|
Nikita
|
| 00:02:09 |
Shit, you're so fucking dumb, Zap. |
| 00:02:15 |
I... I zapped it. |
| 00:02:17 |
Zapped it. That's all you ever do, huh? |
| 00:02:22 |
You're real dumb, huh? |
| 00:02:25 |
This is my place. |
| 00:02:27 |
Great. You show us round |
| 00:02:34 |
I need it. |
| 00:02:38 |
You'll get it, baby. |
| 00:02:44 |
Get a move on. I'll start without you. |
| 00:02:52 |
This'll stop them messing us about. |
| 00:03:00 |
I need it. |
| 00:03:03 |
It's coming! Just cool it! |
| 00:03:05 |
Get a move on, Coyotte. For Christ's sake! |
| 00:03:16 |
Fuck it! |
| 00:03:25 |
Fuck it! |
| 00:03:31 |
The light! |
| 00:03:32 |
Are you guys nuts? |
| 00:03:36 |
What are you shits after, |
| 00:03:38 |
apart from trouble? |
| 00:03:44 |
Is that your old man, Coyotte? |
| 00:03:51 |
Antoine? |
| 00:03:55 |
Dad. |
| 00:04:00 |
It's not you? |
| 00:04:05 |
We need a fix. |
| 00:04:10 |
Going to shoot your baby boy? |
| 00:04:18 |
Asshole! |
| 00:04:36 |
Asshole! Kill him! |
| 00:05:03 |
Is that it? Come on! |
| 00:05:07 |
Go for it, Zap, go for it! |
| 00:05:28 |
Make it good, Zap. Make it good, huh? |
| 00:05:32 |
It's gonna be good, Rico! |
| 00:05:47 |
It's gonna be good! |
| 00:06:58 |
None left? |
| 00:07:01 |
No. |
| 00:07:30 |
Can it! |
| 00:07:33 |
Quiet! |
| 00:07:39 |
Out! Hands behind your back! |
| 00:07:42 |
Put your legs apart. More! |
| 00:08:19 |
Full name. |
| 00:08:24 |
Nikita. |
| 00:08:28 |
Here's a word of advice, cutie. |
| 00:08:31 |
Just play it cool. |
| 00:08:37 |
Understand? |
| 00:08:39 |
Cutie! |
| 00:08:51 |
Maybe we should wait... |
| 00:08:53 |
Cool it. I know what these jerks are like. |
| 00:08:57 |
It's all for show. |
| 00:08:59 |
Pencil. |
| 00:09:05 |
Concentrate. Put your last and first name. |
| 00:09:10 |
My name's Cutie! |
| 00:09:57 |
After considering the Saint-Denis case, |
| 00:10:02 |
of the willful murders of Georges Henri, |
| 00:10:05 |
Grégoire Andersen and Michel Terlin, |
| 00:10:07 |
all three law-enforcement officers. |
| 00:10:11 |
In reply to the question |
| 00:10:15 |
the jury has replied in the negative. |
| 00:10:18 |
Therefore, the accused is sentenced |
| 00:10:24 |
to life imprisonment. |
| 00:10:27 |
With a 30-year minimum |
| 00:10:33 |
Court adjourned. |
| 00:10:51 |
Motherfuckers! |
| 00:10:54 |
Motherfuckers! |
| 00:10:57 |
Let go, you asshole! |
| 00:10:59 |
Cut it out. |
| 00:11:01 |
Let me go, |
| 00:11:03 |
motherfucker! |
| 00:11:08 |
Hold her! |
| 00:11:09 |
Motherfuckers! |
| 00:11:13 |
Out of the way! |
| 00:11:15 |
Out of the way! |
| 00:12:11 |
You can't do this. |
| 00:12:16 |
I don't wanna go like this. |
| 00:12:22 |
You gotta tell my mother. |
| 00:12:25 |
She's been told. |
| 00:12:31 |
So why ain't she here? |
| 00:12:37 |
Why ain't my mother here? |
| 00:12:43 |
Can't we wait a bit longer? |
| 00:12:47 |
She'll come and fetch me. |
| 00:12:58 |
Mom. |
| 00:13:05 |
Mom. |
| 00:14:37 |
Hello. |
| 00:15:21 |
What's your name? |
| 00:15:25 |
Nikita. |
| 00:15:30 |
Nice name. |
| 00:15:32 |
Where's it from? |
| 00:15:35 |
A song. |
| 00:15:37 |
What's it about? |
| 00:15:48 |
Mister, |
| 00:15:50 |
is this Heaven here or not? |
| 00:15:57 |
No, but |
| 00:16:00 |
it could turn out to be. |
| 00:16:05 |
You died Saturday at 5:00 p.m. |
| 00:16:08 |
The prison doctor confirmed |
| 00:16:10 |
suicide after an overdose of tranquillizers. |
| 00:16:15 |
in Maisons-Alfort, row 8, plot 30. |
| 00:16:23 |
Titi... That's Titi! |
| 00:16:31 |
I work, let's say, |
| 00:16:34 |
for the government. |
| 00:16:38 |
We've decided to give you another chance. |
| 00:16:49 |
What do I do? |
| 00:16:51 |
Learn. |
| 00:16:52 |
Learn to read, walk, talk, smile, |
| 00:16:56 |
Learn to do everything. |
| 00:16:59 |
What for? |
| 00:17:01 |
To serve your country. |
| 00:17:06 |
What if I don't want to? |
| 00:17:12 |
Row 8, plot 30. |
| 00:17:21 |
Can I sleep a bit before I decide? |
| 00:17:32 |
I'll be back in an hour. |
| 00:18:13 |
Motherfucker! |
| 00:18:24 |
Where's the way out? |
| 00:18:25 |
Straight ahead. |
| 00:18:32 |
-Who're these shits? |
| 00:18:36 |
Nobody move! It's okay! |
| 00:18:38 |
The hell it is! Nothing's okay! |
| 00:18:50 |
Open the door! |
| 00:18:51 |
I can't open it. |
| 00:18:56 |
Tell them to open the door! |
| 00:19:00 |
They won't. |
| 00:19:03 |
I'll blow your brains out. |
| 00:19:06 |
It's not loaded. |
| 00:19:08 |
Forget it. Get off me! |
| 00:19:17 |
Cool it. |
| 00:19:24 |
Right, get back to your desks. |
| 00:19:45 |
Rule 1, the first bullet's not for you. |
| 00:19:51 |
That'll clip your wings. |
| 00:20:32 |
Made your mind up? |
| 00:20:40 |
That's good. |
| 00:20:51 |
Fill that out. |
| 00:20:58 |
If I don't make it? |
| 00:21:04 |
You'll make it. |
| 00:21:12 |
We'll start with an easy program. |
| 00:21:15 |
It's like a typewriter keyboard: |
| 00:21:19 |
That's the mouse. |
| 00:21:24 |
If you press here, you can make drawings. |
| 00:21:29 |
Go on, then. |
| 00:21:32 |
There. Gently. That's good. Gently. Gently! |
| 00:21:36 |
Bring the arrow back now. |
| 00:21:40 |
Bring the arrow back here. |
| 00:21:44 |
Very good. Now press here. |
| 00:21:48 |
There you go. |
| 00:21:50 |
Again. |
| 00:21:58 |
These are the firearms we use. |
| 00:22:03 |
the Beretta 93R, 9mm automatic, |
| 00:22:11 |
The barrel towards the target. |
| 00:22:15 |
Before learning the correct stance, |
| 00:22:19 |
Target at 10 meters. |
| 00:22:43 |
Used one before? |
| 00:22:45 |
Never on paper. |
| 00:23:08 |
Nice and round. |
| 00:23:16 |
Can't. My leg hurts. |
| 00:23:18 |
Never mind. We'll try a reflex exercise. |
| 00:23:22 |
An easy one. |
| 00:23:37 |
Get ready. |
| 00:23:46 |
Now I've taken up my guard. |
| 00:23:49 |
I want you to try to hit my face. |
| 00:24:07 |
Next class. |
| 00:25:31 |
Sit down there. |
| 00:25:51 |
My dear girl, |
| 00:25:52 |
you don't look like much now. |
| 00:25:57 |
But if we work hard together |
| 00:26:02 |
we'll be able to make you |
| 00:26:06 |
An intermediary but necessary step |
| 00:26:09 |
before becoming man's perfect complement: |
| 00:26:13 |
a woman. |
| 00:26:28 |
Do you like it? |
| 00:26:35 |
Can you give me a definition of grace? |
| 00:26:40 |
I'm not smart. |
| 00:26:42 |
Smile then. That'll be a good start. |
| 00:26:45 |
Smile when you don't know something. |
| 00:26:48 |
You won't be any smarter, |
| 00:26:54 |
Allow yourself to be taken over |
| 00:26:59 |
which will make your face beautiful. |
| 00:27:02 |
A smile. |
| 00:27:08 |
A smile |
| 00:27:11 |
is surface sweetness. |
| 00:27:16 |
Gentleness. |
| 00:27:20 |
Almost a mood. |
| 00:27:52 |
Shall we fix the wig? |
| 00:28:15 |
How's it going? |
| 00:28:17 |
I wish it had gone. |
| 00:28:20 |
A sense of humor. That's a good start. |
| 00:28:30 |
Made friends? |
| 00:28:32 |
I get on well with my mouse. |
| 00:28:41 |
When do we go for a drink? |
| 00:28:45 |
Not just yet. |
| 00:28:48 |
No rest in this factory? |
| 00:28:50 |
Never. |
| 00:28:52 |
That suits you. |
| 00:28:59 |
I'm going to be 20 next week. |
| 00:29:04 |
Can't I have just a bit of leave, |
| 00:29:09 |
if you trail me? |
| 00:29:53 |
How's it going? |
| 00:30:02 |
Present. |
| 00:30:09 |
Let's open it, huh? |
| 00:31:35 |
In three months, |
| 00:31:38 |
Lost your touch? |
| 00:31:40 |
She has potential. |
| 00:31:41 |
Potential? |
| 00:31:43 |
I wonder what for, |
| 00:31:48 |
Good agents take time to train: |
| 00:31:51 |
five, six years maybe. |
| 00:31:53 |
Oh, come on. |
| 00:31:55 |
I'll give you two weeks. After that, she's out. |
| 00:32:09 |
-Who are you? |
| 00:32:14 |
-But you are... |
| 00:32:18 |
What are you doing in my arms? |
| 00:32:20 |
I don't know. |
| 00:32:22 |
But now that we've gotten this far... |
| 00:32:27 |
Maybe it's just a dream. |
| 00:32:34 |
Oh, my darling. |
| 00:32:40 |
You've made progress, especially in dance. |
| 00:32:45 |
In art, too. |
| 00:32:49 |
But in all the other subjects, |
| 00:32:55 |
nix, zilch, |
| 00:32:57 |
zero. |
| 00:33:03 |
I'll be right back. |
| 00:33:24 |
Happy birthday. |
| 00:33:31 |
Blow them out. |
| 00:34:12 |
They've given us two weeks. |
| 00:34:15 |
I can't do any more after that. |
| 00:34:19 |
Not a thing. |
| 00:36:14 |
Are you looking at my hands? |
| 00:36:19 |
They were beautiful once. |
| 00:36:22 |
Now, they give me away. |
| 00:36:27 |
Did you go through this? |
| 00:37:04 |
Let your pleasure be your guide. |
| 00:37:08 |
Your pleasure as a woman. |
| 00:37:11 |
And don't forget, |
| 00:37:14 |
there are two things that have no limit: |
| 00:37:17 |
femininity |
| 00:37:20 |
and the means of taking advantage of it. |
| 00:38:13 |
I don't believe it! |
| 00:38:16 |
Not ready yet? |
| 00:38:19 |
You're uptight, Amande. |
| 00:38:21 |
It's five to and I hate unpunctuality. |
| 00:38:25 |
Waiting sharpens the appetite. |
| 00:38:29 |
Put this on. |
| 00:38:34 |
God, this hanger's ugly. |
| 00:38:37 |
I have to finish work. |
| 00:38:38 |
No way! That'll do! |
| 00:38:41 |
Only for a minute. |
| 00:38:52 |
You look beautiful. |
| 00:38:54 |
Are we dining? |
| 00:38:55 |
Yes. |
| 00:38:58 |
And why? |
| 00:38:59 |
It's your birthday. |
| 00:39:01 |
Your twenty-third. |
| 00:39:03 |
Hey, he didn't forget. |
| 00:39:19 |
Amande, we have a guest. |
| 00:39:29 |
I thought we'd have dinner |
| 00:39:32 |
out. |
| 00:39:56 |
Shall I go? |
| 00:41:37 |
The usual, sir? |
| 00:41:45 |
You know, |
| 00:41:46 |
you can put your bag down. |
| 00:41:59 |
Watch this. |
| 00:42:01 |
Magic. |
| 00:42:14 |
Wait a minute. |
| 00:42:20 |
Taittinger, king of vintage champagnes. |
| 00:42:36 |
-Enjoy your evening. |
| 00:42:38 |
To your future. |
| 00:42:44 |
Now? |
| 00:42:57 |
It's loaded. |
| 00:42:59 |
Six titanium bullets, plus an extra cartridge. |
| 00:43:05 |
I don't get it. |
| 00:43:07 |
There are three people behind you. |
| 00:43:12 |
a bodyguard |
| 00:43:14 |
and a VIP. You've two bullets to kill him. |
| 00:43:17 |
Then go down to the men's room. |
| 00:43:19 |
In the end booth, |
| 00:43:23 |
It opens onto a courtyard. |
| 00:43:28 |
A car's waiting already. |
| 00:43:31 |
You've got three minutes. |
| 00:43:38 |
Please wait until I leave. |
| 00:45:18 |
Eddy, look down there. |
| 00:46:09 |
Other side. |
| 00:46:17 |
Stay there. |
| 00:47:08 |
José! |
| 00:47:11 |
Coming! |
| 00:48:44 |
Miss! Miss! Stop! |
| 00:48:51 |
Open up! |
| 00:48:54 |
There's trouble down here. |
| 00:48:57 |
Miss! |
| 00:49:00 |
Open the door, asshole! |
| 00:49:20 |
The window was walled up, Bob! |
| 00:49:23 |
The window was walled up! |
| 00:49:27 |
Of course it was. |
| 00:49:40 |
You filthy shit! |
| 00:49:43 |
Stop it, Nikita! |
| 00:49:45 |
Motherfucker! |
| 00:49:47 |
It's all over. You get out tomorrow. |
| 00:49:52 |
You get out tomorrow! |
| 00:50:08 |
Just calm down, God damn it! |
| 00:50:17 |
We have to. |
| 00:50:20 |
We have to do this sort of exercise |
| 00:50:37 |
You've worked well, Nikita. |
| 00:50:42 |
Tonight, |
| 00:50:44 |
and all these years. |
| 00:50:50 |
I'll miss you. |
| 00:51:23 |
I'll never kiss you again. |
| 00:51:59 |
What category of mission is she for? |
| 00:52:01 |
S1. |
| 00:52:04 |
Still as ambitious. |
| 00:52:07 |
Don't sit down. |
| 00:52:21 |
Six months set-up time. |
| 00:52:24 |
I can't stand you. |
| 00:52:30 |
You won't be warned. Clear? |
| 00:52:39 |
How many do I take? |
| 00:52:41 |
Three at the most. |
| 00:52:44 |
Jeannot. |
| 00:53:00 |
Marie Clément from Sarlat. |
| 00:53:04 |
You're paid at the bank |
| 00:53:08 |
Passport, driving license, |
| 00:53:14 |
Your mission code name: |
| 00:53:19 |
Joséphine. |
| 00:53:33 |
Good luck. |
| 00:53:40 |
I'm scared. |
| 00:53:44 |
The worst's over. |
| 00:54:47 |
Second floor, sunny, central heating, |
| 00:54:52 |
and, lucky for you, it's vacant. |
| 00:54:56 |
Perfect. |
| 00:54:58 |
Perfect. |
| 00:56:00 |
Are you in a hurry? Huh? |
| 00:56:02 |
No, no, not at all. |
| 00:56:04 |
Good, 'cause my register's acting up. |
| 00:56:07 |
The belt's broken, too. So... |
| 00:56:10 |
I've got plenty of time. |
| 00:56:15 |
That's good. |
| 00:56:16 |
Push it over and we'll sort it out. |
| 00:56:26 |
Ravioli. |
| 00:56:32 |
Hey, ravioli. |
| 00:56:35 |
I'm slow. I've only been here two days. |
| 00:56:47 |
Cookies. Having yourself painted? |
| 00:56:55 |
God, no price tag! Can't be worth |
| 00:57:10 |
What time do you finish? |
| 00:57:16 |
Six o'clock. |
| 00:57:20 |
How about dinner? |
| 00:57:26 |
Ten francs! |
| 00:57:39 |
It's not finished. |
| 00:57:51 |
I'm embarrassed. Usually I do the inviting. |
| 00:57:55 |
You've really confused me. |
| 00:57:59 |
Never mind. Eat. |
| 00:58:03 |
Yeah, sure, eat. |
| 00:58:10 |
It's really good. |
| 00:58:12 |
Something funny happened this morning |
| 00:58:14 |
at the store. Really funny! |
| 00:58:19 |
That neither. |
| 00:58:24 |
I know, I'll eat while it's hot. |
| 00:58:43 |
Don't start what you can't stop. |
| 00:58:46 |
Sorry, I want you. |
| 00:58:48 |
It'll get cold. |
| 00:59:35 |
You were getting it! |
| 00:59:38 |
I put the kettle on. |
| 00:59:40 |
Yeah, you did fuck all! |
| 00:59:46 |
Breakfast, Highness. |
| 00:59:54 |
There. Shit, I'll be late. |
| 00:59:57 |
Your Highness slept well? |
| 01:00:03 |
I'll invite Léon to dinner Saturday. |
| 01:00:06 |
Good. |
| 01:00:09 |
He's missing Brittany, poor guy. |
| 01:00:13 |
I'll make crêpes. |
| 01:00:15 |
You know how to? |
| 01:00:19 |
We might go into business. |
| 01:00:21 |
Doing what? |
| 01:00:23 |
Designing boats. |
| 01:00:25 |
-With him as the eraser? |
| 01:00:30 |
I've seen more intelligent bananas. |
| 01:00:33 |
Give him a break. |
| 01:00:36 |
Why don't you invite your friend? |
| 01:00:38 |
Who? |
| 01:00:39 |
You made a friend in a store, a blond, |
| 01:00:43 |
didn't you? Last week? |
| 01:00:46 |
Yes, but I don't know if she's a friend yet. |
| 01:00:49 |
This is your chance to find out. |
| 01:00:52 |
If it doesn't work, |
| 01:01:06 |
We get on well, huh? |
| 01:01:11 |
We've been together six months now. |
| 01:01:22 |
Marie, |
| 01:01:24 |
how come you never bring people here? |
| 01:01:31 |
No relatives, no friends. |
| 01:01:36 |
Nobody. |
| 01:01:41 |
Because I love only you. |
| 01:01:44 |
There you go. |
| 01:01:52 |
No! Tell him I hate his guts. |
| 01:02:08 |
Hello? |
| 01:02:09 |
Joséphine? |
| 01:02:13 |
Yes. |
| 01:02:14 |
The George V bar, in an hour. |
| 01:02:23 |
Who was it? |
| 01:02:26 |
The hospital. I'm on duty. |
| 01:02:38 |
Tea. |
| 01:02:44 |
Got a light? |
| 01:02:46 |
The Regina basement, in an hour. |
| 01:03:19 |
Don't move. |
| 01:03:23 |
Legs apart. |
| 01:03:26 |
Joséphine. |
| 01:03:29 |
Sorry. |
| 01:03:52 |
Put that on. |
| 01:04:31 |
What do I do now? |
| 01:04:34 |
You wait. |
| 01:05:07 |
Room service, good morning. |
| 01:05:13 |
Certainly, sir. |
| 01:07:30 |
What do I do now? |
| 01:07:32 |
Go home. |
| 01:07:36 |
Is that all? |
| 01:08:05 |
Hello? |
| 01:08:07 |
Marie? |
| 01:08:11 |
Bob speaking. |
| 01:08:14 |
How are you? |
| 01:08:15 |
Fine. I'm just fine. |
| 01:08:19 |
I wanted to congratulate you. |
| 01:08:24 |
Thanks. |
| 01:08:26 |
Have you settled in? |
| 01:08:30 |
Yes, really well. |
| 01:08:34 |
I have a fiancé. |
| 01:08:36 |
Great. I'm glad everything's going well. |
| 01:08:41 |
I have to go now, Marie. |
| 01:08:46 |
Bob? |
| 01:08:47 |
Yes? |
| 01:08:50 |
I'd like you over for dinner. |
| 01:08:55 |
I'd be delighted. |
| 01:09:00 |
Bob? |
| 01:09:02 |
Uncle Bob? |
| 01:09:05 |
Come in. She's in the bathroom. |
| 01:09:09 |
Let me help you. |
| 01:09:11 |
You shouldn't have, for the flowers. |
| 01:09:18 |
Sorry. |
| 01:09:20 |
I'm really pleased |
| 01:09:23 |
to meet you. It's... |
| 01:09:26 |
I haven't met her family before. |
| 01:09:30 |
The others aren't worth it. |
| 01:09:39 |
I'll put it in the fridge before it gets cold. |
| 01:09:46 |
Delicious. Really. Wonderful, fine, light... |
| 01:09:49 |
Stop. I'll never be able to match that. |
| 01:09:55 |
I haven't seen her for a while. She's... |
| 01:09:58 |
She's radiant. |
| 01:10:03 |
My charm's really deceptive. |
| 01:10:07 |
It can take 10 or 15 years. |
| 01:10:19 |
Tell me, what was she like |
| 01:10:23 |
No, Marco. |
| 01:10:25 |
When she was 8 or so. |
| 01:10:27 |
Marco, you promised! |
| 01:10:29 |
It's him I'm asking, Marie, not you. |
| 01:10:32 |
See? I can't even ask questions. |
| 01:10:35 |
Do I ask you things? |
| 01:10:38 |
No, but I wish you would. |
| 01:10:40 |
I love you all the same. |
| 01:10:43 |
See? She's a brick wall. |
| 01:10:45 |
So people say. |
| 01:10:47 |
Marie! |
| 01:10:49 |
At 8, she was so pretty. |
| 01:10:57 |
She had golden hair in a pigtail. |
| 01:11:00 |
There was a cousin called Caroline. |
| 01:11:04 |
Only Caroline could touch her pigtail. |
| 01:11:12 |
She wore a ribbon, |
| 01:11:14 |
and always had white dresses. |
| 01:11:20 |
I only saw her when the family |
| 01:11:26 |
Between the cousins and neighbors, |
| 01:11:29 |
always causing trouble together. |
| 01:11:35 |
Marie had her specialty. She imitated frogs. |
| 01:11:43 |
She'd squat by the pond |
| 01:11:46 |
going, "Croak, croak." |
| 01:11:51 |
She'd come back, |
| 01:11:53 |
soaked to the skin, |
| 01:11:59 |
"I slipped," she'd say, |
| 01:12:06 |
That's just like her! |
| 01:12:09 |
Has she told you what I do? |
| 01:12:13 |
No. See, I can't ask her questions. |
| 01:12:18 |
I work in a travel agency. |
| 01:12:23 |
Two tickets to Venice. |
| 01:12:29 |
An engagement present. |
| 01:12:37 |
I don't know what to say. |
| 01:12:39 |
Don't say anything. |
| 01:13:01 |
Mahogany? |
| 01:13:07 |
I feel rough. |
| 01:13:43 |
Mind the step. |
| 01:13:50 |
This way! |
| 01:13:55 |
Oh, no, not the gondola, Marie! |
| 01:13:58 |
Not the gondola, not the gondola. |
| 01:14:15 |
-I want you. |
| 01:14:17 |
-I'm thirsty. |
| 01:14:19 |
-I'm hungry. |
| 01:14:21 |
Copycat! Undo my skirt! |
| 01:14:23 |
-Right away. |
| 01:14:27 |
No, take it off. |
| 01:14:28 |
Take it off! |
| 01:14:38 |
Here, hold this. |
| 01:14:43 |
We'd like some San Daniele ham, |
| 01:14:47 |
and two bottles of water. |
| 01:14:53 |
She's crazy. |
| 01:14:57 |
What did he say? |
| 01:15:00 |
He has the same problem. |
| 01:15:06 |
It's all okay, then? |
| 01:15:14 |
Don't move. |
| 01:15:20 |
Joséphine? |
| 01:15:24 |
Joséphine? |
| 01:15:30 |
Yes. |
| 01:15:31 |
The bathroom cabinet |
| 01:15:43 |
Fine, make that a green salad, then. |
| 01:15:48 |
Thank you. |
| 01:15:58 |
They're out of ham. |
| 01:16:00 |
Call the management. |
| 01:16:06 |
I want a bath. |
| 01:16:08 |
Relax and wait for room service. |
| 01:16:51 |
Joséphine, in position. |
| 01:16:53 |
The first items are under the sink. |
| 01:17:45 |
Assembly completed. |
| 01:17:47 |
Open the window. |
| 01:17:54 |
There's no fucking handle! |
| 01:17:56 |
I don't care! |
| 01:18:01 |
Sweetheart? |
| 01:18:04 |
Yes? |
| 01:18:05 |
Know what I'm thinking about? |
| 01:18:08 |
No. |
| 01:18:10 |
That day at the store. Your beauty. |
| 01:18:16 |
"I'll never have a girl like that |
| 01:18:20 |
"to share my life with. |
| 01:18:24 |
"Never." |
| 01:18:31 |
I can't believe I'm saying this. |
| 01:18:40 |
The white boat on the canal |
| 01:18:42 |
with a driver in a blue shirt. |
| 01:18:45 |
To the left, |
| 01:18:50 |
Take aim on them |
| 01:18:51 |
and get ready. |
| 01:18:53 |
We're awaiting orders. |
| 01:19:08 |
Yes. |
| 01:19:09 |
Can we talk? |
| 01:19:11 |
Okay, but stay there. |
| 01:19:18 |
Marie... |
| 01:19:25 |
I know questions piss you off. |
| 01:19:29 |
I don't know what's up, |
| 01:19:36 |
to put you in that state. |
| 01:19:40 |
But I've got an imagination, okay? |
| 01:19:48 |
The worst would be a relief. |
| 01:19:57 |
Who is it? |
| 01:19:58 |
Room service. |
| 01:20:01 |
Coming. |
| 01:20:08 |
Hello, sir. Beautiful day, isn't it? |
| 01:20:11 |
Weren't you out of ham? |
| 01:20:12 |
Sorry? |
| 01:20:14 |
Okay, it's no big deal. |
| 01:20:17 |
How many targets? |
| 01:20:19 |
One but double. |
| 01:20:21 |
What's he like? |
| 01:20:22 |
I haven't been informed yet. |
| 01:20:25 |
My name's Roberto. If you want to call me... |
| 01:20:27 |
Yeah, Harry Vederchi. |
| 01:20:33 |
Target visible in 10 seconds. |
| 01:20:46 |
Which one of them is it? |
| 01:20:48 |
I haven't the data yet. |
| 01:20:52 |
The target, damn it! |
| 01:20:54 |
The woman. |
| 01:20:56 |
The woman in brown. |
| 01:20:58 |
For Christ's sake, the woman! |
| 01:21:01 |
The fucking woman! |
| 01:21:10 |
What's up? Why don't you respond? |
| 01:21:13 |
You promised not to come in. |
| 01:21:15 |
I know, but I heard a noise... |
| 01:21:18 |
I spent 15 minutes at the door. |
| 01:21:38 |
You didn't hear me, huh? |
| 01:21:53 |
Fine. |
| 01:21:57 |
This'll keep you going. |
| 01:22:53 |
Miss? |
| 01:22:55 |
Hot chocolate. Cake. |
| 01:23:04 |
Interested in my vacation? |
| 01:23:08 |
I know you and your sadistic games. |
| 01:23:13 |
You're sick, Bob. I need to tell you that. |
| 01:23:18 |
Your job's a sewer for you. |
| 01:23:23 |
I'm happy to see you. |
| 01:23:29 |
I miss the time |
| 01:23:33 |
An ambassador, leaving in five months. |
| 01:23:36 |
Get him before he goes. |
| 01:23:40 |
You've got five months. |
| 01:23:44 |
I thought of you. |
| 01:23:50 |
Always on two jobs at once, huh? |
| 01:23:54 |
It's to show I love you. |
| 01:24:30 |
What a welcome! I'll try again. |
| 01:24:40 |
There, that's much better. |
| 01:24:46 |
From now on, |
| 01:24:50 |
-Exactly. |
| 01:24:52 |
You bet! |
| 01:24:53 |
-Champagne! |
| 01:25:09 |
Who taught you to smile? |
| 01:25:11 |
You did. |
| 01:25:15 |
I think we should move. |
| 01:25:17 |
I thought something bigger |
| 01:26:01 |
He's seeing his mistress there. |
| 01:26:10 |
Got a light? |
| 01:26:12 |
See you later. |
| 01:26:25 |
Sorry, I got held up. |
| 01:26:30 |
Maximilien Jedreck, posted in Paris |
| 01:26:34 |
He's keeping data in the embassy safe, |
| 01:26:38 |
waiting until he goes home. Classic. |
| 01:26:41 |
What sort of data is it? |
| 01:26:43 |
All sorts: computing, |
| 01:26:49 |
Who's the girl? |
| 01:26:51 |
Anne-Marie. Been together for two years. |
| 01:26:55 |
Seems safe enough. |
| 01:26:59 |
We're not interested in him. |
| 01:27:02 |
We're after the companies selling the data, |
| 01:27:06 |
and to get them, we need proof. |
| 01:27:10 |
The proof's in the embassy safe? |
| 01:27:12 |
Yeah, and the keys are in his pocket. |
| 01:27:15 |
So we know where to look. |
| 01:27:18 |
Relations are strained. |
| 01:27:24 |
Try to work magic, not havoc. |
| 01:27:43 |
Sweetheart? |
| 01:27:54 |
Sweetheart? |
| 01:28:04 |
Shit, you scared me! |
| 01:28:24 |
How do you smell so good in a hospital? |
| 01:28:29 |
That's my secret. |
| 01:28:37 |
Tell me about |
| 01:28:43 |
Tonight's the last. |
| 01:30:23 |
Damn paintings! |
| 01:30:26 |
I'm to look after you. |
| 01:30:35 |
Marie-Hélène, how do you do? |
| 01:30:41 |
How do you do? |
| 01:30:59 |
I won't be long. |
| 01:31:17 |
That'll take some selling. |
| 01:31:24 |
Who's it by? |
| 01:31:26 |
A guy who was a pain in the neck |
| 01:31:31 |
What'll you drink? |
| 01:31:34 |
Whiskey. |
| 01:31:52 |
So you work with Anne-Marie? |
| 01:31:55 |
Sometimes. Dad's gallery's near hers. |
| 01:31:59 |
In the same street? |
| 01:32:01 |
Yes, a bit further up. |
| 01:32:07 |
A bit further up, a bit further up. |
| 01:32:17 |
Ah, I see. |
| 01:32:20 |
Thank you. |
| 01:32:23 |
After the Finnish gallery. |
| 01:32:27 |
No, further up. |
| 01:32:29 |
Your elbow! |
| 01:32:33 |
Glug-glug. |
| 01:32:46 |
Lie down. It's time to sleep. |
| 01:33:18 |
Christian, it's just a housewife coming up. |
| 01:33:22 |
Okay, message received. |
| 01:33:37 |
-Joséphine? |
| 01:33:40 |
The ambassador uses a code |
| 01:33:43 |
Yeah, but we got it. |
| 01:33:45 |
They changed it. |
| 01:33:47 |
Surveillance just told me. |
| 01:33:50 |
So we drop everything? |
| 01:33:52 |
Hold on, I'll find out. |
| 01:34:08 |
No, mission maintained. |
| 01:34:10 |
-What do you mean? |
| 01:34:16 |
It's my mission, for six months... |
| 01:34:18 |
Shut it! Orders are orders! |
| 01:34:20 |
Mission maintained with maximum priority. |
| 01:34:24 |
Fuck your goddamn cleaner! |
| 01:34:32 |
Shall we get out? |
| 01:34:38 |
No, we wait and talk to him. |
| 01:35:05 |
Maurice? |
| 01:35:15 |
Maurice, who's coming up? |
| 01:35:34 |
It's okay. It's okay! |
| 01:35:36 |
Calm down! Calm down! |
| 01:35:38 |
Okay! |
| 01:35:40 |
I'll go. |
| 01:35:46 |
Victor, the cleaner. |
| 01:35:57 |
Bathroom? |
| 01:35:58 |
Over there. |
| 01:36:00 |
Bring that one, too. |
| 01:36:13 |
And the driver? |
| 01:36:14 |
In the trunk. |
| 01:36:18 |
Go on then, talk to him. |
| 01:36:20 |
Drop it, okay? Maybe you've a better idea? |
| 01:36:36 |
Victor, we've got to talk first. |
| 01:36:39 |
After. |
| 01:36:43 |
What are you doing? |
| 01:36:44 |
Cleaning up your shit. |
| 01:36:49 |
Fuck, he's not dead! |
| 01:36:54 |
You're out of your mind! |
| 01:36:56 |
Hold him down, asshole! |
| 01:36:58 |
-I've had it! |
| 01:37:00 |
Here, here! I've had it! |
| 01:37:03 |
Shut your mouth. |
| 01:37:04 |
Calm down. Help me. |
| 01:37:06 |
You go to the embassy! Here are the keys! |
| 01:37:09 |
Cut it out, asshole! |
| 01:37:11 |
Yeah, I'll cut it out! |
| 01:37:14 |
Stop it! |
| 01:37:44 |
Victor... |
| 01:37:46 |
I'd better call for orders, huh? |
| 01:37:51 |
Victor! No, no, Victor! |
| 01:37:56 |
I don't stop missions in progress. |
| 01:37:59 |
You'll make no calls. |
| 01:38:01 |
We're going to finish this |
| 01:38:35 |
I'd better come. |
| 01:38:37 |
No, you'd better not. |
| 01:38:42 |
And just calm down. Calm down. |
| 01:38:45 |
See you in an hour. |
| 01:42:41 |
You said an hour. |
| 01:42:47 |
Time to clean up. |
| 01:42:48 |
No! You're not cleaning anything, Victor. |
| 01:42:52 |
We'll just go for a little drive. |
| 01:42:56 |
Okay? |
| 01:43:01 |
The mission's not over. |
| 01:43:05 |
Please, Victor. I can't take any more of this. |
| 01:43:10 |
Please, let's go! |
| 01:43:17 |
Who's that? |
| 01:43:19 |
I don't know. |
| 01:43:21 |
Sir? What's happening, sir? |
| 01:43:25 |
Oh, shit! |
| 01:43:32 |
Let's get out of here! |
| 01:43:43 |
They're ready. |
| 01:43:45 |
Nothing's wrong. |
| 01:43:47 |
False alert. Calm down. |
| 01:44:02 |
They've shut the gate. We can't get out. |
| 01:44:06 |
We'll call back. |
| 01:44:08 |
Stop! |
| 01:44:13 |
-A quick drive and we'll call back. |
| 01:46:07 |
Move over. |
| 01:46:27 |
Look at me, Marie. |
| 01:46:42 |
My poor love. |
| 01:46:48 |
They'll wear you out. |
| 01:46:51 |
The job's too tough for you. |
| 01:46:56 |
Look at your tiny hands. |
| 01:47:00 |
They need protecting. |
| 01:47:05 |
They mustn't get old. |
| 01:47:11 |
Stop before it's too late. |
| 01:47:18 |
Why do you say that? |
| 01:47:25 |
I know everything, Marie. |
| 01:47:30 |
There never has been |
| 01:47:38 |
I also know about |
| 01:47:43 |
the stakeouts, the tailings, |
| 01:47:46 |
the video cassettes. |
| 01:47:50 |
Why didn't you say so? |
| 01:47:54 |
Because I love only you. |
| 01:48:02 |
Thank you. |
| 01:48:23 |
My little Marco. |
| 01:48:30 |
You're the most beautiful person I ever met. |
| 01:48:39 |
The only one who helped me, too. |
| 01:48:48 |
Are you going away? |
| 01:49:02 |
Got a little place for me? |
| 01:49:05 |
You're better in a big place. |
| 01:49:32 |
I love you. |
| 01:50:42 |
Mathieu! I'll go up first. |
| 01:50:45 |
I'll call if there's trouble. |
| 01:51:00 |
Come to shoot me? |
| 01:51:02 |
No. |
| 01:51:09 |
Don't you think |
| 01:51:12 |
she's paid her dues? |
| 01:51:15 |
Hasn't she the right to live? |
| 01:51:21 |
Her life's been ruined. |
| 01:51:23 |
I know all that. |
| 01:51:25 |
But she ruined a life a few years ago. |
| 01:51:28 |
A policeman's. |
| 01:51:31 |
Those are heavy dues. |
| 01:51:35 |
She killed for you, too. |
| 01:51:37 |
It only counts when it suits you. |
| 01:51:47 |
Okay, Marco, |
| 01:51:51 |
I'm listening. What do you want me to do? |
| 01:51:55 |
Protect her. |
| 01:52:01 |
I'll try, |
| 01:52:03 |
but she's in danger, Marco. |
| 01:52:06 |
She took the embassy documents. |
| 01:52:09 |
She's out of danger, then. |
| 01:52:40 |
She left you a note, |
| 01:52:42 |
but I tore it up. |
| 01:52:47 |
What did it say? |
| 01:53:11 |
We'll miss her, huh? |
