|
Nathalie Granger
|
| 00:00:08 |
She cooked up |
| 00:00:11 |
that you were very poor, and so on... |
| 00:00:34 |
She beat another pupil... |
| 00:00:39 |
For nothing, a missing eraser. |
| 00:00:48 |
There were always good |
| 00:00:51 |
this is nothing new for us. |
| 00:00:56 |
But... |
| 00:00:59 |
this violence... |
| 00:01:13 |
They shot 4 times, |
| 00:01:16 |
"Seize them if you find them, |
| 00:01:22 |
Invitation for a man-hunt |
| 00:01:24 |
which every police station received |
| 00:01:27 |
at 9.30 a. m. At this time indeed, |
| 00:01:32 |
biked in Dreux woods and saw |
| 00:01:35 |
the two young killers asleep |
| 00:01:39 |
at the Tower crossroad. |
| 00:01:42 |
As this tesetimony |
| 00:01:46 |
a vast police plan was organized |
| 00:01:50 |
who've terrified the region, |
| 00:01:53 |
"Kids", said Mme Bastide... |
| 00:01:55 |
"One dark, one fair, |
| 00:02:00 |
The boys were ordered |
| 00:02:03 |
A single shot at 1.30 |
| 00:02:07 |
to a command of the Chief of Police. |
| 00:02:11 |
This race against time is very painful... |
| 00:02:14 |
considering their youth. |
| 00:02:24 |
Only kids could do it... |
| 00:02:27 |
making a bull's eye. |
| 00:02:40 |
Blind-shots, that's it. |
| 00:02:42 |
They were first seen |
| 00:02:47 |
Is it far, Dreux? |
| 00:02:49 |
25 miles. |
| 00:02:51 |
The woods are near Bordières... |
| 00:02:55 |
the road crosses them. |
| 00:02:58 |
Hurry! |
| 00:03:15 |
Tell the school Nathalie leaves. |
| 00:03:17 |
Tell Datkin she'll come on Monday. |
| 00:03:21 |
I'll insist on piano lessons. |
| 00:03:23 |
After, it's too late. |
| 00:03:26 |
Yes, after 8 years... |
| 00:03:29 |
No chance she can stay in school? |
| 00:03:31 |
Not a chance. |
| 00:03:34 |
If she doesn't study piano, |
| 00:04:18 |
At home, how does she seem? |
| 00:04:21 |
Unhappy. |
| 00:04:23 |
Touchy. |
| 00:04:26 |
- Do you know her well? |
| 00:04:30 |
What does Nathalie like? |
| 00:04:32 |
I think she likes music. |
| 00:05:03 |
Give me 24 in Lignon... |
| 00:05:19 |
About my daugther's piano lessons... |
| 00:05:24 |
I phoned once. |
| 00:05:26 |
The teacher told us... |
| 00:05:30 |
We're sorry, |
| 00:05:33 |
the child free to learn or |
| 00:05:37 |
Only Nathalie will choose piano or not. |
| 00:05:45 |
I can't hear you anymore. |
| 00:06:35 |
Lignon is not far from home. |
| 00:06:39 |
I'll see her, |
| 00:07:58 |
We have to phone to the Mayor |
| 00:08:02 |
That's true. |
| 00:10:48 |
"This is Nathalie's |
| 00:12:47 |
Many branches fell down. |
| 00:12:50 |
- From the wind? |
| 00:12:53 |
I want to make a fire. |
| 00:13:09 |
The Town Hall in Versailles, please... |
| 00:13:21 |
Portuguese, yes... |
| 00:13:25 |
That's the point... I phoned once. |
| 00:13:30 |
The bailiff just told her to sing. |
| 00:13:34 |
He told her it was nothing |
| 00:13:40 |
And she signed. |
| 00:13:43 |
She signed her own expulsion. |
| 00:13:51 |
Nothing to do? |
| 00:13:55 |
But she does not understand our language. |
| 00:14:01 |
Nothing? |
| 00:14:03 |
Thanks. |
| 00:14:49 |
Sometimes, |
| 00:14:54 |
She told Laurence. |
| 00:14:59 |
She wants to be an orphan, |
| 00:15:07 |
She says we're very poor... |
| 00:16:09 |
350 policemen are in the woods. |
| 00:16:12 |
Little by little, |
| 00:16:15 |
They go on carefully |
| 00:16:18 |
to seize the 2 killers |
| 00:16:21 |
who committed several murders |
| 00:16:24 |
without a financial motive... |
| 00:16:26 |
just for violence, |
| 00:16:29 |
as Whitman- the student in Austin. |
| 00:16:33 |
The most horrible thing is that |
| 00:16:38 |
they are below the penal age. |
| 00:16:40 |
It seems likely they are |
| 00:16:43 |
aged 16 and 17... |
| 00:18:12 |
This violence, |
| 00:18:18 |
She tears her note-books, blotches... |
| 00:18:22 |
her writing exercises. |
| 00:18:24 |
There were always good |
| 00:18:30 |
this is nothing new for us. |
| 00:18:35 |
But... |
| 00:18:38 |
this violence, |
| 00:21:44 |
Police research in |
| 00:21:48 |
...given the time and nervous exhaustion |
| 00:21:54 |
for 7 hours... |
| 00:22:58 |
Two shots were just heard |
| 00:23:01 |
It seems they are afraid |
| 00:23:04 |
to be forgotten |
| 00:24:42 |
It's for the delivery |
| 00:24:45 |
of the fuel. It's late. |
| 00:24:48 |
It's cold here. |
| 00:24:56 |
What? Is it a wrong number? |
| 00:25:00 |
- There's no phone here. |
| 00:26:05 |
We'll settle her in Datkin School. |
| 00:26:08 |
Very well. |
| 00:26:10 |
Very well. When? |
| 00:26:13 |
Next week. |
| 00:26:15 |
Very well. |
| 00:26:18 |
In her case, that school |
| 00:26:23 |
Piano is so good for her. |
| 00:26:25 |
She must study it again. |
| 00:26:28 |
It's impossible. |
| 00:26:29 |
That's a pity. If you insist... |
| 00:26:32 |
- Nathalie will refuse. |
| 00:26:53 |
We'll put the bundle together. |
| 00:28:56 |
The woods are quiet now. |
| 00:28:59 |
There's a deep mist. |
| 00:29:02 |
The young killers seem to sleep |
| 00:29:06 |
from exhaustion. |
| 00:30:36 |
- Can I do something? |
| 00:30:46 |
I need a bag for her wool clothes. |
| 00:30:50 |
Is it cold there? |
| 00:30:52 |
It's in the mountains. |
| 00:30:54 |
with snow till March. |
| 00:31:01 |
Without piano, she's finished. |
| 00:31:50 |
Forget Nathalie a while. |
| 00:32:34 |
I can't speak to her anymore. |
| 00:32:37 |
I must hide from my child. |
| 00:32:40 |
Yes. |
| 00:33:27 |
What do you want? |
| 00:33:28 |
Sorry, the door was open. |
| 00:33:35 |
No we need nothing... Thanks. |
| 00:33:39 |
We're not interested. |
| 00:34:48 |
Oh, sorry. |
| 00:34:53 |
It was open. |
| 00:35:04 |
- Do I disturb you? |
| 00:35:09 |
Come in. |
| 00:35:14 |
It was open. |
| 00:35:16 |
- What do you want? |
| 00:35:21 |
Nothing... |
| 00:35:23 |
I am... |
| 00:35:26 |
Sit down. |
| 00:35:30 |
I represent the brand Vedette Tambour. |
| 00:35:37 |
You see it every where. |
| 00:35:42 |
super automatic, if I may say so. |
| 00:35:45 |
A real space-saver. |
| 00:36:05 |
Vedette has horizontal axes |
| 00:36:11 |
Something new: |
| 00:36:13 |
it is automatically inverted... |
| 00:36:15 |
which increases by 50%... |
| 00:36:20 |
...the efficiency of the Vedette. |
| 00:36:29 |
The best space-saver: |
| 00:36:33 |
18-32-24... |
| 00:36:39 |
It's the record in France. |
| 00:36:42 |
No washing-machine in Europe... |
| 00:36:45 |
is so space-saving. |
| 00:36:53 |
008... |
| 00:36:57 |
Vedette Tambour. |
| 00:37:02 |
It's motor... |
| 00:37:04 |
has two speed... |
| 00:37:06 |
It's biphase. |
| 00:37:10 |
I think the voltage is 200 here? |
| 00:37:15 |
110, click... 220... |
| 00:37:20 |
It's easy. And space-saving. |
| 00:37:27 |
- You're no salesman. |
| 00:37:32 |
008... Yes, I am. |
| 00:37:38 |
instead of 2 in 007. |
| 00:37:41 |
007... two selectors. |
| 00:37:44 |
- You are no salesman. |
| 00:37:48 |
I've a license... |
| 00:37:52 |
I've a license. |
| 00:37:55 |
No. |
| 00:38:02 |
A license given by the authorities... |
| 00:38:18 |
- No. |
| 00:39:21 |
008 has three selectors. |
| 00:39:25 |
One special washing |
| 00:39:27 |
one normal, and one, of course, |
| 00:39:33 |
The drier is graduated, |
| 00:40:27 |
Of course, the trial is free. |
| 00:40:30 |
You promise nothing. |
| 00:40:32 |
A demonstrator shows you how it works. |
| 00:40:34 |
He can take it back... |
| 00:40:38 |
Nothing lost, nothing gained... |
| 00:40:42 |
I mean, it's simple. |
| 00:40:56 |
You've heard about |
| 00:41:01 |
I'm surprised. |
| 00:41:06 |
The advertising of Vedette is so... |
| 00:41:10 |
008 comes in several colours. |
| 00:41:15 |
This was never done before. |
| 00:41:23 |
Usually they are white. |
| 00:41:28 |
White, white... |
| 00:41:30 |
nothing but white. |
| 00:41:34 |
Tell me why... |
| 00:41:43 |
It's a habit. |
| 00:41:45 |
But the colour is so pleasant. |
| 00:41:50 |
You're no salesman. |
| 00:41:54 |
- I am indeed. |
| 00:41:59 |
But... Why? |
| 00:42:05 |
Ah, ladies... |
| 00:42:09 |
No. |
| 00:42:51 |
No... I don't know... |
| 00:42:54 |
One has to work... you know. |
| 00:43:13 |
Thinking of buying it? |
| 00:43:16 |
Do you want a trial? |
| 00:43:28 |
If it's no, |
| 00:43:33 |
nor lose more of mine. |
| 00:43:37 |
And it's late. |
| 00:43:42 |
And I have many people to see... |
| 00:43:47 |
If you want to... |
| 00:43:52 |
I'll be back next week, |
| 00:43:57 |
If you want to. |
| 00:44:12 |
But I'll ask you this, |
| 00:44:14 |
if you don't mind... |
| 00:44:23 |
don't buy another machine... |
| 00:44:31 |
before testing 008, |
| 00:44:55 |
That's a promise? |
| 00:45:07 |
A trifle, but it is important... |
| 00:45:11 |
Vedette takes you old machine. |
| 00:45:17 |
Maybe you have one? |
| 00:45:22 |
Which brand? |
| 00:45:33 |
It's over there. |
| 00:46:10 |
You know the brand? |
| 00:46:15 |
You've got a Vedette Tambour 008. |
| 00:46:20 |
We can't help it... |
| 00:46:32 |
I'll see other people. |
| 00:53:07 |
Laurence... |
| 00:53:09 |
Nathalie... |
| 01:02:21 |
While the research was thought to have |
| 01:02:26 |
the two murderers |
| 01:03:32 |
Lesson is over. |
| 01:03:51 |
Who are they? From where? |
| 01:03:55 |
The older escaped from penitentiary. |
| 01:03:58 |
The younger is the first born of 9. |
| 01:04:00 |
His mom, a drunken whore, just died. |
| 01:06:00 |
Is this Datkin School? |
| 01:06:05 |
I am Isabelle Granger. |
| 01:06:08 |
My daugther won't come. |
| 01:07:07 |
You came back? |
| 01:07:12 |
I came back. |
| 01:07:16 |
I thought you were out. |
| 01:07:18 |
No, I'm home. |
| 01:07:26 |
Not a single sale... |
| 01:07:31 |
No lights yet? |
| 01:07:33 |
- It's no use. |
| 01:07:39 |
I'll give it up. |
| 01:07:44 |
I can't sell. |
| 01:07:47 |
Some say who they are, |
| 01:07:50 |
and it's in the can. |
| 01:07:55 |
I don't like it. |
| 01:07:59 |
Sure, I tried. I... |
| 01:08:04 |
Deep down. I don't like it. |
| 01:08:08 |
It's not pleasant. |
| 01:08:13 |
I'll take back my first job... |
| 01:08:19 |
in a laundry. |
| 01:08:22 |
I worked 7 years there... |
| 01:08:26 |
as an apprentice. |
| 01:08:35 |
I didn't like it. |
| 01:08:37 |
I was through with |
| 01:08:40 |
the regular hours, |
| 01:08:42 |
the boss always on my heels... |
| 01:08:45 |
Wet clothes are heavy... |
| 01:08:51 |
Wasn't fun. |
| 01:08:58 |
I tried another job. |
| 01:09:01 |
Being a salesman... |
| 01:09:03 |
is worse, |
| 01:09:14 |
Then I worked in a garage... |
| 01:09:18 |
in a department store as a loader... |
| 01:09:21 |
in a printing house. |
| 01:09:28 |
You know how it is... |
| 01:09:32 |
I tried to become someone... |
| 01:09:35 |
So I worked for |
| 01:09:37 |
a real-estate agent. |
| 01:09:41 |
I showed houses to people. |
| 01:09:44 |
I stole money from him. |
| 01:09:46 |
I left with a client's check. |
| 01:09:49 |
They caught me. I don't mind. |
| 01:09:51 |
I managed quite well. |
| 01:09:53 |
I paid back in 2 years. |
| 01:10:07 |
Yes, life was fine. |
| 01:10:12 |
It lasted 15 days. |
| 01:10:15 |
It was the first time. |
| 01:10:27 |
Where's the light from? The terrace? |
| 01:10:48 |
What do I hear? |
| 01:10:53 |
Is it a piano? |
| 01:11:00 |
It's a child, no? |
| 01:11:22 |
Nat's going to a boarding-house? |
| 01:11:25 |
No, she's not going. |
| 01:11:28 |
What will she do? |
| 01:11:30 |
Nobody knows. |
| 01:11:31 |
Music, maybe... |
| 01:19:23 |
She cooked up |
| 01:19:27 |
that you were very poor, and so on... |
| 01:19:49 |
She beat another pupil... |
| 01:19:54 |
For nothing, a missing eraser. |
| 01:20:03 |
There were always good |
| 01:20:06 |
this is nothing new for us. |
| 01:20:12 |
But... |
| 01:20:15 |
this violence... |
| 01:20:28 |
They shot 4 times, |
| 01:20:31 |
"Seize them if you fin them, |
| 01:20:37 |
Invitation for a man-hunt |
| 01:20:39 |
which every police station received |
| 01:20:43 |
at 9.30 a. m. At this time indeed, |
| 01:20:47 |
biked in Dreux woods and saw |
| 01:20:50 |
the two young killers asleep |
| 01:20:54 |
at the Tower crossroad. |
| 01:20:57 |
As this testimony |
| 01:21:01 |
a vast police plan was organized |
| 01:21:05 |
who've terrified the region, |
| 01:21:09 |
"Kids" said Mme Bastide... |
| 01:21:11 |
"One dark, one fair, |
| 01:21:15 |
The boys were ordered |
| 01:21:18 |
A single shot at 1.30 |
| 01:21:22 |
to a command of the Chief of Police. |
| 01:21:26 |
This race against time is very painful... |
| 01:21:29 |
considering their youth. |
| 01:21:39 |
Only kids could do it... |
| 01:21:42 |
making a bull's eye. |
| 01:21:55 |
Blind-shots, that's it. |
| 01:21:57 |
They were first seen |
| 01:22:02 |
Is it far, Dreux? |
| 01:22:04 |
25 miles. |
| 01:22:07 |
The woods are near Bordières... |
| 01:22:10 |
the road crosses them. |
| 01:22:13 |
Hurry! |
| 01:22:30 |
Tell the school Nathalie leaves. |
| 01:22:32 |
Tell Datkin she'll come on Monday. |
| 01:22:36 |
I'll insist on piano lessons. |
| 01:22:38 |
After, it's too late. |
| 01:22:41 |
Yes, after 8 years... |
| 01:22:44 |
No chance she can stay in school? |
| 01:22:46 |
Not a chance. |
| 01:22:49 |
If she doesn't study piano, |
| 01:23:33 |
At home, how does she seem? |
| 01:23:36 |
Unhappy. |
| 01:23:38 |
Touchy. |
| 01:23:41 |
- Do you know her well? |
| 01:23:45 |
What does Nathalie like? |
| 01:23:47 |
I think she likes music... |
| 01:24:18 |
Give me 24 in Lignon... |
| 01:24:34 |
About my daughter's piano lessons... |
| 01:24:39 |
I phoned once. |
| 01:24:41 |
The teacher told us... |
| 01:24:45 |
We're sorry, |
| 01:24:48 |
the child free to learn or |
| 01:24:52 |
Only Nathalie will choose piano or not. |
| 01:25:00 |
I can't hear you anymore. |
| 01:25:50 |
Lignon is not far from home. |
| 01:25:54 |
I'll see her, |
| 01:27:13 |
We have to phone to the Mayor |
| 01:27:17 |
That's true. |
| 01:30:03 |
"This is Nathalie's |
| 01:32:02 |
Many branches fell down. |
| 01:32:05 |
- From the wind? |
| 01:32:08 |
I want to make a fire. |
| 01:32:24 |
The Town Hall in Versailles, please... |
| 01:32:36 |
Portuguese, yes... |
| 01:32:39 |
That's the point... I phoned once. |
| 01:32:45 |
The bailiff just told her to sign. |
| 01:32:49 |
He told her it was nothing |
| 01:32:56 |
And she signed. |
| 01:32:58 |
She signed her own expulsion. |
| 01:33:07 |
Nothing to do? |
| 01:33:10 |
But she does not understand our language. |
| 01:33:16 |
Nothing? |
| 01:33:18 |
Thanks. |
| 01:34:04 |
Sometimes, |
| 01:34:09 |
She told Laurence. |
| 01:34:14 |
She wants to be an orphan, |
| 01:34:22 |
She says we're very poor... |
| 01:35:24 |
350 policemen are in the woods. |
| 01:35:27 |
Little by little, |
| 01:35:30 |
They go on carefully |
| 01:35:33 |
to seize the 2 killers |
| 01:35:36 |
who committed several murders |
| 01:35:39 |
without a financial motive... |
| 01:35:41 |
just for violence, |
| 01:35:44 |
as Whitman- the student in Austin. |
| 01:35:48 |
The most horrible thing is that |
| 01:35:53 |
they are below the penal age. |
| 01:35:56 |
It seems likely they are |
| 01:35:58 |
aged 16 and 17... |
| 01:37:27 |
This violence, |
| 01:37:33 |
She tears her note-books, blotches... |
| 01:37:37 |
her writing exercises. |
| 01:37:39 |
There were always good |
| 01:37:45 |
this is nothing new for us. |
| 01:37:50 |
But... |
| 01:37:53 |
this violence, |
