Ninth Gate The
|
00:05:15 |
It's an impressive collection. |
00:05:19 |
Are you sure you want |
00:05:21 |
They're of no use to father, not anymore. |
00:05:24 |
Not since he's been this way. |
00:05:26 |
His library was his whole world. |
00:05:29 |
...a painful memory. |
00:05:30 |
Unbearably painful. |
00:05:34 |
I understand. |
00:05:36 |
Well, |
00:05:38 |
at a rough preliminary estimate |
00:05:42 |
you have a collection here |
00:05:44 |
- worth around 600,000 dollars. |
00:05:47 |
Yes, worth that about. |
00:05:50 |
I have picked up one or two volumes |
00:05:52 |
that merit special attention. |
00:05:54 |
This "Persiles", for example, |
00:05:57 |
I'd hang on to that. |
00:05:59 |
- It's a good investment. |
00:06:02 |
Very valuable. |
00:06:03 |
As for this "Hypneratomachia di Poliphilo" |
00:06:07 |
by Colonna, Venice, 1545, |
00:06:11 |
I'm sure I can find you a buyer. |
00:06:13 |
But I wouldn't let the rest go |
00:06:16 |
under any circumstances. |
00:06:19 |
It may take a month to sort of place them |
00:06:21 |
so in the meantime |
00:06:23 |
A month? |
00:06:24 |
Yes, a month or two, depends on |
00:06:26 |
more hurry, less money. |
00:06:29 |
- Of course. |
00:06:33 |
I'm sure you wouldn't |
00:06:35 |
but please feel free |
00:06:37 |
aand if you have any questions |
00:06:39 |
Incidentally, this |
00:06:43 |
of "Don Quixote" is quite nice, |
00:06:47 |
Now, I could |
00:06:49 |
take it off your hands |
00:06:53 |
right away. |
00:06:57 |
How much were you thinking of? |
00:07:00 |
Oh, I couldn't go more |
00:07:04 |
Oh, fine. |
00:07:14 |
- You here? |
00:07:15 |
You didn't waste much time. |
00:07:16 |
Listen, there's a small fortune |
00:07:19 |
You're a vulture Corso! |
00:07:21 |
- Who isn't in our business? |
00:07:24 |
For a Quixote by Ybarra? You bet I would. |
00:07:26 |
Unscrupulous! |
00:07:29 |
Happy hunting. |
00:07:49 |
I've just got on the phone |
00:07:54 |
Really? What's his problem? |
00:07:58 |
He said you're a double-dealing |
00:08:03 |
He thought he had that deal sold up. |
00:08:07 |
He should have been quicker |
00:08:09 |
- May I? |
00:08:12 |
And he said your evaluation |
00:08:15 |
And those people coming out in a rash |
00:08:18 |
now they're asking twice |
00:08:27 |
Let's face it. |
00:08:28 |
- You screw it off, that's what it's called. |
00:08:31 |
He also said that you snatched the "Don Qui-" |
00:08:40 |
Ybarra, "Don Quixote", 1780. |
00:08:45 |
All four volumes. |
00:08:47 |
Son of a bitch. |
00:08:51 |
Fantastic, you are the best. |
00:08:54 |
That client of yours, the Swiss, d'ya think |
00:08:57 |
I have Witkin on my ass, I really |
00:09:00 |
Except 10%. |
00:09:03 |
20%. The Swiss is my client. |
00:09:06 |
No deal. |
00:09:07 |
- 15, for my children's sake. |
00:09:10 |
I'm still young, give me time. |
00:09:13 |
Ten. |
00:09:53 |
...and earlier in 1580, in |
00:09:57 |
by the French Jean Bodin. |
00:09:59 |
Bodin was probably the first |
00:10:04 |
if the term "system" may be |
00:10:08 |
for classifying the contemporary |
00:10:11 |
In Bodin we find one of the first |
00:10:16 |
I quote: |
00:10:18 |
"A witch is a person |
00:10:19 |
who, though cognizant in the laws of God, |
00:10:22 |
endeavours to act thorugh the medium |
00:10:26 |
To assist them in their work, |
00:10:30 |
that is to say creatures |
00:10:33 |
in which supernatural spirits |
00:10:37 |
For those of you, ladies and |
00:10:40 |
into the controvertial |
00:10:43 |
a great deal of |
00:10:45 |
may be found |
00:10:48 |
Nicolas Remis "Demonolatriae libri" |
00:10:50 |
and "Compendium Maleficarum", |
00:11:03 |
I see you were stimulated |
00:11:11 |
Did I snore? |
00:11:12 |
Most nice of you to ask. |
00:11:16 |
Shall we go? |
00:11:26 |
- Don't you sleep nice? |
00:11:29 |
Strange. |
00:11:30 |
I'd have bet a brace |
00:11:32 |
you spend half the night |
00:11:35 |
You're one of those lean, |
00:11:38 |
that put the wind up Julius Caesar. |
00:11:40 |
Men who stab their |
00:11:46 |
Not that I suspect you have |
00:11:49 |
Your kind seldom does. |
00:11:52 |
That makes two of us. |
00:12:00 |
You're right, of course. |
00:12:02 |
Your friendships don't |
00:12:05 |
Our relations have always been strictly |
00:12:09 |
The professional and the personal |
00:12:12 |
Listen, I came here to do some |
00:12:15 |
If you want to expound you personal |
00:12:19 |
You don't like me, do you? |
00:12:20 |
I don't have to like you. |
00:12:37 |
You're a priviledged, Mr. Corso. |
00:12:40 |
Very few people |
00:12:42 |
This is my private collection. |
00:12:45 |
Some bibliophiles specialise |
00:12:49 |
others in Books of Hours. |
00:12:51 |
All my own rare editions |
00:12:55 |
the Devil. |
00:12:56 |
- May I take a look? |
00:12:58 |
That's why I brought you here. |
00:13:15 |
Beautiful, aren't they? |
00:13:17 |
Their soft sheen, |
00:13:21 |
not to mention the centuries |
00:13:24 |
I know people who would kill |
00:13:28 |
The "Ars Diavoli". |
00:13:30 |
You'll never see as many books |
00:13:34 |
They're the rarest, the choicest |
00:13:38 |
It's taken me a lifetime |
00:13:40 |
Only the supreme |
00:13:43 |
Come. |
00:13:53 |
"The Nine Gates of the |
00:13:55 |
- You're familiar with it. |
00:13:59 |
The author and printer Aristide Torchia |
00:14:04 |
together with all his works. |
00:14:06 |
- Only three copies survived. |
00:14:09 |
The Catalogue has three copies |
00:14:12 |
the Fargas, the Kessler |
00:14:14 |
It's true, you know your business. |
00:14:18 |
According to my own research, |
00:14:20 |
Well, three are known. |
00:14:23 |
That's the trouble. |
00:14:25 |
- Where did you get it? |
00:14:28 |
- Telfer? |
00:14:31 |
The day before he killed himself. |
00:14:34 |
That's good timing. |
00:14:44 |
"Silentium est aureum". |
00:14:46 |
- Silence is golden. |
00:14:51 |
Ever heard of the "Delomelanicon"? |
00:14:53 |
I have heard of it, yes. |
00:14:56 |
A book reputed to have been |
00:14:58 |
No myth. That book existed. |
00:15:01 |
Torchia actually acquired it. |
00:15:06 |
The engravings you are now admiring were |
00:15:12 |
They form a kind of satanic riddle. |
00:15:16 |
Correctly interpreted with |
00:15:18 |
and sufficient inside information, |
00:15:20 |
they're reputed to conjure up |
00:15:24 |
You don't say. |
00:15:27 |
Are you a religious man, Mr. Corso? |
00:15:29 |
I mean, do you believe in the supernatural? |
00:15:32 |
I believe in my percentage. |
00:15:37 |
Aren't you getting |
00:15:43 |
What is it that you |
00:15:51 |
I want you to go |
00:15:53 |
The other two copies |
00:15:56 |
I want you to find some way |
00:15:59 |
Every page, every engraving, |
00:16:02 |
I'm convinced only one is authentic |
00:16:05 |
That can be an expensive trip. |
00:16:08 |
That's to get you started. |
00:16:13 |
What if I find that |
00:16:16 |
It's quite possible. |
00:16:18 |
Really? |
00:16:20 |
It doesn't appear to be. |
00:16:25 |
Even the paper sounds couture. |
00:16:27 |
Even so, something's wrong. |
00:16:29 |
You mean the Devil won't show up. |
00:16:34 |
If all three copies turn out to be bogus |
00:16:38 |
If, on the other hand, one of them turns out |
00:16:43 |
I want you to get it for me. |
00:16:45 |
At all costs. Nevermind how. |
00:16:47 |
"Nevermind how" sounds illegal. |
00:16:49 |
It wouldn't be the first time |
00:16:52 |
- Not that illegal. |
00:16:59 |
Do a good job. |
00:17:05 |
There's gotta be something wrong with it |
00:17:08 |
I have the outmost faith |
00:17:11 |
There's nothing more reliable than a man |
00:18:12 |
Good morning. Dean Corso. |
00:18:15 |
I'm terribly sorry to disturb you |
00:18:29 |
It would be very helpful ma'am |
00:18:33 |
this book. |
00:18:43 |
- Isn't this one of my husband's books? |
00:18:46 |
It was in his collection until very |
00:18:50 |
I'm trying to authenticate it. |
00:18:52 |
He sold it, you say? |
00:18:54 |
How strange, this was one of his |
00:18:56 |
- He never mentioned this sale? |
00:19:00 |
- Who bought it? |
00:19:04 |
May I know his name? |
00:19:06 |
I'm afraid that's confidential. |
00:19:08 |
- I suppose he has a bill of sale. |
00:19:12 |
Is this your job? |
00:19:15 |
And tracking them down, yes. |
00:19:17 |
- You're a book-detective. |
00:19:22 |
Do you recall when and where |
00:19:27 |
In Spain. |
00:19:28 |
We were vacationing at Toledo. |
00:19:33 |
He paid a great deal of money for it. |
00:19:36 |
He was a fanatical collector. |
00:19:38 |
So I gather. |
00:19:41 |
I'll show you. |
00:20:03 |
It's impressive. |
00:20:05 |
Andrew used to spend |
00:20:09 |
Too many. |
00:20:10 |
Did he ever try it out? |
00:20:13 |
I don't understand. |
00:20:14 |
The book. |
00:20:16 |
Did he ever use it to perform |
00:20:19 |
intended to produce |
00:20:22 |
- Are you serious? |
00:20:25 |
Andrew was a trifle |
00:20:28 |
But he wasn't insane. |
00:20:31 |
It's true he'd been acting |
00:20:34 |
strange in those last few days, |
00:20:36 |
he shut himself up in here, |
00:20:41 |
That morning I was awoken |
00:20:49 |
He'd hanged himself. |
00:20:54 |
Whatever he was up to, |
00:20:56 |
I certainly can't see him chanting |
00:21:01 |
The Devil, Mrs. Telfer. |
00:21:56 |
"Sic luceat lux". |
00:22:00 |
"Thus might the light shine". |
00:24:52 |
Son of a bitch. |
00:24:55 |
Balkan. |
00:24:57 |
He wants me to research it. |
00:24:59 |
Balkan owns a "Nine Gates"? |
00:25:01 |
Recently acquired by |
00:25:04 |
Trust Balkan... |
00:25:06 |
What does he need you for? |
00:25:09 |
He wants me to compare it |
00:25:12 |
which are in Portugal and France. |
00:25:14 |
So I'm off to Europe. |
00:25:16 |
Compare it? |
00:25:18 |
Yes. Only one of the three |
00:25:22 |
But this looks genuine enough. |
00:25:24 |
Chrissake, it's gotta be worth |
00:25:29 |
That's why I'm here. |
00:25:32 |
'Cause I'm starting to see things. |
00:25:34 |
- Like what? |
00:25:38 |
I don't trust anyone, |
00:25:41 |
I come to think I'm not |
00:25:44 |
You know I wouldn't screw you |
00:25:46 |
money, women, business... |
00:25:48 |
Other than that you can relax. |
00:25:51 |
- I'll take it up on my way to the airport. |
00:25:55 |
These engravings are terrific. |
00:25:57 |
Or horrific, whichever. |
00:26:00 |
Sensational, |
00:26:45 |
May I come in? |
00:26:56 |
Please, sit down. |
00:27:01 |
I've come to talk business. |
00:27:05 |
Yesterday, when you came |
00:27:10 |
I was too surprised to react |
00:27:13 |
I mean it really was one |
00:27:16 |
So you said. |
00:27:17 |
I'd like to get it back. |
00:27:21 |
- That could be a problem. |
00:27:23 |
- On what? |
00:27:26 |
I don't understand, Mrs. Terfel. |
00:27:39 |
You work for money, I take it? |
00:27:41 |
What else? |
00:27:42 |
- I have a great deal of money. |
00:27:44 |
You could stage a theft. |
00:27:46 |
I imagine your client |
00:27:51 |
- I'm a professional, ma'am. |
00:27:51 |
Mercenaries work |
00:27:55 |
I could throw in a bonus. |
00:27:58 |
- This has happened before in some place. |
00:28:02 |
She had an automatic her stocking... |
00:28:08 |
No automatic. |
00:28:19 |
- Would you like a drink? |
00:29:49 |
Okay. Where is it? |
00:29:51 |
Where's what? |
00:29:53 |
Don't fuck with me! |
00:29:57 |
I thought I already did. |
00:30:29 |
You have reached "Bernie's Rare Books". |
00:30:35 |
Bernie, you there? |
00:30:38 |
Pick up. |
00:31:08 |
Give me a minute, I won't be long. |
00:31:10 |
- Then you can take me on the "Kennedy" |
00:31:47 |
Oh Jesus! |
00:32:04 |
Jesus Christ... |
00:33:05 |
None problem? |
00:33:41 |
Stop. |
00:33:42 |
Stop by that phone booth, pull over. |
00:33:44 |
No problem sir. |
00:33:52 |
He isn't available at the time. |
00:33:55 |
- You'd like to leave a message? |
00:33:59 |
I'm afraid he is in transit. |
00:34:00 |
If you can give me your number, |
00:34:01 |
I'll have him return it |
00:34:04 |
No, I'm in a phone booth. |
00:34:07 |
I have to speak with him right now. |
00:34:11 |
Right now. |
00:34:13 |
One moment. |
00:34:32 |
- Are you there, Mr. Corso? |
00:34:33 |
Ok, I'll put him through. |
00:34:39 |
Mr. Corso, what have you got for me? |
00:34:41 |
More than I'd bargained for. |
00:34:43 |
- What do you mean? |
00:34:46 |
I wanna return you the |
00:34:48 |
I'm disappointed in you, Mr. Corso. |
00:34:52 |
Well, this is different. |
00:34:54 |
Do you remember Bernie Orenstein? |
00:34:57 |
The dealer? |
00:34:58 |
I gave him your book |
00:35:01 |
and now he's dead, murdered. |
00:35:03 |
- Because of the book? |
00:35:06 |
Look, I've never said it would be easy. |
00:35:10 |
It isn't the money, I want out. |
00:35:12 |
This matter means a great |
00:35:15 |
I'm not an ungenerous man, |
00:35:17 |
Proceed as arranged, and you can |
00:35:22 |
What... Hey, where are you? |
00:36:17 |
- Good evening. |
00:36:21 |
- You speak English? |
00:36:25 |
I would like to get your opinion on this. |
00:36:38 |
What a habit for a book binder... |
00:36:41 |
"The Nine Gates" - superb |
00:36:45 |
The Telfer copy. |
00:36:47 |
Yes. You used to own it, right? |
00:36:49 |
- We used to, yes. |
00:36:51 |
...when the opportunity |
00:36:54 |
...too good to miss. An excellent sale. |
00:36:56 |
An excellent buying! |
00:36:59 |
Impeccable. |
00:37:02 |
No, A client of mine. |
00:37:04 |
I would never have believed |
00:37:08 |
- She? |
00:37:12 |
I understood that it was |
00:37:15 |
He'd pay for it. |
00:37:17 |
It was Mrs. Telfer |
00:37:19 |
- He didn't seem particularly... |
00:37:23 |
An exceptional specimen. |
00:37:25 |
- Do you think it could be a forgery? |
00:37:28 |
I took you for a professional. |
00:37:32 |
Far too lightly. |
00:37:34 |
Forging a book is very expensive. |
00:37:36 |
Paper of the period, right inks, |
00:37:41 |
- Still it can be done. |
00:37:43 |
It requires a great skill, |
00:37:46 |
Do you think that |
00:37:48 |
What makes you ask? |
00:37:49 |
My client wishes to satisfy |
00:37:53 |
His name's Balkan. |
00:37:56 |
- All books have a destiny of their own. |
00:38:00 |
Mr. Balkan is a celebrated collector. |
00:38:03 |
He's no fool, he must know |
00:38:06 |
- We know it. |
00:38:07 |
- We've had this book for years. |
00:38:09 |
With ample opportunity |
00:38:12 |
The printing, the binding, |
00:38:13 |
are magnificent examples of |
00:38:17 |
Finest rag-paper. |
00:38:21 |
None of your modern wood-pulp. |
00:38:24 |
Watermarks, ink, |
00:38:26 |
typefaces... |
00:38:28 |
If this is a forgery, |
00:38:29 |
or a copy with missing pages |
00:38:35 |
Have you studied the engravings? They |
00:38:40 |
But of course. |
00:38:41 |
Here, for example. |
00:38:43 |
This one could be |
00:38:46 |
"Venture too far" it seems to say, |
00:38:50 |
These types of books |
00:38:53 |
Especially in the case of |
00:38:57 |
Collaborator? |
00:38:58 |
You could have not proceeded, |
00:39:01 |
Here. look close. |
00:39:03 |
Don't you see? Only six of the nine |
00:39:07 |
Yes. And the other three? |
00:39:10 |
This is one of them. |
00:39:13 |
L, C, F. |
00:39:16 |
Who's LCF? |
00:39:17 |
Think. |
00:39:24 |
Lucifer? |
00:39:27 |
Very perceptive of you, Señor. |
00:39:31 |
Torchia was burnt alive |
00:39:33 |
because he wrote this book |
00:39:35 |
Come on. You can't honestly believe... |
00:39:37 |
The man who wrote this book |
00:39:41 |
and went to the stake for it. |
00:39:43 |
Even hell has its heroes, Señor. |
00:41:36 |
- I have seen you before. |
00:41:38 |
Yes. |
00:41:40 |
- Are you travelling in this car? |
00:41:43 |
The sleeper... I travel on the cheap. |
00:41:48 |
- Are you a student? |
00:41:52 |
I like trains. |
00:41:54 |
- Trains I'm on? |
00:42:00 |
What's your name? |
00:42:02 |
Guess. |
00:42:05 |
- Green eyes? |
00:42:07 |
- What's yours? |
00:42:09 |
Strange name. |
00:42:11 |
Italian, it means "to run". |
00:42:14 |
You don't look like a runner to me. |
00:42:22 |
Well, give my regards to Balkan. |
00:42:27 |
- Balkan? |
00:42:31 |
See you around. |
00:42:33 |
Maybe. |
00:42:36 |
I wouldn't be surprised. |
00:44:12 |
Yes? |
00:44:14 |
Yes... Dean Corso, Mr. Fargas. |
00:44:16 |
- Corso? Oh yes, please come in. |
00:44:26 |
Please. |
00:44:33 |
Home sweet home. |
00:44:38 |
You won't say no |
00:44:41 |
Thank you very much. |
00:44:56 |
Thank you. |
00:44:58 |
What handsome glasses. |
00:45:00 |
They're the only ones I have left. |
00:45:07 |
- It has to have been a beautiful place. |
00:45:10 |
But old families are |
00:45:13 |
they wither and die. |
00:45:18 |
There they are, 834 of them. |
00:45:22 |
What a pity you didn't |
00:45:25 |
I used to have 5,000. |
00:45:26 |
But these are the survivors. |
00:45:29 |
So this is the Fargas collection. |
00:45:31 |
Not quite as I imagined it I must say. |
00:45:34 |
C'est la vie, my friend. |
00:45:36 |
But I keep them in perfect conditions, |
00:45:40 |
I dust and air them every day. |
00:45:47 |
These are the occult. |
00:45:50 |
- What do you think? |
00:45:52 |
Not bad indeed. At least |
00:45:56 |
Here: Plancy, "Dictionnaire Infernal", |
00:46:00 |
first edition, 1844. |
00:46:05 |
Leonardo Fioravanti's |
00:46:15 |
And there it is, |
00:46:17 |
in perfect condition. |
00:46:23 |
It has travelled the world |
00:46:26 |
yet it might have been |
00:46:29 |
Is it in order? I mean you |
00:46:32 |
Unusual? no. |
00:46:34 |
The text is complete, the engravings too, |
00:46:38 |
as the catalogue states, just like the |
00:46:43 |
Yes... It isn't the Telfer anymore. |
00:46:46 |
Telfer killed himself. |
00:46:47 |
But he sold his copy |
00:46:50 |
Oh, Balkan. |
00:46:52 |
If he sets his eye on a book |
00:46:56 |
Not that I would ever sell this one. |
00:47:01 |
It's strange that he should |
00:47:06 |
...already had... |
00:47:09 |
Do you have it here? |
00:47:12 |
May I see it? |
00:47:31 |
Oh, superb. |
00:47:38 |
Beautiful. Identical. |
00:47:42 |
Two of the only three |
00:47:44 |
reunited for the first time |
00:47:49 |
Yes. |
00:47:51 |
Look at this slight imperfection here, |
00:47:54 |
The same type, |
00:47:58 |
Oh, incredible. |
00:48:02 |
As you see if it wasn't for this slight |
00:48:06 |
no one could tell them apart. |
00:48:08 |
If you don't mind I would like to stay |
00:48:16 |
What are you looking for, Mr. Corso? |
00:48:18 |
I'm not quite sure. |
00:48:21 |
Some books are dangerous, |
00:48:25 |
Very true. |
00:49:00 |
I'll be damned! |
00:51:56 |
Hello again. |
00:51:58 |
- You didn't say you were bound for Sintra. |
00:52:01 |
What are you doing here? |
00:52:02 |
Reading. |
00:52:04 |
I can see that. |
00:52:05 |
And bumping into people unexpectedly. |
00:52:08 |
Yes, unexpected is right. |
00:52:12 |
Are you on a business trip? Is that |
00:52:22 |
- Just part of your course? |
00:52:25 |
"Winning friends and influencing |
00:52:28 |
Did I? |
00:52:30 |
So I am, in a way. |
00:52:34 |
I like books. Do you? |
00:52:40 |
- You been travelling long? |
00:52:44 |
I don't suppose you |
00:52:45 |
Sir? Excuse me sir. |
00:52:49 |
- For me? Are you sure? |
00:52:59 |
- Yes? |
00:53:01 |
My God, how did you find me? |
00:53:03 |
- Made any progress? |
00:53:07 |
Well? |
00:53:09 |
Look, I can't talk here, I'm in the lobby. |
00:53:13 |
Nevermind that. Get them |
00:53:15 |
- I'll wait. |
00:53:17 |
Señor, pardon me. |
00:53:21 |
- Yes. |
00:53:32 |
- Still there? |
00:53:34 |
Alright. I've examined |
00:53:37 |
It's authentic enough, |
00:53:39 |
It's like yours, |
00:53:42 |
Discrepancies? |
00:53:45 |
The engravings are not identical. |
00:53:48 |
Just like keys |
00:53:50 |
doorways open in one copy |
00:53:53 |
- And there's another thing. |
00:53:57 |
The ones that differ aren't |
00:54:04 |
- Still there? |
00:54:06 |
Listen, where are you anyway? |
00:54:07 |
I must have that |
00:54:10 |
Get it for me. |
00:54:13 |
The old man wouldn't sell it |
00:54:16 |
Did he? |
00:54:19 |
Hello? Hello? |
00:54:53 |
Just a minute! |
00:55:12 |
- What time is it? |
00:55:16 |
- Go? Go where? |
00:55:18 |
I've already seen Fargas. |
00:55:20 |
I think you should see him again. |
00:55:22 |
What is this, some kind of |
00:55:24 |
- What do you know about Fargas? |
00:56:10 |
Don't bother. He isn't there. |
00:56:12 |
- Oh really, then where is he? |
00:56:44 |
God Almighty... |
00:56:59 |
You want to get inside? |
00:57:01 |
I had thought about it, yes. |
00:57:25 |
You wait here. |
00:57:51 |
Shit! |
00:58:13 |
Well, did you find it? |
00:58:16 |
You know, it's come to my attention |
00:58:19 |
Why do you keep following me |
00:58:21 |
You're wasting time asking all |
00:58:24 |
There's a flight from Lisbon to Paris |
00:58:27 |
- What's with the "we"? |
00:58:30 |
What happened back there? |
00:58:38 |
The old man caught |
00:58:41 |
- And what do you guess happened to him? |
00:58:45 |
- With a little help from who? |
00:58:48 |
I do. |
00:58:49 |
I could easily end up the same way. |
00:58:52 |
Not with me around to look after you. |
00:58:55 |
- Oh I see, you're my guardian angel. |
00:59:03 |
- Someone is playing a game with me. |
00:59:08 |
And you're getting to like it. |
00:59:45 |
Keep the change. |
00:59:55 |
Hello Gruber. |
00:59:57 |
Hello Mr. Corso. |
01:00:00 |
We don't have any vacancies, but... |
01:00:03 |
I'm sure I'll be able |
01:00:09 |
- Thank you very much. Please... |
01:01:02 |
- Excuse me? |
01:01:04 |
The Kessler Foundation, please. |
01:01:06 |
- Second floor. |
01:01:35 |
Good afternoon. |
01:01:36 |
I'm Dean Corso, I have an appointment |
01:01:45 |
This way. |
01:01:55 |
You have thirty minutes. |
01:02:02 |
- Yes? |
01:02:05 |
Oh yes, Mr. Corso. Come in. |
01:02:08 |
I've heard a great deal about you. |
01:02:12 |
- Nothing good I hope. |
01:02:14 |
Thanks, Simone. |
01:02:16 |
Well, I'm reassured, |
01:02:18 |
in my trade |
01:02:20 |
can be professionally disastrous. |
01:02:24 |
My God. |
01:02:25 |
Yes, there it is. |
01:02:32 |
You know I know your |
01:02:34 |
Strange we |
01:02:35 |
Your name is a byword |
01:02:39 |
But I imagine you know |
01:02:42 |
Yes, well it does keep the wolf |
01:02:45 |
I'm sorry Baroness. Where you |
01:02:47 |
Of my latest work: |
01:02:49 |
"The Devil, History and Myth". |
01:02:52 |
It will be published |
01:02:55 |
- Why the Devil? |
01:02:57 |
I was 15 years old and I saw him |
01:03:01 |
It was love at first sight. |
01:03:03 |
You know, 300 years ago |
01:03:05 |
you'd have been burned at the |
01:03:07 |
300 years ago |
01:03:10 |
Nor would I have made |
01:03:13 |
Yeah. |
01:03:15 |
What is it you wish |
01:03:18 |
There's a book in your collection |
01:03:21 |
It's the book of "The Nine Gates |
01:03:23 |
The "Nine Gates"? |
01:03:26 |
Everyone's been |
01:03:29 |
Is that so? |
01:03:30 |
Follow me. |
01:03:35 |
You truly believe |
01:03:37 |
Enough to devote my life |
01:03:41 |
Not to mention |
01:03:44 |
Don't you? |
01:03:46 |
Almost. |
01:03:49 |
This book demands |
01:03:51 |
Well, I'm afraid my faith's |
01:03:54 |
I know this work extremely well. |
01:03:58 |
Do you have any doubts |
01:04:01 |
Not wheresoever. |
01:04:02 |
Are you sure? |
01:04:03 |
My knowledge of |
01:04:06 |
I wrote a biography of its author. |
01:04:07 |
Yes, I read it: "Aristide Torchia, |
01:04:11 |
Excellent work. |
01:04:12 |
A corageous man. |
01:04:14 |
He died for the sake |
01:04:18 |
While studying the |
01:04:20 |
he acquired a copy of |
01:04:24 |
This is Torchia's |
01:04:26 |
which was written |
01:04:29 |
After they burned him |
01:04:32 |
was founded, to |
01:04:34 |
and preserve its secrets. |
01:04:36 |
"The Order of |
01:04:39 |
What, a sect? |
01:04:40 |
A kind of witches' coven. |
01:04:42 |
For centuries they've met |
01:04:45 |
and worship |
01:04:48 |
Today it's degenerated |
01:04:50 |
for bored millionaires |
01:04:53 |
who use its meetings |
01:04:55 |
to indulge their |
01:04:59 |
I myself belonged to the Order, |
01:05:02 |
years ago. |
01:05:03 |
But time is too |
01:05:05 |
besides my orgy |
01:05:08 |
I told them to go to the Devil. |
01:05:11 |
You mean it's all about sex or... |
01:05:13 |
Of course not. |
01:05:15 |
They're under the illusion that |
01:05:18 |
to membership in the Order. |
01:05:20 |
- Do they still meet? |
01:05:22 |
on the anniversary |
01:05:24 |
They'll be meeting |
01:05:26 |
- And you said they read from this book. |
01:05:29 |
I took mine back when Liana Telfer |
01:05:33 |
Victor Fargas is an unbeliever, |
01:05:35 |
he's always refused to partecipate |
01:05:40 |
Not that it has ever worked. |
01:05:42 |
Did Andrew Telfer ever take part? |
01:05:44 |
Telfer? Oh, no, no... |
01:05:47 |
That creature Liana, |
01:05:51 |
She comes from an old and |
01:05:54 |
The "De Saint-Martins", |
01:05:57 |
So Liana used his dollars |
01:06:00 |
and buy the "Nine Gates". |
01:06:02 |
If he ever finds out what his wife |
01:06:06 |
he'll probably kill himself. |
01:06:08 |
Funny you should say that, Baroness. |
01:06:16 |
Who exactly are you |
01:06:19 |
My client's name |
01:06:22 |
I'm simply trying to |
01:06:24 |
just the one that Telfer |
01:06:26 |
How stupid of me! |
01:06:30 |
You've out stage |
01:06:34 |
I was hoping to examine |
01:06:37 |
Certainly not. |
01:06:39 |
Tell your client, who |
01:06:42 |
to come and examinate |
01:06:46 |
Tell him not to send any |
01:06:51 |
Now kindly leave. |
01:06:56 |
Well, I'm sorry |
01:07:00 |
Thank you very much for your time. |
01:07:01 |
You don't know what you're |
01:07:06 |
Get out before it's too late. |
01:07:08 |
I'm afraid it already is, |
01:08:24 |
Thanks. |
01:10:55 |
They're broken. |
01:10:57 |
You should be more careful. |
01:11:14 |
- I need a favour, Gruber. |
01:11:17 |
Liana Telfer, |
01:11:19 |
Maiden name De Saint-Martin, |
01:11:23 |
probably accompanied by |
01:11:27 |
a black gentleman with |
01:11:31 |
closely cropped |
01:11:32 |
platinum blonde hair, |
01:11:36 |
I wanna know if they're staying |
01:11:38 |
It'll take a little time... |
01:11:39 |
Yes, of course. Start with the |
01:11:42 |
- Very well sir. |
01:11:44 |
Are you feeling alright? |
01:11:46 |
I've felt better, |
01:11:50 |
Let me know if you locate. |
00:00:04 |
Let me know if you locate. |
00:00:19 |
Put this |
00:00:21 |
against the back of your neck. |
00:00:35 |
You were really great |
00:00:38 |
I haven't thanked you for that. |
00:01:19 |
Alright. Look... |
00:01:22 |
I think it's about time you |
00:01:25 |
- Someone's after your book. |
00:01:28 |
And you? what |
00:01:39 |
Yeah? |
00:01:45 |
Can I take it in |
00:01:48 |
Alright. I'll be right down. |
00:02:04 |
- Yes? |
00:02:06 |
Oh, His Master's voice again. |
00:02:08 |
No, not much, |
00:02:10 |
aside from the fact somene has tried |
00:02:14 |
Oh yes. Fargas has been murdered. |
00:02:19 |
Murdered? How do you know? |
00:02:21 |
I saw him. And his copy. |
00:02:23 |
Or what was left of it anyway. |
00:02:26 |
Someone had snatched the engravings |
00:02:29 |
- What do you make of it? |
00:02:33 |
What about Baroness Kessler? |
00:02:35 |
- Where exactly are you? |
00:02:39 |
No, why do I get the impression that you've |
00:02:43 |
You're an investment of mine, |
00:02:50 |
The old woman swears |
00:02:53 |
But I didn't get the chance |
00:02:55 |
She threw me out as soon as she guessed |
00:02:59 |
You're not exactly in her |
00:03:02 |
You must see her again. |
00:03:04 |
Are you kidding? |
00:03:06 |
Try the launch break. |
00:03:10 |
Hello? |
00:03:39 |
- Do you have a photocopy machine back there? |
00:03:43 |
- Can I use it? |
00:03:50 |
Thank you. |
00:06:37 |
Yes. Hello, Baroness. It's me, |
00:06:41 |
I thought I made myself |
00:06:45 |
Well... |
00:06:47 |
I've got something for you, Baroness. |
00:06:50 |
Kind of peace offering. |
00:06:54 |
Please? |
00:07:20 |
First let me apologise. |
00:07:22 |
I should have told you right away |
00:07:26 |
It was foolish of me to think that I could |
00:07:30 |
please forgive me. |
00:07:31 |
Flattering will get you |
00:07:35 |
Get on with it. |
00:07:37 |
Right. |
00:07:40 |
These |
00:07:43 |
are for you. |
00:07:47 |
What is this? |
00:07:48 |
What is this supposed to be? |
00:07:51 |
You said that your knowledge |
00:07:55 |
did you ever compare |
00:07:58 |
No. |
00:07:59 |
Why? |
00:08:00 |
Well, you should. |
00:08:02 |
These are copies of the |
00:08:06 |
- You'll find that some of them differ from yours. |
00:08:10 |
So you question my book's |
00:08:14 |
It that's your peace offering |
00:08:17 |
Mine "Nine Gates" |
00:08:19 |
I don't dispute that, Baroness. |
00:08:21 |
In my opinion all |
00:08:24 |
But the fact remains |
00:08:26 |
Variations? |
00:08:29 |
If that were true |
00:08:32 |
What makes you so sure? |
00:08:35 |
I've already compared these |
00:08:38 |
In his book |
00:08:41 |
th keys were in the other hand. |
00:08:45 |
Here the doorway |
00:08:49 |
And in this one the man |
00:09:09 |
- Well? |
00:09:14 |
Look closely, Baroness. |
00:09:18 |
The turrets. |
00:09:19 |
Three in yours, |
00:09:34 |
Amazing. |
00:09:36 |
I'm convinced there'll be |
00:09:39 |
Three variations |
00:09:43 |
Coincidence or something more. |
00:09:46 |
Maybe Torchia hid the secret of |
00:09:52 |
I must admit I'm impressed. |
00:09:54 |
This puts an entirely different |
00:09:58 |
You have my permission |
00:10:02 |
Take as long as you need. |
00:10:19 |
My permission did not |
00:10:24 |
Nobody smokes in my library. |
00:13:04 |
Baroness? |
00:13:54 |
Idiot! |
00:15:46 |
Excuse me. There's something |
00:15:49 |
- Has anyone been up there while I was out? |
00:15:53 |
My wife? |
00:15:56 |
Excuse me sir. |
00:15:57 |
Yes? Yes, he's in front of me. |
00:16:00 |
Alright. |
00:16:01 |
For you sir. Booth nomber two. |
00:16:09 |
Yes? |
00:16:10 |
What news? |
00:16:13 |
News? |
00:16:15 |
Let me see... Well, |
00:16:17 |
yes, the good news is that I got |
00:16:22 |
and three of her engravings |
00:16:24 |
The bad news is that |
00:16:27 |
and made a bonfire of her collection. |
00:16:31 |
You put the words out of my mouth. |
00:16:33 |
Yes. It's the Fargas story all over again. |
00:16:36 |
I'm of the mind that they tore out the |
00:16:40 |
That makes two sets they've got. |
00:16:42 |
And my copy? |
00:16:44 |
Well, I learnt my lesson fortunately. |
00:16:47 |
I don't carry it around |
00:16:50 |
Otherwise it would |
00:16:52 |
Excellent. Good thinking. |
00:16:54 |
Well, with the two copies gone |
00:16:58 |
It only remains of you to return my book. |
00:17:00 |
I'm staying at the Ritz. |
00:17:03 |
Shall we say in half an hour? |
00:17:07 |
There is more bad news. |
00:17:11 |
- I don't have it. |
00:17:14 |
Someone lifted it from my room. |
00:17:20 |
Listen to me very |
00:17:24 |
I think you may |
00:17:27 |
of the length at which I'm prepared |
00:17:32 |
Unless you recuperate |
00:17:37 |
you'll discover just |
00:17:52 |
Where is it? |
00:17:52 |
- Where is what? |
00:17:55 |
Would I be here if I took it? |
00:17:57 |
You should know better by now. |
00:18:05 |
I must apologise on my |
00:18:07 |
Was unpardonable. |
00:18:09 |
Is that her? |
00:18:11 |
No sir, she was tall, dark hair, |
00:18:15 |
Which reminds me sir, I have |
00:18:18 |
The lady and gentleman you mentioned |
00:18:20 |
they're staying at the |
00:18:24 |
suite 209-211. |
00:18:27 |
Thank you very much Gruber, I owe |
00:18:30 |
A taxi, quick. |
00:18:33 |
Send this to Mr. Balkan |
00:18:40 |
- Fax it immediately. |
00:18:44 |
It was a pleasure |
00:18:46 |
Ain't coming? |
00:19:07 |
What do you plan |
00:19:09 |
Probably hide behind you. |
00:20:03 |
Oh, that's them. |
00:20:08 |
We should grab a taxi |
00:20:11 |
Let's go. |
00:20:29 |
They're going. |
00:21:03 |
Coming? |
00:21:15 |
Couldn't you have picked |
00:21:17 |
Don't be so picky. |
00:21:19 |
Some people would give |
00:21:57 |
Listen we can't sit on their tail forever, |
00:22:23 |
How do I look? |
00:22:27 |
Ridiculous. |
00:22:36 |
Sit tight. |
00:23:24 |
Take your pick. |
00:23:26 |
No, you. You know everything. |
00:23:29 |
If you say so... |
00:23:44 |
We lost them. |
00:23:45 |
No, not at that speed. |
00:23:47 |
They must have gone the other way. |
00:23:49 |
You mean I don't know |
00:23:52 |
Turn around. |
00:24:06 |
30ish, brunette, dishy? |
00:24:09 |
- What was her name again? |
00:24:12 |
No, her maiden name. |
00:24:15 |
- Saint-Martin. |
00:24:57 |
Excuse me? |
00:25:02 |
We're looking for the house |
00:25:04 |
The castle you mean? |
00:25:05 |
The castle, I knew that. |
00:25:08 |
Where's the castle? |
00:25:09 |
Take the road behind |
00:25:13 |
- Thanks. |
00:25:29 |
Keep going. |
00:25:34 |
Keep going. |
00:27:48 |
See them anywhere? |
00:27:53 |
No. |
00:29:19 |
Sorry to have to intrude |
00:29:21 |
What are you doing here? |
00:29:24 |
I jumped like to pick up the |
00:29:26 |
- That book is mine. |
00:29:30 |
My husband gave it to me. |
00:29:32 |
It wasn't his to sell. |
00:29:34 |
He sold it to get back at you? |
00:29:35 |
What happened? Did he |
00:29:37 |
How dare you? |
00:29:39 |
Keep an eye on her. |
00:29:42 |
Don't! |
00:29:43 |
Be careful, she bites. |
00:29:56 |
Hi. |
00:30:00 |
Don't move! |
00:30:04 |
Get the book. |
00:30:20 |
Don't kill them up here, |
00:30:22 |
Take them downstairs. |
00:30:25 |
You'll go first. |
00:30:27 |
Then you. |
00:30:40 |
Down. |
00:30:56 |
Open the door. |
00:31:10 |
Watch out! |
00:31:28 |
I didn't know you had it in you. |
00:31:33 |
Eight Gates preceed the Serpent |
00:31:38 |
We give loyalty to you, Lord. |
00:31:42 |
We devoted our |
00:31:46 |
The Serpent is a beast |
00:31:50 |
A beast whose eyes can |
00:31:55 |
We give loyalty to you, Lord. We... |
00:32:00 |
Stay here and cover me. |
00:32:03 |
We won't be afraid of |
00:32:09 |
We give loyalty to you, Lord. |
00:32:12 |
We devoted our |
00:32:17 |
We'll walk intact through |
00:32:22 |
We give loyalty to you, Lord. |
00:32:25 |
We devoted our |
00:32:29 |
The last hidden one |
00:32:32 |
is the Ninth one. |
00:32:37 |
We give loyalty to you, Lord. |
00:32:40 |
We devoted our |
00:32:44 |
- Glory to Eloy, Agla, Zate... |
00:32:57 |
Look around you, all of you. |
00:33:00 |
A bunch of buffoons |
00:33:04 |
Do you think the Prince |
00:33:06 |
deign to manifest himself |
00:33:07 |
before the lights of you? He |
00:33:12 |
You read from his book, |
00:33:14 |
but you have no conception |
00:33:18 |
I alone have grasped its secret, |
00:33:20 |
I alone have fathomed |
00:33:23 |
I alone am worthy to enjoy the fruits |
00:33:26 |
of that discovery: absolute power |
00:33:30 |
You're insane, Boris. |
00:33:33 |
You, Liana de Saint-Martin, |
00:33:36 |
you're even guiltier than |
00:33:39 |
You have at least some idea of what |
00:33:42 |
Yet you grant yourself |
00:33:46 |
to these orgies of aging flesh |
00:33:47 |
conducted in the Master's |
00:34:17 |
Don't Corso, don't! |
00:34:28 |
Let it be. |
00:35:02 |
What is it with you? |
00:35:03 |
He just murdered someone |
00:35:07 |
for the other killings. |
00:35:09 |
I'm ecstatic! |
00:35:11 |
You're out of the job, it's over. |
00:35:12 |
- What more do you want? |
00:35:18 |
Wait for me! |
00:35:40 |
Not taking me for a ride? |
00:35:42 |
You were working for him all along. |
00:35:44 |
Funny, I thought you were. |
00:36:31 |
Shit! |
00:38:09 |
- Here you are sir. All's dry. |
00:38:12 |
- Excuse me? |
00:38:16 |
Where is that? |
00:38:21 |
Bernard I need you to |
00:38:32 |
Here it is. |
00:40:33 |
Yes, that's it. |
00:40:40 |
Exactly. |
00:40:43 |
One, |
00:40:46 |
four, |
00:40:47 |
three, |
00:40:49 |
six, |
00:40:50 |
seven, |
00:40:52 |
five, |
00:40:54 |
eight, two, nine. |
00:40:58 |
The enigma is solved at last. |
00:41:02 |
"To travel in silence by |
00:41:06 |
to brave the arrows of misfortune |
00:41:11 |
to play the greatest |
00:41:13 |
forgoing no expense |
00:41:16 |
is to walk the vicissitudes of Fate |
00:41:17 |
and gain at last the key |
00:41:20 |
that will unlock the Ninth Gate ". |
00:41:30 |
Corso? |
00:41:31 |
What were you expecting? |
00:41:35 |
You're not wanted here |
00:41:39 |
I'm the only apparition |
00:41:42 |
You'll find a check waiting |
00:41:45 |
payment in full. |
00:41:47 |
You've killed for those. |
00:41:50 |
Infinitely more, but |
00:41:54 |
not yours. |
00:41:57 |
Do you know something, Corso? |
00:42:00 |
In spite of our differences |
00:42:02 |
I have a sort of |
00:42:04 |
- I'm touched. |
00:42:07 |
We share the same passion. You've |
00:42:12 |
Unfortunately for you only |
00:42:16 |
You're out of your depth. |
00:42:20 |
- I'm not leaving here empty handed. |
00:42:25 |
Stand aside. |
00:42:27 |
I credited you with more finesse. |
00:42:29 |
- You heard me? Stand back! |
00:42:32 |
Don't come near! |
00:42:54 |
Seems you found |
00:42:57 |
I like that. |
00:42:59 |
Now, |
00:43:02 |
you can watch. |
00:43:11 |
I'm entering an uncharted territory. |
00:43:15 |
taking the road that |
00:43:34 |
You can't come with me. |
00:43:38 |
But you may look |
00:43:42 |
- That's very kind of you. |
00:43:48 |
There have been men |
00:43:51 |
or disembowelled |
00:43:54 |
of what you are about to witness. |
00:44:06 |
I give you my allegiance, Master. |
00:44:09 |
I pledge myself to you |
00:44:11 |
Let me fear neither noose, |
00:44:15 |
Erase me from the Book of Life, |
00:44:19 |
Admit me to the Ninth Gate. |
00:44:22 |
Let it be so. |
00:44:27 |
Let it be so now! |
00:44:43 |
I feel the power surge through me |
00:44:47 |
rendering me |
00:44:49 |
of mind or body. |
00:44:51 |
I'm invulnerable, I'm invincible! |
00:44:56 |
I can float on air, |
00:45:05 |
I'm plunging my hands in fire, |
00:45:08 |
I feel no heat! |
00:45:10 |
This is great, |
00:45:23 |
Sic dedo me. |
00:45:32 |
It's miraculous! |
00:45:34 |
I feel nothing, nothing at all! |
00:48:40 |
Is that it? |
00:48:42 |
Is the game over? |
00:48:44 |
For Balkan yes. |
00:48:47 |
Why didn't it work for Balkan? |
00:48:48 |
The ninth engraving was a forgery. |
00:48:54 |
Where is the real one? |
00:48:57 |
I want it. |
00:49:01 |
You're running low in gas. |
00:50:32 |
- Hello. Ceniza brothers. |
00:50:37 |
- Ceniza brothers? |
00:50:42 |
Sure... |
00:50:45 |
Do you speak English? |