Nighthawks

en
00:02:56 You talk, we cut your face, hear?
00:02:58 Your purse. Put it in my hand, bitch.
00:03:01 I said put it in my hand!
00:03:09 You busted my mouth!
00:03:13 - Come on, he-man.
00:03:16 I got the hots for ya.
00:03:20 Drop it. Drop it!
00:03:23 Drop it!
00:04:00 You got one more shot to drop it, man.
00:04:03 - I'll cut you, man.
00:04:05 Come on. Cut me, badass.
00:04:12 Come on.
00:04:14 Come on! Come on, badass.
00:04:32 You got the right to a legal counsel.
00:04:34 You have the right to remain silent.
00:04:37 And anything you say can be
00:04:42 Amen.
00:05:06 Oh! Excuse me.
00:05:50 - Oh, it's warm in here.
00:05:53 - May I help you with anything?
00:05:58 Oh, yes. I think you might be
00:06:02 That's good. What is it?
00:06:04 I think you'd be interested in this
00:06:11 - What do you think?
00:06:14 - I'll be back in a couple of minutes.
00:06:18 You really are very pretty.
00:06:21 Well, thank you.
00:06:50 United Press.
00:06:53 I have an announcement to make
00:06:58 The Wulfgar Command has just struck
00:07:03 Be warned that I have a long arm...
00:07:06 ...and I'm prepared to fight
00:07:10 Don't forget...
00:07:12 ...there's no security.
00:09:15 Police!
00:09:17 - Put your hands up! Against the wall!
00:09:22 What the fuck is this shit?
00:09:25 How much for this motherfuckin' shit?
00:09:27 - Who you talkin' to?
00:09:29 - Who the fuck you talkin' to?
00:09:33 - Shut up, man.
00:09:40 I want you to pay for every life you've
00:09:44 - Motherfucker!
00:09:48 That ain't worth it, man.
00:09:51 I said he ain't worth it.
00:09:54 Let him go, Matt.
00:09:57 Matt, let him go.
00:10:04 If I ever see you again,
00:10:06 Do you hear me? I'm gonna kill you.
00:10:10 Now move! Move!
00:10:15 Move!
00:10:20 All right, keep your hands up. Let's go.
00:10:27 Come on, kid.
00:10:38 - I could use some coffee. You?
00:10:40 I went to a party last night.
00:10:44 - How does that feel?
00:10:51 - Let the lady out.
00:10:59 Wait a minute. We got things to do now.
00:11:01 - Why do you have to see her now?
00:11:05 - I want to see her now, that's all.
00:11:09 - I'll call on her. Don't worry.
00:11:13 - I'll be ten minutes.
00:11:15 Take your hat off, at least. Jesus Christ.
00:11:18 Please, let me help you out.
00:11:37 Irene, I think the pleat you added
00:11:41 Incidentally, there's an important
00:11:45 It might be a good career move for you
00:11:55 Think it over.
00:12:07 Deke, what are you doing back here?
00:12:09 I came up the back way so I didn't
00:12:13 Very chic(!)
00:12:15 Me and Fox just got back from the Bronx.
00:12:17 - Were you cruising?
00:12:21 - You all right?
00:12:24 - So how are you doin'?
00:12:27 - Being promoted next week, even.
00:12:32 Why did you come by? I've gotta get back
00:12:37 Well, I was wonderin'
00:12:41 ...we could spend some time together?
00:12:54 What do you want from me, Deke?
00:12:57 - What do you want from me?
00:13:00 Look, maybe I made a few mistakes.
00:13:03 Look, you wouldn't like living
00:13:07 - Irene, I know what I like.
00:13:12 This is not the right time.
00:13:14 People grow, Deke.
00:13:15 I don't understand why you can't
00:13:19 Why do you have to do
00:13:21 Why the hell can't you change?
00:13:25 I did.
00:13:35 Can I come by tonight?
00:13:39 Can I?
00:13:42 Why didn't you ever pay this much
00:13:48 Cos I didn't know what
00:13:57 I have to get back to work.
00:14:00 I have to go.
00:14:03 I've really got a million things to do.
00:14:07 We'll talk later, all right?
00:14:32 Listen, I've always seen you hanging about
00:14:37 Does it matter? I'm in business.
00:14:52 Don't run away now.
00:14:55 I really am a remarkable fellow.
00:15:11 Kenna, you look a bit nervous.
00:15:16 Not this trip. They want to
00:15:19 Mercer says it was overdone.
00:15:21 Several children were killed.
00:15:24 Don't your people realize what it
00:15:28 I work miracles for them.
00:15:31 Kenna... where were you since Friday?
00:15:36 They picked me up at the airport
00:15:41 - The police?
00:15:45 - But you still came here.
00:16:05 You already have.
00:16:17 Move.
00:16:30 You go to a better life.
00:16:53 - Excuse me, Inspector.
00:16:56 He's over at the back of the crowd, sir.
00:17:01 - What's going on here?
00:17:04 I don't want to hear a word from you,
00:17:07 Not one word, understand?
00:17:15 One of these days it would be nice if
00:17:21 First the bombing, then three men
00:17:26 He's becoming quite a legend here, sir.
00:17:28 Maybe. But even a legend can go too far.
00:17:32 He's now killed one of his own.
00:17:34 A man in his position has to worry as
00:19:49 Bless me, Father, for I have sinned.
00:19:51 You fool,
00:19:55 Wulfgar, you must be out of your mind
00:19:59 right next to police headquarters.
00:20:01 Couldn't you find another meeting place,
00:20:05 I go where I like.
00:20:06 My payment... let me have it.
00:20:16 A ticket to Madrid?
00:20:19 50 pounds?
00:20:24 Is Mercer joking, or what?
00:20:26 Mercer sent me.
00:20:29 But the killing of his courier
00:20:33 He wasn't one of my people. He brought
00:20:37 An idiot with your photo in his pocket.
00:20:41 Yes.
00:20:42 He had brought you your passport.
00:20:45 Interpol has your photo now,
00:20:48 and that was very stupid.
00:20:49 Have you spoken to Hammad?
00:20:52 He thinks you are a dead man soon.
00:20:55 He needs my help.
00:20:57 He needs someone
00:21:00 But where can you work?
00:21:02 You can't show your face anywhere.
00:21:08 We'll see.
00:21:43 It's going down.
00:21:56 - DaSilva, they want you downtown.
00:22:00 - Hey, that ain't my problem, pal.
00:22:03 What the fuck do you want here?
00:22:05 - Who do you think you're talkin' to?
00:22:08 Don't ever come around on
00:22:11 - Don't go shittin' me.
00:22:14 You do that again,
00:22:16 Fuckin' glory boys.
00:22:19 None of ya. Neither one of ya.
00:22:23 They make anybody a sergeant now.
00:22:25 I'm gonna kick your ass!
00:22:30 Wise-ass!
00:22:32 What you got?
00:22:35 You know we can't come back
00:22:38 - Bitch.
00:22:40 What is this?
00:22:44 Don't litter.
00:22:47 - You littered.
00:23:11 Our mutual contacts insisted
00:23:15 Normally I do not operate on Sunday.
00:23:18 You must be quite important to them.
00:23:22 Make yourself comfortable, I will show you
00:23:26 Please have a seat.
00:23:39 This one would be perfect for your face.
00:23:41 Notice the contours,
00:23:44 Not for me.
00:23:47 With the nostril more open then.
00:23:48 Not for me.
00:23:51 What do you want?
00:23:53 A smaller nose
00:23:57 Yes, of course.
00:23:58 And the eyes can be made blue
00:24:04 Yes, I think we can do that.
00:24:08 Good, but do it fast.
00:24:09 What do you want exactly?
00:24:14 I want to be beautiful.
00:24:23 - Lieutenant?
00:24:26 I just got these latest transfer orders...
00:24:28 Don't sing me no operas today.
00:24:31 I'm not singin' any operas.
00:24:37 Look, come on, Munafo.
00:24:38 For nine years I've been workin' decoy.
00:24:43 Look, you don't know me well enough to
00:24:47 The gung-ho Lone Ranger
00:24:50 You can forget about that.
00:24:52 We've been asked to cooperate
00:24:55 - You two are assigned to an ATAC group.
00:25:00 That's FBI stuff.
00:25:02 Your military records had
00:25:04 How many times you been
00:25:07 Consider this squad a vacation from decoy.
00:25:10 - I don't need a vacation from decoy.
00:25:14 They need someone
00:25:16 - Anything goes down, you're the man.
00:25:19 The commissioner. He got it from
00:25:23 ...Interpol, will help organize it
00:25:27 And this department will extend
00:25:30 - No, I don't...
00:25:32 Understand this, sucker! You're a cop
00:25:36 Now you and Tonto be here tomorrow
00:25:54 Damn!
00:25:57 High-gain antennae,
00:26:01 ...plus one helicopter and
00:26:04 Direct telex... to Interpol Paris
00:26:09 Computer banks which
00:26:13 Retrieval on every known
00:26:20 Some of you may wonder
00:26:22 Simply because of your unique qualities,
00:26:29 You are to be indoctrinated
00:26:33 ...which will enable you to meet your
00:26:38 Air France passenger
00:26:41 ...please pick up a white courtesy phone...
00:26:47 Is this trip business or pleasure?
00:26:50 Pleasure, I hope.
00:26:52 Welcome to the United States.
00:26:55 The ATAC squad - that's the
00:26:59 ...has been formed due to a serious
00:27:02 - What are we doin' here?
00:27:06 First lesson: Threat equals fire power.
00:27:09 Terrorists, though relatively few
00:27:13 Fragmentation grenades,
00:27:17 Law-enforcement officials,
00:27:20 ...indoctrinated in the use
00:27:24 ...and, to a great extent, are not
00:27:38 Department policy, reluctance to fire,
00:27:42 ...human rights, civil rights...
00:27:44 ...safety orientation, necessary
00:27:48 ...but catastrophic with terrorists.
00:27:50 - Pay attention, huh?
00:27:55 ...hesitation kills.
00:27:57 Hesitation must be removed
00:28:11 Are you sure that
00:28:14 The latest information, as gathered by
00:28:20 He isn't comfortable in Europe.
00:28:23 Africa, Asia, the Middle East,
00:28:27 They've got enough revolutionaries.
00:28:29 But if you wanted worldwide press
00:28:34 What about the possibility that he
00:28:39 Sergeant Fox, isn't it?
00:28:41 The answer to the possibility
00:28:46 ...he's only beginning.
00:29:05 Go ahead.
00:29:08 In 72 hours, I want each of you to know
00:29:13 We must make use of
00:29:17 I assure you Wulfgar isn't wasting his.
00:29:44 International terrorism, gentlemen,
00:29:49 ...and the man who runs like a thread
00:29:54 ...alias Wulfgar.
00:29:57 There was a plastic surgeon
00:30:00 The method and caliber of bullet used...
00:30:02 ...was the same as Wulfgar has used
00:30:05 So, gentlemen, he may now
00:30:08 The man truly enjoys killing.
00:30:11 Don't start trouble, OK? Why are
00:30:14 His pattern is that he makes
00:30:17 ...to establish safe housing for his armory.
00:30:20 He also has a liking for fancy foods,
00:31:43 Let's not be strangers. I'm Eric.
00:31:45 The real name is Heymar Reinhardt.
00:31:47 Born Frankfurt, Germany, 1946...
00:31:50 ...educated Paris and
00:31:54 Currently financed by... no one.
00:31:58 ...he has become persona non grata
00:32:02 What makes him dangerous
00:32:05 ...as invincible as he ever was.
00:32:07 Well, not to us, of course, but
00:32:11 So he may strike anywhere,
00:32:15 What he wants most is press coverage.
00:32:20 ABC... Television, right?
00:32:24 Right. And CBS is down there.
00:32:27 Radio City is way on down there.
00:32:29 - The news is here.
00:32:33 You know...
00:32:37 Well, besides dance a lot,
00:32:42 "I'm Pam. Fly me."
00:32:45 That's an airline joke, sort of.
00:32:48 Don't get me wrong. I don't actually
00:32:52 A flying waitress, some people call us,
00:32:57 - How about you?
00:32:59 I'm an international terrorist,
00:33:04 - And I'm a lady-killer.
00:33:08 If you allow him to
00:33:11 ...the hostages will ultimately die.
00:33:14 You can count on that.
00:33:16 So, try to stay with me, everybody.
00:33:21 Very short.
00:33:23 - Something to add, DaSilva?
00:33:28 It's a logical procedure.
00:33:29 When you have been exposed
00:33:33 ...then you will be ready for the streets.
00:33:36 A more logical procedure.
00:34:34 He has no network, no real organization.
00:34:36 He improvises. But he manages
00:34:41 If he has changed his face,
00:35:15 Jetzt!
00:35:48 And the destruction of several buildings
00:35:53 ...is only a warning.
00:35:56 Wulfgar will strike next
00:36:00 You people are never prepared.
00:36:03 And there's no security.
00:36:07 You may print that.
00:36:21 - You ever see anything like this?
00:36:24 This detonator tells me that
00:36:30 Why now? Why not during the day,
00:36:34 - It's his method.
00:36:37 The instilling of fear. By tomorrow, the UN
00:36:42 It's all part of the acts
00:36:49 Shakka Holland.
00:36:51 OPEC raid, Vienna.
00:36:54 And?
00:36:57 - And what?
00:37:03 OK, once again.
00:37:06 She shot a policeman in the neck
00:37:09 She kills without provocation.
00:37:13 Uh, DaSilva...
00:37:15 ...name the three successful
00:37:19 We've gone over this for days now.
00:37:21 And we'll go over it
00:37:26 You have to learn to think like him, to
00:37:31 Isn't this overkill?
00:37:34 Overkill?
00:37:36 His cover's always some woman who's
00:37:40 We know his MO, but what we don't know,
00:37:43 ...is motive, method and opportunity.
00:37:50 This is a terrorist.
00:37:54 He doesn't think like a criminal.
00:37:57 And you want to treat him
00:37:59 - Get inside the man's head, dammit!
00:38:03 But how do you expect me to understand
00:38:07 The only difference between
00:38:10 I don't know about you, and I don't know
00:38:14 ...I didn't join the force to kill people.
00:38:18 To combat violence
00:38:22 To defeat a violent people,
00:38:25 ...with ruthless,
00:38:28 And if any of you think that you don't
00:38:33 We all have it. It's just a question
00:38:38 And if we're very lucky, there will be
00:38:44 One brief, critical moment.
00:38:49 - That is when you must do it.
00:38:52 - Take him.
00:38:55 There's no other way.
00:38:59 And if we miss, that's dead hostages.
00:39:02 - Hopefully not.
00:39:08 There's a UN benefit at
00:39:12 Those people are already hostages. It's
00:39:17 It's not my responsibility to be
00:39:21 For Christ's sake, DaSilva!
00:39:23 Will you get out of this
00:39:26 Your wife left you for it!
00:39:47 And how did I know that, DaSilva?
00:39:49 I make it my business to know
00:39:53 ...because they're weapons against you. I
00:40:00 And if there's any way,
00:40:04 He will know the backgrounds
00:40:07 What's valuable to you.
00:40:12 You people have no idea of the extent of
00:40:16 That's the technique of terror.
00:40:19 How do you like it?
00:40:24 I'm out.
00:40:30 Thank you, everyone. That'll be all.
00:40:32 - Just listen to me...
00:40:36 I know, but listen...
00:40:38 - He didn't have to say about my wife...
00:40:41 He's asking us to commit ourselves
00:40:44 ...who's capable of wiping out hundreds
00:40:50 You're one of the best.
00:40:54 And you can't back off now.
00:41:00 Think about it, OK? It's up to you.
00:41:46 What's this?
00:41:54 Oh.
00:41:56 Shit.
00:42:00 Jesus.
00:42:31 Let me help you.
00:42:33 I didn't mean it.
00:42:35 I couldn't help wondering...
00:42:38 I know.
00:42:42 - It doesn't matter.
00:42:45 - Please, I won't tell anyone. Don't worry.
00:42:51 You mustn't be worried.
00:42:57 You go to a better life.
00:43:13 I don't want that transfer.
00:43:16 - No?
00:43:19 I don't know if I could take
00:43:32 "Deke DaSilva, drafted into the army,
00:43:36 "Volunteered for Airborne School."
00:43:38 "Accepted by Officer's Candidate School."
00:43:41 "Reassigned, first lieutenant,
00:43:44 And much more.
00:43:46 The most interesting statistic is...
00:43:49 ...52 registered kills in combat service.
00:43:58 One would have said that you were quite
00:44:06 That was war.
00:44:09 Let me just say that I have a feeling
00:44:21 Good evening, DaSilva.
00:44:47 - No hace nada.
00:44:50 - Carajo.
00:44:55 I'll have the special Cuban melon.
00:44:57 Don't sell melon here.
00:45:00 Didn't I read your ad
00:45:03 Carajo, yo no advertise.
00:45:08 Maybe Wulfgar was wrong.
00:45:11 Wulfgar.
00:45:18 - Yes?
00:45:20 What stewardess?
00:45:21 If you guys at the command centre haven't
00:45:26 We're not sure who her boyfriend was,
00:45:31 It's like a map of every discotheque
00:45:34 - What's that to do with us?
00:45:36 ...except one thing that doesn't belong.
00:45:40 A map of the Wall Street area.
00:45:44 I want you and Fox to hit all the places
00:45:47 - Somebody might have a bead on her.
00:46:01 - I never saw her.
00:46:03 - Positive.
00:46:05 - I never saw her.
00:46:16 - No?
00:46:20 If you think of anything...
00:46:21 - Ever seen that girl around here?
00:46:26 Look, if you remember anything,
00:46:42 No, no. Never seen her before.
00:46:47 Why don't you look again?
00:46:49 Don't remember her. Do you?
00:46:53 Yeah, she's been here.
00:46:55 When?
00:46:57 - Maybe a couple of weeks ago.
00:47:00 Yeah, a guy with blond hair,
00:47:04 - Has he been here tonight?
00:47:07 We just wanna
00:47:09 OK. Go with him, Mike.
00:47:12 - May I have your coats?
00:47:55 This way.
00:49:23 - What do you think?
00:49:27 We're gonna stick around for a while.
00:49:30 All right.
00:50:14 Come on, Deke.
00:50:17 Wait. Wait.
00:50:21 What?
00:50:23 Let's say I did this...
00:50:28 He could look something like that,
00:50:31 Yeah, I guess so. Why?
00:50:33 Because that... is standing over there.
00:50:44 - I got a feeling.
00:52:12 Wulfgar!
00:52:48 Police! Move! Move!
00:52:58 You dumb jerk!
00:53:15 I'll go this way!
00:53:31 - He went that way.
00:54:46 - That's seven. He should be out.
00:54:52 Now!
00:54:59 Dammit!
00:55:11 Police! Move! Get outta the way!
00:55:18 Get outta the way! Move!
00:55:21 You got him?
00:55:23 I don't see him!
00:55:32 I got him!
00:55:33 I lost him!
00:55:37 I got him! I got him!
00:55:39 Scream!
00:55:46 Stand away! Move!
00:55:48 - Get outta the way!
00:55:52 Shoot!
00:55:56 Idiot! Take the shot!
00:55:59 He's not clear.
00:56:02 Dammit!
00:56:33 Move!
00:56:43 Jump, Deke, jump!
00:56:55 Come on, I got you.
00:57:00 - It's locked.
00:57:11 Police!
00:57:19 Police! Get back!
00:57:21 Get outta the way! Stand back!
00:57:34 Are you all right?
00:57:46 - Police!
00:57:48 Come on, goddamnit!
00:58:02 Get back! Move!
00:58:19 Move!
00:58:28 - I got him this way!
00:58:41 Goddamnit!
00:58:43 Fox!
00:58:46 Deke! Deke!
00:58:49 Don't move. Jesus Christ!
00:58:51 - God, I'm hurt.
00:58:53 Get some help!
00:58:56 - Get him!
00:58:58 - Get him, Deke!
00:59:00 - Get him!
00:59:03 I'll kill that motherfucker.
00:59:06 You're fuckin' dead!
00:59:08 I'm gonna kill that motherfucker.
00:59:14 You're fuckin' dead!
00:59:33 How you doin'?
00:59:36 The doctor said you have great reflexes.
00:59:39 You caught that blade on the jawbone,
00:59:44 Before you know it,
00:59:47 OK? Good as new?
00:59:51 - Deke...
00:59:56 You shoulda took that shot.
01:00:01 You shoulda took the shot.
01:00:36 Close the shop.
01:00:53 Wulfgar.
01:00:56 The police have
01:01:00 And by now, every delegation
01:01:04 It doesn't matter.
01:01:07 I was wondering
01:01:11 Have you seen Hammad?
01:01:13 Hammad is beginning to pay attention.
01:01:16 Soon he'll beg.
01:01:24 How did they trace me so soon?
01:01:27 - You must know...
01:01:29 Hartman.
01:01:33 - Hartman? Here?
01:01:38 You're just in time.
01:01:41 I need all the information
01:01:46 Hartman's people, too.
01:01:49 Especially the name of the bastard
01:01:54 Have you been all right?
01:01:56 Well, yeah, fine. Why?
01:01:59 I want you to be
01:02:02 - You still haven't told me why.
01:02:05 - Don't meet any new people right now.
01:02:09 Why can't you just
01:02:13 You haven't talked like this before.
01:02:16 If you'd like to talk about it,
01:02:19 No, it'd take too long to explain.
01:02:23 - We'll talk later.
01:02:27 Why don't we have dinner
01:02:31 At your favorite little Italian restaurant?
01:02:33 Did I say something that brought that on?
01:02:36 Maybe.
01:02:38 - Are you serious?
01:02:41 Well, how about I make the reservations?
01:02:45 - OK. Bye.
01:03:36 Is this all?
01:03:39 Yes.
01:03:45 Then we're ready.
01:04:34 The French assistant
01:04:39 OK, good. How are you feelin'?
01:04:43 I love watching other people
01:04:53 Gentlemen, proceed with
01:04:57 And let the guests see you.
01:05:01 Checkpoint one all clear.
01:05:04 South wing is all clear.
01:05:06 I've got the Swedish delegate in here.
01:05:11 - TV, check in, please.
01:05:15 - Elevator, check in, please.
01:05:19 North side, check in.
01:05:22 - Everything's OK here.
01:05:23 DaSilva, everything seems to be
01:05:27 - Would you take Zone A?
01:05:31 - Are you hungry?
01:05:33 - Chinese food later?
01:05:39 - How's everything?
01:05:44 Hartman, proceeding
01:05:48 Hello, balcony?
01:05:52 OK, I see him.
01:05:54 DaSilva, do you read me?
01:05:56 Checkpoint one.
01:05:58 DaSilva, by the way...
01:06:02 Well, I believe in age
01:06:12 Shakka.
01:06:29 Watch out! Move outta the way! Get back!
01:06:32 Don't turn him over!
01:06:37 Shit.
01:06:38 - All right, we got all the exits covered.
01:06:41 - What do you mean?
01:06:44 - It's not his big play, anyway.
01:06:48 Because I'm beginning to know
01:07:27 Punch these up quick, all right?
01:07:45 Unexpected stop.
01:07:49 This is Shakka.
01:07:52 Do not underestimate her
01:07:55 She has no maternal instincts.
01:07:58 Don't be so afraid.
01:08:01 I like your hat.
01:08:04 I'll be talking to you.
01:08:07 - He's just eight months.
01:08:09 - Comment ça va?
01:08:13 - Du är svensk?
01:08:21 - This is Wulfgar calling.
01:08:25 There are certain representatives
01:08:31 I'll announce my terms for their release...
01:08:34 ...when the proper authorities
01:08:38 I got it.
01:08:42 Right.
01:08:43 DaSilva, Fox. Wulfgar's on the tram.
01:08:52 Please.
01:08:53 I'm aware of every trick.
01:08:56 Do not force me to prove it.
01:09:00 Thank you.
01:09:02 Now... we'll get better acquainted.
01:09:15 Let's go!
01:09:26 - You have three children, right?
01:10:15 All the lines are open.
01:10:16 Detective Munafo, Sergeant Fox.
01:10:24 Take it over the bridge.
01:10:39 Face the windows, everybody! Quickly!
01:10:51 - Can you see him?
01:10:55 Shakka's with him
01:10:59 He's doing something at
01:11:03 Your husband is first assistant to
01:11:07 Please... leave us alone.
01:11:10 You must be very proud.
01:11:12 - No, you take me!
01:11:15 What is it? What is happening?
01:11:18 Life, Mr Marigny.
01:11:20 No... it's not...
01:11:24 He's taken a woman to the front
01:11:27 - What the hell is he doing?
01:11:31 Get a little closer. I wanna see his face.
01:11:41 This one's for you, DaSilva.
01:11:43 Christ. Don't do it.
01:11:46 - Goddamnit, Matt, he killed her.
01:11:51 Get rid of the body.
01:12:16 This is Wulfgar calling.
01:12:19 Yes, we hear you.
01:12:22 If the UN authorities are present,
01:12:27 I've been instructed to ask if you would
01:12:31 You are wasting your time.
01:12:33 - As you see, I am not to be taken lightly.
01:12:38 Before we go any further...
01:12:42 I want it taken off.
01:12:44 I don't want the press to write
01:12:48 - All right, what do you want?
01:12:53 If you want the infant alive...
01:12:58 - I'll be ready.
01:13:01 I want that bastard!
01:13:04 What bastard?
01:13:07 Me.
01:13:18 You can't let him go up there.
01:13:21 Look, I'm in charge here, Fox!
01:14:09 The barge is nearly in place.
01:15:11 How do you feel?
01:15:14 Helpless?
01:15:16 I could have cut the cable.
01:15:23 - Why'd you kill the woman?
01:15:25 So why don't you kill me?
01:15:29 In due time.
01:15:33 I want you to tell 'em
01:15:37 Police... are cowards.
01:15:40 What?
01:15:42 I said... tell 'em.
01:15:51 He's brought the city to its knees.
01:15:56 The police are cowards.
01:16:01 We're not that different, Deke.
01:16:05 I do not enjoy killing, but it's my job.
01:16:10 I represent... oppressed victims
01:16:15 I speak only for them. I'm their voice.
01:16:19 I'm a liberator.
01:16:21 You think you're a liberator?
01:16:25 It's fascinating. Yes.
01:16:30 - The child!
01:16:33 Come on. Come on!
01:16:37 - Give it to me!
01:16:50 Sit down.
01:16:53 This is for the press.
01:16:55 - Now, you may drop the child...
01:16:57 - Don't drop this.
01:17:02 What if you don't win this time?
01:17:04 Try again.
01:17:06 Shakka, lower him.
01:17:09 Please be careful with him!
01:17:16 Deke, you must realize...
01:17:19 ...we're not heroes, we're victims.
01:17:34 This is Wulfgar.
01:17:38 - Go ahead.
01:17:40 I gave DaSilva a declaration...
01:17:42 ...to be published in
01:17:45 ...and read over all networks.
01:17:47 - We don't control the press.
01:17:51 I want a jet and a bus to the airport
01:17:55 And no police.
01:17:57 The following comrades...
01:17:59 ...are to be released before ten o'clock.
01:18:02 Mohammed Yafi, Rafael Saldaña...
01:18:05 ...Miroslav Jakovic, Liu Chan Tao.
01:18:11 - May we have until morning?
01:18:15 And DaSilva... will drive the bus.
01:18:29 We may not make it this time.
01:18:34 It does not matter.
01:18:42 Let me have the cassette recording
01:18:47 ...the smallest tape recorder you can find,
01:19:30 Shakka Holland,
01:19:34 The drama has not seen
01:19:37 The hostages still remain over 250 feet
01:19:42 Several hours ago an innocent woman
01:19:46 ...by that terrorist known only as Wulfgar
01:19:50 Moments after that savage killing...
01:19:52 ...that same terrorist demanded
01:19:56 For those who tuned in late...
01:20:04 - You sure you know what you're doing?
01:20:06 You know when that bus gets to
01:20:10 Why are you always tryin' to cheer me up?
01:20:12 - You said before, it's my choice.
01:20:15 - I'll see you later.
01:20:49 I'm coming in.
01:21:52 No talking.
01:21:56 Move! Come on!
01:22:02 Move!
01:22:43 Move!
01:23:29 Soon it is your time.
01:23:32 Come on! Hurry up! Quick!
01:23:41 Shakka Holland,
01:23:44 ...born February 91949, Tangiers, Morocco,
01:23:48 A spoilt bitch
01:23:51 You shit!
01:23:55 Get down!
01:24:59 Deke! Deke!
01:25:01 They found an address on Shakka.
01:25:10 Where the hell is he?
01:25:13 I don't know. Come on.
01:25:34 Don't stop. Keep moving.
01:25:41 I don't care what you think.
01:25:44 Anybody comes or goes,
01:25:54 We haven't found a body,
01:25:57 Well, keep looking.
01:26:03 - What is it?
01:26:14 Christ!
01:27:05 Evening, ma'am. Chilly, isn't it?