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Nines The en
00:03:34	You sell crack?
00:03:39	No, it's cool. I'm only a cop on TV.
00:03:42	How much... right on.
00:04:03	Is this crack?
00:04:05	You know how to do it?
00:05:13	Yes. Yes, hello.
00:05:15	I'm having a medical situation.
00:05:20	Yeah, okay,
00:05:26	I do not have a belly button
00:05:32	and I'm concerned
00:05:36	Can a person live
00:05:40	'Cause if you think about it,
00:05:44	and if you don't have one
00:05:47	and it's really hazy
00:05:51	I guess I'm wondering...
00:05:56	...am I alive?
00:06:00	Or what if I'm God?
00:06:04	I don't think I need an ambulance,
00:06:06	but I should probably
00:06:09	Yeah, I should.
00:07:04	Like you've never done worse!
00:07:07	Okay, yes, he totaled a car,
00:07:09	but it was
00:07:11	Why doesn't that
00:07:13	He was heartbroken, betrayed.
00:07:16	You say you understand,
00:07:20	You're like a big, giant Vulcan.
00:07:22	He's coming.
00:07:24	Hi. Margaret.
00:07:29	- Gary.
00:07:32	We need to go out the back.
00:07:37	- Are there reporters out front?
00:07:40	Not Hugh Grant level,
00:07:42	When he broke into that family's house
00:07:46	I handled episodes two
00:07:48	so this sort of thing
00:07:52	Okay, just so it's said,
00:07:55	I didn't mean
00:07:58	Yeah, and I didn't mean to eat my way
00:08:01	but I did, and it's healthier
00:08:04	So, this flammable house
00:08:06	belongs to one of Lola's
00:08:09	who is currently shooting
00:08:12	- An actor?
00:08:14	So, for the next six weeks,
00:08:19	I say feel free to wear his clothes.
00:08:21	He'll probably get
00:08:23	The gays.
00:08:24	He has dogs.
00:08:26	Yeah, they're away at summer camp.
00:08:28	Now, try the bed.
00:08:36	It's fine.
00:08:38	- Comfortable?
00:08:40	Look, Gary, I know this
00:08:46	I want you to feel
00:08:49	- I do.
00:08:52	Your number-one fan!
00:08:54	But if you fuck this up,
00:08:56	I will smash your ankles
00:09:00	And that wouldn't be comfortable
00:09:05	Nine dogs ran through the field.
00:09:10	The koala sits in the tree.
00:09:15	It's computer voice-recognition.
00:09:17	The parole system can call
00:09:20	If you don't pick up
00:09:22	the police come
00:09:25	What if I'm not here?
00:09:28	That's why they call it
00:09:30	You stay inside your house.
00:09:34	He can take direction,
00:09:37	I'll be coming by twice a day
00:09:39	I should be
00:09:42	no pals, no buddies,
00:09:45	I don't do heroin.
00:09:46	Yeah, crack is classy.
00:09:49	And I'm not buying you porn.
00:09:50	There's spray-per-view
00:09:52	Great, 'cause I really
00:09:54	about my career,
00:09:56	- I just wanted to jerk off.
00:10:04	Come on, all my numbers
00:10:06	Dial ten digits at random.
00:10:08	Whoever answers will be better
00:10:11	You have my cell number,
00:10:14	You're fine, right?
00:10:18	Bad idea.
00:10:22	Be good!
00:11:33	Keep it.
00:11:37	Someone was trying
00:11:40	Someone failed.
00:11:43	Once we get these samples
00:11:47	we'll know
00:13:07	Somebody there?
00:13:10	Hello!
00:13:28	Hello?
00:13:30	Yes.
00:13:36	Nine leopards
00:13:41	I bought two cakes
00:13:47	The house is haunted.
00:13:49	There's a zeitgeist
00:13:51	Poltergeist, and no.
00:13:53	Maybe they were rats.
00:13:55	They live in the palm trees.
00:13:58	Maybe.
00:14:00	Okay, you know,
00:14:03	Really?
00:14:04	No, I'm a publicist.
00:14:07	My job is what
00:14:09	not what you think of yourself,
00:14:12	I am this close to getting
00:14:13	Christine Walsh to do
00:14:15	Parade? I fucking hate Parade.
00:14:18	Everybody hates Parade,
00:14:19	but the people that watch Crim9 Lab
00:14:23	One heartfelt act of contrition,
00:14:26	won't kill off your character
00:14:29	I swear to God,
00:14:31	I'm not crazy.
00:14:34	Exactly. Exactly.
00:14:57	Sorry! I'm sorry.
00:15:00	Over here, to your left.
00:15:02	Right. Sorry, right.
00:15:05	I was practicing my putting,
00:15:08	Not really.
00:15:13	Okay, maybe I was
00:15:16	to meet my infamous neighbor.
00:15:19	You see, I'm under house arrest too.
00:15:21	What'd you do?
00:15:23	I had sex with my husband.
00:15:28	That's awful.
00:15:30	Nine months later,
00:15:33	That's her over there.
00:15:34	She's a cutie.
00:15:36	She's sleeping for another...
00:15:40	Seventeen minutes.
00:15:42	She seems really boring.
00:15:44	She is.
00:15:47	You're rich.
00:15:50	Shouldn't you have
00:15:52	I'm Canadian.
00:15:54	Can't work in the U.S.
00:15:56	Plus, I want to keep
00:16:00	by doing everything myself.
00:16:02	Very Canadian.
00:16:03	Thanks.
00:16:09	Jaden goes down again
00:16:12	Maybe I could stop by?
00:16:13	I'm pretty sure I'll be here.
00:16:16	It's a date.
00:16:18	Is it?
00:16:24	- I'm Sarah, by the way.
00:16:28	Yeah, I know.
00:18:29	"The best of all possible worlds."
00:18:33	Okay.
00:18:35	Voltaire, Candide.
00:18:39	I thought I was.
00:18:42	Sorry I bailed.
00:18:44	How boring of her.
00:18:47	Housewarming gift!
00:18:49	Demon liquor.
00:18:50	And the best part is I can drink it.
00:18:54	So did I.
00:18:56	It's hard to prove
00:18:58	to burn my ex-girlfriend's stuff
00:19:01	Yeah, fire's tricky that way.
00:19:03	Yeah. How 'bout you?
00:19:05	Any history of arson?
00:19:08	Strangely enough...
00:19:11	I knew it. I could see
00:19:13	Well, it wasn't arson, probably.
00:19:18	When I was a little girl,
00:19:21	Oh, shit.
00:19:22	I'll never forget the look
00:19:25	as he gathered me up
00:19:27	through the burning building
00:19:31	I stood there,
00:19:33	and watched the whole world
00:19:38	And when it was over,
00:19:41	"Is that all there is to a fire?"
00:19:45	Is that all there is?
00:19:49	Is that all there is?
00:19:53	Is that all there is?
00:19:57	If that's all there is, my friends
00:20:01	Then let's keep dancing
00:20:05	Let's break out the booze
00:20:08	And have a ball
00:20:13	If that's all there is
00:20:21	And then I met
00:20:25	We would take long walks
00:20:27	We'd sit for hours
00:20:30	We were so very much in love.
00:20:33	And then one day he went away,
00:20:36	and I thought I'd die, but I didn't.
00:20:39	And when I didn't, I said to myself,
00:20:43	"Is that all there is to love?"
00:20:50	Is that all there is
00:20:53	Is that all there is
00:20:57	If that's all there is, my friends
00:21:01	Then let's keep...
00:21:03	I know what you're thinking.
00:21:05	If that's the way she feels about it,
00:21:09	Oh, no.
00:21:11	I'm in no hurry
00:21:15	I know as sure as I'm
00:21:20	that when
00:21:21	and I'm breathing my last breath,
00:21:24	I'll be saying to myself...
00:21:27	Is that all there is
00:21:30	Is that all there is
00:21:34	If that's all there is, my friends
00:21:38	Then let's keep dancing
00:21:41	Let's break out the booze
00:21:50	If that's all...
00:21:54	- I need to go.
00:21:59	Sorry, sorry.
00:22:00	Where are my shoes?
00:22:01	- Wait, just...
00:22:03	Don't worry about it. Just...
00:22:05	I should go. Good-bye.
00:22:08	You coming back?
00:23:04	And if that mockingbird won't sing
00:23:07	Mama's gonna buy you
00:23:11	And if that cart and bull fall down
00:23:14	You'll still be the sweetest
00:23:19	Good night, sweetheart.
00:23:20	Good night.
00:23:25	The cat says, "Meow."
00:23:27	The pig says, "Oink."
00:23:29	The cow says, "Moo."
00:23:33	The cow says, "Moo."
00:23:36	The cow says, "Moo."
00:23:39	The dog says, "Nine.
00:23:41	Nine, nine, nine, nine."
00:23:48	Hello?
00:23:51	Yes.
00:23:55	Two trains run through the forest.
00:24:04	Nine, nine, nine, nine, nine...
00:24:55	Fuck.
00:25:02	Jesus, you scared
00:25:09	What... I don't... I'm sorry.
00:25:12	Oh, no, I'm...
00:25:15	I'm fine. I'll be fine, yeah.
00:25:20	Where are your parents?
00:25:25	No, no, no, your mom and dad.
00:25:31	I don't know what you're saying.
00:25:32	Look, hey, look,
00:25:35	so just go back
00:25:40	You shouldn't be out here.
00:25:43	It's not safe for you to be out here.
00:25:53	Oh, shit.
00:26:05	Evening, Officers.
00:26:12	Once again, house arrest means
00:26:16	Think of it like
00:26:18	Think of it like
00:26:20	If you even go more than
00:26:23	the cops come,
00:26:25	If you ever try to take it off,
00:26:28	and they throw your ass in jail.
00:26:29	If they ever detect drugs
00:26:32	Cops come.
00:26:34	No, I kick your ass.
00:26:38	Then the cops come
00:26:40	Do I still have to answer the phone?
00:26:41	I'll be doing that from now on.
00:26:44	I don't need a babysitter.
00:26:47	Despite all evidence
00:26:49	Don't worry,
00:26:51	Who do you think taught
00:27:00	Let's never hear that again!
00:27:02	...ninety-seven,
00:27:07	One hundred feet.
00:27:11	Behold, the edge of your world.
00:27:14	In the world,
00:27:16	In the world,
00:27:20	Hey, I'm dancing!
00:27:26	Sure, absolutely.
00:27:28	So the guy's like,
00:27:30	And I say, "That's what it says
00:27:33	- Lies.
00:27:35	So he says to me,
00:27:38	- Epée!
00:27:41	- Which is true!
00:27:43	Anyway, he throws me
00:27:47	And then he just starts
00:27:51	I'm just swinging.
00:27:52	I'm just trying to stay alive,
00:27:55	and I end up accidentally
00:27:57	You cut off his ear?
00:27:58	Yeah... well, no, no,
00:28:00	But I ended up getting the job.
00:28:02	Wait, you were in
00:28:05	Yeah. No, no.
00:28:07	No, not the movie, the ride.
00:28:09	I was all, like, "Arr, keep
00:28:15	Don't. No finger.
00:28:17	Good night, fuckface.
00:28:19	Good night, you filthy whore.
00:28:27	It's incredible.
00:28:29	Whenever I see them,
00:28:33	I was born at the wrong time.
00:28:35	Exactly.
00:29:14	- Where's the warden?
00:29:16	Quite the little missus.
00:29:21	- How's Jaden?
00:29:23	We haven't had nearly the grand old time
00:29:26	You've been watching.
00:29:27	Well, I don't want
00:29:30	My affairs?
00:29:31	Everyone needs affection.
00:29:33	I don't. Are you seriously jealous?
00:29:36	The opposite.
00:29:39	- From what?
00:29:42	Look at you. You date models,
00:29:46	Yeah?
00:29:47	On a scale of one to ten,
00:29:50	We both know
00:30:02	What are the nines?
00:30:03	What?
00:30:05	"Look for the nines"?
00:30:09	It's not mine.
00:30:10	- It's your handwriting.
00:30:13	Okay.
00:30:28	Allee... allee... all come free.
00:30:32	What?
00:30:34	Nothing.
00:30:35	Seriously. What?
00:30:38	Nothing. I thought you were...
00:30:42	Forget it. Done. Sorry.
00:31:05	Hiya. Hi.
00:31:08	What?
00:31:10	I have to take this.
00:31:12	Who thought
00:31:14	to let Courtney
00:32:04	I know who you are.
00:32:09	- Really.
00:32:11	If you come near him again...
00:32:13	You'll what?
00:32:16	What are you gonna do about it?
00:32:20	Sorry, what's he calling you?
00:32:22	Margaret.
00:32:23	I like that. Margaret. Classic.
00:32:27	- Why don't you leave him alone?
00:32:29	He can't be left alone.
00:32:32	If no one's watching him,
00:32:36	And for the record...
00:32:39	I'm not the one deceiving him.
00:32:43	He'll figure it out eventually,
00:32:45	and when he does, who do you
00:33:06	Good night, rat face.
00:33:09	Good night.
00:33:55	Hey, neighbor.
00:33:58	Sorry for the psychotic episode.
00:34:01	Okay.
00:34:04	Are you okay?
00:34:05	You look a little Beautiful Mind-ish.
00:34:09	How many times should
00:34:13	Probablistically?
00:34:15	"Probablistically"?
00:34:17	You know what I mean.
00:34:20	One time out of ten.
00:34:22	How about every time?
00:34:26	But they only show up
00:34:29	Looking for them changes things.
00:34:34	Some of these are prices,
00:34:37	There's something wrong.
00:34:41	There's something wrong
00:34:47	I can get you out of here,
00:34:52	Good morning.
00:34:57	Peachy.
00:34:58	Peachy's good.
00:35:03	You want coffee?
00:35:04	Yeah.
00:35:15	What do I do?
00:35:18	Do you trust me?
00:35:38	You okay?
00:35:39	No.
00:35:42	Tell me about the nines.
00:35:44	The nines?
00:35:46	The nines.
00:35:49	It's sort of hard to start there.
00:35:50	Try, and don't tell me
00:35:55	'cause they're showing up everywhere,
00:35:59	Best guess?
00:36:00	They're your subconscious
00:36:09	I'm a nine?
00:36:10	Yes.
00:36:12	Doesn't make much sense
00:36:16	You're not gonna
00:36:19	we've known each other
00:36:24	One day when I was 12,
00:36:26	you called me out of the blue
00:36:28	and we've been talking
00:36:31	Talking.
00:36:33	On the phone, usually.
00:36:36	I never met you
00:36:40	You, Gary, never met me, no,
00:36:43	but you're not always...
00:36:47	I can understand
00:36:50	No, no.
00:36:52	I'm a lot confused.
00:37:08	Theories?
00:37:11	- This is all a dream?
00:37:16	- I'm in a coma?
00:37:21	Then I'm dead?
00:37:24	This is hell or a purgatorium
00:37:28	Okay, purgatorium
00:37:31	but no, this is as real
00:37:36	What does that mean?
00:37:38	Everything is what it is,
00:37:41	but you're not
00:37:46	God, no, Gary, please don't.
00:37:49	You can't trust her.
00:37:52	You don't know
00:37:54	Okay, so what happens
00:37:57	I don't know,
00:38:13	Shit.
00:38:30	Previously
00:38:33	Gavin Taylor is one
00:38:36	Every network would kill
00:38:39	- Good to see you!
00:38:41	My name's Gavin Taylor.
00:38:44	Knowing is a one-hour drama
00:38:46	about a woman
00:38:48	She believes that her daughter
00:38:51	Even way back into The Fugitive,
00:38:54	the full setup
00:38:57	Knowing is not
00:38:59	not the popular kind of
00:39:03	where we get all the answers.
00:39:04	...trying to figure out how long
00:39:06	is the attention span
00:39:09	So, boil it down for me.
00:39:10	Give me one line that we
00:39:14	Basically, it's like
00:39:21	My favorite movie.
00:39:26	We sold it in the room.
00:39:29	Just tell me Roger
00:39:31	You're shooting a pilot.
00:39:32	Melissa McCarthy is my first
00:39:35	...writing a show
00:39:39	- Really?
00:39:40	Gavin and I have been
00:39:43	It's delightful to be working
00:39:46	and it's, you know,
00:39:48	a fantastic script,
00:39:50	Gilmore Girls has been great,
00:39:52	but, you know,
00:39:54	and to have something
00:39:57	I totally trust Gavin.
00:39:59	The only way we can afford
00:40:02	- I can't believe we're shooting it...
00:40:05	This is not an argument
00:40:07	It's really hard to think about
00:40:13	Puggies.
00:40:16	Action.
00:40:40	Puggies!
00:40:45	Where's your brother?
00:40:46	It's just so weird being back.
00:40:49	It just doesn't feel like
00:41:19	At this stage,
00:41:20	you have the script that you wrote
00:41:23	but you don't know how
00:41:25	You just know how
00:41:40	Understand?
00:41:44	You want to see
00:41:46	Okay, hit play. This button.
00:41:52	There's you and there's Daddy.
00:41:56	Oh, a little movie star.
00:42:02	Oh, he'll be back soon.
00:42:08	I don't know if we need
00:42:11	I think we want to get
00:42:14	- The story's so strong.
00:42:18	Is there any way
00:42:19	about why Mary's
00:42:22	Wow... I think it's
00:42:27	It is, it's dramatic,
00:42:29	that's Roger's
00:42:31	is never let the audience
00:42:33	Oh, my God, that's just
00:42:37	No, it's just, you know,
00:42:40	Humor. You know, life is full
00:42:43	I'm just wondering if there
00:42:47	I invited Susan to see a rough cut
00:42:50	More importantly, I trust her
00:42:54	...to give the audience a little...
00:42:59	Yeah, I mean...
00:43:00	Unfortunately, in this process,
00:43:03	it comes down to the decision of
00:43:07	I was thinking
00:43:09	to El Cholo for dinner tonight.
00:43:11	How do you feel about
00:43:14	Should we ask Daddy
00:43:19	He's not coming back.
00:43:22	Okay, stop.
00:43:24	We just need to slip a wild line
00:43:27	What's the line?
00:43:29	"How could you."
00:43:31	- How could you.
00:43:33	It sounds like kosher
00:43:35	"Hey, Schmuley!
00:43:38	I know. It's just
00:43:43	They really think
00:43:45	The dumb people might not.
00:43:48	I didn't think we were
00:43:51	Yeah.
00:43:53	He's not coming back.
00:43:56	How could you?
00:43:58	How could you?!
00:44:00	How could you.
00:44:01	How could you.
00:44:04	How could you...?
00:44:05	- One more.
00:44:07	Cut. Perfect.
00:44:08	- I feel so dirty.
00:44:13	I like that one.
00:44:17	I want to thank you all
00:44:20	The show is Knowing.
00:44:23	Here, in this audience today,
00:44:26	and after it's over,
00:44:29	and we'll all fill out
00:44:31	That being said,
00:44:48	Please take as much time
00:44:50	There's no rush
00:44:52	When you are finished, we're gonna
00:44:56	men and women...
00:45:00	One of the most important things
00:45:03	is how you feel
00:45:05	If you like the characters,
00:45:06	you're more likely
00:45:10	Let's find out about
00:45:12	Show of hands...
00:45:14	the character of Gabriel?
00:45:15	One, two, three, four, five, six.
00:45:18	How 'bout Mary?
00:45:20	One, two, three, four.
00:45:23	Noelle?
00:45:25	One, two, three, four,
00:45:28	So, it's everybody.
00:45:29	Sierra?
00:45:31	One, two, three, four.
00:45:33	That's it?
00:45:35	Is there anything confusing
00:45:38	that's not resolved for you?
00:45:40	Look at this guy.
00:45:42	His eyes are shut.
00:45:45	I hate it in movies
00:45:47	leave the car windows down
00:45:50	- So they can see the camera?
00:45:53	Want to see the camera?
00:45:54	Was this an issue
00:45:56	One.
00:45:58	Any other confusions?
00:46:00	Yeah. Was the little girl deaf
00:46:05	Is the little girl deaf or mute...
00:46:08	I'm saying what would
00:46:10	I'm not saying I don't know.
00:46:11	Come on. We're not signing to her,
00:46:15	We're just speaking to her,
00:46:18	I thought that was quite clear.
00:46:20	That guy's staring at me.
00:46:22	He can't see you.
00:46:26	God, he's staring at me.
00:46:28	I just waved,
00:46:33	He can't see you.
00:46:38	Susan, he's looking right at me.
00:46:41	You didn't raise your hand
00:46:44	- It's not real.
00:46:46	The show's not real.
00:46:49	What, are you fucking blind?!
00:46:50	You think you're
00:46:53	You are trapped here
00:46:56	Get out. Get out!
00:46:58	Oblivio accebit!
00:47:08	Oh, my God.
00:47:11	You okay?
00:47:13	Yeah, but what was that?
00:47:16	Oh, my God.
00:47:18	I don't know.
00:47:21	I mean, the show's a little bit twisted,
00:47:25	What did he say?
00:47:27	He said, "Oblivio accebit."
00:47:31	It's Latin,
00:47:35	What does that mean?
00:47:37	Other than the world
00:47:40	"Oblivio" can also mean forgetting.
00:47:43	Forgetfulness.
00:47:48	But I think that's
00:47:51	Forget it.
00:47:52	He was a terrible comedian
00:47:55	Oh, my God, Pauly Shore.
00:47:56	You're not helping me at all!
00:48:01	Designer that was killed in Miami
00:48:04	Gianni Versace!
00:48:06	One word for both of them.
00:48:08	Brangelina.
00:48:12	This is a hard one,
00:48:16	You're giving...
00:48:19	because that's... you're...
00:48:25	...three weeks later.
00:48:34	Did you have a chance
00:48:36	From the screening?
00:48:38	Pardon me.
00:48:41	- Daddy needs a drink.
00:48:44	Hey, woman! Where's my drink?
00:48:46	I'm-a comin'!
00:48:50	People will write things
00:48:52	that they won't say
00:48:54	They get more specific.
00:48:55	Roger says, you know,
00:48:58	who score you
00:49:00	because they're never
00:49:02	- Instead, look for the nines.
00:49:06	They're the ones
00:49:09	the best thing
00:49:11	They get your vision,
00:49:14	Round two is starting
00:49:17	- You gonna look at those cards?
00:49:20	- Yeah?
00:49:41	Sometimes the numbers
00:49:43	that you didn't want to admit to yourself,
00:49:47	Well, her overall scores were okay,
00:49:49	but if you look at the people
00:49:52	the one consistent dip
00:49:55	There's some sort of subtle
00:50:00	Well, Gavin, the show is testing
00:50:03	but it's not doing well in the urban areas,
00:50:07	We've got a major problem,
00:50:09	and I really need you
00:50:12	It's Melissa, and it's just
00:50:15	If you'd read the cards,
00:50:17	I read some of the cards,
00:50:20	I don't believe you can let
00:50:24	They're not connecting to Melissa.
00:50:27	I am with you on the fact
00:50:29	your traditional lead
00:50:32	She doesn't have
00:50:34	There's so much to set it up.
00:50:35	That's one of the challenges
00:50:38	- But the network still likes the show.
00:50:41	Okay, how about above Roger?
00:50:43	Roger's calling the shots on this.
00:50:44	But we all know that Roger
00:50:47	- That is true.
00:50:49	- I'm wondering if they liked the show.
00:50:52	They're gonna watch
00:50:55	That's what I'm telling you.
00:50:56	I want to have something
00:50:59	Why are you focusing
00:51:02	She's our biggest concern.
00:51:04	She's also the biggest star
00:51:06	No, no, no.
00:51:09	Roger has a huge deal with you,
00:51:10	and he went along with casting Melissa
00:51:14	Hooray for Roger.
00:51:15	I don't understand
00:51:18	Meet with someone.
00:51:20	- Who?
00:51:24	I know you like her.
00:51:25	Oh, God.
00:51:28	The network has
00:51:30	Yes, and they put her
00:51:33	That's dead.
00:51:36	But the network,
00:51:38	so if she could just
00:51:40	Just jump over to my show?
00:51:41	There's no such thing...
00:51:45	and I brought this up
00:51:47	You guys kept pushing
00:51:49	and I kept saying Melissa,
00:51:52	You kept pushing Melissa on us,
00:51:55	You're very lucky
00:51:58	Roger is willing to re-shoot
00:52:03	Is this really
00:52:07	This is about getting
00:52:11	I need you to focus on that.
00:52:17	That's my job.
00:52:20	- Hey, hi.
00:52:21	- Hey, hi.
00:52:21	- Well, nice to...
00:52:24	Absolutely. I've been looking
00:52:27	- I have a question for you.
00:52:29	Is it "Dalia" or "Dahlia"?
00:52:31	Thank you for asking.
00:52:33	- Dalia. I knew it!
00:52:35	I contested this
00:52:36	Well, good.
00:52:38	We have the same birthday.
00:52:40	I wanted to see everything you...
00:52:43	Same year, same day,
00:52:45	- Are you kidding me?
00:52:47	- Isn't that cool?
00:52:49	- November 21 st.
00:52:51	So you're completely
00:52:54	- She works more than me!
00:52:57	because she gave up
00:53:00	She's a very strong character,
00:53:02	and I'm attracted
00:53:04	Yeah, I'm hoping
00:53:07	and obviously collaborate
00:53:11	I mean, I see why
00:53:14	She's adorable,
00:53:16	you know, I wrote
00:53:18	She's one of my best friends,
00:53:22	Could Dahlia do it?
00:53:24	Absolutely. She's terrific.
00:53:27	It could work, I just don't know
00:53:32	When I get stressed out,
00:53:34	It's my therapy.
00:53:35	Can't have them on my computer
00:53:38	I love these games
00:53:41	Iose yourself a little bit in them.
00:53:43	I love that it's a different world
00:53:46	They're better than real life,
00:53:48	because when you get stuck,
00:53:52	That's what life needs.
00:53:55	I have to let Melissa go.
00:53:59	What happens
00:54:02	If I don't let Melissa go?
00:54:08	My world ends, so...
00:54:11	I can't let that happen.
00:54:13	If we're gonna replace Melissa,
00:54:16	Roger's on a plane to London,
00:54:17	but I talked with him before he left,
00:54:20	What does that mean?
00:54:22	It means yes.
00:54:24	Yes, replace Melissa?
00:54:26	Roger wants your show
00:54:30	and I just got off the phone
00:54:34	and she loves, loves you.
00:54:35	What about Melissa?
00:54:36	- You want me to call her agents?
00:54:39	No, I'll tell her.
00:54:52	As long as he needs me
00:55:00	I know where I must be
00:55:03	I am trying to get
00:55:08	that I'm trying to squeeze
00:55:11	When you add that cry to the voice:
00:55:13	As long as...
00:55:18	I've always been kind of
00:55:21	You know, they're kind of
00:55:25	I went to private
00:55:27	so I have a lot of... nuns.
00:55:32	I'm sorry.
00:55:35	I'm sorry, I'm sorry.
00:55:37	I have to take this. I'm so sorry.
00:55:39	Yeah, I guess we still mean it.
00:55:42	They accepted our offer.
00:55:44	All right, we will call you back.
00:55:46	Thank you. No, no, no, it's good.
00:55:48	I know I sound nervous.
00:55:52	I think we just bought a house.
00:55:53	Pretty good.
00:55:55	That's good.
00:55:56	- Right?
00:55:58	Go to take a phone call...
00:56:01	Well, I think that the show
00:56:04	could be a really big deal for her,
00:56:06	'cause she's been more
00:56:09	and now she's right in the thick.
00:56:11	So, it's exciting.
00:56:15	Then you will know
00:56:18	If someone needs you
00:56:21	You love them so
00:56:26	I won't...
00:56:30	Betray his trust
00:56:35	Though people say I must
00:56:41	I've got to stay true to...
00:56:47	As long as he needs me
00:57:07	Then he's like,
00:57:09	Suddenly stricken
00:57:12	"I'm your straight husband."
00:57:13	- You can throw color swatches at me.
00:57:16	I think my house is haunted.
00:57:20	Well, your house is really old.
00:57:22	Ever since I got back,
00:57:25	I feel like there's
00:57:27	and then last night,
00:57:30	like, a woman singing.
00:57:33	- What? Like a ghost?
00:57:36	Then I saw something.
00:57:40	I mean, I saw...
00:57:44	Was it the singing ghost?
00:57:47	It was a man.
00:57:51	What? Your house
00:57:59	Yeah, I don't, I mean, I'm like...
00:58:02	having a nervous breakdown
00:58:04	I'm literally so focused
00:58:06	that I feel like I'm living
00:58:08	I can't tell where
00:58:11	and I'm having
00:58:13	and I'm ten feet outside
00:58:15	There I am, having
00:58:18	and I'm just observing it,
00:58:21	Just, I don't feel good.
00:58:26	You're just stressed, right?
00:58:30	The network wants
00:58:33	Oh, my God.
00:58:39	And I'm letting them,
00:58:41	because I really want
00:58:46	I have all these characters
00:58:48	and they wanna live,
00:58:50	This is the only way
00:58:54	- I have five seasons mapped out.
00:58:58	Well, it sucks.
00:59:00	Either you go away
00:59:02	and I had to make a decision,
00:59:04	and that's the decision
00:59:07	And I am so sorry.
00:59:12	I understand.
00:59:14	I mean, it's not your fault, right?
00:59:18	I mean, it couldn't be your fault.
00:59:21	You are morally incapable
00:59:25	Right? Don't do that.
00:59:28	Don't get me wrong.
00:59:29	I think you do feel bad for me.
00:59:31	That's all I think you feel for me.
00:59:33	Okay, I am still the fat girl
00:59:35	you call on Friday nights
00:59:38	"Hey, let's go see a movie!"
00:59:40	"Let's go to Fubar."
00:59:42	"Then when I pick up
00:59:45	"and that's okay...
00:59:47	I mean, you can call her tomorrow
00:59:49	It doesn't really matter 'cause we're not
00:59:53	- That's just not true.
00:59:56	I prefer to not do this
00:59:58	- Is this not a good idea?
01:00:00	I'm not gonna lower my voice.
01:00:02	You can't control this one.
01:00:04	Your little puppets
01:00:06	running around saying shit
01:00:09	Well, this is reality,
01:00:12	Reality scares me?
01:00:13	I'm gonna tell you, you wouldn't
01:00:16	I gave you your first few roles
01:00:19	That's reality, Melissa.
01:00:21	Thank you for finally
01:00:24	the "I invented
01:00:26	I bought a house, Gavin!
01:00:28	I bought a house
01:00:32	Fuck you, and don't ever
01:00:49	Cut, please.
01:00:52	Please.
01:01:02	Upfronts is the week each year
01:01:04	when the networks present
01:01:08	It's a very important event for us,
01:01:10	and the weeks preceding it
01:01:12	because the schedule is a secret
01:01:15	"Upfronts"
01:01:18	because nobody's
01:01:21	It's really a show
01:01:24	to get them really jazzed up
01:01:28	"Here's our new shit. Like it?"
01:01:30	There's lots of upsides...
01:01:32	Any time you're in New York City
01:01:37	So, have you heard from Susan?
01:01:39	No, I've not heard
01:01:43	I left her four or five messages
01:01:46	telling her what
01:01:49	and that I let her go,
01:01:52	and I've not yet
01:01:55	I feel bad about
01:01:57	but it's a two-way street
01:02:00	We've been friends for years.
01:02:02	I think we'll be friends again.
01:02:06	We'll move on.
01:02:08	Ice cold water, ice cold water.
01:02:11	Only one dollar.
01:02:13	I was 12 when we got in this car.
01:02:18	I've not yet heard from Susan.
01:02:21	Got off the plane,
01:02:26	I suppose that we have a...
01:02:29	I suppose we have
01:02:32	my show and your show.
01:02:33	That's the thing
01:02:36	the worse it gets for me,
01:02:42	It certainly inspires
01:02:44	for my characters.
01:02:45	You know,
01:02:49	I kill off their husbands
01:02:52	I'm a cruel god...
01:02:55	all in the name of a good story
01:03:01	What's funny is that I'm
01:03:03	I'm disposable.
01:03:05	Kill off the hero.
01:03:10	I dare you.
01:03:16	I think I'm just tired, you know?
01:03:18	I'm just tired.
01:03:26	It's just so surreal being here.
01:03:28	It's not at all how I imagined.
01:03:36	Hey, you!
01:03:37	Hey, hi!
01:03:40	God, Gavin.
01:03:41	Get in here, get in here!
01:03:43	You're doing your show.
01:03:44	And so are you.
01:03:47	Did you just get in?
01:03:48	Just now.
01:03:49	This whole last 24 hours
01:03:54	Right. I just said that. Surreal.
01:03:57	- You're good?
01:03:59	I wanted to call you, and...
01:04:00	Oh, yeah? Call anytime.
01:04:04	I just felt really weird
01:04:08	It's just too bad.
01:04:10	What happened?
01:04:11	So I just bumped
01:04:15	star of my show.
01:04:19	She tells me that
01:04:23	so, no, she won't
01:04:25	which makes me wonder
01:04:31	No, no, I left word for Roger,
01:04:35	It's like they dropped off
01:04:38	Just call me
01:04:49	At this moment,
01:04:51	whether Knowing will end up
01:04:54	As far as Gavin's concerned,
01:04:56	You don't normally fly to New York
01:05:00	that your show's
01:05:01	- Excuse me.
01:05:04	I don't know. Right now,
01:05:08	and I get these missives
01:05:11	but you're not really sure
01:05:14	What's up?
01:05:15	They flew you out here anyway, huh?
01:05:18	- Oh, see you... you know!
01:05:21	It would've been great if you'd extended
01:05:24	Gavin, this is
01:05:26	It's like high school.
01:05:29	- I'm sorry.
01:05:32	But I'm kind of not.
01:05:34	just like you want
01:05:37	It was shitty of you to go
01:05:40	That was shitty.
01:05:44	And you fired
01:05:47	you didn't even have a backup.
01:05:49	Why would they pick up
01:05:51	- The network wanted Dahlia.
01:05:54	We tested before your show.
01:05:56	You should see the numbers.
01:06:01	- Really?
01:06:04	Susan Howard.
01:06:06	Susan Howard.
01:06:08	Ask her.
01:06:10	She would know.
01:06:21	I'm at the UTA party.
01:06:23	Did you hear
01:06:25	She literally shat herself.
01:06:26	- No, I saw it!
01:06:29	I'll break your fucking finger!
01:06:32	I'll call you back.
01:06:38	All right, let me explain
01:06:41	Roger wanted to talk
01:06:43	- Bullshit. Bullshit.
01:06:47	- The rest is what, reality?
01:06:50	You can go to hell, okay?
01:06:54	All right.
01:06:55	I've been the only one here
01:06:58	Oh, God, don't start!
01:07:00	From you? You're psychotic.
01:07:03	- You want a motive?
01:07:04	This isn't Crim9 Lab.
01:07:05	This isn't Crim9 Lab.
01:07:07	My show did. Tell me why.
01:07:11	I had to get you away from her.
01:07:14	- You had to give her up.
01:07:15	If she really mattered so much,
01:07:17	you couldn't have
01:07:19	Do you manipulate everybody
01:07:22	Are you the victim here?
01:07:24	The big creator can't stand up
01:07:26	- It was your choice.
01:07:29	I didn't have a choice.
01:07:32	That was the only thing...
01:07:34	Fuck you!
01:07:36	Your dialogue
01:07:38	Maybe Gatins
01:07:49	Is that all there is?
01:07:53	You feel like a man?
01:07:55	Because I'll tell you
01:07:58	You're not.
01:08:43	Hey, look, my...
01:08:45	My show is not gonna happen,
01:08:47	so this show's over, done, gone,
01:08:50	I'm not gonna be
01:08:53	- Are you all right?
01:08:56	Who you talkin' to?
01:09:20	Oh, God.
01:09:45	I can understand
01:09:48	No, no.
01:09:51	I'm a lot confused.
01:09:56	Theories?
01:09:58	This is all a dream?
01:10:00	No.
01:10:03	I'm in a coma?
01:10:05	No.
01:10:09	Then I'm dead?
01:10:11	This is hell
01:10:12	or a purgatorium or something?
01:10:16	Okay, purgatorium
01:10:17	is where Romans vomited,
01:10:19	but no, this is as real
01:10:22	as anything can be.
01:10:23	What does that mean?
01:10:25	Everything is what it is,
01:10:28	but you're not who you think you are.
01:10:33	Okay. Then who am I?
01:10:38	You are...
01:10:41	a multi-dimensional being
01:10:44	of vast, almost infinite power.
01:10:48	You, this body you're in,
01:10:51	it's just one of your incarnations,
01:10:54	avatars, call you what you will.
01:10:58	Are you saying I'm God?
01:11:00	Technically, no.
01:11:02	If God is a ten,
01:11:05	a theoretical ultimate,
01:11:07	you're more of a nine.
01:11:12	What are you?
01:11:14	Humans are sevens.
01:11:15	Monkeys are sixes.
01:11:18	What are the eights?
01:11:20	Koalas.
01:11:21	They're telepathic,
01:11:23	plus they control the weather.
01:11:24	But the important thing is you.
01:11:29	You created this world on a whim
01:11:31	and decided to stick around
01:11:33	to see how it turned out.
01:11:36	You can destroy the world
01:11:38	with a single thought.
01:11:39	Don't, incidentally.
01:11:42	Just file that away.
01:11:45	But... the truth is,
01:11:48	you hold all the cards.
01:11:51	When people pray,
01:11:53	they don't want this thing
01:11:55	or that thing.
01:11:57	They don't want to be forgotten.
01:12:02	So... you understand?
01:12:06	I mean, I would've told you earlier,
01:12:09	but I didn't...
01:12:10	Yeah.
01:12:12	Okay?
01:12:14	I understand.
01:12:18	But I don't believe you.
01:12:46	Noelle, don't get too far ahead.
01:12:53	No! You had ice cream at lunch.
01:12:57	Evidently, frozen yogurt
01:13:00	I'll make note.
01:13:01	That's blazing speed
01:13:08	Did you hit it?
01:13:10	Shouldn't have to.
01:13:21	Honey, I think we left
01:13:25	Battery's dead.
01:13:28	- How do we, uh?
01:13:31	There's not much else we can do.
01:13:33	Just the little battery, right?
01:13:36	I guess.
01:13:37	We can't jump it
01:13:40	You cross over somehow?
01:13:41	Who do you think
01:13:43	Come on. Hold on.
01:13:51	- Are you getting a signal?
01:13:53	You?
01:13:55	Yes. One bar.
01:14:04	Don't worry.
01:14:07	Minute you place a call,
01:14:09	Keep trying.
01:14:11	I'll keep trying, Mary,
01:14:14	What do you wanna do?
01:14:17	I don't know.
01:14:21	Maybe if you hold it up higher.
01:14:30	Okay, look, the problem is
01:14:33	It's a canyon.
01:14:34	Where we came off the main road,
01:14:39	- That's at least a mile.
01:14:43	So, what, we stay here?
01:14:48	You okay with that?
01:14:49	I don't think we have
01:14:52	- Yeah. Go.
01:14:56	Daddy's gonna get
01:14:59	Take care of Mommy, okay?
01:15:01	Be right back.
01:16:10	Excuse me.
01:16:13	Hi. Do you have a cell phone?
01:16:17	Oh, no, I don't.
01:16:19	Yeah, I'm finding that out.
01:16:21	You can usually get a signal
01:16:25	Yeah, you just follow
01:16:29	It's probably... I don't know.
01:16:31	No, it's dead.
01:16:35	Are you headed
01:16:37	If you could give me a ride
01:16:44	Look, I'm not
01:16:47	I'm not gonna rape
01:16:50	Which is, of course,
01:16:55	Look, I'm a videogame designer.
01:16:58	My wife is an editor,
01:17:01	Look, I just... they're waiting
01:17:03	Just a little help before it gets dark.
01:17:05	I'll call somebody
01:17:07	I believe you, I do, it's just
01:17:10	and the guy might not come.
01:17:11	- We can't be up here all night, so...
01:17:14	- Don't be sorry, just help me out.
01:17:17	I can't.
01:17:23	Why won't you trust me?
01:17:51	Okay, but you have to be careful.
01:17:53	Understand? You have
01:17:57	You want to see
01:17:59	Okay, hit play. This button.
01:18:05	There's you and there's Daddy.
01:18:08	A little movie star.
01:18:15	He'll be back soon.
01:18:31	Are you following me?
01:18:33	Since I was sure
01:18:35	I'm sorry, it's just...
01:18:38	- You thought I was Ted Bundy.
01:18:42	My name's Gabriel... Bundy.
01:18:45	Sierra.
01:18:48	It's weird
01:18:50	Yeah, I'll say.
01:18:52	Anyway, my car
01:18:55	It's not that far,
01:18:57	and if you want, I could
01:19:00	That'd be great.
01:19:02	- Make up some karma.
01:19:09	Just a sec.
01:19:16	Okay, confession.
01:19:18	I kind of recognized you.
01:19:21	Really.
01:19:22	I wasn't sure,
01:19:24	in my boyfriend's
01:19:27	Right? You're, like, the shit.
01:19:28	No, no.
01:19:29	You're like the Quentin Tarantino
01:19:32	videogame god.
01:19:34	- Not really, no.
01:19:36	You seriously recognized me
01:19:39	I thought you were
01:19:41	Considering?
01:19:42	Within the subset
01:19:46	I wasn't masturbating
01:19:49	I guess I'm flattered.
01:19:50	You should be.
01:19:52	Your boyfriend
01:19:55	Ex-boyfriend.
01:19:58	He used to play Evercrack
01:20:02	but your game was, like,
01:20:03	I don't know,
01:20:06	Supercrack?
01:20:07	He was spending
01:20:08	collecting Thunderleaf
01:20:10	and I was his mule, hauling it around,
01:20:14	You had an account?
01:20:15	Part of your world,
01:20:17	I'm sorry.
01:20:19	You can make it up to me.
01:20:23	Shit.
01:20:28	Come on, come on,
01:20:35	And I am so sorry.
01:20:39	I understand.
01:20:45	It couldn't be your fault.
01:20:48	You're morally incapable
01:20:52	- I don't...
01:20:54	So, you play a lot
01:20:56	A couple.
01:20:59	But you're not most people.
01:21:01	You created the world.
01:21:04	- What, like god mode?
01:21:07	It's when you have all the powers
01:21:10	It's actually boring to play, though.
01:21:12	A game isn't fun
01:21:14	And you make the rules.
01:21:17	Yeah, I do.
01:21:19	Thanks.
01:21:23	Do you think that I'm pretty?
01:21:27	What?
01:21:28	Do you think I'm hot...
01:21:30	on a purely physical level?
01:21:35	Sure.
01:21:37	That's a rave.
01:21:38	Well, I don't know
01:21:41	My ex-boyfriend the orc,
01:21:44	"The thing that I like about you
01:21:45	is you're not so hot
01:21:49	So where's the orc now?
01:21:51	He's dead.
01:21:53	I spiked his water bottle
01:21:57	He hallucinated,
01:22:03	Remind me not
01:22:06	Sierra!
01:22:08	Sorry.
01:22:12	What makes you think
01:22:20	How you doin', kiddo?
01:22:23	I was thinking we could all go
01:22:28	How do you feel about
01:22:30	Should we ask Daddy
01:22:35	He's not coming back.
01:22:38	How could you?
01:22:40	How could you?!
01:22:42	How could you.
01:22:44	How could you.
01:22:46	How could you...?
01:22:48	- How could you?
01:22:50	I feel so dirty.
01:22:52	That's how I like it.
01:23:12	Wait.
01:23:15	Something's wrong.
01:23:17	I feel...
01:23:39	Wait.
01:23:41	I have a wife and a daughter.
01:23:44	- Where are they?
01:23:46	Which direction?
01:23:54	Face it, G, you don't know
01:23:56	You don't know where you are.
01:23:57	We've been walking
01:23:59	- Where is your car?
01:24:02	It was all a pretense,
01:24:09	You getting dizzy?
01:24:12	It's just the GHB in the water.
01:24:16	What's happening?
01:24:17	I'm sorry that it had
01:24:19	I promise it's gonna
01:24:23	You're trying to kill me?
01:24:24	No, this is not a murder.
01:24:28	Do you feel like a man?
01:24:31	I had to get you away from her.
01:24:34	- You had to give her up.
01:24:35	- Allee... allee... all come free!
01:24:38	I can get you out of here,
01:24:40	but you have to trust me.
01:24:42	Do you feel like a man?
01:24:44	'Cause I'll tell you
01:24:47	You're not.
01:25:05	Why are you doing this?
01:25:08	You did this to yourself.
01:25:10	And admitting that
01:25:15	You're a crackhead, G.
01:25:20	Thing is, this planet
01:25:24	they're your drug of choice.
01:25:28	It wasn't that hard
01:25:31	At first you just checked in
01:25:34	...see how the Neanderthals
01:25:37	move a couple
01:25:40	But then you got
01:25:42	You started playing a couple
01:25:46	Slaves, kings, messiahs.
01:25:49	Pretty soon you were playing 24/7.
01:25:51	How long have I been...
01:25:53	You've been gone
01:25:56	not that time means
01:26:00	You came looking for me?
01:26:01	That's what a girl does.
01:26:04	Why now?
01:26:06	Because you forgot
01:26:09	You forgot this wasn't real.
01:26:11	We couldn't just storm in
01:26:14	It was your universe.
01:26:17	We had to show you how limited
01:26:21	Don't get me wrong,
01:26:26	It's cozy...
01:26:28	...but do you remember
01:26:39	Do you remember
01:26:43	It was warm.
01:26:47	And white, like a...
01:26:50	You can't describe it
01:26:53	You can't think it
01:26:55	We need you to come back.
01:26:59	With us.
01:27:02	Come back with me.
01:27:12	You can destroy the world
01:27:12	You can destroy the world
01:27:16	Don't, incidentally.
01:27:20	The truth is you hold all the cards.
01:27:24	When people pray, they
01:27:29	They just... they don't
01:27:32	You understand?
01:27:34	Noelle?
01:27:35	I would have
01:27:37	Noelle?!
01:27:47	Maybe if I just cut back;
01:27:51	We both know
01:27:53	Next week you'll be back here
01:27:56	You have to quit, cold turkey.
01:27:59	I can't.
01:28:00	You can,
01:28:03	You have to want it.
01:28:21	Noelle!
01:28:25	Come on!
01:28:30	Answer me!
01:28:35	She's here.
01:28:37	I didn't forget
01:28:42	Everything okay?
01:28:45	Yeah, everything's fine.
01:28:49	Let's go home.
01:29:57	Good night, Jellybean.
01:31:04	You need to go, don't you?
01:31:07	No.
01:31:10	I can stay.
01:31:11	How long, forever?
01:31:13	Every day you'd be here,
01:31:19	What happens if you go?
01:31:21	Worst case scenario?
01:31:28	Disintegration of everything
01:31:32	The end of everything.
01:31:34	That's all?
01:31:36	Probably wouldn't happen.
01:31:39	I guess I'm more worried
01:31:42	You guys kill each other a lot.
01:31:45	In fairness, it's usually in your name.
01:31:47	Plus, we've gotten
01:31:51	I like this world.
01:31:55	I like my life here
01:31:58	It's not real.
01:32:01	I'm not really your wife.
01:32:03	You're not really my husband.
01:32:06	On some level, it's all pretend.
01:32:12	How many versions were there?
01:32:15	Ninety.
01:32:21	I've destroyed billions of people
01:32:26	and you'd like to think
01:32:28	Stop.
01:32:32	You don't have to explain
01:32:37	Everything that is
01:32:45	And if that's all there is,
01:32:58	So.
01:32:59	So.
01:33:02	Guess you don't really
01:33:07	I'm good.
01:33:09	You're great.
01:33:11	- It has been a pleasure.
01:33:18	I love you.
01:33:20	I love you, too,
01:33:32	You're my favorite.
01:34:32	...should we measure it first?
01:34:34	Got flour, we have flour.
01:34:36	All right, so I need oil.
01:34:38	We need nutmeg.
01:34:39	Honey, do we have nutmeg?
01:34:44	We should.
01:34:46	Good. Good, good, good.
01:34:48	- Nutmeg.
01:34:50	If I had a horse,
01:34:53	- And if I had another horse...
01:34:56	No, Flash.
01:34:57	What? Why Flash?
01:34:59	I mean, I would name her Flash
01:35:01	because she'd be
01:35:03	I mean in the whole world.
01:35:05	- In the whole world?
01:35:07	The ever whole world?
01:35:10	That's pretty fast.
01:35:11	Yes, and I would be a princess.
01:35:14	Sweetie?
01:35:19	This might sound really strange,
01:35:27	Mommy.
01:35:29	Right. Exactly.
01:35:32	He's not coming back.
01:35:36	But it's gonna be okay.
01:35:38	He put all the pieces together.
01:35:41	- It's like...
01:35:46	Honey, is it supposed
01:35:50	- Better help him.
01:35:53	- Do you see what I'm talking about?
01:35:56	...consistency.
01:35:59	We can safely say
01:36:00	Will you get some milk?
01:36:02	- Get milk?
01:36:06	Ready?
01:36:08	Oh, my. Oh, no!
01:36:10	Oh, don't mess it up.
01:36:14	Thank you.
01:36:15	Shouldn't we
01:36:17	- Isn't there a machine we can...
01:36:20	You're our machine?
01:36:22	- All right.
01:36:24	Okay, hold on. Let's...

Nines The