|
Ni as Mal
|
| 00:00:35 |
Charm School |
| 00:00:39 |
Advice number one: |
| 00:00:41 |
There's never a second chance |
| 00:00:45 |
That first image that we leave... |
| 00:00:49 |
...in our interlocutor's mind, |
| 00:00:52 |
Call me to confirm, okay? |
| 00:00:56 |
What? |
| 00:00:59 |
It's the costume for-- |
| 00:01:03 |
Are you going? |
| 00:01:04 |
Oh, the thing is-- |
| 00:01:08 |
You promised. |
| 00:01:10 |
Yes, yes, but I have an appointment |
| 00:01:16 |
The fucking capitalist, |
| 00:01:23 |
Multimillionaire, |
| 00:01:26 |
But anyway, I swear |
| 00:01:33 |
Per-for-mance. |
| 00:01:48 |
Who the hell took my bra? |
| 00:01:51 |
It can't be. I told that fucker again and |
| 00:01:57 |
Shit, this can't be happening. |
| 00:02:01 |
It doesn't fit. It doesn't fit. |
| 00:02:03 |
Fuck! |
| 00:02:05 |
Hey, help me, please. |
| 00:02:10 |
Waiter. |
| 00:02:12 |
Thanks, eh? |
| 00:02:14 |
So, Enrique, |
| 00:02:18 |
You know how important it is for me. |
| 00:02:27 |
Look, Martin. |
| 00:02:28 |
I like you a lot as a candidate. |
| 00:02:31 |
But you need to take care |
| 00:02:33 |
...because it's not exactly |
| 00:02:36 |
I mean, Martin, you're a widower. |
| 00:02:38 |
And with the rumours |
| 00:02:41 |
Adela is coming out |
| 00:02:43 |
She's a great girl, with a lot |
| 00:02:46 |
I assure you, |
| 00:02:48 |
Mr. Van der Linde. |
| 00:02:50 |
Senator. |
| 00:02:53 |
The press is here. |
| 00:02:56 |
I'm sorry. The press is here. |
| 00:03:00 |
I'm sorry. Julio Mera, |
| 00:03:03 |
-Nice to meet you. |
| 00:03:05 |
-Go ahead and see what you can do. |
| 00:03:14 |
Cucho, stop it, man. |
| 00:03:16 |
Very galactic, man. |
| 00:03:18 |
I lost my bra. Just wait until I find |
| 00:03:22 |
It's very hard. |
| 00:03:24 |
Come on, stop it both of you. |
| 00:03:26 |
Stop it. You're wasted, |
| 00:03:29 |
Ready? Now the lights. |
| 00:03:35 |
Look, Martin, I'm not comfortable |
| 00:03:39 |
We can't give tools |
| 00:03:42 |
You have my word, |
| 00:03:45 |
Well.... |
| 00:04:43 |
Patience, please. |
| 00:04:46 |
Senator Leon, Senator Leon. |
| 00:04:48 |
Does this mean that the private sector |
| 00:04:53 |
We haven't even |
| 00:04:55 |
But it's important for you to know |
| 00:04:58 |
...the private sector will be willing |
| 00:04:59 |
...the private sector will be willing |
| 00:05:04 |
-Mr. Van der Linde. |
| 00:05:06 |
Does the senator have the |
| 00:05:10 |
Martin is not only |
| 00:05:12 |
Senator, do you have any comments |
| 00:05:19 |
Adela was arrested? |
| 00:05:21 |
Guys, a picture, please. |
| 00:05:23 |
Excuse me, excuse me. |
| 00:05:26 |
I have a question.... |
| 00:05:32 |
A little smile, dear, please. |
| 00:05:41 |
Come, put this on. |
| 00:05:43 |
-Dad-- |
| 00:05:48 |
The charges are for arson... |
| 00:05:51 |
...indecent exposure |
| 00:05:56 |
-Sexual assault? |
| 00:05:59 |
Really? How was it then? |
| 00:06:01 |
Fucking Angel tried |
| 00:06:04 |
Like this. |
| 00:06:06 |
Adela, look. |
| 00:06:10 |
Yes. |
| 00:06:11 |
-Your shirt. |
| 00:06:13 |
It has air conditioning. |
| 00:06:16 |
That's my bra. |
| 00:06:19 |
Buy yourself another one, asshole. |
| 00:06:21 |
Aren't you Senator Leon's |
| 00:06:23 |
You'll see how the senator's daughter |
| 00:06:31 |
Let me go! |
| 00:06:33 |
Don't hit me. |
| 00:06:39 |
Miss, please get off her. |
| 00:06:42 |
Come on. |
| 00:06:46 |
-You're-- |
| 00:06:54 |
And you still want to press charges |
| 00:07:02 |
No!You can't lock me up |
| 00:07:06 |
Did you hear me? You're a... |
| 00:07:11 |
That's why they call you |
| 00:07:14 |
-What did you say? |
| 00:07:17 |
It's kidnapping. |
| 00:07:18 |
You ruined my appointment |
| 00:07:22 |
I spent months trying to arrange it. |
| 00:07:24 |
This could cost me my candidacy. |
| 00:07:26 |
I'm up to here |
| 00:07:30 |
I'm an actress, Dad. |
| 00:07:32 |
And I'm going to study in London. |
| 00:07:35 |
With what money? |
| 00:07:37 |
-Are you threatening me? |
| 00:07:39 |
So forget about your parties |
| 00:07:42 |
...because I won't take it anymore. |
| 00:07:44 |
Better now, before you go |
| 00:07:46 |
Go. Go there. |
| 00:08:05 |
Adela, if your mom were alive... |
| 00:08:11 |
...she'd be very sad... |
| 00:08:13 |
...seeing us this way. |
| 00:08:15 |
And we're always like this, Dad. |
| 00:08:17 |
You're very difficult to talk to. |
| 00:08:19 |
No. You're very difficult to talk to. |
| 00:08:22 |
Don't exaggerate. |
| 00:08:25 |
But every time I see your... |
| 00:08:27 |
-...four tattoos-- |
| 00:08:30 |
Where did you do the other one? |
| 00:08:33 |
At Cucho's. |
| 00:08:34 |
But where in your body? |
| 00:08:40 |
I can't tell you. |
| 00:08:43 |
Where? |
| 00:08:50 |
Oh, Adela! |
| 00:08:53 |
It's not even finished, is it? |
| 00:09:04 |
Cucho. Cucho! |
| 00:09:07 |
No, it's a very detailed job |
| 00:09:12 |
This can't go on like this. |
| 00:09:13 |
You're going to stay |
| 00:09:15 |
Maybe that way you'll think |
| 00:09:18 |
If you think I'm going to stay here, |
| 00:09:25 |
"I locked her up." |
| 00:09:28 |
Keep dreaming, Dad. |
| 00:09:32 |
Sir, sir. |
| 00:09:35 |
No! |
| 00:09:43 |
Basically... |
| 00:09:44 |
...unless Van der Linde changes |
| 00:09:49 |
-This just got here. |
| 00:09:55 |
-Oh, no. |
| 00:09:58 |
Look at it. |
| 00:09:59 |
Look at it. |
| 00:10:27 |
Perfect. |
| 00:10:28 |
Van der Linde is playing golf |
| 00:10:31 |
Do we have a plan B? |
| 00:10:33 |
I mean, to see what we're going to do |
| 00:10:54 |
I know, Martin. |
| 00:10:55 |
What we need to do is convince him |
| 00:10:59 |
And convince him that Adela |
| 00:11:04 |
God help us. |
| 00:11:05 |
Not God. |
| 00:11:07 |
Do you remember your dear friend, |
| 00:11:09 |
Maca.... Yes. |
| 00:11:12 |
Well, we put Adela in her school. |
| 00:11:14 |
We arrange a dinner, |
| 00:11:16 |
...and we make Adela look |
| 00:11:24 |
Completely changed. |
| 00:11:29 |
Adela? |
| 00:11:31 |
Well.... |
| 00:11:33 |
Oh, no, I'm falling down, I'm falling! |
| 00:11:35 |
I'm falling down! |
| 00:11:48 |
I'm fine. |
| 00:11:50 |
-Dad! |
| 00:11:53 |
You? That's how I fall. |
| 00:11:57 |
What's up, Monsignor? |
| 00:12:00 |
Wasn't Mexico a nation |
| 00:12:02 |
Yes, Adela. |
| 00:12:04 |
It's nothing personal against |
| 00:12:08 |
...Buddhists also have their rights. |
| 00:12:10 |
And the Hare Krishna, what? |
| 00:12:14 |
I interrupted your breakfast, |
| 00:12:16 |
No, no, no, no. |
| 00:12:18 |
-No, no! |
| 00:12:20 |
-No! |
| 00:12:23 |
Let's go upstairs. |
| 00:12:27 |
Why don't we hire |
| 00:12:30 |
If some candidates change |
| 00:12:34 |
...why not have a rented daughter? |
| 00:12:37 |
I agree. |
| 00:13:00 |
Well, girls, we got |
| 00:13:04 |
I'm very happy, you were |
| 00:13:08 |
Thalia, please... |
| 00:13:09 |
...never lose your sense of humour. |
| 00:13:12 |
-And you, Patty, please always-- |
| 00:13:16 |
Fina, I've told you not to interrupt me |
| 00:13:19 |
-Monsi needs you. |
| 00:13:21 |
Monsignor wants to talk to you. |
| 00:13:24 |
Tell him I'll call him back. |
| 00:13:26 |
What call? |
| 00:13:28 |
He's in flesh and blood, come on. |
| 00:13:29 |
He's waiting for you in your office. |
| 00:13:31 |
Okay. Tell him I'll come in a minute. |
| 00:13:37 |
Well, I want us... |
| 00:13:39 |
...to give ourselves |
| 00:13:42 |
...for finishing this course. Come on. |
| 00:14:06 |
-Engineer. |
| 00:14:10 |
Thank you very much, |
| 00:14:12 |
The incident with Senator Leon's |
| 00:14:16 |
-...and it's fixed already. |
| 00:14:18 |
...that Miss Adela was involved |
| 00:14:22 |
Mr. Van der Linde, with all due |
| 00:14:25 |
No, no, you're right about that. |
| 00:14:29 |
Senator Leon |
| 00:14:32 |
...to show you that Adela |
| 00:14:34 |
Impossible. I have a business trip |
| 00:14:39 |
Perfect. Give me a month |
| 00:14:43 |
Tell Senator Leon I accept |
| 00:14:48 |
But tell him also that if I hear |
| 00:14:51 |
...you'll never again hear from me. |
| 00:14:54 |
Understood? |
| 00:14:56 |
-Let's go, Mauricio. |
| 00:14:59 |
I'll give your answer to the senator. |
| 00:15:03 |
These are the last students |
| 00:15:06 |
Nobody else applied. |
| 00:15:08 |
I'm even having trouble opening the |
| 00:15:15 |
-Excuse me, do you use sugar? |
| 00:15:19 |
-I brought what was missing. |
| 00:15:21 |
-...these cups are broken. |
| 00:15:24 |
But those are the only ones we have. |
| 00:15:27 |
-Oh, Fina. |
| 00:15:29 |
Father, do you want |
| 00:15:31 |
Yes, Fina, give me one, please. |
| 00:15:37 |
Well, let's go straight |
| 00:15:41 |
Do you know who Adela Leon is? |
| 00:15:43 |
Senator Martin Leon's daughter. |
| 00:15:46 |
How can we not know who she is? |
| 00:15:49 |
The other day, when we were |
| 00:15:51 |
...they interrupted it |
| 00:15:54 |
Well, the fact is that |
| 00:15:58 |
...and he needs |
| 00:16:00 |
...so businessman Van der Linde |
| 00:16:04 |
Well, he'll have to change her for |
| 00:16:09 |
Well.... Let's say, to tame her. |
| 00:16:14 |
And in exchange, |
| 00:16:22 |
Oh, my God. |
| 00:16:24 |
We'll pay the debts with this, Dona, |
| 00:16:31 |
I'm in trouble, Father, |
| 00:16:34 |
I have no right to charge the senator |
| 00:16:37 |
Tell him to register her |
| 00:16:40 |
But did you see the amount, Dona? |
| 00:16:43 |
Yes, I saw it. |
| 00:16:45 |
Tell her something, Father. |
| 00:16:48 |
...to advise the infidels. |
| 00:16:50 |
-Fina! |
| 00:16:56 |
What this society needs, |
| 00:17:00 |
In the middle of the chaos, |
| 00:17:02 |
...a peaceful backwater, |
| 00:17:05 |
I don't do it just for the money, |
| 00:17:08 |
You don't need to offer me that much |
| 00:17:13 |
It's not for you to accept her, Maca. |
| 00:17:16 |
It's for you not to throw her out. |
| 00:17:18 |
I'm sure that won't be necessary. |
| 00:17:23 |
Peaceful backwater. |
| 00:17:27 |
My flat ass. |
| 00:17:31 |
I'm sorry, Father. She's impossible. |
| 00:17:35 |
Cheers, daughter. |
| 00:17:39 |
-Pack your things. |
| 00:17:46 |
-Pack. |
| 00:17:48 |
...if what you want |
| 00:17:50 |
...send me to London. |
| 00:17:52 |
It's not that. You know that's not true. |
| 00:17:56 |
-That's it, period. |
| 00:17:58 |
I promise I'll behave, I promise-- |
| 00:17:59 |
I promise I'll behave, I promise-- |
| 00:18:00 |
No, no, no, I'm tired of you |
| 00:18:06 |
You can't make me, I'm 1 8 now. |
| 00:18:09 |
I can't make you, I can't make you. |
| 00:18:12 |
I can't make you. |
| 00:18:14 |
You need money to go to London. |
| 00:18:16 |
I can get a scholarship! |
| 00:18:19 |
A scholarship, with your grades. |
| 00:18:21 |
You'll go for four weeks, that's what |
| 00:18:27 |
Adela! |
| 00:18:29 |
If you don't go to Maca Rivera's |
| 00:18:33 |
No. No! |
| 00:18:35 |
I won't go to a ladies' school, |
| 00:18:43 |
I don't even want to know. |
| 00:18:47 |
Look. |
| 00:18:49 |
You need me to go, so... |
| 00:18:52 |
...Iet's make a deal. |
| 00:18:55 |
You go to this academy and I.... |
| 00:18:59 |
I send you to London. |
| 00:19:04 |
And if they throw me out? |
| 00:19:11 |
Girls, I want to give you |
| 00:19:13 |
...to the intensive femininity course. |
| 00:19:16 |
In four weeks, we'll study |
| 00:19:20 |
...to become a better version |
| 00:19:24 |
The poor men |
| 00:19:27 |
...and they need us |
| 00:19:30 |
So we'll start with a big round |
| 00:19:34 |
...for having decided to take this step. |
| 00:19:39 |
Okay, these are the aprons... |
| 00:19:41 |
...we'll eventually use. And these |
| 00:19:45 |
We'll fill them as an album... |
| 00:19:48 |
...with everything we learn. |
| 00:19:52 |
We'll work straight... |
| 00:19:53 |
...with just one weekend off |
| 00:19:59 |
Any questions? |
| 00:20:00 |
Me! Miss Maca... |
| 00:20:02 |
...what kind of nice things |
| 00:20:04 |
Everything. From sewing on |
| 00:20:09 |
...from cooking a hard-boiled egg |
| 00:20:12 |
And something very important: |
| 00:20:13 |
To organise our time to be with him. |
| 00:20:17 |
One day in Barbie and Ken's life. |
| 00:20:20 |
No, one day in Barbie's life and his. |
| 00:20:23 |
--the plumber.... Oh, and something |
| 00:20:27 |
-Eat cyanide. |
| 00:20:30 |
Drown the kids, |
| 00:20:34 |
All right. Let's start |
| 00:20:37 |
-Who wants to start? |
| 00:20:40 |
I'm Maribel and I'm here because.... |
| 00:20:43 |
Mom, I was making caramel |
| 00:20:48 |
I tried to wash it, but it was so stuck |
| 00:20:53 |
And then the soap opera started |
| 00:20:59 |
I tried to move |
| 00:21:01 |
...but the dishcloth caught fire and |
| 00:21:07 |
Move, move! |
| 00:21:22 |
Chicharo ate all the Chantilly cream |
| 00:21:33 |
Will you let me take the course, Ma? |
| 00:21:37 |
Well, that's why I'm here. |
| 00:21:40 |
Very well. |
| 00:21:42 |
Let's see. |
| 00:21:43 |
Hi. I'm Heidi... |
| 00:21:46 |
...I'm a Virgo and I'm very friendly. |
| 00:21:50 |
Oh, and very authentic. |
| 00:21:53 |
I met my boyfriend, Kike Van der |
| 00:21:57 |
We're getting married in a month. |
| 00:21:59 |
Finally! Because I'm 25 already and-- |
| 00:21:59 |
Finally! Because I'm 25 already and-- |
| 00:22:02 |
Kike Van der Linde? |
| 00:22:03 |
You're the future daughter-in-law |
| 00:22:06 |
Adela. |
| 00:22:08 |
A lady never expresses |
| 00:22:14 |
-You can continue, Heidi. |
| 00:22:16 |
Well, Kike and I |
| 00:22:20 |
...because, well, he got a scholarship. |
| 00:22:22 |
He's very studious. |
| 00:22:25 |
Anyway, I'm here because.... |
| 00:22:28 |
Black cod in sweet miso sauce... |
| 00:22:31 |
...especially for you, |
| 00:22:34 |
Thank you. |
| 00:22:35 |
-Please, enjoy. |
| 00:22:39 |
Hello? It's Lorena, my assistant. |
| 00:22:43 |
Honey, why don't you |
| 00:22:46 |
What's wrong, Heidi? |
| 00:22:48 |
Work goes first. |
| 00:22:50 |
Nobody has taught you that? |
| 00:22:55 |
Well, now that we're here together... |
| 00:22:59 |
...the Van der Lindes and I |
| 00:23:07 |
Thank you very much. |
| 00:23:11 |
It's the place where you will study... |
| 00:23:14 |
...to become the perfect wife |
| 00:23:21 |
It's amazing, no, honey? |
| 00:23:24 |
I want to learn how |
| 00:23:32 |
Valentina. |
| 00:23:34 |
Valentina. |
| 00:23:39 |
-I'm sorry. |
| 00:23:41 |
-Someone else go. |
| 00:23:44 |
No, no, no, really, |
| 00:23:47 |
-Come on. |
| 00:23:50 |
Why don't you introduce yourself |
| 00:23:55 |
Sure. |
| 00:23:58 |
I'm Adela, I like sunflowers... |
| 00:24:04 |
...I'm a Leo, I like pink, |
| 00:24:10 |
How stupid. |
| 00:24:13 |
It's good that you like jokes, Adela. |
| 00:24:16 |
You need a great sense of humour. |
| 00:24:19 |
He will always prefer to be |
| 00:24:40 |
Thank you. |
| 00:24:42 |
And the caramel? |
| 00:24:43 |
The wrapper is more beautiful now |
| 00:25:02 |
What did you do to fall in this dump? |
| 00:25:06 |
It's a long story. |
| 00:25:08 |
Mom! |
| 00:25:12 |
Mom! |
| 00:25:16 |
Okay, if you generate flow |
| 00:25:20 |
...the consumption goes up. |
| 00:25:23 |
It's obvious. |
| 00:25:27 |
Ma? |
| 00:25:31 |
Ma? |
| 00:25:32 |
Ma! |
| 00:25:34 |
Honey, you don't |
| 00:25:36 |
I did say something! |
| 00:25:39 |
Honey, it's time for you to know that |
| 00:25:44 |
Mom, but in the pantry? |
| 00:25:46 |
Again? |
| 00:25:48 |
Gross! And who's this? |
| 00:25:50 |
Well, he's Nando. |
| 00:25:56 |
Honey.... |
| 00:25:58 |
Honey, honey. |
| 00:25:59 |
Honey, honey. |
| 00:26:01 |
Nando is the Spanish guy that I told |
| 00:26:05 |
The spinning instructor. |
| 00:26:10 |
Ma.... |
| 00:26:13 |
You could have at least |
| 00:26:16 |
I don't know, compliment his tan. |
| 00:26:19 |
His tan? |
| 00:26:21 |
It looks as if he got it |
| 00:26:23 |
He seemed stupid anyway. |
| 00:26:25 |
Baby, not everybody has to be |
| 00:26:29 |
If you don't like that one, |
| 00:26:32 |
He's also a trainer at the gym. |
| 00:26:34 |
Mom, what am I going to talk about |
| 00:26:38 |
Pia, he's Argentinean |
| 00:26:40 |
I won't go out with a peace of meat |
| 00:26:44 |
Pia, it's not because of that. |
| 00:26:46 |
You've never had a boyfriend and you |
| 00:26:52 |
You don't know how to treat men and |
| 00:26:56 |
And, well... |
| 00:26:57 |
...I don't want you to end up like me, |
| 00:27:01 |
So we agreed that if I took this course |
| 00:27:07 |
Wow. |
| 00:27:09 |
Come see! Come! |
| 00:27:13 |
What? |
| 00:27:15 |
No! |
| 00:27:30 |
The beginning is the most |
| 00:27:35 |
So we always must start with energy. |
| 00:27:41 |
And when we take the last stitch... |
| 00:27:44 |
...we have impeccable embroidery. |
| 00:27:46 |
I learned in Guadalajara, |
| 00:27:50 |
She was amazing doing embroidery. |
| 00:27:52 |
And those buttons, Maribel? |
| 00:27:54 |
They're eyes. Look: |
| 00:28:02 |
What are you doing, Valentina? |
| 00:28:05 |
It's humanity's heart. |
| 00:28:07 |
It's black, but it can be healed. |
| 00:28:12 |
Well, we'll use it for something. |
| 00:28:15 |
Very pretty, Heidi, very pretty. |
| 00:28:17 |
And you, Adela? |
| 00:28:20 |
Is this okay? |
| 00:28:22 |
Hey, what's wrong with you, fool? |
| 00:28:24 |
Maca, look at her. |
| 00:28:27 |
-Give it to me, Adela. |
| 00:28:40 |
You put too many yolks. |
| 00:28:43 |
Maribel. |
| 00:28:44 |
Rule number one: You must have |
| 00:28:50 |
Should I put....? |
| 00:28:55 |
No, no! |
| 00:29:07 |
Maca, look at her! |
| 00:29:09 |
No, look at your stupid panties. Who |
| 00:29:13 |
What's wrong with them? |
| 00:29:16 |
Fina! |
| 00:29:19 |
The iron has to be hot enough... |
| 00:29:21 |
...so you don't pass it too much |
| 00:29:24 |
...so check it, please. |
| 00:29:28 |
Valentina, here, on the shirt. |
| 00:29:32 |
Now check your iron. |
| 00:29:35 |
No, Adela, no. |
| 00:29:37 |
Iron. |
| 00:29:46 |
Fina? Fina? |
| 00:29:48 |
-She ruined it. |
| 00:29:51 |
I can't see anything, holy Mother! |
| 00:29:55 |
Wait. |
| 00:29:58 |
Fina? |
| 00:29:59 |
Fina? |
| 00:30:03 |
You see? For making me wear |
| 00:30:07 |
Dona Josefina, you'll stay in bed |
| 00:30:11 |
Oh, man. I don't hear anything. |
| 00:30:15 |
Don't worry, doctor. |
| 00:30:17 |
Listen to me, obstinate woman. |
| 00:30:20 |
You'll stay in bed. |
| 00:30:21 |
And we won't call anybody. |
| 00:30:23 |
Well, I already called him |
| 00:30:25 |
-What did you do? |
| 00:30:27 |
I called him and he's on his way. |
| 00:30:33 |
I never would've thought of anything |
| 00:30:37 |
If you don't take risks, |
| 00:30:44 |
What? |
| 00:30:48 |
You can't smoke here, girl. |
| 00:30:50 |
It wasn't enough to leave |
| 00:30:53 |
You still want to contaminate us all. |
| 00:30:55 |
Let's see, she's not disabled... |
| 00:30:56 |
...and it wasn't my fault. And who |
| 00:31:00 |
I won't let you keep interrupting my |
| 00:31:04 |
I have something to finish here. |
| 00:31:06 |
Finish what? |
| 00:31:08 |
Finish to learn how |
| 00:31:12 |
-Do you know what Kike really needs? |
| 00:31:15 |
That you read a book to learn |
| 00:31:29 |
We'll have to call someone to do what |
| 00:31:32 |
But those were men's things. |
| 00:31:34 |
We'll remain in the dark. |
| 00:31:36 |
And everything thanks to Adela. |
| 00:31:38 |
It would be good for you to think |
| 00:31:41 |
Bravo, Adelita. Bravo. |
| 00:31:44 |
Thank you. And I don't have |
| 00:31:52 |
In the ikebana philosophy, |
| 00:31:57 |
Some elements |
| 00:32:00 |
Just as in a couple, there's always |
| 00:32:05 |
The monochrome is good, Maribel, |
| 00:32:11 |
Good use of the ikebana technique, |
| 00:32:15 |
Thanks, Maca. |
| 00:32:18 |
-What are you doing, Vale? |
| 00:32:25 |
Girl! |
| 00:32:29 |
Wow! |
| 00:32:31 |
Adela... |
| 00:32:33 |
...you're not thinking |
| 00:32:35 |
We need to pick a theme. |
| 00:32:37 |
Or your strategy to bother me |
| 00:32:42 |
No. I did an arrangement. |
| 00:32:44 |
Would you be so nice |
| 00:32:50 |
It's the minimalist ikebana bikini. |
| 00:32:56 |
And I used |
| 00:32:58 |
The same flower in front... |
| 00:33:00 |
...and in the back. |
| 00:33:02 |
Monochrome is the use of the same |
| 00:33:06 |
And those flowers are never used |
| 00:33:10 |
Adela, |
| 00:33:14 |
Very good, Pia. |
| 00:33:16 |
Very good use of repetition. |
| 00:33:23 |
Ladies, this is Emiliano. |
| 00:33:25 |
He'll do everything Fina used to do |
| 00:33:30 |
Can you fix the back garden, |
| 00:33:38 |
You dropped this. |
| 00:33:42 |
The back garden, boy. |
| 00:33:48 |
Stop it. |
| 00:33:55 |
Stop, stop. |
| 00:34:07 |
Maribel, you're going to deafen us! |
| 00:34:11 |
I'm practising the second voice. |
| 00:34:13 |
-Oh. |
| 00:34:18 |
Wow, hottie-- |
| 00:34:21 |
Come and see! |
| 00:34:24 |
My king... |
| 00:34:25 |
...I'll put sunscreen on you, |
| 00:34:28 |
I don't think his is too wrinkled. |
| 00:34:32 |
Testosterone vs. ultraviolet. |
| 00:34:36 |
Two-one in favour of testosterone. |
| 00:34:38 |
Stop it! Are you going to lose all your |
| 00:34:43 |
-Oh, but what biceps. |
| 00:34:45 |
He's so.... He's so hot that it seems |
| 00:34:50 |
...out of his stitches. |
| 00:34:51 |
Come on, I thought he was hotter. |
| 00:34:59 |
Vale! |
| 00:35:00 |
Come and see him. |
| 00:35:02 |
Come and see him, quick! |
| 00:35:06 |
-Yes, he's okay. |
| 00:35:09 |
Look at him, he's super hot. |
| 00:35:11 |
Okay, he's super hot. |
| 00:35:17 |
Look how.... |
| 00:35:20 |
No, yes, he's super hot. |
| 00:35:22 |
For that hormone trip, it's just an ass. |
| 00:35:25 |
But what an ass. |
| 00:35:28 |
Heidi, come here. |
| 00:35:30 |
-I saw him already. |
| 00:35:35 |
What is it? What's going on? |
| 00:35:42 |
What's that? |
| 00:35:43 |
It's my lucky garter belt. |
| 00:35:46 |
I mean, I wear it in case I get lucky. |
| 00:35:53 |
Each one has her own colour, |
| 00:35:58 |
Valentina is...Iet's see. |
| 00:36:07 |
Okay, girls, find your colour. |
| 00:36:09 |
Experiment, play with your tones. |
| 00:36:12 |
I'll be back soon. |
| 00:36:16 |
Hello? Hi, honey. Yes. |
| 00:36:20 |
Well, why does she have to go? |
| 00:36:23 |
No, Kike. I can't stand her. |
| 00:36:25 |
No. No, she's too pretentious. |
| 00:36:27 |
"Yes, Kike, no, Kike." |
| 00:36:29 |
Why doesn't she call you |
| 00:36:35 |
Kike, I don't care |
| 00:36:39 |
What, did you have |
| 00:36:41 |
-What do you care? |
| 00:36:43 |
Help, you? Yeah, right. |
| 00:36:47 |
You only came here to ruin |
| 00:36:51 |
I'll make sure that |
| 00:36:53 |
...finds out about |
| 00:36:56 |
-Over my dead body, asshole. |
| 00:36:58 |
I'm gay! |
| 00:37:01 |
Well, I think so. |
| 00:37:07 |
Stop it, we have to finish the song. |
| 00:37:09 |
Okay. |
| 00:37:14 |
Vale? |
| 00:37:16 |
Mom. |
| 00:37:20 |
So my uncle, the priest, |
| 00:37:23 |
And she registered me... |
| 00:37:26 |
...to see if I get "cured"... |
| 00:37:28 |
...and also to forget Ana. |
| 00:37:30 |
Ana? |
| 00:37:32 |
Being gay is not an illness. |
| 00:37:35 |
Tell that to my mother. |
| 00:37:36 |
Why hadn't you told us |
| 00:37:39 |
Does it really matter that much? |
| 00:37:44 |
Heidi, stop it. |
| 00:37:46 |
Are you going to tell me that you |
| 00:37:50 |
...we've touched each other? |
| 00:37:52 |
Don't be stupid, Heidi. I mean, |
| 00:37:56 |
Not all of us have to live |
| 00:37:59 |
Not all of us have to live |
| 00:38:04 |
-And Ana is your girlfriend? |
| 00:38:08 |
...make music together. |
| 00:38:12 |
How romantic. |
| 00:38:16 |
We all have defects and strengths. |
| 00:38:18 |
The important thing is to know them |
| 00:38:22 |
Not to hide them. |
| 00:38:45 |
What are you doing here, Adela? |
| 00:38:48 |
The same as you, don't pretend. |
| 00:38:52 |
Come here, sit down. |
| 00:39:08 |
What, you've never seen a tattoo? |
| 00:39:11 |
I have more. |
| 00:39:18 |
Look. |
| 00:39:22 |
Don't look at me like that. |
| 00:39:25 |
It was the '60s, girl. |
| 00:39:28 |
I wasn't as moderate then |
| 00:39:31 |
Luckily my father registered me in |
| 00:39:38 |
It's the best thing |
| 00:39:44 |
Our vacation is in two days, |
| 00:39:48 |
And London? |
| 00:39:56 |
I'd rather live without London |
| 00:40:00 |
Maca used to be exactly like me. |
| 00:40:07 |
-Bye, Maribel. |
| 00:40:13 |
You're the bravest of all of us. |
| 00:40:21 |
Pia... |
| 00:40:23 |
...don't think so much, okay? |
| 00:40:37 |
Bye. |
| 00:41:06 |
Oh, no. |
| 00:41:12 |
A little bit more, a little bit more. |
| 00:41:16 |
Let me guess. |
| 00:41:18 |
You climbed up, and now |
| 00:41:21 |
No. I climbed to enjoy the view. |
| 00:41:26 |
Wow. Your view sucks, eh? |
| 00:41:33 |
Sorry. |
| 00:41:51 |
Do you have |
| 00:41:54 |
No. I'm aviation engineer. |
| 00:41:57 |
And I'm doing a master's degree |
| 00:41:59 |
And I'm doing a master's degree |
| 00:42:02 |
How's that? |
| 00:42:05 |
And in your free time, |
| 00:42:10 |
And you? What? |
| 00:42:13 |
I'm an actress. |
| 00:42:15 |
My name is Adela. |
| 00:42:19 |
And that? |
| 00:42:23 |
As if I hadn't seen that one and all |
| 00:42:30 |
Do you want me to tell you? |
| 00:42:51 |
So since I never found it... |
| 00:42:54 |
...I had it tattooed, |
| 00:42:59 |
Why are you in a ladies' academy? |
| 00:43:01 |
Because I want to take acting classes |
| 00:43:07 |
And why are you leaving? |
| 00:43:09 |
I don't know. |
| 00:43:11 |
I think I got scared of.... |
| 00:43:16 |
Whatever. |
| 00:43:18 |
Don't go. |
| 00:43:21 |
I mean, you're about |
| 00:43:24 |
...you only have two weeks left. |
| 00:43:27 |
And what do you care? |
| 00:43:32 |
Well, I have to stay for two weeks... |
| 00:43:37 |
...and it would be much easier |
| 00:43:47 |
Vale... |
| 00:43:49 |
...how does it feel |
| 00:43:53 |
Maribel, I want to sleep. |
| 00:44:01 |
Too good to be true. |
| 00:44:03 |
Well, I changed my mind, okay? |
| 00:44:05 |
What happened? |
| 00:44:09 |
I grabbed his ass. |
| 00:44:11 |
What? Whose ass did you grab? |
| 00:44:17 |
Sorry, you forgot this. |
| 00:44:30 |
Thanks. |
| 00:44:33 |
What are you doing in this room? |
| 00:44:36 |
-Sorry, Maca, I.... I forgot-- |
| 00:44:41 |
-It won't happen again. |
| 00:44:46 |
It's too late. You should all |
| 00:44:51 |
And that goes for you as well, Adela. |
| 00:44:54 |
I don't want to see you again with.... |
| 00:44:57 |
With anybody. Okay? |
| 00:45:00 |
-Yes. |
| 00:45:11 |
-What else did you grab? |
| 00:45:13 |
And what did he grab? |
| 00:45:16 |
Nothing. |
| 00:45:17 |
You weren't lucky. |
| 00:45:19 |
-Maribel! |
| 00:45:26 |
The domestic goddess |
| 00:45:30 |
Like the weekend |
| 00:45:33 |
But the most important thing |
| 00:45:37 |
Mom! |
| 00:45:39 |
Mommy! |
| 00:45:42 |
-Bye. |
| 00:45:49 |
-Kike, honey. |
| 00:45:55 |
-How are you, eh? |
| 00:46:02 |
I would love it if you came to scare |
| 00:46:10 |
My cab is here. |
| 00:46:14 |
Listen, do exactly the opposite |
| 00:46:20 |
Okay. |
| 00:46:32 |
I'm sick and tired of it! |
| 00:46:35 |
The heroes of the nation! No, Adela. |
| 00:46:37 |
No, no! Not the statue. |
| 00:46:40 |
Let it go. |
| 00:46:41 |
My God! |
| 00:46:45 |
The dinner is in two weeks. |
| 00:46:50 |
You want me to change and be |
| 00:46:55 |
But can't you be the same, but nice? |
| 00:47:00 |
Life is very hard out there, honey. |
| 00:47:02 |
You must learn to negotiate, to be |
| 00:47:08 |
But this is me, Dad. |
| 00:47:10 |
Feisty, impulsive. But I believe in what |
| 00:47:14 |
Why don't you believe, why? |
| 00:47:22 |
-What? |
| 00:47:24 |
Come in, come in. |
| 00:47:35 |
I'm doing worse than Sodi. |
| 00:47:39 |
Adela! It's just a dinner, |
| 00:47:59 |
Cuauhtemoc, your legs, man. |
| 00:48:04 |
This one is gorgeous, Kike. |
| 00:48:06 |
Hello? Perfect, come to the store, |
| 00:48:09 |
Yes, bring me the documents. |
| 00:48:15 |
It's perfect, honey, I love it. |
| 00:48:21 |
-Did you miss me? |
| 00:48:23 |
-I missed you more. |
| 00:48:33 |
What, honey? |
| 00:48:37 |
What, Heidi? What, honey? |
| 00:48:40 |
I can't believe that you |
| 00:48:43 |
Honey, it's just some signatures. |
| 00:48:44 |
Oh, yeah? And she dressed |
| 00:48:48 |
Kike, are you there? |
| 00:48:51 |
Kike. |
| 00:48:56 |
The Women's Department |
| 00:49:00 |
...just in case you want to buy |
| 00:49:04 |
...or class. |
| 00:49:07 |
Sorry. |
| 00:49:13 |
It's a surprise. |
| 00:49:15 |
One... |
| 00:49:17 |
...two and three! |
| 00:49:23 |
How pretty! |
| 00:49:28 |
Pia, honey, Julio has been |
| 00:49:31 |
Pia. |
| 00:49:35 |
Pia! |
| 00:49:36 |
-What happened to you? |
| 00:49:41 |
A domestic goddess should |
| 00:49:45 |
That's why I dressed like this. |
| 00:49:47 |
Baby, baby, wait, please. Pia! |
| 00:49:50 |
You look like me after a party. |
| 00:49:53 |
Baby, wait, Pia! |
| 00:49:56 |
Pia! |
| 00:50:00 |
Hi, I'm Pia. |
| 00:50:04 |
Julio? |
| 00:50:06 |
Julio Mera? |
| 00:50:09 |
Master's degree in Economics |
| 00:50:12 |
Nice to meet you. |
| 00:50:14 |
I actually have something to do. |
| 00:50:20 |
-Mom! |
| 00:50:22 |
-Mom! |
| 00:50:24 |
Julio Mera, Mom? Mera? |
| 00:50:28 |
Baby, honey, |
| 00:50:30 |
...it's too late. |
| 00:50:37 |
Don't go. |
| 00:50:39 |
Julio, dear, excuse my daughter. |
| 00:50:42 |
She's just a little.... |
| 00:50:45 |
-Shy? |
| 00:50:50 |
Fucking Adela, fucking Adela. |
| 00:50:54 |
And you really think |
| 00:50:58 |
Because I would think |
| 00:51:00 |
-Like what? |
| 00:51:10 |
To me, the economic tendency |
| 00:51:15 |
What do you think? |
| 00:51:19 |
I'll get the door. |
| 00:51:22 |
Well.... |
| 00:51:25 |
Well, we've always known |
| 00:51:30 |
It doesn't produce, it only consumes. |
| 00:51:33 |
Pia, where's the idiot that your mom |
| 00:51:37 |
-Adela? |
| 00:51:40 |
Come on, Pia, |
| 00:51:43 |
Julio doesn't need to be scared away, |
| 00:51:47 |
Pia, tell him the truth. |
| 00:51:55 |
The truth is that I don't need help |
| 00:52:00 |
I have the highest GPA. |
| 00:52:07 |
How was I supposed to know? |
| 00:52:11 |
My girl... |
| 00:52:12 |
...if not even this one worked out... |
| 00:52:15 |
...now you're definitely screwed. |
| 00:52:18 |
And if now you're going to end up |
| 00:52:51 |
-Cheers. |
| 00:52:54 |
To Mera's epic ass. |
| 00:52:59 |
Tight like this. |
| 00:53:05 |
-And to.... |
| 00:53:09 |
Come on. Whose ass? |
| 00:53:14 |
A very pretty ass. |
| 00:53:17 |
Let's go and get it. |
| 00:53:23 |
-Let's go and get it. |
| 00:53:35 |
Stop it, man! |
| 00:53:38 |
-Stop it. |
| 00:53:42 |
It's not funny, it's not funny. |
| 00:53:44 |
Come on, play one |
| 00:53:47 |
I know, I know! |
| 00:53:57 |
Just what we needed! |
| 00:53:59 |
Just what we needed! |
| 00:54:12 |
What is it? |
| 00:54:15 |
Soup, drink it. |
| 00:54:20 |
Why? |
| 00:54:22 |
Because a rich soup always helps. |
| 00:54:24 |
No, no. Why do you insist? |
| 00:54:28 |
Nobody cares anymore about |
| 00:54:31 |
There are more important things. |
| 00:54:34 |
Like studying a career and working. |
| 00:54:37 |
Be whoever you are |
| 00:54:40 |
I think the outside world is a mess. |
| 00:54:43 |
But here, at home... |
| 00:54:46 |
...you can have |
| 00:54:50 |
I don't see a woman |
| 00:54:55 |
But I do see a woman |
| 00:54:59 |
I can guide her... |
| 00:55:01 |
...and that's my way |
| 00:55:48 |
I wanted to return the favour. |
| 00:55:54 |
The serenade. |
| 00:55:58 |
I didn't know you played the piano. |
| 00:56:01 |
Maca taught me. |
| 00:56:16 |
The mind is like an old record. |
| 00:56:19 |
And the needle |
| 00:56:25 |
...until it finds a scratch on the record. |
| 00:56:28 |
An accident that makes you |
| 00:56:31 |
Just this one. |
| 00:56:34 |
I'm cutting these. |
| 00:56:37 |
Adela. |
| 00:56:39 |
Get to work. |
| 00:56:57 |
Me too. |
| 00:56:59 |
Once, I knocked Paola's tooth out, |
| 00:57:02 |
...made fun of me when I laughed and |
| 00:57:06 |
With a booger. |
| 00:57:10 |
-No. |
| 00:57:12 |
They're all working, except for you. |
| 00:57:14 |
You have a dinner |
| 00:57:16 |
I'm coming, Maca. |
| 00:57:19 |
I'll see you later. |
| 00:57:24 |
Come here. |
| 00:57:30 |
Not with the students. |
| 00:57:32 |
Okay. |
| 00:57:38 |
You're a virgin? |
| 00:57:40 |
I haven't been lucky. |
| 00:57:43 |
I can't believe it, I'm sick of it! |
| 00:57:45 |
His voicemail again. |
| 00:57:47 |
We're about to get married and you |
| 00:57:52 |
Heidi, come on, |
| 00:57:55 |
Yes? And how do you think |
| 00:57:58 |
If I'm locked up in here with |
| 00:57:59 |
If I'm locked up in here with |
| 00:58:02 |
...a geek, and to top it all, |
| 00:58:04 |
Don't worry, you're not my type. |
| 00:58:06 |
Come on, come on, stupid. |
| 00:58:08 |
I'm not a drug addict |
| 00:58:10 |
You know what? |
| 00:58:13 |
You should shut up your little lesbian |
| 00:58:19 |
How disgusting! |
| 00:58:21 |
At least Valentina tried it |
| 00:58:24 |
And she doesn't play dumb, |
| 00:58:25 |
In your world of appearances, |
| 00:58:28 |
You think you're |
| 00:58:31 |
Then why are you so jealous |
| 00:58:33 |
Shut up. Low-level politician's |
| 00:58:39 |
Okay, fucking-- |
| 00:58:41 |
-Hey! Adela! |
| 00:58:43 |
-Let me go! |
| 00:58:45 |
-Let her go! |
| 00:58:48 |
-...with my family, asshole! |
| 00:58:50 |
-Adela, stop it! |
| 00:58:54 |
Get out! |
| 00:58:59 |
Now, nothing happened, now. |
| 00:59:09 |
I can't stand her. |
| 00:59:11 |
I can't stand her. |
| 00:59:16 |
Listen to this. |
| 00:59:35 |
It's great. |
| 00:59:37 |
It's the last song I made with Ana. |
| 00:59:41 |
I wish I were as brave as you. |
| 00:59:46 |
Well, there's your chance. |
| 00:59:57 |
What's that? |
| 00:59:59 |
A seagull. |
| 01:00:03 |
It has two tails. |
| 01:00:07 |
There are other ways of seeing things. |
| 01:00:24 |
And this one? |
| 01:00:29 |
This one... |
| 01:00:31 |
...it's waiting to have its story. |
| 01:01:31 |
I like the stars. |
| 01:01:46 |
Intimacy is always a delicate subject. |
| 01:01:49 |
It can hurt many feelings. |
| 01:01:52 |
I'll do this in the most |
| 01:01:55 |
We'll talk about something |
| 01:01:59 |
We'll talk about something |
| 01:02:01 |
The intimacy |
| 01:02:04 |
We're going to talk about sex. |
| 01:02:10 |
Do you care to tell me |
| 01:02:15 |
Where did you find it, Miss Maca? |
| 01:02:18 |
The neighbour came |
| 01:02:20 |
What? |
| 01:02:22 |
-No. |
| 01:02:24 |
But it wasn't me. |
| 01:02:26 |
Order, please! |
| 01:02:29 |
Girls, intimacy |
| 01:02:33 |
...that you share with one person. |
| 01:02:35 |
And that person has to be |
| 01:02:45 |
There's nothing harder |
| 01:02:50 |
...when you've thought for years |
| 01:02:55 |
Adela, dear. |
| 01:02:57 |
-Sugar? |
| 01:03:00 |
And a knife to cut my veins. |
| 01:03:03 |
Can you take the tray? |
| 01:03:06 |
Yes. |
| 01:03:08 |
You spilled a little bit. |
| 01:03:09 |
Excuse me. |
| 01:03:19 |
Oh, thanks. |
| 01:03:20 |
You're welcome. |
| 01:03:24 |
And suddenly we learn that |
| 01:03:28 |
That we have changed |
| 01:03:32 |
What's wrong? |
| 01:03:36 |
Why don't you go back to class? |
| 01:03:38 |
I hate tea. |
| 01:03:46 |
Look, Adela. |
| 01:03:47 |
I used to hate tea as well. |
| 01:03:50 |
When I was your age, |
| 01:03:54 |
I was afraid to feel. |
| 01:03:57 |
To acknowledge that I was |
| 01:04:01 |
I felt alone. |
| 01:04:04 |
I don't feel alone. |
| 01:04:07 |
Until I discovered that a cup of tea... |
| 01:04:10 |
...is the excuse to share |
| 01:04:15 |
What do you care? |
| 01:04:17 |
You only care about the money |
| 01:04:20 |
That's not true. |
| 01:04:22 |
Adela, you and I can be friends. |
| 01:04:44 |
It's cold. And it needs sugar. |
| 01:04:51 |
Every seed gives its fruit. |
| 01:04:53 |
And every period ends. |
| 01:04:56 |
And that's when we realise... |
| 01:04:58 |
...that our efforts always pay off. |
| 01:05:02 |
-Not even the morality.... |
| 01:05:06 |
That's the subject that occupies us. |
| 01:05:09 |
The thing is.... Thank you. |
| 01:05:13 |
Look, Martin, the last polls show it. |
| 01:05:16 |
People want to go back |
| 01:05:19 |
...where things are as they should be |
| 01:05:23 |
I'm sorry, I was a little late |
| 01:05:36 |
You look beautiful. |
| 01:05:37 |
-Will you introduce me, Dad? |
| 01:05:40 |
Adela, Enrique Van der Linde. |
| 01:05:45 |
Nice to meet you. |
| 01:05:47 |
Very nice to meet you. |
| 01:05:49 |
It was also a pleasure to meet Heidi |
| 01:05:53 |
-Thank you. |
| 01:05:57 |
Monsignor. |
| 01:06:01 |
-Mera. |
| 01:06:03 |
Well, I'm going to see how |
| 01:06:06 |
Excuse me. |
| 01:06:16 |
Beautiful table, Adela. |
| 01:06:19 |
Thank you. |
| 01:06:23 |
Thank you. |
| 01:06:25 |
Thank you. |
| 01:06:28 |
-Start, please. |
| 01:06:29 |
-Go ahead. |
| 01:06:36 |
Yes. |
| 01:06:38 |
-If you'll excuse me. |
| 01:06:43 |
Cheers. |
| 01:06:46 |
-Cheers. |
| 01:06:59 |
I'm going to smoke a cigar. |
| 01:07:02 |
-Anybody else? |
| 01:07:05 |
-Let's go. |
| 01:07:08 |
...you know what |
| 01:07:11 |
I hope to have your confidence. |
| 01:07:13 |
Especially now that all your doubts |
| 01:07:17 |
Don't worry. |
| 01:07:18 |
You have a charming girl. |
| 01:07:21 |
-Thank you. |
| 01:07:25 |
This is one of the few |
| 01:07:29 |
Maca is more effective |
| 01:07:32 |
I told you, she's a complete lady. |
| 01:07:35 |
I can picture her face when she was |
| 01:07:39 |
Well.... |
| 01:07:43 |
-You were saying? |
| 01:08:07 |
Really, Maca. Congratulations. |
| 01:08:11 |
Yes. You tamed my little wild girl. |
| 01:08:15 |
I want to propose a toast. |
| 01:08:17 |
No, no, no, I also |
| 01:08:21 |
To our new candidate |
| 01:08:26 |
-Cheers, cheers. |
| 01:08:28 |
-Cheers, cheers. |
| 01:08:30 |
Cheers, eh? Cheers. |
| 01:08:33 |
And to Maca Rivera. |
| 01:08:36 |
Teacher extraordinaire and friend. |
| 01:08:40 |
Dearest. |
| 01:08:45 |
-Cheers. |
| 01:08:47 |
Cheers. |
| 01:08:52 |
And to my dad.... |
| 01:08:54 |
And to my dad, who was smart |
| 01:08:59 |
...after my arrest |
| 01:09:02 |
What? It was necessary, |
| 01:09:08 |
And now that we're toasting... |
| 01:09:11 |
...this one is to Mr. Van der Linde... |
| 01:09:13 |
...who only endorses politicians |
| 01:09:18 |
...and who have daughters |
| 01:09:21 |
But nobody knows you, right, Heidi? |
| 01:09:25 |
And you know what? |
| 01:09:29 |
Because in this little, pretty world |
| 01:09:34 |
Or they pretend to know each other. |
| 01:09:37 |
For example, Mr. Van der Linde, |
| 01:09:41 |
She, I and all of us know |
| 01:09:44 |
-...is cheating with his assistant. |
| 01:09:47 |
What? That's why you don't answer |
| 01:09:53 |
Don't worry, Kike. |
| 01:09:55 |
Because Heidi here.... She already |
| 01:10:00 |
Because Heidi here.... She already |
| 01:10:00 |
Or are you going |
| 01:10:03 |
Is that true, Heidi? |
| 01:10:06 |
Heidi? |
| 01:10:12 |
I couldn't do it. |
| 01:10:17 |
But how I would've liked it. |
| 01:10:20 |
-Whore. |
| 01:10:24 |
And enjoy Brussels. |
| 01:10:25 |
-Come here, come here, Heidi! |
| 01:10:27 |
-Where are you going? |
| 01:10:29 |
-Stay. |
| 01:10:31 |
That way you don't spend |
| 01:10:34 |
Like my dad. |
| 01:10:37 |
...paying Dona Maca so she wouldn't |
| 01:10:41 |
-Adela, I-- |
| 01:10:43 |
-Money, nothing more. |
| 01:10:46 |
It doesn't matter, Dad. |
| 01:10:50 |
Of course it matters. |
| 01:10:51 |
Dona Maca didn't want |
| 01:10:57 |
Adela, I see I was wrong about you. |
| 01:11:02 |
You're much worse than I imagined. |
| 01:11:06 |
Wait a minute. |
| 01:11:07 |
I won't let you talk |
| 01:11:09 |
You should be ashamed. |
| 01:11:12 |
-I'm very sorry-- |
| 01:11:16 |
...the one who's sorry. |
| 01:11:20 |
And it's evident, Maca, |
| 01:11:25 |
...perfectly well. |
| 01:11:28 |
You can be sure |
| 01:11:31 |
...about the true quality |
| 01:11:34 |
Enrique! |
| 01:11:36 |
Monsignor. |
| 01:11:39 |
Kike. |
| 01:12:05 |
When your mom died... |
| 01:12:07 |
...I didn't know what to do with you. |
| 01:12:10 |
I didn't know what to do with myself. |
| 01:12:15 |
I couldn't bear |
| 01:12:18 |
...because I was afraid of hurting you. |
| 01:12:22 |
I think I hurt you more. |
| 01:12:26 |
The truth is that... |
| 01:12:30 |
...I didn't want you to leave. |
| 01:12:33 |
Forgive me. |
| 01:12:35 |
What you need |
| 01:12:51 |
-Dad, I.... |
| 01:12:54 |
Leave me alone, okay? |
| 01:13:06 |
Well, look at the bright side. |
| 01:13:09 |
Almost. |
| 01:13:15 |
What do you want, Adela? |
| 01:13:18 |
I don't know. |
| 01:13:20 |
I don't know, but it doesn't happen |
| 01:13:26 |
I'd love to fix things for my dad. |
| 01:13:29 |
And what are you waiting for? |
| 01:13:32 |
Come on, Pia, how? |
| 01:13:36 |
Start by thinking before acting. |
| 01:13:42 |
Good afternoon, Maca. |
| 01:13:44 |
I came because I think |
| 01:13:54 |
You and I are very similar, Adela. |
| 01:14:01 |
Why are you leaving? |
| 01:14:03 |
Because since the day |
| 01:14:05 |
...Mr. Van der Linde has been |
| 01:14:09 |
...and now they even |
| 01:14:12 |
That's why I told her to accept the big |
| 01:14:16 |
Fina. |
| 01:14:20 |
I thought you did |
| 01:14:25 |
So what? It doesn't matter anymore. |
| 01:14:32 |
Maca... |
| 01:14:34 |
...forgive me. |
| 01:14:40 |
I didn't want to hurt you |
| 01:14:49 |
Emiliano is my son. |
| 01:14:52 |
I came here pregnant, |
| 01:14:55 |
...she gave him her name... |
| 01:14:57 |
...and she's been breaking her back |
| 01:15:01 |
...to help us. |
| 01:15:02 |
That one, this one, |
| 01:15:10 |
And Emiliano? |
| 01:15:12 |
-Emiliano-- |
| 01:15:18 |
And we have to continue here. |
| 01:15:21 |
We need to take all these boxes. |
| 01:15:24 |
No way, she's really closing it? |
| 01:15:26 |
I have to think of something |
| 01:15:30 |
There's only one thing you can do. |
| 01:15:32 |
Fix Heidi's wedding. |
| 01:15:34 |
That's really hard. |
| 01:15:36 |
And your dad's candidacy. |
| 01:15:38 |
-That's even harder. |
| 01:15:43 |
Heidi... |
| 01:15:45 |
...I feel really bad |
| 01:15:48 |
I wasn't thinking and.... |
| 01:15:51 |
I never think. |
| 01:15:52 |
What an asshole you are, Adela. |
| 01:15:56 |
You know what I wanted? |
| 01:15:59 |
To marry Kike. |
| 01:16:01 |
Build a family. Is that wrong? |
| 01:16:07 |
So I'm wrong if I'm not like you? |
| 01:16:18 |
The thing is, |
| 01:16:22 |
Don't you see? |
| 01:16:26 |
Excuse me. |
| 01:16:34 |
Heidi... |
| 01:16:37 |
...if you love him, |
| 01:16:40 |
Kike is leaving the day after tomorrow. |
| 01:16:45 |
You know what? |
| 01:16:49 |
No, you do want to see him. |
| 01:16:52 |
We have to try. |
| 01:16:55 |
-You think? |
| 01:16:56 |
No, no, no. |
| 01:17:02 |
Identical. |
| 01:17:06 |
See you at ten a.m. |
| 01:17:10 |
Done. |
| 01:17:14 |
And if he doesn't go? |
| 01:17:16 |
That's not going to happen. |
| 01:17:19 |
Vale, I wanted to tell you |
| 01:17:22 |
Don't worry. |
| 01:17:24 |
I already told you, |
| 01:17:30 |
I love love stories. |
| 01:17:39 |
What's up, Heidi? |
| 01:17:41 |
If you're gonna say something, |
| 01:17:45 |
How nice. |
| 01:17:47 |
First you tell me to come here, |
| 01:17:50 |
...and now I'm the one |
| 01:17:52 |
I got a message from your cell phone, |
| 01:17:57 |
That's strange. |
| 01:17:58 |
Because I also got a message |
| 01:17:59 |
Because I also got a message |
| 01:18:02 |
Well, then it was a mistake. |
| 01:18:05 |
If you don't have |
| 01:18:09 |
You don't have anything to say? |
| 01:18:13 |
No. |
| 01:18:17 |
Kike. |
| 01:18:25 |
It was a charity gala, like any other. |
| 01:18:32 |
And Heidi.... Maribel! |
| 01:18:37 |
Bored with the tiring social bustle... |
| 01:18:40 |
...decided to take |
| 01:18:43 |
Oh! I'm so bored |
| 01:18:48 |
I'd better look at these cavemen. |
| 01:18:52 |
-What big eyes you have! |
| 01:18:56 |
The better to.... |
| 01:18:59 |
The better to see the diplodocus. |
| 01:19:02 |
And what.... |
| 01:19:03 |
-What big hands you have! |
| 01:19:06 |
The better to.... |
| 01:19:08 |
To better catch the mammoths. |
| 01:19:11 |
No! It wasn't like that! |
| 01:19:13 |
Look, that day, I was looking |
| 01:19:17 |
So... |
| 01:19:19 |
...Heidi met the perfect homo sap. |
| 01:19:24 |
"Sapiens." Sapiens. |
| 01:19:28 |
And Maribel? |
| 01:19:30 |
There weren't any more |
| 01:19:36 |
Okay, can we go on now? |
| 01:19:38 |
Well, if you want to do it wrong... |
| 01:19:41 |
...do it wrong. |
| 01:19:43 |
No, it's not that. That day, I was... |
| 01:19:46 |
-...wasted. |
| 01:19:50 |
Oh, yes. |
| 01:19:51 |
So I saw him, and I said... |
| 01:19:54 |
...I have to touch him |
| 01:19:59 |
Touch whatever you want. |
| 01:20:01 |
Little shepherdess of the Alps. |
| 01:20:03 |
No, no, no. It wasn't like that. |
| 01:20:07 |
-She touched my face. |
| 01:20:12 |
...I'm sorry. With the neighbour... |
| 01:20:16 |
...nothing happened. |
| 01:20:19 |
...to go with that bitch. |
| 01:20:21 |
-Honey. |
| 01:20:23 |
I was nervous about the trip, |
| 01:20:25 |
Oh, Kike. |
| 01:20:29 |
Bravo! |
| 01:20:31 |
That's it. Now we need to get you |
| 01:20:34 |
But what are we going to do? |
| 01:20:37 |
...and I have to leave early tomorrow. |
| 01:20:41 |
Don't worry. |
| 01:20:44 |
You call the guests and I.... |
| 01:20:46 |
Hello? He-- |
| 01:20:48 |
Demostenes, turn that thing off! |
| 01:20:51 |
-Mera. |
| 01:20:54 |
-Adela. I need you to get... |
| 01:20:55 |
...the catering service. |
| 01:20:57 |
-Yes, please. |
| 01:20:59 |
-Okay, thanks. |
| 01:21:01 |
Pia, you have to find Monsignor |
| 01:21:04 |
-Me? |
| 01:21:07 |
He's my uncle, the priest. |
| 01:21:12 |
Kike? |
| 01:21:13 |
I'm going to have to talk to your dad. |
| 01:21:15 |
Could you find out |
| 01:21:17 |
Yes, yes, sure. |
| 01:21:34 |
-But-- |
| 01:21:36 |
It's very important that I tell you this. |
| 01:21:39 |
-Look, look. |
| 01:21:40 |
Heidi didn't really |
| 01:21:44 |
What's wrong with you? |
| 01:21:47 |
Mr. Van der Linde! |
| 01:21:51 |
Mr. Van der Linde! |
| 01:21:56 |
What, asshole? |
| 01:22:09 |
Thank you. |
| 01:23:07 |
-Mrs. Van der Linde. |
| 01:23:10 |
Please, ma'am, |
| 01:23:13 |
It's Kike, ma'am. |
| 01:23:14 |
He's getting married today |
| 01:23:17 |
And if you don't help me to convince |
| 01:23:20 |
...without having fixed this. |
| 01:23:23 |
Think about it. |
| 01:23:38 |
Honey? |
| 01:23:39 |
-What, baby? |
| 01:23:42 |
No, but call Paco at his office. |
| 01:23:45 |
Paco? I don't think so, eh? |
| 01:23:48 |
Sir, sir, the cake is that way. |
| 01:23:52 |
Young man, the chair |
| 01:23:54 |
No more, no. Not now, Maribel. |
| 01:23:57 |
Too much! No, the lights |
| 01:23:59 |
Too much! No, the lights |
| 01:24:01 |
They go like this. |
| 01:24:07 |
Like this? |
| 01:24:09 |
More or less. |
| 01:24:12 |
But if you want, |
| 01:24:14 |
Yes? |
| 01:24:36 |
Move from there, right now. |
| 01:24:39 |
I won't move. |
| 01:24:40 |
Move! |
| 01:24:42 |
I won't move until I talk to you. |
| 01:24:44 |
Don't you understand that I don't |
| 01:24:49 |
Enrique, get in the car! |
| 01:25:06 |
-Where were you? |
| 01:25:09 |
I don't know. |
| 01:25:11 |
-We have a problem. |
| 01:25:13 |
Monsignor won't hear about the |
| 01:25:18 |
-I know what we can do. |
| 01:25:25 |
Hello? |
| 01:25:28 |
Yes, but quickly, |
| 01:25:31 |
What? Now? |
| 01:25:34 |
Right away. |
| 01:25:35 |
Dona Maca! |
| 01:25:44 |
-My girl. |
| 01:25:47 |
Kike. The bride and groom! |
| 01:25:54 |
Okay. Monsignor didn't want |
| 01:25:57 |
But I have a rabbi and a Hare Krishna. |
| 01:25:59 |
But I have a rabbi and a Hare Krishna. |
| 01:26:01 |
Or a shaman? |
| 01:26:06 |
-What a place to get married! |
| 01:26:09 |
Besides, Mr. Van der Linde |
| 01:26:12 |
And there's no priest, |
| 01:26:15 |
Mom. This is the wedding I want. |
| 01:26:23 |
Then you will be very happy. |
| 01:26:26 |
Thanks, Mom, thanks. |
| 01:26:28 |
I love you. |
| 01:26:36 |
Dad. |
| 01:26:40 |
Dad. |
| 01:26:44 |
Well, here we are, aren't we? |
| 01:26:47 |
Pia invited us. |
| 01:26:49 |
Thanks. |
| 01:27:03 |
Honey. |
| 01:27:05 |
My parents haven't arrived yet. |
| 01:27:06 |
And I don't think they'll come. |
| 01:27:08 |
No, they will come, Kike. |
| 01:27:10 |
Can we congratulate |
| 01:27:13 |
-Look! |
| 01:27:17 |
-My dear boy. |
| 01:27:26 |
And where are the bride and groom |
| 01:27:30 |
Oh, honey. |
| 01:27:38 |
Thank you. |
| 01:27:40 |
Only one person |
| 01:27:43 |
Convince us. |
| 01:27:45 |
Convince us. |
| 01:27:52 |
In the name of the Father, and the Son |
| 01:27:55 |
Amen. |
| 01:27:57 |
Let happiness be with you forever. |
| 01:28:00 |
You may kiss the bride. |
| 01:28:25 |
-Two, one-- |
| 01:28:27 |
Okay. |
| 01:28:29 |
Yale, Harvard... |
| 01:28:31 |
...Cambridge, Oxford. |
| 01:28:34 |
That thing about changing |
| 01:28:39 |
Do you want to know a secret? |
| 01:28:42 |
I'm still the same one. |
| 01:28:51 |
Wow, baby. |
| 01:28:52 |
I think I finally found you |
| 01:28:55 |
-Mom! |
| 01:28:59 |
Look, you don't need |
| 01:29:03 |
Come here, my senator. |
| 01:29:06 |
Let's go over there. |
| 01:29:07 |
Mr. Van der Linde, |
| 01:29:15 |
I'm a blockhead |
| 01:29:18 |
He did everything he could. |
| 01:29:20 |
You're completely right, Adela. |
| 01:29:22 |
You're a blockhead. |
| 01:29:27 |
Excuse me, |
| 01:29:30 |
Thanks. |
| 01:29:31 |
But, well, Adela, |
| 01:29:35 |
...it must have been because |
| 01:29:37 |
So I'm willing to give him |
| 01:29:42 |
Well, thank you very much. |
| 01:29:44 |
But the support I need the most is |
| 01:29:48 |
To be a great actress. |
| 01:29:52 |
Thank you very much |
| 01:29:55 |
She's an excellent student. |
| 01:29:59 |
-Okay, okay, cheers. |
| 01:30:00 |
-Okay, okay, cheers. |
| 01:30:03 |
Excuse me. |
| 01:30:18 |
Good evening, Mexico! |
| 01:30:22 |
I want to tell you |
| 01:30:25 |
...and I want you to meet a woman... |
| 01:30:29 |
...a star. |
| 01:30:32 |
I give you, Valentina! |
| 01:30:52 |
Hello. |
| 01:30:54 |
Well, we want to dedicate this song... |
| 01:30:57 |
...to love... |
| 01:31:01 |
...because at the end... |
| 01:31:03 |
...it's all that matters. |
| 01:31:43 |
Pia and Mera live at Harvard.... |
| 01:31:46 |
She's doing her PhD |
| 01:31:56 |
Kike and Heidi live happily. |
| 01:31:59 |
Kike and Heidi live happily. |
| 01:32:09 |
Maribel is the queen of banquets.... |
| 01:32:19 |
Valentina and her band |
| 01:32:24 |
They're touring the world. |
| 01:32:32 |
Senator Leon ran for governor.... |
| 01:32:47 |
Emiliano finished his master's |
| 01:33:16 |
I love you. |
| 01:33:23 |
Adela went to London.... |
| 01:33:42 |
There's nothing like classical things. |
| 01:33:44 |
But if what you like |
| 01:33:48 |
You are who you are, enjoy it. |
| 01:33:54 |
Cut! |
| 01:33:58 |
Good! |
| 01:33:59 |
Good! |
| 01:34:04 |
Good, good, very good. |
| 01:34:06 |
-Thanks. |
| 01:34:08 |
-Thanks a lot. |
| 01:34:10 |
Let's take five minutes. |
| 01:34:18 |
Hot mama, |
| 01:34:20 |
You can tell he knows how to grab it. |
| 01:34:23 |
-Fina! |
| 01:34:27 |
Fina? My Chanel. |
| 01:34:29 |
What Chanel? |
| 01:34:30 |
Move, you're ruining my bouquet. |
| 01:34:32 |
You put a little bit. |
| 01:34:34 |
Little nothing. |
| 01:34:36 |
...flirting with that guy, eh? |
| 01:34:38 |
You're crazy. |
| 01:34:41 |
Well, maybe a little. So? |
| 01:34:46 |
Macarena Rivera. |
| 01:34:48 |
Don't give him the chance |
| 01:34:52 |
I wish. |
| 01:34:53 |
I wish, please. |
| 01:34:57 |
Subtitles Extracted |
