color
00:02:34	Oh, and doesn't it bring out
00:02:39	Right. It brings out
00:02:48	Jesus, Joe. Can't I go back
00:02:51	without you hiring a woman to work here?
00:02:53	That's what I'm trying
00:02:55	She's been here three weeks,
00:02:58	Are you sure that's gonna be enough, Ted?
00:03:01	Uh... Better give me four gallons, I guess.
00:03:04	- Yeah.
00:03:08	I beg your pardon?
00:03:10	Your hair.
00:03:13	and call it Heavenly Gold.
00:03:16	Bill Massey.
00:03:18	Gentleman's Blue.
00:03:20	- I beg your pardon?
00:03:22	They're Gentleman's Blue.
00:03:24	Well, are we finished here?
00:03:27	- Yeah.
00:03:30	vision.
00:03:33	Pass it! Pass it!
00:03:35	To me! To me!
00:03:37	Boys, you know the rules. Outside.
00:03:39	- Sorry.
00:03:42	You enjoying it here in St. Louis, George?
00:03:45	- It's okay.
00:03:48	- I am?
00:03:50	uh, your mom and your brother
00:03:53	Uh, it's a little exaggerated.
00:03:55	- Isn't it?
00:03:59	Well, keep it up.
00:04:01	You're not ready
00:04:03	but you certainly got yourself a voice.
00:04:15	George?
00:04:20	So I got the lead in the school play.
00:04:23	I'm playing Oedipus, king of Thebes.
00:04:25	In the original Greek play, Oedipus kills
00:04:28	but Mrs. Kirkland made us change it
00:04:32	over the head with a shovel and take
00:04:35	Boys! Boys!
00:04:39	Come and help us celebrate.
00:04:41	Mr. Massey asked your mother to marry him.
00:04:44	- Congratulations.
00:04:46	is a salesman in high-gloss enamel.
00:04:49	But he's here, and I'll take him.
00:04:52	- Oh. Here.
00:04:54	Oh, Hope. Have a little too much
00:04:57	All right. Maybe a little.
00:04:59	- When's the ceremony?
00:05:02	- to help me with my outfit.
00:05:04	- What should I wear?
00:05:09	Oh, no more. I can't.
00:05:11	All right, what the hell.
00:05:15	Darling, would you get my lighter, please?
00:05:18	- It's on the table in the kitchen.
00:05:21	Are we going back to New York?
00:05:23	Well, Mr. Massey has this idea
00:05:29	What if I want to stay here?
00:05:31	In St. Louis?
00:05:33	Nobody wants to stay in St. Louis.
00:05:35	Do you even love this guy?
00:05:39	It's so damned unfair.
00:05:43	always landing on your goddamn feet.
00:05:45	Rest of us play by the rules, get nowhere.
00:05:48	You're right up there on top of the heap.
00:05:50	- Well, that's because I have faith in the world.
00:05:54	It's because the world makes exceptions
00:05:57	The world is a whole nother place
00:06:01	And how many years
00:06:05	How many? Twenty.
00:06:08	And do I have them?
00:06:12	But you can.
00:06:14	You have two normal...
00:06:16	Well, you have...
00:06:19	Look at him.
00:06:21	I ask you, is that fair?
00:06:26	- Oh, Hope.
00:06:29	Calm down. Here.
00:06:40	- Here we go.
00:06:44	Robbie will be over the moon.
00:06:46	There's nothing I wouldn't do
00:06:50	You know Robbie's been the lead
00:06:52	This is the first one
00:06:56	Salesmen are like actors too, George...
00:06:59	wearing the masks of both comedy
00:07:04	Right.
00:07:08	Oh, I'm so excited.
00:07:20	The sands of ignorance
00:07:23	and we are lost without our king.
00:07:25	Hark! Here he comes. Oedipus...
00:07:28	the king.
00:07:33	Citizens of Thebes...
00:07:35	Ladies and gentlemen,
00:07:39	- What?
00:07:41	- has spotted a tornado 10 miles east of Danson.
00:07:44	- Everyone should exit the auditorium.
00:07:47	- The show must go on.
00:07:50	- Sir... Sir...
00:07:52	Let's hurry it up.
00:07:54	He's gonna be so disappointed.
00:07:57	Well, he can always say
00:08:01	Bravo!
00:08:05	- Bravo!
00:08:08	Thanks. Oh, my God.
00:08:14	Okay. First batch is almost ready, guys.
00:08:17	- Good.
00:08:20	- Then the camera...
00:08:23	Hey, Ann, could I get a Bud?
00:08:25	- Uh, yeah.
00:08:26	- Uh-huh. Oh!
00:08:35	What are you doing out here
00:08:38	Thinkin'.
00:08:41	I like thinking too.
00:08:43	Clears the mind. Cigar?
00:08:46	No, thank you.
00:08:50	Your mother's a fine woman.
00:08:52	I know.
00:08:56	Now that I'm to be your stepfather...
00:09:00	your mother asked that I might...
00:09:03	talk to you about some things...
00:09:07	man to man.
00:09:12	As a man, there's only one thing
00:09:16	What's that?
00:09:17	They're never the right temperature.
00:09:21	No?
00:09:23	Something to do with their plumbing.
00:09:26	Reproduction.
00:09:29	Whatever reason, most of the time...
00:09:31	they're either too hot or too cold.
00:09:33	Mostly too cold.
00:09:37	So what you have to do...
00:09:39	is carry a sweater or a jacket
00:09:44	Something you can keep
00:09:48	or in your closet at work...
00:09:51	for when their thermostat gets messed up.
00:09:55	What else?
00:09:57	That's it.
00:10:00	there's nothing else
00:10:05	What do you say
00:10:07	Well, one of you gentlemen
00:10:11	- Tom?
00:10:13	l... l... All right. Okay.
00:10:17	Um... Congratulations.
00:10:21	- That's a good toast!
00:10:23	George, you say something.
00:10:26	I'm happy my mother
00:10:28	That sounds like a eulogy, sweetheart.
00:10:33	- Cheers.
00:10:35	- Cheers.
00:10:39	To Ann...
00:10:41	the most beautiful
00:10:46	We're gonna have the perfect life together,
00:10:49	And I've decided to name
00:10:52	Starting with Matrimony White.
00:10:55	- William?
00:10:58	- Hello, William.
00:11:01	Well, who's this, darling?
00:11:03	- I'm Marla Massey.
00:11:07	- Is this your sister, darling?
00:11:11	Surprise, surprise, surprise.
00:11:15	You need more of a flick
00:11:18	Like that.
00:11:20	Ah.
00:11:24	Mr. Massey is mentally ill,
00:11:29	But he runs a business.
00:11:33	William is one of the heirs
00:11:36	but he has nothing to do
00:11:39	His family lets him oversee the shop here
00:11:44	He's like a child who doesn't know
00:11:47	and, sadly, his weakness is women.
00:11:51	Over the past two years, he's become
00:11:56	seven that we know of, anyway.
00:11:59	The Massey family profoundly apologizes
00:12:04	will alleviate any inconvenience...
00:12:07	that this unfortunate affair
00:12:14	Payoff green.
00:12:26	I'm so sorry, Ann.
00:12:31	You really love him, don't you?
00:12:33	What?
00:12:34	I said you really love William.
00:12:36	No. No, l-I don't.
00:12:39	Of course you do. You don't have to lie
00:12:43	All the women love him.
00:12:46	Why?
00:12:48	- Why what, dear?
00:12:53	Because he's my husband.
00:12:57	But beyond that, why do you love him?
00:13:12	You look a little chilly, darling.
00:13:14	I've got a sweater here you can put on.
00:13:25	Hurry up, George!
00:13:29	You should put the top up on the car, Mom.
00:13:32	We should get going. George!
00:13:40	- All right.
00:13:43	Oh, don't start with that again.
00:13:46	- I'm not going.
00:13:48	- Robbie can drive. I'm staying here.
00:13:51	Yeah. I have a normal life here.
00:13:55	Mr. Dillon, he likes my writing.
00:13:58	Well, I'd like to be hearing a little less
00:14:01	Get your things.
00:14:03	Where are you going this time?
00:14:05	We are going to California.
00:14:07	- Why California?
00:14:09	I know where Hollywood is. Just what
00:14:12	- Your brother will be discovered.
00:14:15	Things will work out, George.
00:14:18	Will you stop saying that?
00:14:20	You sound like a lunatic. You're gonna be
00:14:23	as they flip the switch, and smoke
00:14:25	while you're still sitting there saying,
00:14:30	All right?
00:14:32	Your Aunt Hope doesn't want you.
00:14:35	She said I can stay.
00:14:36	You asked her without asking me first?
00:14:41	That smile, girl.
00:14:49	Who are you to tell my son
00:14:52	- He asked me.
00:14:55	Do you even want him,
00:14:59	- You just don't want me to have him.
00:15:03	It is true. Isn't it true?
00:15:06	Well, I don't care whether
00:15:18	Do you know how insulting that is to me?
00:15:21	Will you stop thinking about yourself
00:15:23	- thinking about what I want?
00:15:26	- That's bullshit.
00:15:29	the last four months
00:15:32	I forgot.
00:15:34	Get in the car.
00:15:37	You don't even know me.
00:15:39	Oh, George, stop being silly.
00:15:41	- Now get in the car.
00:15:44	I'll get in the car.
00:15:47	First you have to tell me
00:15:49	What are you talking about?
00:15:52	Then tell me what I want to be
00:15:54	- Does anybody know what he's talking about?
00:16:00	Blue.
00:16:03	Red.
00:16:08	Yellow?
00:16:16	Green?
00:16:21	Hell, I don't even know
00:16:26	All right then.
00:16:28	Here's an easy one.
00:16:33	Tell me what my favorite book is,
00:16:36	I've been talking about it
00:16:41	I don't know what your favorite book is.
00:16:45	It's Catcher in the Rye.
00:16:47	We have a winner.
00:16:49	Not that I approve of a book like that.
00:16:51	I've done the best I could.
00:16:53	Well, it's not good enough.
00:16:57	Well, aren't you an ungrateful brat.
00:17:01	And you're a lousy mother.
00:17:10	George...
00:17:29	We're going.
00:17:31	You wanna wait for
00:17:34	- We'll be fine, Tom.
00:17:38	She's just, uh...
00:17:40	I know, Tom.
00:17:45	You'll look after George?
00:17:47	I will.
00:17:49	- Bye, Uncle Tom.
00:18:10	Don't look in the mirror. Remember?
00:18:21	Yeah. It's a good thing
00:18:24	If not, they'd be swimming for sure.
00:18:27	It could turn into a tornado in no time.
00:18:29	No, it's not gonna be a tornado.
00:18:33	Hey, did Bob ever call you
00:18:35	Even though I told her
00:18:38	I was surprised when my mother
00:18:42	I guess I didn't give her
00:18:45	I sat there waiting for her
00:18:50	Once again, I underestimated her.
00:18:52	Eat your food, George.
00:18:58	Robbie called collect almost every day.
00:19:01	He said to make money,
00:19:04	Yeah, yeah, good face.
00:19:06	- Yeah. That's great. What is this made of?
00:19:09	I'm a salesman by trade, ma'am...
00:19:11	on my way to Amarillo to start a new job...
00:19:14	to sell the product of the future.
00:19:17	Oh! Well, what's that?
00:19:19	- Asbestos.
00:19:21	Asbestos.
00:19:24	It's a fireproof building material.
00:19:26	You heard about that school fire in Kentucky
00:19:31	Yeah. Never again.
00:19:34	Asbestos is gonna save thousands,
00:19:38	You mark my words, son.
00:19:40	I took a correspondence course in acting...
00:19:42	and my teacher,
00:19:45	He said I have the talent
00:19:48	- Oh.
00:19:51	- Maybe.
00:19:54	That's where we're going...
00:19:56	You know, you kind of have
00:19:59	You're not the first person
00:20:04	You're gonna do real good there too.
00:20:06	- You're really handsome.
00:20:08	He looks like a girl.
00:20:10	No!
00:20:12	He's got that "andro-gynous" quality
00:20:17	Don't worry.
00:20:20	You can leave us off here.
00:20:22	- Here? What do you mean?
00:20:25	Are you sure you want to get out here?
00:20:27	Yeah, I'm sure.
00:20:30	All right.
00:20:48	Okay.
00:20:49	Thank you.
00:20:53	Well, that'll be, uh, $10, you two.
00:20:59	Nobody move!
00:21:00	- Oh, my God!
00:21:02	- Jesus!
00:21:04	- Please don't hurt my mother.
00:21:07	You get me all the cash you got,
00:21:10	- There's money in my bag.
00:21:12	Okay. Okay.
00:21:13	Come here. Take her ring.
00:21:16	- I don't want her ring!
00:21:20	- What else you got, lady? Huh?
00:21:23	Put down the knife!
00:21:25	Oh, my God, Becker!
00:21:27	- Hell, he ain't gonna shoot nobody.
00:21:29	No, you're not. Do what he says
00:21:32	I can handle this, Mom.
00:21:35	Make me, fairy.
00:21:38	Get back! Pick up the knife
00:21:42	- Are you okay?
00:21:43	Why are you asking him, huh?
00:21:46	- Let's get out of here now.
00:21:48	- come with us.
00:21:51	You can't stay with him. Look at him. He's
00:21:55	- But he wants to marry me.
00:21:57	If you marry him, you're gonna regret it
00:22:00	- I'm sure you know that already.
00:22:03	Of course you do, darling.
00:22:07	Sorry, Becker.
00:22:11	Yeah, right.
00:22:13	Okay.
00:22:14	Bye, sweetie.
00:22:16	- You're a no-good bitch.
00:22:35	So I figure we can stop
00:22:39	and make it to Los Angeles
00:22:47	What's Wendy doing?
00:22:49	Oh, no. It's the soldier.
00:23:06	We only have $67 left.
00:23:09	Well, at least she didn't take my shirt.
00:23:13	I'll get it.
00:23:20	- Give it time.
00:23:23	It's a collect call from Robert Mitchum.
00:23:25	I'll take it.
00:23:28	- Don't you dare accept.
00:23:32	- George, it's me... Robbie.
00:23:35	Someplace with the unfortunate name
00:23:37	One of the riders we picked up
00:23:40	Are you and mom all right?
00:23:42	We're fine. Mom's coming.
00:23:48	Someone stole their money.
00:23:50	As long as she doesn't
00:23:52	Why don't we just wire 'em
00:23:54	- Tom!
00:23:56	- Sorry.
00:23:58	The money that she got from Massey...
00:24:01	- Most of it, actually.
00:24:03	- Fine.
00:24:06	- of a growing boy is not exactly cheap or easy.
00:24:09	- I will not.
00:24:13	- Give it to me.
00:24:15	- I'll give it to you, George.
00:24:17	Stay out of this, Hope.
00:24:20	We never should have took it from
00:24:23	I didn't take anything.
00:24:25	- Well, then give it to the boy.
00:24:28	You get to do the right thing, Hope.
00:24:38	Thank you.
00:24:40	And we both watched you drive away.
00:24:54	Oh.
00:25:00	Truth be told, I'm glad to be rid of it.
00:25:03	- I didn't like having all that money around.
00:25:08	Come on.
00:25:19	Why are we stopping here?
00:25:21	Well, I figured we could just
00:25:25	Well, I don't see anyone.
00:25:27	Oh, look. There's someone now.
00:25:38	- Get in the back.
00:25:47	It's all she had left.
00:25:52	Here's the thing.
00:25:55	After that,
00:25:59	Deal.
00:26:08	Just drive.
00:26:33	George?
00:26:35	George, wake up.
00:26:41	There it was. Los Angeles.
00:26:45	- We'd finally made it.
00:26:49	It wasn't exactly the glamorous
00:26:51	my mother had imagined us making,
00:26:57	- even though I did.
00:27:11	Here we are.
00:27:19	Perfect.
00:27:24	Well, you don't get sunlight
00:27:27	Oh!
00:27:30	If you stand right here,
00:27:33	Oh, wow.
00:27:34	George, come look.
00:27:41	How long is that money gonna last us?
00:27:43	That's not your concern.
00:27:45	Why don't you boys
00:27:49	- I don't like the beach.
00:27:52	You're paler than a nun's behind.
00:28:19	Door was open.
00:28:24	Nothing to steal.
00:28:29	You been here long?
00:28:31	Couple weeks.
00:28:33	Nice.
00:28:35	Always were a terrible liar.
00:28:38	Well, at least you're not gonna
00:28:41	So I've been told.
00:28:45	How did you find us?
00:28:47	I got a postcard from George.
00:28:50	- He get mine?
00:28:55	Where are you playing?
00:28:57	Coconut Grove.
00:29:00	How is old Basie these days?
00:29:02	Same as ever.
00:29:04	How are you?
00:29:08	I'm good.
00:29:13	You look good.
00:29:16	You look tired.
00:29:18	You're not eating right.
00:29:21	Well, the road wears you out.
00:29:25	Yeah. Tell me something I don't know.
00:29:34	So, you done with this?
00:29:37	Done with what?
00:29:39	This little experiment of yours.
00:29:42	Oh.
00:29:45	It's not an experiment, Dan.
00:29:47	Whatever you say.
00:29:49	Hey, how about you and the boys...
00:29:51	come back to New York with me tomorrow?
00:29:53	What do you say?
00:29:56	I can't do that.
00:30:00	Don't you love me anymore?
00:30:05	I don't know if I love you anymore.
00:30:13	But I do know that
00:30:18	Oh!
00:30:23	Well, I never thought
00:30:28	Neither did I.
00:30:31	Hey, you want me to get down on one knee
00:30:36	First time you've ever remembered.
00:30:38	Carl remembers stuff for me.
00:30:41	- Oh.
00:30:47	You're a hell of a woman, Ann.
00:30:50	You don't know the half of it.
00:30:53	I could learn.
00:30:56	No.
00:30:59	I wish things were different.
00:31:06	God, I really do, Danny.
00:31:14	Okay. Okay.
00:31:21	Are we still friends?
00:31:24	I hope so.
00:31:42	Look, um...
00:31:45	you know, if...
00:31:48	you change your mind...
00:31:52	Oh, I'll know where to find you.
00:32:11	Come on!
00:32:16	Move!
00:32:18	Cut! Cut!
00:32:21	And that's a reset,
00:32:24	Back to first positions.
00:32:27	Maybe if I put this side up like that.
00:32:29	Darling, you're a slave.
00:32:31	Well, that's no reason
00:32:36	What the hell is it this time?
00:32:40	One of the slaves got her foot run over
00:32:43	Christ. Is the chariot okay?
00:32:46	Just kidding.
00:32:48	- Let me help you.
00:32:52	- Martin Kamen, producer.
00:32:55	You're much too beautiful to be a slave.
00:32:59	Words every woman dreams of hearing.
00:33:02	- Are you an actress, Miss Devereaux?
00:33:05	- But my son is.
00:33:07	Robbie.
00:33:11	This is Mr. Kamen.
00:33:14	Oh. How do you do, sir?
00:33:16	- So you want to be an actor?
00:33:18	- Nice-looking boy, isn't he?
00:33:21	If he still wants to be an actor in
00:33:24	- All right.
00:33:26	We're losing the light.
00:33:28	Yes! Oh, my God!
00:33:31	So my mother was about
00:33:34	And for a moment, I thought
00:33:38	Maybe things did work out for the best.
00:34:03	Hello?
00:34:05	Hello.
00:34:08	All right. I'll get her.
00:34:12	It's for you.
00:34:16	- Hello?
00:34:19	Yes, this is she. Yes, please.
00:34:32	I'm so sorry.
00:34:35	No.
00:34:43	Thank you for calling.
00:34:54	Who was that?
00:35:00	Mom?
00:35:07	Your father has died.
00:35:12	He had a heart attack...
00:35:15	after a show in New York.
00:35:24	Mom... Mom...
00:35:27	Yeah.
00:35:38	It's all right, baby. Cry.
00:35:42	You cry.
00:35:44	You just...
00:35:47	cry as much as you want.
00:36:27	It's cold.
00:36:30	Thanks.
00:36:32	Do you want my blanket?
00:36:34	Mm-mmm. I'm fine.
00:36:52	I just got off the phone with the airline.
00:36:55	They'll give one of us the bereavement fare
00:37:01	I think that should be you.
00:37:06	Okay.
00:37:12	I called Mr. Dixon today...
00:37:14	The headmaster at Radford.
00:37:18	I know.
00:37:21	Well, they offered me
00:37:23	if I wanted to go back next semester.
00:37:27	I could never afford
00:37:32	Is that what you want to do, George?
00:37:37	I think so.
00:37:52	Well...
00:37:56	Where will you live?
00:37:58	Billy's parents said I can stay with them there.
00:38:03	I like them.
00:38:06	New York's my home.
00:38:10	I know it is.
00:38:13	And everybody knows if you want to be
00:38:19	There's too much sun here in L.A.
00:38:22	It's not depressing enough.
00:38:32	You sound like your father.
00:38:40	We will find a way to make that work.
00:38:47	You will?
00:38:50	That was our deal.
00:39:12	So, I was finally on my way back to New York.
00:39:16	I'd won the battle with my mother...
00:39:18	but it sure wasn't the way
00:39:20	Not like this.
00:39:23	So my father went down to the kitchen...
00:39:25	and cooked breakfast for us
00:39:28	It was the wildest thing
00:39:30	And that's what I did
00:39:32	Very good, Judy.
00:39:39	Now, George, why don't you
00:39:57	My summer really started last year...
00:39:59	when my mother left my father
00:40:02	and she gave me $6,000 cash
00:40:06	My mother was arrested for solicitation...
00:40:08	but of course it was all
00:40:10	Massey was a serial matrimonialist...
00:40:12	who had proposed to
00:40:16	- different women...
00:40:18	and runs off with
00:40:20	I had to go back and get all the money
00:40:24	and meet up with them again...
00:40:26	We finally made it to L.A.
00:40:29	But right after we got there, my...
00:40:34	my father died,
00:40:40	I miss him.
00:40:43	I always thought that after this...
00:40:46	we were all gonna end up together again.
00:40:50	But we're not.
00:40:56	They sat there
00:40:59	from some faraway planet speaking
00:41:04	I'm not running anymore, Mary Beth.
00:41:07	But it's too dangerous
00:41:10	I'm not afraid of danger, Mary Beth.
00:41:14	Frankie, they already killed Ma and Pa.
00:41:17	He just needs to relax.
00:41:19	l-I don't care, Mary Beth.
00:41:22	- I don't think so.
00:41:24	even if it means I have to die here.
00:41:27	- I'm sorry.
00:41:29	Take 10, everyone.
00:41:32	Yeah, right.
00:41:36	- Let me talk to him.
00:41:40	Is there any way we can just try one m...
00:41:44	- Kill those lights then, will you?
00:41:49	- That's pretty.
00:41:52	- Yeah. And you have a bonnet too.
00:41:55	- Good.
00:41:57	- This should do it.
00:42:06	Roll camera. And... action.
00:42:09	I'm not running anymore, Mary Beth.
00:42:11	I don't care what anybody says.
00:42:13	It's too dangerous here for you, Frankie.
00:42:16	I'm not afraid of danger,
00:42:20	Frankie, they already killed Ma and Pa.
00:42:23	I don't care, Mary Beth.
00:42:27	I'm staying here even it means
00:42:30	Cut!
00:42:32	- Jesus, it's killing me too, kid.
00:42:35	George! This is going terrible.
00:42:39	Where's Mom?
00:42:41	Probably hanging herself somewhere.
00:42:43	Did you see me?
00:42:46	Sure, you can. Right? This is what
00:42:49	- What, humiliation? I'm awful.
00:42:53	Look, you did all those plays.
00:42:55	I never actually acted in any of them.
00:42:58	All right, it's easy.
00:43:01	They killed your parents.
00:43:03	It's only you and your sister left,
00:43:07	Look. Just listen to how I do it, okay?
00:43:12	Let 'em come for me.
00:43:14	I'm staying right here on this land.
00:43:16	If I have to die for it, then so be it.
00:43:19	This is our family's land, Mary Beth...
00:43:22	We earned it, and I'm staying right here.
00:43:26	So what are you gonna do if they come?
00:43:28	Let 'em come for me. I'm not moving.
00:43:30	I'm staying right here on this land.
00:43:33	This is our family's land, Mary Beth...
00:43:37	We earned it. I'm staying right here.
00:43:41	They'll kill you, Frankie.
00:43:43	I don't care.
00:43:45	Mary Beth, I'm not afraid anymore.
00:43:48	I've run all my life,
00:43:58	This is where I belong...
00:44:01	with you, with whatever's
00:44:06	I didn't know it before,
00:44:10	I made the mistake of leaving once,
00:44:13	and I ain't goin' anywhere.
00:44:16	I don't care what anybody says.
00:44:22	And that's how I got my studio contract.
00:44:29	They're coming! They're coming!
00:44:32	Cut! Print! Moving on!
00:44:37	- Moving on!
00:44:41	It took Robbie
00:44:44	and decide to change his career.
00:44:46	- Here. Let me just...
00:44:51	I decided to change my name
00:44:56	My mother decided
00:44:58	She discovered that
00:45:00	although she had plenty of offers.
00:45:05	I often think about those months
00:45:08	trying to find someone to take care of us.
00:45:11	What we found instead
00:45:14	that we could take care
00:45:18	thanks all the same.
00:50:32	English - US - SDH

My One And Only