National Geographic Panama Wild Rain Forest of Life
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It appears out of the dawn of time... |
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...a creation of the sun, |
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This is the tropical forest |
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nature at her most extravagant. |
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Sustained by the partnership |
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it has produced more than |
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It is a sea of green... seemingly |
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But look again. |
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Behind the green curtain are |
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Into this complex world has come |
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Scientific knowledge is the treasure |
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and to find it, they're not afraid |
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This is a place unlike any |
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Panama's Barro Colorado Island, |
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known as BCI to the scientists |
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A protected realm in the middle |
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BCI is home to the Smithsonian's |
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Scientists come to this island |
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to unravel the mysteries of life |
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It is an adventure beyond |
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the reach of one person, |
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BCI's a very special place for me |
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the more familiar I get |
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It's just home, it's comfortable, |
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I think Barro Colorado Island |
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that I would not find |
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It's a really highly diverse forest, |
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the research facilities are |
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you come there, you go out and |
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and Barro Colorado Island |
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so that your work is not |
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I discover things. |
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In the tropics you may be a person |
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who's discovered something |
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that not a single human being |
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of the world has bothered to notice. |
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Here unfolds one of nature's |
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How does the tropical forest |
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such a remarkable community of life |
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One thing is certain, |
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A single tree, as it drives |
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affects the lives of countless |
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But life is a struggle here |
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and the odds that any one seed |
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will grow into a Titan are |
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It takes luck and strategy to |
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For people, getting to the top |
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always requires some special |
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Biologist Deedra McClearn |
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the forest's answers on |
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Even if it means following her |
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...into the crown of one |
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This is a dipteryx, |
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It rises head and shoulders above |
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more than a hundred feet tall. |
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From its majestic flowers will |
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and from the fruit, |
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that will survive to take the place |
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of its parent among |
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Climbing has taught Deedra to |
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Since I've started climbing |
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because it's a beautiful tree, |
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it comes above all the rest |
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they often have great views, |
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and the wood is really hard |
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I feel safe climbing a dipteryx, |
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chain saws won't cut down |
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I have a lot of different emotions |
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associated with actually |
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One of them is familiarity. |
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If it's a tree that |
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I feel comfortable, |
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it's a very satisfying sort of |
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If it's a tree that |
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I haven't climbed before or |
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or I'm worried about a branch, |
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then it can be very nerve-racking. |
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Deedra climbs into the canopy |
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a tropical cousin of the raccoon. |
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I know you. |
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She captures coatis just to let |
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I have caught you 15 times and |
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Just wait a second. |
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She's curious how an animal |
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who isn't a born climber manages |
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I think coatis are really |
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as climbing mammals because |
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They're kind of clumsy, |
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they can't hang by their tail, |
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they don't have exclusively |
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to grasp onto branches, |
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but they do really well. |
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One of the things that really |
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they actually will jump quite |
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It'll launch itself into a tree |
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and it doesn't really know |
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it just, I think, assumes that |
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it'll be able to find something |
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The coati has a lot of company |
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...with good reason. |
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The canopy is the forest's |
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This is where leaves transform |
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light into the stuff of |
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The canopy creates its own world, |
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with lands and waters, |
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It overflows with flowers, |
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food for all who can live |
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Earthbound for years, |
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only guess what went on up here |
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The canopy is the last frontier |
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and it's only been the last |
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that people have really gotten |
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and started looking at the insects |
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and actually there still hasn't |
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been that much mammal work up |
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but it's a different life zone. |
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It's like going to the bottom |
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You can't tell what's up here |
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from working on the ground |
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Bold researchers like Deedra |
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the tropical forest is from our |
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For one thing, |
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Like many tropical forests, |
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Food is now becoming scarce. |
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Even coatis, |
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are hard pressed to |
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They gather under the majestic |
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Now, when they need it most, |
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For dipteryx this is the beginning |
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Howler monkeys gather in its crown. |
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Here is a banquet that will |
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The timing is crucial. |
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the dipteryx guarantees that |
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Oddly enough, the tree wants |
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even though each fruit contains |
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that could bring forth |
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But why? |
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All these capuchin monkeys know |
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And if enough of them arrive, |
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they could drive the howlers |
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What scientists have discovered |
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is the fruit is actually |
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If animals take it, |
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they may carry the seed locked |
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The further away the seed gets, |
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With ripening fruit all |
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the canopy animals can now |
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Once they've had the ripest bit, |
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they simply drop the fruit |
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But this rain of half-eaten fruit |
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is of no help to the tree in |
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Its seedlings have little luck |
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in the shadow of the parent's crown. |
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Still for the animals waiting below, |
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The coatis eat only the sweet flesh, |
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But others are waiting in the wings. |
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Once the coatis have relieved |
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agoutis gingerly join the feast. |
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Agoutis are rodents; |
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and jaws designed to gnaw right |
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through the tough shell |
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Squirrels, too, |
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Instead of creating |
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the seeds simply feed a host |
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...even peccaries. |
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Satiated, the coatis settle |
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In evening's golden light, |
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butterflies and ants gorge upon |
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It's been a good day for |
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but bad for the lordly dipteryx. |
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Its potential offspring lie |
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nothing has carried them away. |
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Has the tree's survival |
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Is the next generation lost? |
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Is there no help under the sun |
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Perhaps the moon can shed some light |
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Tropical nights weave |
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and unveil a whole new cast |
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Everywhere, there are bats, |
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Among the branches hunts |
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Its prey is pint-size, like itself... |
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...a katydid camouflaged |
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Even while enjoying its meal, |
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the marmosa must be wary... |
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if it doesn't want to end up |
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Dipteryx seeds make a nutritious |
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and a dangerous one as well. |
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Gnawing on the tough seed makes |
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to attract the unwelcome eye |
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The tiny forest cat enjoys its meal, |
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until disturbed by yet another |
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Only at night does Elizabeth Kalko |
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The Barro Colorado Island |
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she knows is very different |
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The night is a totally different |
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We are just exposed to a wonderful |
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of many insects and frogs, |
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then you see the stars |
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and this is just an incredible |
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And occasionally there are |
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and even touching you |
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The night holds no fear |
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She is in her element, |
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She hangs nets of fine mesh over |
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She believes bats are the unsung |
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vital to the survival of dipteryx, |
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and many other tropical giants. |
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That's a short-tailed fruit bat, |
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and although they are relatively |
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one has to be very careful |
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Bats rely on forest trees for |
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but they'll repay their hosts |
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Legs are free, whoops, |
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I don't think that bats are |
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I think that the misconception |
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that bats are ugly comes from |
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our very limited knowledge |
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Most of the bats have very, |
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and especially here we find bats |
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and colored ears, |
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and they actually have large eyes |
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But a bat is much more than |
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Sometimes when I set mesh nets |
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they bring a fruit with them |
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and so I can tell what kind of |
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I know what this bat had for dinner. |
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Let's get it out of |
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This is a fruit of the dipteryx. |
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And the bat has carried the fruit |
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in its mouth when it was hit |
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It turns out that the fate of |
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rests upon the soft wings of |
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Drawn by the scent of ripe fruit, |
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artibeus bats hover over |
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Yet death lies in wait |
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Luckily the bat's ability to |
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using sound not only pinpoints |
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it warns it of the hidden boa. |
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Another bat flies, locates fruit, |
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it tears it off the stem and |
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Still it's far too dangerous |
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Only when it arrives at |
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usually tucked under the fronds |
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does it stop to eat. |
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Unknowingly, |
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it has already performed a great |
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The bat has carried the fruit |
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beyond the reach of any diseases |
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or parasites that may plague |
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Once the bat gnaws off |
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it lets the seed drop. |
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Every night when the fruit is ripe, |
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artibeus bats make several visits |
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And each time they return to |
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of the same feeding roost |
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After each trip, |
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another dipteryx seed joins the |
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Curiously enough, |
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in this heap of discards lies the |
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Morning's light has scarcely |
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when they are discovered by |
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Have the precious seeds come |
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But the agouti can't possibly |
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And what it does next adds |
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of how dipteryx manages to survive. |
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With the dry season continuing, |
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the agouti stashes the remaining |
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Much like a squirrel buries a nut, |
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it carefully hides them, |
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Yet there will always be some |
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Unwittingly, |
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the agouti has now planted the |
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As the dry season on the island |
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many canopy trees actually |
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shed their leaves in a tropical |
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For months, streams have been |
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And torrid heat continues to rob |
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The remaining water collects |
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More and more trees drop their |
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it's a way to conserve water |
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and cut their losses as |
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As always in the forest, |
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there's an animal that's |
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to take advantage of |
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It hides among the fallen leaves |
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A caterpillar masquerading as |
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But there's no hiding from |
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Since many small creatures |
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army ants are forced to tackle |
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They overwhelm them by sheer |
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Treehoppers suck the remaining |
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But they're also under attack. |
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A mother defends her brood |
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to steal one of her larvae for food. |
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Each time the larvae wave their legs |
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calling out an alarm, |
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the mother treehopper strikes |
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By April, the dry season has |
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Famine is only just kept at bay. |
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The buds from the balsa tree are |
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The whole forest seems to |
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...waiting for the rains. |
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Over eight feet of rain may |
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The first good drenching triggers |
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This wet new world is paradise |
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...and waterlogged. |
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Stan Rand, renowned frog man, |
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but it does have its drawbacks. |
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When you wear glasses such as I do, |
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you don't see properly because |
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get all wet from the rain on them |
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and then they get all steamed up |
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Luckily, sight is not the primary |
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To truly enter the frog's world, |
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and find his way through |
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What you hear are the voices |
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and on a good night there can be |
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14, 15, 17, different kinds |
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all calling at the same time, |
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all audible from the same place. |
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Only the males call, |
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To be heard and recognized |
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above all this amorous bedlam |
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challenging, too, |
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This is a young male pentadactylus |
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frogs and mice and insects |
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in fact, I know they eat small birds. |
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And he's got a dorsal secretion |
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He got me. One of their defenses |
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Group walks away |
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For 30 years, Stan has lived in |
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He's become totally attuned to the |
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He even understands why frogs use |
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There's a physalaemus male. |
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You can tell he's calling by himself |
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because he's just giving |
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If another male came in and |
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he'd change his call adding |
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so he'd go, oow-chuck, |
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I can sometimes get him to answer |
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See? |
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He went from going oow to oow-chuck, |
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oow-chuck, and now that |
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he's going back to the simple |
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More frogs |
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Male frogs make the added "chuck" |
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The females can tell from the pitch |
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which male is the biggest |
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But male frogs have to think |
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Because females aren't the only ones |
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out there listening to the chucks; |
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predators are too. |
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So any male frog that wants to mate |
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And with other, bigger frogs nearby |
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But for those who survive long |
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it's a gamble well worth taking. |
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The male locks onto the female |
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As he fertilizes the eggs, |
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he whips the fluid released |
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into a meringue-like |
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These tiny frogs mate in |
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at the foot of dipteryx |
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The bubbles help keep the eggs |
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and beyond the reach of aquatic |
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Sometimes several pairs will |
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cooperate in creating |
00:32:18 |
Red-eyed tree frogs protect |
00:32:23 |
They live high in the canopy, |
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more at home on dipteryx's |
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They come down only when it's |
00:32:35 |
Then they must get their young |
00:32:54 |
The males descend to |
00:32:58 |
where they call to |
00:33:13 |
After mounting the female, |
00:33:17 |
She's off on a search for just |
00:33:21 |
a leaf overhanging |
00:33:26 |
Location is critical |
00:33:28 |
her brood could be washed away |
00:33:37 |
Sometimes the eggs are laid |
00:33:57 |
The eggs are encased |
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a gooey aquarium in which |
00:34:06 |
Only then will they drop into |
00:34:18 |
The young frogs rush to develop. |
00:34:21 |
And none too soon. |
00:34:26 |
A vine snake... three feet |
00:34:35 |
In just four days the eggs have |
00:34:39 |
but they're not ready to take |
00:34:45 |
Even so, they may not have |
00:34:53 |
At this stage, |
00:34:56 |
But in just a few more days |
00:34:59 |
allowing them to swim better. |
00:35:05 |
And once they're in the pond, |
00:35:09 |
Fish will find the premature |
00:35:24 |
It's a deadly dilemma |
00:35:28 |
or leap into the waiting mouths |
00:36:21 |
As if the fish weren't enough, |
00:36:23 |
the tadpoles must contend with |
00:36:27 |
A dragonfly nymph, |
00:36:30 |
is one of the fiercest creatures |
00:36:45 |
But there will always be some |
00:36:47 |
who sidestep instant death and |
00:37:01 |
Despite all appearances to |
00:37:03 |
even the dragonfly nymph will |
00:37:06 |
and take to the tropical air. |
00:37:21 |
Waking to a misty morning is |
00:37:30 |
The rains have cast their spell. |
00:37:33 |
And in the soil, the seeds of |
00:37:40 |
But before that can happen, |
00:37:59 |
A carpet of forest litter, |
00:38:03 |
now moisture melts it away. |
00:38:06 |
In just a few days, |
00:38:08 |
the nutrients locked away |
00:38:09 |
in the dead leaves will be |
00:38:23 |
Fungi and molds course over |
00:38:46 |
Fungi are the middlemen, |
00:38:48 |
mining the bodies of the dead |
00:38:50 |
for riches which they supply |
00:38:53 |
Here everything is recycled, |
00:38:56 |
as a new generation rises |
00:39:24 |
The seedlings respond in rhythm, |
00:39:27 |
spreading their leaves to |
00:39:29 |
folding them at dark. |
00:39:34 |
Young vines grope for support. |
00:39:37 |
They've traded strength for length, |
00:39:39 |
and need help to climb |
00:39:58 |
But wherever they grow, |
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they can't escape the hordes of |
00:40:11 |
To protect themselves from |
00:40:13 |
many tropical plants lace their |
00:40:17 |
But these new leaves haven't |
00:40:18 |
had the time to mount their |
00:40:28 |
Yet in the tropics, |
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There's always some insect |
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that can find an antidote to |
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And from then on, |
00:40:51 |
Leafcutter ants have found |
00:40:54 |
An army of workers seeks out |
00:40:58 |
any and all they can find. |
00:41:20 |
All herbivores are living |
00:41:23 |
They absorb just a small fraction |
00:41:27 |
The rest they return as manure |
00:41:29 |
rich fertilizer that feeds |
00:41:35 |
Unless if gets hijacked by |
00:41:41 |
A monkey dropping is a mother |
00:41:45 |
who fashion it into a ball, |
00:41:47 |
a combination pantry and nursery |
00:41:51 |
They roll their stash away, |
00:41:54 |
looking for a place to bury it |
00:42:07 |
A baby dipteryx enters this |
00:42:13 |
It started life as a tiny flower |
00:42:16 |
where it was pollinated and |
00:42:19 |
It was carried away in the claws |
00:42:21 |
who ate its flesh, |
00:42:25 |
It was buried alive by an agouti, |
00:42:27 |
and has lain in wait for |
00:42:31 |
Now, its time has come! |
00:42:43 |
Only one in a thousand ever |
00:42:47 |
The huge seed stored enough energy |
00:42:52 |
nine inch tall, with lots of green. |
00:42:58 |
Lots of juicy green. |
00:43:03 |
But it is not a delicacy. |
00:43:11 |
Not even a food of first choice. |
00:43:15 |
But when other juicy edibles |
00:43:18 |
...baby dipteryx does end up |
00:43:29 |
The parent tree has spent centuries, |
00:43:32 |
growing hundreds of feet and |
00:43:35 |
so at least one offspring will |
00:43:41 |
Yet all that effort can be |
00:43:54 |
It will never survive being |
00:43:57 |
And even those who remain intact |
00:44:05 |
They must have light to live. |
00:44:08 |
And light is hard to come by |
00:44:13 |
Each and every ray must penetrate |
00:44:17 |
layers of foliage to reach |
00:44:24 |
Animals can search out light, |
00:44:29 |
but the seedlings, rooted in place, |
00:44:34 |
They make do with sun specks that |
00:44:39 |
illuminating them for |
00:44:57 |
Even if it gets its moment |
00:44:59 |
...the fall of a single leaf |
00:45:11 |
A new day in the forest sometimes |
00:45:17 |
If a new tree is to thrive, |
00:45:46 |
For the plants that have struggled |
00:45:48 |
to survive in its shadow, |
00:45:51 |
this is a reprieve from |
00:45:54 |
A light gap has been torn |
00:45:58 |
It has been centuries since |
00:46:02 |
For seedlings starved for the sun |
00:46:12 |
A race for the life-giving light |
00:46:16 |
There will be winners and losers |
00:46:18 |
as each plant tries to crowd |
00:46:25 |
Into the new light comes |
00:46:28 |
biologist Phil Devries. |
00:46:30 |
Phil studies the world of |
00:46:32 |
and he's discovered some astonishing |
00:46:36 |
Since I've been a small child |
00:46:38 |
I noticed plants and |
00:46:40 |
I like being in nature and |
00:46:43 |
I can think of nothing more |
00:46:47 |
than being surrounded completely |
00:46:50 |
and I literally mean up, down, |
00:46:53 |
with life and that's what being |
00:46:55 |
in a tropical rain forest is |
00:46:59 |
His love for this forest world |
00:47:01 |
is neatly matched to his quick eye |
00:47:06 |
I observe as much as I possibly can, |
00:47:09 |
and effectively what |
00:47:12 |
"Hello organism, |
00:47:15 |
and who do you interact with while |
00:47:19 |
as a butterfly or an ant or |
00:47:23 |
I can use butterflies literally |
00:47:27 |
and tell me what |
00:47:30 |
Phil has uncovered a light gap plant |
00:47:33 |
that's developed an unexpected |
00:47:35 |
relationship with |
00:47:37 |
an ant and a butterfly caterpillar. |
00:47:41 |
Croton provides sugar secretions |
00:47:44 |
which attracts ants to |
00:47:47 |
and the ants when they're |
00:47:51 |
...deter herbivores, |
00:47:57 |
The plant actually uses ants |
00:48:01 |
bribing them with a sugary nectar. |
00:48:03 |
The ants keep away any insect |
00:48:09 |
However, this is really what |
00:48:14 |
It's an herbivore as well, |
00:48:16 |
but the ants don't bother it |
00:48:18 |
because it produces sugar |
00:48:24 |
The butterfly caterpillar uses |
00:48:26 |
its sugar secretions just |
00:48:29 |
as a tasty bribe. |
00:48:33 |
It keeps the ants well-fed in |
00:48:41 |
Back to ants & caterpillar |
00:48:42 |
The funny thing about this |
00:48:45 |
it bribes these ants with |
00:48:47 |
and the ants act like guard dogs |
00:48:50 |
and help protect it from |
00:48:56 |
In addition to producing sugar |
00:49:00 |
this caterpillar has another trick |
00:49:05 |
Phil has made another remarkable |
00:49:09 |
These caterpillars can actually |
00:49:12 |
To capture this amazing talent Phil |
00:49:14 |
has designed special audio |
00:49:19 |
This gear I have here is |
00:49:23 |
very sensitive microphone. |
00:49:25 |
I use this to listen to well, |
00:49:27 |
basically, sounds that nobody |
00:49:30 |
and I'm listening to this |
00:49:33 |
And how these caterpillars produce |
00:49:35 |
their songs are pretty interesting in that on the top |
00:49:38 |
of their head there are long bridges, |
00:49:41 |
and right above the head |
00:49:43 |
there's a collar where there are |
00:49:47 |
and the two rods beat up and |
00:49:49 |
and then the head moves in and out, |
00:49:51 |
and these little rods have |
00:49:53 |
and what they do is they hit |
00:49:56 |
and then it's rasping back |
00:49:57 |
and forth like a Latin American |
00:50:00 |
Caterpillar on mic, |
00:50:13 |
I think it's fair to say, |
00:50:16 |
I have the world's largest |
00:50:25 |
Now let's see what happens |
00:50:27 |
when we reintroduce this |
00:50:32 |
Upon its return, |
00:50:34 |
the caterpillar puts its musical |
00:50:39 |
mimicking the calls of ants. |
00:50:42 |
The ants respond as we would, |
00:50:45 |
They rush over immediately. |
00:50:49 |
Danger is never far away. |
00:50:57 |
This guard ant earns its keep. |
00:50:59 |
An assassin bug could skewer |
00:51:02 |
the caterpillar and suck it dry. |
00:51:04 |
But it's no match for the ant. |
00:51:11 |
A parasitic wasp fares no better. |
00:51:21 |
In the tropical forest, |
00:51:22 |
every creature lives within |
00:51:25 |
shifting always between harmony |
00:51:33 |
The lesson that I've learned is |
00:51:34 |
that it's probably just scratching |
00:51:39 |
of interactions that you have in |
00:51:44 |
The picture that emerges from |
00:51:48 |
when you think about |
00:51:51 |
there are of plants in the tropics, |
00:51:56 |
It's very humbling to realize that, |
00:51:58 |
even though I know a little bit |
00:52:01 |
within the context of |
00:52:03 |
I know absolutely nothing. |
00:52:09 |
This little dipteryx, of course, |
00:52:12 |
also knows nothing of the complex |
00:52:15 |
that have brought it into the light. |
00:52:18 |
So far, it has beaten the odds. |
00:52:20 |
And if its luck holds out, |
00:52:21 |
it may someday become |
00:52:36 |
Dipteryx, large and small, |
00:52:38 |
is at the heart of |
00:52:42 |
Unveiling this grand design |
00:52:46 |
of Barro Colorado Island |
00:52:49 |
a labor of love, |
00:52:56 |
Perhaps centuries from now, |
00:52:58 |
the forest will still be here |
00:53:02 |
still be working in |
00:53:04 |
when our tiny seedling finally |