New York I Love You
|
00:01:04 |
- Hey, go to Williamsburg. |
00:01:07 |
- Oh, I'm sorry, man. |
00:01:09 |
Going to Williamsburg. |
00:01:10 |
Do you mind? |
00:01:12 |
Can you just drop me off |
00:01:14 |
That's fine because I'm headed |
00:01:16 |
- All right, that's fine. |
00:01:18 |
- Two stops. |
00:01:20 |
- Just take the FDR... |
00:01:22 |
- Not Chamber Street. No. |
00:01:24 |
- first of all, it's more of a fare. |
00:01:26 |
It's an extra 20 minutes. |
00:01:28 |
Take the FDR Drive, please. |
00:01:30 |
I think we can hang down |
00:01:31 |
and make a left on Chamber Street. |
00:01:33 |
There's no point, though. |
00:01:35 |
Bleecker, guys. |
00:01:37 |
No, we both want |
00:01:39 |
Bleecker's going to take an extra hour. |
00:01:41 |
Bleecker Street is totally |
00:01:43 |
- That's ridiculous. |
00:01:45 |
Wait a second. |
00:01:46 |
Calm down, man. |
00:01:48 |
We'll share the same rate. |
00:01:50 |
Out of my cab. |
00:01:53 |
âªâª [jazz] |
00:02:05 |
[Man] |
00:02:07 |
- I'm doing good. Thinking of you. |
00:02:10 |
Yeah, I dreamt about you last night. |
00:02:12 |
I'm ready for you. Had my Wheaties. |
00:02:14 |
I miss you, too. |
00:02:16 |
You ready? |
00:02:18 |
Okay. I got some surprises. |
00:02:24 |
Whoa. Magnifique. |
00:02:45 |
[Camera flashbulb pops] |
00:02:48 |
[Booth beeps] |
00:03:39 |
Pardon. Excusez-moi, mademoiselle. |
00:03:46 |
[Toilet flushes] |
00:03:47 |
This yours? |
00:03:50 |
Um, it is. It must have |
00:03:54 |
It was on the floor |
00:03:55 |
That was really nice of you. |
00:03:58 |
I wouldn't mind |
00:04:01 |
Great. What would you like? |
00:04:03 |
- Whatever you're having. |
00:04:06 |
Losing your cell phone's |
00:04:08 |
Do you come here a lot? |
00:04:10 |
I do. A lot. Too much. |
00:04:13 |
Long story. |
00:04:15 |
Tell me. |
00:04:16 |
I've got a ton of time. |
00:04:18 |
[Clears throat] |
00:04:20 |
right here. |
00:04:22 |
When my mom |
00:04:23 |
she never told him. |
00:04:25 |
Just left him. |
00:04:26 |
Growing up, she had |
00:04:28 |
Went through one after another. |
00:04:30 |
Always left them. |
00:04:31 |
Every time she'd leave a man, though, |
00:04:33 |
she'd keep something, like a souvenir. |
00:04:34 |
Maybe a book or a necklace |
00:04:37 |
When she left my dad, she kept me. |
00:04:40 |
I was her souvenir. |
00:04:41 |
Before she died, |
00:04:43 |
with his name and number on it. |
00:04:45 |
I called him up, and we met here. |
00:04:48 |
I said one thing to him. |
00:04:49 |
What did you say? |
00:04:51 |
"Dad." |
00:04:52 |
That's it? |
00:04:53 |
"I'm a gift for you, from Mom." |
00:04:58 |
Thank you. |
00:05:01 |
I walk past your flower room every day. |
00:05:04 |
I see you, but I say nothing. |
00:05:08 |
I'm so afraid to look at you. Oh, girl. |
00:05:11 |
You say I'm the strongest. |
00:05:15 |
You ask me where I'm going. |
00:05:18 |
Oh, girl. |
00:05:22 |
Very touching. |
00:05:23 |
Lyrics to this song. |
00:05:25 |
Let me have a cigarette. |
00:05:29 |
- Indian? |
00:05:32 |
- Chinese. |
00:05:38 |
Xie xie. |
00:05:40 |
[Speaks Chinese] |
00:05:42 |
Increible. |
00:05:44 |
Which means "Thank you, |
00:05:49 |
- [Chuckles] |
00:05:53 |
Really? Very nice. Thank you. |
00:05:55 |
Gary. Nice to meet you. |
00:05:56 |
Ben. |
00:05:58 |
- How are you, Benjamin? |
00:06:00 |
Thank you. |
00:06:03 |
Nice to meet you. |
00:06:04 |
I'll leave you two alone. |
00:06:06 |
Have a seat. Sit. |
00:06:09 |
Sit down. |
00:06:20 |
We know each other? |
00:06:22 |
It's possible. |
00:06:23 |
You look familiar. |
00:06:24 |
New York's not such a big place. |
00:06:25 |
- You study? NYU? |
00:06:27 |
I teach there. |
00:06:29 |
Am I a good teacher? |
00:06:30 |
- You're a good teacher. |
00:06:32 |
So what do you do? |
00:06:36 |
Thief. |
00:06:39 |
- Could be. |
00:06:40 |
Might be? Used to be? |
00:06:42 |
Will be? |
00:06:44 |
- To be or not to be. |
00:06:46 |
I've been trying to steal you |
00:06:48 |
but it hasn't worked so far. |
00:06:50 |
Can I get the bill? |
00:06:56 |
You lost your wallet? |
00:06:58 |
You lost your wallet. |
00:07:00 |
Is this yours? |
00:07:06 |
[Laughing] |
00:07:08 |
Wow. |
00:07:11 |
Yeah, that's my wallet. |
00:07:13 |
- Merci beaucoup. |
00:07:15 |
I recently lost my wallet, |
00:07:18 |
but I managed |
00:07:25 |
A young man should never |
00:07:29 |
[Chuckles] |
00:07:34 |
Knock yourself out, young man. |
00:07:38 |
You lost your wallet? |
00:07:42 |
Did you lose my pictures, too? |
00:07:44 |
Pictures? How could I? |
00:07:48 |
How did you get these? |
00:07:50 |
I took these, like, five minutes ago. |
00:07:52 |
Aren't you full of surprises today. |
00:07:55 |
You took off your ring. |
00:07:57 |
Ben, your keys. |
00:08:14 |
Mm. |
00:08:36 |
Ben, wait up! |
00:09:20 |
[Man on speaking device speaking Gujatari] |
00:09:23 |
[Speaks Gujarati] |
00:09:24 |
I've come into the city |
00:09:26 |
only to do this deal, |
00:09:28 |
My customer wants natts, ASAP. |
00:09:31 |
I'm in the middle |
00:09:33 |
but I came here to do |
00:09:34 |
Who are you getting married to? |
00:09:36 |
His name's Chaim. |
00:09:38 |
⪠Chaim in the mood ⪠|
00:09:42 |
⪠For love ⪠|
00:09:45 |
[snickers] |
00:09:48 |
Where's my invitation |
00:09:49 |
Did you invite me to your wedding? |
00:09:51 |
Oh, I wish I had. |
00:09:54 |
25 years I've been trading |
00:09:56 |
I know nothing about them. |
00:09:59 |
Strictly business. |
00:10:03 |
While you inspect the goods, |
00:10:05 |
Excuse me. Hmm? |
00:10:09 |
You can't eat meat, right? You Hindus? |
00:10:11 |
No, we are not Hindus. |
00:10:14 |
Hinduism is too materialistic for us. |
00:10:17 |
No meat, no fish. |
00:10:19 |
- And what can't you eat? |
00:10:22 |
- What else can't you eat? |
00:10:25 |
- No milk and meat together. |
00:10:27 |
- Nothing that hasn't been blessed. |
00:10:30 |
It is exciting the passions, you know. |
00:10:32 |
The Christians... they eat everything. |
00:10:34 |
They're like the Chinese. |
00:10:35 |
They never have to |
00:10:37 |
picking a restaurant. |
00:10:38 |
That's why there are no Christians |
00:10:40 |
How can you trust a person |
00:10:43 |
[Snickers] |
00:10:45 |
This parcel's not so good. |
00:10:47 |
At least 20% rejection |
00:10:49 |
How much? |
00:10:52 |
[Gujarati] |
00:10:53 |
[Man in Gujarati] |
00:10:57 |
550. |
00:10:59 |
Too much. Way too much. |
00:11:01 |
I'll give you 480. |
00:11:03 |
Why are you doing this to me? |
00:11:05 |
My children will be crying at home |
00:11:07 |
because after I do business with you, |
00:11:10 |
I can't make commission on this. |
00:11:11 |
540. |
00:11:13 |
Maybe I can give my children |
00:11:16 |
I have to check with my customer. |
00:11:21 |
[Speaking Yiddish] |
00:11:24 |
My customer says too much. |
00:11:26 |
No, he doesn't. |
00:11:29 |
I know you understand Gujarati. |
00:11:32 |
[Chuckles] |
00:11:34 |
And I know you know I know Gujarati. |
00:11:36 |
And I know you know Yiddish. |
00:11:37 |
I was speaking |
00:11:41 |
520, as a wedding present. Mazel. |
00:11:46 |
I'm sorry. I can't shake your hand. |
00:11:48 |
I'm not allowed to touch any man |
00:11:51 |
Mazel. |
00:11:53 |
And mazel for your wedding. |
00:11:55 |
Mazel for the dozen children |
00:11:58 |
Thank you. Is that your children? |
00:12:00 |
Minesh and Paresh. |
00:12:03 |
- Where's your wife? |
00:12:06 |
in the photographs these days. |
00:12:09 |
Oi. |
00:12:12 |
Last year she decided |
00:12:15 |
Now she's in India, |
00:12:17 |
with her head shaved, |
00:12:19 |
collecting food in the bowl. |
00:12:20 |
She used to be my wife. |
00:12:23 |
Now I have to worship her. |
00:12:25 |
Don't worry. |
00:12:30 |
I had to shave off all mine this morning |
00:12:32 |
'cause I'm getting married tomorrow. |
00:12:34 |
This is a wig. |
00:12:36 |
Why? What is so wrong |
00:12:39 |
Why you all want to cut it off? |
00:12:41 |
They wanted me to cut it off |
00:12:43 |
- I said "No way." |
00:12:46 |
It took 25 years to grow, |
00:12:49 |
And now, for the rest of my life, |
00:12:52 |
I have to wear |
00:12:56 |
For all I know, |
00:12:58 |
you could be wearing |
00:13:01 |
What do you mean, |
00:13:04 |
Most human hair in America |
00:13:08 |
where women offer |
00:13:11 |
so that they can be sold to the West |
00:13:41 |
While we are waiting for the Messiah, |
00:13:44 |
while we are waiting for Mahavir... |
00:13:48 |
your eyes will suffice |
00:13:50 |
to give tired men hope. |
00:14:08 |
This is not the proper |
00:14:11 |
What is this? |
00:14:15 |
- âªâª [traditional] |
00:14:25 |
- âªâª [continues] |
00:14:43 |
[Diamond Salesman] |
00:14:47 |
Rifka! |
00:14:49 |
[Rifka] |
00:15:35 |
âªâª [car radio: Man singing |
00:15:42 |
âªâª [Man singing along in foreign language] |
00:15:45 |
[French] |
00:15:57 |
- Ah, oui? |
00:16:13 |
âªâª [resumes singing along with radio] |
00:16:14 |
[Sighs] |
00:16:16 |
Oh, I'm s... I'm so sorry. |
00:16:18 |
Wow, that's an entrance. |
00:16:20 |
Wait. Which way are you going? |
00:16:21 |
Uh, I was just gonna go over |
00:16:24 |
Oh, I guess I can film there, too. |
00:16:28 |
[Speaks French] |
00:16:29 |
Thank you so much. |
00:16:30 |
You're welcome. |
00:16:32 |
âªâª [continues] |
00:16:44 |
- [Snoring] |
00:16:55 |
Hello? |
00:16:56 |
[Coughing] |
00:16:59 |
[Woman] |
00:17:02 |
- Did I wake you? |
00:17:04 |
Yeah, you can say that. |
00:17:06 |
Listen, he left me a message |
00:17:10 |
Who? |
00:17:12 |
Abara, your director. |
00:17:14 |
Uh, okay, which ones? |
00:17:16 |
5, 7, 8, 12, 13... |
00:17:19 |
Okay. Okay, great. |
00:17:21 |
He hates them. |
00:17:23 |
You have to change them. |
00:17:26 |
Because? |
00:17:28 |
He didn't say. |
00:17:30 |
Oh, well, |
00:17:32 |
what do you think, Camille? |
00:17:34 |
Maybe you should talk to him directly. |
00:17:38 |
Mmm. Yeah. |
00:17:41 |
Yeah, I'll call him. |
00:17:43 |
âªâª ["Carnival of the Animals"] |
00:17:44 |
Hey, Camille. |
00:17:47 |
- Did you talk to Abara? |
00:17:50 |
He talked for, like, two hours |
00:17:54 |
Wagner, Brahms, Gustav Mahler, |
00:17:58 |
That killed me. |
00:18:00 |
Dostoyevsky isn't a composer. |
00:18:03 |
- Are you okay? |
00:18:04 |
Great. Well, I need your address. |
00:18:07 |
Abara wants to messenger |
00:18:09 |
Does he? |
00:18:11 |
Hold on. |
00:18:16 |
Aw. It's on my phone. |
00:18:19 |
I'm a total idiot |
00:18:22 |
- My last girlfriend... |
00:18:24 |
I couldn't remember her birthday. |
00:18:25 |
She broke up with me |
00:18:26 |
Yeah, well, you deserved it. |
00:18:28 |
Probably. But the upside |
00:18:31 |
So, dinner? |
00:18:33 |
[Laughs] |
00:18:35 |
No. I'm Camille deprived. |
00:18:37 |
I'm thinking Balthazar for dinner |
00:18:40 |
and maybe a little pastis for dessert. |
00:18:43 |
I'm thinking unemployment |
00:18:46 |
Give me your address. |
00:18:47 |
âªâª [keyboard chord] |
00:18:53 |
Hello? |
00:18:55 |
[Camille] |
00:18:57 |
I left them outside your door. |
00:18:59 |
Wait. What... You were here? |
00:19:03 |
I knocked, like, a hundred times. |
00:19:07 |
What the hell is this? |
00:19:09 |
He talked to you about Dostoyevsky. |
00:19:13 |
"Please read." |
00:19:16 |
Is this guy crazy? Am l... |
00:19:18 |
Am I supposed to read these |
00:19:20 |
Okay, David. |
00:19:23 |
You can talk to him. |
00:19:27 |
[Sighs] |
00:19:30 |
How'd it go with Abara? |
00:19:33 |
He just said "Read the books, Dave. |
00:19:35 |
"Don't use CliffNotes or Wikipedia. |
00:19:37 |
Just read them." So fine. |
00:19:40 |
I'm on a bench in Central Park |
00:19:43 |
800 pages, and I'm page 22. |
00:19:45 |
[Chuckles] |
00:19:48 |
[Coughs, sneezes] |
00:19:49 |
Bless you. |
00:19:54 |
Thanks. |
00:19:56 |
What? What's wrong? |
00:19:58 |
- I can see the Dakota. |
00:20:02 |
John Lennon... is my god. |
00:20:05 |
- You know his song "Mother"? |
00:20:08 |
I was a kid the first time I heard that. |
00:20:10 |
Why can't I write a song like "Mother"? |
00:20:12 |
Oh, I just sent you a picture. |
00:20:14 |
Oh, my God. |
00:20:15 |
Is that John Lennon standing behind you? |
00:20:17 |
- What? |
00:20:21 |
I have no idea |
00:20:23 |
Hmm. |
00:20:24 |
Send me a picture. |
00:20:26 |
No. No way. |
00:20:35 |
Is that what you look like? |
00:20:46 |
[Camille on machine] |
00:20:48 |
- please leave a message after the beep. |
00:20:51 |
[David] |
00:20:53 |
and it takes me four minutes |
00:20:55 |
1,784 pages times four minutes a page |
00:20:58 |
is 7, 136 minutes, |
00:21:01 |
which equals 118.9333 hours, |
00:21:04 |
which comes to 4.955 days. |
00:21:06 |
But you can round it off |
00:21:09 |
It's impossible. I quit. |
00:21:16 |
I quit. |
00:21:18 |
[No audio] |
00:21:20 |
Goodbye, Camille. |
00:21:23 |
[Phone rings] |
00:21:27 |
[Ring] |
00:21:31 |
Hello? |
00:21:32 |
[Ring] |
00:21:36 |
[David on machine] |
00:21:39 |
[Beep] |
00:21:41 |
Hey, David. It's Camille. |
00:21:46 |
You know, when Dostoyevsky |
00:21:50 |
he signed a contract with his publisher |
00:21:52 |
saying that he would finish it in 26 days. |
00:21:55 |
And he did it, |
00:21:57 |
but he had the help |
00:22:01 |
This girl... |
00:22:05 |
And afterwards, |
00:22:07 |
they actually got married. |
00:22:10 |
[Chuckles] |
00:22:12 |
That's how he met his wife. |
00:22:15 |
Anyway, I found this story |
00:22:16 |
in the preface for Crime and Punishment. |
00:22:18 |
So I was thinking that... |
00:22:22 |
And this would have to be |
00:22:24 |
But I was thinking that |
00:22:29 |
and tell you what's going on. |
00:22:31 |
That way, you could just |
00:22:34 |
But only if you're |
00:22:36 |
And if you're not, you know, |
00:22:38 |
and you can quit. |
00:22:40 |
But if you are, |
00:22:43 |
then open this door. |
00:22:47 |
Open... this door? |
00:23:22 |
Okay, a deal's a deal. |
00:23:25 |
Does this mean |
00:23:28 |
I have a lot of reading to do. |
00:23:35 |
Hi. I'm Camille. |
00:23:38 |
Hi. I'm David. |
00:24:15 |
[Phone rings] |
00:24:18 |
Hello? |
00:24:19 |
Where? |
00:25:25 |
Thank you. |
00:25:40 |
That was kind of a powerful, |
00:25:45 |
What was intimate? |
00:25:47 |
Just now. Just... We... |
00:25:49 |
Sharing the flame. |
00:25:51 |
I mean, that was... that was intimate. |
00:25:53 |
If you say so. |
00:25:54 |
Oh, come on now. |
00:25:56 |
You know what I'm talking about. |
00:25:57 |
Our hands almost touched. |
00:25:59 |
I looked at you, and you |
00:26:02 |
and our eyes met. |
00:26:03 |
It was... It was... It was intense, |
00:26:05 |
and it was intimate. |
00:26:07 |
Wow. Stop it. I feel naked. |
00:26:10 |
Yeah, well, you know what? |
00:26:12 |
I mean, not all women. |
00:26:13 |
- No, not all women. |
00:26:14 |
But it has happened before, |
00:26:16 |
- Yeah, I bet. |
00:26:19 |
We're having some kind |
00:26:21 |
and you have to pay attention |
00:26:23 |
This stuff is not to be treated lightly. |
00:26:26 |
Listen, I actually just came out here |
00:26:30 |
- And relax and do my thing. |
00:26:32 |
So, uh, maybe another time. |
00:26:34 |
Yeah. But there may not |
00:26:36 |
I may never get this chance again. |
00:26:38 |
I mean, we may never, you know, |
00:26:39 |
be able to return to this... this moment. |
00:26:42 |
Well, then, you should know |
00:26:46 |
Right. Uh-huh. And where is he? |
00:26:48 |
Huh? Huh? |
00:26:50 |
He leaves you out here alone, |
00:26:52 |
- I'm not feeling that. |
00:26:54 |
- But you love him anyway. |
00:26:57 |
Sure. Sure. |
00:27:00 |
to your mortal disease, |
00:27:03 |
and die, when he's in there |
00:27:05 |
I don't respect this guy. |
00:27:08 |
I think he's selfish. |
00:27:10 |
but I think any moment now, this guy's |
00:27:14 |
and it's gonna be all... |
00:27:15 |
Like, scary stuff's gonna come out. |
00:27:17 |
You know, I felt it right away. |
00:27:18 |
I felt it right away... that I think... |
00:27:21 |
I'm gonna say something a little bold here. |
00:27:23 |
But I think you might |
00:27:26 |
I don't know that even if that were true |
00:27:28 |
- that I'd tell you. |
00:27:31 |
- We're not exactly friends. |
00:27:32 |
- No. |
00:27:34 |
But we did share a flame. Right? |
00:27:35 |
- Speaking of. |
00:27:37 |
See? Look at that. |
00:27:39 |
You're walking away, |
00:27:41 |
We share a flame. Thousands of tiny |
00:27:44 |
They're penetrating our brain. |
00:27:45 |
They're stimulating our sexual desire. |
00:27:47 |
I don't know about you, |
00:27:50 |
And I'm so glad |
00:27:52 |
because now I can feel |
00:27:54 |
to tell you that I happen to be, |
00:27:56 |
uh, on the forefront of men |
00:27:58 |
able to find and locate |
00:28:01 |
And I could do that for you. |
00:28:03 |
That's really generous |
00:28:05 |
It's my pleasure. |
00:28:09 |
And what makes you think |
00:28:11 |
Um, the way you hold the cigarette. |
00:28:13 |
It's a little high and tight, you know? |
00:28:15 |
What you have to do |
00:28:17 |
You have to bring it all the way |
00:28:21 |
It rests there. |
00:28:23 |
the whole body gets restricted, |
00:28:25 |
and the plexus gets closed off, |
00:28:27 |
you know, and the vagina gets locked. |
00:28:30 |
Look, I just happen to know this crazy, |
00:28:34 |
It's kind of cool, |
00:28:35 |
But you have to be prepared. |
00:28:37 |
You know what I mean? |
00:28:39 |
I mean, it starts with a little walk. |
00:28:43 |
You know, like, to, uh... |
00:28:44 |
It's a couple blocks from here. |
00:28:47 |
and I would tell you |
00:28:50 |
You know, kind of getting us |
00:28:54 |
You know? And then we'd share |
00:28:56 |
- Burgundy? |
00:28:59 |
We'd bask in the warm, gentle, |
00:29:01 |
romantic yet erotic glow |
00:29:06 |
And then I would undress you, |
00:29:08 |
and you would undress me. |
00:29:10 |
We'd stand naked before |
00:29:13 |
I find... I find kissing a very helpful, |
00:29:16 |
sweet way to... to relax. |
00:29:18 |
And then, maybe I would... I would... |
00:29:20 |
I would bite your neck a little bit. |
00:29:21 |
Not... Not hard. Just gentle... |
00:29:24 |
like... like a little kitty cat, |
00:29:26 |
And then... |
00:29:29 |
my hands kind of descend |
00:29:32 |
kind of, uh, finding their way, |
00:29:34 |
massaging the skin |
00:29:37 |
which would even |
00:29:41 |
All the time, I'm whispering |
00:29:42 |
delicate little poems |
00:29:45 |
And the blood from your body |
00:29:48 |
is... is rushing |
00:29:51 |
and my fingers would slide effortlessly... |
00:29:54 |
[laughing] |
00:29:58 |
Or a comedian? You're a comedian. |
00:30:00 |
No. I, uh... I'm kind of a writer. |
00:30:03 |
- Oh, you're kind of a writer. |
00:30:05 |
You know, what about you? |
00:30:08 |
I'm a hooker. |
00:30:11 |
[Stammering, laughing] |
00:30:15 |
That exactly means that people |
00:30:18 |
Mm-hmm. |
00:30:19 |
So, if I wanted to, um... |
00:30:22 |
Here's my card. |
00:30:24 |
It's got my number |
00:30:26 |
So wow. You're, uh... |
00:30:28 |
- That's why you're... |
00:30:32 |
Saturdays and Sunday are busy. |
00:30:33 |
Weekends are... Avoid weekends. |
00:30:36 |
You know, I look forward |
00:30:39 |
and sharing another... |
00:30:51 |
Well, fuck me. |
00:31:28 |
[Barks] |
00:31:34 |
[Young man, narrating] |
00:31:36 |
there are currently 759 drugstores |
00:31:38 |
and over 1,600 registered pharmacists. |
00:31:41 |
On the day of my senior prom, |
00:31:44 |
one of them would change my life. |
00:31:46 |
Shit bums. |
00:31:49 |
They couldn't hit a ball with an oar. |
00:31:52 |
I heard about what happened |
00:31:54 |
- Oh. |
00:31:56 |
And on prom night. |
00:31:57 |
Like there's gonna be other proms. |
00:31:59 |
Well, there's not |
00:32:01 |
Not now, not ever. |
00:32:03 |
She's a whore, all right? |
00:32:06 |
She's a snake fucking |
00:32:09 |
- She's got no right. |
00:32:13 |
I mean, we only went out |
00:32:15 |
Here's the thing. |
00:32:18 |
Come here for a second. |
00:32:19 |
I got something to show you. |
00:32:24 |
That's my daughter. |
00:32:27 |
It's the right thing to do. |
00:32:29 |
And that's not chopped liver, right? |
00:32:31 |
Nuh-uh. |
00:32:33 |
I was 17, and I'd only been to second base, |
00:32:36 |
but I felt like tonight could be |
00:32:39 |
Hey, kid. |
00:32:40 |
- Hey, Mr. Riccoli. |
00:32:43 |
- Call me Frank. |
00:32:45 |
- You look good. |
00:32:47 |
Oh. Hey. |
00:32:48 |
âªâª [choir vocalizing] |
00:32:51 |
âªâª [slowing down] |
00:32:55 |
âªâª [stops] |
00:32:57 |
Listen, try to get her home |
00:33:00 |
She's gotta take her pills. |
00:33:09 |
âªâª [big band] |
00:33:16 |
Why are you stopping? |
00:33:18 |
- That's my girlfriend. |
00:33:24 |
- Hey. |
00:33:26 |
I'm sorry. I came with Gil. |
00:33:29 |
He's a film major at NYU. |
00:33:31 |
Oh, that... that's cool. |
00:33:33 |
We're... We're cool. Whatever. |
00:33:35 |
It's no biggie, you know? |
00:33:36 |
How's your, uh, swimmer's ear? |
00:33:39 |
Good. Better. |
00:33:41 |
[Chuckles] |
00:33:45 |
Make-A-Wish. |
00:33:47 |
Yeah. Yeah. |
00:33:49 |
You know, it was her dream to go to prom, |
00:33:51 |
and I said, "Of course I'll |
00:34:14 |
I want to dance. |
00:34:16 |
Uh, we should... we should talk first. |
00:34:18 |
I want to dance. |
00:34:20 |
[Man in singsong voice] |
00:34:22 |
[All whooping] |
00:34:24 |
Check it out, y'all. |
00:34:25 |
How low can you go? |
00:34:27 |
Can you go down low? |
00:34:29 |
All the way to the floor? |
00:34:31 |
How low can you go? |
00:34:33 |
Can you bring it to the top? |
00:34:35 |
Like you'll never, never stop? |
00:34:37 |
Wait! That's my limo! |
00:34:39 |
You've got your own wheels. |
00:34:41 |
[Laughter] |
00:34:47 |
[Sighs] |
00:34:50 |
Want to walk me home |
00:34:52 |
Through the park? |
00:35:00 |
Thanks. |
00:35:02 |
I had a really good time tonight. |
00:35:05 |
Me, too. |
00:35:07 |
I should probably take you home. |
00:35:12 |
Make a wish. |
00:35:14 |
[Chuckles] |
00:35:21 |
Come on. Take my panties off. |
00:35:26 |
Come on. |
00:35:40 |
Yeah, that's them. |
00:35:49 |
Okay, now take your pants off. |
00:35:53 |
Hurry. |
00:35:57 |
Come on. |
00:36:04 |
Come here. |
00:36:08 |
Grab my legs. |
00:36:16 |
That's it. |
00:36:21 |
[Moans] |
00:36:23 |
[Creaking] |
00:36:34 |
Mmm, it's morning. |
00:36:38 |
[Giggling] |
00:36:39 |
Oh, fuck! |
00:36:51 |
- Motherfuckers. |
00:36:53 |
I'm so sorry. |
00:36:54 |
They lose it in the 9th... |
00:36:57 |
They lost it 8 to 7. 8 to 7. |
00:36:59 |
- Them Yankees need some pitching. |
00:37:02 |
Hi, baby. |
00:37:04 |
Listen, I, uh... I really want |
00:37:07 |
There are not too many |
00:37:10 |
Well, it's my pleasure. |
00:37:24 |
Yeah, New York actresses... |
00:37:28 |
Actresses? |
00:37:29 |
Last year, she played Helen Keller. |
00:37:31 |
She walked around the city |
00:37:34 |
You know, to get |
00:37:36 |
Broke her nose twice. |
00:37:39 |
what the fuck... |
00:37:41 |
Anyway... Anyway, she's doing |
00:37:45 |
Central Park covers almost 843 acres. |
00:37:48 |
It is 6% of Manhattan. |
00:37:51 |
There are also 127,000 |
00:37:55 |
which is 2% of the population. |
00:37:58 |
And on the night of my senior prom, |
00:38:01 |
these two elements came together |
00:38:03 |
to make one perfect wish come true. |
00:38:06 |
God, I love New York. |
00:38:12 |
âªâª [Man vocalizing] |
00:38:15 |
⪠And here I am ⪠|
00:38:18 |
⪠The only living boy in New York ⪠|
00:38:37 |
[chuckles] |
00:38:43 |
All right, guys. I'm done. |
00:38:46 |
I'm out. Yeah. |
00:38:48 |
Thanks, man. |
00:38:50 |
- Hey. |
00:38:51 |
You look like you're gonna |
00:38:54 |
That was nothing. |
00:38:55 |
[Chuckles] |
00:38:58 |
Give me a sec, all right? |
00:39:06 |
- My man. |
00:39:08 |
That's for you. |
00:39:10 |
Now, with a little bit more practice... |
00:39:13 |
I ain't practicing. |
00:39:15 |
- You had me going. |
00:39:17 |
[Chuckles] |
00:39:20 |
- Yeah? |
00:39:22 |
All right. Let's go. |
00:39:40 |
[Thinking] |
00:39:42 |
I know I gave him my number, |
00:39:44 |
When we said goodbye? |
00:39:46 |
Oh, yeah. It was at the bar. |
00:39:49 |
[Scoffs] I didn't realize we were gonna |
00:39:51 |
at that point. |
00:39:53 |
Idiot. |
00:39:55 |
Why did I do that? |
00:39:58 |
Why did I act like that? |
00:40:00 |
I'm only gonna have |
00:40:03 |
I'm not gonna have sex with him. |
00:40:06 |
I really don't. |
00:40:08 |
God, I had no intention |
00:40:12 |
When he sat down next to me, |
00:40:14 |
we weren't each other's style |
00:40:17 |
And since there was no vibe, |
00:40:20 |
without thinking anything, |
00:40:22 |
and then I don't know |
00:40:25 |
[Man, thinking] |
00:40:28 |
What am I saying? She's not a girl. |
00:40:30 |
I have no idea how old she is, |
00:40:32 |
but she's not a fucking girl. |
00:40:34 |
Why am I walking 30 blocks to this bar? |
00:40:36 |
I'm not in a good space for this. |
00:40:39 |
Yeah, she was beautiful. |
00:40:42 |
Was she even drunk? |
00:40:44 |
I don't even know what she was. |
00:40:46 |
Ow. Am I imagining things, |
00:40:48 |
No, no, no. It's just these pants. |
00:40:51 |
They always rub me the wrong way. |
00:40:54 |
God, that was sexy. |
00:40:57 |
It was beyond sexy. |
00:40:59 |
I felt like I was in |
00:41:02 |
[Coins jingle] |
00:41:06 |
What is wrong with me? |
00:41:09 |
This is ridiculous. |
00:41:12 |
No, you're too early. Shit! |
00:41:17 |
[Woman] |
00:41:19 |
Although I definitely had |
00:41:21 |
I'm sure he found that really attractive |
00:41:23 |
as I sat at the bar |
00:41:25 |
Oh, no wonder he was so |
00:41:27 |
I finally shut the fuck up. |
00:41:30 |
[Scoffs] |
00:41:32 |
I hardly said a word |
00:41:34 |
It was good, |
00:41:36 |
but there's nowhere for it to go. |
00:41:41 |
I think it would've been fine |
00:41:43 |
but it took another turn. |
00:41:45 |
Something happened. |
00:41:48 |
but both of us played into it. |
00:41:53 |
It's good we're gonna do this... |
00:41:55 |
have a couple of drinks |
00:41:57 |
Let him know |
00:42:00 |
nothing. |
00:42:04 |
God, I hate that window. |
00:42:06 |
I don't want to see the innards |
00:42:09 |
Makes me feel sick. |
00:42:11 |
Just get me there. |
00:42:25 |
[People chattering] |
00:42:29 |
Hi. Can I get a Jameson? Great. |
00:43:34 |
[Laughing] |
00:45:54 |
- Here you go. |
00:46:11 |
You left that on. |
00:46:13 |
Yeah. I'll look at it later. |
00:46:43 |
[No audible dialogue] |
00:47:53 |
Madame. |
00:47:55 |
Thank you. |
00:48:20 |
This is not the room I wanted. |
00:48:23 |
I don't find it comfortable |
00:48:27 |
The noise. |
00:48:43 |
[Grunting] |
00:48:46 |
I can carry my bags. |
00:48:48 |
That is my job. |
00:49:09 |
This is good. |
00:49:17 |
I was hoping it would snow. |
00:49:21 |
Then the street is quiet. |
00:49:24 |
The world goes quiet. |
00:49:31 |
[Heavy accent] |
00:49:34 |
- You're not American. |
00:49:37 |
No, we're not so many of us |
00:49:41 |
It's one of the things |
00:49:44 |
Everyone came from somewhere else. |
00:49:48 |
Yeah. |
00:49:51 |
Well, I hope you will be |
00:49:54 |
Please call down |
00:49:59 |
There are no flowers. |
00:50:06 |
Is it possible |
00:50:08 |
Violets? Or... |
00:50:13 |
I love violets. |
00:50:18 |
I'm not expecting you |
00:50:20 |
if you, uh... if you don't have them. |
00:50:25 |
I'm sure I can find some violets. |
00:50:43 |
[Knocking] |
00:50:50 |
How did you do that? |
00:50:52 |
[Chuckles] |
00:50:54 |
You must have requested them. |
00:50:56 |
They were downstairs in lobby. |
00:50:58 |
I didn't. |
00:50:59 |
All the better. |
00:51:07 |
Incredible. |
00:51:09 |
[Chuckles] |
00:51:11 |
So you're lucky, no? |
00:51:13 |
These violets were waiting for you. |
00:51:16 |
Are there any other |
00:51:22 |
Oh, I doubt it. |
00:51:25 |
[Clears throat, sniffs] |
00:51:30 |
What... What's happened? |
00:51:32 |
- [Grunts] |
00:51:36 |
- [Groans] |
00:51:38 |
- I'm s... I'm sorry. |
00:51:42 |
No, no. Come on. |
00:51:48 |
[Coughs] |
00:51:51 |
Put your head back. |
00:51:55 |
[Groaning] |
00:52:00 |
[Groans] |
00:52:03 |
Are you in pain? |
00:52:06 |
It's not my business. Fr... |
00:52:08 |
From your back? |
00:52:11 |
Wait here. |
00:53:04 |
[Knocking] |
00:53:09 |
[Knocking continues] |
00:53:28 |
I have something for you. |
00:53:34 |
Please? |
00:53:47 |
[Grunts] |
00:53:54 |
The mystery of the violets is solved. |
00:53:58 |
My father is, um... |
00:54:02 |
My father is manager here... |
00:54:05 |
He's very happy |
00:54:11 |
He's very big admirer |
00:54:15 |
He says he heard you sing |
00:54:18 |
Please thank him. |
00:54:25 |
âªâª [Woman singing opera] |
00:54:35 |
Paris is place I wish I visit. |
00:54:40 |
Would you like me to open? |
00:54:44 |
Perhaps. |
00:54:45 |
âªâª [continues] |
00:54:53 |
Would you join me? |
00:54:55 |
I don't... |
00:54:56 |
Please? |
00:55:19 |
âªâª [continues] |
00:55:22 |
[Cork pops] |
00:55:58 |
Santé. |
00:56:04 |
You seem so sad. |
00:56:07 |
No one so young should be so sad. |
00:56:15 |
Do you still sing? |
00:56:20 |
Hmm? |
00:56:26 |
- Never. |
00:56:30 |
I'm sorry. |
00:56:34 |
I should love to have heard you sing. |
00:56:43 |
Mmm. |
00:56:59 |
You are too cold. |
00:57:01 |
Surely. |
00:57:03 |
No? [chuckles] |
00:57:12 |
How can you bear it? |
00:57:17 |
Don't know how you can bear it. |
00:57:24 |
[Thud in distance] |
00:57:26 |
âªâª [continues] |
00:57:46 |
I'm sorry. L... |
00:57:49 |
Did you see something in the street? |
00:58:00 |
Would you like me |
00:58:02 |
It is very cold. |
00:58:07 |
Yes. |
00:58:08 |
Please close the window. |
00:58:23 |
The manager is very happy |
00:58:27 |
He remembered your love of violets |
00:58:30 |
He's a great admirer |
00:58:34 |
Says that he heard you sing |
00:58:42 |
Yes. |
00:58:44 |
Please thank him. |
00:58:52 |
[Sighs] |
00:59:12 |
Artist? |
00:59:14 |
Painter. |
00:59:16 |
I see the paint on your hands. |
00:59:20 |
Mm-hmm. |
00:59:22 |
I'm a painter, too. |
00:59:24 |
Already there's been some serious interest, |
00:59:26 |
People like my stuff. |
00:59:28 |
I mean, they really like it. |
00:59:33 |
You've been here long? |
00:59:36 |
It's not easy here. |
00:59:39 |
I see things everywhere. Don't you? |
00:59:42 |
It's all new. |
00:59:44 |
On the walls, on bridges, |
00:59:47 |
I see things. |
00:59:49 |
I get my palette from the sky. |
00:59:53 |
I wait, and I paint. |
00:59:59 |
Don't you think, |
01:00:01 |
you come because this |
01:00:09 |
Ah, for a while, it can be. |
01:00:32 |
[Girl] |
01:00:34 |
Whole cities move because of me. |
01:00:38 |
It's how you look at things, Teya. |
01:00:42 |
You see a city between the buildings. |
01:00:44 |
Mm-hmm. |
01:00:46 |
You see the shapes |
01:00:48 |
Mm-hmm, like Mommy's teeth. |
01:00:56 |
[Hums] |
01:00:58 |
Oops. |
01:00:59 |
That's okay. |
01:01:00 |
My umbrella's out of control. |
01:01:02 |
Boing, boing, boing. |
01:01:05 |
It's everywhere. |
01:01:07 |
- You like that dog? |
01:01:10 |
if we were living in a huge umbrella. |
01:01:12 |
That would be so weird, |
01:01:13 |
because then we're going |
01:01:15 |
or any color all the time. |
01:01:33 |
Why's that squirrel |
01:01:36 |
Because he loves her. |
01:01:38 |
Then why is she running away? |
01:01:40 |
Because she's scared. |
01:01:42 |
Hmm. Can we go to the fountain now? |
01:01:44 |
The fountain? |
01:01:50 |
Do you? |
01:01:51 |
Oh, no! Oh, no! |
01:01:54 |
[Girl laughs] |
01:01:57 |
Mommy doesn't let me eat hot dogs. |
01:02:00 |
[Man] |
01:02:01 |
Seaweed's gross. |
01:02:03 |
Then it's our secret, okay? |
01:02:06 |
All right. |
01:02:15 |
[Children laugh and yell] |
01:02:32 |
Bracelet fell in. |
01:03:00 |
Excuse me. |
01:03:02 |
Yeah? |
01:03:03 |
We couldn't help but notice |
01:03:04 |
how good you are with her. |
01:03:06 |
Oh, thanks. Thank you. |
01:03:08 |
It's so unusual to meet a manny. |
01:03:11 |
And a good manny, at that. |
01:03:13 |
What? |
01:03:14 |
You know, a male nanny. |
01:03:19 |
Well, thank you. Thanks. |
01:03:24 |
Excuse me. Teya. |
01:03:26 |
Tey. Come, baby. |
01:03:28 |
Let's go now. |
01:03:30 |
Time to go. Come. |
01:03:36 |
[Teya] |
01:03:38 |
[Man] |
01:03:40 |
El sol, la luna. |
01:03:41 |
- La luna. |
01:03:43 |
- I like when they're both out. |
01:03:45 |
They make all these pretty colors, |
01:03:47 |
and it's kind of like purple, |
01:03:53 |
and they sort of, like, |
01:03:57 |
while they still can. |
01:04:01 |
Hey, sweetness. |
01:04:02 |
Hey, Mommy. |
01:04:08 |
Hi. |
01:04:09 |
Nice outfit. |
01:04:10 |
Did you pick that out yourself? |
01:04:12 |
Yep. And the bracelet matches. |
01:04:15 |
It does. |
01:04:17 |
Ed's over there. |
01:04:19 |
No, thanks. |
01:04:20 |
You're going to get hungry. |
01:04:22 |
Nuh-uh. I had a hot dog. |
01:04:31 |
You need to be firm with her, okay? |
01:04:33 |
She needs the discipline. |
01:04:35 |
She needs you. |
01:04:40 |
She misses you. |
01:04:47 |
Um... |
01:04:50 |
pick her up again tomorrow? |
01:04:53 |
Okay. |
01:05:00 |
Come on, monkey. |
01:05:03 |
[Chattering] |
01:05:54 |
[Applause] |
01:05:55 |
[Teya] |
01:06:15 |
Excuse me. All this for dry cleaning? |
01:06:16 |
Yeah. Is tomorrow okay? |
01:06:17 |
Why not? After 5:00. |
01:06:20 |
You've been shopping. |
01:06:22 |
Very expensive stuff. |
01:06:24 |
I don't like to run out. |
01:06:27 |
[Speaking Cantonese] |
01:06:41 |
Your Cantonese is improving. |
01:06:43 |
I've been studying. |
01:06:47 |
Have a nice night. |
01:06:48 |
[Speaking Cantonese] |
01:07:42 |
$25. |
01:08:00 |
âªâª [traditional Chinese] |
01:08:28 |
[Coughs] |
01:09:56 |
Hey, how are you today? |
01:09:57 |
Good. |
01:09:59 |
I want to paint you. |
01:10:02 |
You know, portrait. |
01:10:04 |
Um, would you like... Come with me? |
01:10:10 |
Why me? |
01:10:11 |
I don't know. |
01:10:17 |
I really don't know. |
01:10:23 |
I can't. |
01:10:24 |
Please. |
01:10:31 |
Okay. I'm sorry. |
01:10:33 |
I'm going to give you my address. |
01:10:37 |
If you change your mind... |
01:10:43 |
I'm waiting for you. |
01:11:11 |
[Speaking Chinese] |
01:11:39 |
[TV drones] |
01:12:21 |
[Man] |
01:12:24 |
I looking for the painter. |
01:12:28 |
What? |
01:12:29 |
The painter. |
01:12:31 |
The painter is dead. |
01:12:33 |
You want apartment? |
01:13:03 |
[Shutter snaps] |
01:13:04 |
âªâª [traditional Chinese] |
01:13:44 |
[Grunts] |
01:13:45 |
Can I help you? |
01:13:47 |
- Oh, thank you. |
01:13:49 |
Well, I guess this is useless. |
01:13:54 |
Aren't you the one who's always filming |
01:13:57 |
I thought I was being more discreet. |
01:14:00 |
I guess my secret's out now. |
01:14:02 |
If you ask for permission, |
01:14:05 |
So you like to break the rules, then? |
01:14:07 |
A lot of people give me trouble. |
01:14:10 |
Well, I will be |
01:14:14 |
Oh. City's full of surprises, right? |
01:14:16 |
Yeah. |
01:14:49 |
[Car approaches] |
01:14:58 |
[Car door closes] |
01:15:07 |
[Cell phone rings] |
01:15:12 |
[Beeps] |
01:15:14 |
[Man] |
01:15:16 |
Yeah, Peter. How are you? |
01:15:17 |
Yeah, yeah, of course. |
01:15:20 |
I'll get it to you in the morning. |
01:15:24 |
No, they're very important clients. |
01:15:30 |
No. Losing a client is not an option. |
01:15:35 |
Shit. |
01:15:37 |
Yeah. |
01:15:40 |
And? |
01:15:43 |
Thank you. |
01:15:45 |
No, I don't care. |
01:15:51 |
Yeah, yeah, of course. |
01:15:54 |
And if their lawyer |
01:16:03 |
[muffled chatter] |
01:16:05 |
[Woman chatters] |
01:16:08 |
Yeah. Oh. |
01:16:10 |
[Dogs bark] |
01:16:12 |
[Woman] |
01:16:20 |
[Man] |
01:16:22 |
Not yet. |
01:16:23 |
No. Okay, Peter. |
01:16:26 |
You, too. Thanks. |
01:16:31 |
You know, this is what I've always |
01:16:35 |
These little moments |
01:16:38 |
thinking about your life. |
01:16:39 |
Makes you appreciate the city better. |
01:16:42 |
You can watch the buildings. |
01:16:48 |
Sometimes meet somebody |
01:16:52 |
You can talk about what? |
01:16:56 |
Things you can say to a stranger. |
01:16:59 |
[Chuckles] |
01:17:01 |
You know, when there's |
01:17:06 |
Have you ever made love |
01:17:09 |
[Chuckles] |
01:17:10 |
Now you're teasing me. |
01:17:14 |
I believe I am. |
01:17:17 |
Well, I mean... |
01:17:20 |
No, not exactly a perfect stranger, |
01:17:22 |
if you mean someone |
01:17:26 |
[Laughs] |
01:17:29 |
It's sad. |
01:17:32 |
It's sad? Why? |
01:17:34 |
Because there's almost |
01:17:37 |
than fucking somebody you don't know. |
01:17:39 |
[Laughs] |
01:17:41 |
Right? |
01:17:43 |
You don't know their name, |
01:17:51 |
Don't. |
01:17:55 |
Don't tell me your name. |
01:18:02 |
You know what? |
01:18:07 |
I have to walk back |
01:18:10 |
and sit down again |
01:18:12 |
And? |
01:18:15 |
And he won't look at me. |
01:18:17 |
And he won't notice |
01:18:21 |
No bra? |
01:18:23 |
No panties, either. |
01:18:25 |
Oh. |
01:18:27 |
No underwear? |
01:18:28 |
Not today. |
01:18:38 |
I feel sad for this poor, lonely husband |
01:18:44 |
Don't you think he's like |
01:18:47 |
He's typically blind and bored |
01:18:50 |
ready to fantasize about |
01:18:53 |
he hasn't fucked yet. |
01:18:58 |
Am I bothering you? |
01:19:02 |
Not at all. |
01:19:05 |
Yeah. And you say that because |
01:19:11 |
You want to take me to bed. |
01:19:16 |
Do you want to take me to bed? |
01:19:19 |
Yeah, I probably do. |
01:19:24 |
Aw, come on. All right, |
01:19:29 |
Because tonight |
01:19:35 |
Chain smoking's a bad thing. |
01:19:37 |
Who knows? |
01:20:10 |
Thank you. |
01:20:12 |
Enjoy your meal. |
01:20:26 |
[Sighs] |
01:20:38 |
I love you. |
01:20:42 |
I love you, too. |
01:20:49 |
Okay? |
01:21:03 |
⪠A heart that's full up ⪠|
01:21:08 |
⪠Like a landfill ⪠|
01:21:12 |
⪠A job that slowly kills you ⪠|
01:21:18 |
⪠Bruises that won't heal ⪠|
01:21:32 |
What the hell happened to you? |
01:21:34 |
I was doing downward dog, |
01:21:36 |
and that's when it happened. |
01:21:39 |
What's a downward dog? |
01:21:40 |
Yoga. |
01:21:42 |
Oh, yeah. You know, |
01:21:44 |
I remember you used to be |
01:21:46 |
Mr. Riccoli, can you just |
01:21:48 |
- I didn't mean loose like... |
01:21:50 |
I just have somewhere to be. |
01:21:52 |
Right. |
01:21:54 |
Um... |
01:21:59 |
What the hell... Who you with? |
01:22:01 |
Birth control? |
01:22:03 |
Oh, come on. |
01:22:04 |
No, listen, I'm just saying that, |
01:22:08 |
personally it's time |
01:22:10 |
What are you, kidding me? |
01:22:12 |
What's wrong with you? |
01:22:14 |
What'd I say? |
01:22:17 |
What did l... |
01:22:19 |
You used to be nice. |
01:22:20 |
Whoa. |
01:22:24 |
Hey, Lydia, come on. |
01:22:27 |
Hey, I'm sorry. |
01:22:31 |
What the hell did I say? |
01:22:34 |
Babies. |
01:22:39 |
[Man] |
01:22:41 |
[Woman] |
01:22:43 |
who has to initiate everything. |
01:22:45 |
Not true. |
01:22:47 |
We don't go anywhere. |
01:22:48 |
You don't take me anywhere. |
01:22:50 |
I took you to the park last week. |
01:22:52 |
Come on. I'm talking about |
01:22:54 |
Name one place in the past two years |
01:22:56 |
outside the city that |
01:22:59 |
Beach in the Hamptons. |
01:23:01 |
That's where we met, |
01:23:02 |
I'm talking about a road trip, |
01:23:04 |
or a canoe trip, even. A bike trip. |
01:23:08 |
Will you stop with the phone? |
01:23:11 |
Just name one. |
01:23:15 |
Exactly. |
01:23:17 |
What? |
01:23:19 |
If you could go |
01:23:21 |
where would you go? |
01:23:24 |
You know where. |
01:23:27 |
- Come with me. |
01:23:30 |
I just bought tickets. |
01:23:35 |
We are? |
01:23:38 |
Are you out of your mind? |
01:23:40 |
I don't have anything |
01:23:42 |
Well, I will buy you a toothbrush. |
01:23:44 |
In Rome. |
01:23:48 |
Coach is fine. |
01:23:54 |
Lift your feet. |
01:23:56 |
You don't lift your feet. |
01:23:58 |
I'm lifting my feet. |
01:23:59 |
No, you're shuffling. |
01:24:00 |
The doctor said |
01:24:03 |
I'm lifting, I'm lifting. |
01:24:05 |
You want you should fall down, |
01:24:09 |
At least then the pain would |
01:24:12 |
- Equal. |
01:24:16 |
I'm a democratic sort of fellow. |
01:24:19 |
Well, see how democratic you feel |
01:24:20 |
when you fall down |
01:24:22 |
I'm not breaking any hips. |
01:24:25 |
Is there some place |
01:24:28 |
What is your hurry? |
01:24:30 |
My hurry is I want to get there |
01:24:33 |
At the rate you walk... |
01:24:35 |
You want faster? |
01:24:36 |
Divorce me and get yourself |
01:24:40 |
Tom Cruise, perhaps. |
01:24:43 |
You think you're funny? |
01:24:45 |
I do, as a matter of fact. |
01:24:49 |
Then what would you do, |
01:24:51 |
Mr. I'm so independent, |
01:24:53 |
I don't need any help |
01:24:56 |
I got caught in a pickle. |
01:24:59 |
You'd still be putting on your jacket |
01:25:03 |
[Horn honks] |
01:25:05 |
Go ahead, hit me, why don't you? |
01:25:07 |
Want to run me down? |
01:25:10 |
All the time, honking like |
01:25:12 |
We could have driven. |
01:25:14 |
Who could have driven? You? |
01:25:15 |
You're going to give me |
01:25:18 |
What's the good of having a car |
01:25:22 |
You can't drive. |
01:25:24 |
I still have my license. |
01:25:26 |
Only because that girl at the DMV |
01:25:29 |
All that flirting with her, oh. |
01:25:30 |
It was embarrassing. |
01:25:32 |
Brighton Beach Avenue. |
01:25:35 |
As if you didn't know |
01:25:38 |
- I know what street this is. |
01:25:40 |
- You think I don't know what street this is? |
01:25:44 |
I was reading the street sign. |
01:25:46 |
A regular Evelyn Wood I married. |
01:25:49 |
Hurry up, it's green. |
01:25:58 |
The light's going to change. |
01:26:19 |
Step up. |
01:26:24 |
Okay. |
01:26:25 |
You sure? We're not in any rush. |
01:26:28 |
I said I'm okay. |
01:26:33 |
Don't walk so fast. |
01:26:36 |
I don't want to have to |
01:26:38 |
I don't want to think about trying to make |
01:26:42 |
Did you call her? |
01:26:43 |
She called me. |
01:26:45 |
- What did she say? |
01:26:47 |
"How are you? How is Dad? |
01:26:50 |
And what did you say to her? |
01:26:53 |
I told her we're doing |
01:26:56 |
Good. |
01:26:57 |
She said she sent us |
01:27:01 |
- Did we get a card? |
01:27:03 |
Maybe it just didn't get here yet. |
01:27:07 |
She probably sent it late. |
01:27:08 |
- Don't criticize. |
01:27:11 |
You are criticizing. |
01:27:13 |
I'm just saying, she probably forgot |
01:27:16 |
You wait and see. |
01:27:17 |
The postmark will be yesterday, |
01:27:19 |
as if it could get here |
01:27:24 |
Where are you going? |
01:27:26 |
I don't want to take the ramp. |
01:27:27 |
Well, the ramp is easier. |
01:27:29 |
I'll take the stairs. |
01:27:30 |
You're going to kill me. |
01:27:35 |
Today of all days, |
01:27:39 |
Do away with me by making me |
01:27:41 |
Give me a heart attack, |
01:27:43 |
just watching you take the stairs. |
01:27:46 |
They have smart police these days, |
01:27:49 |
like the cute one on CSI. |
01:27:53 |
They'll figure it out. |
01:27:55 |
It'll make headlines... |
01:27:57 |
Man kills wife on 63rd anniversary, |
01:28:02 |
walking up stairs. |
01:29:22 |
[Wheels rattle over boardwalk] |
01:29:25 |
- Hey, hey! |
01:29:27 |
They ought to arrest them. |
01:29:31 |
Let's go have lunch. |
01:29:33 |
Let's go. Come on. Let's go. |
01:29:35 |
I'm coming, I'm coming. |
01:29:38 |
Lift your feet. |
01:29:39 |
- I'm lifting. |
01:29:41 |
- Lift your feet. Lift. |
01:29:44 |
All right. Come on. |
01:29:47 |
I fixed your hat a little bit. |
01:29:51 |
You're looking okay with your hat. |
01:29:53 |
Yeah. |
01:29:54 |
Looking pretty |
01:30:28 |
[Man] |
01:30:29 |
Look at me. |
01:30:31 |
I look terrible. |
01:30:34 |
I don't understand what happened. |
01:30:37 |
Happened. What happened? |
01:31:06 |
[No audible dialogue] |
01:33:16 |
Subtitled By J.R. Media Services, Inc. |