National Treasure Book of Secrets
|
00:00:53 |
[Fireworks exploding] |
00:01:03 |
[Crowd clamoring] |
00:01:12 |
[Indistinct chatter] |
00:01:16 |
[Man] He's in the other room. |
00:01:26 |
- Are you Thomas Gates? |
00:01:30 |
We got something |
00:01:33 |
I hear you're quite good |
00:01:37 |
- [Man] It's a coded message. |
00:01:42 |
- Playfair cipher? |
00:01:45 |
Cipher's impossible to decode |
00:01:48 |
- What do you mean by "a key"? |
00:01:52 |
I believe what you need is right there. |
00:01:55 |
It'll take some time. |
00:01:59 |
Go on. I'll take your diary. |
00:02:08 |
- [Horse grunts] |
00:02:26 |
[Man]... calculate the distance |
00:02:29 |
in about most things |
00:02:31 |
[Laughter] |
00:02:34 |
...ready to pour out all over you |
00:02:38 |
[Laughter] |
00:02:43 |
[Woman] I'll take care not to |
00:02:47 |
till I am quite sure of the American. |
00:02:49 |
- [Woman 2] Ah, that's my own girl. |
00:02:54 |
Augusta, dear, to your room. |
00:03:00 |
[Man]... to turn you inside out, old |
00:03:04 |
- [Audience laughs] |
00:03:13 |
Sic semper tyrannis! |
00:03:21 |
- [Grunts] |
00:03:27 |
[Indistinct chatter] |
00:03:33 |
[Gates] Temples. |
00:03:36 |
Gold. |
00:03:37 |
Cibola? This is a treasure map. |
00:03:42 |
KGC? You're Knights of the |
00:03:47 |
You're all traitors. |
00:03:50 |
- [Man] President Lincoln's been shot! |
00:03:54 |
[Boy] Killer's on the loose! |
00:03:59 |
I'd much appreciate it if you'd finish |
00:04:03 |
- [Glass shatters] |
00:04:07 |
[Grunts] |
00:04:08 |
- Dad! |
00:04:13 |
No! |
00:04:18 |
- No! |
00:04:26 |
You're wrong about that. |
00:04:30 |
The war has only just begun! |
00:04:37 |
[Gasping] Charles. |
00:04:40 |
The debt that all men p... [stammers] |
00:04:45 |
Dad! No, please! |
00:04:52 |
[Sobbing] Come back. It's not fair. |
00:04:56 |
Help! Somebody help, please! |
00:05:00 |
So recapping: |
00:05:01 |
The Knights of the Golden Circle |
00:05:06 |
operating in the north |
00:05:09 |
Had Thomas not burned the legendary |
00:05:13 |
the killers may have found |
00:05:16 |
and the Union may well have |
00:05:19 |
- Thank you. |
00:05:24 |
[Man] I'd like |
00:05:27 |
Thank you. |
00:05:30 |
And say what a wonderful addition Thomas |
00:05:34 |
Thank you. |
00:05:37 |
Thank you, Dr. Nichols. |
00:05:40 |
had been here to see this wonderful day. |
00:05:42 |
[Man] Excuse me. |
00:05:45 |
What do you think happened |
00:05:48 |
- that was pulled out of the fire? |
00:05:51 |
Perhaps. |
00:05:53 |
- Perhaps not. |
00:05:56 |
You see, I have one of those |
00:06:00 |
way up in my family tree, |
00:06:04 |
He used to tell a story |
00:06:08 |
As Silas tells it, |
00:06:10 |
Booth didn't seek out Thomas Gates |
00:06:15 |
It was Thomas who called the meeting. |
00:06:17 |
A meeting to plan |
00:06:20 |
- How absurd. |
00:06:22 |
[Crowd murmuring] |
00:06:24 |
Ladies and gentlemen, |
00:06:28 |
...one of the missing pages from the |
00:06:32 |
with the name Thomas Gates written on |
00:06:40 |
- And Latin? |
00:06:43 |
He shouted, "Sic semper tyrannis" |
00:06:47 |
- "Thus always to..." |
00:06:51 |
- "Surratt, copiae"? |
00:06:55 |
Mary Surratt was convicted and hanged |
00:06:57 |
for supplying Booth with |
00:07:04 |
- "Thomas Gates, artifex." |
00:07:08 |
- or "mastermind." |
00:07:13 |
He must have, |
00:07:16 |
- I see. |
00:07:20 |
You see that? |
00:07:23 |
I can only imagine how difficult |
00:07:26 |
- May I, Mr? |
00:07:29 |
I'll see if this new page |
00:07:32 |
This is an outrage. |
00:07:35 |
With respect, now you're calling |
00:07:39 |
Yes, sir, I am. This isn't |
00:07:42 |
My grandfather |
00:07:45 |
- I saw the truth of it in his eyes. |
00:08:01 |
We'll test this thoroughly, |
00:08:05 |
It can't be. |
00:08:07 |
Maps to presidents' houses. |
00:08:10 |
Keys to locks that don't exist. |
00:08:13 |
What's the point? |
00:08:18 |
Proof, proof, proof. |
00:08:22 |
What proof? |
00:08:44 |
Oh, wow. Is this a book |
00:08:48 |
Yes, it is about the Templar treasure, |
00:08:52 |
Conspiracy theories, urban legends |
00:08:57 |
- So the author's here signing copies? |
00:09:01 |
- You are? |
00:09:03 |
There's a picture of me right there. |
00:09:07 |
I think it's a pretty good picture. |
00:09:09 |
I thought that guy, |
00:09:13 |
Well, yes, Ben did, |
00:09:17 |
- Oh, I've never heard of you. |
00:09:24 |
Oh, my gosh. Are you Ben Gates? |
00:09:29 |
- Yes. Yes, I am. |
00:09:35 |
- Yes, I do. |
00:09:38 |
Hm? |
00:09:42 |
[Laughs] |
00:09:49 |
Wait! Wait! That's my car! |
00:09:53 |
[Wheels squeaking] |
00:09:58 |
Where's the Ferrari? |
00:10:01 |
- IRS impounded it. |
00:10:04 |
Funny story. |
00:10:09 |
on an island that didn't exist |
00:10:11 |
and assured me |
00:10:14 |
Then I got audited and slapped |
00:10:20 |
Wanna know what taxes |
00:10:23 |
Six million dollars. |
00:10:26 |
But enough about me. |
00:10:28 |
[Sighs] What's new with you? |
00:10:31 |
Well, my girlfriend kicked me out, |
00:10:35 |
- my family killed President Lincoln. |
00:10:40 |
I need your help. |
00:10:42 |
[Man] I can't believe |
00:10:45 |
[Ben] I need to get Abigail's ID. |
00:10:49 |
Why don't you ask Abigail for her help? |
00:10:51 |
She changed the alarm code, Riley. |
00:10:54 |
All right. |
00:10:55 |
We have 30 seconds after |
00:11:01 |
- Go. |
00:11:06 |
I'll probably regret asking this, but |
00:11:12 |
I don't know. I don't know. |
00:11:16 |
"So?" |
00:11:18 |
Yeah, like, |
00:11:21 |
"So, you seem to always know what's |
00:11:25 |
Now I've moved out, |
00:11:27 |
- [beeping] |
00:11:29 |
Women. Can't live with them, especially |
00:11:34 |
You did that in 25 seconds. |
00:11:37 |
That's why I tell people to get a dog. |
00:11:41 |
- Got it. |
00:11:44 |
[Car approaching] |
00:11:50 |
[Ben] That's not Abigail's car. |
00:11:55 |
[Ben] She was on a date. |
00:11:56 |
Isn't that that guy? |
00:12:00 |
The White House Easter Egg Roll |
00:12:04 |
He's weird! |
00:12:05 |
[Abigail] What happens if kids |
00:12:07 |
[Man] Wow. You work in a museum, |
00:12:10 |
[Abigail] Pretty much. |
00:12:12 |
What clever repartee. |
00:12:14 |
[Abigail] All right, let me give you |
00:12:17 |
- OK. |
00:12:20 |
Oh, Abigail. |
00:12:22 |
- What are you doing here? |
00:12:26 |
- Connor, good to see you again. |
00:12:30 |
How did you get in, Ben? |
00:12:34 |
Riley! Come out here! |
00:12:39 |
What? [laughs] |
00:12:43 |
Hey! What are you doing here? |
00:12:47 |
I sent you a copy of my book. |
00:12:50 |
- No, I haven't read it yet. |
00:12:54 |
I know you. |
00:12:56 |
- I'm Riley. We met, uh, back in... |
00:13:01 |
What? |
00:13:03 |
Um, maybe I should go. |
00:13:05 |
- Yeah, I'm really... |
00:13:10 |
I... I actually already |
00:13:12 |
You do? |
00:13:15 |
- Of course you do. |
00:13:18 |
- Awkward. |
00:13:22 |
- Good night. |
00:13:25 |
I cannot believe you broke in. |
00:13:27 |
- What did you take? |
00:13:32 |
Hand it over, Ben. |
00:13:33 |
[Sighs] I need to see |
00:13:35 |
You saw the page yourself. |
00:13:39 |
No, it's a cipher leading to a map. |
00:13:43 |
No need to. The ink writing |
00:13:47 |
It could have been erased or faded. |
00:13:49 |
You're the director of document |
00:13:52 |
Not up to me. |
00:13:54 |
That department reports |
00:13:57 |
Come on. One look under infrared. |
00:13:59 |
You can have the Boston Tea Tables. |
00:14:07 |
Both of them? |
00:14:09 |
[Beeping] |
00:14:12 |
[Riley] We've been looking |
00:14:15 |
There's nothing there. |
00:14:17 |
Ben, I really don't think we're |
00:14:22 |
In a hundred years, |
00:14:24 |
anyone involved in the Lincoln |
00:14:28 |
That's not true. Do you know |
00:14:32 |
- Yes. Of course. |
00:14:34 |
- You know the origin of the expression? |
00:14:39 |
Dr. Samuel Mudd was convicted |
00:14:43 |
in the Lincoln assassination. |
00:14:46 |
He was later pardoned, |
00:14:49 |
Mudd's name still lives in infamy. And I |
00:14:56 |
- [Abigail] Ben. |
00:14:58 |
Look at this. |
00:15:01 |
- See that? |
00:15:03 |
- That's quite something, isn't it? |
00:15:09 |
It's nothing. |
00:15:13 |
Residual ink |
00:15:17 |
The letters are backwards. |
00:15:19 |
- It's a cipher. |
00:15:21 |
A cipher. |
00:15:23 |
Playfair ciphers encode letters |
00:15:29 |
Unless you decode the cipher, |
00:15:33 |
That's OK. |
00:15:36 |
- What's the keyword? |
00:15:38 |
- All right. |
00:15:41 |
[Riley] There's a billion words |
00:15:44 |
Got to be a logical... |
00:15:47 |
A. Aardvark. |
00:15:49 |
Don't want to rain on your parade here, |
00:15:53 |
Dr. Nichols from announcing |
00:15:57 |
No, now, wait. Can't you ask him to |
00:16:03 |
What if he isn't innocent? |
00:16:06 |
[Beeping] |
00:16:15 |
Sir? Looks like our old friend |
00:16:19 |
What did he find now? Atlantis? |
00:16:21 |
A guy came forward |
00:16:24 |
That's not the best part. |
00:16:26 |
"On the page are the names |
00:16:28 |
in the Lincoln assassination, as well |
00:16:32 |
Thomas Gates. Thomas Gates is said |
00:16:36 |
of treasure hunter |
00:16:39 |
- [Woman] Thought my relatives were bad. |
00:16:43 |
- Sir? |
00:16:47 |
for 140 years then just suddenly |
00:16:52 |
- Why? |
00:16:55 |
Better. |
00:16:55 |
Better. |
00:16:57 |
Bacon. |
00:17:00 |
[Beeping] |
00:17:01 |
- Keep going. |
00:17:08 |
- How's he doing? |
00:17:13 |
[Nichols] We're grateful |
00:17:16 |
for coming forth with the page. |
00:17:18 |
On the page is a name of a previously |
00:17:23 |
- Nichols has bought into it. See? |
00:17:26 |
[Nichols continues talking] |
00:17:29 |
It's on the Internet! |
00:17:31 |
- No stopping it now. |
00:17:35 |
- They have no understanding. |
00:17:38 |
That's all that matters. |
00:17:41 |
The story? This guy's got evidence. |
00:17:46 |
We have a story. We have nothing. |
00:17:48 |
For one brief moment, |
00:17:51 |
- Now we're a bunch of crazies. |
00:17:55 |
Wilkinson is saying that Thomas Gates |
00:17:58 |
was a mastermind to one of |
00:18:02 |
And he burned the diary page |
00:18:06 |
You and I both know he burned the page |
00:18:08 |
to keep Booth's men |
00:18:11 |
That's what we're going to prove. |
00:18:13 |
- Only one way to prove it. |
00:18:15 |
You've got to find it. You're |
00:18:19 |
Let's hear the story again |
00:18:21 |
Grandpa heard his father say, |
00:18:26 |
- Then there was a commotion. |
00:18:30 |
Anything he said, |
00:18:35 |
- Wait a minute. |
00:18:40 |
He took his son's hand. |
00:18:42 |
He looked him in the eye, and he said, |
00:18:46 |
- "The debt that all men pay." |
00:18:51 |
The debt that Thomas paid. |
00:18:54 |
That's five letters. |
00:18:56 |
Oh! |
00:18:57 |
Try "Death." |
00:18:58 |
- What? |
00:19:00 |
The debt that all men pay is death. |
00:19:07 |
All right. |
00:19:08 |
[Beeping] |
00:19:10 |
[Riley] L-A-B-O-U-L... |
00:19:13 |
It's Lab-ool... |
00:19:15 |
Lab-ahl... La... |
00:19:20 |
It's gibberish. |
00:19:21 |
- Laboulaye! |
00:19:23 |
- What is that? |
00:19:26 |
Where's the phone? |
00:19:27 |
I don't know. |
00:19:30 |
- Temporary till I find a new place. |
00:19:34 |
[Indistinct chatter] |
00:19:36 |
- Hi. |
00:19:38 |
- Abigail, please. |
00:19:40 |
- Nice to meet you. |
00:19:46 |
Thanks for agreeing to meet with me. |
00:19:48 |
Of course. I was actually going |
00:19:52 |
- Any news? |
00:19:55 |
We actually found some |
00:20:01 |
Take a look. |
00:20:04 |
[Wilkinson] Random letters. A cipher? |
00:20:06 |
- Maybe. |
00:20:08 |
He's the one that discovered it. |
00:20:10 |
[Cell phone rings] |
00:20:11 |
- I'm sorry. |
00:20:16 |
- I need one minute. |
00:20:19 |
Hey. What? |
00:20:20 |
We cracked the cipher. It's "Laboulaye." |
00:20:23 |
The cipher spells "Laboulaye." |
00:20:24 |
So? Laboulaye was well-known |
00:20:28 |
Or maybe there was a treasure map |
00:20:32 |
and Laboulaye had it. |
00:20:36 |
L-A-D, lad... ladder... |
00:20:38 |
- L-A-D. |
00:20:40 |
- Lady! |
00:20:43 |
Laboulaye Lady. Do you know |
00:20:46 |
right around the time |
00:20:49 |
OK, Ben, I've got to go. |
00:20:51 |
There's a map or a clue to a map |
00:20:54 |
- She hung up. |
00:20:57 |
- Dr. Gates? |
00:21:01 |
Sounds like he cracked the cipher. |
00:21:05 |
Laboulaye? As in Edouard Laboulaye? |
00:21:08 |
He seems to believe so, yes. |
00:21:11 |
Man who had the idea |
00:21:13 |
You're saying there's a treasure map |
00:21:17 |
Laboulaye was a Mason. |
00:21:21 |
Did you learn that from my book? |
00:21:26 |
- Have an interest in history? |
00:21:29 |
Civil War, especially. |
00:21:32 |
Confederate General Albert Pike. |
00:21:35 |
But, then again, what is history but |
00:21:39 |
A man only has one lifetime, |
00:21:45 |
So the only question is, |
00:21:48 |
Exactly. |
00:21:50 |
Is there more than one? |
00:21:52 |
There are three, actually, Riley. |
00:21:55 |
One is in New York, |
00:22:00 |
But he only referred to one |
00:22:01 |
But he only referred to one |
00:22:19 |
This is like, impossible, |
00:22:22 |
I'm glad you're enjoying it. |
00:22:24 |
[Ben] Laboulaye had to leave a clue |
00:22:28 |
[Riley] Let me get there. |
00:22:31 |
No. Believe me, I understand. |
00:22:33 |
[Policeman speaks French] |
00:22:37 |
Excuse me, officer. May I help you? |
00:22:39 |
Ah, American, eh? |
00:22:42 |
Of course you see no problem |
00:22:44 |
in disturbing everyone's |
00:22:47 |
- with your buzzing there. |
00:22:50 |
You know how much our constitution was |
00:22:54 |
- You know Montesquieu? |
00:22:56 |
[Policeman speaks French] |
00:22:58 |
Montesquieu, yeah. "A government |
00:23:01 |
[both] "...no man need |
00:23:05 |
- That's very good. |
00:23:08 |
- I'm astonished. |
00:23:11 |
- I hope you read French. |
00:23:14 |
[Speaks French] |
00:23:16 |
He's a cop. |
00:23:17 |
Um..."Across the sea |
00:23:23 |
- Resolute. |
00:23:26 |
"...to preserve what we are looking for. |
00:23:29 |
- Uh... Laboulaye, 1876." |
00:23:33 |
- It's a clue. |
00:23:36 |
Let's see. Resolute twins. |
00:23:41 |
Resolute. |
00:23:43 |
Resolute. And then twins. |
00:23:46 |
Siamese twins? Siam? Trade routes |
00:23:52 |
[Laughs] That's ridiculous. |
00:23:56 |
A British ship that got lost |
00:24:01 |
It was salvaged by American whalers, and |
00:24:05 |
When the ship was finally retired, |
00:24:08 |
Queen Victoria had two desks |
00:24:13 |
Voila. Resolute twins. |
00:24:16 |
- And where are those desks now? |
00:24:20 |
How fast can we get |
00:24:22 |
Don't know. Why don't you ask |
00:24:25 |
[Speaking French] |
00:24:27 |
He's going to call you a cab. |
00:24:29 |
- [Speaks French] |
00:24:31 |
- Nice helicopter. Is that yours? |
00:24:34 |
- OK, so you get the ticket. |
00:24:39 |
Mitch Wilkinson studied history |
00:24:43 |
Graduated 1978. Ran a private security |
00:24:47 |
during the invasion, |
00:24:49 |
These are trained mercenaries as well as |
00:24:55 |
So why does a black market |
00:24:58 |
...give up a rare Civil War artifact? |
00:25:02 |
Something he could sell to a private |
00:25:07 |
- [Crickets chirping] |
00:25:11 |
[Alarm chirps] |
00:25:12 |
[Rustling] |
00:25:23 |
[Grunting] |
00:25:45 |
[Beeping] |
00:26:09 |
[Riley] So the queen's office is here. |
00:26:11 |
The elevator shaft gets you close, |
00:26:14 |
but the only direct access |
00:26:18 |
- That should be exciting. |
00:26:21 |
[Phone rings] |
00:26:23 |
- Hi, Dad. |
00:26:24 |
It's Patrick Gates' phone. |
00:26:27 |
Give me that. |
00:26:29 |
The house was broken into |
00:26:32 |
Call the police. I'm coming home. |
00:26:33 |
- What? |
00:26:35 |
They didn't take anything. |
00:26:38 |
OK. We're in London. |
00:26:42 |
We have an appointment |
00:26:45 |
- Son, just be careful. Goodbye. |
00:26:47 |
Someone else is after the treasure. |
00:26:49 |
Of course someone else |
00:26:52 |
- It's the axiom of treasure hunting. |
00:26:56 |
We don't want to miss that appointment. |
00:27:00 |
- Hi. Ben Gates. |
00:27:09 |
[Whistling] |
00:27:19 |
Wow. |
00:27:43 |
OK. It's teatime, chaps. |
00:28:00 |
Looking for the curator's office. |
00:28:03 |
Follow the stairs round, |
00:28:06 |
Thank you so much. |
00:28:12 |
- Ben. |
00:28:15 |
- What's she doing here? |
00:28:17 |
Your dad called me. |
00:28:20 |
- [Riley] She's really there? |
00:28:22 |
- Drop her. Lose her. |
00:28:24 |
That's very nice, |
00:28:27 |
- A bad time, right now? |
00:28:30 |
[Scoffs] OK, I just flew all the way |
00:28:35 |
- Remember the plan. |
00:28:38 |
You're the one making a scene. |
00:28:39 |
- I... I'm not making a scene right now. |
00:28:43 |
Well then, fine! If that's what |
00:28:47 |
- So subtle. |
00:28:51 |
It's the wrong place. I'm wrong again! |
00:28:54 |
Wrong about us, |
00:28:57 |
wrong that you'd like |
00:28:59 |
You're wrong to assume |
00:29:02 |
You see? Everybody, listen to this. |
00:29:05 |
She thinks that even when I'm right, |
00:29:09 |
Abigail, just because |
00:29:13 |
doesn't make it wrong. |
00:29:14 |
Not if the answer's something |
00:29:18 |
- That's what couples do! |
00:29:20 |
You and your missis, take it outside. |
00:29:22 |
Now look what you've done. You've |
00:29:26 |
You take the missis outside. |
00:29:30 |
- Ben! |
00:29:32 |
- Good afternoon, sir. |
00:29:34 |
- Been drinking, have we? |
00:29:36 |
Popped down to the pub for a pint! |
00:29:39 |
Going to arrest a man for that? |
00:29:41 |
Going to detain a blighter |
00:29:45 |
- Enough. |
00:29:46 |
Bubbles and squeak. Smoked eel pie. |
00:29:48 |
- Sir! |
00:29:49 |
- That's it! Dismount the banister! |
00:29:53 |
Here they are, standing in a row! |
00:29:55 |
Small ones, big ones, |
00:29:58 |
That was brilliant. |
00:30:02 |
- What's wrong with being right? |
00:30:06 |
- You're saying that I'm never right? |
00:30:09 |
Hoo! So I'm wrong again. |
00:30:11 |
- Now, see, there you are correct. |
00:30:14 |
- Your mother told me about you. |
00:30:19 |
- [Man] In here, please. |
00:30:24 |
of what's OK for me |
00:30:28 |
- What's right or wrong... |
00:30:30 |
- Right? |
00:30:32 |
- Don't leave me in here! |
00:30:36 |
What is going on? |
00:30:37 |
I'm sorry for getting you roped |
00:30:42 |
- Thank you. So were you. |
00:30:45 |
- it was a fake argument? |
00:30:47 |
- arguing during the fake argument? |
00:30:50 |
Where "I assume I'm right." |
00:30:53 |
If I'm right, after I assume I'm right, |
00:30:56 |
When you get to a conclusion |
00:30:59 |
and you happen to be right, |
00:31:03 |
I get lucky a lot. |
00:31:05 |
So where does that leave me, Ben? |
00:31:07 |
You guys are so great together. |
00:31:10 |
- Want to know why I'm here? |
00:31:14 |
Think there may be a clue on |
00:31:19 |
Does that help? |
00:31:20 |
Don't understand why it's difficult for |
00:31:25 |
Just because you may know |
00:31:29 |
doesn't mean you don't have to ask me. |
00:31:32 |
- [Riley] Door number one, opening. |
00:31:37 |
OK. Let me try this out. |
00:31:40 |
Abigail, would you like |
00:31:43 |
Yes. Thank you. |
00:31:45 |
Ridiculous. You're staying. |
00:31:47 |
- It's too dangerous. |
00:31:49 |
- Door number two. |
00:31:51 |
[Buzzing] |
00:31:52 |
- You're not coming. |
00:31:55 |
[Riley] You should be near |
00:31:58 |
What are you doing? |
00:32:00 |
Queen's not here. There's |
00:32:04 |
- What are you doing? |
00:32:08 |
- No. |
00:32:09 |
- Abigail... |
00:32:12 |
All right. Get in. Get in. Get in! |
00:32:16 |
Hold this. |
00:32:23 |
Will you give me |
00:32:25 |
Yeah. |
00:32:33 |
- What? |
00:32:37 |
So? |
00:32:39 |
So I think it smells kind of pretty. |
00:32:42 |
- It's the flowers, Ben. |
00:32:48 |
Let's go. |
00:32:55 |
[Riley] OK, now turn left. |
00:32:57 |
- Dead end. |
00:33:06 |
- The flowers... petals... stamens. |
00:33:17 |
Go, go. |
00:33:22 |
[Ben] That's it. |
00:33:25 |
[Abigail] The Resolute desk. |
00:33:28 |
We're looking for... |
00:33:30 |
...writing, patterns in the carvings. |
00:33:39 |
Hey, look at this. |
00:33:43 |
- "Malcolm Gilvary, 1880." |
00:33:49 |
Here we go. Malcolm Gilvary. |
00:33:53 |
He made Chinese puzzle boxes. |
00:34:05 |
- Oh... |
00:34:07 |
I think these drawers |
00:34:12 |
OK, four drawers... |
00:34:16 |
What about a year? |
00:34:17 |
Uh, let me see. |
00:34:22 |
So you go one... |
00:34:27 |
Eight. |
00:34:33 |
One. |
00:34:38 |
Nine. |
00:34:41 |
- Any luck? |
00:34:45 |
on the statue in Paris. Let's try that. |
00:34:48 |
One. |
00:34:51 |
Eight. |
00:34:55 |
Seven. |
00:35:01 |
Six. |
00:35:29 |
[Ben] Uh-oh. |
00:35:31 |
New rules. |
00:35:33 |
These markings, like Incan or Aztec. |
00:35:36 |
I have never seen any symbols like this. |
00:35:39 |
I mean, this looks centuries older |
00:35:44 |
What do you think it means? |
00:35:46 |
I doubt it has anything to do |
00:35:49 |
[Beeping] |
00:35:52 |
Uh-oh. |
00:35:53 |
Mayday. Mayday. Ben, get out of there. |
00:36:01 |
- Oi! Where are my detainees? |
00:36:06 |
- [Beeping] |
00:36:10 |
The fire alarm's gone off. |
00:36:11 |
Uh-oh. God save the queen. |
00:36:14 |
[Man] All units, go to action zebra. |
00:36:16 |
- What's going on? |
00:36:19 |
- [Indistinct chatter] |
00:36:21 |
Someone or something is causing this. |
00:36:25 |
- Check your primary stations. |
00:36:28 |
Find the source terminal |
00:36:47 |
[Man] This way, ladies and gentlemen. |
00:36:51 |
Keep walking until you're |
00:36:55 |
- Excuse me, excuse me. Coming through. |
00:37:03 |
[Siren wailing] |
00:37:18 |
- Oi! Sparkle. Come on. |
00:37:22 |
I'm a little bit allergic. |
00:37:23 |
- Riley. |
00:37:25 |
- See you later. Thank you. Bye-bye. |
00:37:30 |
Thanks for waiting for me. |
00:37:34 |
Daniel, hold it. |
00:37:38 |
What is that? |
00:37:39 |
Went to Buckingham Palace, |
00:37:42 |
Look at the symbols. |
00:37:45 |
It's an incredible discovery. |
00:37:48 |
- Wilkinson. |
00:37:54 |
- He's the one after the treasure. |
00:38:00 |
We're in England. |
00:38:08 |
[Ben] It's a gun! Get down! |
00:38:13 |
- We're trapped! |
00:38:28 |
Hey, who are you? |
00:38:45 |
[Abigail] Sorry. |
00:38:49 |
- Hey! |
00:38:57 |
- Ben, they're getting closer. |
00:39:04 |
Whoa! |
00:39:06 |
- Go left! Go left! |
00:39:16 |
Turn, turn! |
00:39:18 |
Watch out! |
00:39:26 |
Everybody OK? |
00:39:32 |
- Come on, come on. |
00:39:40 |
Look out! |
00:39:42 |
Ah! |
00:39:51 |
Ah! |
00:40:14 |
Go. Go, go, go, go! |
00:40:18 |
Did you see where he went? |
00:40:22 |
[Phone rings] |
00:40:24 |
- What is that? Someone's phone. |
00:40:28 |
- Have his number in your speed dial? |
00:40:31 |
This has to end |
00:40:33 |
Give me what you got at Buckingham, |
00:40:36 |
Tell that to my father. |
00:40:41 |
- [Man] Moron! |
00:40:44 |
Why are they standing |
00:40:46 |
- [Honking] |
00:40:48 |
- Where are these people going? |
00:40:55 |
- He's right there! Go! |
00:41:00 |
- Get out of the way! |
00:41:04 |
- Did I just run over a man's foot? |
00:41:16 |
Go! Go! Faster! |
00:41:30 |
- Right over there. |
00:41:33 |
- They're still behind us. |
00:41:36 |
- No. No, it's broken. |
00:41:44 |
Hang on. |
00:41:46 |
- [Honking] |
00:41:56 |
Hack into the London Police database |
00:42:00 |
- Okey-dokey. |
00:42:03 |
No, I can. I just don't like |
00:42:06 |
[Laughs] Why, thank you, Riley. |
00:42:32 |
Get it! |
00:42:36 |
Stop! Stop! |
00:42:58 |
- He's got it. |
00:43:00 |
I don't know, but it's ours. Let's go. |
00:43:01 |
I don't know, but it's ours. Let's go. |
00:43:11 |
- Abigail! |
00:43:15 |
Nice to see you two together again. |
00:43:17 |
- Yeah, well, we're not. |
00:43:19 |
Oh, I was hoping to get some |
00:43:32 |
I can't read the whole thing, |
00:43:36 |
these are definitely pre-colonial |
00:43:40 |
- Easily 500 years old. |
00:43:47 |
I can identify one symbol. |
00:43:50 |
Look at this. |
00:43:53 |
Sacred calendrical? I don't know. |
00:43:55 |
That symbol is Cibola. |
00:43:59 |
That's Cibola. |
00:44:01 |
The City of Gold. |
00:44:04 |
The City of Gold. |
00:44:08 |
[Ben] "In 1527, a Spanish ship |
00:44:12 |
There were only four survivors. |
00:44:14 |
One was a slave named Esteban |
00:44:19 |
As a reward, |
00:44:22 |
a city built from solid gold. |
00:44:26 |
Later, when Esteban tried to find |
00:44:30 |
But the legend grew, and every explorer |
00:44:37 |
When General Custer's search for gold |
00:44:41 |
at Little Bighorn, it became clear |
00:44:51 |
Ben, can you imagine if the Confederates |
00:44:56 |
My God. |
00:44:59 |
I'm going to go talk to her. |
00:45:04 |
- You're coming with me. |
00:45:07 |
- Hey. No one else can translate it. |
00:45:11 |
There are several others. |
00:45:12 |
For ancient Native American? |
00:45:15 |
- Who? |
00:45:18 |
- It's been, what? Twenty-five years. |
00:45:23 |
That long? |
00:45:25 |
There's a reason |
00:45:29 |
- We have nothing in common. |
00:45:32 |
Yes, of course. And I'm sure |
00:45:36 |
- Who? |
00:45:41 |
- Will you relax? It's gonna be fine. |
00:45:45 |
Been a long time. Maybe she |
00:45:50 |
I hate her! |
00:45:53 |
We're in the right place. |
00:45:58 |
I'm gonna take myself |
00:46:01 |
- [Ben] Hi, Mom. |
00:46:03 |
Abigail! What a surprise! |
00:46:06 |
Hi. |
00:46:09 |
Oh. |
00:46:11 |
You see? One syllable, |
00:46:15 |
- Oh, no. |
00:46:17 |
I can also track the whereabouts |
00:46:20 |
I was not the one that left |
00:46:23 |
I stowed them both |
00:46:26 |
Yes, and you also insisted |
00:46:30 |
- Didn't insist. I loaded the luggage. |
00:46:33 |
Travel case is not luggage. |
00:46:37 |
- Who was in charge of packing? |
00:46:40 |
the luggage. It was full |
00:46:43 |
You thought it had secret stitching. |
00:46:45 |
- How stupid was that? |
00:46:48 |
- Six phony green leather suitcases... |
00:46:53 |
I need you to take a look at this. |
00:46:57 |
- What is that a picture of? |
00:46:59 |
- We think it might be Olmec. |
00:47:03 |
Yes, yes, definitely proto-Zoquean. |
00:47:06 |
We were hoping |
00:47:10 |
Yes, of course you were. |
00:47:14 |
Oh, this doesn't involve |
00:47:17 |
Mom, this is actually very important. |
00:47:22 |
All right. What have we got here? |
00:47:25 |
This... this glyph here, |
00:47:36 |
Uh, "noble bird." |
00:47:37 |
"Find the noble bird, |
00:47:40 |
and give you passage |
00:47:47 |
[Laughs] |
00:47:50 |
Oh, you think this is a treasure map |
00:47:54 |
Well, that is exactly what it is. |
00:47:56 |
No, this glyph doesn't mean "Cibola." |
00:48:00 |
You know, you used to like it. She |
00:48:04 |
That was not love. That was |
00:48:08 |
- [Ben] Mom... |
00:48:10 |
Treasure hunting paid off, |
00:48:13 |
Had nothing to do with you. |
00:48:16 |
Ben found the treasure. |
00:48:18 |
Patrick, Emily, please. Can we |
00:48:26 |
Well, that's it, I'm afraid. |
00:48:28 |
These glyphs are only partials. |
00:48:33 |
I'm sorry. |
00:48:35 |
Not that I'm surprised. |
00:48:39 |
[Ben] At least we know |
00:48:42 |
What? |
00:48:44 |
You know where it is? |
00:48:46 |
Obviously you have |
00:48:53 |
- I'm sorry. |
00:48:56 |
So where is it? |
00:48:57 |
Inscription on the statue in Paris said, |
00:49:02 |
We think the map's divided |
00:49:05 |
The Resolute desk. |
00:49:09 |
President's desk? |
00:49:12 |
The president. What president? |
00:49:13 |
- Our president? |
00:49:16 |
But that means... |
00:49:18 |
Wait, so we have to... |
00:49:21 |
The White House? |
00:49:23 |
The Oval Office... to be exact. |
00:49:29 |
Why would I overreact to that? |
00:49:36 |
- That's not what I signed on for. |
00:49:42 |
Thank you. |
00:49:47 |
[Nichols] It's early, pre-Columbian. |
00:49:49 |
- Can you translate it? |
00:49:51 |
This is an extinct, |
00:49:54 |
Only a handful of people |
00:49:57 |
Where are we to find them? |
00:49:59 |
Universities, I suppose. |
00:50:03 |
What do you mean? |
00:50:05 |
These glyphs here... they're cut off. |
00:50:08 |
There's more to the map? |
00:50:11 |
We won't have to. |
00:50:15 |
The Resolute desk is near |
00:50:19 |
Look at this. Look. |
00:50:21 |
Small door on the front of the desk. |
00:50:23 |
[Patrick] FDR had that put in so |
00:50:27 |
- But... |
00:50:32 |
[Abigail] This could work. |
00:50:33 |
I believe it's time for you to make |
00:50:38 |
I think you're right. |
00:50:41 |
[Man] We hope you're enjoying |
00:50:46 |
Face painting continues at 2:00 |
00:50:52 |
- [Ben] That Connor in the bunny suit? |
00:50:55 |
I've never been to an Easter Egg Roll. |
00:50:58 |
Yeah, I love it. |
00:51:02 |
I know you. Your great-great-grandfather |
00:51:06 |
No. That would be John Wilkes Booth. |
00:51:08 |
Eisenschiml says that Booth was a tool |
00:51:11 |
in a greater conspiracy |
00:51:14 |
Absurd. |
00:51:17 |
- spotty research and false assumptions. |
00:51:20 |
Explain why Lincoln's bodyguard |
00:51:23 |
Because President Lincoln |
00:51:26 |
when attending the theater. Listening? |
00:51:30 |
Explain why all the bridges |
00:51:33 |
except one, |
00:51:36 |
OK, run along now, |
00:51:41 |
What is going on |
00:51:43 |
- Hey! Hey! |
00:51:46 |
- I'm so glad you decided to come... |
00:51:49 |
...with Gates. |
00:51:52 |
- We just ran into each other. |
00:51:58 |
Aren't you going to ask him? |
00:51:59 |
- Ask me what? |
00:52:01 |
- No, really. What? |
00:52:04 |
Well, what she means is |
00:52:09 |
- Doesn't think I can what? |
00:52:12 |
- No. That is way too much to ask. |
00:52:18 |
- I can do that. |
00:52:20 |
You see? |
00:52:21 |
- You can? |
00:52:23 |
That is so cool, Connor. I have |
00:52:27 |
Connor rocks. |
00:52:29 |
Well... here we are. |
00:52:32 |
- Mm. |
00:52:35 |
Empire furnishings |
00:52:40 |
Hm. |
00:52:41 |
Amazing feeling, isn't it, |
00:52:44 |
- Yes. Amazing, huh? |
00:52:48 |
Oh. Sorry. |
00:52:51 |
Oh, that's, uh... The Resolute desk. |
00:52:56 |
Might recognize it from |
00:52:59 |
playing underneath |
00:53:01 |
- Wonderful. |
00:53:03 |
But many people don't know |
00:53:06 |
that this desk has a twin |
00:53:10 |
- Isn't that something? |
00:53:12 |
Every president since |
00:53:14 |
has used that desk, |
00:53:17 |
And Ford, of course. |
00:53:19 |
- Uh, no. |
00:53:21 |
- No. |
00:53:24 |
Abigail! Did you lose an earring? |
00:53:27 |
Oh! I... I did, yes. |
00:53:30 |
Connor, these were given to me |
00:53:33 |
I suppose we should look for it. |
00:53:37 |
that doesn't belong |
00:53:40 |
- Yes. |
00:53:42 |
considering we're not |
00:53:44 |
- Yeah. |
00:53:47 |
and check it out? |
00:53:50 |
I'll check over here. |
00:54:01 |
- Do you think it fell down here? |
00:54:11 |
- Maybe here. |
00:54:22 |
Oh, no. |
00:54:29 |
- You did sit on the sofa. |
00:54:38 |
Connor! |
00:54:40 |
- You found it. |
00:54:54 |
Thank you so much! |
00:54:56 |
Uh... |
00:54:59 |
You're just the best. Mm. |
00:55:06 |
Mm! |
00:55:12 |
Mm! |
00:55:14 |
Mm! |
00:55:17 |
- [Clears throat] |
00:55:20 |
[Panting] Thank you. |
00:55:25 |
OK. |
00:55:25 |
OK. |
00:55:28 |
- [Ben] Empty. |
00:55:31 |
Brightest men in our country sat |
00:55:34 |
- Look. |
00:55:37 |
- A symbol stamped into the wood. |
00:55:40 |
It's not the presidential seal. |
00:55:42 |
The eagle's holding a scroll |
00:55:46 |
- [Ben] I'm not sure what this is. |
00:55:49 |
Did none of you read my book? |
00:55:52 |
The eagle clutching the scroll. |
00:55:55 |
- Do you know what it means? |
00:55:57 |
But it's not something I could tell you. |
00:56:00 |
It's something that |
00:56:10 |
- You didn't even open it? |
00:56:14 |
Chapter 13. |
00:56:20 |
- "The President's Secret Book"? |
00:56:25 |
It happens to be a collection |
00:56:29 |
by presidents, |
00:56:33 |
And I'm not just talking about |
00:56:36 |
The 18 and a half missing minutes |
00:56:41 |
Did the Apollo really land |
00:56:46 |
And the coup de grace... Area 51. |
00:56:50 |
Come on, Riley. That's... |
00:56:53 |
Is it, Abigail? Is it? |
00:56:57 |
It's just totally... |
00:56:58 |
- Crazy? |
00:56:59 |
Hm. 'Cause last time I checked, |
00:57:04 |
- He's got a point. |
00:57:09 |
Same symbol. |
00:57:10 |
Released in '66 under |
00:57:14 |
The eagle and the scroll, |
00:57:15 |
the secret symbol |
00:57:20 |
So you're saying that |
00:57:23 |
is now in the President's Secret Book? |
00:57:28 |
[Riley] Ben. |
00:57:30 |
If it was you trying to convince me... |
00:57:33 |
...you'd have less evidence, |
00:57:41 |
The eagle with the scroll? |
00:57:45 |
Conspiracy theorists like to believe |
00:57:48 |
that it's the symbol |
00:57:51 |
You bought Riley's book. |
00:57:52 |
[Laughs] Your friend writes a book |
00:57:56 |
- You don't think we know about it? |
00:57:58 |
Does the president have a secret book? |
00:58:08 |
Do you like ducks? |
00:58:10 |
[Quacking] |
00:58:12 |
There is a book. |
00:58:15 |
Why are you telling me out here? |
00:58:18 |
Because inside, I'm a federal agent. |
00:58:21 |
Out here, |
00:58:23 |
- Where's the President's Book kept? |
00:58:27 |
The book is passed |
00:58:30 |
and each one chooses |
00:58:32 |
You're the FBI. |
00:58:35 |
Only way you'll ever see that book |
00:58:39 |
Well, you never know. |
00:58:42 |
All I need is a few minutes with him. |
00:58:46 |
A few minutes? Really? |
00:58:47 |
Even if you were married |
00:58:50 |
you wouldn't be able |
00:58:52 |
Not when he's surrounded by handlers. |
00:58:55 |
How do you expect |
00:58:58 |
Before the Civil War, |
00:59:01 |
People used to say, |
00:59:05 |
Wasn't until the war ended people |
00:59:12 |
Under Lincoln... we became one nation. |
00:59:16 |
And Lincoln paid for it with his life. |
00:59:19 |
- So did Thomas Gates. |
00:59:22 |
With his life. |
00:59:25 |
So how am I gonna get him alone? |
00:59:33 |
I'm gonna kidnap him. |
00:59:36 |
I'm gonna kidnap |
00:59:41 |
[Laughs] |
00:59:42 |
- That's not funny. |
00:59:44 |
How do you expect me to respond? |
00:59:48 |
Are you out of your mind? |
00:59:50 |
Read my book, and you'd know |
00:59:53 |
Exactly how do you plan on doing this? |
00:59:57 |
- I was thinking Mount Vernon. |
00:59:58 |
- I was thinking Mount Vernon. |
01:00:00 |
- What? |
01:00:02 |
[Man] Sir, we have to move the party. |
01:00:05 |
Some historian claims |
01:00:08 |
was used for Klan meetings |
01:00:10 |
- Anyone know if this is true? |
01:00:14 |
They want a quote on, "Is the president |
01:00:18 |
- Doesn't matter. |
01:00:21 |
- What do you have? |
01:00:24 |
The pipe burst in the hotel |
01:00:28 |
- I... There is water everywhere. |
01:00:33 |
- Gunston Hall. |
01:00:36 |
So is Gunston Hall and Tudor Place. |
01:00:38 |
The Denby Hotel is available, |
01:00:41 |
- Oh, wow. You are a lifesaver. |
01:00:46 |
Strike that. The Denby was booked. |
01:00:49 |
Book it before someone else does. |
01:00:53 |
[Cheering, applause] |
01:00:56 |
And let me say |
01:00:59 |
and add my happy birthday to you, |
01:01:01 |
[# Randy Travis: |
01:01:30 |
- Good evening, sir. |
01:01:32 |
Are you aware that you are |
01:01:35 |
Yeah, but this is |
01:01:38 |
That may be, but I'm gonna |
01:01:46 |
Are you aware that according |
01:01:49 |
of the Maryland constitution, |
01:01:53 |
Are you aware I have the right to detain |
01:01:59 |
I am going to go back where |
01:02:10 |
Maybe one day I'll wear this thing |
01:02:14 |
[# Randy Travis: Is It Still Over] |
01:02:18 |
[Singing] |
01:02:24 |
Twenty hundred time check. Station 11. |
01:02:27 |
- [Man] All clear. Perimeter secure. |
01:02:30 |
You didn't happen to see |
01:02:33 |
- Went to get a drink, she disappeared. |
01:02:37 |
I've got no game tonight. |
01:02:45 |
Good evening, Your Excellency. Hello. |
01:02:49 |
Prime Minister, it's a delight |
01:02:53 |
Spread the word, contribution limits |
00:00:03 |
- Ben Gates. The Templar treasure? |
00:00:07 |
- We won't keep you. |
00:00:10 |
I can't tell you what a thrill it is |
00:00:14 |
Yeah, you must have |
00:00:18 |
Sir? |
00:00:20 |
Considering your discovered lineage. |
00:00:22 |
- Oh, yeah. Oh, that... |
00:00:24 |
I beg your pardon, sir, |
00:00:28 |
of George Washington. I thought |
00:00:32 |
Have a look at that. |
00:00:33 |
This is a map of Mount Vernon |
00:00:37 |
Mr. President, |
00:00:40 |
- Architectural history major, Yale. |
00:00:44 |
It belonged to my great uncle. |
00:00:46 |
Got it from the granddaughter |
00:00:48 |
- Happy birthday. |
00:00:51 |
Charlotte, who lived here |
00:00:55 |
- Yeah. |
00:00:58 |
This line is an underground tunnel, |
00:01:03 |
I wonder... |
00:01:07 |
- Well... |
00:01:10 |
- Only one way to find out, sir. |
00:01:14 |
Are we allowed to do that? |
00:01:16 |
I mean, I know you're allowed |
00:01:19 |
Can I come with you? |
00:01:22 |
- You guys are just everywhere. |
00:01:25 |
- Give my friend your flashlight. |
00:01:29 |
According to this map, it should be... |
00:01:33 |
It's one... two. In here. |
00:01:37 |
Yeah, should be in here. |
00:01:40 |
- May I? |
00:01:41 |
All right. |
00:01:46 |
You know, Craig, |
00:01:50 |
but I have no enemies down here. |
00:01:53 |
In the cellar. In this tiny little room. |
00:01:57 |
I'll just wait here, then. |
00:02:09 |
[Ben] Over here. |
00:02:14 |
- That's the mark of George Washington. |
00:02:18 |
- How? |
00:02:23 |
For it to correspond with the ones on |
00:02:29 |
[Clanking] |
00:02:35 |
OK, what else? |
00:02:37 |
The arrowhead... |
00:02:41 |
...is sideways. |
00:02:48 |
[Rumbling] |
00:02:49 |
[Gasps] |
00:02:51 |
[President] We're all right. |
00:02:58 |
Look at that. |
00:03:00 |
Come on. |
00:03:08 |
Mr. President? |
00:03:10 |
We have a breach |
00:03:15 |
- Inform Fairfax, SecTac Channel One! |
00:03:20 |
- Gates, what are you doing? |
00:03:23 |
I need to ask you a question, |
00:03:27 |
- unless we're alone. |
00:03:30 |
I want a sledgehammer, I want a crowbar, |
00:03:35 |
Tom, alert the vice president. |
00:03:38 |
Mr. President, sometime between 1880, |
00:03:41 |
when the Resolute desk |
00:03:44 |
and now, one of our presidents found |
00:03:49 |
Hidden inside was a plank |
00:03:53 |
A treasure map to Cibola, |
00:03:58 |
All this just to ask me |
00:04:00 |
That map is a key to proving |
00:04:03 |
I know for a fact that the plank |
00:04:08 |
You've been in my desk too? |
00:04:09 |
I believe the whereabouts |
00:04:13 |
...in the President's Book, sir. |
00:04:18 |
The book known only to our presidents. |
00:04:21 |
It contains all of our nation's secrets. |
00:04:25 |
[Laughs] |
00:04:29 |
That's the most |
00:04:31 |
I saw the seal in the desk, sir. |
00:04:39 |
You're not going to tell me |
00:04:41 |
- unless you get what you want. |
00:04:45 |
and I'll show you. |
00:04:47 |
You don't negotiate very well, do you? |
00:04:50 |
No, sir. |
00:04:52 |
Mr. President! |
00:04:53 |
Where are my sledgehammers? |
00:05:01 |
I don't get you, Gates. |
00:05:02 |
You do all this, |
00:05:05 |
just to clear your ancestor's name. |
00:05:08 |
The way out is just down those stairs. |
00:05:11 |
Everything I am |
00:05:15 |
Thomas Gates gave his |
00:05:18 |
to his country to stop the KGC. |
00:05:21 |
When someone dies for their country, |
00:05:25 |
"Last full measure of devotion"? |
00:05:27 |
Lincoln is my favorite president, sir. |
00:05:31 |
None taken. He's my favorite too. |
00:05:36 |
Sir, I know the book exists, |
00:05:40 |
"Will you agree to let me see it?" |
00:05:44 |
Even if something like that |
00:05:46 |
why do you think I would |
00:05:50 |
Because it will probably lead us |
00:05:52 |
to the discovery of the greatest |
00:05:57 |
A huge piece of culture lost. |
00:06:00 |
You can give that history |
00:06:03 |
And because you're the president |
00:06:07 |
Whether by innate character, or the oath |
00:06:12 |
or the weight of history |
00:06:16 |
I believe you |
00:06:21 |
People don't believe that stuff anymore. |
00:06:25 |
They want to believe it. |
00:06:30 |
[Grunting] |
00:06:46 |
[Owl hooting] |
00:06:49 |
Nearest highway is that direction. |
00:06:58 |
- Gates. |
00:07:01 |
The following conversation |
00:07:05 |
The book exists. |
00:07:08 |
- Where is it? |
00:07:11 |
In the Library of Congress. |
00:07:13 |
X, Y, two, three, four, |
00:07:18 |
Thank you, sir. |
00:07:20 |
You'll also need to know |
00:07:25 |
Got it. |
00:07:27 |
- And, Gates... |
00:07:32 |
Two hundred people know you held me |
00:07:37 |
Unless you find what you're looking for, |
00:07:39 |
you'll be charged |
00:07:42 |
- You know what that means. |
00:07:50 |
- I want you to do something for me. |
00:07:55 |
Page 47. Just have a look at that. |
00:08:00 |
[Dialing phone] |
00:08:02 |
Riley, meet me at the |
00:08:08 |
OK. |
00:08:12 |
[Phone rings] |
00:08:16 |
Sadusky. |
00:08:20 |
The president's been what? |
00:08:22 |
The president's been what? |
00:08:25 |
Gates. |
00:08:31 |
X-Y-two-three-four-seven-eight-six. |
00:08:34 |
X-Y-two-three-four-seven-eight-six. |
00:08:38 |
- Hey. |
00:08:40 |
We're close. |
00:08:52 |
- Where do we start? |
00:08:55 |
Stands for special collections, |
00:08:59 |
- Where are they? |
00:09:25 |
This will be good. |
00:09:29 |
Here we go. XA... XM... |
00:09:37 |
Look. Do you have a code? |
00:09:40 |
Three-seven-nine-four. |
00:09:49 |
What did the president say |
00:09:52 |
Two-three-four-seven-eight-six. |
00:10:02 |
Two-three-six-seven... |
00:10:04 |
X-Y-two-three-three, |
00:10:07 |
Two-three-four-seven-nine-one. |
00:10:09 |
- Two-three-four-seven-nine... |
00:10:12 |
It's not there. |
00:10:15 |
[Riley] Maybe someone checked it out. |
00:10:20 |
- Why send us here if there's no book? |
00:10:24 |
- [Siren wailing] |
00:10:34 |
Here. |
00:10:51 |
- What is that? |
00:10:56 |
The location is the combination. |
00:10:59 |
The location is the combination. |
00:11:11 |
[Laughs] |
00:11:18 |
[Riley] Yes. I was right. |
00:11:21 |
Well done, Mr. Poole. |
00:11:30 |
Eagle and the scroll. |
00:11:44 |
- Area 51! |
00:11:49 |
- Kennedy assassination. |
00:11:51 |
Yeah, it's true. [clears throat] |
00:11:53 |
[Sirens wailing] |
00:11:56 |
Here. Wait. |
00:11:59 |
"April 1865. Queen Victoria |
00:12:03 |
The first is received. |
00:12:08 |
New World treasure. The City of Gold." |
00:12:12 |
Wait. The queen |
00:12:15 |
- A divided America'd have been weaker. |
00:12:19 |
"The second missive was thought |
00:12:22 |
suggesting contact with Laboulaye, |
00:12:26 |
The cipher written into the Booth |
00:12:30 |
- The one we have. |
00:12:33 |
Resolute desk arrives in Washington, |
00:12:39 |
Look at that. |
00:12:42 |
Missing plank from the White House. Wow. |
00:12:47 |
Here's the final entry |
00:12:50 |
"1924. I found a plank |
00:12:54 |
Plank photographed and then destroyed. |
00:12:58 |
Borglum commissioned |
00:13:01 |
in sacred Black Hills mountains." |
00:13:05 |
Borglum. Mount Rushmore? |
00:13:10 |
He carved Mount Rushmore |
00:13:15 |
in order to protect the City of Gold. |
00:13:18 |
Mount Rushmore was a cover-up. |
00:13:21 |
- [Police siren blares] |
00:13:25 |
There's my tax dollars at work, |
00:13:29 |
Not coming for you, |
00:13:32 |
- No! |
00:13:34 |
This way. |
00:13:36 |
[Clicks] |
00:13:42 |
[Indistinct chattering] |
00:13:44 |
So Gates abducts the president, |
00:13:46 |
and heads to the Library of Congress? |
00:13:48 |
- Why? |
00:13:53 |
[Clicks] |
00:13:55 |
[Shouting] |
00:14:10 |
This way. |
00:14:24 |
[Indistinct chatter] |
00:14:33 |
[Man on police radio] All agents... |
00:14:40 |
[dialing phone] |
00:14:48 |
- Dad. |
00:14:50 |
Get out of there. |
00:14:52 |
FBI, Secret Service all over the place. |
00:14:55 |
Calm down. I sent a picture |
00:14:58 |
- You can do that? |
00:15:00 |
Did you get it? |
00:15:02 |
- I got it. |
00:15:05 |
- Take it to Mom for translation. |
00:15:09 |
He say his mom |
00:15:11 |
Find out who she is. |
00:15:25 |
- How are we going to find Ben? |
00:15:27 |
- Hold it! Who are you? |
00:15:29 |
- IDs. |
00:15:32 |
[Riley] I don't know what's going on. |
00:15:33 |
- My car's parked... |
00:15:36 |
- Special section for... |
00:15:40 |
- Go ahead. |
00:15:41 |
- Thank you for your help, officer. |
00:15:45 |
- [Alarm chirps] |
00:15:51 |
[Man] Hey, go |
00:15:58 |
[Riley] Start the car. |
00:16:00 |
[Engine starts] |
00:16:02 |
Put it in gear. |
00:16:06 |
- Uh-oh. |
00:16:08 |
It's clear. Let's go! |
00:16:09 |
We're going to jail. |
00:16:14 |
[Man] I want to run a check... |
00:16:16 |
[grunts] |
00:16:18 |
Get in! Hang on! |
00:16:21 |
Mercedes SUV... |
00:16:23 |
- He's in! Go! |
00:16:25 |
[Abigail] Whoa! |
00:16:28 |
OK. We can do this. |
00:16:33 |
Close the barricade, lock it down! |
00:16:36 |
Lock it down! |
00:16:40 |
- Drive, drive, drive! |
00:16:44 |
I don't think so! |
00:16:47 |
Whoa, whoa! |
00:16:52 |
[Man] Go, go, go, go, go! |
00:16:55 |
Let's go! Let's go! |
00:16:57 |
[Engine hissing] |
00:17:00 |
That did not turn out |
00:17:02 |
- How'd they find us so quick? |
00:17:05 |
- The president is a tattletale! |
00:17:09 |
He knows more about the book |
00:17:11 |
How'd the president |
00:17:12 |
How'd the president |
00:17:14 |
He was OK. |
00:17:22 |
- Dr. Appleton. |
00:17:25 |
I do apologize |
00:17:29 |
My name is Mitch Wilkinson. |
00:17:31 |
I've got something I want you |
00:17:42 |
- You're a treasure hunter. |
00:17:45 |
I'm just a man trying |
00:17:48 |
Can you help me? |
00:17:51 |
Um... No, I don't know that language. |
00:17:55 |
- [Phone rings] |
00:18:01 |
Yes. |
00:18:04 |
Got it. |
00:18:06 |
Your ex-husband's on his way up. |
00:18:11 |
Tell him anything but the truth. |
00:18:26 |
Emily? |
00:18:40 |
I know I'm the last person |
00:18:42 |
and I'm not comfortable either, |
00:18:49 |
- Ben sent me. He needs your help. |
00:18:55 |
If it's for Ben, of course. What is it? |
00:18:58 |
Oh. Uh... |
00:19:00 |
It's in the cell phone. |
00:19:03 |
- Give it to me. |
00:19:08 |
[Beeping] |
00:19:13 |
We know it leads to Mount Rushmore. |
00:19:20 |
Yes. "Islands... |
00:19:23 |
That's what the Lakota used to call |
00:19:28 |
Right. |
00:19:32 |
"Find where the moon touches the earth |
00:19:41 |
That's it? |
00:19:50 |
Did it ever occur to you? |
00:19:56 |
Did it ever occur to you that I did |
00:20:02 |
No, you did it because you wanted to, |
00:20:06 |
except one of us had to grow up |
00:20:10 |
Certainly wasn't going to be you. |
00:20:12 |
Did it ever occur to you that I made |
00:20:20 |
No, of course not. |
00:20:22 |
So just go away. |
00:20:38 |
Lousy tequila. |
00:20:44 |
Don't feel bad. You did good. |
00:20:46 |
Patrick believed every word you said. |
00:20:48 |
Besides, your son would have |
00:20:52 |
You don't know Benjamin. |
00:20:54 |
Perhaps not. |
00:21:01 |
A letter from Queen Victoria to |
00:21:06 |
Seems the dear old queen |
00:21:11 |
This has been handed down |
00:21:14 |
Contains a vital piece of information. |
00:21:19 |
This piece of information is worthless |
00:21:26 |
It's ironic, isn't it? |
00:21:28 |
This all began with the burning |
00:21:33 |
with the burning of this, |
00:21:37 |
Making me the only one... |
00:21:40 |
...who can find Cibola. |
00:21:41 |
...who can find Cibola. |
00:21:44 |
Get your coat. |
00:21:58 |
Her translation on the second half |
00:22:01 |
- we need to find an island of stone. |
00:22:05 |
I don't think so. |
00:22:13 |
[Whistles] |
00:22:14 |
How do I get to, um, this... |
00:22:18 |
Hello, Mitch. |
00:22:21 |
Mom... |
00:22:22 |
- Wait for me. |
00:22:25 |
I knew you'd figure out |
00:22:28 |
The hummingbird was good. Let her go. |
00:22:31 |
We're the ones with the firepower, |
00:22:35 |
I kidnapped the president. The FBI |
00:22:40 |
and I'm sure they'll love to meet you. |
00:22:42 |
They'll find us both and arrest us both. |
00:22:44 |
That path doesn't lead |
00:22:47 |
This man has information you need. |
00:22:50 |
From Queen Victoria |
00:22:52 |
- How do you know that? |
00:22:58 |
I'm afraid he's burned it. |
00:23:03 |
All right... You've had me do |
00:23:08 |
You tell me what you know, |
00:23:12 |
prove Thomas Gates' innocence, |
00:23:15 |
- What? |
00:23:17 |
But if anyone's gonna be credited |
00:23:21 |
it's going to be me. |
00:23:22 |
But your partners stay here, |
00:23:25 |
What makes you think I'd agree? |
00:23:28 |
Because you need that treasure. |
00:23:37 |
All right, Gates. We'll do it your way. |
00:23:42 |
But believe me... I don't need the guns. |
00:23:51 |
- Which president? The president? |
00:24:08 |
[Abigail] I still don't see anything |
00:24:14 |
All right. Let's have it. |
00:24:16 |
What did the letter say? What's |
00:24:20 |
"The entrance shall only be revealed |
00:24:26 |
Figure that one out. |
00:24:27 |
So we come back when it's raining? |
00:24:33 |
"Cloudless." Could simply mean the sun. |
00:24:37 |
You need a sunny day... and rain. |
00:24:42 |
We need water. |
00:24:43 |
Water. |
00:24:55 |
Abigail. |
00:24:58 |
Everybody, the water makes |
00:25:01 |
Em? Water? |
00:25:02 |
- What's this in my hand? Are you blind? |
00:25:19 |
This is ridiculous. |
00:25:31 |
That's it. |
00:25:33 |
Oh! That's it. I found it. |
00:25:40 |
Look at this! |
00:25:42 |
It's an eagle. |
00:25:45 |
- Look at that. It's an eagle. |
00:25:49 |
- "The noble bird..." |
00:25:51 |
- Uh-huh. Now what? |
00:25:55 |
and in a noble manner, |
00:26:01 |
- [Patrick] It indicates direction... |
00:26:05 |
...will rise from the rock |
00:26:09 |
You can stand around guessing for a |
00:26:14 |
"Surrender your hand |
00:26:18 |
And the eagle |
00:26:26 |
Ben, no. Wait, wait! No. |
00:26:28 |
That's probably a horrible trap. |
00:26:31 |
It's a horrible trap. |
00:26:33 |
It would be a pity to come this far |
00:26:38 |
I'll do it, Ben. |
00:26:40 |
It's OK. |
00:26:45 |
Surrender your hand. |
00:26:59 |
[Screaming] |
00:27:02 |
[Laughing] |
00:27:04 |
- I am sorry. I... I couldn't resist. |
00:27:10 |
Lt, uh... feels like a latch. |
00:27:15 |
[Crackling] |
00:27:22 |
Look at this. |
00:27:36 |
All right, good. Let's go. |
00:27:59 |
[Emily] Oh! |
00:28:05 |
Ben, look at this. |
00:28:07 |
Oh, that's beautiful! |
00:28:13 |
- Patrick. Patrick! |
00:28:16 |
[Ben] Appears to be a counterweight |
00:28:19 |
- [Riley] What is that sound? |
00:28:21 |
[Emily] Fascinating. |
00:28:24 |
[Riley shouting] |
00:28:26 |
- [Gasping] |
00:28:29 |
Ben! |
00:28:40 |
[Riley] Sorry. |
00:28:41 |
- You OK? |
00:28:43 |
Get up. |
00:28:46 |
It's locked. |
00:28:47 |
- Patrick, what have you done? |
00:28:52 |
Only one way out of here now. |
00:28:56 |
Forward. |
00:29:02 |
[Emily gasps] Oh! |
00:29:10 |
Never seen so many relics. |
00:29:13 |
So beautifully preserved. |
00:29:18 |
Looks like we're going |
00:29:21 |
- There's a tunnel back in through here. |
00:29:27 |
It's a little golden man. |
00:29:31 |
Look. It's got a tiny little torso. |
00:29:40 |
[shouting] |
00:29:49 |
- Ben! |
00:29:57 |
Move back! Move back! |
00:30:03 |
Back up! Back up! |
00:30:05 |
Ah! |
00:30:11 |
Riley, move forward! Move forward! |
00:30:14 |
No, back up, back up. |
00:30:17 |
- What you want me to do? |
00:30:23 |
We have to balance our weight |
00:30:30 |
- We'll find 'em. |
00:30:32 |
Figure something out. |
00:30:35 |
- No, I'll tell you. |
00:30:37 |
No, I'll tell you! |
00:30:40 |
You go, pull those stones out, |
00:30:45 |
That is a good idea. |
00:30:50 |
[Wilkinson] There's nothing. |
00:30:57 |
[Abigail] Ben, look! |
00:31:00 |
- I mean, what's left of a ladder. |
00:31:06 |
Riley. Move slowly to that corner. |
00:31:10 |
- As I move to this corner. |
00:31:16 |
One step at a time. Good. |
00:31:22 |
If we can raise this corner, |
00:31:27 |
[Shouting] |
00:31:28 |
- Stop! Red light! |
00:31:31 |
I can get up there just as easy as you. |
00:31:35 |
Just stop. |
00:31:37 |
- Guys! |
00:31:40 |
I ain't going last, and if I'm not |
00:31:45 |
Look! |
00:31:48 |
What's it gonna be? |
00:31:59 |
We'll do this your way. |
00:32:01 |
[Creaking, rumbling] |
00:32:15 |
The rest of us, on my count of three, |
00:32:19 |
One step at a time. |
00:32:22 |
One, two, three. |
00:32:44 |
- You ready? |
00:32:48 |
[Grunting] |
00:32:57 |
Ah! |
00:33:19 |
[Ben] Mitch, what do you see? |
00:33:23 |
Is there a way out? |
00:33:26 |
What's up there, Mitch? |
00:33:33 |
[Both grunting] |
00:33:39 |
Em? |
00:33:41 |
- Are you all right? |
00:33:51 |
All right. |
00:33:54 |
Let's go. |
00:33:56 |
Mitch! Come on! |
00:33:59 |
- I've been doing the math here, and... |
00:34:02 |
We're gonna have to leave |
00:34:05 |
[Riley] Promise you'll |
00:34:07 |
I can do the math too. |
00:34:10 |
- That makes you next. |
00:34:14 |
"No, we'll figure something else out." |
00:34:19 |
[Laughs] |
00:34:20 |
I'm just kidding. Go. |
00:34:22 |
OK... |
00:34:29 |
[rumbling, creaking] |
00:34:53 |
- One... two... three! |
00:35:02 |
Oh! |
00:35:04 |
- What are you doing? |
00:35:07 |
Uh! |
00:35:12 |
I can't get it. |
00:35:20 |
Just go! Go now! Go! |
00:35:25 |
- All right, ready? |
00:35:27 |
Ah! |
00:35:29 |
Riley! Hang on! |
00:35:34 |
OK. Mitch, the idol. |
00:35:38 |
We can roll it over |
00:35:41 |
Then roll it! |
00:35:46 |
[Abigail] Here it comes! |
00:35:56 |
[Riley] Come on, Ben! |
00:36:00 |
Here! Give me your hand! |
00:36:04 |
[Abigail] Ben! |
00:36:07 |
Thanks, Riley. |
00:36:11 |
Why couldn't a girl see me do that? |
00:36:17 |
- You all right? |
00:36:23 |
So... forward. |
00:36:29 |
- What is this? |
00:36:32 |
Oh! Oh! Oh! |
00:36:36 |
Oh! |
00:36:42 |
Put your light over there. |
00:36:47 |
What are you doing? |
00:37:02 |
[Grunts] |
00:37:04 |
[Grunts] |
00:37:15 |
[Riley] I can't see anything! |
00:37:23 |
It's oil! |
00:38:03 |
It's a dead end! |
00:38:07 |
We have to turn back! |
00:38:18 |
OK. |
00:38:22 |
No. No, Patrick, this is crazy. |
00:38:28 |
OK. |
00:38:34 |
I got it! |
00:38:37 |
I got you! I got you! |
00:38:40 |
[Both shouting] |
00:38:44 |
[Gasping] |
00:38:47 |
[Laughing] |
00:39:09 |
[Abigail] There's no forward! |
00:39:13 |
It's not forward, it's down! |
00:39:16 |
All this water has to go out somewhere. |
00:39:31 |
Help me turn this wheel! |
00:40:07 |
[Wilkinson] The water's going down. |
00:40:59 |
It is... Em. |
00:41:01 |
Em. Em. |
00:41:10 |
Ben! Hey! |
00:41:12 |
Dad! We found it! |
00:41:16 |
- Thomas was right! |
00:41:25 |
Sorry I smeared your |
00:41:28 |
Seemed like the only way |
00:41:31 |
But this was a chance for the Wilkinson |
00:41:36 |
to find the City of Gold, |
00:42:02 |
[Gurgling, bubbling] |
00:42:11 |
What happened to you? |
00:42:14 |
She was frantic. She was frantic. |
00:42:17 |
Dad, coming through, |
00:42:21 |
Stop it. Coming through, did you see |
00:42:25 |
No, it's all blocked. You can't even |
00:42:29 |
Where's your mother going? |
00:42:32 |
[Emily gasps] |
00:42:34 |
Sweetheart. Sweetheart. |
00:42:37 |
- What? |
00:42:38 |
This is gonna unlock |
00:42:41 |
It's gonna give us incredible |
00:42:44 |
Oh! [laughs] |
00:42:46 |
[Patrick] Em? |
00:42:48 |
- You happy? |
00:42:52 |
- Ben! Look at this! Look! |
00:42:55 |
That's where they slit the throat, |
00:43:06 |
[Laughs] |
00:43:11 |
[Banging] |
00:43:15 |
- What was that? |
00:43:19 |
[Banging] |
00:43:38 |
Ah! |
00:43:45 |
I tried to find a way out. |
00:43:48 |
I'm telling you, all this water |
00:43:59 |
Ben, there's a current! |
00:44:02 |
Follow it! |
00:44:05 |
It's under us. Right here! |
00:44:16 |
Come on! |
00:44:19 |
Let's go! Get in there! |
00:44:28 |
The water's rising too fast! |
00:44:30 |
Let's get that door open |
00:44:49 |
Ben, it slopes down! |
00:44:53 |
It fills with water |
00:44:55 |
We need to find something |
00:44:58 |
No, if it's open, |
00:45:02 |
We've got to get to the other side |
00:45:04 |
Patrick, Emily, go! |
00:45:11 |
- No. |
00:45:14 |
No! |
00:45:15 |
Mitch, we got to be |
00:45:18 |
Nobody leaves unless I say so. |
00:45:22 |
That door is not gonna stay open |
00:45:24 |
We both know what has to happen here. |
00:45:27 |
One of us keeps the door open |
00:45:33 |
I vote Mitch. |
00:45:35 |
This isn't a democracy. |
00:45:37 |
[Grunting, shouting] |
00:45:41 |
Stop! I'll stay! |
00:45:46 |
See? I'm right here! I'm staying! |
00:45:49 |
I'll tell everybody |
00:45:52 |
You and me are going to open that door. |
00:45:56 |
I drop the door, |
00:45:58 |
Try any funny business, I guarantee you |
00:46:04 |
I won't! You have my word. |
00:46:12 |
Ben, no, we're not leaving without you. |
00:46:16 |
[Ben] Abigail. |
00:46:21 |
You make my parents leave. |
00:46:34 |
- No! |
00:46:36 |
Let's go, please! Patrick, Emily, |
00:46:41 |
Please, come on. |
00:46:45 |
Push, Ben! |
00:46:49 |
The current's too strong! |
00:46:55 |
- I'm ready! |
00:47:13 |
Ah! |
00:47:20 |
Mom! |
00:47:22 |
- [Straining] |
00:47:27 |
Hold your breath! |
00:47:38 |
Ah! |
00:47:40 |
We got to get Ben out of there! |
00:47:44 |
If I'm stuck in the door, |
00:47:49 |
both rooms fill up, and we all drown! |
00:47:52 |
- Open the door! I'll get you out! |
00:47:56 |
I open the door, |
00:47:59 |
I'll get you out! |
00:48:00 |
I found the City of Gold! I found it! |
00:48:04 |
And no one will ever know? |
00:48:06 |
We can figure this out! |
00:48:11 |
It's not a puzzle! |
00:48:14 |
We're all going to die, |
00:48:18 |
- Tell them I found it! |
00:48:23 |
- [Straining] |
00:48:35 |
Ah! |
00:49:06 |
Thank you. |
00:49:25 |
- We haven't officially met. I'm Riley. |
00:49:35 |
Sir! It's for you. |
00:49:39 |
Sadusky. |
00:49:41 |
- I have my proof. |
00:49:44 |
We were just talking about you. |
00:49:48 |
Not quite. |
00:49:52 |
Doesn't matter. |
00:50:15 |
Stop. Stop it. |
00:50:19 |
- Mr. President? |
00:50:21 |
Sir, for your information, |
00:50:25 |
As I recall, we were |
00:50:28 |
and a door closed accidentally, |
00:50:32 |
Yes, sir. |
00:50:35 |
- Gates. |
00:50:38 |
For the record, after centuries |
00:50:42 |
you have brought honor |
00:50:47 |
You've done this country |
00:50:51 |
- Thank you. |
00:50:55 |
I thought you might want to |
00:51:01 |
Tomorrow? |
00:51:10 |
Thank you, sir. |
00:51:12 |
All of you, along with |
00:51:15 |
will get credit for this discovery. |
00:51:24 |
And Mitch Wilkinson, sir. |
00:51:27 |
- Is that right? |
00:51:33 |
Ben, I am curious |
00:51:37 |
Any report regarding |
00:51:40 |
I believe I can help with that, sir. |
00:51:42 |
- So it's good. |
00:51:49 |
What's on page 47? |
00:51:56 |
What book? |
00:51:58 |
[Emily] Be very careful with that. |
00:52:03 |
- Yes. |
00:52:05 |
- No, ma'am. |
00:52:06 |
Excuse me? Excuse me, sir? |
00:52:10 |
You should've been there |
00:52:17 |
Excuse me. |
00:52:18 |
Hey, you're that guy... |
00:52:22 |
No, actually, the guy you're thinking of |
00:52:26 |
No. You're him. Riley Poole. |
00:52:31 |
- Will you sign it? |
00:52:33 |
OK. |
00:52:44 |
Thank you. |
00:52:46 |
So, um, the tea tables... |
00:52:50 |
Yes, I'm going to have the movers |
00:52:55 |
I was going to say |
00:52:58 |
And maybe you could... |
00:53:02 |
...come and move back in with me. |
00:53:05 |
- No. You used the word "so." |
00:53:08 |
So, when you say "so," |
00:53:11 |
Sometimes. |
00:53:15 |
It's sort of like a puzzle. |
00:53:19 |
And you're so good at puzzles. |
00:53:25 |
So... |
00:54:07 |
[sighs] |
00:54:10 |
[Engine starts] |
00:54:13 |
I love this car. |
00:54:20 |
- [Tires screech] |