|
Nachts Wenn Dracula Erwacht
|
| 00:01:24 |
(Ringing Bell) |
| 00:01:48 |
Please. |
| 00:01:50 |
Thank you. |
| 00:01:57 |
(Train whistle) |
| 00:02:32 |
Excuse me. |
| 00:02:33 |
You do speak English? |
| 00:02:36 |
A little. |
| 00:02:37 |
But please speak slowly. |
| 00:02:39 |
Does this train |
| 00:02:41 |
stop in Bistritz? |
| 00:02:43 |
Yes, I go there myself. |
| 00:02:45 |
Well, thank goodness for that. |
| 00:02:48 |
Do you live near Bistritz? |
| 00:02:51 |
I'm traveling there |
| 00:02:52 |
on business. |
| 00:02:54 |
Oh. So am I. |
| 00:02:55 |
I'm a lawyer |
| 00:02:56 |
or rather I hope |
| 00:02:58 |
from London. |
| 00:02:59 |
(Whistle) |
| 00:03:01 |
From London. |
| 00:03:03 |
I'm going there to |
| 00:03:06 |
Maybe you know him, |
| 00:03:07 |
Count Dracula? |
| 00:03:13 |
Do you know him? |
| 00:03:16 |
My dear sir, |
| 00:03:18 |
may God preserve you |
| 00:03:19 |
because if you go to |
| 00:03:23 |
You may need God's help. |
| 00:04:21 |
Are you the Englishman... |
| 00:04:23 |
We have strict orders from |
| 00:04:25 |
A place has been |
| 00:04:27 |
on the stage coach tomorrow. |
| 00:04:30 |
And the Count's own |
| 00:04:32 |
at the Borgo's Pass. |
| 00:04:34 |
Vladimir. |
| 00:04:36 |
I s anything the matter? |
| 00:04:37 |
Oh. No. Sir. |
| 00:04:38 |
Your bedroom is ready upstairs |
| 00:04:40 |
and we have prepared |
| 00:04:43 |
Thank you. |
| 00:04:46 |
But I'm feeling very tired. |
| 00:04:48 |
I'll be going to bed early. |
| 00:04:50 |
Very good, sir. |
| 00:04:57 |
(Howling) |
| 00:05:09 |
(Thunder) |
| 00:05:46 |
(Loud Thunder) |
| 00:05:49 |
Who is it? |
| 00:06:00 |
What do you want? |
| 00:06:02 |
Excuse me. Sir. |
| 00:06:03 |
I wanted to talk to you |
| 00:06:04 |
but my husband |
| 00:06:07 |
But tomorrow. |
| 00:06:08 |
Tomorrow night, |
| 00:06:09 |
is St. George's night. |
| 00:06:12 |
What of it? |
| 00:06:13 |
Oh. When the clock |
| 00:06:17 |
all the evils of the |
| 00:06:21 |
Sir. Do know |
| 00:06:25 |
or what you are going to...? |
| 00:06:26 |
Greta? |
| 00:06:27 |
I must go. |
| 00:07:03 |
Good morning. |
| 00:07:05 |
Well. I rather |
| 00:07:08 |
I chose other company sir. |
| 00:07:10 |
Why do you look at |
| 00:07:19 |
Why does everybody |
| 00:07:21 |
Because tonight |
| 00:07:23 |
is St. George's night |
| 00:07:25 |
and... |
| 00:07:27 |
And what else? |
| 00:07:29 |
They know your destination. |
| 00:08:05 |
Excuse me. |
| 00:08:06 |
How far is it to |
| 00:08:10 |
We'll be there by nightfall. |
| 00:08:13 |
And from the Pass to |
| 00:08:16 |
You'd best ask |
| 00:08:19 |
To tell the truth. |
| 00:08:20 |
I've never seen the place, |
| 00:08:23 |
and please God I never shall. |
| 00:09:03 |
This is the Borgo's Pass. |
| 00:09:09 |
May God protect you sir. |
| 00:09:38 |
(Sound of carriage arriving) |
| 00:10:03 |
The night is cold |
| 00:10:04 |
and my master, the Count, |
| 00:10:05 |
bade me take all care of you. |
| 00:10:08 |
No thank you, I don't need it. |
| 00:10:11 |
As you wish |
| 00:10:12 |
but it gives both warmth |
| 00:10:15 |
and courage. |
| 00:10:50 |
(Howling) |
| 00:11:38 |
(Growling) |
| 00:14:09 |
Welcome to my house. |
| 00:14:11 |
Count Dracula? |
| 00:14:13 |
I am Dracula. |
| 00:14:14 |
Enter freely |
| 00:14:16 |
and of your own will. |
| 00:14:43 |
It is late |
| 00:14:44 |
and my servants |
| 00:14:47 |
I will see to your |
| 00:15:11 |
You will need to refresh |
| 00:15:14 |
I trust that you will find |
| 00:15:26 |
I shall await your pleasure. |
| 00:16:01 |
You do not dine sir? |
| 00:16:03 |
I've already dined. |
| 00:16:05 |
I hope you'll find |
| 00:16:08 |
The purchase document, |
| 00:16:09 |
duly receipted, |
| 00:16:11 |
the title deed to the house. |
| 00:16:13 |
The plans. |
| 00:16:16 |
The house is in poor condition |
| 00:16:17 |
but it stands back well away |
| 00:16:21 |
Completely isolated, |
| 00:16:22 |
just as you required. |
| 00:16:24 |
It is strongly built |
| 00:16:25 |
but it has remained empty |
| 00:16:28 |
Yes. |
| 00:16:30 |
Yes, an empty house, |
| 00:16:32 |
it is exactly what I require. |
| 00:16:37 |
Have you lived here |
| 00:16:40 |
All my life. |
| 00:17:06 |
Your wife? |
| 00:17:07 |
No, I'm not married yet |
| 00:17:09 |
but the lady on the |
| 00:17:12 |
And the other? |
| 00:17:13 |
Ms. Lucy Westenra, |
| 00:17:15 |
her closest friend. |
| 00:17:17 |
Charming. |
| 00:17:19 |
Thank you. |
| 00:17:22 |
Forgive me for asking sir, |
| 00:17:23 |
but why do you plan |
| 00:17:29 |
I am not young |
| 00:17:31 |
and yet I am restless. |
| 00:17:33 |
And what about |
| 00:17:36 |
It is, I presume, |
| 00:17:38 |
the family home? |
| 00:17:41 |
True. |
| 00:17:43 |
The shadows of |
| 00:17:50 |
We are the second Magyars |
| 00:17:53 |
we have a right to be proud. |
| 00:17:56 |
For in us |
| 00:17:57 |
flows the blood |
| 00:17:59 |
the blood of a Attila |
| 00:18:01 |
is in these veins. |
| 00:18:03 |
To us was entrusted |
| 00:18:06 |
the guardian of our lands. |
| 00:18:10 |
The Lombard. |
| 00:18:11 |
The Bulgar, |
| 00:18:13 |
the Turk. |
| 00:18:14 |
Poured their thousands |
| 00:18:16 |
we drove them back. |
| 00:18:19 |
The Dracula's have ever been |
| 00:18:24 |
The sword of our people. |
| 00:18:27 |
One of my race |
| 00:18:30 |
and destroyed |
| 00:18:33 |
Though sometimes beaten back |
| 00:18:35 |
he came again and again |
| 00:18:37 |
against the enemy |
| 00:18:39 |
til at the end |
| 00:18:41 |
from the bloody field, |
| 00:18:43 |
for he alone could triumph. |
| 00:18:46 |
This was a Dracula indeed. |
| 00:18:54 |
But now. |
| 00:18:56 |
The wind blows coldly |
| 00:18:59 |
through the |
| 00:19:03 |
Although this is my home, |
| 00:19:06 |
I must move on. |
| 00:19:08 |
I don't regret my journey, |
| 00:19:11 |
but surely the post might |
| 00:19:15 |
and far cheaper. |
| 00:19:20 |
If I am to begin a new life |
| 00:19:23 |
in a new land |
| 00:19:25 |
I must learn something |
| 00:19:26 |
of its people |
| 00:19:28 |
from such as yourself. |
| 00:19:31 |
You are my honored guest. |
| 00:19:34 |
(Howling) |
| 00:19:40 |
Listen to them. |
| 00:19:42 |
The children of the night, |
| 00:19:46 |
what music they make. |
| 00:19:58 |
But you are weary, |
| 00:19:59 |
you shall sleep late. |
| 00:20:02 |
You are most gracious |
| 00:20:04 |
but my employers, |
| 00:20:05 |
expect me back in London. |
| 00:20:08 |
We shall see. |
| 00:20:10 |
But for now you are |
| 00:20:12 |
Nay, at my command. |
| 00:20:21 |
Come. |
| 00:20:29 |
Do you enjoy the |
| 00:20:32 |
I've never had |
| 00:20:34 |
The greatest of all sports, |
| 00:20:36 |
you have the power |
| 00:20:39 |
over a living being. |
| 00:20:48 |
Good night, Mr. Harker. |
| 00:22:12 |
(Bat screeching) |
| 00:23:45 |
You are first |
| 00:23:47 |
and we shall follow. |
| 00:23:50 |
Yours is the right to begin. |
| 00:23:53 |
He is young and strong. |
| 00:23:56 |
There are kisses for us all. |
| 00:24:04 |
Back! |
| 00:24:09 |
This man belongs to me. |
| 00:24:11 |
He is ours. |
| 00:24:12 |
We found him first. |
| 00:24:13 |
(Baby crying) |
| 00:28:35 |
(Whispering) |
| 00:28:38 |
Jonathan. |
| 00:28:41 |
Jonathan. |
| 00:28:44 |
Jonathan. |
| 00:28:47 |
Jonathan. |
| 00:28:50 |
Jonathan. |
| 00:28:53 |
This rman belongs to rme. |
| 00:28:56 |
(Screarm) |
| 00:29:17 |
Good morning. |
| 00:29:28 |
Where am I? |
| 00:29:32 |
Who are you? |
| 00:29:34 |
I am Dr. Seward |
| 00:29:36 |
and this is Professor |
| 00:29:38 |
not far from London. |
| 00:29:41 |
How did I get here? |
| 00:29:44 |
Your body was found |
| 00:29:47 |
two hundred kilometers |
| 00:29:52 |
But what of Count Dracula? |
| 00:29:58 |
I escaped from his castle, |
| 00:30:00 |
but he followed me with the |
| 00:30:02 |
giant bats, |
| 00:30:06 |
with great teeth, |
| 00:30:08 |
waiting to draw blood. |
| 00:30:12 |
I didn't dream it. |
| 00:30:14 |
The bats were real. |
| 00:30:16 |
As big as men. |
| 00:30:18 |
Why don't you believe me? |
| 00:30:26 |
What are you doing? |
| 00:30:44 |
Have you made inquiries? |
| 00:30:47 |
This young Englishman, |
| 00:30:48 |
Jonathan Harker. |
| 00:30:49 |
Had been reported |
| 00:30:51 |
Some friends of his are |
| 00:30:53 |
to identify him and |
| 00:30:55 |
I see. |
| 00:30:56 |
Did he speak? |
| 00:30:57 |
A little. Not much. |
| 00:30:59 |
He kept mumbling something |
| 00:31:00 |
about a certain Count Dracula. |
| 00:31:06 |
Dracula? |
| 00:31:07 |
(Screarms in background) |
| 00:31:11 |
That's Renfield again. |
| 00:31:13 |
See to it. |
| 00:31:14 |
Yes. Professor. |
| 00:33:18 |
Good morning Renfield. |
| 00:33:25 |
What is it Renfield. Hmm? |
| 00:33:28 |
Renfield. |
| 00:33:30 |
Nobody's going to hurt you. |
| 00:33:47 |
What is it Renfield? |
| 00:33:51 |
Ah, yes, somebody's |
| 00:33:54 |
It's been empty long enough. |
| 00:33:57 |
Renfield. |
| 00:33:59 |
Nobody's going to hurt you. |
| 00:34:08 |
Let him be. |
| 00:34:09 |
I'll see him again later. |
| 00:35:24 |
Miss Murray? |
| 00:35:25 |
Yes? |
| 00:35:27 |
I was ordered to |
| 00:35:29 |
This way please. |
| 00:35:41 |
Van Helsing's Clinic. |
| 00:35:43 |
Drive on. |
| 00:36:14 |
(Dog barking) |
| 00:36:17 |
Mina look. What's that? |
| 00:36:24 |
Silly. |
| 00:36:43 |
Professor Helsing's |
| 00:36:47 |
I'll take care of the luggage. |
| 00:36:49 |
Thank you. |
| 00:37:09 |
Jonathan. |
| 00:37:11 |
Jonathan. |
| 00:37:14 |
Jonathan. |
| 00:37:15 |
Mina. |
| 00:37:22 |
Lucy? |
| 00:37:27 |
(Screarms in other roorm) |
| 00:37:32 |
Jonathan, what is this place? |
| 00:37:36 |
Please. |
| 00:37:40 |
He must rest. |
| 00:37:45 |
I urge you not to show him |
| 00:37:47 |
that you are alarmed. |
| 00:37:49 |
I want to know what |
| 00:37:51 |
We specialize here |
| 00:37:53 |
of the mentally disturbed. |
| 00:37:56 |
You mean you think |
| 00:37:59 |
(Screarming) |
| 00:38:02 |
Oh. |
| 00:38:05 |
(Screarming) |
| 00:38:37 |
Your friend is in |
| 00:38:38 |
She should not have |
| 00:38:41 |
She insisted on |
| 00:38:44 |
Couldn't you help |
| 00:38:47 |
It would perhaps be |
| 00:38:50 |
Dr. Seward and I |
| 00:38:53 |
I n that case |
| 00:38:54 |
I shall stay here too. |
| 00:38:55 |
Very well. |
| 00:38:56 |
I shall have rooms |
| 00:39:01 |
Professor Van Helsing? |
| 00:39:02 |
Yes? |
| 00:39:04 |
Jonathan is sane. |
| 00:39:07 |
Completely sane. |
| 00:39:08 |
It's not quite as |
| 00:39:11 |
There is no doubt that |
| 00:39:12 |
he has suffered |
| 00:39:15 |
The result is that either |
| 00:39:16 |
he's subconsciously |
| 00:39:19 |
or he's lying. |
| 00:39:21 |
Jonathan wouldn't lie. |
| 00:39:24 |
And he's not mad. |
| 00:39:26 |
Then perhaps you can |
| 00:39:27 |
what really happened |
| 00:39:29 |
(Groaning) |
| 00:39:32 |
Lucy. |
| 00:39:35 |
Mina, forgive me. |
| 00:39:38 |
I'm so stupid to faint. |
| 00:39:40 |
Oh. I shouldn't |
| 00:39:43 |
a long journey, |
| 00:39:44 |
and now this. |
| 00:39:46 |
(Knock on door) |
| 00:39:50 |
Sir. |
| 00:39:52 |
Prepare two rooms |
| 00:39:54 |
on the ground floor. |
| 00:39:58 |
Yes. Sir. |
| 00:40:01 |
I should warn you. |
| 00:40:03 |
I have a number |
| 00:40:05 |
who must be kept |
| 00:40:07 |
Do not on any account |
| 00:40:08 |
venture beyond |
| 00:40:12 |
Well, I shall leave you. |
| 00:40:13 |
You must both be tired |
| 00:40:15 |
Your rooms will be ready soon. |
| 00:40:37 |
(Whispering) |
| 00:40:42 |
Lucy. |
| 00:40:48 |
Lucy. |
| 00:40:54 |
Lucy. |
| 00:40:59 |
Lucy. |
| 00:41:04 |
Lucy. |
| 00:41:09 |
Lucy. |
| 00:41:13 |
Lucy. |
| 00:41:18 |
Lucy. |
| 00:41:24 |
Lucy. |
| 00:41:31 |
Lucy. |
| 00:41:39 |
Lucy. |
| 00:41:44 |
Lucy. |
| 00:41:50 |
Lucy. |
| 00:42:16 |
Lucy? |
| 00:42:19 |
Lucy? |
| 00:42:23 |
Lucy? |
| 00:42:35 |
(Whispering) |
| 00:42:46 |
Lucy? |
| 00:42:50 |
Lucy? |
| 00:42:52 |
Lucy? |
| 00:44:52 |
Lucy? |
| 00:44:55 |
Lucy? |
| 00:45:28 |
You say you thought |
| 00:45:31 |
I was mistaken. |
| 00:45:37 |
I n these two spots? |
| 00:45:41 |
There was a pin |
| 00:45:44 |
Perhaps you pricked her by |
| 00:45:48 |
She appears to be suffering |
| 00:45:49 |
from a very |
| 00:45:56 |
I shall have to consult |
| 00:46:00 |
Her condition is serious. |
| 00:46:03 |
I blame myself. |
| 00:46:05 |
Doctor? |
| 00:46:09 |
I don't want to alarm you |
| 00:46:10 |
but has she any relatives? |
| 00:46:12 |
None. |
| 00:46:13 |
But she's engaged quite |
| 00:46:17 |
Quincy Morris. |
| 00:46:19 |
Perhaps you should |
| 00:46:41 |
Professor Van Helsing? |
| 00:46:42 |
No. I'm Dr. Seward. |
| 00:46:43 |
How do you do? |
| 00:46:44 |
My name is Quincy Morris. |
| 00:46:45 |
I'm Miss Westenra's fiancee. |
| 00:46:47 |
Oh. I see. |
| 00:46:48 |
Please come in. |
| 00:46:50 |
Take off your coat. |
| 00:46:53 |
I came as soon as I heard. |
| 00:46:55 |
I'm glad you came. |
| 00:46:57 |
We're doing our best but... |
| 00:46:59 |
I sn't there anything |
| 00:47:01 |
Yes, you can give her |
| 00:47:04 |
Come. |
| 00:47:05 |
I'm Professor Van Helsing. |
| 00:47:06 |
Quincy Morris. |
| 00:47:40 |
Now I think she has a chance. |
| 00:47:43 |
We just have to wait and see. |
| 00:47:57 |
(Whispering) |
| 00:48:01 |
Lucy. |
| 00:48:07 |
Lucy. |
| 00:48:12 |
Lucy. |
| 00:48:17 |
Lucy. |
| 00:48:23 |
Lucy. |
| 00:48:30 |
Lucy. |
| 00:48:34 |
Lucy. |
| 00:48:41 |
Lucy. |
| 00:48:47 |
Lucy. |
| 00:48:54 |
Lucy. |
| 00:50:28 |
Lucy! |
| 00:51:21 |
(Screarming) |
| 00:51:33 |
(Crying) |
| 00:52:37 |
Ah! |
| 00:52:39 |
What are you doing here? |
| 00:52:43 |
I'm afraid you're not allowed |
| 00:52:44 |
in this part of the house. |
| 00:52:48 |
Come along. |
| 00:52:49 |
Come on. |
| 00:52:56 |
Professor, you |
| 00:52:59 |
You can't let her die |
| 00:53:03 |
Ignorant? |
| 00:53:05 |
Perhaps my dear |
| 00:53:06 |
I'm not so much |
| 00:53:09 |
of admitting my |
| 00:53:11 |
(Man screarming) |
| 00:53:15 |
The man whose voice you hear |
| 00:53:16 |
was once as sane as you or I. |
| 00:53:20 |
He had a daughter. |
| 00:53:21 |
Young and beautiful. |
| 00:53:23 |
Together they were |
| 00:53:26 |
They stopped in |
| 00:53:30 |
One night |
| 00:53:31 |
the girl was found |
| 00:53:35 |
Half dead frorm loss of blood. |
| 00:53:37 |
Day by day. |
| 00:53:39 |
Like the fly |
| 00:53:40 |
who is the spider s |
| 00:53:44 |
The father watched and |
| 00:53:48 |
til one night |
| 00:53:49 |
when she was close to her end |
| 00:53:52 |
the neighbors hear d |
| 00:53:56 |
They found the daughter dead |
| 00:53:59 |
and the father |
| 00:54:02 |
as he is now. |
| 00:54:04 |
True. There is some |
| 00:54:07 |
but that is no explanation. |
| 00:54:11 |
Perhaps not, that you see. |
| 00:54:13 |
All my life I've made a study |
| 00:54:15 |
of what some people call |
| 00:54:17 |
the black arts. |
| 00:54:19 |
That's why Renfield |
| 00:54:23 |
and also Jonathan Harker. |
| 00:54:27 |
The mountains in the north |
| 00:54:29 |
of Transylvania |
| 00:54:33 |
yet behind the legend, |
| 00:54:35 |
behind the fantasy, |
| 00:54:37 |
there are certain facts. |
| 00:54:39 |
Occasionally a glimmer |
| 00:54:43 |
Now I think that Jonathan |
| 00:54:45 |
has seen some of that truth. |
| 00:54:47 |
Then why didn't you believe |
| 00:54:48 |
what I told you |
| 00:54:50 |
Jonathan. |
| 00:54:52 |
Oh. Jonathan. |
| 00:54:55 |
I cannot tell you. |
| 00:54:59 |
I dare not. |
| 00:58:13 |
(Screarm) |
| 00:58:39 |
Lucy sweet. |
| 00:58:45 |
Now you drink this. |
| 00:59:04 |
(Door opening) |
| 00:59:10 |
Who's there? |
| 00:59:25 |
Who's there? |
| 01:00:58 |
(Screarm) |
| 01:01:00 |
Ah. |
| 01:01:29 |
(Crying) |
| 01:01:36 |
She's dead. |
| 01:01:39 |
She's dead. |
| 01:01:41 |
She's dead. |
| 01:01:42 |
But you are still alive. |
| 01:01:44 |
It is a sign. |
| 01:01:46 |
Perhaps it is not |
| 01:01:53 |
I n my search for the |
| 01:01:56 |
This is what I found. |
| 01:01:57 |
And what concerns us now. |
| 01:02:00 |
May I? |
| 01:02:03 |
"Known through legend in such |
| 01:02:06 |
Rome. France. I ndia |
| 01:02:08 |
and even China. |
| 01:02:10 |
He does fatten |
| 01:02:11 |
up on the blood |
| 01:02:12 |
of the living. |
| 01:02:15 |
He can by such nourishment |
| 01:02:19 |
He throws strange shadows |
| 01:02:20 |
when he walks upon the earth. |
| 01:02:22 |
He can transform |
| 01:02:25 |
to other kinds of beast. |
| 01:02:27 |
He lives by night |
| 01:02:28 |
for by day he must conceal |
| 01:02:32 |
Those upon whom |
| 01:02:35 |
sicken and die. |
| 01:02:37 |
And then become like him. |
| 01:02:41 |
Vampires themselves. |
| 01:02:45 |
His name is Dracula. " |
| 01:02:48 |
Why can't this |
| 01:02:51 |
You underestimate |
| 01:02:54 |
What good are laws |
| 01:02:55 |
against someone who can |
| 01:02:58 |
(Howling) |
| 01:03:05 |
His spirit is all around us. |
| 01:03:08 |
Some of us |
| 01:03:10 |
are completely |
| 01:03:13 |
Professor. |
| 01:03:17 |
You know so much |
| 01:03:20 |
Suppose you too |
| 01:03:26 |
I have never met the Count. |
| 01:03:29 |
And yet I feel I... |
| 01:03:32 |
I know him better |
| 01:04:40 |
My ball's in the water. |
| 01:04:43 |
I'm going to tell mommy. |
| 01:04:45 |
Oh. Be careful. |
| 01:04:46 |
Hey, watch out. |
| 01:04:47 |
Ah. Good. |
| 01:04:48 |
Hey. Corme. |
| 01:04:50 |
Corme on over here. |
| 01:05:26 |
Come here. |
| 01:05:28 |
Come here. |
| 01:06:17 |
Good morning my dear. |
| 01:06:20 |
You have become not only |
| 01:06:23 |
I shall miss you |
| 01:06:25 |
Thank you. |
| 01:06:26 |
How's Jonathan this morning? |
| 01:06:27 |
Much better. |
| 01:06:28 |
Good, good. |
| 01:06:30 |
I think it helped |
| 01:06:31 |
being able to |
| 01:06:33 |
and to know that |
| 01:06:35 |
you were prepared |
| 01:06:38 |
I ndeed, I only wish it |
| 01:06:42 |
great heavens. |
| 01:06:45 |
Just as I feared. |
| 01:06:47 |
A child found dead. |
| 01:06:48 |
Where? |
| 01:06:50 |
Near here. Near the church. |
| 01:06:52 |
Last night. |
| 01:06:54 |
Yes. |
| 01:06:56 |
Ah, gentlemen, |
| 01:06:57 |
I shall need your help. |
| 01:06:59 |
Whatever we can do. |
| 01:07:00 |
Come. Sit down. |
| 01:07:06 |
I shall want you to |
| 01:07:09 |
We're going to visit |
| 01:07:18 |
Listen Van Helsing, |
| 01:07:20 |
as I told you this afternoon, |
| 01:07:21 |
I'm not afraid |
| 01:07:23 |
but this is... |
| 01:07:25 |
What if I tell you |
| 01:07:26 |
you may be saving the lives |
| 01:07:34 |
You mean Count Dracula |
| 01:07:36 |
Worse than that. |
| 01:07:38 |
Far worse. |
| 01:07:40 |
The nice and innocent |
| 01:07:42 |
You're mad! |
| 01:07:44 |
Lucy, a killer of children? |
| 01:07:48 |
Be brave. |
| 01:07:50 |
Before the night is out |
| 01:07:51 |
if her spirit is to be saved |
| 01:07:52 |
you must obey me absolutely. |
| 01:08:21 |
One o'clock. |
| 01:08:22 |
Open it. |
| 01:08:39 |
So far I'm right. |
| 01:08:52 |
Another few minutes. |
| 01:08:55 |
Look, it'll soon be light. |
| 01:08:58 |
It won't be long now. |
| 01:09:00 |
Remember what I told you. |
| 01:09:20 |
Now. |
| 01:09:28 |
Your spade, |
| 01:09:29 |
and do as I say. |
| 01:09:35 |
Open it. |
| 01:09:55 |
Use your spade, man! |
| 01:10:04 |
Renfield. |
| 01:10:05 |
Relax. |
| 01:10:08 |
Please relax. |
| 01:10:13 |
Renfield. Relax. |
| 01:10:19 |
Please relax. |
| 01:10:27 |
It's passed. |
| 01:10:31 |
All right, Renfield, |
| 01:10:35 |
it's passed. |
| 01:10:38 |
Look at me. |
| 01:10:41 |
Can you understand me? |
| 01:10:44 |
Renfield. look at me. |
| 01:10:48 |
Can you understand me? |
| 01:10:54 |
My God, you can. |
| 01:10:56 |
Whatever your sickness was, |
| 01:10:58 |
it's passed. |
| 01:10:59 |
Now then. |
| 01:11:02 |
Tell me what you know. |
| 01:11:07 |
Come on. |
| 01:11:09 |
Tell me what you know. |
| 01:11:11 |
I... |
| 01:11:12 |
Tell me. |
| 01:11:14 |
Go on. |
| 01:11:16 |
That's it. |
| 01:11:17 |
I... |
| 01:11:18 |
Tell me. |
| 01:11:19 |
Go on. |
| 01:11:20 |
It... |
| 01:11:21 |
Yes. |
| 01:11:28 |
Whether by accident or design, |
| 01:11:31 |
it would appear our foe |
| 01:11:33 |
It's my fault Professor. |
| 01:11:36 |
I never thought to connect |
| 01:11:37 |
the property bought by |
| 01:11:41 |
But those cases |
| 01:11:44 |
Those must've been the |
| 01:11:46 |
beneath |
| 01:11:48 |
He used them to transport |
| 01:11:51 |
And now they provide |
| 01:11:54 |
whilst at night... |
| 01:11:56 |
(Clock chirming) |
| 01:12:01 |
If we're going to |
| 01:12:03 |
Oh. Jonathan. |
| 01:12:04 |
Don't worry. |
| 01:12:07 |
This time I've come prepared. |
| 01:12:09 |
I have two better weapons. |
| 01:12:13 |
Take these. |
| 01:12:15 |
Against them |
| 01:12:24 |
Are we ready? |
| 01:12:26 |
Then let's go. |
| 01:12:31 |
Professor? |
| 01:12:33 |
Professor. |
| 01:12:35 |
I should like to talk |
| 01:12:37 |
He could be the key |
| 01:12:42 |
Very well, you may see him, |
| 01:12:43 |
but not alone. |
| 01:12:46 |
He may reveal more |
| 01:12:50 |
Take this young |
| 01:12:52 |
Do as I say. |
| 01:14:03 |
Here take this. |
| 01:15:30 |
Look. |
| 01:15:37 |
A case must have stood here. |
| 01:15:40 |
Maybe we're too late. |
| 01:15:41 |
(Screeching) |
| 01:15:43 |
Watch out. |
| 01:15:44 |
(Thunder) |
| 01:15:53 |
(Anirmal noises) |
| 01:16:16 |
(Gunshots) |
| 01:16:28 |
(Anirmal noises) |
| 01:16:37 |
(Thunder) |
| 01:17:00 |
I know how you've |
| 01:17:14 |
Perhaps, |
| 01:17:16 |
perhaps you |
| 01:17:25 |
Kill. |
| 01:17:38 |
(Anirmal noises) |
| 01:18:11 |
We must sanctify this place |
| 01:18:12 |
as Professor |
| 01:18:36 |
I'd like to see you find |
| 01:18:42 |
(Singing) |
| 01:19:36 |
Evening your honor. |
| 01:19:37 |
Care for a little fun? |
| 01:20:06 |
That man. |
| 01:20:07 |
It looked like the Count. |
| 01:20:09 |
But younger, |
| 01:20:11 |
much younger. |
| 01:20:13 |
Your eyes are playing tricks. |
| 01:20:16 |
They're waiting for us. |
| 01:20:18 |
Come on. |
| 01:20:19 |
Come on. |
| 01:20:27 |
Mr. Harker and Mr. Morris. |
| 01:20:30 |
I want you to meet |
| 01:20:31 |
the Home Secretary. |
| 01:20:35 |
Good evening. |
| 01:20:36 |
Good evening. |
| 01:20:37 |
Good evening, sir. |
| 01:20:38 |
Thank you for |
| 01:20:40 |
For a moment the other night |
| 01:20:42 |
as the American's |
| 01:20:45 |
A slight stroke |
| 01:20:47 |
but although my legs |
| 01:20:49 |
I trust my intellect |
| 01:21:01 |
A watch is now being kept |
| 01:21:03 |
on every means of |
| 01:21:06 |
A description of the wooden |
| 01:21:08 |
So the Professor tells me. |
| 01:21:10 |
The Count may be |
| 01:21:12 |
has been circulated to... |
| 01:21:18 |
Some news perhaps? |
| 01:21:21 |
I don't understand. |
| 01:21:22 |
It's from Mina. |
| 01:21:24 |
Something about the Opera |
| 01:21:26 |
and a ticket. |
| 01:21:27 |
You let her leave the |
| 01:21:30 |
I sent no ticket. |
| 01:21:33 |
Your Excellency, |
| 01:21:35 |
we shall have to act at once. |
| 01:21:37 |
This may be the work |
| 01:21:41 |
(Singing) |
| 01:22:46 |
Look. |
| 01:22:51 |
A doctor! |
| 01:22:52 |
Someone call a doctor! |
| 01:22:54 |
For God's sake. |
| 01:22:55 |
Is there a doctor here! |
| 01:22:59 |
And then they thought |
| 01:23:04 |
You. |
| 01:23:15 |
What do you want? |
| 01:23:16 |
Your master quickly. |
| 01:23:18 |
Quickly! |
| 01:23:27 |
You are the captain of |
| 01:23:29 |
I am. |
| 01:23:30 |
You sail for the mouth of the |
| 01:23:33 |
What if I do? |
| 01:23:35 |
You have some cargo |
| 01:23:37 |
and a passenger. |
| 01:23:39 |
Where is he? |
| 01:23:40 |
Myself to Varna. |
| 01:23:43 |
We do not go to Varna. |
| 01:23:53 |
To Varna. |
| 01:24:10 |
What is it? |
| 01:24:13 |
What happened Renfield? |
| 01:24:29 |
Varna. |
| 01:24:33 |
Varna? |
| 01:24:35 |
Varna. |
| 01:24:54 |
Yes. Here it is. |
| 01:24:56 |
It's a small port |
| 01:24:59 |
I've got it. |
| 01:25:00 |
Look. |
| 01:25:01 |
He could travel from |
| 01:25:03 |
But with a load like that it |
| 01:25:10 |
You could get to |
| 01:25:13 |
In one week. |
| 01:25:14 |
Sanctify every grave, |
| 01:25:16 |
leave it barren. |
| 01:25:17 |
And useless as a refuge, |
| 01:25:19 |
before he arrives. |
| 01:25:20 |
If we go, what about Mina. |
| 01:25:23 |
I shall guard |
| 01:25:34 |
Renfield? |
| 01:25:43 |
Dead. |
| 01:26:13 |
(Door opening) |
| 01:26:18 |
(Foot steps) |
| 01:26:20 |
Who is there? |
| 01:26:38 |
You. |
| 01:26:47 |
All my life I've |
| 01:26:52 |
It's strange to finally |
| 01:26:55 |
confront the Prince |
| 01:27:00 |
You have learned much. |
| 01:27:05 |
You can do nothing. |
| 01:28:31 |
Come along, hurry. |
| 01:29:22 |
(Harmrmering) |
| 01:29:24 |
(Groaning) |
| 01:29:44 |
(Screarming) |
| 01:29:59 |
(Screarm) |
| 01:30:21 |
(Praying) |
| 01:30:40 |
Now then. There's |
| 01:30:43 |
to find Dracula himself. |
| 01:31:06 |
I s there any news? |
| 01:31:10 |
Not yet. |
| 01:31:12 |
Tell me Professor. |
| 01:31:15 |
If the Count is |
| 01:31:19 |
what have we to fear? |
| 01:31:22 |
Mina, my dear, |
| 01:31:23 |
whilst the Count lives. |
| 01:31:26 |
Time and space |
| 01:31:30 |
We can only pray. |
| 01:33:00 |
(Screarming) |
