Ningen no sh mei Proof of the Man
|
00:00:27 |
(New York) |
00:01:07 |
(Johnny Hayward) |
00:01:23 |
(Japan Air Lines) |
00:01:42 |
OK? |
00:01:43 |
Please put on the jacket. |
00:02:11 |
(Harlem) |
00:02:28 |
Wait a bit, buddy. |
00:02:34 |
What do you mean by "former tenant"? |
00:02:36 |
Where are you going, boy? |
00:02:38 |
Where did you get the money |
00:02:41 |
I'm getting out of this garbage shack. |
00:02:47 |
Hey Johnny! Where are you going, boy? |
00:02:49 |
Kiss me. |
00:02:51 |
What are you saying? |
00:02:51 |
Kiss me. Mama. Hallelujah! |
00:02:54 |
The Proof of the Man |
00:08:26 |
Kyoko... |
00:08:45 |
Kyoko Yasugi's Fashion Show |
00:08:46 |
We've reached 42nd floor. |
00:08:50 |
We've reached 42nd floor. |
00:08:52 |
Observation deck. |
00:08:58 |
We've reached the top floor, sir. |
00:09:10 |
Si-to-ha. |
00:09:53 |
Take the elevator. |
00:09:53 |
Yes. |
00:10:02 |
Is there a staircase here? |
00:10:04 |
Where? |
00:10:05 |
Miyatake, come here. |
00:10:07 |
Show the detective to the stairs. |
00:10:09 |
This way please. |
00:10:11 |
Excuse me. |
00:10:18 |
It's a tough job being a detective. |
00:10:30 |
Thank you... |
00:10:38 |
Who's the victim? |
00:10:40 |
His passport. |
00:10:43 |
He's American. |
00:10:47 |
Johnny Hayward. |
00:10:50 |
Born on 28th October, 1950. |
00:10:59 |
Mr. Detective, could we take a break? |
00:11:02 |
We still have a long way to go. |
00:11:08 |
Mr. Detective. |
00:11:10 |
We need to wait for the autopsy |
00:11:13 |
Internal bleeding of the chest, |
00:11:15 |
he died from suffocation. |
00:11:18 |
Mr. Detective, I can't take it. |
00:11:19 |
Dying here. |
00:11:22 |
Can't take it anymore... |
00:11:25 |
Go and report that it's fine here. |
00:11:26 |
Wait, who are you? |
00:11:28 |
Can't you see my badge? |
00:11:32 |
Munesue from Kojimachi Police Station. |
00:11:33 |
The victim's called Johnny Hayward, |
00:11:37 |
Have you heard of this name? |
00:11:39 |
No, and he's not one of the models. |
00:11:43 |
Maybe he's a guest at the fashion show. |
00:11:46 |
He said "si-to-ha", and fell. |
00:11:49 |
Si-to-ha? |
00:11:52 |
Si-to-ha? |
00:11:53 |
A man from New York called |
00:11:57 |
Do you girls happen to know him? |
00:12:00 |
No... |
00:12:01 |
His head was down, |
00:12:04 |
I thought he's drunk. |
00:12:06 |
Sorry, I didn't catch your name. |
00:12:09 |
Takashi Niimi. |
00:12:11 |
Where do you work, Mr. Niimi? |
00:12:15 |
I'm a manager at Toyo Technology. |
00:12:18 |
And this is? |
00:12:21 |
My wife. |
00:12:50 |
This should be the crime scene. |
00:12:52 |
Alright, let's split up and look. |
00:13:07 |
Check this out, Chief. |
00:13:11 |
Isn't this a straw hat? |
00:13:13 |
Hold on; straw hat... |
00:13:18 |
The victim said "si-to-ha" |
00:13:21 |
maybe he meant straw hat. |
00:13:25 |
That's possible. |
00:13:27 |
Si-to-ha, straw hat. |
00:13:32 |
Are you sure? |
00:13:34 |
The victim walked from |
00:13:36 |
here to the hotel. |
00:13:44 |
Looks like a straw hat. |
00:13:46 |
The victim was stabbed on the chest, |
00:13:48 |
and things got unclear. |
00:13:50 |
To him, that looks like a straw hat. |
00:13:54 |
It's raining. |
00:13:56 |
before the rain gets heavier. |
00:13:57 |
Hurry. |
00:14:10 |
Mr. Driver |
00:14:11 |
Please stop at the lights up ahead. |
00:14:13 |
Sure. |
00:14:14 |
It's raining, |
00:14:17 |
No. What if someone spots us? |
00:14:41 |
Naomi. |
00:14:46 |
Naomi. |
00:15:14 |
Idiot. |
00:15:51 |
Could you turn back there? |
00:15:59 |
Hold tight, stupid. |
00:16:48 |
Naomi. |
00:17:02 |
I think we should express ourselves, |
00:17:06 |
enjoy the fun in fashion. |
00:17:10 |
Your design has lots of charisma. |
00:17:12 |
You think? I'm just bold in |
00:17:20 |
I heard you got inspiration from |
00:17:23 |
by your son in his childhood. |
00:17:25 |
Yes. Children have a fresh outlook. |
00:17:31 |
Today we've invited your son. |
00:17:34 |
Welcome. |
00:17:40 |
What do you think of |
00:17:45 |
I never expected her thinking |
00:17:47 |
Frankly, I'm a bit shocked. |
00:17:48 |
Shocked? |
00:17:52 |
Talking about shock, |
00:17:53 |
there was a murder last night, |
00:17:56 |
when you were holding your fashion show. |
00:17:58 |
You must be shocked. |
00:18:01 |
Tsuyuki will now give us a full report. |
00:18:05 |
The victim was Johnny Hayward, |
00:18:07 |
he was born in New York in |
00:18:10 |
This is his photograph. |
00:18:13 |
He arrived Japan on 24th April; |
00:18:16 |
three days later became his last night. |
00:18:18 |
He was murdered at |
00:18:20 |
After being stabbed on the chest, |
00:18:24 |
he walked from Shimizudani Park |
00:18:26 |
to the 42nd Floor of Royal Hotel. |
00:18:30 |
Why would he do that? |
00:18:34 |
According to sources, |
00:18:38 |
This is the straw hat |
00:18:40 |
we found at Shimizudani Park. |
00:18:43 |
The Royal Hotel |
00:18:46 |
looks like a straw hat at night. |
00:18:48 |
Also, before his death, |
00:18:51 |
he said "si-to-ha" |
00:18:53 |
that's "straw hat". |
00:18:56 |
At this point, |
00:18:58 |
we are still not sure what's |
00:19:01 |
The victim was holding another |
00:19:04 |
this is it. |
00:19:06 |
But of course this is another copy, |
00:19:09 |
it's "Yaso Saijo's poem collection" |
00:19:11 |
published in Showa 22nd year. |
00:19:15 |
Hello, studio. |
00:19:17 |
I'm watching your show. |
00:19:20 |
I saw the victim |
00:19:22 |
last night at Shimizudani Park. |
00:19:24 |
And your name is? |
00:19:25 |
I work as a waiter at Shinjuku's |
00:19:29 |
Get the cars ready. |
00:19:33 |
Move away... |
00:19:38 |
I guess it was around seven, |
00:19:42 |
We wanted to take a break at the park. |
00:19:48 |
Hey! Leave us alone. |
00:19:53 |
Si-to-ha. |
00:19:59 |
We thought he's drunk. |
00:20:01 |
Yes. |
00:20:02 |
Did you see anyone else? |
00:20:06 |
When we walked across |
00:20:08 |
the Benkei Bridge three minutes before |
00:20:09 |
We saw a woman walking out of the park, |
00:20:11 |
got into her car and drove away. |
00:20:14 |
What kind of a woman? |
00:20:16 |
Age and dress? |
00:20:18 |
She was wearing an evening dress. |
00:20:20 |
But it's too dark, I couldn't see |
00:20:23 |
What's the make of the car? |
00:20:25 |
It's a white Crown. |
00:20:27 |
I'm not sure about the license plate. |
00:20:40 |
You're home. |
00:20:43 |
You're back. |
00:20:47 |
Morning. |
00:20:53 |
Sit down, Kyohei. |
00:21:02 |
You look serious, what's wrong? |
00:21:08 |
Do you remember this vase? |
00:21:14 |
Why did you take things from home |
00:21:18 |
and sell to the antique shops? |
00:21:20 |
What's the difference between you |
00:21:22 |
Kyohei. |
00:21:24 |
You can just tell me if you need money. |
00:21:29 |
Why resort to such stuff? |
00:21:33 |
What was that look? |
00:21:35 |
Say what's on your mind. |
00:21:38 |
Stand still, why do you always run? |
00:21:43 |
That's why I said you're useless. |
00:21:45 |
All you do is lecture me! |
00:21:47 |
Kyohei. |
00:21:48 |
If I was a thief, |
00:21:50 |
then you must be a robber! |
00:21:52 |
Politicians are robbers! |
00:21:54 |
Even this vase, |
00:21:55 |
wasn't it a bribe from someone? |
00:21:57 |
How can you be so rude to your father? |
00:21:59 |
He's not qualified to be a father. |
00:22:00 |
He has a bunch of mistresses |
00:22:02 |
why does he think he can lecture me? |
00:22:04 |
Kyohei, you shouldn't say that. |
00:22:08 |
Mum, you're low. |
00:22:09 |
You know he is having an affair, |
00:22:11 |
and you still wouldn't let go. |
00:22:12 |
You're protecting yourself, I guess. |
00:22:18 |
Kyohei, criticizing others |
00:22:21 |
doesn't mean you are right. |
00:22:36 |
Where's this bike from? |
00:22:38 |
It's Katsu's. The papers. |
00:22:40 |
Don't worry, no news about that. |
00:22:43 |
I dropped your pocket watch |
00:22:45 |
on the road though. |
00:22:49 |
Don't give me that look! |
00:22:51 |
I panicked. |
00:22:53 |
Hop on. |
00:22:55 |
Your mum will lecture you? |
00:22:57 |
Shut up, hop on. |
00:23:09 |
Where are we going? |
00:23:10 |
Find the pocket watch, |
00:23:12 |
before someone else does. |
00:23:22 |
(Junko Bar) |
00:23:25 |
Welcome. |
00:23:28 |
What's wrong? |
00:23:30 |
Naomi didn't come home last night. |
00:23:35 |
Though she comes home late sometimes, |
00:23:37 |
but she's never spent the night outside. |
00:23:40 |
Naomi took a day off yesterday. |
00:23:42 |
How's that possible? |
00:23:44 |
Around 5 PM yesterday, she said |
00:23:46 |
she's going to work. |
00:23:48 |
You tell him, Kimiko. |
00:23:50 |
Yes, I remember. |
00:23:53 |
She called around six, |
00:23:55 |
and said she's not feeling well, |
00:23:58 |
I took the call. |
00:24:01 |
Welcome... |
00:24:08 |
Naomi said these are gifts |
00:24:14 |
Which client? |
00:24:16 |
I'm not sure about her relationship |
00:24:20 |
with the clients off work. |
00:24:22 |
You would know. |
00:24:24 |
Who's the client Naomi is especially |
00:24:28 |
Especially close... I guess not. |
00:24:32 |
What do you think, Mamasan? |
00:24:33 |
Yes, Naomi is a decent woman. |
00:24:35 |
She's always been very proper at work. |
00:24:38 |
That's right. |
00:24:39 |
Mamasan. |
00:24:42 |
I'm Naomi's husband. |
00:24:47 |
Your investigation reports on the |
00:24:51 |
Kusaba, you first. |
00:24:52 |
Yes. |
00:24:56 |
About the murder weapon, |
00:24:59 |
an Arrow brand fruit knife, |
00:25:01 |
three thousand were produced in |
00:25:04 |
As for the straw hat, |
00:25:07 |
we know it's made in Japan. |
00:25:09 |
But we haven't found out who's |
00:25:11 |
It should be a product in |
00:25:15 |
And one more item, |
00:25:17 |
Yaso Saijio's collected poems, |
00:25:19 |
same as the straw hat, |
00:25:21 |
it was produced in Showa 22nd year. |
00:25:24 |
It's out of print. |
00:25:25 |
End of report. |
00:25:27 |
A piece of updated news regarding |
00:25:32 |
The customs at Haneda Airport |
00:25:34 |
he placed the straw hat in a black box. |
00:25:38 |
They were curious as to |
00:25:41 |
why the victim took the hat so seriously. |
00:25:43 |
It's likely that he brought the book |
00:25:45 |
But we still don't know |
00:25:47 |
why he brought such things over. |
00:25:51 |
Report to me right away, |
00:25:54 |
should you find anything regarding |
00:25:56 |
As for the white Crown, |
00:25:58 |
there are 300,000 of those manufactured. |
00:26:01 |
I'm afraid it's hard to find out |
00:26:03 |
I plan to set up signs in the area |
00:26:08 |
asking locals to provide |
00:26:10 |
information regarding the woman |
00:26:13 |
The victim is not on the list |
00:26:17 |
And I've talked to some drug addicts |
00:26:20 |
no news for now. |
00:26:22 |
I'll keep looking into that, |
00:26:25 |
and check if it has anything to do |
00:26:33 |
End of report. |
00:26:37 |
Yamaji |
00:26:38 |
Report the news from Interpol. |
00:26:40 |
Yes. |
00:26:45 |
Johnny Hayward. |
00:26:47 |
Born on 28th October, 1950 |
00:26:50 |
at No. 113, West 125th Street. |
00:26:55 |
His father Wilshire Hayward, |
00:26:58 |
born in 1925, age- 52 years. |
00:27:00 |
Mother was Teresa Nord, |
00:27:02 |
she died in 1960. |
00:27:05 |
His current address is No. 167 |
00:27:11 |
That's all. |
00:27:12 |
What a terrible report. |
00:27:17 |
To them, |
00:27:20 |
a black guy is nothing! |
00:27:55 |
May I help you? |
00:27:56 |
Why don't you stay out of my store, |
00:27:59 |
Shut up. |
00:28:02 |
Who's hiding in there? |
00:28:04 |
I don't know. |
00:28:05 |
Get out of here. |
00:28:07 |
Take it easy. |
00:28:10 |
Keep your hands where I can see them, |
00:28:26 |
Freeze! Police! |
00:28:28 |
Help! Someone's trying to kill me. |
00:28:51 |
Detective Ken Shuftan, 27th Precinct. |
00:28:54 |
(27th Precinct) |
00:29:00 |
What are you doing here? |
00:29:02 |
Why? |
00:29:03 |
Since you're here, |
00:29:06 |
Interpol reached out to us, |
00:29:08 |
the Japanese police wants us |
00:29:11 |
a black guy from Harlem |
00:29:12 |
who got a knife stuck into him in Japan. |
00:29:15 |
Where? |
00:29:16 |
I don't know. |
00:29:18 |
Stomach or belly, what's the difference? |
00:29:19 |
I meant where did he die? |
00:29:21 |
In Tokyo. |
00:29:24 |
Can you get somebody else for this? |
00:29:25 |
Who else can I spare? |
00:29:29 |
City Hall makes any more cuts, |
00:29:33 |
What's the problem? It's right on |
00:29:37 |
Help me out. |
00:29:39 |
Just go talk to them, check it out. |
00:29:43 |
I know how you feel, |
00:29:46 |
I wouldn't want to help them either. |
00:29:49 |
I lost a brother at Pearl Harbor. |
00:29:52 |
Here. |
00:30:22 |
You live here? |
00:30:24 |
What's it to you? |
00:30:25 |
Answer the question. |
00:30:27 |
Do you know Johnny Hayward? |
00:30:32 |
I'm talking to you. |
00:30:34 |
Take your hands off! |
00:30:54 |
Who's that? |
00:30:55 |
Police officer. I'm looking for |
00:31:04 |
I'm Mario. |
00:31:06 |
Detective Shuftan, 27th Precinct. |
00:31:09 |
Just wanna ask you a couple of questions, |
00:31:10 |
have you got a guy named Hayward |
00:31:12 |
Three flights up on the |
00:31:14 |
and he hasn't been around |
00:31:15 |
Where did he go? |
00:31:16 |
How should I know? Am I supposed to keep |
00:31:21 |
Can I come in for a couple of minutes, |
00:31:31 |
Your tenant is dead. |
00:31:33 |
How? |
00:31:35 |
Somebody killed him in Japan. |
00:31:38 |
Japan? |
00:31:40 |
Do you have any idea what he's doing |
00:31:43 |
He was a nice kid. |
00:31:46 |
I mean he's clean, had a job down |
00:31:49 |
Was he dealing? |
00:31:50 |
No. You never know, but I don't think so. |
00:31:54 |
He didn't tell you where he's going? |
00:31:57 |
Kiss me |
00:31:59 |
How's that? |
00:32:00 |
Kiss me, he said he's going there. |
00:32:04 |
That's all he said. |
00:32:06 |
Probably some place in... |
00:32:09 |
Ohio or somewhere. |
00:32:25 |
(KISS ME) |
00:32:30 |
If it's a person's name, |
00:32:32 |
it could be written out |
00:32:34 |
But there isn't a place called |
00:32:37 |
I've listed all the names with |
00:32:45 |
Chiba's Kuju, |
00:32:46 |
Kyoko's Kuju, Osaka's Kizuri, |
00:32:49 |
Ehime's Kisuki |
00:32:50 |
Shimane's Kisuki |
00:32:51 |
six places. |
00:33:08 |
Don't make any mistakes, |
00:33:11 |
Got it. |
00:33:13 |
Teacher, the young master is here. |
00:33:21 |
What are you doing here? |
00:33:23 |
You gave me a pocket watch |
00:33:25 |
for my birthday last year. |
00:33:27 |
The one with the music as alarm? |
00:33:29 |
Where did you buy it? |
00:33:31 |
I want to buy another one. |
00:33:33 |
You're here because of that? |
00:33:34 |
Teacher, your call. |
00:33:35 |
Be right there. |
00:33:36 |
Can we talk at home? I don't have time. |
00:33:40 |
I'm running out of time. |
00:33:55 |
Only a ten minute break. |
00:33:58 |
Welcome. |
00:33:59 |
Coffee. |
00:34:03 |
What's wrong, Kyohei? |
00:34:06 |
Give me five hundred thousand. |
00:34:10 |
Just five hundred thousand. |
00:34:13 |
What do you need all that cash for? |
00:34:19 |
I'll give you the money if you have |
00:34:22 |
Tell me the truth. |
00:34:25 |
Why? What for? Explain it... |
00:34:30 |
You have anything else to say |
00:34:31 |
other than those? |
00:34:35 |
I can't tell you why, |
00:34:37 |
but I need the five hundred thousand. |
00:34:39 |
My life depends on it. |
00:34:42 |
I beg you, mum. |
00:34:48 |
Is five hundred thousand enough? |
00:35:04 |
I'm Niimi. |
00:35:08 |
I'm Oyamada. |
00:35:12 |
You're a cop, I hear? |
00:35:17 |
Return my wife to me. |
00:35:20 |
I'm Naomi's husband. |
00:35:25 |
I know you two are having an affair. |
00:35:28 |
What nonsense are you talking about? |
00:35:30 |
You lied to me being a cop. |
00:35:32 |
I don't have time for this. |
00:35:33 |
You checked into a love motel |
00:35:36 |
with my wife, |
00:35:37 |
under the fake name Kawamura. |
00:35:40 |
Or should I ask the receptionist |
00:35:41 |
at the motel to come forward? |
00:35:50 |
If you confess, |
00:35:56 |
I don't want to blow this up either. |
00:36:08 |
Frankly... I can't believe it. |
00:36:17 |
Earlier we'd contact each other |
00:36:24 |
Since that day, |
00:36:27 |
it's already been half a month, |
00:36:31 |
and no news from Naomi. |
00:36:37 |
I thought you found out about us, |
00:36:39 |
and locked Naomi at home. |
00:36:53 |
You're saying that the owner |
00:37:02 |
of this pocket watch killed my wife? |
00:37:09 |
We must find this person. |
00:37:15 |
Could you get me that pocket watch? |
00:37:18 |
I want to give it as a wedding present. |
00:37:20 |
Even I couldn't help it. |
00:37:23 |
I bought four from Europe. |
00:37:26 |
Because it's so rare, |
00:37:27 |
I kept one for myself. |
00:37:29 |
In that case, |
00:37:30 |
sell yours to me. |
00:37:31 |
No, I like that a lot. |
00:37:34 |
My mum bought it for ¥ $350,000, |
00:37:37 |
I'll pay you ¥500,000 now. |
00:37:39 |
Sell it to me. |
00:37:39 |
Sorry. |
00:37:57 |
Who's that? |
00:37:58 |
Detective Shuftan again, |
00:38:00 |
Mario. |
00:38:13 |
I'd like to take a look at Hayward's |
00:38:16 |
You got a warrant? |
00:38:18 |
No, but... |
00:38:28 |
I checked the morgue and missing persons, |
00:38:30 |
are you sure his father is dead? |
00:38:32 |
I ain't sure |
00:38:35 |
about anything anymore. |
00:38:38 |
I only know that if you're walking |
00:39:05 |
Looks like Johnny's got some |
00:39:07 |
Not that I know of. |
00:39:09 |
Lionel Adams. |
00:39:10 |
5th Avenue... that's an expensive address. |
00:39:34 |
Would you mind waiting |
00:39:36 |
No, no. |
00:39:39 |
Make it 7:30, |
00:39:43 |
I'd imagine you'd have everything |
00:39:54 |
Mr. Shuftan. |
00:40:01 |
I hope not to take up much of your time. |
00:40:03 |
You know a man named John Hayward? |
00:40:08 |
No. |
00:40:09 |
Never heard of him? |
00:40:11 |
Black man. |
00:40:17 |
Was he an older man? |
00:40:18 |
No, he's young. About 22, 23. |
00:40:36 |
Look, Mister... |
00:40:37 |
Shuftan. |
00:40:39 |
A couple of weeks ago my chauffeur |
00:40:42 |
and I was driving my own car. |
00:40:44 |
As I was turning up Madison Avenue, |
00:40:48 |
I started forward and |
00:40:49 |
all of a sudden this old black man |
00:40:52 |
I couldn't stop, I hit him. |
00:40:57 |
I think he deliberately |
00:41:01 |
You know people would do that |
00:41:05 |
I mean, getting hit for a bunch of money. |
00:41:08 |
Did he get badly hurt? |
00:41:09 |
Not really, he said he had |
00:41:11 |
But it's just an excuse I guess. |
00:41:13 |
How much did he ask for? |
00:41:15 |
I gave him six thousand dollars. |
00:41:19 |
You paid the money to him? |
00:41:22 |
No, I gave it to his son. |
00:41:23 |
Think carefully. Was his name Hayward? |
00:41:26 |
Was it Willy Hayward? |
00:41:33 |
Yes it was Hayward. |
00:41:35 |
Johnny's father |
00:41:36 |
threw himself at a car |
00:41:40 |
in order to earn money |
00:41:42 |
You could say that. |
00:41:45 |
But why? |
00:41:47 |
Why send his son to Japan? |
00:41:51 |
Chief, what did Willy say? |
00:41:54 |
It's too bad, Willy is unaccounted for. |
00:41:57 |
He was in the hospital after |
00:42:00 |
But he's been missing |
00:42:02 |
since Johnny's death in Japan. |
00:42:05 |
That's clear enough. |
00:42:08 |
Willie knows |
00:42:10 |
why his son got killed. |
00:42:13 |
But he's trying to hide the secret. |
00:42:18 |
That's why he's been hiding. |
00:42:21 |
Munesue, stop speculating, |
00:42:24 |
let's hear out |
00:42:28 |
Willie Hayward was in Japan, |
00:42:33 |
between Showa 21st February |
00:42:37 |
He served at the Yokosuka U.S. Base |
00:42:39 |
during those three years and |
00:42:42 |
Around the same time when the hat |
00:42:49 |
Agreed, Munesue's speculations |
00:42:53 |
However, the victim may be here |
00:42:57 |
to find his dad's old acquaintances |
00:43:01 |
He wasn't born then, |
00:43:04 |
but he brought the straw hat |
00:43:07 |
to prove that |
00:43:10 |
he's Willie's son. |
00:43:12 |
He's sacrificed himself |
00:43:15 |
in order to send his son over. |
00:43:23 |
Let go! |
00:44:33 |
You're home. |
00:44:35 |
I'm home. |
00:44:37 |
No electricity? |
00:44:40 |
Where's the master? |
00:44:41 |
He's having an overnight meeting |
00:44:44 |
Really? Wake me up tomorrow at 7 AM. |
00:44:47 |
Yes, madam. |
00:44:47 |
Go to sleep. |
00:44:48 |
Yes. Good night, madam. |
00:44:50 |
Good night, madam. |
00:45:16 |
Kyohei, what's wrong? |
00:45:22 |
Nothing, I fell off from the bed. |
00:45:56 |
Kyohei, what's bothering you? |
00:46:00 |
Money problems? |
00:46:06 |
Five hundred thousand isn't enough? |
00:46:17 |
I... killed someone. |
00:46:22 |
Hit and run. |
00:46:27 |
What? How? |
00:46:31 |
I was scared. |
00:46:32 |
Didn't know what to do. |
00:46:34 |
I dumped the body in the ocean. |
00:46:39 |
Why didn't you tell me then? |
00:46:42 |
I could find a scapegoat. |
00:46:43 |
Or your dad could take care of it. |
00:46:45 |
You don't know anything. |
00:46:48 |
It's not something you can solve |
00:46:50 |
by finding a scapegoat |
00:46:52 |
or tell dad to take care of it. |
00:46:53 |
You don't understand my pain. |
00:46:58 |
I'm turning myself in, |
00:47:30 |
Even so, could you make the dead |
00:47:39 |
Killing is wrong, |
00:47:41 |
and dumping the body in the ocean |
00:47:43 |
But you did it. |
00:47:45 |
You must be responsible till the end. |
00:47:48 |
If you're saying about turning |
00:47:53 |
why didn't you do so back then? |
00:47:57 |
You're a sinner, you killed |
00:48:10 |
You must act like a sinner, |
00:48:13 |
and carry the pain with you |
00:48:17 |
That's the way to be responsible. |
00:48:21 |
If you think your sins would be forgiven |
00:48:24 |
by going to jail, |
00:48:27 |
you're being too naive. |
00:48:32 |
All you do is lecture. |
00:48:35 |
You said that |
00:48:40 |
I'm low. |
00:48:45 |
Everyone was trying to survive |
00:48:48 |
in the chaos after the war. |
00:48:53 |
I met your dad at that time. |
00:49:00 |
He worked his way up from scratch. |
00:49:04 |
He built his company and you were born. |
00:49:23 |
When your dad first got elected, |
00:49:30 |
I thought finally I'm going to have |
00:49:36 |
And then he started to have his affairs. |
00:49:43 |
I wanted to leave, but couldn't. |
00:49:47 |
You were still young then, |
00:49:49 |
I had no skills. |
00:49:50 |
That's why I started to learn |
00:49:53 |
for my future; |
00:49:56 |
To take you away with me. |
00:50:00 |
Presently we have this opportunity. |
00:50:04 |
Your dad doesn't need us anymore, |
00:50:07 |
and neither do we need him. |
00:50:10 |
But I need you. |
00:50:20 |
I could last till today only |
00:50:28 |
Go to New York! |
00:50:30 |
I've rented a shop on 5th Avenue. |
00:50:34 |
Wait for me there. |
00:50:42 |
Kyohei, I know you're suffering. |
00:50:46 |
To live with your sins, |
00:50:52 |
is the only way to prove |
00:50:56 |
Go to New York! |
00:50:59 |
Start your new life there. |
00:51:19 |
(JFK Airport) |
00:51:23 |
Where are we heading? |
00:51:25 |
Hilton Hotel. |
00:51:50 |
Mr. Detective. |
00:51:52 |
How's your wife been? |
00:51:55 |
I'm here to talk to you about that. |
00:51:57 |
Really? Come in. |
00:52:03 |
She was murdered. |
00:52:05 |
Her blood type is the same as the prints |
00:52:12 |
Look at this watch, |
00:52:13 |
there are only four imported in Japan. |
00:52:18 |
Have a seat. |
00:52:19 |
The shop owner kept one for himself. |
00:52:21 |
One is with the Mamasan of Junko Bar. |
00:52:23 |
One was bought by TV star Johnny Okamoto. |
00:52:26 |
And Kyoko Yasugi bought this one |
00:52:31 |
Her son showed up at the shop recently, |
00:52:33 |
bugging the owner to sell him his. |
00:52:39 |
I think we have enough proof here. |
00:52:42 |
I'm afraid not. |
00:52:44 |
Why not? |
00:52:46 |
It'd be different |
00:52:48 |
if we can trace out Naomi's body. |
00:52:50 |
She could still be alive. |
00:52:55 |
If that's so, she'd have contacted me. |
00:52:59 |
Tea. |
00:53:01 |
I understand. |
00:53:03 |
I could be fired if we screw up. |
00:53:08 |
His dad is a member of the Parliament, |
00:53:10 |
and his mum a famous fashion designer. |
00:53:13 |
We don't need to work |
00:53:15 |
If you refuse this job, Yoko. |
00:53:18 |
I'll do it, Mr. Niimi. |
00:53:23 |
Hey! |
00:53:36 |
Sorry to keep you waiting. |
00:53:40 |
Welcome. |
00:53:46 |
You want to see me about something? |
00:53:47 |
Sorry to bother you, |
00:53:49 |
have you... |
00:53:53 |
Have you seen this? |
00:53:56 |
It's the same as the one I bought Kyohei. |
00:54:01 |
Is he carrying it with him? |
00:54:03 |
Yes, always. |
00:54:06 |
Could we meet with him? |
00:54:10 |
He's in New York. |
00:54:12 |
I have sent him to study there. |
00:54:17 |
What is this about? |
00:54:19 |
A hit and run. |
00:54:22 |
The only clue left on the scene |
00:54:25 |
Your son still carries his around? |
00:54:30 |
When did the accident happen? |
00:54:33 |
The day when you held your fashion show |
00:54:36 |
at Royal Hotel. |
00:54:38 |
If it's on that day, |
00:54:39 |
Kyohei stayed with me all along. |
00:54:43 |
We worked till late, and went for pasta. |
00:54:46 |
You could call him in New York. |
00:54:49 |
Madam... |
00:54:54 |
Good day. |
00:54:58 |
What's wrong? |
00:55:02 |
Kyoko Yasugi. |
00:55:04 |
I didn't expect to see her again here. |
00:55:07 |
Do you know her? |
00:55:11 |
Spring, Showa 24th year. |
00:55:13 |
I saw her at Shinbashi market. |
00:55:23 |
Help! |
00:55:48 |
My dad was beaten up badly, |
00:55:53 |
My dad died to save her. |
00:56:02 |
Sumiko, another bottle. |
00:56:05 |
Sold out. |
00:56:06 |
You shouldn't drink so much. |
00:56:09 |
Why don't you |
00:56:11 |
worry about yourself? |
00:56:13 |
You're getting old. |
00:56:14 |
I'm fine. |
00:56:18 |
Welcome. |
00:56:19 |
His poems are a bit sentimental. |
00:56:23 |
It's not fair to compare |
00:56:25 |
with pop music. |
00:56:27 |
He's the pioneer in introducing |
00:56:29 |
French symbolist poems to Japan. |
00:56:31 |
It's a bit too sweet. |
00:56:34 |
What's wrong with that? |
00:56:36 |
My regular drink. |
00:56:37 |
Heat up a bottle of sake. |
00:56:38 |
It's important being gentle. |
00:56:44 |
I like Yaso Saijo. |
00:56:47 |
Welcome. |
00:56:48 |
Mama, do you remember my straw hat? |
00:56:52 |
Yes, the one that fell into the valley |
00:56:58 |
on our way from Usai to Kirizumi |
00:57:04 |
Mama, do you remember my straw hat? |
00:57:08 |
Yes, the one that fell into the valley |
00:57:13 |
on our way from Usai to Kirizumi |
00:57:17 |
Mama, it was my favorite hat. |
00:57:21 |
I was so sorry to see it blown away. |
00:57:23 |
I don't know poems. |
00:57:27 |
But I'm certain |
00:57:30 |
that there's a connection between |
00:57:32 |
this poem, the straw hat and the book. |
00:57:34 |
No doubt about that. |
00:57:43 |
Proof. |
00:57:44 |
You can find the word |
00:57:47 |
spoken by the victim in this poem. |
00:57:50 |
Kiss me, that is... Kirizumi. |
00:57:56 |
Kiss me and Kirizumi? |
00:57:59 |
Not quite. |
00:58:02 |
I asked a professor in European phonetics |
00:58:03 |
about this. |
00:58:07 |
He clarified that in Spanish phonetics, |
00:58:09 |
the 'r' is emphasized. |
00:58:12 |
To hide his Spanish roots, |
00:58:15 |
he wouldn't pronounce the 'r'. |
00:58:17 |
Pronouncing "Si-to-ha" as straw hat, |
00:58:21 |
and "Kiss me" as Kirizumi. |
00:58:23 |
Johnny Hayward is from East Harlem, |
00:58:25 |
the ghetto for Spaniards. |
00:58:28 |
Not only that, |
00:58:30 |
Munesue has found out |
00:58:36 |
Go on. |
00:58:41 |
I'm not familiar with the poem's |
00:58:45 |
But you all know that |
00:58:47 |
the poem is about memory of |
00:58:50 |
From that, |
00:58:53 |
to remember the mother |
00:58:56 |
Johnny's father, Willy. |
00:59:00 |
He would send his son |
00:59:02 |
here at all cost. |
00:59:04 |
Why did Johnny carry |
00:59:08 |
the book of poems and straw hat? |
00:59:12 |
To show that he cares about his mother. |
00:59:17 |
From all these, |
00:59:21 |
I think that |
00:59:24 |
his death might have something to do |
00:59:26 |
But his mother died. |
00:59:28 |
On record, yes. |
00:59:31 |
What do you mean? |
00:59:33 |
In order to know more, |
00:59:35 |
we must make a trip to Kirizumi. |
01:00:10 |
I've seen many foreigners after the war, |
01:00:15 |
but no black man. |
01:00:19 |
Tane might know. |
01:00:22 |
Yeah, she might. |
01:00:26 |
That's true. |
01:00:27 |
When you got here, |
01:00:29 |
did you see the dam on the way? |
01:00:31 |
Yes. |
01:00:32 |
Tane lives up there on her own. |
01:00:35 |
Her granddaughter is helping out here. |
01:00:38 |
Shizuka. |
01:00:41 |
Sorry. |
01:00:42 |
Your food is here, you must be starving. |
01:00:43 |
That's her! She's Shizuka. |
01:00:46 |
I'm Shizue. |
01:00:48 |
Does your grandma still remember |
01:00:52 |
Yes, she remembers the past clearly. |
01:00:56 |
Has this person been here recently? |
01:01:00 |
Have you seen him? |
01:01:04 |
A black man? |
01:01:06 |
Never. |
01:01:10 |
But grandma mentioned it. |
01:01:14 |
When? |
01:01:15 |
She mentioned something about |
01:01:19 |
The black soldier took his wife |
01:01:23 |
I want to meet your grandma. |
01:01:28 |
This is it. |
01:01:38 |
I'm home. |
01:01:40 |
Grandma. |
01:01:47 |
Grandma. |
01:01:53 |
She's probably in the kitchen. |
01:01:58 |
She had a guest, let me check outside. |
01:02:01 |
Thanks. |
01:02:07 |
Grandma. |
01:02:11 |
Grandma. |
01:02:13 |
Shizue |
01:02:43 |
Officer. |
01:02:46 |
I brought them. |
01:02:49 |
Grandma. |
01:02:55 |
Grandma. |
01:03:00 |
Murder? |
01:03:01 |
Who're you? |
01:03:03 |
I'm here to see Tane. |
01:03:06 |
Was she murdered? |
01:03:07 |
I guess so. |
01:03:08 |
She fell off from the bridge. |
01:03:12 |
Someone pushed her over. |
01:03:39 |
The old lady knew who those three are. |
01:03:43 |
Hence it can be deduced that |
01:03:45 |
this is clearly a murder. |
01:03:48 |
The killer doesn't want |
01:03:50 |
the identities of the family |
01:03:51 |
So you mean to say the killer knew that |
01:03:53 |
we'll go to Kirizumi because of the hat |
01:03:56 |
Racing against us? |
01:03:58 |
Yes. |
01:04:01 |
The same person killed |
01:04:03 |
Johnny and Tane. |
01:04:18 |
Chief, you once said that |
01:04:22 |
Johnny might come to Japan |
00:00:04 |
maybe he's looking for his birth mother. |
00:00:12 |
Impossible. Willie went back to U.S. |
00:00:16 |
and married Teresa. |
00:00:17 |
Johnny was born the year after. |
00:00:19 |
What if the household particulars |
00:00:22 |
You're saying that he's born in Japan? |
00:00:24 |
That's right. |
00:00:26 |
From his skin color, |
00:00:29 |
he looked like a child from |
00:00:34 |
I heard that you can't |
00:00:36 |
trust the household registry in Harlem. |
00:00:40 |
Enough of this. |
00:00:43 |
Have you found out the identity of |
00:00:46 |
She is from Fukushima's Kuhama. |
00:01:05 |
Grandma. |
00:01:13 |
Grandma, what did you do? |
00:01:16 |
Detectives from Tokyo are here for you. |
00:01:22 |
You must be Ms. Omuro Yoshino. |
00:01:25 |
I'd like to ask you about your cousin |
00:01:34 |
Grandma. |
00:01:37 |
Anything about your cousin. |
00:01:40 |
Please tell us everything you remember. |
00:01:42 |
I don't remember a thing. |
00:01:44 |
You're getting forgetful again. |
00:01:46 |
Didn't you receive a letter |
00:01:48 |
A letter? What's in it? |
00:01:57 |
I forgot. |
00:01:59 |
Do you still have the letter? |
00:02:01 |
I threw it away. |
00:02:08 |
Your cousin is murdered. |
00:02:15 |
It's true. |
00:02:18 |
We're trying to track the killer down. |
00:02:22 |
What did she write? |
00:02:27 |
She said she knew |
00:02:30 |
who killed the Black man in Tokyo. |
00:02:32 |
Who's the murderer? |
00:02:36 |
The murderer's name... |
00:02:51 |
Have some tea. |
00:02:54 |
Tea. |
00:02:56 |
And then? |
00:02:59 |
Me and my late husband |
00:03:02 |
fled to Manchuria. |
00:03:05 |
Really? I'm impressed. |
00:03:08 |
When the war's over, |
00:03:12 |
I didn't have the guts to come back. |
00:03:17 |
We looked my cousin up in Yokosuka. |
00:03:23 |
What did she do then? |
00:03:26 |
She opened a bar serving the U.S. Troops. |
00:03:30 |
Do you remember the bar's name? |
00:03:35 |
No. |
00:03:41 |
Smoke, madam? |
00:03:47 |
We stayed at the bar for half a year. |
00:03:54 |
Folks back home forgave us, |
00:03:57 |
and we came back. |
00:04:03 |
What about her? |
00:04:06 |
She closed the bar |
00:04:09 |
after a year. |
00:04:11 |
She went to Kirizumi. |
00:04:14 |
Do you still remember the names |
00:04:18 |
who worked in the bar? |
00:04:22 |
I forgot. |
00:04:25 |
Just the surname or nickname will do. |
00:04:26 |
Please try to remember. |
00:04:31 |
There's one girl from our hometown. |
00:04:35 |
Please stop asking. |
00:04:38 |
We wouldn't give you any trouble. |
00:04:41 |
We were just trying to make some money |
00:04:46 |
It's the same for everyone. |
00:04:48 |
I lived on the streets, |
00:04:50 |
begged for food. |
00:05:02 |
She's called Kyoko Yasugi. |
00:07:38 |
Brenda No. 7. |
00:07:39 |
Matilda No. 8. |
00:08:24 |
Welcome... |
00:08:29 |
Madam Yasugi. |
00:08:32 |
You're the detectives from last time. |
00:08:35 |
I'd like to ask you about something. |
00:08:37 |
Can we do this another time? |
00:08:39 |
I need to go to my husband's party |
00:08:41 |
It will only take ten minutes. |
00:08:45 |
The Prime Minister will be there, |
00:08:48 |
Walk with me? |
00:08:51 |
What car did you drive on 27th April? |
00:09:01 |
The day of my fashion show? |
00:09:04 |
My Porsche was in the shop, |
00:09:06 |
I borrowed a car to use. |
00:09:08 |
What make? |
00:09:09 |
A White Crown. |
00:09:11 |
You drove to Shimizudani Park |
00:09:15 |
around 7:15 p.m. |
00:09:17 |
What did you do there? |
00:09:18 |
I was busy with the fashion show, |
00:09:21 |
I couldn't have gone to the park. |
00:09:22 |
Is that so? |
00:09:24 |
You disappeared in the hall |
00:09:28 |
between 7:10 and 7:30. |
00:09:33 |
I wasn't feeling well. |
00:09:34 |
I went to the clinic |
00:09:37 |
The doctor said you didn't get a shot. |
00:09:39 |
You left with your medicine. |
00:09:41 |
That should take you only five minutes |
00:09:44 |
I stayed a while in the rest area. |
00:09:46 |
Kyohei was with me the whole time, |
00:09:49 |
you could ask him. |
00:09:51 |
You've been to the park, madam. |
00:09:56 |
You killed Johnny there. |
00:09:59 |
Johnny? Who's Johnny? |
00:10:04 |
Although he was stabbed in the chest, |
00:10:06 |
he still followed you to the 42nd floor. |
00:10:11 |
You mean the Black guy? |
00:10:14 |
Why would I kill him? |
00:10:16 |
Because he's your son. |
00:10:19 |
Sorry? |
00:10:25 |
You've got vivid imagination. |
00:10:27 |
You should be a novelist. |
00:10:29 |
I'm not done yet, madam. |
00:10:32 |
You worked in a bar serving U.S. Troops. |
00:10:37 |
Soon after the war, |
00:10:41 |
you were hassled by a bunch of soldiers |
00:10:45 |
A man got beaten to death |
00:10:47 |
while he was trying to save you. |
00:10:49 |
Do you remember? |
00:10:51 |
He was my father. |
00:10:55 |
You didn't help him, |
00:10:58 |
you only tried to get out there. |
00:11:01 |
You've killed your son who was born |
00:11:04 |
for status and fame. |
00:11:06 |
Right? |
00:11:10 |
Are you kidding me? |
00:11:13 |
You're a detective. |
00:11:16 |
If you make it sound like tabloids, |
00:11:18 |
you need some sound proof. |
00:11:20 |
Do you have any? |
00:11:24 |
You went to Kirizumi |
00:11:28 |
on 20th May? |
00:11:30 |
Kirizumi? Where's that? |
00:11:35 |
You know Nakayama Tane. |
00:11:37 |
No. |
00:11:38 |
That's strange, aren't you from Kuhama? |
00:11:43 |
Yes. |
00:11:45 |
There's a Kyoko Yasugi from Kuhama |
00:11:48 |
in the bar opened by Nakayama |
00:11:52 |
Someone could prove that. |
00:11:57 |
Have you been to Kuhama? |
00:11:59 |
There are dozens of Yasugi families. |
00:12:02 |
I know at least three women |
00:12:04 |
by the name of Kyoko Yasugi. |
00:12:09 |
It's late now. |
00:12:11 |
You shouldn't bother me. |
00:12:20 |
Are you done yet? |
00:12:22 |
Mama, do you remember my straw hat? |
00:12:25 |
Yes, the one that fell into the valley |
00:12:28 |
on our way from Usai to Kirizumi |
00:12:32 |
Move away. |
00:12:47 |
Who told you to approach her |
00:12:50 |
Questioning the suspect without proof, |
00:12:53 |
and you call yourselves detectives? |
00:12:55 |
Sorry. But Kyoko Yasugi is a suspect. |
00:12:58 |
Even so, |
00:12:59 |
you must find proof. |
00:13:05 |
Could I go to New York? |
00:13:10 |
I want to find proof myself. |
00:13:12 |
To prove who's Johnny's birth mother? |
00:13:15 |
And his son Kyohei, |
00:13:17 |
fled to New York after the hit and run. |
00:13:20 |
If we can get him to talk, |
00:13:22 |
Kyoko would have no alibi |
00:13:25 |
for those twenty minutes away |
00:13:43 |
Very well, Yokowatashi. |
00:13:50 |
Check out what Kyoko Yasugi was up to |
00:13:52 |
when Nakayama was murdered. |
00:13:54 |
And her past... thirty years ago. |
00:13:57 |
Keep a low profile. |
00:14:01 |
Yes. Thanks, Chief. |
00:14:24 |
Look. |
00:14:28 |
What's wrong? |
00:15:02 |
Excuse me. |
00:15:04 |
Yeah? |
00:15:05 |
I want to see Captain O'Brien. |
00:15:07 |
Why? |
00:15:10 |
I'm a detective from Tokyo Police. |
00:15:20 |
Wait here, I'll be right back. |
00:15:34 |
You're getting old. |
00:15:37 |
I know of a time |
00:15:39 |
The target is your belly. |
00:15:42 |
I just picture your belly button |
00:15:44 |
and I'm sure... |
00:15:45 |
Alright... let me have the gun. |
00:16:08 |
I've been trying to tell you. |
00:16:12 |
You're the cop at the field, |
00:16:14 |
I work the table as Captain. |
00:16:15 |
I know I'll be a small cop. |
00:16:17 |
You know to get promoted |
00:16:23 |
That's because you don't do |
00:16:26 |
Don't tell anybody that I told you. |
00:16:27 |
There're plenty of people waiting |
00:16:33 |
I truly appreciate your coming |
00:16:38 |
Come here. |
00:16:40 |
I've a surprise for you. Come on. |
00:16:50 |
What did you say your name was again? |
00:16:52 |
Munesue. |
00:16:54 |
Detective Munesue from Tokyo department. |
00:16:57 |
He's here to help you find out |
00:16:59 |
what happened to Johnny Hayward. |
00:17:02 |
Here to help me with what? |
00:17:04 |
I thought you'd appreciate it. |
00:17:06 |
I'll let you two to get acquainted, |
00:17:12 |
It's your first time in U.S.? |
00:17:15 |
Yes. |
00:17:25 |
May I smoke? |
00:17:26 |
Yeah, go ahead. |
00:17:36 |
Need a match? |
00:17:38 |
No, thanks. |
00:17:41 |
It's a nice day today. |
00:17:54 |
I don't know what the heck you expect |
00:18:04 |
It's the man. |
00:18:06 |
I know it 'coz I smell it. |
00:18:11 |
It's the man. |
00:18:14 |
I was here a couple of weeks ago |
00:18:17 |
It's the man. |
00:18:19 |
I know it 'coz I smell it. |
00:18:23 |
It's the man. |
00:18:26 |
Johnny Hayward's got a father |
00:18:28 |
Does Willy ever come in here? |
00:18:30 |
I told you once and now again. |
00:18:33 |
I don't know nobody you want. |
00:18:37 |
Why are you being so hard ass for? |
00:18:40 |
What are you calling names for? |
00:18:43 |
When I'm talking to you, |
00:18:52 |
Let's get out of here. |
00:19:01 |
Why didn't you get him to talk? |
00:19:04 |
Are you out of your mind? |
00:19:06 |
I'll ask myself. |
00:19:08 |
Wait. We ain't in Tokyo, |
00:19:11 |
we've got laws here for |
00:19:14 |
I don't have time to waste with you. |
00:19:16 |
This is the third time you're here. |
00:19:19 |
Leave me alone, will you? |
00:19:36 |
You can stay at my place. |
00:19:40 |
It ain't much but you won't |
00:19:42 |
have to share the bed with fleas. |
00:20:01 |
Make yourself at home. |
00:20:06 |
go through that door. |
00:20:35 |
No thanks. I will go now. |
00:20:39 |
What do you mean? |
00:20:41 |
I'd rather be alone. |
00:20:47 |
Alright. There's a transit hotel. |
00:20:51 |
It's clean and cheap. |
00:21:00 |
This is Ken Shuftan across the street. |
00:21:04 |
There's a tall Japanese guy |
00:21:11 |
If he goes out at anytime, |
00:21:13 |
anytime at all... |
00:21:14 |
I want you to call me. |
00:21:16 |
I'll be at home. |
00:21:49 |
Come, dance. |
00:21:53 |
Not in the mood. |
00:21:54 |
Come on. |
00:21:54 |
Dance on your own. |
00:21:56 |
Come on. |
00:21:58 |
Leave me alone. |
00:22:17 |
Hey. |
00:22:20 |
I got what you want. |
00:22:22 |
Follow me. |
00:22:26 |
OK. |
00:22:33 |
I went through a lot of trouble |
00:22:38 |
I don't do this for everybody. |
00:22:52 |
This one is nice. |
00:22:53 |
Hey! Watch it. |
00:22:54 |
It's real. |
00:22:57 |
How much? |
00:22:59 |
These are clean, no ID marks, |
00:23:03 |
not taken off the cop or anything |
00:23:06 |
How much? |
00:23:17 |
What time? |
00:23:20 |
Shit. |
00:24:22 |
Forget it! He's the man. |
00:24:23 |
Don't mean shit who he is. |
00:24:25 |
I'll teach him a lesson. |
00:25:02 |
That's enough. |
00:25:25 |
Go back! You ain't going to |
00:25:28 |
No. |
00:25:29 |
Go back! |
00:25:31 |
If I go back with nothing, |
00:25:36 |
If there's nothing to find, |
00:25:40 |
I want to find the real |
00:25:41 |
birthday of Johnny's. |
00:25:43 |
What? |
00:25:44 |
Because of his skin color, |
00:25:46 |
I suspect that Johnny is not |
00:25:50 |
I think Johnny has a Japanese mother. |
00:25:54 |
He's a G.I. Baby? |
00:25:56 |
You'd know, you've been to Japan. |
00:25:58 |
Had fun with Japanese girls. |
00:26:09 |
Give me another cup of coffee. |
00:26:12 |
Johnny went to see his real mother |
00:26:16 |
You mean Willy threw himself onto a car |
00:26:18 |
in order for Johnny to get the money |
00:26:20 |
Right. They probably hate Harlem. |
00:26:23 |
And kept the memory of Japan |
00:26:30 |
How could anybody hate Harlem? |
00:26:42 |
However the beautiful mother was dirty. |
00:26:46 |
She was not beautiful at all. |
00:26:50 |
I think she killed Johnny. |
00:26:53 |
Have you questioned her? |
00:26:56 |
Yes. |
00:27:00 |
She refused to admit. |
00:27:05 |
That's why it's important |
00:27:11 |
Then we could prosecute her. |
00:27:16 |
There's a Japanese woman |
00:27:23 |
She's some kind of a photographer. |
00:27:44 |
Do you know this man? |
00:27:48 |
Johnny? Willy's son. |
00:27:53 |
Willy Hayward? |
00:27:54 |
Yeah. |
00:27:55 |
We're looking for Willy, |
00:27:59 |
Did he do anything wrong? |
00:28:04 |
Johnny was killed in Japan. |
00:28:07 |
Johnny? How come? |
00:28:11 |
Don't know. |
00:28:13 |
I need to find Willy, can you help? |
00:28:26 |
They used to come to talk sometimes, |
00:28:37 |
and brought me presents of |
00:28:42 |
Johnny always wanted to study Japanese. |
00:28:46 |
Here are the two Haywards. |
00:28:53 |
You're right. Johnny was born in Japan. |
00:29:05 |
You got any plum wine? |
00:29:07 |
What? |
00:29:08 |
Japanese plum wine. |
00:29:12 |
Now who the hell would I sell that to? |
00:29:16 |
You sell this stuff? |
00:29:19 |
Never heard of it. |
00:29:22 |
Gentlemen. |
00:29:23 |
Looking for some of this. |
00:29:25 |
You came to the right place, I got it. |
00:29:28 |
Sell me a bottle. |
00:29:31 |
The only place around here |
00:29:33 |
Well then, you must know Willy Hayward, |
00:29:35 |
Who? |
00:29:36 |
Willy Hayward, he buys this stuff |
00:29:44 |
Willy Hayward. |
00:29:47 |
Oh yeah. Old Willy Hayward, huh! |
00:30:15 |
Junkies. |
00:30:43 |
Are you Willy Hayward? |
00:30:46 |
Your son Johnny was killed in Japan. |
00:30:54 |
I'm sorry to tell you. |
00:31:00 |
You got the six thousand from Adams, |
00:31:04 |
you wanted him to go, right? |
00:31:08 |
Why? |
00:31:16 |
You sent him to see his mother? |
00:31:21 |
We're just trying to help you. |
00:31:24 |
Don't you want your son's killer |
00:31:25 |
be brought to justice? |
00:31:28 |
Her name is Kyoko, right? |
00:31:34 |
Was Kyoko Johnny's mother? |
00:31:46 |
You remember this one? |
00:31:58 |
Mama, do you remember my straw hat? |
00:32:04 |
Yes, the one that fell into the valley |
00:32:11 |
on our way from Usai to Kirizumi |
00:32:16 |
Mama, that's my favorite hat. |
00:32:39 |
Do you honestly think that |
00:32:43 |
after we get a divorce? |
00:32:46 |
I know that you've helped me in the dark |
00:32:51 |
to get me where I am. |
00:32:56 |
But I guess, it wouldn't hurt you |
00:33:00 |
if I'm famous. |
00:33:14 |
I want to test my abilities, |
00:33:19 |
I've entered the fashion design |
00:33:26 |
The result is gonna be out |
00:33:32 |
I can determine who's the winner |
00:33:34 |
by one phone call. |
00:33:37 |
I know that. |
00:33:39 |
But I don't really |
00:33:42 |
care about winning anymore. |
00:33:47 |
I've rented a shop in New York. |
00:33:51 |
Even without a reward, |
00:33:54 |
I can manage with Kyohei. |
00:34:07 |
I won't stop you |
00:34:09 |
if you insist for a divorce. |
00:34:11 |
But, Kyohei is my successor. |
00:34:16 |
He's useless, but he's still my son. |
00:34:25 |
Forget it! |
00:34:30 |
How could I? |
00:34:33 |
He ran over someone and dumped |
00:34:36 |
What? |
00:34:39 |
That's why I sent him to New York. |
00:34:42 |
How could that happen? |
00:34:47 |
You won't save him, |
00:34:49 |
even using your political power. |
00:34:54 |
I'm going to start a new life with him. |
00:34:59 |
We won't bother you |
00:35:02 |
even if we must starve to death. |
00:35:21 |
I bought a piece of land |
00:35:24 |
under your name in Hawaii. |
00:35:26 |
Take the title deed of the land with you. |
00:35:46 |
Hello. |
00:35:48 |
Room 765. |
00:35:50 |
This came for you. |
00:35:55 |
(Murderer) |
00:36:01 |
You must be Kyohei Kouri. |
00:36:02 |
I'm Detective Munesue of |
00:36:07 |
You want to shut? |
00:36:08 |
Stop. |
00:36:10 |
Stay back. |
00:36:14 |
Don't do anything stupid. |
00:36:19 |
Kyohei. |
00:36:20 |
Don't come any closer or I'll shoot her. |
00:36:24 |
Do you think that you can run? |
00:36:26 |
Don't come near, asshole. |
00:36:29 |
Kyohei. |
00:39:48 |
Freeze, Kyohei. |
00:40:01 |
Stop! Police! |
00:40:23 |
You call yourself a man? |
00:40:27 |
How many more Japanese must you kill? |
00:40:56 |
The female body is found. |
00:41:34 |
My Japanese partner. |
00:41:36 |
We say cheers, how do you say in Japan? |
00:41:39 |
We say "kampai" |
00:41:42 |
Kampai! |
00:41:47 |
You two get along well together. |
00:41:51 |
Ken's one of the best men on the force. |
00:41:54 |
Yes, I know. |
00:41:57 |
Ken, well done. |
00:42:00 |
I didn't do nothing much. |
00:42:03 |
What time is your flight? |
00:42:05 |
Ant noon tomorrow. |
00:42:07 |
You'll take him to the airport? |
00:42:08 |
Yes I will. |
00:42:09 |
Bon voyage. |
00:43:46 |
Hey buddy, what are you doing? |
00:43:59 |
What the hell is he doing? |
00:45:23 |
And now... the first runner up. |
00:45:27 |
Japan Fashion Design Awards 1977, |
00:45:33 |
The "Fantasy" collection. |
00:45:34 |
Designed by Mary Tachibana. |
00:46:00 |
Miss Mary Tachibana. |
00:46:02 |
The judges are pleased |
00:46:07 |
to present to you |
00:46:09 |
the first runner up prize. |
00:46:13 |
Here's your award. |
00:46:33 |
Could you step outside? |
00:46:37 |
Wait till the ceremony is over. |
00:46:53 |
Your son, Kyohei... is dead. |
00:47:00 |
Where did he die? |
00:47:02 |
New York. He made other mistakes, |
00:47:07 |
and was shot by the police. |
00:47:25 |
And now... the winner, |
00:47:28 |
of 1977 fashion design awards, |
00:47:33 |
The collection is Flying Fire |
00:47:34 |
designed by Kyoko Yasugi. |
00:47:44 |
Teacher, teacher. |
00:48:18 |
Miss Kyoko Yasugi. |
00:48:22 |
The judges are pleased |
00:48:27 |
to present to you |
00:48:29 |
the winner's prize. |
00:48:35 |
Here's your award. |
00:48:51 |
Speech. |
00:49:13 |
My son... is dead. |
00:49:22 |
It's my fault. |
00:49:27 |
He's my rock. |
00:49:33 |
My only rock. |
00:49:38 |
I'd do anything in order to protect him. |
00:49:41 |
Anything. |
00:49:46 |
He's my straw hat. |
00:50:01 |
Mum, do you remember |
00:50:08 |
Yes, the one that fell into the valley |
00:50:15 |
on our way from Usui to Kirizumi. |
00:50:36 |
I've already lost a hat, |
00:50:47 |
I can't lose another one. |
00:50:56 |
Mum, it was my favorite hat. |
00:51:03 |
I was so sorry to see it blown away. |
00:51:05 |
But that wind, |
00:51:08 |
it blew all of a sudden. |
00:51:13 |
Mama... |
00:51:21 |
That kid was trying to find the hat, |
00:51:30 |
the real one. |
00:51:36 |
I don't care about money. |
00:51:38 |
I've plenty. |
00:51:41 |
You don't know nothing. |
00:51:43 |
Mama, do you hate me? |
00:51:46 |
I love you of course. |
00:51:48 |
But I can't do anything. |
00:51:52 |
It's only going to make things worse |
00:51:55 |
Go back, I beg you. |
00:51:57 |
Mama, do you remember this? |
00:52:01 |
Mum, remember that |
00:52:09 |
who walked towards us? |
00:52:13 |
How hard he tried to retrieve my hat! |
00:52:16 |
But it was no good. |
00:52:22 |
Failed in the end. |
00:52:31 |
I can never find |
00:52:35 |
that lost hat. |
00:52:38 |
Who gave me life? |
00:52:41 |
My Black father and mama. |
00:52:43 |
Look at me. |
00:52:45 |
Mama, if you hate me, |
00:52:48 |
why did you give birth to me? |
00:52:50 |
Why? |
00:52:52 |
Mum, you're low. |
00:52:58 |
Mum, I wonder what's become of my hat. |
00:53:05 |
The wheel lilies blooming all around it |
00:53:11 |
Must have withered by now. |
00:53:16 |
In autumn, |
00:53:20 |
a grey mist must have surrounded |
00:53:25 |
and my hat may have sheltered |
00:53:27 |
and its nightly songs. |
00:53:32 |
Mama. |
00:53:53 |
Mama, do you hate me so much? |
00:54:26 |
Straw hat, Mama. |
00:54:36 |
Everyone has a beloved straw hat. |
00:54:43 |
In order to survive, |
00:54:46 |
we might lose the hat. |
00:54:52 |
And we can never |
00:54:56 |
find it back. |
00:55:03 |
I'll give this back to you. |
00:55:05 |
I don't need it. |
00:55:07 |
I just want my child. |
00:55:11 |
I want my child to come back. |
00:55:31 |
Should we arrest her? |
00:55:57 |
Quick. |
00:56:04 |
The incident in Shinbashi happened |
00:56:12 |
after they went to Kirizumi. |
00:56:15 |
She tried to help your father. |
00:56:18 |
Move over. |
00:56:23 |
Faster. |
00:56:25 |
Don't! |
00:56:42 |
Let me go! |
00:57:02 |
Mama. |
00:57:04 |
Mama. |
00:57:10 |
Mama. |
00:57:27 |
That's when she met Yohei Kouri. |
00:57:30 |
Yohei built his company |
00:57:34 |
from the money he made |
01:00:28 |
You killed Johnny Hayward, |
01:00:36 |
and Nakayama. |
01:00:47 |
I'm arresting you for murder. |
01:03:14 |
You want to see me, Captain? |
01:03:16 |
Johnny's stuff came back from Tokyo. |
01:03:21 |
Not very much, deliver to his father. |
01:03:26 |
OK. First thing in the morning. |
01:03:30 |
Ken, and this. |
01:03:32 |
By the way, was Munesue right? |
01:03:36 |
Yes. The mother murdered her own son, |
01:03:43 |
she committed suicide too. |
01:03:47 |
Last week, she jumped off a cliff |
01:03:53 |
No shit! |
01:05:27 |
Japanese hound. |