|
N Io e Napoleone
|
| 00:02:00 |
NAPOLEON EXILED |
| 00:02:03 |
Portoferraioo March 4o 1814. |
| 00:02:08 |
Same dream again. |
| 00:02:12 |
The foulo bloodthirsty beast |
| 00:02:16 |
that's been reduced |
| 00:02:19 |
and I kill him! |
| 00:02:23 |
Good morningo Master Martino. |
| 00:02:25 |
Your sister ordered me |
| 00:02:28 |
Good morning, Master Martino. |
| 00:02:35 |
Good morning, Master Martino. |
| 00:02:39 |
I wonder about the recondite meaningo |
| 00:02:44 |
- What is it? |
| 00:02:45 |
I'm not hungry! |
| 00:02:47 |
- Ordered me... |
| 00:02:53 |
Which draws me to... |
| 00:02:54 |
- To bring you breakfast. Good morning. |
| 00:02:59 |
- Yes. |
| 00:03:01 |
Yes. |
| 00:03:03 |
Close the door. |
| 00:03:05 |
Which draws me to the object |
| 00:03:11 |
Martino, you'll be late for class! |
| 00:03:13 |
Why are you standing around? |
| 00:03:15 |
- and help me with the mattresses. |
| 00:03:24 |
Dunce, I'll come back |
| 00:03:30 |
Sir Ferrante, |
| 00:03:31 |
I'm going to give |
| 00:03:37 |
- What did she say? |
| 00:03:40 |
Mad. |
| 00:03:42 |
NAPOLEON AND ME |
| 00:04:19 |
Good morning. |
| 00:04:50 |
Hello. |
| 00:05:07 |
- Good morning, how are you |
| 00:05:13 |
- Good morning, buy something. |
| 00:05:38 |
- Good morning, Professor. |
| 00:05:56 |
Come on, come on! |
| 00:06:04 |
So, the arrogant, |
| 00:06:09 |
asked Buchettino: |
| 00:06:14 |
Buchettino, |
| 00:06:18 |
responded... colon... |
| 00:06:22 |
open quotation marks. |
| 00:06:24 |
"I'd be a dullard to tell you! |
| 00:06:26 |
You'd climb up here and eat me." |
| 00:06:30 |
Close quotation marks. |
| 00:06:32 |
- Pietro, bring me that paper. |
| 00:06:36 |
Yes, come here. Let me see. |
| 00:06:41 |
- But I didn't do it. |
| 00:06:44 |
The Army of Elba, he said so. |
| 00:06:48 |
Bruno, who might this be? |
| 00:06:52 |
- Our new king, sir. |
| 00:06:56 |
Napoleon will become king of Elba! |
| 00:07:00 |
Napoleon? |
| 00:07:03 |
Napoleon is coming here in exile! |
| 00:07:06 |
From the Latin word exilium... |
| 00:07:11 |
which means, out of the city. |
| 00:07:14 |
He was thrown out |
| 00:07:17 |
and thus, will be tried |
| 00:07:21 |
He deserves any death he gets. |
| 00:07:24 |
- Why, Ferruccio? |
| 00:07:27 |
Like the ogre of Buchettino, worse! |
| 00:07:30 |
- Because he's a dunce! |
| 00:07:33 |
He's a lump of poo. |
| 00:07:35 |
- Yes! |
| 00:07:37 |
- You. |
| 00:07:38 |
- You. |
| 00:07:39 |
- You. |
| 00:07:41 |
- You. |
| 00:07:42 |
Worse! He's a traitor, tyrant, |
| 00:07:46 |
An assassin who killed |
| 00:07:50 |
In one single battle, |
| 00:07:53 |
12,000 is the population of Elba. |
| 00:07:56 |
Imagine our island deserted. |
| 00:07:59 |
King my foot, |
| 00:08:05 |
he'll be booed! |
| 00:08:08 |
Rotten cauliflower in his face! |
| 00:08:12 |
Dead cats and rotten onions! |
| 00:08:16 |
Good morning, sir. |
| 00:08:18 |
I warned you, Master Papucci... |
| 00:08:20 |
leave your political ideas |
| 00:08:24 |
- Are you unable to do that? |
| 00:08:29 |
I don't intend to make you suffer, |
| 00:08:32 |
so go outside with your ideas |
| 00:08:36 |
who are no longer. |
| 00:08:37 |
- Pupils? |
| 00:08:40 |
Leave. You can leave now. |
| 00:08:42 |
Forever? |
| 00:08:43 |
In aeternis. |
| 00:08:46 |
Okay. |
| 00:08:49 |
I thank you. |
| 00:08:52 |
Dear children... |
| 00:08:55 |
goodbye. |
| 00:08:56 |
Remember, rotten onions! |
| 00:09:01 |
Now, children, hands folded. |
| 00:09:04 |
"Salve regina, |
| 00:09:46 |
Come, Uncle Egisto |
| 00:09:52 |
May 18o 1814o |
| 00:09:57 |
At dawno |
| 00:10:00 |
anchored off the coast |
| 00:10:02 |
he set foot on the island |
| 00:10:11 |
I tooo wanted to look at his face... |
| 00:10:14 |
so I joined the crowd of fools |
| 00:10:19 |
with the blessing |
| 00:10:23 |
Grand Knight of Peckers. |
| 00:10:25 |
Welcomeo Your Majesty. |
| 00:10:27 |
I barely caught sight |
| 00:10:30 |
more foul than how it has been depicted |
| 00:10:37 |
The crowd is enthusiastic |
| 00:10:41 |
this places more blame on he |
| 00:10:46 |
The more they venerate |
| 00:10:51 |
the more I hate him. |
| 00:10:55 |
Good morning. |
| 00:10:58 |
- I said good morning. |
| 00:11:03 |
Most of the cargo has been loaded. |
| 00:11:07 |
- Did you see him? |
| 00:11:11 |
Are you ready? |
| 00:11:14 |
Brother, I'm confused. |
| 00:11:16 |
Are you setting sail or not? |
| 00:11:20 |
They should have cut off |
| 00:11:22 |
but instead they make him |
| 00:11:25 |
What does that have to do |
| 00:11:28 |
You're mixing work and politics. |
| 00:11:32 |
Tell me why! I'm an imbecile! |
| 00:11:35 |
I consider it philosophically |
| 00:11:40 |
Politics at the expense of others... |
| 00:11:43 |
removes you from duties |
| 00:11:47 |
Elsewhere, in the shop? |
| 00:11:48 |
You lost your job, you surround |
| 00:11:51 |
containing no trace of reality. |
| 00:11:53 |
- Let go of my arm! |
| 00:11:57 |
Is that a question or an order? |
| 00:11:59 |
If it's an order, let it be clear |
| 00:12:03 |
Understand? |
| 00:12:05 |
Holy Mary... |
| 00:12:08 |
Quietly! |
| 00:12:14 |
- Careful! |
| 00:12:17 |
Room service! Absurd! |
| 00:12:21 |
Careful! |
| 00:12:22 |
- Sorry. |
| 00:12:24 |
400 bottles of Aleatico wine, |
| 00:12:28 |
plus these bales of buckwheat. |
| 00:12:31 |
When your brother's ready, |
| 00:12:35 |
Martino won't go. |
| 00:12:37 |
You must go, Oreste. |
| 00:12:40 |
I know your wife is ill... |
| 00:12:43 |
My daughter gives birth |
| 00:12:46 |
- May I speak to you? |
| 00:12:49 |
So, it isn't possible? |
| 00:12:52 |
Master, if you command me... |
| 00:12:54 |
If you command him... |
| 00:12:57 |
You be quiet! |
| 00:12:59 |
Go on, I'll see you at the pier. |
| 00:13:02 |
So I'll have to set sail, |
| 00:13:05 |
Try to understand, I want to stay |
| 00:13:11 |
Are you fighting? |
| 00:13:13 |
Diamantina, your brother won't leave |
| 00:13:17 |
- Yes. |
| 00:13:19 |
but what does that matter? |
| 00:13:20 |
I don't feel like leaving |
| 00:13:24 |
I feel uneasy and wary, |
| 00:13:28 |
Marseilles, Genoa, Barcelona, |
| 00:13:32 |
- Some people would pay to do it. |
| 00:13:35 |
Don't you want to be a writer? |
| 00:13:38 |
New worlds, customs, traditions. |
| 00:13:41 |
A writer mustn't go |
| 00:13:44 |
he must be the eyes and voice |
| 00:13:48 |
I must stay here |
| 00:13:52 |
and bear witness to it. |
| 00:13:53 |
Uneasy and wary my foot, |
| 00:13:57 |
What do you know? |
| 00:13:58 |
That old, foul, |
| 00:14:02 |
- Quiet, you idiot! |
| 00:14:05 |
You're no Jacobin, |
| 00:14:09 |
and she's a whore! |
| 00:14:10 |
What are you saying, you idiot! |
| 00:14:13 |
- She's a Baroness, not a Countess. |
| 00:14:16 |
How dare you, you spinster! |
| 00:14:18 |
- How dare you? |
| 00:14:20 |
Don't you dare touch your sister! |
| 00:14:24 |
Dreadful rats! |
| 00:14:27 |
- You're nothing but beasts! |
| 00:14:32 |
So? |
| 00:14:34 |
Truce! Truce! |
| 00:14:36 |
- Truce! |
| 00:14:38 |
- Shame on us, we're siblings. |
| 00:14:44 |
What did dad say before he died? |
| 00:14:46 |
- I know. |
| 00:14:48 |
- "Be a mother to him". |
| 00:14:50 |
Both. |
| 00:14:52 |
- We love you... |
| 00:14:54 |
That's why we tell you |
| 00:14:58 |
acting as if you were |
| 00:15:01 |
- Two lumps of sod! |
| 00:15:04 |
Now be good, go pack, |
| 00:15:15 |
No. |
| 00:15:21 |
- Mirella? |
| 00:15:22 |
Put all his things in a sack... |
| 00:15:26 |
and place it outside |
| 00:15:29 |
but you're not staying |
| 00:15:31 |
- Ferrante... |
| 00:15:34 |
Do as he says, actually... |
| 00:15:38 |
I'll do it myself. |
| 00:15:40 |
Farewell! |
| 00:15:46 |
Ferrante... |
| 00:15:49 |
Martino... |
| 00:15:52 |
What a mess! |
| 00:16:05 |
Don't go. |
| 00:16:07 |
- Stop crying. |
| 00:16:08 |
Don't make things worse. |
| 00:16:10 |
- I'm not crying! |
| 00:16:13 |
Let's go! |
| 00:16:26 |
Farewell, brother. |
| 00:16:27 |
Goodbye! I'll miss you. |
| 00:16:31 |
Forgive me. |
| 00:16:54 |
Hurry up! |
| 00:17:27 |
Prepare yourselves! |
| 00:17:33 |
Arms to the right. |
| 00:17:37 |
Arms to the left. |
| 00:17:51 |
- Good morning, master teacher. |
| 00:17:55 |
Good morning anyway. |
| 00:18:02 |
Emilia? |
| 00:18:04 |
Emilia? |
| 00:18:06 |
- Mr. Martino. |
| 00:18:08 |
In an impossible mood! |
| 00:18:09 |
Notary Baccelli |
| 00:18:13 |
- She used unkind words with us. |
| 00:18:16 |
- You might want to return later. |
| 00:18:19 |
Not again? Please! |
| 00:18:23 |
That sea voyage was a nightmare, |
| 00:18:28 |
My grandmother used to say... |
| 00:18:30 |
"For us residents of Citta di Castello, |
| 00:18:34 |
I don't want to see anyone, |
| 00:18:40 |
I'll leave the tray and be off. |
| 00:18:43 |
Oh my! |
| 00:18:45 |
Oh my! |
| 00:18:47 |
I can't believe it's you! |
| 00:18:50 |
Welcome back. |
| 00:18:52 |
- Are you angry with me? |
| 00:18:54 |
I didn't inform you I had arrived. |
| 00:18:57 |
But I'm glad you're here, |
| 00:19:02 |
Me too. |
| 00:19:04 |
- I came to say I accept. |
| 00:19:07 |
Your proposal |
| 00:19:12 |
- What? |
| 00:19:14 |
You said I could tend the garden |
| 00:19:19 |
even in your absence. |
| 00:19:21 |
Emilia? |
| 00:19:23 |
- I accept. |
| 00:19:26 |
- Will you help me? |
| 00:19:30 |
The only thing I like |
| 00:19:32 |
Iofty petticoat |
| 00:19:35 |
while the cupolas are on display |
| 00:19:39 |
What did you want to tell me? |
| 00:19:41 |
You're so precious |
| 00:19:44 |
What did you have to tell me? |
| 00:19:47 |
My dear Martino, |
| 00:19:50 |
we simply can't. |
| 00:19:52 |
Why? |
| 00:19:54 |
When a relationship is over, |
| 00:19:58 |
Over? |
| 00:19:59 |
I'm sorry for throwing cold water |
| 00:20:03 |
She's arrived, |
| 00:20:08 |
we'll roll around on the bed |
| 00:20:14 |
Emilia! |
| 00:20:15 |
I liked it as much as you did. |
| 00:20:17 |
"He arrives, reads me his poetry |
| 00:20:21 |
we'll kiss each other all over... |
| 00:20:23 |
then I'll return |
| 00:20:26 |
asinine Bourbon husband in Naples". |
| 00:20:31 |
- Martino? |
| 00:20:33 |
Come here. |
| 00:20:35 |
Here I am. |
| 00:20:36 |
We're selling it all: |
| 00:20:40 |
- Selling, when? |
| 00:20:43 |
The Mayor of Porto Longone, |
| 00:20:47 |
is buying on behalf of His Majesty. |
| 00:20:49 |
For him, |
| 00:20:52 |
- Another sign? |
| 00:20:55 |
- Nothing. |
| 00:21:00 |
Don't make that gloomy face |
| 00:21:04 |
- Shall we toast with champagne? |
| 00:21:08 |
- I never expected this. |
| 00:21:11 |
I'll call for some champagne. |
| 00:21:16 |
So for you, I'm just... |
| 00:21:19 |
A fortnightly whim? |
| 00:21:21 |
A fortnightly whim... that's right. |
| 00:21:25 |
Since you're kind and good, |
| 00:21:31 |
- Of course. |
| 00:21:33 |
Don't bother suffering, |
| 00:21:38 |
Goodness, what do I think? |
| 00:21:40 |
For serious reasons, |
| 00:21:45 |
Goodbye! |
| 00:21:46 |
- You called? |
| 00:21:51 |
- Sincerity is wonderfulo Martino! |
| 00:21:53 |
I agree.? |
| 00:21:54 |
- Pig! |
| 00:21:56 |
You sure seized the opportunity! |
| 00:21:58 |
Your false, |
| 00:22:02 |
- And yours? |
| 00:22:05 |
Actually, a pathetic lie, for me! |
| 00:22:09 |
How humiliating! |
| 00:22:11 |
Emilia? |
| 00:22:12 |
- Leave! |
| 00:22:15 |
What's there to clarify, Casinoski? |
| 00:22:17 |
I had a Russian servant whom I called |
| 00:22:21 |
I know. |
| 00:22:23 |
What's there to clarify, |
| 00:22:27 |
I'm 21! |
| 00:22:28 |
I thought: "Next year my breasts |
| 00:22:32 |
then what'll I do, kill myself? |
| 00:22:35 |
I'll leave him so I won't suffer." |
| 00:22:39 |
Next year my foot, |
| 00:23:00 |
There are people waiting for me. |
| 00:23:20 |
"O goddess, |
| 00:23:24 |
to grievous memories |
| 00:23:28 |
and to a future |
| 00:23:47 |
I'll sleep here. |
| 00:23:53 |
Does anyone mind if I sleep here? |
| 00:23:56 |
I'll sleep here. |
| 00:23:59 |
It's nice. |
| 00:24:03 |
"Hear ye, hear ye, on this day... |
| 00:24:07 |
the Great Knight |
| 00:24:12 |
summons Master Martino Papucci... |
| 00:24:15 |
to present himself expeditiously |
| 00:24:20 |
at the Town Hall of Portoferraio." |
| 00:24:24 |
Are you Master Papucci? |
| 00:24:29 |
Cosimo Bartolini, are you deranged? |
| 00:24:32 |
I was appointed herald, |
| 00:24:36 |
- The Mayor awaits you. |
| 00:24:38 |
Is it true your brother set sail |
| 00:24:42 |
- Mind your own business. |
| 00:24:46 |
Now that Ferrante's at sea |
| 00:24:50 |
Diamantina is alone, |
| 00:24:53 |
I've always been fond of her. |
| 00:24:57 |
Be the personal librarian |
| 00:25:02 |
His Majesty seeks |
| 00:25:05 |
he can dictate his reflections to. |
| 00:25:08 |
The Mayor suggested my brother? |
| 00:25:10 |
The pay is rather lavish... |
| 00:25:12 |
there's also the privilege of being |
| 00:25:18 |
You don't know Martino, |
| 00:25:22 |
- Found him, may we see the Mayor? |
| 00:25:25 |
- Here he is. |
| 00:25:28 |
- Please. |
| 00:25:31 |
Come on in, please. |
| 00:25:33 |
Sir Mayor, I'll wait right here. |
| 00:25:39 |
Dearest Diamantina, see? |
| 00:25:41 |
- My goodness. |
| 00:25:45 |
Who would've guessed? |
| 00:25:47 |
It's the right moment... |
| 00:25:49 |
we're a state with an Emperor |
| 00:25:52 |
Hence, time to start a family... |
| 00:25:55 |
What are you saying? |
| 00:25:57 |
If I weren't me and they asked me... |
| 00:26:00 |
"What do you think of Diamantina |
| 00:26:02 |
I'd say: "Great match! |
| 00:26:05 |
For what? |
| 00:26:06 |
At the St. Anna feast, we danced... |
| 00:26:10 |
and I stepped on your gown, |
| 00:26:15 |
"Damn you, may you die!" |
| 00:26:17 |
- So? |
| 00:26:21 |
Very, very... |
| 00:26:23 |
yes, very good. |
| 00:26:26 |
Let's go give the good news |
| 00:26:31 |
- General? |
| 00:26:33 |
Master Papucci accepts |
| 00:26:39 |
Really? Well, welcome on board. |
| 00:26:42 |
I thank you, |
| 00:26:45 |
As you see, |
| 00:26:51 |
fishermen and farmers. |
| 00:26:53 |
You'll begin tomorrow, you may go. |
| 00:26:58 |
- General? |
| 00:27:02 |
- Martino, wait. |
| 00:27:05 |
Now, let's take care of... |
| 00:27:09 |
Wait! |
| 00:27:14 |
- You said yes? |
| 00:27:20 |
- Aren't you coming home? |
| 00:27:25 |
Martino... |
| 00:27:29 |
Woe is me... |
| 00:27:32 |
I remember when we were tots... |
| 00:27:34 |
you threw a rock at my nose, |
| 00:27:38 |
It was then I realized |
| 00:27:46 |
Good, don't respond hastily... |
| 00:27:49 |
important decisions |
| 00:27:53 |
What a woman! |
| 00:28:07 |
Maestro Fontanelli? |
| 00:28:10 |
Argus, where is your master? |
| 00:28:16 |
He translates Shakespeare! |
| 00:28:22 |
Maestro? |
| 00:28:24 |
- Maestro, how are you? |
| 00:28:27 |
- I must speak to you. |
| 00:28:30 |
Jacopo kills himself... |
| 00:28:32 |
for believing |
| 00:28:35 |
I think Jacopo |
| 00:28:39 |
the paladin of liberty |
| 00:28:43 |
Are we correcting books? |
| 00:28:47 |
Change the title too: "The Second |
| 00:28:50 |
Martino! |
| 00:28:53 |
You seem troubled, what happened? |
| 00:28:56 |
You were thrown out of your home, |
| 00:28:59 |
you dream of killing Napoleon. |
| 00:29:03 |
What did you come to tell me? |
| 00:29:06 |
Troubled? |
| 00:29:09 |
My recurring dream |
| 00:29:13 |
- and finally... |
| 00:29:19 |
My date of birth, |
| 00:29:22 |
is the same as Harmodius's, |
| 00:29:25 |
you pointed it out to me. |
| 00:29:28 |
Harmodius! Come now! |
| 00:29:32 |
Do not laugh, these are |
| 00:29:36 |
the gods are trying |
| 00:29:40 |
If gods did exist, |
| 00:29:42 |
sending signs to Martino Papucci |
| 00:29:47 |
Your head is full |
| 00:29:51 |
You're the one who put them there! |
| 00:29:54 |
You must not only love liberty, |
| 00:29:58 |
whoever he may be, |
| 00:30:01 |
"Since I love liberty, |
| 00:30:05 |
It sounds like |
| 00:30:10 |
Explain this rubbish to me, reason. |
| 00:30:15 |
Death to the tyrant... |
| 00:30:18 |
you once approved of this thought. |
| 00:30:21 |
Thoughts are thought, |
| 00:30:25 |
Damn it! |
| 00:30:27 |
I'm amazed at you, |
| 00:30:32 |
you lost a son, |
| 00:30:35 |
he has no tomb |
| 00:30:38 |
How dare you say such things, |
| 00:30:43 |
You think I'm bursting with pride... |
| 00:30:45 |
because the Emperor |
| 00:30:49 |
Think what you will, |
| 00:30:52 |
You've lived twenty years, |
| 00:30:56 |
to toss them upon the heap |
| 00:31:00 |
Go back to your family |
| 00:31:03 |
- The door is there, leave! |
| 00:31:07 |
- You've truly disappointed me. |
| 00:32:14 |
Is that you? You startled me! |
| 00:32:18 |
I came to get some books. |
| 00:32:21 |
Wait! |
| 00:32:23 |
Please, don't leave me alone! |
| 00:32:26 |
Don't leave me alone. |
| 00:32:29 |
- Why are you crying? |
| 00:32:37 |
My dear sistero |
| 00:32:41 |
father was right. |
| 00:32:43 |
You were more than a mother |
| 00:32:48 |
But for youo I was never a son |
| 00:32:54 |
Destiny has handed me |
| 00:32:58 |
which you'll learn of |
| 00:33:02 |
I don't expect your forgivenesso |
| 00:33:08 |
You're here, good thing! |
| 00:33:12 |
I'm leaving. |
| 00:33:18 |
- Good day. |
| 00:33:33 |
That which led to such a firm |
| 00:33:37 |
which never shined |
| 00:33:40 |
was the disdain |
| 00:33:43 |
for the bloodbath |
| 00:33:46 |
for having imposed |
| 00:33:49 |
upon each of us |
| 00:33:52 |
Furthermoreo for the Italian |
| 00:33:57 |
Henceo for all of this... |
| 00:34:01 |
I raise a castigatory hand |
| 00:34:05 |
What pretty words, |
| 00:34:11 |
As for your childreno |
| 00:34:15 |
I beg you to tell them their uncle |
| 00:34:21 |
With loveo your brother Martino. |
| 00:34:25 |
Yes, "immaculated", |
| 00:34:30 |
Not immaculated, immolated. |
| 00:34:36 |
Luigina, what does obliterate |
| 00:34:41 |
I have no time for such things. |
| 00:35:00 |
Good morning. |
| 00:35:04 |
I am Martino Papucci. |
| 00:35:09 |
- Sir, follow me, please. |
| 00:35:11 |
This way. |
| 00:35:16 |
His Majesty |
| 00:35:23 |
Come on. |
| 00:35:27 |
Please, this is the new librarian, |
| 00:35:30 |
Search him. |
| 00:35:38 |
That's not necessary. |
| 00:35:41 |
Go in. |
| 00:35:43 |
Please. |
| 00:35:46 |
- I'm only the librarian. |
| 00:35:57 |
I am Martino Papucci, |
| 00:36:02 |
Please, announce my presence. |
| 00:36:06 |
You've been announced, lad. |
| 00:36:12 |
You are requested to reorganize |
| 00:36:16 |
by era and topic... |
| 00:36:18 |
and to transcribe reflections. |
| 00:36:21 |
It's a tranquil task |
| 00:36:25 |
with your help, Marchino. |
| 00:36:28 |
Martino. |
| 00:36:30 |
- Nice name. |
| 00:36:32 |
Always have pen and paper in hand. |
| 00:36:39 |
You look at me? |
| 00:36:41 |
Is there something excessive? |
| 00:36:46 |
Is there something missing? |
| 00:36:49 |
Speak. |
| 00:36:55 |
More paunch, less hair? |
| 00:36:58 |
Eyes... do I still have eagle eyes? |
| 00:37:07 |
Between you and me... |
| 00:37:09 |
I don't believe |
| 00:37:16 |
Enough! |
| 00:37:17 |
In the morning, I will tend |
| 00:37:24 |
In the afternoon, |
| 00:37:29 |
It's past noon and I am hungry. |
| 00:37:32 |
Please, lemonade! |
| 00:37:36 |
Lemon stimulates the appetite |
| 00:37:45 |
Hence, the abdomen doesn't swell. |
| 00:37:56 |
- Leave now. |
| 00:38:04 |
Martino is my name! |
| 00:38:06 |
I even took off my hat! |
| 00:38:09 |
Would you announce me? |
| 00:38:13 |
Idiot! |
| 00:38:16 |
Moron! |
| 00:38:18 |
Imbecile! |
| 00:38:31 |
He didn't "oblisterate" |
| 00:38:54 |
Dish of the day, please. |
| 00:38:59 |
Today we have macaroni |
| 00:39:03 |
a delicious dish! |
| 00:39:05 |
- Well? |
| 00:39:08 |
- Did you see him? |
| 00:39:10 |
Him! What's he like? |
| 00:39:13 |
- What do you think he's like? |
| 00:39:16 |
Seems he wants |
| 00:39:19 |
Put in a good word for me... |
| 00:39:22 |
No need to, he'll enlist anyone, |
| 00:39:25 |
There'll be lots of work... |
| 00:39:27 |
he wants to build |
| 00:39:31 |
He'll bring public lighting, |
| 00:39:36 |
Since we're becoming |
| 00:39:39 |
we'll have to put on airs. |
| 00:39:41 |
- Bravo. |
| 00:39:42 |
Imperial power? |
| 00:39:47 |
That's an island too! |
| 00:39:51 |
You'll see how much money... |
| 00:39:54 |
traffic and commerce come our way. |
| 00:39:58 |
- It's a miracle! |
| 00:40:05 |
- Not eating? |
| 00:40:08 |
It's so delicious. |
| 00:40:11 |
- What happened? |
| 00:40:13 |
That's right. |
| 00:40:45 |
Where is it? |
| 00:40:48 |
Diamantina? |
| 00:40:54 |
Diamantina? |
| 00:40:56 |
- Yes? |
| 00:40:59 |
I don't know. |
| 00:41:00 |
You're obsessed |
| 00:41:03 |
I said I don't know. |
| 00:41:06 |
Why don't you look for it? |
| 00:41:09 |
You're always trying to take care |
| 00:41:58 |
- What did he say? |
| 00:42:02 |
Why doesn't that path |
| 00:42:06 |
Well actually... |
| 00:42:08 |
it's always been that way. |
| 00:42:10 |
Perhaps because |
| 00:42:14 |
while up here it's smooth. |
| 00:42:16 |
We'll blast through the rock, |
| 00:42:20 |
We'll straighten out the path. |
| 00:42:23 |
Pure genius! |
| 00:42:25 |
Genial! Genial! |
| 00:42:27 |
It'll take half a day less |
| 00:42:31 |
- Extraordinary. |
| 00:42:33 |
- How come you never thought of that? |
| 00:42:35 |
We never thought of that... |
| 00:42:38 |
Inspector, architect, surveyor... |
| 00:42:42 |
- descend... |
| 00:42:43 |
- Observe... |
| 00:42:45 |
- measure... |
| 00:42:46 |
and straighten the path! |
| 00:42:48 |
On the double! |
| 00:42:51 |
Aren't you going? |
| 00:42:54 |
Your Majesty, |
| 00:42:59 |
Hey, wait for me. |
| 00:43:54 |
There, got it! |
| 00:43:58 |
If it were clearer |
| 00:44:03 |
Corsica. |
| 00:44:10 |
My brothers and I would hunt |
| 00:44:13 |
to give to mother. |
| 00:44:32 |
Careful, step away from there... |
| 00:44:35 |
this wind is dangerous. |
| 00:44:39 |
I was looking for a pencil. |
| 00:44:47 |
It's true, our only happy moments |
| 00:44:53 |
but recalling them is sad. |
| 00:45:01 |
The day we lose our passion |
| 00:45:05 |
a passion for ourselves sets in... |
| 00:45:09 |
which leads us toward vanity... |
| 00:45:14 |
until death. |
| 00:45:27 |
Today's compendium? |
| 00:45:31 |
- Compendium? |
| 00:45:40 |
- "Blast through the rock..." |
| 00:45:45 |
"A throne is nothing |
| 00:45:49 |
Next one. |
| 00:45:51 |
"France will always be |
| 00:45:56 |
What else? |
| 00:45:57 |
Those who have intense |
| 00:46:01 |
Enough. Thank you. |
| 00:46:05 |
What's going on? |
| 00:46:08 |
Majesty, there's a crowd. |
| 00:46:12 |
The road is blocked... |
| 00:46:14 |
- we'll clear the way. |
| 00:46:17 |
It's market day. |
| 00:46:19 |
The market! |
| 00:46:21 |
Let us go to the market too. |
| 00:46:24 |
Come, Martino. |
| 00:46:47 |
Long live Napoleon, |
| 00:46:50 |
You blow them all away! |
| 00:46:54 |
Thank you. |
| 00:47:22 |
- May I? |
| 00:47:27 |
In France we call this "renette". |
| 00:47:31 |
- Two silver coins for a case. |
| 00:47:37 |
For you, they're free. |
| 00:47:42 |
For him, they're free. |
| 00:47:44 |
He's Napoleon! |
| 00:47:47 |
Down with the English, |
| 00:47:50 |
Look at the eyes of these people. |
| 00:47:54 |
They see the reflection |
| 00:47:57 |
and their desire to be uplifted. |
| 00:48:19 |
To sum up, |
| 00:48:23 |
or have the multitudes |
| 00:48:55 |
- Well? |
| 00:48:58 |
- Open up. |
| 00:49:01 |
You used to despise him, |
| 00:49:06 |
and you treat your family |
| 00:49:10 |
Fine, starve yourself! |
| 00:49:15 |
What is happening to me? |
| 00:49:17 |
I hesitate and waste opportunities... |
| 00:49:20 |
now even my objects are missing. |
| 00:49:22 |
It's as if the godso |
| 00:49:25 |
now enjoy cluttering my course |
| 00:49:28 |
Or perhaps |
| 00:49:31 |
I can do it... |
| 00:49:35 |
Dear Mary! Martino! |
| 00:49:37 |
Or perhaps they |
| 00:49:39 |
I must merely be prepared |
| 00:49:43 |
this time it'll be unequivocal |
| 00:00:17 |
- Where are we going? |
| 00:00:18 |
reconnaissance and boar hunting. |
| 00:00:43 |
I think the wind will help us. |
| 00:01:02 |
Grab the pans, dried codfish, |
| 00:01:06 |
Trackers and hunters this way! |
| 00:01:17 |
Beloved Majesty, notre soleil! |
| 00:01:20 |
Notary Bonci Baccelli, |
| 00:01:24 |
I yearn for your command! |
| 00:01:27 |
Let us go. |
| 00:01:30 |
Let us go. |
| 00:01:33 |
Your Majesty used to come here |
| 00:01:38 |
Sadly, it's true. |
| 00:01:41 |
Our only happy moments |
| 00:01:45 |
but recalling them is sad... |
| 00:01:48 |
because a passion for ourselves |
| 00:01:52 |
which leads us toward vanity... |
| 00:01:56 |
until death. |
| 00:02:01 |
That's the meaning of life |
| 00:02:06 |
I'm speechless! |
| 00:02:10 |
In position for hunting. |
| 00:02:12 |
On our way, mouths sealed |
| 00:02:16 |
As if the boars |
| 00:02:20 |
Two rifles are weighing you down, |
| 00:02:23 |
Thank you. |
| 00:02:25 |
Isn't that better? |
| 00:02:30 |
In position. |
| 00:02:32 |
Let the hunting begin, |
| 00:02:39 |
If you ask me, |
| 00:02:43 |
- The boars are approaching? |
| 00:02:46 |
The other night |
| 00:02:51 |
five heavy coffers, |
| 00:02:55 |
Yes. |
| 00:02:56 |
They were taken away on wagon |
| 00:02:59 |
I bet they're part of a secret plan |
| 00:03:04 |
Weapons? |
| 00:03:06 |
There's never been |
| 00:03:09 |
day and night, as you've noticed. |
| 00:03:11 |
I have. |
| 00:03:13 |
I'll go take a look. |
| 00:03:16 |
Beware of vipers. |
| 00:03:53 |
Why are you here? |
| 00:03:55 |
Boars... |
| 00:03:58 |
There are no boars. |
| 00:04:03 |
There are no boars. |
| 00:04:05 |
Positions are there. |
| 00:04:09 |
- The boars are down there. |
| 00:04:10 |
If there are any. |
| 00:04:12 |
The hunt is over. |
| 00:04:15 |
It's over. |
| 00:04:16 |
- I'd better take the rifle. |
| 00:04:20 |
Because... |
| 00:04:23 |
It's beyond meo Your Majesty... |
| 00:04:26 |
there's usually |
| 00:04:30 |
At least we got some fresh air, |
| 00:04:33 |
Aren't you hungry? |
| 00:04:38 |
I command the troops |
| 00:04:43 |
How funny! |
| 00:04:51 |
Your Supremacy, |
| 00:04:55 |
one of us, a rough and tough Tuscan |
| 00:04:59 |
Hurray! |
| 00:05:00 |
If Your Supremacy consents, |
| 00:05:05 |
about our passion for stomping turf |
| 00:05:10 |
- It's lovely. |
| 00:05:11 |
"At every minute of the day, |
| 00:05:15 |
one eye open, the other closed, |
| 00:05:19 |
with attentive ears we prowl, |
| 00:05:25 |
- When suddenly..." |
| 00:05:29 |
- You should write more, let's eat. |
| 00:05:34 |
Let's eat. |
| 00:05:35 |
- He liked it! |
| 00:05:41 |
Majesty, it's unbelievable, |
| 00:05:45 |
the boars ate evetything. |
| 00:05:47 |
Nothing works on this damn island! |
| 00:05:50 |
The bread, salami, |
| 00:05:53 |
While you were up there, |
| 00:06:02 |
Shoot him! |
| 00:06:07 |
Then we'll roast and eat him. |
| 00:06:20 |
He was kidding! |
| 00:06:22 |
He's so funny he slays me! |
| 00:06:33 |
Lovely... |
| 00:06:35 |
we're snacking together. |
| 00:06:38 |
How odd, we attribute grace |
| 00:06:44 |
and fierceness to the lion... |
| 00:06:47 |
yet they both devour live beings, |
| 00:06:53 |
What's the difference? |
| 00:06:59 |
Are you not writing? |
| 00:07:02 |
Should I write that the sparrow |
| 00:07:07 |
If you don't mind. |
| 00:07:09 |
You were speaking |
| 00:07:13 |
The two themes are connected. |
| 00:07:17 |
Nature says the strongest |
| 00:07:24 |
Write... |
| 00:07:25 |
During the crucial point of a battle, |
| 00:07:30 |
is sure to win... |
| 00:07:31 |
with no worries of fallen soldiers. |
| 00:07:37 |
What is it? |
| 00:07:39 |
How is that possible? |
| 00:07:41 |
I just told you. |
| 00:07:42 |
Position the troops |
| 00:07:45 |
How is it possible to not worry |
| 00:07:48 |
How is it possible to not worry |
| 00:07:55 |
War can be written about, |
| 00:07:59 |
What impedes us from considering |
| 00:08:04 |
Fear! It obliges us |
| 00:08:11 |
Woe is you if you write that. |
| 00:08:15 |
You cannot imagine the pride... |
| 00:08:20 |
and desperate joy |
| 00:08:24 |
- Thousands of people! |
| 00:08:28 |
Don't meddle in my anguish... |
| 00:08:29 |
stupid boy, how dare you! |
| 00:08:42 |
Evetything's fine, thank you Ali. |
| 00:08:47 |
I'm sorry... |
| 00:08:51 |
but I can't bear hearing you |
| 00:08:57 |
to my pain. |
| 00:09:01 |
Tell Marchand to bring some cognac. |
| 00:09:11 |
Have you forgiven me? |
| 00:09:14 |
Of course! Yes, yes. |
| 00:09:19 |
I've heard some rumors about you... |
| 00:09:22 |
about our little teacher... |
| 00:09:25 |
- You rascal! |
| 00:09:30 |
- Can I serve you? |
| 00:09:32 |
I hear she's rather beautiful. |
| 00:09:37 |
- Cheers. |
| 00:09:40 |
We're friends... |
| 00:09:45 |
You're quite the gentleman too. |
| 00:09:48 |
So you're a master in the classroom |
| 00:10:38 |
His mother and sister Paolina |
| 00:10:41 |
- They're so stylish. |
| 00:10:44 |
Silence. |
| 00:11:06 |
Mr. Papucci? |
| 00:11:07 |
Mr. Papucci? |
| 00:11:15 |
We could go eat |
| 00:11:19 |
Enough, don't overdo it. |
| 00:11:21 |
- Be happy that you took me to mass. |
| 00:11:26 |
Where's that madman going? |
| 00:11:30 |
Martino? |
| 00:11:31 |
- Some biscuits and sweet wine, why not? |
| 00:11:43 |
Where is she? |
| 00:11:55 |
Hello. |
| 00:11:57 |
- What a surprise! |
| 00:12:00 |
I just disembarked, |
| 00:12:03 |
Since I can't see you anymore, |
| 00:12:07 |
in your bed... |
| 00:12:09 |
with your books, toy soldiers... |
| 00:12:13 |
your wooden top! |
| 00:12:17 |
With your rag bear, how sweet! |
| 00:12:21 |
- What's its name? |
| 00:12:25 |
- May I keep it? |
| 00:12:28 |
Thank you. |
| 00:12:32 |
The cordial you requested. |
| 00:12:36 |
Thank you. |
| 00:12:44 |
You may leave, dear. |
| 00:12:48 |
- Close the door. |
| 00:12:52 |
Sweet thing, she's in love with you. |
| 00:12:55 |
- Who? |
| 00:12:58 |
Mirella? Oh, please! |
| 00:13:01 |
Listen to what |
| 00:13:05 |
"In war the best calculation |
| 00:13:10 |
An army is a sword |
| 00:13:14 |
- Read, it's amusing. |
| 00:13:19 |
That's absurd, I hate him. |
| 00:13:21 |
This is sweet: "Love is a folly |
| 00:13:26 |
He's a true expert |
| 00:13:31 |
not just a bloodthirsty strategist... |
| 00:13:33 |
he's also an expert of medicine, |
| 00:13:37 |
and noodle soup. |
| 00:13:40 |
Let's act out this folly, |
| 00:13:43 |
Make love? |
| 00:13:46 |
Yes. |
| 00:13:53 |
What's going on here? |
| 00:13:56 |
- Madam surprised me. |
| 00:13:59 |
Good evening. |
| 00:14:01 |
A surprise? You surprised me! |
| 00:14:03 |
- What manners! |
| 00:14:06 |
How dare you barge |
| 00:14:09 |
Someone who? |
| 00:14:10 |
Dear Madam, |
| 00:14:14 |
You're a rather boorish |
| 00:14:17 |
That's true. |
| 00:14:18 |
- You're a harlot! |
| 00:14:22 |
Who, me? I'm betrothed. |
| 00:14:25 |
- To whom? |
| 00:14:28 |
To him! |
| 00:14:30 |
Cosimo Bartolini? |
| 00:14:32 |
- But I thought that... |
| 00:14:34 |
He's not a winner, |
| 00:14:37 |
Especially once |
| 00:14:39 |
- Thank you. |
| 00:14:41 |
- Why? |
| 00:14:45 |
He wanted his mother's portrait |
| 00:14:48 |
she looks like a witch! |
| 00:14:51 |
Dearest Diamantina... |
| 00:14:53 |
excuse me, I'm thrilled |
| 00:14:57 |
Simmer down, |
| 00:15:01 |
go wait downstairs. |
| 00:15:02 |
Sure, we'll talk |
| 00:15:06 |
Downstairs, you half-witted dope! |
| 00:15:10 |
Take a seat. |
| 00:15:14 |
- You were saying about your husband? |
| 00:15:17 |
he's 80, remove the zero |
| 00:15:20 |
His mother still makes him soup |
| 00:15:25 |
- Horrific! Why not leave him? |
| 00:15:29 |
Better a poor husband, |
| 00:15:32 |
Or even a young handsome one |
| 00:15:35 |
It's true. |
| 00:15:36 |
But it's too late for me now, |
| 00:15:40 |
You're a rosebud! |
| 00:15:42 |
You've lost weight too. |
| 00:15:45 |
Out of sadness, seeing my home |
| 00:15:50 |
They've removed |
| 00:15:52 |
Enough whining, I'll leave now. |
| 00:15:56 |
Why don't you stay the night? |
| 00:15:59 |
I was invited to stay |
| 00:16:02 |
Head to Marciana at this hour, |
| 00:16:05 |
The sheets are fresh |
| 00:16:11 |
- Thank you. |
| 00:16:14 |
I'm honored to have made |
| 00:16:19 |
My respects. |
| 00:16:20 |
- Good night. |
| 00:16:22 |
- Martino, behave with the Baroness now. |
| 00:16:26 |
Why are you here? |
| 00:16:28 |
I was waiting for that chat |
| 00:16:32 |
when they make important decisions. |
| 00:16:34 |
Move it, you half-wit pinhead! |
| 00:16:39 |
Will you help me? |
| 00:16:43 |
Yes. Yes. |
| 00:16:51 |
Kiss me, this is our last time. |
| 00:16:57 |
Last time. |
| 00:17:08 |
This and this. |
| 00:17:14 |
Will the Baroness be needing this? |
| 00:17:17 |
Take it just in case. |
| 00:17:20 |
- Want a hand? |
| 00:17:46 |
Why are you still here? |
| 00:17:50 |
Go away! Pleaseo go away. |
| 00:18:15 |
I'll take them inside. |
| 00:18:24 |
Don't worry, I won't tell anyone. |
| 00:18:28 |
Thank you. |
| 00:18:31 |
You have to hold tight. |
| 00:18:54 |
Careful with the painting of Baron |
| 00:18:58 |
Okay, alright. |
| 00:19:04 |
Pascalina, hurry we're shivering! |
| 00:19:10 |
Do you know Martino and I |
| 00:19:13 |
Stop it. |
| 00:19:15 |
When I go back to Naples, |
| 00:19:20 |
Stop it. |
| 00:19:23 |
Isn't he delightful? |
| 00:19:26 |
- Do you know why? |
| 00:19:28 |
Because he despises Napoleon. |
| 00:19:32 |
- Enough, what does she care? |
| 00:19:37 |
Pascalina is Corsican, |
| 00:19:44 |
What can I say? |
| 00:19:47 |
I loved him like a son. |
| 00:19:54 |
Sit down, |
| 00:20:00 |
What was he like? |
| 00:20:03 |
A lad who was obedient, kind... |
| 00:20:09 |
and very sad. |
| 00:20:14 |
Many a night |
| 00:20:18 |
because he cried in his sleep. |
| 00:20:21 |
- How old was he? |
| 00:20:26 |
But through the years, |
| 00:20:32 |
When his father, hoping |
| 00:20:36 |
for having supported |
| 00:20:39 |
decided to send him |
| 00:20:44 |
he was devastated. |
| 00:20:48 |
He was 16... |
| 00:20:52 |
he didn't want to go! |
| 00:20:56 |
He was afraid |
| 00:21:01 |
He was ashamed |
| 00:21:07 |
Poor thing! |
| 00:21:19 |
I'll bring more water. |
| 00:21:37 |
Blockhead! |
| 00:21:39 |
Piece of shit! |
| 00:21:41 |
Martino! |
| 00:21:43 |
- What happened? |
| 00:21:45 |
Bastard, how can you say such a thing |
| 00:21:50 |
- Not the onions! |
| 00:21:53 |
- Diamantina, what happened? |
| 00:21:57 |
We don't know that, |
| 00:22:00 |
With that moronic smile! |
| 00:22:04 |
hope Ferrante's all right." |
| 00:22:07 |
- He was laughing! |
| 00:22:11 |
- I'm sure they're not all dead. |
| 00:22:15 |
- Miserable! |
| 00:22:16 |
- Miserable! Idiot! |
| 00:22:21 |
- Relax. |
| 00:22:22 |
Evetything is fine. |
| 00:22:23 |
That man brought a curse |
| 00:22:26 |
- Me? |
| 00:22:30 |
- N? |
| 00:22:34 |
Who gave you the news? |
| 00:22:36 |
Sailors from Livorno |
| 00:22:38 |
they found the Santa Marina |
| 00:22:42 |
the lifeboat was gone... |
| 00:22:46 |
- Laughing! |
| 00:22:49 |
One disgrace after another, |
| 00:22:53 |
Why? What does Mirella do? |
| 00:22:55 |
She doesn't want to stay here, |
| 00:23:00 |
this morning at dawn. |
| 00:23:02 |
- Why? |
| 00:23:06 |
Calm down. |
| 00:23:08 |
- Calm down. |
| 00:23:15 |
What? |
| 00:23:16 |
It's my fault, |
| 00:23:19 |
- It would've been the same. |
| 00:23:22 |
- See, he's laughing! He's laughing! |
| 00:23:24 |
I'm trying to lift your spirits, |
| 00:23:28 |
Now that we're engaged, |
| 00:23:31 |
Engaged my foot, |
| 00:23:34 |
I've changed my mind. |
| 00:23:37 |
Laugh now you moron! |
| 00:23:41 |
She dumped me? |
| 00:23:46 |
She dumped me! |
| 00:23:48 |
Goodness, my heart... |
| 00:25:05 |
- No, no, no. |
| 00:25:06 |
Carry on. |
| 00:25:08 |
I'd better not, I'll ruin it. |
| 00:25:13 |
How proud I was |
| 00:25:16 |
Beethoven composed it for me. |
| 00:25:19 |
- Actually... |
| 00:25:25 |
Then he changed his mind, |
| 00:25:30 |
Many... |
| 00:26:04 |
Write it down. |
| 00:26:08 |
What? |
| 00:26:10 |
Napoleon cries. |
| 00:26:14 |
Write that? |
| 00:26:17 |
Yes, son, we'll let everybody know! |
| 00:26:21 |
Write... |
| 00:26:24 |
On January 23, 1815... |
| 00:26:28 |
Napoleon Bonaparte |
| 00:26:31 |
reformed, remorseful... |
| 00:26:34 |
no, repentant, write repentant |
| 00:26:38 |
Don't write that's that. |
| 00:26:41 |
Alright. |
| 00:26:55 |
You bring out the sincerity in me. |
| 00:26:59 |
- Ad posteritati notum 'facer'. |
| 00:27:03 |
Right! Facere. |
| 00:27:06 |
Latin rouses the anguish |
| 00:27:12 |
There's a notebook |
| 00:27:17 |
Thank you. |
| 00:27:26 |
"I'm always surrounded by men... |
| 00:27:29 |
I abandon myself... |
| 00:27:31 |
to the impetus of my dolefulness. |
| 00:27:37 |
Which way is it facing? |
| 00:27:39 |
Toward death." |
| 00:27:43 |
Toward death! |
| 00:27:46 |
I was 17 and I wanted to die. |
| 00:27:51 |
I was hateful! |
| 00:27:54 |
I was ridiculous |
| 00:28:01 |
I hated them all. |
| 00:28:05 |
I hated France. |
| 00:28:08 |
- I should write this. |
| 00:28:13 |
No, write: |
| 00:28:18 |
No, no, no. |
| 00:28:24 |
I'm hungry, let's have a snack. |
| 00:28:29 |
Damn! |
| 00:28:31 |
Am I still the traitor |
| 00:28:35 |
even though I'm now convinced |
| 00:28:42 |
Sit down. |
| 00:28:45 |
Doesn't repentance count? |
| 00:28:49 |
Should it be content with itself? |
| 00:28:54 |
I can tell you're thinking |
| 00:28:58 |
Say it. |
| 00:29:00 |
You can't expect repentance |
| 00:29:06 |
That is true... |
| 00:29:10 |
my friend. |
| 00:29:13 |
- Aren't you hungry? |
| 00:29:18 |
Watch. |
| 00:29:28 |
Sorry. |
| 00:29:34 |
Alright. Thank you. |
| 00:29:37 |
I guess his Majesty would like to attend |
| 00:29:43 |
Please, Campbell. |
| 00:29:46 |
Please. |
| 00:29:54 |
I adore my guardian! |
| 00:29:58 |
Colonel Campbell, I adore him! |
| 00:30:04 |
- Grab today's work. |
| 00:30:20 |
I heard about your brother... |
| 00:30:23 |
I had a message sent |
| 00:30:27 |
Thank you! |
| 00:30:29 |
Evetything will be fine. |
| 00:30:32 |
I hope so. |
| 00:30:33 |
- I'll write a few words to my wife. |
| 00:30:37 |
I have a wife |
| 00:30:42 |
I'd like my son here, not her. |
| 00:30:47 |
He's beautiful and blond. |
| 00:30:50 |
I wonder what language he speaks, |
| 00:31:04 |
See you tomorrow, Majesty. |
| 00:31:31 |
What is it? |
| 00:31:32 |
I thought I saw... |
| 00:31:35 |
What is it? Who's there? |
| 00:31:42 |
- Come on! |
| 00:31:43 |
- Alert! |
| 00:31:51 |
What were you going to do? |
| 00:31:53 |
Murder! Murder!? |
| 00:31:59 |
Let's take him.? |
| 00:32:12 |
Call all guards!? |
| 00:32:29 |
Come on, don't do that. |
| 00:32:33 |
Don't think about it. |
| 00:32:37 |
I'm sorry, Emilia. |
| 00:32:39 |
I got him arrested. |
| 00:32:42 |
Martino. |
| 00:32:45 |
My teacher! |
| 00:32:49 |
Damn me! |
| 00:32:52 |
Madame? We have a visitor... |
| 00:32:57 |
My God. |
| 00:32:59 |
My friend! |
| 00:33:02 |
I was searching for you. |
| 00:33:06 |
- Ali told me. |
| 00:33:09 |
It's only mother of pearl, but it's |
| 00:33:13 |
this old shell of a king. |
| 00:33:18 |
Heavens! |
| 00:33:20 |
I come bearing trinkets |
| 00:33:27 |
Please excuse the invasion... |
| 00:33:30 |
it's an old habit of mine... |
| 00:33:39 |
I'm honored by your presence. |
| 00:33:45 |
- Majesty? |
| 00:33:49 |
I know the person |
| 00:33:53 |
I know... |
| 00:33:54 |
and I know you care for him. |
| 00:33:58 |
He's an exceptional person. |
| 00:34:01 |
- He lost his son in... |
| 00:34:06 |
What will you do to him? |
| 00:34:09 |
Poor thing, |
| 00:34:12 |
Nothing. The war is over. |
| 00:34:15 |
No more death, no more blood. |
| 00:34:18 |
- Am I right? |
| 00:34:24 |
Thank you. |
| 00:34:27 |
My God. |
| 00:34:39 |
How are you? |
| 00:34:40 |
Fine, thank God! |
| 00:34:44 |
I never stopped thinking about you. |
| 00:34:48 |
Dearest Pascalina... |
| 00:34:51 |
you've always been in my heart. |
| 00:34:56 |
What honor. |
| 00:35:18 |
Ferrante! |
| 00:35:20 |
Ferrante! |
| 00:35:24 |
Easy there! |
| 00:35:26 |
We were so worried about you! |
| 00:35:29 |
You crushed me! |
| 00:35:34 |
Big brother! |
| 00:35:37 |
- Little brother. |
| 00:35:40 |
but you look nice with a beard. |
| 00:35:43 |
Let's go home. |
| 00:35:45 |
Dearest Ferrante, |
| 00:35:50 |
- Bartolini, why the kisses? |
| 00:35:54 |
Now's not the time! |
| 00:35:56 |
- Alright. |
| 00:35:57 |
- Can I carry your bag? |
| 00:36:03 |
- What's this about "we're family"? |
| 00:36:07 |
- It's not set in stone! |
| 00:36:13 |
At one point, |
| 00:36:16 |
we get up and shout out "help"! |
| 00:36:19 |
Nothing, we were on our last legs. |
| 00:36:22 |
When we'd lost hope, |
| 00:36:26 |
We were elated, |
| 00:36:29 |
They were pirates! |
| 00:36:30 |
The same thing happened |
| 00:36:35 |
They sent us below deck, four days |
| 00:36:40 |
we arrive in Algiers. You should see |
| 00:36:43 |
Nice! |
| 00:36:45 |
Even if it was terrifying, |
| 00:36:49 |
and sold us to a merchant, |
| 00:36:51 |
a good man! |
| 00:36:53 |
He made us unload bales |
| 00:36:56 |
but we ate well together... |
| 00:36:59 |
there were musicians and dancers... |
| 00:37:02 |
what beauties... |
| 00:37:04 |
The famous bayadere beauties, right? |
| 00:37:06 |
- Would you shut up! |
| 00:37:11 |
- Who decided he's family now? |
| 00:37:15 |
Brother, an experience |
| 00:37:19 |
- Write! |
| 00:37:29 |
It means "My love, I love you." |
| 00:37:32 |
What were you up to? |
| 00:37:37 |
Shut up, |
| 00:37:41 |
What's going on outside? |
| 00:37:43 |
Everybody's running toward |
| 00:38:11 |
In positions!? |
| 00:38:25 |
Present arms!? |
| 00:38:32 |
Brogi? |
| 00:38:34 |
Falaschi? |
| 00:38:36 |
Foresi? |
| 00:38:38 |
The son of Beppe the miller. |
| 00:38:41 |
- What's your name? |
| 00:38:44 |
- Stop it. |
| 00:38:45 |
Aren't you ashamed? |
| 00:38:47 |
- The condemned cannot speak. |
| 00:38:50 |
- He told us to be ashamed. |
| 00:38:52 |
You start off as bootlickers |
| 00:38:57 |
Look who's talking, Maestro, |
| 00:38:59 |
Don't call me Maestro! |
| 00:39:03 |
We shouldn't kill anyone, |
| 00:39:08 |
- Silence! Shut up! |
| 00:39:10 |
Look at the good he's done to me. |
| 00:39:12 |
You asked for it! |
| 00:39:16 |
I agree with him, |
| 00:39:19 |
Tell it to those cowards. |
| 00:39:21 |
I repeated the right ideas to you |
| 00:39:25 |
but you have heads |
| 00:39:29 |
- Stop it! Stay back! |
| 00:39:33 |
He can't speak! |
| 00:39:34 |
You think shooting people |
| 00:39:37 |
- We do it if it's necessary! |
| 00:39:40 |
Obey your commander, |
| 00:39:44 |
- Slaves! |
| 00:39:48 |
Do as he commands, you duffers! |
| 00:39:51 |
Shoot, you animals, you beasts! |
| 00:39:55 |
Ass-kissers! |
| 00:39:57 |
What are you waiting? |
| 00:39:59 |
Shoot! |
| 00:40:07 |
Happy now? |
| 00:40:16 |
Maestro, did you get |
| 00:40:28 |
No!? |
| 00:40:30 |
No!? |
| 00:40:33 |
Damn you all! |
| 00:40:36 |
Assassins! |
| 00:40:41 |
Traitor! |
| 00:40:43 |
Assassin! |
| 00:40:45 |
Assassin! Assassin! |
| 00:42:25 |
Death to the tyrant. |
| 00:42:28 |
Long live freedom. |
| 00:42:34 |
He fled... |
| 00:42:36 |
He fled! |
| 00:42:38 |
He fled! |
| 00:42:42 |
Where is he? |
| 00:42:45 |
Where is he? |
| 00:42:48 |
Where is he? |
| 00:42:51 |
Damn him, he pretended he'd construct |
| 00:42:57 |
Champagne for two! |
| 00:43:51 |
Dearest Martino... |
| 00:43:54 |
I've longed to write you every day |
| 00:43:58 |
so much time has passed... |
| 00:44:00 |
who knows how much longer |
| 00:44:07 |
I allowed myself to be conquered |
| 00:44:10 |
because I was certain |
| 00:44:13 |
You fell for it tooo don't deny it. |
| 00:44:15 |
That man is conquered |
| 00:44:18 |
- Enough, I'm getting soaked. |
| 00:44:22 |
You're subordinate, get soaked. |
| 00:44:24 |
- Get off your high horse! |
| 00:44:30 |
Boss, all set, |
| 00:44:36 |
- Go then. |
| 00:44:38 |
- So get wet. |
| 00:44:41 |
- Go! |
| 00:44:45 |
After we fled from Elba... |
| 00:44:48 |
in 100 days he formed an army... |
| 00:44:51 |
he wono torchedo killed... |
| 00:44:53 |
he was defeatedo |
| 00:44:58 |
let's hope it's forever this time. |
| 00:45:00 |
But meanwhileo |
| 00:45:03 |
The load for Porto Longone |
| 00:45:06 |
Good job. |
| 00:45:08 |
Very well, good. |
| 00:45:09 |
I've just finished chapter 54... |
| 00:45:12 |
the arrival in Algiers. |
| 00:45:14 |
- What chapter did you read up to? |
| 00:45:17 |
Bravo, thank you. |
| 00:45:18 |
18 pages. |
| 00:45:20 |
Last night I wrote about |
| 00:45:24 |
You're blocking my flow. |
| 00:45:26 |
Talk to me later. |
| 00:45:29 |
Here. Martino? |
| 00:45:31 |
Remember, |
| 00:45:35 |
I've written 300 pages |
| 00:45:39 |
We'll make another trip |
| 00:45:43 |
You handle it, |
| 00:45:46 |
I'll come for the pages later. |
| 00:45:50 |
"Suddenly, a vessel so grand |
| 00:45:56 |
A grand vessel." |
| 00:45:59 |
My Waterloo |
| 00:46:03 |
If we crossed pathso |
| 00:46:08 |
I have gray hairs |
| 00:46:13 |
I'll take that. |
| 00:46:16 |
Give me him, you'll scare him. |
| 00:46:20 |
He's mine too. Darling? |
| 00:46:22 |
Isn't he the spitting image |
| 00:46:27 |
- You're sick, you half-wit. |
| 00:46:31 |
When I feel sado I hope |
| 00:46:36 |
my dear Martino. |
| 00:46:37 |
I hope you've grown bald |
| 00:46:42 |
If you write backo |
| 00:46:46 |
Actuallyo there's no need to reply. |
| 00:46:49 |
Let's forget about it and remain |
| 00:46:55 |
Farewello Emilia. |
| 00:47:05 |
How nice, breakfast in bed! |
| 00:47:09 |
Thank you. |
| 00:47:15 |
- Did you sleep well? |
| 00:47:20 |
You can feel him now. |
| 00:47:22 |
He can't wait to get out. |
| 00:47:25 |
How odd. |
| 00:47:27 |
Where was it again? |
| 00:47:30 |
Your sister found it |
| 00:47:34 |
Odd! |
| 00:47:37 |
I'm so happy! |
| 00:47:40 |
Really, really happy! |
| 00:48:21 |
GIORGIO FONTANELLI |
| 00:48:33 |
Goodbye, Maestro. |
| 00:49:23 |
"He felt destiny imposed |
| 00:49:26 |
a definitive task." |
| 00:49:28 |
"He said goodbye to his family |
| 00:49:31 |
but he got there too late." |
| 00:49:35 |
IT WAS MAY 6, 1821 |
| 00:49:42 |
"...MAN IS NOT RESPECTED |
| 00:49:45 |
BUT FOR HOW MANY TYRANT'S SCALPS |
| 00:50:16 |
Ripleyen: OLDBOY |
