|
Ninja
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Empty your mind. |
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No distraction. |
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Only calm and clarity. |
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The Yoroi Bitsu. |
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Our most sacred chest. |
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The only remaining object |
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It is the only final |
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weapons of ninja warriors |
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The powers they |
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Each piece with it's own story, |
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Handed down from |
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for a thousand years. |
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They were created for |
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Sudden and violent death. |
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With these weapons, |
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Much more than |
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He become the most supreme |
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And used them for profit |
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It became an art as |
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Over the years... |
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The Ninja forged, |
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With only one antidote... |
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They held the power of life, |
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and death. |
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Tradition says... |
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That the Shinobu Katana Sword |
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But in the hands of |
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He has the power |
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The Yoroi Bitsu, and and it's secrets |
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into the imagination. |
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But hidden from sight... |
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safe in this ancient school, |
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A single Yoroi Bitsu survived |
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and the secret of |
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transforming the |
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into Budo... a martial |
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- Masazuka. |
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- Casey! |
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Casey-san. Water? |
| 00:06:43 |
Thanks, Kiko. |
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You are always working so late |
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I guess I'm not so |
| 00:06:59 |
And not so good |
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Well your father seems |
| 00:07:21 |
So does someone else. |
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You know, we don't have |
| 00:07:29 |
No. We don't. |
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I better get back. |
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It must have been |
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- It was in the past. |
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Defines a man... |
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Tradition, heritage... |
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Your parents. |
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What's your point? |
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We have traditions. |
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A letter and a |
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who abandoned |
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a memory of a drunk father, |
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who killed himself. |
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Masazuka! |
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- Casey! |
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- Masazuka! |
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Masazuka! |
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Sensei. |
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Sensei. |
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Sensei! |
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Sensei! |
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Welcome... brothers. |
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Tonight, we come together... |
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for another initiation ceremony. |
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As our ranks and power |
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Throughout time society... |
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has searched for guides |
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Leaders, we call them. |
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Men of vision and action. |
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Do you willingly |
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This historic agreement, lays |
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that will reach all the |
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Experts who believe, |
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two Russian companies |
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to win the bid |
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Mr Klimitov will make a statement, |
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Please. Whatever you want |
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I'll give it. |
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Ladies and gentlemen of the press, |
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In a few minutes will get a |
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Thank you. |
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- Tell me some good news. |
| 00:17:26 |
Mr. Klimitov should be exiting |
| 00:17:29 |
We should have a |
| 00:17:32 |
Wait a minute! Wait a minute! |
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He's bleeding, what appears |
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Chaos. There's total |
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Yuri Klimitov, |
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appears to be injured. |
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As promised, no more merger. |
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- Cheers, gentlemen. |
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Greetings friends and honoured |
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It is a day... we recognise |
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by displaying a highest honour, |
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a sacred treasure... |
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of our ninja ancestry... |
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The Yoroi Bitsu. |
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After 30 years as Soke, |
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I must now, name a successor. |
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The Yoroi Bitsu must be taken |
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to the other side of the world. |
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To be guarded. |
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There is a man, a scholar, |
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to keep it's power |
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the hands of Masazuka. |
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Sensei. |
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Namiko, |
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You see, the Dean is |
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Considering the safety we need, |
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I thought it wise to store |
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This way. |
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So tell me, Casey, |
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How does a young |
| 00:23:18 |
- end up in a Japanese Dojo? |
| 00:23:21 |
Well you don't exactly |
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Well, okay. |
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My father was a marine. |
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He was stationed in Okinawa, |
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so me and my mother, |
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But they didn't get along to well. |
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She ended up leaving. |
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The problem was... |
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- She didn't take me with her. |
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You see, my dad, uh... |
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He was a drunk. |
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I guess she couldn't take it any more, |
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He finally drank himself of the end |
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So anyway a friend of the |
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rather than let them |
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and... that's |
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I haven't looked back since. |
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Masazuka. |
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I remember the day I met |
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His technical skills were amazing. |
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Well I hope we |
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Press is already here. |
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Mr. Temple, what is your reaction |
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It's a tragedy. |
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Isn't it true that Temple Oil shares |
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that deal fell through? |
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So is the stock market. |
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Is there a correlation to that to? |
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But they were your competitors... |
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These were well respected men and |
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I'm willing to pledge |
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to anyone who can |
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What about the police |
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In a chain of killings involving |
| 00:31:02 |
I can't comment on something |
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Isn't it true, your company |
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I'm sorry. I gotta take this. |
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A friend? Didn't expect |
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Always a pleasure |
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Now, I must ask you |
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Namiko, did you |
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Still no answer. |
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He should be there. |
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I... Don't understand. |
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- You looking for Rebecca? |
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Are you her friend? |
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Sort of, she, uh... |
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She knew my parents. |
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She had a stroke. |
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She past away a few months ago. |
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I'm sorry. |
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Ah, Casey. Good to see you back. |
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Afraid, I'm just |
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Namiko's is still up. |
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- Okay. Good night, Professor. |
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Did you find her? |
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I guess she's been |
| 00:33:36 |
Who's there? |
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Get down! |
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You know why I'm here. |
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Are you okay? |
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Come on. |
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Go! |
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We need a room. |
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- Time's up! |
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What? |
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Please. |
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Let's get you warm. |
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Rui... Akira... |
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- Professor. |
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You heard what they wanted. |
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- Masazuka. |
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If he knows where we are... |
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That means my father... |
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No, no. We don't |
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Listen to me. We |
| 00:39:05 |
The victim is Dr Paul Garrison, |
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He was a professor, author, |
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lecturer, specialist |
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We got any suspects? |
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Oh, yeah. |
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One, Namiko Takeda... |
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and Casey Bowman. |
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Still no answer. |
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We just keep trying. |
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Although we no |
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sources tell us, it was |
| 00:39:40 |
Witnesses claim |
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there were several victims, |
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Can we go to the police? |
| 00:39:47 |
Police are searching for two suspects, |
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who were seen fleeing the scene. |
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A male |
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reportedly in their mid-twenties, |
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and are considered armed |
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We have to tell |
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He wasn't even there. |
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And people are dead. |
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They could hold on |
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You heard Garrison. The Dean |
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Pretty soon, somebody's |
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- So? |
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Tomorrow. |
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It's okay. |
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We'll get through this. |
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Namiko? |
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Namiko? |
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The girl I was with, |
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Two coffee's please |
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Okay. |
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Hey, what are you doing? |
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Getting us some food. |
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- Sandwiches are coming up. |
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Let me get you some sugar. |
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Down! |
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Don't shoot us! |
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- Come on! |
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Subway! |
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Subway. |
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Hey, excuse me! |
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Masazuka. |
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They could be |
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Come on. |
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Police! Hands up! |
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Put your hands on your head! |
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Masazuka. |
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You have, what |
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Tell our colleague, |
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We found them, but |
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- Where are they? |
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I asked... |
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Where? |
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West 54 precinct. |
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But there's no way |
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Pray I find them... |
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Or your next. |
| 00:49:05 |
What are you doing in this country? |
| 00:49:08 |
I was visiting a friend. |
| 00:49:10 |
- The dead professor? |
| 00:49:14 |
Why'd you kill him? |
| 00:49:16 |
- I didn't. |
| 00:49:19 |
Because we had to. |
| 00:49:23 |
- Really? |
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You have no idea what |
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I'm all ears. |
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Sir, can I help you? |
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I'm here for, Namiko Takeda. |
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- I'm her attorney. |
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I'll meet him |
| 00:50:17 |
- Your lawyer just showed up. |
| 00:50:38 |
That's quite a story, Casey. |
| 00:50:42 |
So, your saying that |
| 00:50:45 |
who nobody's |
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or who may have heard, |
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is after you to... |
| 00:50:52 |
The Yoroi Bitsu. |
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Right. |
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So where is it? |
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I can't tell you that. |
| 00:51:06 |
Why not? |
| 00:51:20 |
It's him. Masazuka, he's here. |
| 00:51:24 |
I'll send him your regards. |
| 00:51:26 |
Hey, don't leave me like this. |
| 00:51:32 |
Hey, what's going on? |
| 00:52:04 |
Jesus Christ, lady. We're just |
| 00:52:07 |
God! Let's go. |
| 00:52:12 |
Let's go. |
| 00:53:07 |
Hey, hey lady! |
| 00:55:24 |
- On the ground! |
| 00:55:27 |
I said get on the ground! |
| 00:55:29 |
What do you think |
| 00:55:31 |
Get down, or I'll |
| 00:56:03 |
Some fairy tale, huh? |
| 00:56:48 |
- Just let her go. |
| 00:58:09 |
No! |
| 01:01:24 |
Where is she? |
| 01:01:29 |
Who did you call, your source? |
| 01:01:31 |
Nobody. |
| 01:01:34 |
- Who did you call? |
| 01:01:37 |
I don't know who's |
| 01:01:40 |
Wait! Wait! |
| 01:01:42 |
I'll tell you where you |
| 01:01:46 |
I'm listening. |
| 01:02:00 |
Welcome... brothers. |
| 01:02:19 |
We control the life and |
| 01:02:22 |
A dedicated "Ring of Brothers". |
| 01:02:29 |
Kill him! |
| 01:02:49 |
Come on, stop him! |
| 01:05:48 |
- Masazuka. |
| 01:05:50 |
Where is she? |
| 01:05:54 |
Very close. |
| 01:05:59 |
If you've hurt her, |
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Listen to me. |
| 01:06:05 |
I want the Yoroi Bitsu. |
| 01:06:09 |
Okay. You'll get it... |
| 01:06:11 |
for Namiko. |
| 01:06:14 |
Construction site of 49th |
| 01:07:54 |
How many more of you? |
| 01:07:57 |
Two. |
| 01:08:01 |
I'm sorry, guys. |
| 01:08:04 |
Freeze! |
| 01:08:10 |
Is that the box? |
| 01:08:13 |
You should believe me now. |
| 01:08:16 |
Let's take a ride down town. |
| 01:08:18 |
No. I'm gonna give |
| 01:08:23 |
You're gonna let me do, |
| 01:09:34 |
Masazuka! Let her go! |
| 01:09:37 |
Not until I get the Yoroi Bitsu. |
| 01:09:40 |
Don't, Casey! |
| 01:09:50 |
It's all yours. |
| 01:09:52 |
Now, let her go. |
| 01:10:26 |
49th and church. |
| 01:10:30 |
I want them both dead. |
| 01:10:32 |
What you have, is mine. |
| 01:10:37 |
So, come and get it. |
| 01:11:56 |
Go! Go! |
| 01:13:45 |
Get down! |
| 01:14:31 |
You need this, |
| 01:14:33 |
to keep her alive. |
| 01:15:45 |
No! |
| 01:16:04 |
Yes. |
| 01:16:08 |
Such anger. |
| 01:16:19 |
This the police, |
| 01:16:22 |
Put your hands in the air |
| 01:16:37 |
Again, drop your weapons. |
| 01:16:39 |
Put your hands in the air |
| 01:17:56 |
Namiko. |
| 01:17:59 |
Namiko. |
| 01:18:05 |
I'm sorry. |
| 01:18:11 |
I can't save you. |
| 01:18:20 |
I love you! |
| 01:18:24 |
I've always loved you. |
| 01:18:34 |
Tradition says... |
| 01:18:36 |
that the Shinobu Katana Sword |
| 01:18:42 |
and also the life's spirit, |
| 01:18:48 |
The power to heal. |
| 01:19:11 |
Namiko. Drink. |
| 01:19:15 |
Drink. |
| 01:19:27 |
Come back to me. |
| 01:19:31 |
Namiko. |
| 01:21:37 |
This is one hell of |
| 01:21:40 |
It's gonna take day's... hell, |
| 01:21:42 |
maybe even weeks |
| 01:21:44 |
Not that it really |
| 01:21:49 |
The main thing is, |
| 01:21:51 |
Temple's in custody. |
| 01:21:54 |
Then there's you two... |
| 01:21:58 |
Your late for your plane. |
| 01:22:02 |
Now get the hell out |
| 01:23:00 |
Edited and synced by Scooby |
| 01:23:04 |
Thanks to Florin |
