|
Net The
|
| 00:01:07 |
Well, thanks for the information. |
| 00:01:10 |
There's no chance a mistake |
| 00:01:14 |
Human error? It happens. |
| 00:01:17 |
Oh. Well, that sort of |
| 00:01:21 |
So this really is reality. |
| 00:01:27 |
Mr. Secretary, your car. |
| 00:01:30 |
Oh, yes. Thank you. |
| 00:01:45 |
Eddie, let's take the parkway. |
| 00:01:55 |
Okay, buddy. Final offer. |
| 00:01:58 |
For every buckle-down hour |
| 00:02:01 |
you get two with quality time |
| 00:02:05 |
Deal? Just whatever you do, |
| 00:02:09 |
Good. Now, put her back on. |
| 00:02:14 |
Okay, hon. Number-one son |
| 00:02:19 |
Me? Fine. Just needed |
| 00:02:23 |
Bit of a nightmare day. |
| 00:02:26 |
I'll see you in a bit. |
| 00:02:30 |
I love you, Liz. |
| 00:04:05 |
This is a very dynamic game, |
| 00:04:08 |
You can be honest, Angela. |
| 00:04:11 |
Believe me, |
| 00:04:14 |
First, tell me what keeps crashing |
| 00:04:19 |
You have been virused, Mr. Dapina, |
| 00:04:24 |
You're the best. |
| 00:04:27 |
What should we do? |
| 00:04:29 |
Don't hit the escape key |
| 00:04:32 |
One keystroke will wipe out |
| 00:04:34 |
I don't know how these things happen. |
| 00:04:37 |
What's it called? |
| 00:04:40 |
That's what they all say. |
| 00:04:42 |
Absolutely. |
| 00:04:46 |
Everything's under control. |
| 00:04:48 |
You're the best. Will we be able |
| 00:04:52 |
Absolutely. |
| 00:04:55 |
A friend of mine collects them. |
| 00:04:58 |
You are a genius, Angela. |
| 00:05:02 |
You might think differently |
| 00:05:05 |
Whatever it is, it's worth it. |
| 00:05:09 |
Take you out to dinner tonight, |
| 00:05:11 |
Get you out of the house. |
| 00:05:13 |
Oh, I'm very flattered |
| 00:05:16 |
You gotta eat. |
| 00:05:18 |
Unfortunately, I already |
| 00:05:21 |
How about tomorrow? |
| 00:05:24 |
These plans are kind of |
| 00:05:28 |
But I appreciate it. |
| 00:05:31 |
- You're still the best. |
| 00:05:47 |
Large. |
| 00:05:48 |
Garlic? |
| 00:05:54 |
Thank you. |
| 00:06:43 |
No one leaves the house anymore. |
| 00:06:45 |
No one has sex. |
| 00:06:48 |
The net is ultimate condom. |
| 00:06:54 |
Come on. |
| 00:06:56 |
could lead to the eventual |
| 00:07:00 |
My sympathies exactly, Angel. |
| 00:07:03 |
Let's have a date and procreate. |
| 00:07:05 |
Not me. In two days, |
| 00:07:09 |
Just me, the beach and a book. |
| 00:07:16 |
I'm there, babe. |
| 00:07:19 |
Sorry. Not my type. |
| 00:07:23 |
I'm crushed. |
| 00:07:31 |
Butch. |
| 00:07:33 |
Beautiful. |
| 00:07:37 |
Brilliant. |
| 00:07:41 |
Captain America... |
| 00:07:43 |
meets Albert Schweitzer. |
| 00:07:48 |
Spends all day dashing into fray... |
| 00:07:53 |
while making world... |
| 00:07:57 |
safe for democracy. |
| 00:08:00 |
At night, playing Bach cantatas... |
| 00:08:06 |
while curing cancer. |
| 00:08:10 |
Settle for a guy |
| 00:08:15 |
Listen, Angel, you're dreaming. |
| 00:08:18 |
- You're one of us. |
| 00:08:21 |
We accept her. |
| 00:08:23 |
One of us. |
| 00:08:26 |
Yeah, I know. |
| 00:09:01 |
It's beautiful. |
| 00:09:04 |
- I love Chopin. |
| 00:09:07 |
Well, I should. |
| 00:09:16 |
Brought you something. |
| 00:09:18 |
Just don't let the nurses |
| 00:09:22 |
My favorite. |
| 00:09:31 |
Do you wanna... |
| 00:10:06 |
I'm going on vacation |
| 00:10:08 |
If for any reason |
| 00:10:11 |
I don't know if they have phones there, |
| 00:10:15 |
You must be one of my students. |
| 00:10:17 |
No, Mom. |
| 00:10:25 |
Can you bring me some candy |
| 00:10:31 |
- My favorites are those... |
| 00:10:35 |
Yeah, I know |
| 00:10:50 |
- Angela Bennett! |
| 00:10:52 |
- FedEx. |
| 00:10:54 |
Thank you for using our reservation |
| 00:11:05 |
Line five, please. |
| 00:11:10 |
- Oh, I have another one going out. |
| 00:11:18 |
And here's your virus, Dale. |
| 00:11:26 |
- Can I use your pen? |
| 00:11:29 |
This is a nice place. |
| 00:11:32 |
Thanks. |
| 00:11:39 |
- Have a nice day, ma'am. |
| 00:12:10 |
Mozart's Ghost! |
| 00:12:22 |
- Cathedral Software. |
| 00:12:25 |
Please hold. |
| 00:12:27 |
- Hello. |
| 00:12:29 |
Angela? FedEx had you signing |
| 00:12:34 |
- What took you so long? |
| 00:12:36 |
with this Mozart's Ghost. |
| 00:12:40 |
By the way, I sent you a whopper |
| 00:12:43 |
Just be a little careful |
| 00:12:46 |
Look, here's the problem. |
| 00:12:50 |
All right. |
| 00:12:53 |
Houston Utilities. Dale, I think |
| 00:12:57 |
Not quite Ticketmaster, is it? |
| 00:13:02 |
No, looks like a normal web page to me, |
| 00:13:06 |
little icon at the bottom |
| 00:13:08 |
Click on it, and then |
| 00:13:18 |
- My God. |
| 00:13:21 |
Simple. |
| 00:13:23 |
It's a futzed keystroke that sent you |
| 00:13:26 |
Last night it sent me to Amtrak's |
| 00:13:30 |
Neither of them |
| 00:13:32 |
Angela, I've accessed |
| 00:13:35 |
If someone gets ahold of that disk, |
| 00:13:39 |
Why don't you just crawl in there, |
| 00:13:42 |
Not quite ready to do that yet. |
| 00:13:44 |
Look, what's your day like tomorrow? |
| 00:13:47 |
Oh, no. No. |
| 00:13:50 |
I'm going on my first vacation |
| 00:13:53 |
I just confirmed my reservation. |
| 00:13:56 |
- What time is your flight? |
| 00:13:59 |
I'm gonna be a complete madwoman. |
| 00:14:02 |
- Why don't you wait till I get back? |
| 00:14:05 |
- Just tell me what this is about. |
| 00:14:10 |
I can fly down tonight in my Cessna, |
| 00:14:13 |
We'd have five hours. |
| 00:14:15 |
You know this shit |
| 00:14:20 |
Fine. Fine. |
| 00:14:24 |
Great. So, |
| 00:14:28 |
I'll be the tall guy. |
| 00:14:30 |
I'm gonna be the one with "Spineless |
| 00:14:35 |
Bye. See you tomorrow. |
| 00:14:40 |
Why do I do this? |
| 00:14:44 |
Burbank Tower. |
| 00:14:49 |
Intercepting approach course |
| 00:14:54 |
Three-nine Mike Bravo, |
| 00:14:58 |
Say your position and altitude. |
| 00:15:00 |
Just passing the middle marker |
| 00:15:04 |
Three-nine Mike Bravo, |
| 00:15:07 |
Verify your position |
| 00:15:10 |
All normal, for crying out loud. |
| 00:15:13 |
That's a negative. |
| 00:15:17 |
Contact approach control on 124.5. |
| 00:15:19 |
Okay, Burbank, but still |
| 00:15:22 |
Shit! |
| 00:15:24 |
God! |
| 00:16:13 |
- Cathedral Software. |
| 00:16:16 |
- One moment, please. |
| 00:16:20 |
- Russ Melbourne here. |
| 00:16:22 |
I thought you'd be long gone. |
| 00:16:24 |
No, I was getting ready to leave. |
| 00:16:26 |
I'm glad you're still going, |
| 00:16:29 |
We're really desperately short |
| 00:16:33 |
Oh, please. I'm far |
| 00:16:35 |
especially with a room full of people |
| 00:16:38 |
- That's not the reason I called. |
| 00:16:41 |
The honchos up here aren't |
| 00:16:44 |
on such short notice, not with all the |
| 00:16:48 |
Replace Dale. Okay. |
| 00:16:52 |
Oh, God, I'm sorry. |
| 00:16:55 |
What? What happened? |
| 00:16:58 |
Angela, Dale's dead. His plane |
| 00:17:02 |
I just talked to him yesterday. |
| 00:17:07 |
Kind of puts things |
| 00:17:10 |
Let's talk when you get back, huh? |
| 00:17:13 |
And try to have a good vacation. |
| 00:17:17 |
Okay. I'll talk to you soon, Russ. |
| 00:17:43 |
Plenty of time. Ain't nothin' comin' in |
| 00:17:50 |
Ladies and gentlemen, |
| 00:17:52 |
We are sorry to announce... |
| 00:17:54 |
there is a computer malfunction, |
| 00:17:58 |
- The whole airport is down. |
| 00:18:01 |
we will advise you. |
| 00:18:02 |
Thank you very much. |
| 00:18:13 |
- We will let you all know. |
| 00:18:16 |
I understand. |
| 00:18:23 |
A blood test taken last week... |
| 00:18:26 |
at Bethesda Naval Hospital |
| 00:18:29 |
that Undersecretary of Defense |
| 00:18:32 |
was infected with the AIDS virus. |
| 00:18:35 |
You okay? |
| 00:18:37 |
Yeah. It's all these people. |
| 00:18:41 |
No, I meant are you okay with your soda? |
| 00:18:45 |
- No, I'm fine. I've had three. |
| 00:18:47 |
One more, and I'll be able |
| 00:18:50 |
Looks like you won't have to. |
| 00:19:39 |
- Mozart's Ghost! |
| 00:19:44 |
It's a martini with an onion |
| 00:19:48 |
Is that okay? |
| 00:19:53 |
Excuse me. |
| 00:19:56 |
I'll take mine up at the bar. |
| 00:20:02 |
Didn't think anybody else |
| 00:20:04 |
I guess I'm not as unfashionable |
| 00:20:13 |
Is that business or pleasure? |
| 00:20:16 |
Is there a difference? |
| 00:20:18 |
Not a great deal |
| 00:20:25 |
That's a nice piece of hardware. |
| 00:20:28 |
Isn't everybody? |
| 00:20:31 |
Nope. |
| 00:20:36 |
God, we're pathetic, aren't we? |
| 00:20:41 |
Excuse me? |
| 00:20:44 |
Well, we're here. |
| 00:20:47 |
We're sitting on the most |
| 00:20:50 |
and all we can think about |
| 00:20:53 |
Where can I hook up my modem? |
| 00:20:56 |
Yeah, exactly. |
| 00:21:04 |
Um, I'm Jack Devlin. |
| 00:21:10 |
- Angela Bennett. |
| 00:21:23 |
My most embarrassing secret. |
| 00:21:26 |
You know Breakfast At Tiffany's? |
| 00:21:28 |
- Very well. It's my favorite film. |
| 00:21:31 |
I wore out my membership renting it. |
| 00:21:33 |
- You know what I'm talking about. |
| 00:21:37 |
When I was about 13... |
| 00:21:39 |
I had this sort of |
| 00:21:45 |
I used to think |
| 00:21:48 |
You thought |
| 00:21:51 |
- No, I used to think I was the cat. |
| 00:21:55 |
I'd sit there... |
| 00:21:57 |
and I'd play out |
| 00:22:01 |
I'd just play it |
| 00:22:07 |
- You know the last scene? |
| 00:22:09 |
Out in the pouring rain, |
| 00:22:12 |
I'm soaked to the bone, |
| 00:22:16 |
And I'm... |
| 00:22:20 |
abandoned. |
| 00:22:22 |
I'm alone. |
| 00:22:28 |
That's it. |
| 00:22:34 |
Moon River |
| 00:22:37 |
Wider than a mile |
| 00:22:48 |
Would you have dinner |
| 00:22:52 |
Come on. |
| 00:22:55 |
You know what? |
| 00:22:58 |
I would... I would actually |
| 00:23:01 |
Great. |
| 00:23:05 |
- It's a company perk. |
| 00:23:09 |
- Yeah. |
| 00:23:11 |
I think I got a calendar |
| 00:23:30 |
Where are you from? |
| 00:23:32 |
Yes, it has to be. |
| 00:23:35 |
Maybe it's the southeastern part |
| 00:23:39 |
The teeming metropolis |
| 00:23:42 |
- La Junta? |
| 00:23:46 |
Is my accent that strong |
| 00:23:49 |
- No, it's just a trick I do. |
| 00:23:54 |
Why "after all these years"? |
| 00:23:57 |
Oh, boy. |
| 00:24:00 |
Let's see. I was, uh... |
| 00:24:03 |
I was 15 going on 10... |
| 00:24:06 |
and we moved from La Junta |
| 00:24:10 |
Tulsa, um... |
| 00:24:12 |
So your father |
| 00:24:14 |
No, not really. No. He, um... |
| 00:24:18 |
I don't know. He just, you know... |
| 00:24:29 |
What? What are you looking at? |
| 00:24:33 |
You. |
| 00:24:36 |
Me? |
| 00:24:42 |
Computers are your life, |
| 00:24:45 |
Yes. Perfect hiding place. |
| 00:24:50 |
Thanks. |
| 00:24:53 |
- Well, yeah, okay. |
| 00:24:58 |
I have one or two other interests, |
| 00:25:01 |
Such as? What's your speciality |
| 00:25:05 |
Oh, anything, pretty much. |
| 00:25:07 |
Beta testing, mostly, |
| 00:25:11 |
- That's way over my head, I'm afraid. |
| 00:25:14 |
You just go into people's systems, |
| 00:25:19 |
What happens if they don't |
| 00:25:21 |
Don't believe I've met one yet. |
| 00:25:28 |
You must be a bit cold. |
| 00:25:30 |
Not really. |
| 00:25:37 |
- Here. |
| 00:25:40 |
It goes around here. |
| 00:25:47 |
Better? |
| 00:26:02 |
- Want one? |
| 00:26:06 |
But you quit, right? |
| 00:26:11 |
Well, I refuse to. |
| 00:26:15 |
I reckon you gotta try a few things |
| 00:26:18 |
or how else you gonna know |
| 00:26:21 |
Well, I take my share of risks. |
| 00:26:24 |
I don't always floss. |
| 00:26:26 |
I rip the tags off my pillows |
| 00:26:32 |
- My kind of woman. |
| 00:26:37 |
Pretty adventurous? |
| 00:26:39 |
I don't know. |
| 00:26:42 |
Dare you risk it? |
| 00:26:47 |
Shit! My purse! |
| 00:26:48 |
- Fuck! |
| 00:26:50 |
- It's not worth getting killed over! |
| 00:26:52 |
- Jack, come back here! |
| 00:27:01 |
- It's not here. |
| 00:27:04 |
I look everywhere. |
| 00:27:05 |
So I come here. I do like you say. |
| 00:27:08 |
Oh, yeah. |
| 00:27:11 |
Okay. Now the dinero. |
| 00:27:59 |
God, I had everything in that bag. |
| 00:28:03 |
- Ow. |
| 00:28:05 |
Thanks for doing this. |
| 00:28:07 |
Well, you're the one |
| 00:28:10 |
I am the one crying |
| 00:28:14 |
I apologize |
| 00:28:17 |
What do you mean? |
| 00:28:22 |
Only trying to impress you. |
| 00:28:26 |
Well, for future reference... |
| 00:28:28 |
you should know that the living tend |
| 00:28:32 |
- Yeah? |
| 00:28:35 |
I suppose that's quite healthy. |
| 00:28:44 |
I suppose we ought to call up |
| 00:28:54 |
It's not working. |
| 00:28:58 |
You can head to Morocco for all I care. |
| 00:29:19 |
How we doing? |
| 00:29:21 |
Still no dice. |
| 00:29:45 |
I'm just going down below. |
| 00:30:17 |
Maybe we didn't go out far enough. |
| 00:30:19 |
No, this should do it. |
| 00:30:28 |
Tonight's been |
| 00:30:32 |
Yeah. |
| 00:31:01 |
I hope you don't |
| 00:31:04 |
but this isn't exactly my style. |
| 00:31:09 |
I thought you liked taking risks. |
| 00:31:13 |
Well, yes, but I mean... |
| 00:31:17 |
- You know what I mean. |
| 00:31:20 |
- You know, first date. |
| 00:31:22 |
- Sex, one-night stand. |
| 00:31:24 |
Yes, that sort of thing. |
| 00:31:27 |
You've always been |
| 00:31:30 |
Absolutely. |
| 00:31:36 |
So when was the last time? |
| 00:31:38 |
Um, 1933. |
| 00:31:41 |
Oh, I see. |
| 00:31:45 |
And who was he? |
| 00:31:51 |
Yeah, I bet he was the... |
| 00:31:54 |
He was the captain |
| 00:31:58 |
Wasn't ready for a relationship. |
| 00:32:00 |
Oh, I wish I had been that lucky. |
| 00:32:04 |
No, it was my shrink, actually. |
| 00:32:09 |
You know the story. |
| 00:32:10 |
I thought I was lonely, |
| 00:32:17 |
That's okay. |
| 00:32:21 |
My mom developed Alzheimer's |
| 00:32:28 |
You know what? |
| 00:32:30 |
- I'm just gonna be quiet. |
| 00:32:34 |
No, actually, it's me |
| 00:32:40 |
Sorry. I'm rambling a little bit |
| 00:32:50 |
You want a drink? |
| 00:32:51 |
Yes. That'd be greatly appreciated. |
| 00:33:41 |
So, what's this for? |
| 00:33:46 |
It's, uh... |
| 00:33:50 |
Shark fishing? |
| 00:33:53 |
Yeah. |
| 00:33:59 |
You certainly |
| 00:34:01 |
Colorado. |
| 00:34:05 |
Yeah. |
| 00:34:08 |
So, who are you, Jack? |
| 00:34:13 |
Who am I? |
| 00:34:15 |
I'll tell you who I am. |
| 00:34:18 |
I'm Captain Goddamn America |
| 00:34:21 |
That's who I am. |
| 00:34:24 |
It is. I remember. |
| 00:34:25 |
It was butch... |
| 00:34:28 |
beautiful... |
| 00:34:29 |
brilliant, |
| 00:34:31 |
dashing into the fray... |
| 00:34:32 |
fists flying. |
| 00:34:35 |
Sorry, I don't know |
| 00:34:38 |
Was that it? |
| 00:34:42 |
And if you'll excuse me... |
| 00:34:45 |
it's time to make the world |
| 00:34:59 |
Where's the clip? |
| 00:35:02 |
Give me that! |
| 00:35:08 |
Bitch. |
| 00:35:15 |
Somebody, I need help. |
| 00:35:17 |
Somebody? Hello? |
| 00:35:18 |
Please, somebody, |
| 00:35:24 |
Keys. Okay. |
| 00:37:14 |
What? No. |
| 00:37:18 |
How'd I get here? |
| 00:37:20 |
A fisherman found you. |
| 00:37:24 |
You were very lucky |
| 00:37:26 |
How long have I been here? |
| 00:37:28 |
Three days. |
| 00:37:31 |
Oh, we found a man's wallet... |
| 00:37:33 |
filled with pesos |
| 00:37:35 |
- We tried to contact him... |
| 00:37:38 |
No. There was no luck |
| 00:37:41 |
There was a disk. |
| 00:37:45 |
Green square, plastic disk. |
| 00:37:48 |
Ah, yes. |
| 00:37:50 |
The disk was ruined by the sun. |
| 00:37:53 |
You relax now, hmm? |
| 00:37:56 |
- No. I need... |
| 00:37:58 |
Look at you now. |
| 00:38:03 |
My clothes. |
| 00:38:05 |
Please. You have to relax now. |
| 00:38:08 |
- You need a few days. |
| 00:38:10 |
I have to go. |
| 00:38:22 |
In national news, we go |
| 00:38:27 |
- Hi. I need... |
| 00:38:30 |
appeared to tumble at a rate |
| 00:38:33 |
Officials suspended trading |
| 00:38:36 |
that the losses were fictitious |
| 00:38:40 |
- I need my room key for 2806, please. |
| 00:38:43 |
-Angela Bennett. |
| 00:38:46 |
with its computers protected by Gregg |
| 00:38:51 |
aptly nicknamed the Gatekeeper. |
| 00:38:54 |
What about that prank downtown? |
| 00:38:56 |
Pranks? Short-sheeting |
| 00:39:00 |
These Praetorians could've done |
| 00:39:03 |
just as the actions |
| 00:39:05 |
No, I'm sorry. Angela Bennett |
| 00:39:09 |
No. Sorry, you don't understand. |
| 00:39:12 |
I'm standing right here. |
| 00:39:14 |
It's not on the computer here. |
| 00:39:21 |
No Angela Bennett. |
| 00:39:24 |
No, I didn't check out. |
| 00:39:27 |
- I didn't check out. |
| 00:39:30 |
There's nothing I can do for you. |
| 00:39:33 |
- Excuse me, sir? |
| 00:39:36 |
That room is fine. |
| 00:39:39 |
That's for you. Okay. |
| 00:39:46 |
- There you go. |
| 00:39:48 |
Please dial |
| 00:39:51 |
The card number you have just dialed |
| 00:39:56 |
Miss Marx? |
| 00:39:59 |
Please dial |
| 00:40:02 |
- Ruth Marx? Excuse me. |
| 00:40:04 |
- Are you Ruth Marx? |
| 00:40:08 |
You're not the woman who was here |
| 00:40:11 |
No, I am here about a visa, but... |
| 00:40:13 |
Is your Social Security number |
| 00:40:18 |
You live at 407 Finley Avenue, |
| 00:40:24 |
Yeah. |
| 00:40:25 |
Well, then according |
| 00:40:27 |
of the California Department |
| 00:40:29 |
you're Ruth Marx. |
| 00:40:32 |
So if that's who you are... |
| 00:40:34 |
you need to sign your name there, |
| 00:40:37 |
- But I'm not... |
| 00:40:45 |
I'm not clear about something. |
| 00:40:48 |
Without this, I can't get back |
| 00:40:52 |
That's correct. |
| 00:40:54 |
So all I would have to do |
| 00:40:58 |
Right there. |
| 00:41:58 |
Okay. Think, think. |
| 00:42:35 |
Oh, my God. |
| 00:42:39 |
Oh, my God. |
| 00:42:44 |
Where're you runnin'? |
| 00:42:47 |
My name is Stan Whiteman, |
| 00:42:50 |
You'll like it. |
| 00:42:52 |
Oh, I definitely saw her move out. |
| 00:42:54 |
Okay, when was this? |
| 00:42:57 |
Three days ago. Moving van, |
| 00:43:00 |
I've been in Mexico for over a week. |
| 00:43:04 |
It wasn't your house to sell! |
| 00:43:08 |
- Calm down. |
| 00:43:10 |
The real Angela Bennett |
| 00:43:13 |
I got 20,000 in computers. |
| 00:43:17 |
Ma'am, it would help if you could |
| 00:43:22 |
You know what? |
| 00:43:24 |
But as I have told you |
| 00:43:26 |
I had everything stolen in Cozumel. |
| 00:43:28 |
Please. Ask her how she got |
| 00:43:31 |
- I had a temporary issued. |
| 00:43:34 |
- I don't think they do that. |
| 00:43:39 |
Here. Here it is. |
| 00:43:41 |
It's just that |
| 00:43:44 |
- Why's that? |
| 00:43:47 |
- Is this your signature? |
| 00:43:49 |
It's my handwriting, but I just signed |
| 00:43:53 |
It's a federal offense |
| 00:43:56 |
Oh, really? It is? |
| 00:43:59 |
- Yo, Mike. You wanna run this? |
| 00:44:02 |
It's not gonna make any difference, |
| 00:44:04 |
they've screwed with my information |
| 00:44:07 |
- Who's they? |
| 00:44:10 |
Where do you work? |
| 00:44:14 |
Yeah, I work in my house, |
| 00:44:17 |
But I've never been there. |
| 00:44:21 |
You don't know one person in a town |
| 00:44:24 |
who can vouch you're Angela Bennett... |
| 00:44:28 |
My mother is not well. |
| 00:44:31 |
No. |
| 00:44:33 |
There's, uh... |
| 00:44:38 |
- Your therapist? |
| 00:44:53 |
Yeah, we've got a Ruth Marx |
| 00:44:56 |
She's wanted for prostitution |
| 00:45:00 |
We're gonna bring her in. |
| 00:45:03 |
Um, would you excuse me? |
| 00:45:05 |
I'm gonna be right back. |
| 00:45:13 |
Mrs. Raines... |
| 00:45:16 |
is she or isn't she? |
| 00:45:19 |
She kept to herself, |
| 00:45:22 |
- Where's the girl? |
| 00:45:24 |
Where's my phone? |
| 00:45:44 |
Excuse me, sir. Did you see |
| 00:45:47 |
- No, sir. I haven't seen anyone. |
| 00:46:14 |
- Yeah? |
| 00:46:16 |
Don't worry. We'll get hold of the disk. |
| 00:46:20 |
She's out here on her own. |
| 00:46:23 |
We don't want another Cozumel, Devlin. |
| 00:46:27 |
I said I'd take care of her, |
| 00:46:40 |
- Cathedral Software. |
| 00:46:42 |
- Cathedral Software. |
| 00:46:43 |
Mr. Melbourne is no longer |
| 00:46:46 |
What do you mean? |
| 00:46:47 |
May I connect you |
| 00:46:50 |
I've never dealt with anybody |
| 00:46:53 |
- I don't know anybody else. |
| 00:46:56 |
Head of Security Systems. |
| 00:46:59 |
Thank you. I'll put you through |
| 00:47:02 |
What? No. |
| 00:47:07 |
This is Angela Bennett. |
| 00:47:16 |
- Who is this? |
| 00:47:25 |
This is someone that can help you. |
| 00:47:28 |
You have the wrong person. |
| 00:47:32 |
Just give us the disk, |
| 00:47:35 |
I don't understand. I don't have |
| 00:47:40 |
Give us the disk, Angela. |
| 00:47:54 |
- What's the number? |
| 00:47:57 |
- Did you get the address? |
| 00:48:09 |
Hi. This is Dr. Alan Champion. |
| 00:48:12 |
- Please be home. |
| 00:48:14 |
You know the drill. |
| 00:48:18 |
Are you screening? |
| 00:48:21 |
- Hello? Hello. I'm home. |
| 00:48:26 |
I need your help. |
| 00:48:30 |
- Shit. |
| 00:48:33 |
Hold on. |
| 00:48:37 |
Yeah, so we can't put |
| 00:48:39 |
Listen. There's no problem. No. |
| 00:48:42 |
- Just get the number. |
| 00:48:44 |
But don't dial it. |
| 00:48:47 |
- Send it from the base? |
| 00:48:49 |
Then find me two repeater cells |
| 00:48:52 |
Give me the bisect, and it'll find it |
| 00:48:56 |
- Okay. |
| 00:49:27 |
- Go, go. |
| 00:49:30 |
- I'm sorry. Just go. |
| 00:49:32 |
- Say hi. |
| 00:49:35 |
Yeah, now we can go. |
| 00:49:37 |
Listen, do you still have |
| 00:49:40 |
- Uh-huh. I'm wearing it. |
| 00:49:43 |
- Yes, I have it. |
| 00:49:47 |
- Now that's doable. |
| 00:49:49 |
Just go, go, go. |
| 00:49:52 |
I swear to God. I asked for a quarter, |
| 00:49:56 |
Yeah, that's right. |
| 00:49:59 |
Clever girl. |
| 00:50:02 |
Voila. Ouch. |
| 00:50:06 |
Alan, you don't have to stay |
| 00:50:11 |
I'm sure that... |
| 00:50:14 |
Amy. Don't worry. |
| 00:50:20 |
- I'm sorry. |
| 00:50:23 |
We're not. |
| 00:50:26 |
I haven't seen you in so long. |
| 00:50:29 |
I just figured you would be safe. |
| 00:50:31 |
Oh, great. So I've gone from being |
| 00:50:35 |
Thank you very much. |
| 00:50:38 |
No, I just figured that they couldn't |
| 00:50:43 |
Your patient records |
| 00:50:45 |
My patient records. |
| 00:50:49 |
It's just you're the only person |
| 00:50:52 |
And you know what, Angie? |
| 00:50:57 |
Guess what time it is. |
| 00:51:00 |
Almost. We have no onions, |
| 00:51:03 |
Seldane, the antihistamine |
| 00:51:08 |
I could always make you laugh, |
| 00:51:10 |
You know what? |
| 00:51:12 |
- No drink? |
| 00:51:15 |
All right. |
| 00:51:17 |
Some of Amy's clothes for you here. |
| 00:51:29 |
This is such a nightmare. |
| 00:51:32 |
Hey, come here. |
| 00:51:34 |
Come on. Look at me. |
| 00:51:37 |
You gotta take a breath, |
| 00:51:40 |
Okay, if you're not you, |
| 00:51:44 |
- Christ, you're not even listening. |
| 00:51:47 |
But come on. |
| 00:51:49 |
- I didn't expect you to believe me. |
| 00:51:52 |
That's not true. |
| 00:51:55 |
I believe you're |
| 00:51:57 |
In general, you're disconnected |
| 00:51:59 |
I think you're way out there |
| 00:52:02 |
- You mix in your father leaving... |
| 00:52:04 |
My father has nothing to do |
| 00:52:08 |
It has nothing to do with the fact |
| 00:52:11 |
It has nothing to do with the fact |
| 00:52:13 |
is chasing after me and that |
| 00:52:16 |
I believe something happened, |
| 00:52:19 |
I don't want to be simplistic... |
| 00:52:22 |
but I think you're reaching out. |
| 00:52:25 |
You know what? |
| 00:52:27 |
I'm reaching out |
| 00:52:30 |
anybody who will listen to me |
| 00:52:32 |
be my friend |
| 00:52:35 |
Hey, Angie, I'm sorry. |
| 00:52:37 |
Sometimes it's easier for me |
| 00:52:41 |
I just don't understand. Why me? |
| 00:52:45 |
But they knew everything about me. |
| 00:52:48 |
They knew what I ate, what I drank, |
| 00:52:51 |
They knew where I was from. They knew |
| 00:52:55 |
And everything they did, |
| 00:52:59 |
I don't know. |
| 00:53:01 |
Our whole lives are on the computer, |
| 00:53:04 |
They knew that nobody would care |
| 00:53:07 |
It's going to be okay. |
| 00:53:11 |
I need for you to take my mom |
| 00:53:14 |
I don't care where. |
| 00:53:16 |
I don't know what these people will do. |
| 00:53:20 |
I can put your mom |
| 00:53:23 |
How's that? |
| 00:53:25 |
That would mean a lot to me, |
| 00:53:29 |
All that you have left? |
| 00:53:31 |
Christ, Angie, they've really |
| 00:53:35 |
Put yourself in my shoes. |
| 00:53:39 |
I get a phone call, |
| 00:53:43 |
I'm not buying the whole package, |
| 00:53:46 |
I have a friend in the federal building. |
| 00:53:49 |
He's an FBl agent. |
| 00:53:51 |
I've been running from the police |
| 00:53:55 |
- That's the last thing that I need. |
| 00:53:58 |
Why don't you just live the rest |
| 00:54:03 |
Well, do you trust him? |
| 00:54:05 |
Yeah. I used to hold his head |
| 00:54:08 |
Come on. I'm serious. |
| 00:54:10 |
Yeah, I trust Ben. I do. |
| 00:54:14 |
Let's formulate our plan. |
| 00:54:17 |
I'll figure out the best way |
| 00:54:20 |
Then I'll calI Ben. If I get any |
| 00:54:25 |
Don't be so down. Come here. |
| 00:54:28 |
I'm on watch now. |
| 00:54:30 |
You know, this would've never happened |
| 00:54:37 |
Hey, Alan, thank you... |
| 00:54:39 |
for everything. |
| 00:54:43 |
You're welcome. |
| 00:55:43 |
Merci. Now prompt me, please. |
| 00:55:46 |
Okay, you carried this around, Devlin, |
| 00:56:00 |
Bethesda Naval Hospital. |
| 00:56:02 |
Password. |
| 00:56:06 |
Okay, password. |
| 00:56:13 |
No. Okay. |
| 00:56:14 |
Well, you look familiar. |
| 00:56:19 |
Come on. Okay. |
| 00:56:33 |
Bergstrom? What? |
| 00:56:41 |
Oh, my God. |
| 00:56:59 |
Yeah. |
| 00:57:00 |
- Someone's on. |
| 00:57:03 |
Whoever it is is covering their tracks. |
| 00:57:07 |
A pop in Switzerland, a Unix box |
| 00:57:10 |
five different routers |
| 00:57:12 |
- They know what they're doing. |
| 00:57:15 |
Depending how long she stays on, |
| 00:57:20 |
Call me the second you find her. |
| 00:57:22 |
And that other matter? |
| 00:57:26 |
That's free of charge. |
| 00:57:45 |
Thanks. |
| 00:58:59 |
Praetorians? |
| 00:59:03 |
What? I need more information. |
| 00:59:07 |
"The Big Bad Wolf, Cyberterrorists..." |
| 00:59:13 |
I need more information. |
| 00:59:17 |
"LAX, Wall Street, Atlanta. |
| 00:59:20 |
They've already |
| 00:59:25 |
"Meet in IRL. In Private. |
| 00:59:29 |
In real life." |
| 00:59:32 |
No, no. |
| 00:59:36 |
Where it's safe |
| 00:59:42 |
The Santa Monica Pier by... |
| 00:59:46 |
Where? |
| 00:59:48 |
The Ferris wheel. |
| 01:00:02 |
- Any luck? |
| 01:00:06 |
Remind me to buy you guys |
| 01:01:00 |
Hello? |
| 01:01:09 |
Angie! |
| 01:01:12 |
Come on, let me in. |
| 01:01:15 |
Sorry. |
| 01:01:18 |
- I thought, you know. |
| 01:01:22 |
I figured you'd be hungry |
| 01:01:26 |
I got your favorite. |
| 01:01:29 |
It's your favorite. |
| 01:01:33 |
That's immaterial. I knew |
| 01:01:35 |
- How's my mom? |
| 01:01:37 |
She's safely ensconced at the |
| 01:01:41 |
- Great. Thank you. |
| 01:01:43 |
About the Chinese. |
| 01:01:46 |
Let's go to that Greek restaurant. |
| 01:01:49 |
- I can't. I gotta go. |
| 01:01:51 |
Every time I see you now |
| 01:01:54 |
I'm not. There's a guy |
| 01:01:57 |
who might know something |
| 01:01:59 |
Can I tell you about Ben Phillips, |
| 01:02:03 |
I told him your story. He wants |
| 01:02:08 |
Can't you wait... |
| 01:02:10 |
Does he know about LAX and Wall Street, |
| 01:02:13 |
Of course. Kids black out part of |
| 01:02:19 |
Is that a national emergency? |
| 01:02:21 |
Cyberbob's figured it out, |
| 01:02:24 |
- If we don't talk, it'll be too late. |
| 01:02:27 |
You're meeting a guy named Cyberbob! |
| 01:02:32 |
- I don't want you going alone. |
| 01:02:35 |
- Sure. Where are we to meet him? |
| 01:02:55 |
- Yeah? |
| 01:02:58 |
These people are dangerous. They killed |
| 01:03:02 |
- They think I have this program. |
| 01:03:05 |
But first, somebody tries to kill you, |
| 01:03:08 |
They put somebody in my place |
| 01:03:12 |
Why would anybody want to do this? |
| 01:03:15 |
They would want somebody |
| 01:03:19 |
to make sure |
| 01:03:23 |
That would take weeks! |
| 01:03:26 |
Remember that Internet number |
| 01:03:29 |
I plugged it in, and I'm staring |
| 01:03:33 |
of the Undersecretary of Defense |
| 01:03:35 |
- The guy who blew his head off. |
| 01:03:38 |
They said a computer blood test |
| 01:03:41 |
When they did the autopsy, |
| 01:03:46 |
Maybe when they do my autopsy, |
| 01:03:49 |
What's frightening me is I'm starting |
| 01:03:53 |
I need to get back to Cathedral... |
| 01:03:55 |
get on that Mozart's Ghost program, |
| 01:03:57 |
They've got this echo system |
| 01:04:01 |
where you can retrace your keystrokes |
| 01:04:05 |
Are you all right? |
| 01:04:08 |
Pull over. |
| 01:04:10 |
You're scaring me. Come on! |
| 01:04:12 |
Talk to me. |
| 01:04:14 |
-Pills. |
| 01:04:17 |
Get over here. |
| 01:04:21 |
Be okay, isn't he? |
| 01:04:24 |
He's allergic to penicillin. |
| 01:04:26 |
They have him intubated and pumped |
| 01:04:30 |
- I have no idea what you said. |
| 01:04:33 |
If you like, you can go see him now. |
| 01:04:36 |
I would like that. Thank you. |
| 01:04:52 |
How do you feel? |
| 01:04:55 |
- I'm starving. |
| 01:05:01 |
Well, the minute you get out... |
| 01:05:04 |
I'll cook you the best microwave meal |
| 01:05:08 |
How long they gonna keep me here? |
| 01:05:10 |
I think just another day. |
| 01:05:14 |
And will you be handling |
| 01:05:18 |
Do you mind? |
| 01:05:23 |
Visions of sponge baths |
| 01:05:38 |
I gotta go. |
| 01:05:42 |
You gonna be okay? |
| 01:05:43 |
I'll be fine. |
| 01:05:50 |
I'll be fine. |
| 01:05:53 |
Wish it was over, |
| 01:05:56 |
I know. |
| 01:06:00 |
Come here. |
| 01:06:05 |
Come closer. |
| 01:06:19 |
I've wanted to do that |
| 01:06:24 |
Yeah, well... |
| 01:06:26 |
when you get better, |
| 01:06:33 |
- Do you still think I'm crazy? |
| 01:06:38 |
Always have. |
| 01:07:07 |
Get your cotton candy, fifty cents. |
| 01:07:12 |
Great picture! |
| 01:07:14 |
Bye. |
| 01:07:16 |
How you doin'? |
| 01:07:19 |
Everybody's a winner! |
| 01:07:23 |
Honey, wanna dance? |
| 01:07:27 |
Come back here. |
| 01:08:54 |
It's safer to stay right here. |
| 01:09:01 |
Hey! I hope this isn't how you greet |
| 01:09:06 |
That's not exactly the category |
| 01:09:08 |
I'm surprised you didn't kill me, |
| 01:09:12 |
It was difficult, right? |
| 01:09:15 |
I was genuinely attracted to you. |
| 01:09:18 |
I'm gonna genuinely attract |
| 01:09:21 |
if you don't let go of me now. |
| 01:09:25 |
You've been avoiding them |
| 01:09:29 |
They'd still be very interested |
| 01:09:32 |
how you crashed Dale Hessman's plane, |
| 01:09:36 |
- They'd love to hear about that. |
| 01:09:39 |
They'd be happy |
| 01:09:41 |
Do you know that Ruth Marx |
| 01:09:46 |
For drugs... |
| 01:09:48 |
prostitution. |
| 01:09:50 |
- You've got quite a record. |
| 01:09:55 |
I know about Bergstrom's suicide |
| 01:10:00 |
I'm sure they'd love |
| 01:10:04 |
Everybody has their button... |
| 01:10:07 |
and Bergstrom's just happened |
| 01:10:12 |
You have to know people well enough |
| 01:10:16 |
which button to push. |
| 01:10:20 |
I don't have your disk. |
| 01:10:24 |
- It was ruined in Mexico. |
| 01:10:28 |
But all we need now is what's up here, |
| 01:10:34 |
I promise you I'll look after you. |
| 01:10:41 |
I don't understand. |
| 01:10:43 |
It's not about what I want. |
| 01:10:49 |
Take a look around you. |
| 01:10:51 |
Think things are working? |
| 01:10:54 |
-They think they can make things better. |
| 01:10:58 |
I don't ask too many questions. |
| 01:11:01 |
Big boy, dance. |
| 01:11:08 |
Don't push! |
| 01:13:39 |
Dr. Henry to ICU. |
| 01:13:46 |
Dr. Garcia, |
| 01:14:00 |
Code blue, 515 west. |
| 01:14:13 |
Everybody clear? Three hundred. |
| 01:14:16 |
Everybody, clear. |
| 01:14:18 |
Get her outta here! |
| 01:14:21 |
He's my friend. |
| 01:14:23 |
- Please help me. |
| 01:14:28 |
- Hit him again. Clear. |
| 01:14:32 |
Get off of me! |
| 01:14:39 |
- Mrs. Champion, I'm sorry. |
| 01:14:43 |
There were complications. |
| 01:14:46 |
Would you like me |
| 01:14:48 |
You're very upset. |
| 01:14:51 |
Ma'am? |
| 01:14:53 |
Would you like to talk |
| 01:14:57 |
Maybe you should lie down for a while. |
| 01:15:00 |
I don't understand. |
| 01:15:03 |
I know I did. I'm sorry. |
| 01:15:05 |
- We think the insulin caused... |
| 01:15:09 |
Dr. Champion was being held |
| 01:15:13 |
- He went into insulin shock at 9:25. |
| 01:15:17 |
I'm afraid he was. |
| 01:17:14 |
Hello? |
| 01:17:16 |
You've no idea what it does to me |
| 01:17:20 |
Don't hang up. Please. |
| 01:17:24 |
If you would... |
| 01:17:26 |
just take a step back |
| 01:17:29 |
you'd see that you and I, |
| 01:17:32 |
We're both loners. |
| 01:17:37 |
We're both really untrusting. |
| 01:17:39 |
We're both looking |
| 01:17:44 |
You've come to mean |
| 01:17:47 |
You mean shit to me. |
| 01:17:49 |
Look... |
| 01:17:50 |
I have to admit an arrogance |
| 01:17:55 |
I've come to visit a friend of mine. |
| 01:17:58 |
An old piano teacher friend |
| 01:18:01 |
You leave my mother alone. |
| 01:18:03 |
It seems I have no choice. |
| 01:18:06 |
She's being moved by Dr. Champion. |
| 01:18:10 |
The late Dr. Champion. |
| 01:18:33 |
Shit! |
| 01:18:36 |
Driver, this is the Highway Patrol. |
| 01:18:40 |
Pull over to the side of the highway |
| 01:19:14 |
There it is. |
| 01:19:24 |
There she is! Police! |
| 01:19:29 |
Stop! |
| 01:19:37 |
My name is Angela Bennett. |
| 01:19:43 |
Freeze! Police! |
| 01:19:46 |
My name's Angela Bennett. |
| 01:19:49 |
Get down! Get down! |
| 01:19:53 |
"You have the right to remain silent. |
| 01:19:56 |
anything you say can be used |
| 01:19:59 |
You have the right to an attorney and |
| 01:20:34 |
Look, I wanna help you. |
| 01:20:37 |
I've been appointed to help you, |
| 01:20:41 |
They've changed your name, |
| 01:20:46 |
Just think about it. |
| 01:20:49 |
Our whole world |
| 01:20:53 |
It's in the computer. |
| 01:20:55 |
Your DMV records, |
| 01:20:59 |
your credit cards, |
| 01:21:02 |
It's all right there. |
| 01:21:05 |
And there's this little |
| 01:21:08 |
just begging for somebody |
| 01:21:11 |
They've done it to me, |
| 01:21:15 |
Look, Miss Marx. |
| 01:21:17 |
I'm not Ruth Marx. |
| 01:21:20 |
They put her on your computer |
| 01:21:22 |
I hate to tell you this, but the |
| 01:21:26 |
all of them, have been protected |
| 01:21:31 |
for the last six months... |
| 01:21:33 |
so nothing that you're describing |
| 01:21:42 |
Oh, my God. |
| 01:21:44 |
It's... The Gatekeeper program, |
| 01:21:49 |
If they changed my identity and it has |
| 01:21:54 |
- That solves it. |
| 01:21:57 |
You want to tell me again |
| 01:22:01 |
Okay, listen to me. |
| 01:22:03 |
It's like a Trojan horse, |
| 01:22:05 |
The Praetorians hack into computers, |
| 01:22:10 |
LAX. Wall Street. |
| 01:22:13 |
The Department of Water and Power |
| 01:22:16 |
They do this so |
| 01:22:19 |
They buy this program, |
| 01:22:22 |
Only to find out that they've |
| 01:22:25 |
free and exclusive access |
| 01:22:28 |
Imagine what they can do with |
| 01:22:31 |
This is absolutely fascinating, |
| 01:22:35 |
Please, my name is Bennett. |
| 01:22:37 |
Write it down if you want. |
| 01:22:39 |
B-E-N-N-E-T-T. |
| 01:22:44 |
I have no reason |
| 01:22:47 |
As your court-appointed attorney... |
| 01:22:49 |
I'm obligated to do what you wish... |
| 01:22:52 |
so I will call you "Cleopatra, |
| 01:22:56 |
But take some advice. |
| 01:22:58 |
If you go before the judge |
| 01:23:01 |
I guarantee you will be found |
| 01:23:05 |
and they will hold you indefinitely. |
| 01:23:23 |
Hi. This is her daughter. |
| 01:23:32 |
Hi, Mom. |
| 01:23:35 |
It's me. |
| 01:23:38 |
How're you doing? |
| 01:23:42 |
How's that new nurse treating... |
| 01:23:48 |
It's Angela. |
| 01:23:53 |
It's Angela. |
| 01:23:56 |
Mom, listen. |
| 01:23:59 |
I need you to do something for me. |
| 01:24:01 |
There's a lady here |
| 01:24:05 |
She's gonna get on the phone. |
| 01:24:10 |
'Cause she doesn't believe me. |
| 01:24:13 |
Can you tell her that? |
| 01:24:17 |
Mom, don't. No. |
| 01:24:20 |
Are you there? |
| 01:24:25 |
I just want you to know |
| 01:24:36 |
Lady? |
| 01:24:44 |
What? |
| 01:24:52 |
- Would somebody answer the damn phone? |
| 01:24:55 |
Who's come to get me. |
| 01:24:59 |
Special Agent Ben Phillips, FBl. |
| 01:25:03 |
It's a terrible thing |
| 01:25:06 |
I'm so glad that you're here. |
| 01:25:09 |
Two seconds after |
| 01:25:12 |
the Computer Crimes Division |
| 01:25:15 |
beating every bush from here |
| 01:25:20 |
Sorry it ended up |
| 01:25:23 |
Me too. |
| 01:25:24 |
Let's get outta here, |
| 01:25:27 |
We've got a field office |
| 01:25:30 |
Then what do we do? |
| 01:25:32 |
Then I'm going fishing. |
| 01:25:35 |
- Ring any bells? |
| 01:25:37 |
He's their one-man dirty-duty squad. |
| 01:25:42 |
Moral conscience of a chain saw. |
| 01:25:45 |
Scary son of a bitch as he is, |
| 01:25:50 |
The Praetorians. |
| 01:25:51 |
Our first good lead. |
| 01:25:55 |
Look, we have to move A. S. A. P. so |
| 01:26:00 |
All right? |
| 01:26:02 |
Like for instance... |
| 01:26:03 |
how the hell did you access |
| 01:26:06 |
I didn't. A programmer at Cathedral |
| 01:26:12 |
Goddamn disk. That's what |
| 01:26:18 |
Angie. Tell me. |
| 01:26:20 |
Did you make a copy of the disk |
| 01:26:36 |
Damn! |
| 01:26:38 |
The disk is only hope we have |
| 01:26:42 |
Did you talk to anyone? |
| 01:26:44 |
Give copies of the disk to anyone? |
| 01:26:47 |
You guys are amazing sons of bitches. |
| 01:26:49 |
- Excuse me? |
| 01:26:52 |
How'd you know it was ruined? |
| 01:26:55 |
I only told Devlin it was ruined. |
| 01:26:59 |
What's your name? You're not with |
| 01:27:03 |
Since I touched that disk, I've been |
| 01:27:06 |
I'm tired. I am out of it. |
| 01:27:12 |
What are you doing? |
| 01:27:14 |
Let go! You're gonna kill us both! |
| 01:27:17 |
Let go! |
| 01:27:22 |
My seat belt! |
| 01:29:07 |
After what appeared to be playful |
| 01:29:12 |
an incident today |
| 01:29:15 |
We go live to Dermot Conley |
| 01:29:18 |
Police were called in as the recent |
| 01:29:22 |
when six Chicago banks were forced |
| 01:29:26 |
due to computer tampering bringing |
| 01:29:30 |
It's a desperate situation. |
| 01:29:32 |
City services will be conducted through |
| 01:29:37 |
That bank, National Fidelity, |
| 01:29:39 |
was protected by Gregg Systems' |
| 01:29:43 |
- Reporting live, Dermot Conley. |
| 01:29:48 |
In related news, Jeff Gregg, |
| 01:29:51 |
was in Washington |
| 01:29:53 |
by newly appointed Undersecretary |
| 01:29:56 |
that the Pentagon will be outfitting |
| 01:30:00 |
with Gregg's touted |
| 01:30:02 |
Remember, in this day and age, |
| 01:30:06 |
And society must protect that |
| 01:30:10 |
Ironically, today's announcement |
| 01:30:14 |
of the recent suicide of Shoemaker's |
| 01:30:17 |
a vocal opponent |
| 01:30:20 |
In local news, a spectacular car crash |
| 01:30:25 |
We go live to Lynn Blades |
| 01:30:28 |
Thank you. I am just yards away |
| 01:30:32 |
with a gangland-style gunshot wound |
| 01:30:35 |
Police are searching |
| 01:30:38 |
a young woman in her 20s, brunette, |
| 01:30:42 |
and believed to be wanted on federal |
| 01:31:31 |
All Cathedral employees, |
| 01:31:34 |
that the Cathedral booth |
| 01:31:36 |
is in the northwest corner |
| 01:32:26 |
Okay. All right. |
| 01:32:32 |
Mozart's Ghost! |
| 01:32:34 |
Don't do this to me. Do not |
| 01:32:38 |
Me. |
| 01:32:55 |
- Cathedral Software. |
| 01:33:02 |
Programing. Angela Bennett. |
| 01:33:06 |
Hello? |
| 01:33:08 |
Who the hell is this? |
| 01:33:13 |
- You got something to say? Otherwise... |
| 01:33:27 |
Angela? |
| 01:33:56 |
All right, Miss Bennett, |
| 01:33:59 |
let's see if we can get you |
| 01:34:07 |
How about I start a little fire... |
| 01:34:10 |
right here? |
| 01:34:15 |
This is a fire alarm. |
| 01:34:17 |
Please proceed |
| 01:34:30 |
- Angela. |
| 01:34:32 |
- There's a fire in the building. |
| 01:34:36 |
Don't give me a sec. |
| 01:34:42 |
Now! Come on! |
| 01:35:04 |
Mozart's Ghost! |
| 01:35:06 |
About time. |
| 01:35:23 |
Password. |
| 01:36:19 |
If there's a fire, where's the smoke? |
| 01:36:22 |
We're looking into it, ma'am. |
| 01:36:32 |
What's this? |
| 01:36:34 |
"Terminate all Mozart's Ghost files now |
| 01:36:39 |
Gotcha, don't I? |
| 01:36:42 |
Who is Praetorian? |
| 01:36:53 |
Okay, let's search you out. |
| 01:37:01 |
It's Gregg. |
| 01:37:03 |
All Cathedral employees, |
| 01:37:07 |
The fire department has advised us |
| 01:37:15 |
All clear. |
| 01:37:34 |
Where are you? |
| 01:37:56 |
You did do this, didn't you? |
| 01:38:04 |
Come on! |
| 01:38:06 |
You gotta go to the john too? |
| 01:38:13 |
Disk, where are you? |
| 01:38:24 |
Virus. |
| 01:38:56 |
Save. Come on, come on. |
| 01:39:00 |
Yes! |
| 01:39:05 |
Thank you. |
| 01:39:22 |
Oh, my God! |
| 01:39:26 |
Security. |
| 01:39:29 |
Had a break-in on the fifth floor |
| 01:39:32 |
You're looking for a female, |
| 01:39:54 |
Did you see a brunette? |
| 01:39:57 |
- Sorry, nobody came by here. |
| 01:40:03 |
Devlin. |
| 01:40:25 |
- Where is she? |
| 01:40:27 |
We have to find her now. |
| 01:40:30 |
How the hell did that happen? You were |
| 01:40:34 |
You were to put a bullet in her head. |
| 01:40:36 |
She should never have been alive |
| 01:40:42 |
Smart. Better call Gregg. |
| 01:41:50 |
She's gone to the Moscone Center. |
| 01:42:08 |
Jesus! She could be anywhere. |
| 01:42:11 |
She's out there. |
| 01:42:13 |
She won't be hiding in some corner. |
| 01:42:15 |
She came here to use a computer. |
| 01:44:06 |
Get away from the computer. |
| 01:44:11 |
What did you think you were trying |
| 01:44:14 |
Not the world, just myself. |
| 01:44:17 |
It's too late for that. |
| 01:44:21 |
Look at the screen. |
| 01:44:23 |
Everything on that disk was just sent |
| 01:44:27 |
So? |
| 01:44:29 |
Proof that the Gatekeeper program |
| 01:44:34 |
My, my. |
| 01:44:35 |
Proof that Bergstrom and Dale's murder |
| 01:44:39 |
Watch her. |
| 01:44:42 |
The beauty of the Gatekeeper system |
| 01:44:45 |
like it's the public library. |
| 01:44:48 |
It's a beautiful system. |
| 01:44:51 |
Let's finish and get out. |
| 01:44:57 |
No harm done. |
| 01:44:59 |
Everything you've done will be wiped out |
| 01:45:03 |
Really? |
| 01:45:16 |
Goddamn it, you're in the mainframe. |
| 01:45:19 |
Do something. |
| 01:45:22 |
It's a virus eating through |
| 01:45:25 |
There's gonna be nothing left. |
| 01:45:31 |
Take the far side! |
| 01:46:05 |
Stop! |
| 01:46:28 |
Shit! |
| 01:47:31 |
It's just you and me now. |
| 01:47:35 |
Do you realize |
| 01:47:39 |
Yeah. One little stroke of the key... |
| 01:47:43 |
and you've wiped out my employer. |
| 01:47:48 |
You've canceled my contract. |
| 01:47:51 |
You've reversed everything |
| 01:47:54 |
Taken back your life. |
| 01:48:18 |
I knew you'd do the right thing. |
| 01:49:06 |
- It's not responding to anything. |
| 01:49:52 |
Excuse me, Miss. |
| 01:49:56 |
I can't remember |
| 01:50:01 |
Why don't I come outside |
| 01:50:08 |
The law caught up with billionaire |
| 01:50:11 |
as FBl agents escorted him |
| 01:50:15 |
Gregg will be arraigned tomorrow |
| 01:50:19 |
and complicity in the death of |
| 01:50:24 |
An FBl spokesperson attributes |
| 01:50:28 |
to a transmission sent over the Internet |
| 01:50:33 |
a program systems analyst |
| 01:50:36 |
In other news, San Francisco police |
| 01:50:40 |
two mysterious deaths |
| 01:50:44 |
A young woman found shot to death |
| 01:50:48 |
has been identified |
| 01:50:52 |
The other deceased, a male |
| 01:50:56 |
Turning now to weather, |
| 01:50:59 |
is bright and sunny |
| 01:51:02 |
It seems like summer |
