Nick of Time
|
00:03:10 |
Los Angeles is next. |
00:03:50 |
Attention, please. |
00:03:55 |
Amtrak train number 771 |
00:04:00 |
from San Diego, Solano Beach, |
00:04:06 |
Irvine, Santa Ana, Anaheim, |
00:04:10 |
Now arriving at track |
00:04:25 |
Keep your eyes peeled. Sharp. |
00:04:29 |
- OK, OK... |
00:04:33 |
Attention in the station, please. |
00:04:36 |
Paging Ms Joan Beary, please |
00:04:40 |
Ms Joan Beary... |
00:04:43 |
What you doing? |
00:04:47 |
This is George. Where you at? |
00:04:50 |
Get your ass outta here. |
00:04:56 |
Come on, you're leaving your bags. |
00:05:00 |
That one. Right there. |
00:05:03 |
No. Hates his wife. |
00:05:05 |
- Damn! |
00:05:09 |
Skateboarders I don't mind, |
00:05:12 |
but when I see rollerbladers, I want |
00:05:16 |
Keep your eyes peeled. |
00:05:33 |
Lynn, honey. |
00:05:34 |
Lynn. Don't run off, now, sweetpea. |
00:05:41 |
OK. |
00:05:43 |
- We made it. |
00:05:48 |
What about them? |
00:05:53 |
- Too old. |
00:05:57 |
You've no idea. Leave it to me. I know |
00:06:03 |
What are you looking for, huh? |
00:06:10 |
- I'm looking for them, right there. |
00:06:14 |
Oh, yeah. I see. |
00:06:17 |
Honey, I gotta make a phone call. |
00:06:28 |
Hey, come on, you. Didn't you ever |
00:06:35 |
On TV. |
00:06:36 |
You never saw your mum |
00:06:41 |
Hey. |
00:06:44 |
Listen to me. Is all right to talk |
00:06:49 |
All right. Tell me, you never |
00:06:53 |
- No way. |
00:06:59 |
Thas it? That little peck of a kiss? |
00:07:03 |
Honey, you missed |
00:07:12 |
Oh, God, honey. |
00:07:17 |
- Look. He'd do anything for her. |
00:07:29 |
Fuck me. Foreigners. |
00:07:30 |
Frogs. They copy our jeans, |
00:07:37 |
- Look at that. |
00:07:41 |
Give me that little teddy bear, huh? |
00:07:43 |
One second. |
00:07:47 |
Hey. Honey, come here. |
00:07:50 |
You stay away from her. |
00:07:52 |
Come here. |
00:07:56 |
- I want the teddy. |
00:07:58 |
Some guys on roller-skates. I'm running |
00:08:04 |
- Yo, punk. Check this out. |
00:08:09 |
Bye. |
00:08:13 |
Les do it. |
00:08:16 |
You see... |
00:08:21 |
Thas why you |
00:08:24 |
You never know |
00:08:27 |
- Right. |
00:08:32 |
Watch your step. Come on. |
00:08:35 |
- Is perfect. |
00:08:40 |
- Can I see some identification? |
00:08:43 |
- ID. Can we see some? |
00:08:50 |
- Fine. |
00:08:56 |
- You're from Santa Maria? |
00:08:58 |
- Where's that? |
00:09:01 |
Come with us, sir. |
00:09:03 |
- Whas going on? |
00:09:07 |
- Come with me. |
00:09:11 |
Don't worry. |
00:09:15 |
- You stole that. |
00:09:18 |
- There's a difference. |
00:09:20 |
- Whas going on? |
00:09:32 |
Officer, whas going on? |
00:09:38 |
Get the front seat. |
00:09:41 |
Into the van, Mr Watson, thank you. |
00:09:50 |
Les get your seat-belt on. Always |
00:09:54 |
- I want my daddy. |
00:09:57 |
- Daddy's here. |
00:09:59 |
Thas right. A policeman's |
00:10:03 |
- Daddy? |
00:10:08 |
I have an appointment. |
00:10:12 |
- This is the jack. Say, "Hi, Jack". |
00:10:16 |
- And this goes in this little hole. |
00:10:22 |
- Is loud. |
00:10:29 |
- Who are you people? |
00:10:34 |
And your daughter won't be hurt. |
00:10:37 |
Honey, come to Daddy. |
00:10:41 |
Mr Watson, |
00:10:44 |
Your daughter's life depends on you. |
00:10:50 |
- Do you understand that? |
00:10:52 |
Good. |
00:10:56 |
In it there's a picture of a woman |
00:11:01 |
- She is presently... You listening? |
00:11:06 |
She is presently at the Bonaventure |
00:11:10 |
When you leave this van, |
00:11:14 |
to the Bonaventure Hotel. |
00:11:16 |
Then you'll take this and kill |
00:11:21 |
Not just shoot her, kill her. |
00:11:23 |
I recommend you |
00:11:28 |
You got all that? |
00:11:33 |
- You're out of your mind. |
00:11:37 |
- I will do no such thing. |
00:11:43 |
Don't worry. |
00:11:50 |
Is now 12.16. If the woman |
00:11:56 |
I call my partner, |
00:12:02 |
- What if I don't call you? |
00:12:05 |
Hear that, Mr Watson? |
00:12:09 |
Do you understand? Ls the woman |
00:12:16 |
- My God! |
00:12:21 |
- Only you. |
00:12:46 |
- Les go. |
00:12:51 |
L'll be back soon. OK? |
00:12:57 |
Move it. |
00:13:02 |
- Les test this. Are you on? |
00:13:07 |
You'll need some cash. |
00:13:10 |
There you go. |
00:13:13 |
L'll hang on to the wallet |
00:13:23 |
Cabs are that way. Get moving, |
00:13:28 |
Les do it. |
00:13:37 |
Where's my daddy going? |
00:13:39 |
He's going to be a hero. |
00:13:42 |
- Like "Power Rangers"? |
00:14:49 |
Check you in about an hour. |
00:15:03 |
Officer... |
00:15:09 |
You talk to a cop, even look at one |
00:15:14 |
- Get over there. Just do it. |
00:15:18 |
Lynn calling Daddy. Come in, Daddy. |
00:15:21 |
- Lynn. |
00:15:24 |
- Can you hear me? |
00:15:28 |
- Are you OK? |
00:15:32 |
- Daddy, you have to say "over and out". |
00:15:37 |
Look at your watch. |
00:15:39 |
At 1.30 your little girl is dead. |
00:15:43 |
Say it. Say it. Name it. |
00:15:47 |
- At 1.30 my little girl is dead. |
00:15:52 |
You go do it. |
00:15:58 |
Remember, l'll be watching. |
00:16:06 |
I need to get to the Bonaventure Hotel. |
00:16:10 |
- Bonaventure? |
00:16:14 |
I can see it from here. |
00:16:28 |
- Amtrak? |
00:16:31 |
- What did you come in on, Amtrak? |
00:16:37 |
Business or pleasure? |
00:16:40 |
Business. |
00:16:42 |
- Where did you come in from? |
00:16:46 |
- Where did you come in from? |
00:16:49 |
Ah, San Diego. I thought |
00:16:55 |
Is hard to make a living in this town. |
00:17:06 |
- What do you think? |
00:17:12 |
San Diego. |
00:17:15 |
I wouldn't know. I don't live there. |
00:17:21 |
Somebody close? |
00:17:24 |
- Excuse me? |
00:17:27 |
Yeah. Yes. It was my wife. |
00:17:31 |
Well, ex-wife. |
00:17:34 |
Soon-to-be ex. |
00:17:37 |
Listen, I've got a problem. |
00:17:43 |
Oh, yeah? |
00:17:47 |
Maniac, what are you doing? |
00:17:51 |
Sorry about that. |
00:18:12 |
I'd like to hear about your problem, |
00:18:19 |
I hope your problem's |
00:18:23 |
No, no. |
00:19:01 |
Are you writing a cheque? |
00:19:07 |
- Thank you very much. |
00:19:11 |
I got you, sir. Right here. |
00:19:13 |
- One for the airport. You free? |
00:19:20 |
Public accountant? |
00:19:25 |
Hello. |
00:20:09 |
Ben! Ben! |
00:20:14 |
Coming on down, coming in. |
00:20:18 |
Let it go. |
00:20:40 |
Oh, shit. |
00:20:59 |
Can you tell me where |
00:21:02 |
Third floor, yellow stairwell. |
00:21:06 |
- Thank you. |
00:21:28 |
The governor and I have an enormous |
00:21:32 |
- I'm sorry. You OK? |
00:21:35 |
Sure? Nice body-check! |
00:21:38 |
Anyway, is illuminating, is inspiring... |
00:21:52 |
Excuse me, ma'am, is the thing over? |
00:21:55 |
You didn't miss anything. |
00:21:59 |
- I guess the governor's gone. |
00:22:06 |
OK. Just check that itinerary |
00:22:10 |
Is right here. |
00:22:13 |
That says "lnvitation only". |
00:22:15 |
You're a big donor to the campaign. |
00:22:19 |
Thall get you in anywhere. |
00:22:24 |
Who are you? |
00:22:26 |
The guy who's gonna kill your |
00:22:42 |
Nobody heard a word I said. |
00:22:46 |
- How much was that room? |
00:22:50 |
Well, somebody did. |
00:22:52 |
Make sure you have |
00:23:13 |
This elevator's for the governor. |
00:23:16 |
No, Franco. This is one of our biggest |
00:23:21 |
Come on in, is OK. |
00:23:27 |
Hi, Eleanor Grant, |
00:23:30 |
Is a mouthful. I love saying it. |
00:23:34 |
Who scheduled |
00:23:37 |
We'll just walk through |
00:23:41 |
- Governor? |
00:23:45 |
- I need your help. |
00:23:48 |
- Is about my daughter... |
00:23:53 |
- I think so. |
00:23:56 |
Well, thank you very much. |
00:24:01 |
You were saying... |
00:24:04 |
Your daughter. |
00:24:07 |
Yes? |
00:24:09 |
Well... |
00:24:13 |
She just wanted me to be sure |
00:24:19 |
Of course! |
00:24:22 |
I've got the pen if you've got the paper. |
00:24:30 |
No. |
00:24:38 |
Her name? |
00:24:49 |
- Her name? |
00:25:03 |
I don't even keep a pad anymore. |
00:25:06 |
Everything's gone so electronic. |
00:25:12 |
Are you all right? |
00:25:15 |
I know. |
00:25:21 |
Good luck. |
00:25:25 |
Thank you. |
00:25:31 |
She was right in front of you. |
00:25:34 |
Are you fucking with me? |
00:25:38 |
- The gun isn't loaded. |
00:25:45 |
You don't get chances like that. |
00:25:48 |
Mr Watson. Thas the way life works. |
00:25:54 |
Now look at that. |
00:25:58 |
You see that? |
00:26:00 |
You will not blow the next one. |
00:26:05 |
Hear me? All right. |
00:26:06 |
Is loaded. |
00:26:12 |
Sorry I hit you. |
00:26:15 |
Yeah. |
00:26:17 |
Breathe deep. |
00:26:20 |
- I need a restroom. |
00:26:48 |
You having a rough day? |
00:26:53 |
You don't see your face, you don't pay. |
00:27:08 |
- Thas pretty good. |
00:27:12 |
- You have? |
00:27:16 |
- I have much more colours at home. |
00:27:21 |
Thas good, sweetie-pie. |
00:27:44 |
Les go. |
00:27:57 |
Shoeshine today. |
00:28:01 |
Take a seat. Take a load off. |
00:28:04 |
What you need is a shoeshine. |
00:28:08 |
Take a break. Take a load off. |
00:28:13 |
- So are you a visitor? |
00:28:18 |
What do you do? |
00:28:22 |
- Sorry? |
00:28:26 |
- I'm an accountant. |
00:28:30 |
Where would the government be |
00:28:32 |
They wouldn't know how hard they |
00:28:36 |
Take tips. |
00:28:38 |
Time was, a tip was between a man |
00:28:42 |
Not anymore. |
00:28:45 |
They take your sales |
00:28:49 |
Somewhere between |
00:28:53 |
they'll hit on the "mean amount", |
00:28:56 |
I think it means just plain mean. |
00:28:58 |
You can have Scrooge wring a nickel |
00:29:01 |
or Daddy Warbucks dropping pearl |
00:29:05 |
They'll tax your behind |
00:29:10 |
- Doesn't seem right. |
00:29:14 |
- How's it going? |
00:29:21 |
Sir, sir. I need your help. |
00:29:27 |
Whas that? |
00:29:33 |
There's a little girl in a van. |
00:29:38 |
I'm a little deaf in this ear. Between that |
00:29:43 |
Compliments of the US Army |
00:29:46 |
Listen to me. |
00:29:48 |
A man and a woman |
00:29:52 |
They showed me a badge |
00:29:56 |
They took her because they want me to |
00:30:02 |
You'll be out of here right away. |
00:30:18 |
Please, I don't have much time. |
00:30:26 |
- He's watching me. |
00:30:30 |
The man. |
00:30:34 |
You know, for a quality shoe, you can't |
00:30:40 |
You're a wise man. |
00:30:54 |
- Got anything smaller? |
00:30:56 |
- $20? |
00:30:58 |
- What street is that? |
00:31:00 |
Go past the bar. |
00:31:07 |
Do me a favour. |
00:31:11 |
If anything happens to me, |
00:31:16 |
She's in the van. |
00:31:20 |
- Ten minutes, you get another chance. |
00:31:24 |
All right. Make it just one, Mr Watson, |
00:31:53 |
- So where was I? |
00:31:57 |
Oh, yeah, she's dumping the good old |
00:32:01 |
- No wonder they're howling. |
00:32:06 |
They're pissed, huh? |
00:32:08 |
She's turned her office into the United |
00:32:14 |
Fuck with this bunch, |
00:32:18 |
Thas right. |
00:32:20 |
Right. The only people not on her staff |
00:32:25 |
Who are these people? |
00:33:01 |
You'll wake the baby. |
00:33:07 |
We have what they call |
00:33:12 |
Now, the thing you've got to ask |
00:33:19 |
A.22 would go right through it. |
00:33:22 |
Even a button will deflect a.22, |
00:33:26 |
somewhere along the way |
00:33:29 |
What about a.38? |
00:33:31 |
A.38 will drill straight |
00:33:35 |
Then ill bust up into little pieces. |
00:33:40 |
But ill get slowed down. |
00:33:42 |
How's about a.357? |
00:33:45 |
Thall go through the seat, |
00:33:49 |
Shit, ill go through the entire engine |
00:33:54 |
Ill end up in some pedestrian |
00:33:59 |
What do you think? |
00:34:14 |
Is a comfort to know you've got |
00:34:18 |
Whether or not you've got the balls |
00:34:25 |
Close the door. Is hot outside. |
00:34:50 |
He's coming back in. |
00:34:56 |
I got him in the cross-hairs. |
00:35:04 |
- Excuse me, where's the pool deck? |
00:35:45 |
Take positions near the stage. |
00:35:51 |
Keep your eyes open. |
00:35:55 |
You got it. |
00:36:10 |
- Do you have metal in there? |
00:36:12 |
May I see them? |
00:36:18 |
Sir, I can take you down here. |
00:36:23 |
Sir. Yes, you. I can take you |
00:37:01 |
OK, you're done. |
00:37:09 |
Right here. |
00:37:18 |
- Sir, they're all in place. |
00:37:34 |
Officer. |
00:37:36 |
I know what you're thinking. |
00:37:37 |
You're like a worm on a hook, wiggling |
00:37:42 |
- What would you do? |
00:37:46 |
You do it now. |
00:37:51 |
Whoa, what are you doing? |
00:37:57 |
- Officer. |
00:38:00 |
There's a plot to kill the governor. |
00:38:02 |
If you don't believe me, check that man. |
00:38:11 |
So do you, Mr Watson. |
00:38:22 |
- Got this under control? |
00:38:24 |
- Sure doesn't look like it. |
00:38:28 |
Well, it better be, |
00:38:46 |
I should throw you after that |
00:38:50 |
'cause you're amateur. |
00:38:54 |
- Gentlemen? |
00:38:59 |
Have a cracker, Mr Watson. |
00:39:05 |
You got spunk. |
00:39:12 |
There was this guy, |
00:39:15 |
big guy, lrish-ltalian, red face, |
00:39:21 |
Nobody could make me laugh like him. |
00:39:27 |
Closed more bars together |
00:39:30 |
He was a pal. |
00:39:34 |
I loved the crazy Mick. I'm not ashamed |
00:39:41 |
He had this image of himself. |
00:39:46 |
Always trying to shave the edge. |
00:39:52 |
L'll always miss him. |
00:39:56 |
- Tell you why what? |
00:40:01 |
- He's dead? |
00:40:03 |
- But tell me why. |
00:40:07 |
Tell me why he's dead. |
00:40:12 |
- 'Cause you killed him. |
00:40:15 |
He fucked up once too often, so I put a |
00:40:22 |
Now, that was somebody I loved. |
00:40:25 |
But I got the call, |
00:40:31 |
So if you got doubts |
00:40:38 |
if you don't deliver, |
00:40:42 |
L'll make gravy out of your little girl, |
00:40:45 |
just to season that black lrish |
00:40:50 |
You do what you're supposed to do. |
00:40:56 |
You do it now. |
00:41:38 |
May I have your attention, please. |
00:41:42 |
Les give a warm welcome |
00:42:14 |
- Hi. |
00:42:18 |
Are you feeling better? |
00:42:21 |
The elevator, you weren't feeling well. |
00:42:25 |
Oh, yeah, much better, thanks. |
00:42:28 |
I give you now, my friend and yours, |
00:42:32 |
Governor Eleanor Grant. |
00:42:38 |
You know something, my wife always |
00:42:49 |
Thank you, Tom, |
00:42:52 |
- You can trust Eleanor Samara Grant. |
00:42:56 |
Well, I'm going to trust you. |
00:43:01 |
- You're going to trust me. |
00:43:06 |
Listen, I don't want to hurt you, |
00:43:11 |
She's going to die if you don't help me. |
00:43:14 |
OK, l'll help you. Let me just get |
00:43:20 |
No, everything's fine, just take a walk |
00:43:30 |
As it is, this is not the life I want |
00:43:37 |
I'm putting the gun back in my pocket, |
00:43:40 |
but don't try anything, |
00:43:44 |
Just pretend nothing's happening. |
00:43:46 |
My daughter's been kidnapped. |
00:43:49 |
They say they're going to kill her |
00:43:55 |
- Les talk to security. |
00:43:58 |
We can't talk to security, |
00:44:01 |
I don't see how they could be. |
00:44:05 |
Well, how did I get in here with this? |
00:44:10 |
I don't know. |
00:44:11 |
If you don't help me, |
00:44:15 |
- Please, trust me. |
00:44:21 |
All right then, here. |
00:44:25 |
- Do you trust me now? |
00:44:30 |
- Well, good. |
00:44:37 |
We can't. The guy following |
00:44:40 |
If he sees I'm not here, |
00:44:43 |
He'll think you're in the crowd |
00:44:50 |
- We got about ten minutes. |
00:44:54 |
Yeah, I know this speech. |
00:44:56 |
No, wait. |
00:44:58 |
Hey, trust me. You asked for my help. |
00:45:02 |
- Listen, put that thing away. |
00:45:07 |
OK. |
00:45:10 |
...control crime and prove that |
00:45:31 |
...and change a perverted system |
00:45:35 |
but forbids us to pray there. |
00:45:39 |
Education is the key... |
00:46:08 |
- Is he in? |
00:46:11 |
Can we trust these people? |
00:46:13 |
Is her husband, |
00:46:20 |
- Is there a problem? |
00:46:24 |
- Aren't you supposed to be downstairs? |
00:46:28 |
- Someone's trying to kill Eleanor. |
00:46:34 |
We need people we can trust. |
00:46:36 |
How do you know that? |
00:46:38 |
Because I'm supposed to kill her. |
00:46:41 |
- You're supposed to kill my wife? |
00:46:43 |
- And you brought him to our suite? |
00:46:49 |
Her security people may be involved. |
00:46:52 |
- Is there a problem, Brendan? |
00:46:56 |
- He says he's been hired to kill Eleanor. |
00:47:02 |
- Who is this "they"? |
00:47:06 |
They've kidnapped my little girl, |
00:47:10 |
Just a minute. |
00:47:12 |
On the strength of this story, |
00:47:18 |
You think that shows |
00:47:21 |
I may be just a friend of Brendan, but... |
00:47:23 |
- He brought a gun onto the pool deck. |
00:47:26 |
He got onto the pool deck with a gun. |
00:47:29 |
How did he get past |
00:47:33 |
- I'd like to know that. |
00:47:36 |
- Do we know anything about it? |
00:47:39 |
- May I see it? |
00:47:43 |
Well, it certainly looks real. |
00:47:48 |
Whas your opinion? |
00:47:52 |
You're supposed to be the expert. |
00:48:18 |
Yeah, I'd say is real. |
00:48:20 |
Are you out of your fucking mind? |
00:48:25 |
- What are you doing? |
00:48:31 |
God, what have you done to me? |
00:48:38 |
You bastard! |
00:48:43 |
You fucked up. |
00:48:46 |
You want me to kill you? |
00:48:52 |
Thas enough. |
00:48:55 |
I said thas enough. |
00:49:12 |
Don't let him get away. |
00:49:35 |
- I killed you. |
00:49:40 |
No, please. |
00:50:03 |
Help me, Daddy! |
00:50:06 |
Put him down, now! |
00:50:12 |
- You nearly killed him, idiot. |
00:50:16 |
This is a nightmare. It was |
00:50:20 |
A high-powered rifle and is over. |
00:50:25 |
Drag some jerk off the street, |
00:50:29 |
- What were you thinking? |
00:50:34 |
Should I have locked her in a closet? |
00:50:36 |
They've been seen all over the hotel |
00:50:42 |
Ill work. Don't worry about it. |
00:50:45 |
Come on, you. Up, les go. |
00:50:53 |
- I don't think we should do this. |
00:50:58 |
How do I explain |
00:51:01 |
She's Eleanor's assistant. |
00:51:03 |
She'll have been shot by |
00:51:06 |
some anonymous loser |
00:51:12 |
OK. Look at that. |
00:51:14 |
Thas what it looks like. She was alive |
00:51:19 |
...you wouldn't do as I told you. |
00:51:22 |
Clean up. Come on, |
00:51:24 |
Look at that. Les go. |
00:51:28 |
Every single promise made to us when |
00:51:35 |
I don't have to remind you who was |
00:51:42 |
Hey, Albert. |
00:51:47 |
- I know how this is supposed to work. |
00:51:51 |
- I kill her, you kill me. |
00:51:53 |
If you don't, security will. |
00:51:56 |
Thas not my problem. |
00:51:59 |
- How do I know you won't kill my kid? |
00:52:04 |
She'll be all right, you do your job. |
00:52:07 |
- I'm supposed to trust you? |
00:52:13 |
Gene, look out there. |
00:52:18 |
- Yeah. |
00:52:20 |
- Yeah. |
00:52:22 |
Daddy! |
00:52:26 |
Son of a bitch! |
00:52:34 |
Security, take the next car. Thank you. |
00:52:41 |
- Do it again. |
00:52:44 |
You've one last chance. |
00:52:46 |
Half an hour, the kiïs dead. L'll kill her |
00:52:51 |
Come on. |
00:52:57 |
Daddy, did you hear me scream? |
00:53:01 |
Did you hear me? |
00:53:19 |
Oh, Jesus! |
00:53:27 |
Next time, |
00:53:30 |
You want to babysit a screaming kid |
00:53:39 |
Come on, step up. Give 'em |
00:53:42 |
Do your shoes a favour. |
00:53:45 |
What you need is a shoeshine. |
00:53:49 |
Hey, take ten, take a break, take |
00:53:57 |
So what do you do, if I may be so... |
00:54:03 |
- You got a complaint? |
00:54:07 |
Yeah, the big tipper. |
00:54:09 |
Good. |
00:54:11 |
Listen, something's going to happen. |
00:54:16 |
What? The end of the world? |
00:54:20 |
I'm not a bartender. I don't want |
00:54:25 |
Get out. Big tip doesn't |
00:54:30 |
You want change? |
00:54:34 |
Les get some privacy. |
00:54:38 |
He's deaf. |
00:54:46 |
- You wouldn't be kidding me? |
00:54:54 |
Is that right? Shine man, |
00:55:00 |
Hello. |
00:55:02 |
Well, lookee here. My customer |
00:55:07 |
What about that? |
00:55:11 |
Fact is, I'm deaf as a post. |
00:55:14 |
You want a shine? |
00:55:20 |
Sure, give me a shine. |
00:55:22 |
Les get out our itinerary. |
00:55:31 |
I'm putting your toy back in your pocket. |
00:55:34 |
Is all wound up. |
00:55:41 |
- Right there. |
00:55:45 |
That gives you 28 minutes |
00:55:51 |
Let me talk to her again. |
00:55:54 |
Forget it. |
00:55:56 |
- Let me talk to her, or you can forget it. |
00:56:02 |
Id be a lot less trouble |
00:56:08 |
- You're wasting time. |
00:56:13 |
- Yeah. |
00:56:15 |
- What gives? |
00:56:21 |
Daddy? |
00:56:23 |
- Yeah, honey. |
00:56:28 |
- I know. So do I. |
00:56:34 |
Not yet, baby. |
00:56:38 |
- To be a hero? |
00:56:42 |
- I want you to remember something. |
00:56:46 |
I'm doing it for you, no matter what |
00:56:54 |
- All right. |
00:56:57 |
- I promise. |
00:57:02 |
No. Kisses to you. |
00:57:06 |
Kisses to you. |
00:57:10 |
You done yet? |
00:57:13 |
- Two dollars, if it pleases you. |
00:57:17 |
I remember when it was two bits. |
00:57:22 |
- 27 minutes. |
00:57:26 |
Mister, what are you dragging me into? |
00:57:29 |
- I'm... |
00:57:30 |
- What? |
00:57:36 |
- Yeah. |
00:57:40 |
- That your kid on the walkie-talkie? |
00:57:43 |
They said they'll kill her |
00:57:47 |
- 27 minutes in the California Ballroom? |
00:57:54 |
- What are you supposed to do? |
00:58:01 |
I knew I shoulïve gone home |
00:58:05 |
- What am I supposed to do? |
00:58:09 |
They have my baby. |
00:58:13 |
I don't know who to trust. |
00:58:19 |
- Who? |
00:58:21 |
Oh, Jesus Christ! |
00:58:24 |
I gotta do right by my little girl. I don't |
00:58:33 |
Look, I can't keep playing |
00:58:38 |
Go and get yourself a drink. |
00:58:44 |
- What are you going to do? |
00:58:50 |
- Stay out of it. Keep the change. |
00:58:59 |
I'm going to get a drink. |
00:59:07 |
- Jack and Coke, please. |
00:59:10 |
I thought she |
00:59:14 |
I hear that "stop the violence" routine |
00:59:18 |
Politicians. All the same. |
00:59:26 |
God can't help her, Mr Watson. |
00:59:30 |
Say it with me. |
00:59:35 |
...gravy out of your little girl. |
00:59:38 |
...the guy who's gonna kill your |
00:59:46 |
- Sir, here's your Jack and Coke. |
00:59:52 |
...bullshit because |
00:59:55 |
We are a nation of 240 million |
01:00:03 |
You haven't paid for that. |
01:00:05 |
Is on that special interest |
01:00:11 |
Sir, sir. |
01:00:25 |
Where is he? |
01:00:27 |
- Did you lose him? |
01:00:39 |
Les hope so. |
01:00:51 |
Quick. Off with the shoes and pants. |
01:00:55 |
- What you talking about? |
01:00:59 |
No time to be shy, ladies. |
01:01:07 |
Hurry up! Godzilla's coming. |
01:01:16 |
Hurry up. |
01:01:21 |
OK. |
01:01:26 |
Come on, shut the door. |
01:02:07 |
He's gone. |
01:02:33 |
- This is lrene. |
01:02:35 |
Irene's going to help. |
01:02:37 |
- Follow me. |
01:02:39 |
You said only one person |
01:02:43 |
- You're going to see her. |
01:02:47 |
- You sure she's asleep? |
01:02:51 |
- What should I say? |
01:02:53 |
Try to stop this before it starts. Save us |
01:02:57 |
You don't have to save me. I've nothing |
01:03:03 |
- I'm not going to do it. |
01:03:08 |
- Hi, Albert. How you doing? |
01:03:15 |
Thought I'd come by |
01:03:21 |
- You deserve a nice, clean place. |
01:03:26 |
Give me that. Thank you. |
01:03:32 |
- Working hard. |
01:03:37 |
- How long you going to work here? |
01:03:42 |
- Really? See you later. |
01:04:38 |
I don't want to hurt you. |
01:04:40 |
My security people are right outside. |
01:04:45 |
If I wanted to hurt you, |
01:04:48 |
- Thas some comfort. |
01:04:51 |
- I see that. |
01:04:56 |
- I know you from the elevator. |
01:05:00 |
- You were very nervous. |
01:05:03 |
- Me, too. |
01:05:06 |
Listen carefully. |
01:05:08 |
Three lives depend on you listening |
01:05:13 |
Yes, I do. And I want to hear you. Just |
01:05:19 |
She's dead. |
01:05:25 |
- She's dead? How do you know that? |
01:05:36 |
- Did you kill her? |
01:05:39 |
Who did? |
01:05:41 |
A very dangerous man |
01:05:47 |
Your husband works for someone else, |
01:06:14 |
I said I'd listen. I didn't say I'd believe. |
01:06:17 |
You're telling me |
01:06:21 |
my husband wants to kill me, |
01:06:25 |
I know. I don't blame you. I have |
01:06:30 |
- Try to cancel the last speech. |
01:06:34 |
Is the last chance I have to kill you. |
01:06:41 |
Try to change the schedule. |
01:06:46 |
Don't make that speech. Trust me. |
01:06:49 |
I love it when pistoleros talk about trust. |
01:06:52 |
I've never fired one of these, |
01:06:58 |
Indeed. |
01:07:05 |
9 minutes, Governor. |
01:07:08 |
Franco! |
01:07:11 |
Franco! |
01:07:19 |
What is it, Governor? |
01:07:25 |
I... |
01:07:29 |
I had a really bad dream. |
01:07:41 |
- Well? |
01:07:43 |
- What are you gonna do? |
01:07:46 |
But what are you gonna do? |
01:07:53 |
I'm going to do whatever I have to. |
01:08:04 |
- Oh, man, we gotta go. |
01:08:10 |
- Where is he? |
01:08:13 |
- Is time. Is time now. |
01:08:33 |
- Where are we going? |
01:08:43 |
Outta there. |
01:08:49 |
Outta there! |
01:08:55 |
- Now you forgot... |
01:08:59 |
Wash your hands. |
01:09:08 |
- Why you doing this to me? |
01:09:14 |
I know you'd do anything for her. |
01:09:26 |
I got faith in you. You're not |
01:09:34 |
You don't know it yourself. |
01:09:44 |
Maybe thas why. |
01:09:52 |
I chose you. |
01:09:57 |
I know what I have to do. |
01:10:23 |
- Eleanor, we'd better head downstairs. |
01:10:29 |
I've got a killer headache, |
01:10:34 |
I'm thinking |
01:10:39 |
- Well, is an important speech. |
01:10:44 |
Course, is no business of mine. |
01:10:46 |
Just another speech in a Tower of Babel |
01:10:52 |
Cancel and make my apologies. |
01:10:56 |
- Won't you excuse us? |
01:10:59 |
Nice to see you, Eleanor. |
01:11:10 |
During a campaign, |
01:11:13 |
This is free, prime-time coverage. |
01:11:16 |
- Why's he here? |
01:11:19 |
- Yes, him. |
01:11:23 |
Things have changed. |
01:11:26 |
Eleanor, don't start. |
01:11:29 |
I'm dealing with the repercussions, |
01:11:35 |
to people like him |
01:11:38 |
Don't remind me. |
01:11:45 |
Listen to me. |
01:11:48 |
This speech or a half-dozen rubber |
01:11:56 |
The truth... |
01:11:59 |
The truth is I've got this lower intestinal |
01:12:05 |
I want to cancel the speech. |
01:12:15 |
This isn't like you. |
01:12:21 |
You're a trouper. |
01:12:24 |
Right, I'm going to get some Pepto. |
01:12:27 |
Go make one of your patented |
01:12:32 |
and we're back to Sacramento. |
01:12:35 |
We can't lay down on the job now, |
01:12:39 |
You want to blow off |
01:12:43 |
But do this one, |
01:12:51 |
OK. |
01:12:54 |
L'll do it. |
01:13:00 |
Thas my girl. |
01:13:14 |
I want to make |
01:13:18 |
Would you send Krista in right away? |
01:13:20 |
Oh, jeez, I sent her on an errand. |
01:13:30 |
You sent my assistant on an errand? |
01:13:33 |
Yeah. |
01:13:49 |
Why do you keep looking at me? |
01:13:51 |
- Is my job. I'm your babysitter. |
01:13:55 |
- You're a big girl? |
01:14:34 |
Ladies and gentlemen, |
01:14:38 |
campaign volunteers, |
01:14:40 |
and those of you who were looking for |
01:14:46 |
Let me be the first to welcome you |
01:15:17 |
Governor Eleanor Samara Grant. |
01:15:39 |
What can I say about her that won't get |
01:15:49 |
Seriously, she is a woman |
01:16:05 |
I know you recognise her as |
01:16:11 |
She actually united Republicans |
01:16:17 |
to pass new laws |
01:16:23 |
Charlie. Yo, Charlie. |
01:16:27 |
Charlie, |
01:16:31 |
Charlie, are you reading me? |
01:16:33 |
Cha... Shit, stupid radio. |
01:16:36 |
Terry, the walkie-talkies don't work |
01:16:42 |
...California has ever seen! |
01:16:53 |
I am honoured to present to you |
01:16:57 |
our esteemed governor |
01:17:01 |
Eleanor Samara Grant. |
01:18:49 |
Gun! |
01:18:57 |
Get a doctor! |
01:19:52 |
They did it. |
01:19:57 |
A bleeding heart makes |
01:20:14 |
My God! |
01:20:24 |
Franco! Oh, my God. |
01:20:29 |
It would be better if they put sleeves on |
01:20:46 |
Is time. Do you read me? |
01:20:51 |
I don't hear you. |
01:21:19 |
Hey! |
01:21:43 |
Fuck with me, huh? |
01:21:55 |
- Close your eyes. |
01:21:57 |
- I have something for you. |
01:22:00 |
You ask too many questions. |
01:22:04 |
Close your eyes. |
01:22:12 |
Afternoon, ma'am. |
01:22:14 |
- What are you doing? |
01:22:18 |
- I don't want my windshield cleaned. |
01:22:23 |
I know I don't want it cleaned. |
01:22:26 |
Don't be like that. |
01:22:29 |
I'm the Moses of dirty windshields leading |
01:22:35 |
This is the last time. |
01:22:39 |
I've already done it. |
01:22:42 |
I ain't paying nothing. |
01:22:44 |
You'll deny me a lousy dollar, |
01:22:49 |
- Fucking A! |
01:22:53 |
- I think this is worth a dollar. |
01:22:57 |
L'll do better than that. |
01:23:04 |
...whip your ass! |
01:23:17 |
- Give it to me! |
01:23:24 |
Daddy blew it. |
01:23:33 |
No! |
01:23:49 |
Very good, Mr Watson, |
01:24:07 |
Daddy! |
01:24:16 |
You OK, honey? |
01:24:31 |
Nothing like a good wing-tip. |
01:24:34 |
You OK? You OK? |
01:24:39 |
- I'm OK. |
01:24:43 |
I'm standing in the Bonaventure lobby. |
01:24:45 |
Just minutes ago, shots were fired at |
01:24:50 |
Details of the assassination |
01:24:54 |
This will be one of the most |
01:24:57 |
Our sources are pinpointing |
01:25:01 |
as high as Brendan Grant, |
01:25:04 |
This is a bizarre case, and we'll give |
01:25:10 |
Stephen Schuster, JBN. |
01:25:42 |
Subtitle arrangement: Plavi-G |