National Geographic Treasure Seekers Code of the Maya Kings
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Code of Maya Kings |
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They would tantalize explorers |
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ruined cities lost in the jungles |
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Inscrutable faces etched in stone. |
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Mysterious writing. |
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Who had left these messages |
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It would take more than a century to |
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Two extraordinary people |
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Separated by 100 years, |
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they would unveil one of the greatest |
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Code of Maya Kings |
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Chichen Itza, Mexico 1842. |
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An American lawyer named |
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wanders the empty ruins |
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He knows what he wants to find. |
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It has kept him going |
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exploring the desolate jungles |
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Kept him pushing on |
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poisonous snakes, and insect-plagued |
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Stephens, the lawyer, |
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undeniable evidence that these ruins |
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or the Phoenicians or the Lost Tribes |
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And here at Chichen Itza he thinks |
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Writing unlike that of |
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The same writing he'd seen at other |
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Proof of an ancient empire |
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more sophisticated than anyone |
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Stephens himself was a product of |
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He was born in 1805, the son of |
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The city wasn't much more than |
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but it was the hub of a new nation. |
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Stephens grew up |
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watching the ships come in |
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After reading law, |
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Soon he got into politics, |
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campaigning vigorously for |
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But months of shouting to the crowds |
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His doctor prescribed a common remedy |
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a grand tour of Europe. |
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The ancient ruins of Italy and Greece |
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Stephens went on to Egypt, |
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and spent three months |
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visiting the temples and monuments |
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Only a decade before a Frenchman |
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revealing the rich history |
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Stephens was fascinated, |
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He'd seen pictures of |
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lost for century to all |
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Everyone told him the journey was too |
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so Stephens disguised himself |
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and took the name Abul Hassis. |
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In 1836, John Lloyd Stephens |
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was the first American to set eyes |
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In Roman times it had been one of |
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Stephens still found it dazzling: |
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"A temple delicate and limpid, |
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carved like a cameo |
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the first view |
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must produce an effect |
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Stephens letters home |
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they were published |
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Soon, he was writing books recounting |
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The lawyer had become |
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He was a seasoned observer, |
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In fact, Herman Melville |
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when he was in church, |
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He heard that Stephens |
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And when Stephens left, |
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"I thought this man must have great |
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he was such a good observer," |
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Back in New York the life |
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no longer held any charm for Stephens. |
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Instead, his mind was filled with |
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not so far away, but even more |
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On his way home through London, |
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he met an artist named |
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who'd spent ten |
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They shared their interest |
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Sensing a kindred spirit, Catherwood |
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about a lost city in Central America |
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The book's authors thought |
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had been built by Egyptians, |
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Carthaginians, maybe even |
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Anyone but the Native Americans. |
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There was sort of a racism in here |
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everything great had come |
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through the European tradition. |
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And anything different |
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to be a bunch of naked savages |
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In 1839, no one believed |
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capable of building |
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Stephens' own government |
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Only a year earlier |
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sending them westward |
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The thought of a great ancient |
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seemed even more preposterous. |
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A few travelers had reported |
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but Stephens could find |
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It was a travel writer's dream, |
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he would have to bring back |
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But who better to accompany him |
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now practicing architecture |
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Only one small problem remained, |
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the newly formed |
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was fighting a bitter civil war. |
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Using his political connections, |
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Stephens secured a post |
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He figured his diplomatic coat would |
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So in October 1839, |
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Catherwood bid farewell to |
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and now they were here, |
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The ruins of Copan was |
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But when they found |
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no one there had ever head |
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Finally, a knowledgeable Indian |
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But that was hours ago. |
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Now they were beginning to think that |
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When suddenly, there they were, |
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the Ruins of Copan. |
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Pyramids rose majestically |
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Great stone faces peered at them |
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twice the size of a man. |
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Stephens noticed hieroglyphs |
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to be as fine |
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yet his experience told him |
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The silence of the once |
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Copan lay before us like a shattered |
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her masts gone, her crew perished, |
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I think the description of Copan |
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is the single most poetic description |
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for it is though he is walking |
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and he's looking at the shipwreck |
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He walks from monument to monument. |
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It is through he's looking into |
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who have recently been |
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America, say historians, |
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But savages never reared |
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savages never carved these stones, |
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architecture, sculpture and painting, |
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had flourished |
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and yet none knew that |
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or could tell of |
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He's the first who is |
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Look at these stone figures; |
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these must be portraits of |
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And he uses the word queen |
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in seeing men and women in the |
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all the men and women that Stephens |
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by 20th century archeologists to |
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Stephens has this kind of Yankee |
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The best part of many of |
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they prove to be absolutely true. |
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Yet Stephens was deeply puzzled |
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Who could have built |
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The local Indians didn't seem to know. |
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Stephens needed their help |
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but the owner of the land interfered. |
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Finally, it seemed that the only |
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So the lawyer put on |
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and went to the village to negotiate. |
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You are perhaps curious to know |
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I paid $50 for Copan. |
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There was never any difficulty |
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I offered that sum, for which |
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If I had offered more, |
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he would probably have considered me |
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Ownership settled, the team set about |
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measuring and mapping its buildings. |
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Catherwood is a remarkable |
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I wish we knew more about him. |
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One gains some sense of the |
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just from the written word. |
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The Catherwood personality |
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Stephens treats him very formally, |
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At first Mr. Catherwood found it |
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Their tropical luxuriance defied |
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Stephens mentions coming upon him |
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Catherwood is standing in front of |
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It is a statute of one of the Copan |
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Catherwood's standing there almost |
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which represents the output so far |
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that day of unsuccessful attempts |
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Fortunately, Catherwood had |
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with a prism inside which allowed him |
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To please the perfectionist |
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every detail had to be correct. |
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With the coming of Spring, |
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the search for the next great goal, |
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The territory to the north, |
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through the Sierra Madras Mountains, |
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As one local said, the road to |
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Snakes and clouds of mosquitoes |
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To Stephens the worst part was |
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the local custom of carry a visitor up |
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strapped to the back of an Indian. |
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I rose and fell with every breath, |
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and his knees seemed giving way. |
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The slightest irregular movement on my |
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I would have given him a release |
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for the rest of the journey |
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On and on they traveled. |
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It took more than a month |
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that had first inspired their journey. |
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Palenque seemed to hang on |
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It's graceful buildings dominating |
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Wherever we moved, |
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their skills in arts, |
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In the midst of desolation and ruin, |
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cleared away the gloomy forest |
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and fancied every building perfect, |
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Palenque's architecture |
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but Stephens noticed many similarities, |
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Examining it carefully, |
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There is room for the belief that |
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was once occupied by the same race, |
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or at least having the same |
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The Indians Stephens met |
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and were as mystified |
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Yet, intuitively, Stephens seemed |
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Stephens, I think, is the first person |
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between the Indians that he sees |
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Whereas other people want to say, |
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these miserable Indians, |
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We must look for some |
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to where these things |
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He believes that here |
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And that, I think, is one of the most |
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At night, Stephens and Catherwood |
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they called The Palace. |
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The rainy season had begun, |
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venomous during the day, |
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Catherwood was already |
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but somehow they kept on working, |
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for 22 days and sleepless nights, |
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Exhausted, they pushed on, |
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but Catherwood was too ill |
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Vowing to return, |
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In 10 months the two explorers |
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They had rediscovered an ancient |
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than anyone had ever dreamed. |
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Now they were ready to |
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Stephens's books was incredible popular |
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Incidents of Travel |
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Chiapas, and Yucatan. |
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Harper and Brothers had printed up |
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and it sold out pretty quickly. |
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Stephens writes a real page-turner. |
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It is such a personal view, |
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and it becomes one of the great |
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It goes through dozens of editions. |
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And there is an enormous American |
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desire to know more about |
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They were lionized |
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They were quite the thing |
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It was reviewed everywhere. |
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Just an amazing publication epic, |
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so the trip was a success |
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Seventeen month after they'd left Mexico, |
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Stephens and Catherwood |
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exploring the city of Uxmal. |
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On this second journey, |
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they concentrated their efforts |
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Inching their way through the jungle, |
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entirely unknown, with names |
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Stephens felt they were |
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Everywhere they went, they found |
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Catherwood even learned how to sketch |
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At Uxmal, the artist drew the face of |
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Years later, it was destroyed. |
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Catherwood's illustration is |
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They performed the greatest service, |
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perhaps, in freezing in time |
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and images of a land that |
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They're romantic pictures, |
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yet at the same time |
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Many of Catherwood's renderings, |
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and Magna and other sites |
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that we have of what Mayan people |
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We had no earlier record. |
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In the town of Balankanche, |
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the explorers visited |
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Catherwood was so inspired, |
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he began his memorable sketch |
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It was the wildest setting |
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men struggling up a huge ladder |
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strapped to back and head, |
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their sweating bodies glistening |
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One of the last places they explored |
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Its architecture moved them more than |
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Most exciting of all was the revelation |
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to Copan and Palenque hundred |
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It was the first time in Yucatan |
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that we had found hieroglyphics |
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which beyond all question |
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with those at Copan and Palenque. |
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If one but could read it. |
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Finally, Stephens felt he had the |
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The mysterious writing was unique, |
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Now he could convince the skeptics |
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that the ruined cities had been built |
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These ruins are different than the |
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Of a new order, they stand alone. |
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In the nine months |
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Stephens and Catherwood managed |
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And gather some treasures for |
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But they paid a heavy price |
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Malaria would haunt both men |
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John Lloyd Stephens would fight |
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before succumbing to it in 1852. |
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Frederick Catherwood |
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a few years later in a shipwreck. |
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This is the only image we have of him. |
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For there was another sad chapter |
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The fate of the great exhibition |
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This fire started one night |
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and literally overnight it wiped out |
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The drawings, |
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the limestone carvings they had |
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Thank goodness for the books. |
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And I thank the Fates everyday |
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that somebody at Harper and Brothers |
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had the foresight to heavily |
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because what a shame |
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Fortunately, before he died, |
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Catherwood issued exquisite folios |
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They inspired generations of |
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to the land of the Maya. |
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But Stephens' insights would have |
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His greatest intuition-that |
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of their lives on the monuments- |
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The legions of archeologists |
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who came after him were able |
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but only those that spoke of numbers, |
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Carried away by the discovery that the |
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archeologists fashioned a picture |
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obsessed with calendars and time. |
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When John Lloyd Stephens |
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he had seen real kings and queens. |
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One hundred years later, |
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archeologists saw only the calculations |
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It would take a fresh set of eyes |
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carvings and prove that |
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The story of Tatiana Proskouriakoff |
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outside the realm of Maya studies. |
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Yet, in that field she is a giant, |
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a woman in a man's world |
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and deeper than her |
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What we know of |
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the exciting revelations emerging |
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is built on her work. |
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Speaking of Copan, she was the first |
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She was the one who supplied |
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Tatiana, or Tanya, |
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was born in Tomsk, |
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Her mother, the daughter of |
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Her father, a chemist. |
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World War I shattered |
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In 1915, Tanya's father was sent |
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to supervise arms manufacturing |
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With the coming of |
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the family was trapped and began |
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At work on the first biography |
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Char Solomon has been uncovering |
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Tanya's story is compelling to me |
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because she was born in Russia |
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She came to the United States. |
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She acquired English |
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and mastered it in such a way that it |
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became the equivalent of |
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She chose a profession |
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when many women did not |
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Tanya majored in architecture |
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one of the only women to do so |
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It was 1930, the height of |
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Tanya spent several dispiriting years |
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then settled for a job making drawings |
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The search for good subjects led her |
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at the University of Pennsylvania. |
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Tanya's skillful drawings attracted |
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an archeologist looking for |
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deep in the jungles of Guatemala. |
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The ruined City of Peidras Negras |
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from her close-knit Russian family, |
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but Tanya was ready for an adventure. |
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The small party set off for Guatemala |
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On their way, |
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the graceful ruined city |
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the explorers Stephens |
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Tanya was equally entranced. |
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She, in older years, said that |
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when she first saw the elegant |
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she knew she had found her vocation, |
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that there would never be anything else |
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Tanya's pencil responded easily |
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The young Russian American had felt |
00:34:51 |
But settling in the Peidras Negras |
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Tanya had to learn how to survey |
00:35:04 |
As an outsider, as a woman |
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and trying to find a way into it, |
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allowed to sit there |
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and make observations |
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I think she had to pay for |
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I think, was someone who was able to |
00:35:36 |
In Mayan archeology in the 1932s, |
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'the boys' were |
00:35:43 |
This was a group of people |
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people from mostly Ivy League, |
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They were all great friends. |
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They were all, as most archeologists |
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people of independent means. |
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They could do what |
00:36:06 |
Even in the bush these silver-spoon |
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At Peidras Negras, |
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beginning with cocktails. |
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Somewhere around 5 o'clock |
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and they would dress elegantly. |
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Tanya had a white dress, |
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that she packed along with her. |
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She would slough through the mud |
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and then sort of tuck the muddy bottom |
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so that no one would notice. |
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There was a little bit of challenging |
00:36:56 |
He had suggested that |
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did not have a staircase |
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and she felt strong that |
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there would have been |
00:37:08 |
So he said, well, |
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there was a staircase there, |
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then you have to dig and find me |
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And to her delight, |
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Tanya began to sketch reconstructions |
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based on the archeological data. |
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Her drawings were so impressive, |
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they earned her a sketching tour |
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Her first stop was Copan. |
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Noted Mayanist Ian Graham shared |
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at Harvard's Peabody Museum. |
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He remembers her tails of Copan |
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Anyway, she landed, |
00:38:09 |
There were some fairly |
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One was an amazing man |
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Gustav Stromsvik, |
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who worked for the |
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fell deeply in love with her. |
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And Tanya had a period |
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what this relationship |
00:38:34 |
Stromsvik was |
00:38:39 |
He was very outgoing. |
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He was a raconteur, and she loved |
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she loved to laugh. |
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So she was drawn to him. |
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But on the other hand, Stromsvik had |
00:39:01 |
Particularly on Saturday nights, |
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Tanya seemed to handle it |
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It's amazing. |
00:39:12 |
She led such a protective life |
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and in her suburban life |
00:39:21 |
But she had grit. |
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Tanya's next stop was Chichen Itza, |
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center of the Mayan world |
00:39:39 |
The ancient city |
00:39:42 |
as archeologists from |
00:39:45 |
pieced it back together. |
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Half of rebuilding has gone |
00:39:53 |
Welcoming the throngs |
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who would serve |
00:39:58 |
for more than 20 years, |
00:40:02 |
known for his oversized straw hats |
00:40:13 |
At Chichen Itza, |
00:40:14 |
he lived in grand style |
00:40:21 |
Every evening a Chinese cook |
00:40:25 |
and his band of archeologists. |
00:40:31 |
Envious colleagues referred to them |
00:40:39 |
On special evenings Morley |
00:40:42 |
of the Maya ball court for a concert, |
00:40:46 |
amplified by the court's |
00:40:54 |
Tanya would join the others |
00:40:57 |
to conjure the spirits |
00:41:04 |
For to the Carnegie Club, the Maya |
00:41:10 |
unlike any other people |
00:41:16 |
These ancient wise men |
00:41:20 |
Instead, they had spent their time |
00:41:24 |
and a system of writing used |
00:41:33 |
The author of this view of the Maya |
00:41:38 |
an acerbic Englishman |
00:41:40 |
for nearly 50 years. |
00:41:44 |
No one, not even Morely |
00:41:50 |
As Thompson began to |
00:41:52 |
no one had the strength |
00:41:54 |
Morely was the one who tried. |
00:41:56 |
In Morely's early works |
00:41:59 |
He is overwhelmed by Thompson's |
00:42:04 |
This makes it very difficult |
00:42:07 |
and particularly when one can imagine |
00:42:11 |
is probably generally preceded |
00:42:16 |
Thompson may have been able to cow |
00:42:20 |
but he hadn't bargained |
00:42:26 |
My general sense of her is absolutely |
00:42:32 |
well, it looks like rain, |
00:42:35 |
ah, there's not a drop of |
00:42:37 |
She was the kind of person |
00:42:40 |
Oh, it's too warm in here, |
00:42:41 |
she would immediately go turn up |
00:42:44 |
and make it a little warmer. |
00:42:46 |
She just had a kind of |
00:42:49 |
I think that helped her also then say, |
00:42:53 |
well, if you say the Maya are peaceful, |
00:42:55 |
let's look at them |
00:42:59 |
Bit by bit, Tanya began to ask |
00:43:04 |
She also started to study |
00:43:07 |
convinced that they had something |
00:43:14 |
When she was in highlands Chiapas, |
00:43:16 |
she took some lessons learning |
00:43:21 |
that the Maya work with. |
00:43:23 |
At the same time, the same young woman |
00:43:27 |
This is something a lot of people |
00:43:31 |
she did study Yucatex Maya. |
00:43:40 |
Tanya's intuition that the living Maya |
00:43:45 |
to the past was borne out by |
00:43:55 |
An American filmmaker named |
00:44:00 |
to show him one of their secret place. |
00:44:03 |
The Indian lead Healy to Bonampak, |
00:44:14 |
Peering into a building, |
00:44:17 |
looking back at him from the walls. |
00:44:28 |
Armies were locked in a furious battle. |
00:44:33 |
Other scenes showed prisoners of war |
00:44:41 |
Try as Thompson might, it was |
00:44:47 |
that these depicted a peaceful Maya, |
00:44:56 |
we see one of the greatest |
00:44:58 |
ever created in the history |
00:45:04 |
Proskouriakoff had not been allowed |
00:45:06 |
to write a single interpretive word |
00:45:10 |
but I've always wondered if it did not |
00:45:13 |
in shaping how she looked at |
00:45:19 |
Sir Eric Thompson effectively |
00:45:23 |
preventing other Mayanists from |
00:45:24 |
pursuing the bloody implications |
00:45:30 |
Nevertheless, the flaws |
00:45:33 |
in his vision of the peaceful Maya. |
00:45:41 |
A few years later, another piece of |
00:45:48 |
In a bookstore in Mexico, |
00:45:52 |
by a Russian named Yuri Knorozov. |
00:45:56 |
Always interested in things Russian, |
00:45:59 |
she avidly read his new theory |
00:46:03 |
Eventually, it would prove the key |
00:46:10 |
But for years Sir Eric Thompson |
00:46:13 |
as Communist propaganda. |
00:46:21 |
In the late 1950s, Carnegie closed down |
00:46:26 |
a victim of new priorities. |
00:46:30 |
But Tanya was kept on as a research |
00:46:32 |
associate with an office |
00:46:40 |
Her days in the field were over, |
00:46:46 |
In her little apartment in Cambridge, |
00:46:51 |
When reading through Tanya's diaries, |
00:46:57 |
she made a very conscious decision |
00:47:04 |
She began working much more |
00:47:10 |
In her mind Tanya had returned |
00:47:16 |
the site of her first experience |
00:47:22 |
Puzzling over the monuments, |
00:47:24 |
she noticed a peculiar pattern |
00:47:29 |
Over and over, the same glyphs |
00:47:34 |
and on each of the monuments none |
00:47:44 |
Suddenly to Tanya the evidence |
00:47:48 |
the monuments were marking the stages |
00:47:55 |
Where others had seen |
00:47:58 |
Tanya Proskouriakoff saw the lives |
00:48:06 |
It was a conclusion that cut |
00:48:10 |
Sir Eric Thompson believed. |
00:48:13 |
Tanya marshaled her facts, |
00:48:15 |
then showed Thompson her article |
00:48:19 |
And when she talked with him |
00:48:23 |
he disagreed strongly with |
00:48:28 |
When he took the article home |
00:48:32 |
he came back the next day and said, |
00:48:34 |
I believe you're right |
00:48:36 |
from someone who was considered |
00:48:42 |
And from that time on, |
00:48:46 |
you knew that it didn't deal with |
00:48:49 |
it deal with human beings, |
00:48:51 |
In one sense, everything |
00:48:53 |
and in the interpretation |
00:48:55 |
has been a footnote to what Tanya did. |
00:48:57 |
She did the general breakthrough. |
00:48:59 |
When she and Yuri Knorozov in Russia |
00:49:02 |
came up with through |
00:49:06 |
We went on a roll. |
00:49:15 |
Once the code breakers went to work, |
00:49:17 |
a more human image of the Maya |
00:49:21 |
Written in the monuments |
00:49:27 |
their ancestors, |
00:49:35 |
Across the centuries the Maya |
00:49:39 |
kings and queens, |
00:49:45 |
full of the voices of the people |
00:49:52 |
Things were changing at |
00:49:55 |
We can read about, I would guess, |
00:49:57 |
75 or 80 percent of the inscriptions |
00:50:02 |
Given that in 1960 we could barely |
00:50:11 |
David Stuart began deciphering Maya |
00:50:17 |
Tanya Proskouriakoff is |
00:50:22 |
He met her shortly before she died, |
00:50:24 |
when she was continuing her careful |
00:50:30 |
In 1998, Stewart took her ashes |
00:50:36 |
for burial at a sight high |
00:50:40 |
We didn't realize how poignant |
00:50:44 |
Most of us were students |
00:50:47 |
in our 30s at the oldest. |
00:50:51 |
And it sort of dawned |
00:50:55 |
was the remains of this great lioness, |
00:50:57 |
The Guatemalans who were |
00:51:02 |
because this was the woman who had |
00:51:17 |
At the end of his pioneering journey |
00:51:22 |
the explorer, John Lloyd Stephens |
00:51:24 |
had been the first to state |
00:51:27 |
One thing I believe, that its history |
00:51:35 |
More than 100 years later, we finally |
00:51:46 |
At Palenque, Copan, Chichen Itza, |
00:51:58 |
the ancient Maya now speak for themselves. |