|
Norma Jean Marilyn
|
| 00:02:04 |
All those who wish to accept |
| 00:02:10 |
Please, come to the railing |
| 00:02:45 |
The Lord be with you. |
| 00:02:48 |
...Like it's the most natural thing |
| 00:02:53 |
Nobody even gives it a second thought. |
| 00:02:55 |
I mean, I have this dream all the time. |
| 00:02:58 |
There's never any sense |
| 00:03:02 |
Don't you just love being naked? |
| 00:03:07 |
Uh, look, I know we just met |
| 00:03:09 |
but would you like to go out on a date |
| 00:03:12 |
Norma Jean?. |
| 00:03:14 |
My uncle, |
| 00:03:16 |
The Ted Lewis?. |
| 00:03:17 |
Yeah. |
| 00:03:18 |
Ted Lewis is your uncle!?. |
| 00:03:21 |
Oh wow! God, Eddie, I'd love to go! |
| 00:03:25 |
Really?. |
| 00:03:26 |
Yeah! Oh, my heart is beating so fast. |
| 00:03:32 |
Can you feel it?. |
| 00:03:39 |
God! |
| 00:03:42 |
It's like having |
| 00:03:45 |
And to think they pay you for this. |
| 00:03:48 |
Yep. Eighty dollars a week just to sit |
| 00:03:54 |
The best part, by far, |
| 00:03:56 |
is that Miss Emmeline Snively's |
| 00:04:00 |
Modeling Agency is located right |
| 00:04:03 |
Well, I'll tell you a secret, |
| 00:04:06 |
I don't intend to be |
| 00:04:08 |
for too much longer. |
| 00:04:10 |
In fact, a year from now, |
| 00:04:13 |
Sure, sure, sure. |
| 00:04:14 |
I mean, bigger than Betty Grable |
| 00:04:17 |
I'm going to be so damn famous, Eddie, |
| 00:04:21 |
Of course, |
| 00:04:25 |
He says |
| 00:04:27 |
in Hollywood who can act |
| 00:04:28 |
and they're all looking for work. |
| 00:04:30 |
Uh, where is your uh... |
| 00:04:34 |
Over seas - where he belongs. |
| 00:04:41 |
Well, he's okay and all but |
| 00:04:44 |
I suppose I'll have to do something |
| 00:05:31 |
God, |
| 00:06:07 |
Is everybody happy?.! |
| 00:06:15 |
Eddie, that's Errol Flynn! |
| 00:06:17 |
Look, over there! He's standing up. |
| 00:06:20 |
It's really him. |
| 00:06:21 |
He is so dreamy. |
| 00:06:23 |
Let me borrow your pen |
| 00:06:26 |
Oh my, that's gotta be Orson Welles! |
| 00:06:28 |
Where?. |
| 00:06:29 |
Over there, by the exit. |
| 00:06:34 |
That's not Orson Welles. |
| 00:06:35 |
Eddie, I am having a wonderful time. |
| 00:06:41 |
And I just love your uncle. |
| 00:06:43 |
He reminds me of you. |
| 00:06:45 |
He's so sexy! |
| 00:06:49 |
Well, he's a great entertainer, sure. |
| 00:06:51 |
But sexy?. |
| 00:06:53 |
The man's fifty-eight years old. |
| 00:06:55 |
You know how you said |
| 00:06:57 |
Yeah. The next time he's in the area, |
| 00:07:00 |
We'll make an evening of it. |
| 00:07:01 |
Well, why don't we go back stage |
| 00:07:05 |
I just wanna shake his hand. |
| 00:07:06 |
I wanna finally meet a real star, Eddie |
| 00:07:08 |
I don't know, Norma Jean. |
| 00:07:09 |
I mean, there's usually |
| 00:07:11 |
A lot of weird people hangin' around - |
| 00:07:13 |
it's not the best way |
| 00:07:16 |
Do I embarrassyou, Eddie?. |
| 00:07:19 |
God, no. No. |
| 00:07:23 |
Mr. Lewis, I am so thrilled. |
| 00:07:26 |
You are my favorite enter- |
| 00:07:29 |
And I just wanted to tell you how much |
| 00:07:30 |
I admire you for dancing |
| 00:07:36 |
I don't know how long you're gonna be |
| 00:07:39 |
I'm in a play at the Cast Theatre. |
| 00:07:41 |
It's " A wake and Sing," |
| 00:07:43 |
It's a greatplay. It's very political. |
| 00:07:45 |
Actually, I got the second lead |
| 00:07:46 |
if maybe you could... |
| 00:07:47 |
Sure, Eddie. Sure. |
| 00:07:52 |
Here you go, kid. |
| 00:07:54 |
It can be real tough |
| 00:07:57 |
Hell, I aughta know. |
| 00:08:00 |
That's not necessary. |
| 00:08:01 |
Ah, come on. |
| 00:08:04 |
You need a little dough |
| 00:08:08 |
Am I right, huh?. |
| 00:08:10 |
Am I right, boychick?. |
| 00:08:15 |
There. |
| 00:08:16 |
Is everybody happy?. |
| 00:08:23 |
You know what, Eddie?. |
| 00:08:25 |
I got my final divorce papers |
| 00:08:29 |
I am officially a free woman! |
| 00:08:32 |
Free, white and twenty-one! |
| 00:08:36 |
I can't help myself -- |
| 00:08:41 |
Yeah, well... And |
| 00:08:45 |
You're pregnant?. |
| 00:08:46 |
Nope. I have just signed a seven year |
| 00:08:52 |
with Twentieth Century Fox! |
| 00:08:56 |
When were you gonna tell me?. |
| 00:08:58 |
At dinner. Over a bottle of champagne. |
| 00:09:01 |
It's up for renewal every six months |
| 00:09:03 |
Seventy-five dollars a week to start |
| 00:09:07 |
every time they renew. |
| 00:09:07 |
So, if they keep me around |
| 00:09:10 |
then I'm gonna get somethin' |
| 00:09:13 |
I mean, Jesus, Can you imagine?. |
| 00:09:15 |
You'll be able to say you knew me when. |
| 00:09:17 |
Wow, Eddie. That's great. |
| 00:09:30 |
Of course the minute I signed |
| 00:09:31 |
that made me eligible to join |
| 00:09:33 |
So now I have my SAG card, too. |
| 00:09:35 |
And I'm already up for my first part. |
| 00:09:38 |
Well, I mean, it's not much of a part, |
| 00:09:40 |
But it's a Dana Andrews movie |
| 00:09:41 |
Well, fuck your contract, Eddie! |
| 00:09:43 |
Fuck your contract, fuck your SAG card, |
| 00:10:05 |
What the hell is the matter with you?. |
| 00:10:07 |
Let me tell you something. |
| 00:10:09 |
I don't have a guild card |
| 00:10:12 |
but I know |
| 00:10:14 |
I'm gonna be in the goddamn movies |
| 00:10:15 |
if I have to fuck Bela Lugosi |
| 00:10:19 |
You know, |
| 00:10:21 |
but you never done |
| 00:10:24 |
You wanna be an actress?. Okay, so act! |
| 00:10:27 |
It's work, Norma Jean. |
| 00:10:28 |
Get into an acting class, |
| 00:10:30 |
Iearn the craft, |
| 00:10:32 |
Oh, you think girls get movie contracts |
| 00:10:36 |
because somebody respects their talent, |
| 00:10:38 |
I'll tell you |
| 00:10:40 |
they fuck the right people, that's how. |
| 00:10:42 |
And that's exactly what I'm gonna do. |
| 00:10:44 |
And I'm gonna be rich and famous |
| 00:10:47 |
and powerful and you'll be able to say |
| 00:11:11 |
Oh, God, Eddie, |
| 00:11:15 |
I said some pretty awful things. |
| 00:11:19 |
I'm so upset I can't sleep. |
| 00:11:22 |
You're not really mad at me, are you?. |
| 00:11:24 |
I don't think |
| 00:11:27 |
Say you're not mad at me... Eddie?. |
| 00:11:34 |
I'm not... really mad at you. |
| 00:11:39 |
you're like, you're like... |
| 00:11:42 |
What am I like?. |
| 00:11:44 |
I don't know. |
| 00:11:48 |
Both of us love you. |
| 00:11:53 |
Don't just Bitch me, Eddie. |
| 00:12:01 |
I won't. I'm not. I uh... |
| 00:12:08 |
I love you. |
| 00:12:16 |
Alright, Ladies. |
| 00:12:17 |
Brown and Bigelow have asked us to find |
| 00:12:22 |
They want a girl who embodies |
| 00:12:27 |
No professional modeling |
| 00:12:30 |
The job pays 250 dollars. |
| 00:12:36 |
Your name, please. |
| 00:12:37 |
I'm Adrian Wallingford. |
| 00:12:39 |
And no, I've neverdone any former |
| 00:12:41 |
but I do have work experience. |
| 00:12:43 |
Really?. |
| 00:12:44 |
That's right. |
| 00:12:44 |
I was electrical supervisor at Locheed, |
| 00:12:49 |
My unit made... |
| 00:12:50 |
Hi. Oh, I hope I ' m not late. |
| 00:12:52 |
From the the Blue Book Modeling Agency?. |
| 00:12:57 |
I was so afraid I was going to be late. |
| 00:13:01 |
Could you... |
| 00:13:02 |
Would...Would you mind zipping me up, |
| 00:13:05 |
Sure. |
| 00:13:09 |
Thanks. You're sweet. |
| 00:13:12 |
Would you mind standing under |
| 00:13:14 |
Dougherty. Norma Jean Dougherty. Sure. |
| 00:13:23 |
Is this how you want me?. |
| 00:13:29 |
Mr. Jasgur usually lets us listen to |
| 00:13:32 |
Great, isn't he?. |
| 00:13:35 |
We presentthe Jack Benny show |
| 00:13:38 |
Dennis Day Rodchester, and your host... |
| 00:14:04 |
Oh, look at that. |
| 00:14:10 |
Gladys?. Gladys?. Honey?. |
| 00:14:18 |
I hear |
| 00:14:26 |
Leave me alone!!! |
| 00:14:29 |
Leave me alone!!! |
| 00:14:33 |
Leave me alone!!! |
| 00:14:35 |
Jesus loves me, this I know, |
| 00:14:42 |
Norma Jean?. Norma Jean?. |
| 00:14:46 |
Look at me for a second. |
| 00:14:51 |
She's going to have to stay |
| 00:14:54 |
So how's about you come |
| 00:14:58 |
Juust till she's better. |
| 00:15:00 |
Why can't I go live with my daddy?. |
| 00:15:04 |
Do you know about your daddy, |
| 00:15:06 |
Uh-huh. I have his picture. |
| 00:15:09 |
His name's Stanely. |
| 00:15:10 |
Stanely Gifford, and he lives in dairy. |
| 00:15:14 |
Ma says |
| 00:15:17 |
she's ever seen in her life. |
| 00:15:19 |
Ma says if you squint your eyes, |
| 00:15:27 |
And you know that your daddy's very, |
| 00:15:32 |
Why doesn't he every come to see me?. |
| 00:15:35 |
He would't have to bring me candy |
| 00:15:40 |
Just come say hello. |
| 00:15:44 |
Come on now, little lady. |
| 00:15:46 |
We're gonna have a good ol' time. |
| 00:15:48 |
Just you and me and Gracie. |
| 00:15:52 |
Come on. Up! |
| 00:15:55 |
What do you say |
| 00:16:01 |
And then, |
| 00:16:05 |
She says, |
| 00:16:09 |
Life's short, |
| 00:16:13 |
And "Dinner at Eight." |
| 00:16:15 |
What does she say in "Dinner at Eight?. " |
| 00:16:17 |
Um, to Marie Dresser?. |
| 00:16:19 |
Dress -- ler. |
| 00:16:21 |
She says, "Do you know |
| 00:16:23 |
machinery's going to take the place |
| 00:16:27 |
And then, what does Marie Dressler say?. |
| 00:16:32 |
"Oh, my dear, that is something |
| 00:16:37 |
Oh, that is so good. That is perfect! |
| 00:16:45 |
Baby, your mama's here. |
| 00:16:54 |
Can you say hello?. |
| 00:16:56 |
Gladys?. |
| 00:17:00 |
Alright, here we go. |
| 00:17:03 |
Oh, oh...Oh, my God. |
| 00:17:04 |
Easy, Gladys. That's alright. |
| 00:17:06 |
It's alright. It'll be alright. |
| 00:17:09 |
Now, |
| 00:17:11 |
Oh, my back. |
| 00:17:12 |
It's okay. It's okay. |
| 00:17:16 |
Isn't she pretty, Gladys?. |
| 00:17:19 |
Tell your mama what'ch you're gonna be |
| 00:17:22 |
Say, "A movie star, baby." |
| 00:17:26 |
Tell her you're gonna be a movie star. |
| 00:17:29 |
Gonna be our own Norma Jean Swanson. |
| 00:17:33 |
Or maybe we'll call you |
| 00:17:38 |
How'd that be?. |
| 00:17:44 |
Let's face it girls. |
| 00:17:45 |
That wonderful guy in your house |
| 00:17:50 |
and the opportunities that |
| 00:17:54 |
Split-level homes may be in style, |
| 00:17:56 |
but there is simply no roomfor split- |
| 00:18:02 |
So when my Jimcomes home |
| 00:18:06 |
our Family Room |
| 00:18:12 |
Is there more?. |
| 00:18:15 |
What was your name again, Miss?. |
| 00:18:16 |
Dougherty. Norma Jean Dougherty. |
| 00:18:19 |
And who sent you to us, Miss Dougherty?. |
| 00:18:21 |
The Blue Book Modeling Agency. |
| 00:18:23 |
Have you ever auditioned |
| 00:18:25 |
No. Not before. No, never. No. |
| 00:18:30 |
Well, Miss Dougherty, |
| 00:18:32 |
you are to go back to |
| 00:18:35 |
and tell them they should send you out |
| 00:18:39 |
Under no circumstances |
| 00:18:40 |
should they put you up for any job |
| 00:18:44 |
moving or anything |
| 00:18:48 |
as acting because you do not have even |
| 00:19:01 |
What?. |
| 00:19:05 |
Blonde hair photographs better. |
| 00:19:08 |
It can be made to look light, medium, |
| 00:19:13 |
That's why my biggest demand is |
| 00:19:16 |
If you wanna go places, honey, |
| 00:19:19 |
But Emmeline, it won't look natural. |
| 00:19:21 |
What's so great about natural?. |
| 00:19:23 |
The good Lord spreads it around, child. |
| 00:19:25 |
You've already lost the hair lottery. |
| 00:19:31 |
It's going to look gorgeous. |
| 00:19:32 |
You'll see. |
| 00:19:35 |
You'll feel like a different person. |
| 00:19:39 |
You know, |
| 00:19:49 |
There. Now, you just sit there |
| 00:19:54 |
And I'll... |
| 00:19:56 |
Sure. |
| 00:19:58 |
I've got some Coke, |
| 00:20:09 |
You should work at a hospital. |
| 00:20:11 |
Doc's a funny name for a cowboy. |
| 00:20:21 |
Come on, little lady, let's ride! |
| 00:20:25 |
Now, this is the way |
| 00:20:27 |
gallop, gallop, gallop, gallop! |
| 00:20:30 |
And this is the way the lady rides: |
| 00:20:32 |
trot, trot, trot, trot, |
| 00:20:35 |
And this is the way the farmer rides: |
| 00:20:45 |
Oh! Come on, honey, |
| 00:21:03 |
My God, you're pretty. |
| 00:21:15 |
No. |
| 00:21:16 |
Aw, Gracie, honey, we were just playin' |
| 00:21:31 |
Norma Jean, this is Mrs. Dewey. |
| 00:21:33 |
She's very nice, |
| 00:21:36 |
But, I'm not an orphan. |
| 00:21:37 |
Hello, dear. |
| 00:21:39 |
I...I think it's for the best. |
| 00:21:41 |
Just for a little while. |
| 00:21:42 |
Just till Doc |
| 00:21:45 |
Come inside, Norma Jean... |
| 00:21:47 |
I don't belong here! |
| 00:21:49 |
Meet the other girls! |
| 00:21:58 |
Let go of me! |
| 00:22:02 |
Don't leave me! No! Grace! |
| 00:22:10 |
Aunt Grace! Aunt... Ow! |
| 00:22:20 |
Hello?. |
| 00:22:21 |
May I speak to Stanley Gifford, please?. |
| 00:22:24 |
Who's calling?. |
| 00:22:24 |
This is Miss Norma Jean Baker, |
| 00:22:28 |
Um...Gladys Baker's girl. |
| 00:22:31 |
Uh...just a moment. |
| 00:22:35 |
He doesn't want to speak to you. |
| 00:22:37 |
He says if you have any questions |
| 00:22:38 |
you should call his lawyer |
| 00:22:41 |
I'll give you the number. |
| 00:22:55 |
Bless you! Blesssss you! |
| 00:22:57 |
I'm Mary Louise Gifford, you... |
| 00:22:58 |
Your father's wife, your stepmother. |
| 00:23:01 |
I've travelled all the way |
| 00:23:04 |
your father's in the hospital. |
| 00:23:06 |
He's dying. |
| 00:23:07 |
His last wish was to see his daughter |
| 00:23:13 |
Tell him to call my lawyer. |
| 00:23:16 |
Do you have a pencil?. |
| 00:23:23 |
Absolutely perfect! |
| 00:23:24 |
You look like a whole new woman! |
| 00:24:23 |
Hey, Eddie! Eddie, |
| 00:24:27 |
Somebody help him! |
| 00:24:56 |
The two of you dancing together, |
| 00:24:57 |
you looked like some kind of |
| 00:24:59 |
I'm not seeing him because of |
| 00:25:02 |
Yeah, no kidding! |
| 00:25:03 |
So, who the hell is he?. |
| 00:25:05 |
Johnny Hyde. |
| 00:25:06 |
He's a very influential agent. |
| 00:25:07 |
In fact, he's Vice President of |
| 00:25:11 |
Yeah, I've heard of him. |
| 00:25:12 |
Johnny's the one |
| 00:25:15 |
He also repressents Bob Hope |
| 00:25:18 |
Not to mention my Uncle Ted. |
| 00:25:20 |
That's right, I didn't know |
| 00:25:22 |
Ted's the one who introduced us. |
| 00:25:26 |
You have been seeing Uncle Ted!?. |
| 00:25:29 |
Well, sure. When he's in town. |
| 00:25:31 |
Why are you getting so upset?. |
| 00:25:33 |
Why?. Why?. |
| 00:25:34 |
Because he's married, that's why! |
| 00:25:36 |
To my aunt! And I'm gonna kill him! |
| 00:25:38 |
Listen, Eddie, |
| 00:25:41 |
But if he wants to help me out |
| 00:25:44 |
to spend some time with him, |
| 00:25:49 |
How nice?. Huh?. |
| 00:25:50 |
Eddie. |
| 00:25:52 |
You used Uncle Ted |
| 00:25:55 |
Oh, who are you to talk?. |
| 00:25:57 |
Are you trying to tell me |
| 00:25:58 |
you didn't use your uncle to help you |
| 00:26:00 |
and your studio contract?. |
| 00:26:03 |
Oh, yeah, sure... |
| 00:26:04 |
He mighta made a couple calls for me. |
| 00:26:05 |
Yeah, |
| 00:26:07 |
Oh, and I did. |
| 00:26:08 |
So big deal. |
| 00:26:09 |
Johnny Hyde is going to be |
| 00:26:11 |
that ever happened to mein this town. |
| 00:26:16 |
I mean, after you. Eddie... |
| 00:26:22 |
What we have is real. |
| 00:26:26 |
You know you're the only one I love. |
| 00:26:40 |
Johnny, I can't believe |
| 00:26:41 |
I just saw Eleanor Powell |
| 00:26:43 |
I'm having lunch |
| 00:26:44 |
next to the most famous stars |
| 00:26:46 |
Well, baby, you're gonna be bigger |
| 00:26:51 |
Ah, thank you. |
| 00:26:55 |
Whoa-whoa-whoa! Mmmm. |
| 00:27:02 |
Who's that?. |
| 00:27:04 |
The goyish-looking one is Darryl Zanuck |
| 00:27:07 |
he's chief of production at Fox. |
| 00:27:09 |
Started off as a writer |
| 00:27:11 |
used to write Rin Tin Tin movies. |
| 00:27:13 |
And the Greek guy sitting |
| 00:27:17 |
He's out here from New York. |
| 00:27:19 |
He's the chairman of the Board at Fox. |
| 00:27:21 |
So, this guy grew up |
| 00:27:23 |
his family raised sheep |
| 00:27:27 |
So what we have hear |
| 00:27:29 |
for a German Shepherd sucking up |
| 00:27:34 |
See, everybody's beholden |
| 00:27:37 |
Don't ever forget that. |
| 00:27:38 |
Can I meet them?. |
| 00:27:40 |
You listen to me. |
| 00:27:42 |
You see, everybody in this room |
| 00:27:47 |
And I want to keep it exactly like that |
| 00:27:51 |
So just trust me. |
| 00:27:52 |
I do. You know I trust you, Johnny. |
| 00:27:56 |
You're the finest man I ever met. |
| 00:28:00 |
Well...I have ulterior motives. |
| 00:28:06 |
So do I. |
| 00:28:17 |
What are those?. |
| 00:28:20 |
Nembutals. |
| 00:28:24 |
Can't seem to get to sleep |
| 00:28:27 |
And these are Benzedrine. |
| 00:28:28 |
One to go up and one to go down. |
| 00:28:31 |
I hope your doctor knows |
| 00:28:32 |
That stuff's really dangerous. |
| 00:28:34 |
Actually, your uncle sends them to me. |
| 00:28:38 |
You're crazy! You wanna kill yourself?. |
| 00:28:43 |
I know what I'm doing, |
| 00:28:47 |
You're just gonna |
| 00:28:49 |
Take me the way I am |
| 00:28:54 |
Most of the gals who pose |
| 00:28:57 |
Usually the don't like to give |
| 00:28:58 |
So you can make up any name you like. |
| 00:29:01 |
How about Margaret Tuman?. |
| 00:29:06 |
Or what about Judy Garland?. |
| 00:29:09 |
Oh, honey, I could tell you stories, |
| 00:29:16 |
Okay, Norma Jean. Get ready. |
| 00:29:20 |
Great. Mmm, good. |
| 00:29:26 |
Okay, here we go. |
| 00:29:29 |
I like that. Oh, beautiful. |
| 00:29:32 |
And... |
| 00:29:33 |
Yeah. |
| 00:29:52 |
This girl's gonna be a major star, |
| 00:29:54 |
Just look at these fairways, will you?. |
| 00:29:57 |
Like velvet and right |
| 00:29:59 |
Hillcrest is a goat track compared |
| 00:30:02 |
I'll tell you something, |
| 00:30:04 |
Oh, yeah?. |
| 00:30:15 |
I promise you, |
| 00:30:16 |
you haven't seen anything |
| 00:30:20 |
Harlow was never Miss September. |
| 00:30:22 |
Yeah but... |
| 00:30:23 |
Has she got any film on her?. |
| 00:30:24 |
Not until you authorize the screen test |
| 00:30:35 |
Eh. Will you look at that! |
| 00:30:37 |
On in one and then I three putt! |
| 00:30:42 |
Hmmm. Daryll, I understand that |
| 00:30:43 |
Henry Hathaway needs more prep time |
| 00:30:47 |
Actually I could call Jimmy Stewart |
| 00:30:49 |
and get him to agree to |
| 00:30:52 |
It won't cost you a nickel. |
| 00:30:55 |
Alriught, Johnny. |
| 00:30:58 |
Shoot your screen test -- |
| 00:31:00 |
Color. |
| 00:31:05 |
Deal. |
| 00:31:16 |
Johnny?. They called me at Hillcrest. |
| 00:31:19 |
I came as soon as I heard...Johnny?. |
| 00:31:22 |
I'd be lost without you, Johnny. |
| 00:31:24 |
You have to get better. |
| 00:31:26 |
You have to. |
| 00:31:28 |
Besides, I know what you need. |
| 00:31:30 |
What?. |
| 00:31:37 |
This. |
| 00:31:41 |
Oh. Come here. |
| 00:31:47 |
Johnny?. |
| 00:31:49 |
Oh, oh, oh, oh... |
| 00:32:04 |
I've fallen for her, Mozelle. |
| 00:32:06 |
Oh, Johnny, |
| 00:32:09 |
you've ever represented, including me. |
| 00:32:13 |
But you've never made a fool |
| 00:32:15 |
The entire Morris office |
| 00:32:17 |
Abe Lastfogel says |
| 00:32:23 |
So, is this going to be |
| 00:32:27 |
I'm sorry, Mozelle. |
| 00:32:32 |
I love her. I want to marry her. |
| 00:32:38 |
Well, maybe she'll let you. |
| 00:32:41 |
She's ambitious enough. |
| 00:32:43 |
But she doesn't love you, Johnny. |
| 00:32:45 |
I don't care. |
| 00:32:49 |
Then you deserve each-other! |
| 00:33:28 |
She's a bimbo, John. |
| 00:33:30 |
She's a one-line telephone operator... |
| 00:33:32 |
She's a walk-away funny waitress. |
| 00:33:34 |
Come on, Darryl, |
| 00:33:36 |
Who hasn't?. |
| 00:33:38 |
She's a star. |
| 00:33:41 |
From the neck down she's a star, |
| 00:33:42 |
but the girl has no chin to speak of. |
| 00:33:45 |
She's got a nose like a baked potato. |
| 00:33:50 |
Let's have a blade. |
| 00:34:01 |
After this, we redefine the chin, |
| 00:34:06 |
All contract players |
| 00:34:08 |
are required to study |
| 00:34:11 |
Wednesday and Friday mornings. |
| 00:34:14 |
You'll need a singing coach. |
| 00:34:17 |
You'll be paid |
| 00:34:19 |
I know. I know. |
| 00:34:21 |
Then let's start with your name. |
| 00:34:24 |
"Norma Jean Dougherty" |
| 00:34:26 |
and that is the sad fact of it... |
| 00:34:30 |
You remind me of someone. |
| 00:34:34 |
Ever hear of Marilyn Miller?. |
| 00:34:37 |
No. |
| 00:34:38 |
She was a great musical comedy star |
| 00:34:42 |
Funny...Sexy as hell. |
| 00:34:46 |
God, I was crazy about her. |
| 00:34:50 |
Marilyn Dougherty?. |
| 00:34:53 |
What do you like?. |
| 00:34:54 |
Any-one you particularly admire?. |
| 00:34:58 |
How about Lincoln?. |
| 00:35:00 |
Too many "lins." |
| 00:35:03 |
Besides it should be a literative. |
| 00:35:05 |
Maybe we should stay |
| 00:35:08 |
Marilyn Madison?. |
| 00:35:10 |
Mmmmm, no. |
| 00:35:13 |
"Marilyn Monroe." |
| 00:35:18 |
Has a nice round tone to it. |
| 00:35:20 |
What do you think?. |
| 00:35:29 |
Norma Jean?. |
| 00:35:37 |
Who?. |
| 00:35:42 |
Then long live Marilyn Monroe! |
| 00:35:49 |
You never really loved me. |
| 00:35:51 |
You just thought it would be fun |
| 00:35:56 |
It's true... Torvald. |
| 00:35:59 |
Um, when I lived at home with Papa, |
| 00:36:03 |
he always told me |
| 00:36:07 |
So I never had any ideas of my own. |
| 00:36:09 |
Oh, dear. No. No, no, no, no, no. |
| 00:36:12 |
What comes next?. Um... |
| 00:36:17 |
You never really loved me Orville... |
| 00:36:27 |
Oh, I'm sorry. |
| 00:36:30 |
I didn't mean to...I'm...I'm... |
| 00:36:33 |
I don't belong here. I'm...I'm sorry. |
| 00:37:07 |
You okay, Norma Jean?. |
| 00:37:09 |
Don't call me that. I'm Marilyn. |
| 00:37:13 |
Look, it's alright. |
| 00:37:14 |
Everybody's gone, you can come out now. |
| 00:37:25 |
Oh, god, I was hathetic out there. |
| 00:37:28 |
Everybody else has talent, |
| 00:37:32 |
Oh, you're wrong, okay?. |
| 00:37:36 |
But, they can all get up there |
| 00:37:39 |
They can all get up there and perform, |
| 00:37:42 |
I'll never be an actress. |
| 00:37:44 |
No, listen. |
| 00:37:47 |
Okay?. Every time you perform |
| 00:37:51 |
I'll work with you. |
| 00:37:53 |
We'll do scenes together. |
| 00:37:56 |
You're great! |
| 00:37:59 |
You're gonna be great. |
| 00:38:03 |
Promise?. |
| 00:38:04 |
Guarantee it. |
| 00:38:08 |
Mmmm. Hey! I bet Johnny knows |
| 00:38:18 |
Diction! Diction! Diction! |
| 00:38:20 |
You speak with your mouth closed! |
| 00:38:24 |
I-did-not-want-to-pet-the-dear-soft-cat |
| 00:38:30 |
I didn't want to pet the quick... |
| 00:38:36 |
Oh, it's not it, is it?. |
| 00:38:38 |
You have to know your lines backwards |
| 00:38:41 |
so you can throw away the words |
| 00:38:45 |
If you arrive on the set unprepared, |
| 00:38:49 |
And if you fail, I will be crucified. |
| 00:38:55 |
I'm sorry, Natasha. |
| 00:39:02 |
I am trying to love you, but sometimes |
| 00:39:10 |
You don't have to love me, Natasha. |
| 00:39:13 |
Just teach me. |
| 00:39:15 |
When you left you broke my heart. |
| 00:39:19 |
Because I never thought we'd part. |
| 00:39:24 |
Every hour in the day, |
| 00:39:29 |
"Baby won't you please come home?. " |
| 00:39:33 |
Your vocal range is tiny, |
| 00:39:34 |
your volume is small |
| 00:39:39 |
Altogether it's pretty terrible. |
| 00:39:43 |
Is isn't?. |
| 00:39:45 |
No. You can... You can carry a tune. |
| 00:39:47 |
Not... |
| 00:39:50 |
And the sound engineers can bring up |
| 00:39:52 |
And you do manage to create |
| 00:39:55 |
you actually know how to sing. |
| 00:39:59 |
I do?. |
| 00:40:02 |
Yes. Uh... |
| 00:40:05 |
So, let's take the last verse again. |
| 00:40:07 |
Try and slow it down a little bit, |
| 00:40:10 |
Play with the rhythms. |
| 00:40:12 |
Like this...Uh... |
| 00:40:14 |
"Every hour in the day, |
| 00:40:22 |
won't you pul-eeze come hommmmme?. " |
| 00:40:28 |
It's...it's uh...It's called phrasing. |
| 00:40:32 |
Have some fun with it Alright?. |
| 00:40:36 |
Got it?. |
| 00:40:41 |
"When you left you broke my he-art. |
| 00:40:46 |
Because I never thought we'd part. |
| 00:40:51 |
Every hour in the day, |
| 00:40:58 |
Big finish now. |
| 00:41:00 |
"Won't you pleeease...come..." |
| 00:41:12 |
You um... |
| 00:41:15 |
You move well. |
| 00:41:23 |
This is the allegro vivace. |
| 00:41:28 |
It comes very gently, but it builds... |
| 00:41:55 |
Good morning. |
| 00:41:57 |
Hi. |
| 00:42:00 |
Well, how was the concert?. |
| 00:42:04 |
Inspiring. |
| 00:42:06 |
I waited up all night for you. |
| 00:42:08 |
Oh, no, Johnny. You need your rest. |
| 00:42:10 |
I'll get my rest when I'm dead, |
| 00:42:12 |
which is gonna be sooner rather |
| 00:42:15 |
I don't want to hear that kinda talk, |
| 00:42:18 |
How can yoiu be so cruel?. |
| 00:42:20 |
Becuaes you let me. |
| 00:42:24 |
Marry me, baby. I'm crazzy about you. |
| 00:42:29 |
I know you are, Johnny. |
| 00:42:32 |
I wish I could feel |
| 00:42:35 |
I mean, I love you, |
| 00:42:39 |
I never said I was. |
| 00:42:41 |
Yeah, but millions of women marry men |
| 00:42:44 |
Millions?. Really?. |
| 00:42:48 |
I had no idea. |
| 00:42:51 |
No, don't joke with me, Marilyn. |
| 00:42:56 |
Now marriage is based |
| 00:42:58 |
you know, it can be based |
| 00:43:04 |
That wouldn't be fair to you, Johnny |
| 00:43:09 |
Besides, I'd be even more of a joke |
| 00:43:16 |
Good night, Johnny. |
| 00:43:21 |
Good night. |
| 00:43:25 |
Ah, feeling better, my dear?. |
| 00:43:28 |
Sure. Just like the English Ch... |
| 00:43:32 |
Oh, no. Not again! |
| 00:43:34 |
Cut! |
| 00:43:36 |
I'm sorry. |
| 00:43:39 |
Alright, we'll try it again after lunch |
| 00:43:41 |
After lunch everybody! |
| 00:43:43 |
Ah, thank you, dear. |
| 00:43:45 |
Miss Davis, would you mind |
| 00:43:46 |
if I got some publicity stills |
| 00:43:49 |
Not at all. |
| 00:43:51 |
Um, Miss Davis?. |
| 00:43:53 |
I think I'm screwing up out ofnerves - |
| 00:43:57 |
I uh, mean I've seen all of your movies |
| 00:44:00 |
I mean, I must have seen |
| 00:44:04 |
And when I was a kid I... |
| 00:44:06 |
I remember going with |
| 00:44:09 |
I musta seen that movie a dozen times, |
| 00:44:10 |
and afterwards I 'd go home |
| 00:44:13 |
I mean, not as well as you did them, |
| 00:44:15 |
I mean, |
| 00:44:18 |
What I mean to say is, |
| 00:44:19 |
it's just an honor |
| 00:44:22 |
Thank you, dear. |
| 00:44:24 |
Now get the fuck out of my shot. |
| 00:44:27 |
I don't know where I ever got the idea |
| 00:44:30 |
You don't have it. |
| 00:44:31 |
You'll never have it. |
| 00:44:54 |
You know, |
| 00:44:57 |
but I've never experienced |
| 00:45:00 |
I gotta tell you, |
| 00:45:10 |
Go get 'em, kid. |
| 00:45:50 |
Gentlemen, |
| 00:45:52 |
will be available |
| 00:45:54 |
Hey, what's the name |
| 00:45:58 |
Now, listen to me, Darryl. |
| 00:46:00 |
I want you to consider using her |
| 00:46:03 |
Sings?. She barely speaks. |
| 00:46:07 |
No, we've decided to go |
| 00:46:10 |
What?. Opposite Jane Russel?. |
| 00:46:12 |
She ain't exactly Ethel Merman, y'know. |
| 00:46:13 |
Skouras, |
| 00:46:19 |
Then how come she gets four thousand |
| 00:46:21 |
That's more than Darnell |
| 00:46:23 |
How come she's on the screen |
| 00:46:24 |
the audience stages a riot |
| 00:46:27 |
And how come we put on |
| 00:46:30 |
she doesn't even get a screen credit -- |
| 00:46:31 |
we get three hundred comment cards back |
| 00:46:34 |
them wanted to know who is the blonde |
| 00:46:37 |
Tell me, how come?. |
| 00:46:39 |
Sweetheart?. Darling?. |
| 00:46:43 |
No, no. Over here. Come sit next to me. |
| 00:46:45 |
Don't do this. |
| 00:46:46 |
Take a walk, kid. Amscray! |
| 00:46:48 |
Yes, sir. Right away. |
| 00:46:51 |
Oh, you look magnificent this evening. |
| 00:46:53 |
Thank you. |
| 00:46:56 |
Doll, do you have a picture comin' up?. |
| 00:46:58 |
Why, I don't know. |
| 00:47:03 |
How about a big smile?. |
| 00:47:11 |
Well, I mean, I think |
| 00:47:14 |
Yeah, well, Russel's getting a $ 100,000 |
| 00:47:16 |
and we're still capped off |
| 00:47:19 |
Yeah, but Jane Russel's |
| 00:47:21 |
with an established track record. |
| 00:47:23 |
Well, maybe so, |
| 00:47:25 |
"Gentlemen prefer Blondes" |
| 00:47:29 |
So, we want a large dressing room with |
| 00:47:33 |
Donna, get Dr. Prinzmetal... |
| 00:47:38 |
Hey, what's going on?. |
| 00:47:39 |
Johnny?. Johnny?. |
| 00:47:50 |
Oh, Johnny. |
| 00:48:00 |
Told you she was a lousy actress. |
| 00:48:04 |
I want you to go to his house, |
| 00:48:07 |
dump 'em in the backyard |
| 00:48:09 |
Then call someone |
| 00:48:13 |
But first, get her outta here, |
| 00:48:28 |
We're just like a little family now. |
| 00:48:39 |
But what if I don't want it to be over. |
| 00:48:43 |
I'm in love with you, Fred. |
| 00:48:45 |
You cry too easily. |
| 00:48:50 |
Compared to your bosom, it's embryonic. |
| 00:48:53 |
What does that mean?. |
| 00:48:55 |
Look it up! |
| 00:48:58 |
You mind is...is inert. |
| 00:49:02 |
You never think about anything. |
| 00:49:03 |
You just float through life |
| 00:49:07 |
You would be a terrible example |
| 00:49:10 |
It wouldn't be right for them |
| 00:49:14 |
But you're the only man I've ever loved |
| 00:49:17 |
Well, Marilyn, |
| 00:49:19 |
I'm sorry to heart that. |
| 00:49:24 |
Was I supposed to love you?. |
| 00:49:26 |
A man can't love a woman |
| 00:49:37 |
Freddy! |
| 00:49:45 |
You couldn't handle a family |
| 00:49:47 |
And raise children?. Forget it! |
| 00:49:49 |
You can barely drag your ass out of bed |
| 00:49:52 |
Shut up. |
| 00:49:53 |
What makes you think you're fit |
| 00:49:55 |
Shut up! Shut up! Shut up! Shut up! |
| 00:51:04 |
No man will ever love me, Johnny. |
| 00:51:08 |
You're wrong, kid. |
| 00:51:10 |
Once you learn to harness your power, |
| 00:51:15 |
Just not the ones |
| 00:51:22 |
Marilyn?. Marilyn?. Marilyn?. Marilyn?. |
| 00:51:32 |
Marilyn?. Marilyn?. Marilyn?. |
| 00:51:38 |
Marilyn?. Marilyn!?. Marilyn!?. |
| 00:51:44 |
Marilyn?. What have you done?. |
| 00:51:48 |
Oh, you foolish, foolish girl! |
| 00:51:58 |
Oh, I am far too old for this. |
| 00:52:03 |
I guess that's why she really needs |
| 00:52:05 |
They are coarsening you. |
| 00:52:07 |
They are making you into a buffoon! |
| 00:52:10 |
It repudiates all the fine work |
| 00:52:14 |
It's a famous play, Natasha. |
| 00:52:15 |
Carol Channing originated |
| 00:52:18 |
Lorelei Lee is a great part. |
| 00:52:20 |
Medea is a great part! |
| 00:52:25 |
You are an actress! |
| 00:52:27 |
You should be playing Gretchen |
| 00:52:30 |
You should be playing Portia. |
| 00:52:32 |
You should be playing Ophelia... |
| 00:52:35 |
No, I refuse to set foot on the lot. |
| 00:52:38 |
I will not be party to this profanity! |
| 00:52:42 |
Oh, please. Please, Natasha. |
| 00:52:44 |
Please don't speak that way. |
| 00:52:46 |
I do. I do want to play |
| 00:52:50 |
Gru-shenka. |
| 00:52:56 |
I have to be more established first. |
| 00:52:59 |
I'm so scared. |
| 00:53:01 |
You don't know how scared I am. |
| 00:53:03 |
I have these voices in my head |
| 00:53:05 |
I feel like I'm about to explode. |
| 00:53:09 |
I can't do it without you. |
| 00:53:26 |
I'll do anything you want. |
| 00:53:29 |
Just tell me. |
| 00:53:39 |
Don't you know that a man being rich |
| 00:53:42 |
You might not want to marry a girl |
| 00:53:44 |
but my goodness, doesn't it help?. |
| 00:53:46 |
And if your daughter wanted to marry |
| 00:53:49 |
Cut!!! |
| 00:53:50 |
What?. |
| 00:53:55 |
No, no, no. You don't yell cut |
| 00:54:00 |
She botched the line. |
| 00:54:02 |
And do not take that tone with me, |
| 00:54:03 |
Mr. Hawks, I studied with Reinhardt! |
| 00:54:06 |
Really?. Well you must of flunked. |
| 00:54:09 |
I want you off my set |
| 00:54:13 |
Howard, if she isn't here, |
| 00:54:17 |
You know, |
| 00:54:20 |
I know a hundred actresses |
| 00:54:22 |
Every single one of |
| 00:54:25 |
know her lines and sing, dance and |
| 00:54:37 |
Now look what you have done. |
| 00:54:48 |
Well, there are no broken bones, |
| 00:54:51 |
but she needs to stay off her feet |
| 00:54:54 |
How many days?. |
| 00:54:57 |
Don't... Don't it hurts. |
| 00:54:58 |
Can you do something?. |
| 00:55:00 |
I can give her something that' ll help, |
| 00:55:03 |
Oh, please. Please. |
| 00:57:38 |
So where is she?. It's eight thirty. |
| 00:57:40 |
Marilyn sometimes runs |
| 00:57:44 |
Two hours!?. |
| 00:57:45 |
It takes a lot of work to look like |
| 00:57:48 |
even if you are Marilyn Monroe. |
| 00:58:05 |
And speak of the devil! |
| 00:58:09 |
You look terrific, honey. |
| 00:58:11 |
Thank you. |
| 00:58:12 |
Say hello to Joe DiMaggio. |
| 00:58:14 |
How do you do, Mr. DiMaggio?. |
| 00:58:17 |
It's always a pleasure to meet one of |
| 00:58:19 |
He's the best publicist in town. |
| 00:58:21 |
Well... |
| 00:58:22 |
So, are yoou in show business, too?. |
| 00:58:27 |
Marilyn, you're kidding?. |
| 00:58:29 |
He's only the greatest baseball player |
| 00:58:32 |
Oh...Who's the Babe?. |
| 00:58:42 |
What a kidder. |
| 00:58:43 |
Huh. Joe?. |
| 00:58:44 |
Uh...Gee, Sil...Look at the time. |
| 00:58:46 |
Um...You know, we're gonna leave you |
| 00:58:48 |
Get acquainted, okay?. |
| 00:58:49 |
And uh, don't worry about the check, |
| 00:58:51 |
It's all taken care of. |
| 00:58:52 |
Uh, the Veal Marsala's great, |
| 00:59:11 |
Cheers. |
| 00:59:12 |
Cheers. |
| 00:59:22 |
Oh, this guy's elec-trifying. |
| 00:59:28 |
I'm afraid I don't know |
| 00:59:30 |
Well, you wear baggy pants, |
| 00:59:31 |
chew tobacco and hit a ball |
| 00:59:34 |
Marry me. |
| 00:59:37 |
I'll teach you all about it. |
| 00:59:39 |
You just met her three minutes ago, |
| 00:59:41 |
Why, Mr. DiMaggio, |
| 00:59:46 |
Well, in that case, |
| 00:59:48 |
Well, why don't we start |
| 00:59:56 |
Surely you cannot be serious |
| 00:59:59 |
I am certain he has never read a book |
| 01:00:05 |
Joe is very sweet, Natasha. |
| 01:00:08 |
He makes me feel safe. |
| 01:00:09 |
He takes care of me. |
| 01:00:11 |
And he's very good with his hands. |
| 01:00:13 |
I take care of you! |
| 01:00:15 |
Natasha...sometimes you sound just like |
| 01:00:27 |
Mrs. DiMaggio, where will you live?. |
| 01:00:30 |
Anywhere my husband wants. |
| 01:00:31 |
Marriage is my main career now. |
| 01:00:33 |
Ohh-ho-ho. Are you planning a family?. |
| 01:00:36 |
Of course. Manhood means many things |
| 01:00:40 |
I'd love to have six children, |
| 01:00:43 |
I won't let you ruin us, Marilyn! |
| 01:00:48 |
Will you keep house for your husband?. |
| 01:00:50 |
She's a movie star! |
| 01:00:52 |
I'm looking forward to it. |
| 01:00:54 |
I'm learning how to cook all of |
| 01:00:56 |
Iike steak and lasagna. Right?. |
| 01:00:59 |
No! No! No! No! No! Noooo! |
| 01:01:28 |
Well, I can see |
| 01:01:31 |
You're a regular Mama Leone. |
| 01:01:34 |
Cannot wait to watch you scrub |
| 01:01:54 |
Oh, will you lookit fuckin' Woodling?. |
| 01:01:56 |
He's dumb as an Irish Setter! |
| 01:01:58 |
He can catch a ball |
| 01:02:00 |
after he got it, |
| 01:02:03 |
Rookie's Lefty. |
| 01:02:11 |
Are you crazy?. |
| 01:02:13 |
We're tryin' to watch a ball game here! |
| 01:02:18 |
Hey! Hey! |
| 01:02:25 |
Here comes the Neanderthal. |
| 01:02:27 |
Hey Joe, you gotta see this! |
| 01:02:29 |
Rizzuto just took |
| 01:02:32 |
What's wrong, Marilyn?. |
| 01:02:35 |
What could possibly be wrong?. |
| 01:02:38 |
You are burying us alive, |
| 01:02:40 |
that's what's wrong! We are cooped up |
| 01:02:43 |
"Hopalong Cassidy" |
| 01:02:46 |
You don't even talk to us! |
| 01:02:48 |
All you care about is hanging out |
| 01:02:49 |
sitting around burping and farting |
| 01:02:54 |
Are you sure you're okay?. |
| 01:02:57 |
Of course we're not okay, you blockhead |
| 01:03:00 |
We need some room to breath! |
| 01:03:02 |
We need to work! |
| 01:03:04 |
We need to feel the crowds and the fans |
| 01:03:07 |
and we need to be in a city |
| 01:03:13 |
I'm fine. |
| 01:03:17 |
Okay. Good. Listen, uh, |
| 01:03:24 |
Just make some spaghetti, okay?. |
| 01:03:26 |
The fellahs are hungry. |
| 01:03:37 |
Lunch is served! |
| 01:03:58 |
Alright. Marilyn, Tom... All set?. |
| 01:04:00 |
Now, darling Marilyn, |
| 01:04:02 |
What you call it?. Crating... |
| 01:04:03 |
Watch it with your heel. Alright?. |
| 01:04:05 |
And roll sound! |
| 01:04:07 |
Rolling! |
| 01:04:08 |
Mark it. |
| 01:04:10 |
And...action! |
| 01:04:27 |
You know... The sense of being in love. |
| 01:04:32 |
That's a very interesting point of view. |
| 01:04:36 |
Oh, do you feel the breeze |
| 01:04:40 |
Oh... |
| 01:05:17 |
Marilyn! Marilyn! |
| 01:05:25 |
Billy?. Billy?. |
| 01:05:30 |
What is it?. |
| 01:05:30 |
Um, I don't know... The... |
| 01:05:31 |
The panties are really sheer. |
| 01:05:34 |
Even up on the crane I could still see |
| 01:05:39 |
Jesus. |
| 01:05:40 |
Marjorie. Marjorie?. Please. |
| 01:05:45 |
Eh, could we put another pair |
| 01:05:49 |
Thank you. |
| 01:05:51 |
In the space of a single day, |
| 01:05:52 |
I believe we have increased Marilyn's |
| 01:06:05 |
Joe, Joe. Hey, what do you think of |
| 01:06:13 |
I had no idea they didn't renew |
| 01:06:15 |
What a lousy break. |
| 01:06:18 |
Yep. I've been thinkin' about |
| 01:06:22 |
and try my hand at Broadway -- |
| 01:06:29 |
Hey, am I distrubing you, Marilyn?. |
| 01:06:32 |
Do you realize that |
| 01:06:33 |
your goddamn reflection since |
| 01:06:36 |
Well, gee, Eddie, |
| 01:06:38 |
but what do you think actresses do |
| 01:06:40 |
I don't know. |
| 01:06:41 |
I guess it depends |
| 01:06:44 |
He's back?. The life-guard?. |
| 01:06:46 |
Don't let him insult you like that. |
| 01:06:48 |
Get out of here. |
| 01:06:49 |
Sure. I was just leaving. |
| 01:06:52 |
No, no! Not you, Eddie. |
| 01:06:54 |
It was just a line that |
| 01:06:57 |
Could you please sit down?. I'm sorry. |
| 01:06:59 |
Please. |
| 01:07:06 |
Well, you delivered it well. |
| 01:07:08 |
Like he would know?. |
| 01:07:17 |
You know, sometimes I have to look |
| 01:07:22 |
Know what I mean?. |
| 01:07:24 |
Nope. |
| 01:07:44 |
Much better. |
| 01:07:47 |
I see you're mixin' booze |
| 01:07:51 |
What booze, Eddie?. It's Champagne. |
| 01:07:53 |
It's still booze |
| 01:07:56 |
What?. You're gonna lecture me now?. |
| 01:07:58 |
Am I...Am I the only person |
| 01:08:02 |
What about your husband, huh?. |
| 01:08:06 |
And what about your... |
| 01:08:08 |
I mean, for chrissake, |
| 01:08:11 |
Well, of course I have friends, |
| 01:08:15 |
But see these here are my best friends. |
| 01:08:17 |
They're the only ones |
| 01:08:19 |
The only ones |
| 01:08:20 |
They shake me see, and some-times |
| 01:08:24 |
"Hey, bitch! Get the fuck outta bed! " |
| 01:08:28 |
Oh, yes. Sometimes, |
| 01:08:32 |
when I feel my clock running down |
| 01:08:36 |
and I can't dance another step, |
| 01:08:39 |
the run all over my body |
| 01:08:48 |
They make me alive again. |
| 01:09:00 |
The way they lined up to see me |
| 01:09:02 |
Don't let it go to your head. |
| 01:09:04 |
The same folks line up to see |
| 01:09:07 |
They love a good freak show. |
| 01:09:08 |
You seemed to enjoy it. |
| 01:09:11 |
You think I'm fat?. |
| 01:09:13 |
You're a little prky around the middle |
| 01:09:15 |
I didn't ask. |
| 01:09:17 |
You know, Zanuck says he thinks |
| 01:09:20 |
"The Seven Year Itch" |
| 01:09:22 |
He says it's my best role ever. |
| 01:09:24 |
Well, you've had enough practice. |
| 01:09:25 |
It's the same role you always play -- |
| 01:09:29 |
He says I'm really incredibly good |
| 01:09:31 |
Then why is he sending us this crap?. |
| 01:09:33 |
Have you looked at these master-pieces?. |
| 01:09:36 |
"The Girl in the Red Velvet Swing," |
| 01:09:41 |
"The Revolt of Mamie Stovere," |
| 01:09:45 |
Oh, and here's an art movie, |
| 01:09:50 |
Starring Marilyn Monroe |
| 01:09:53 |
You should be working with Burton, |
| 01:09:58 |
But what if I'm, you know, |
| 01:10:01 |
I mean, what if I just don't have |
| 01:10:04 |
Then you'll just have to develop |
| 01:10:07 |
You'll just have to march |
| 01:10:09 |
and remind him that he would lose |
| 01:10:11 |
about a million dollars a year |
| 01:10:13 |
You'll just have to tell him |
| 01:10:16 |
in serious films |
| 01:10:20 |
And then what?. |
| 01:10:21 |
Then will you be happy?. |
| 01:10:23 |
Will that be good enough for you?. |
| 01:10:25 |
Will anything ever be good enough |
| 01:10:28 |
No, dear. |
| 01:10:29 |
Movie stars don't choose |
| 01:10:32 |
I choose their pictures. |
| 01:10:34 |
That's how they get to be movie stars. |
| 01:10:36 |
Understand me?. You are a movie star |
| 01:10:41 |
You could send me your sister |
| 01:10:42 |
from Phily or your aunt Josephine |
| 01:10:45 |
If I wanted to, |
| 01:10:49 |
No. If I am a star, it's the public |
| 01:10:56 |
No studio... No director... The public. |
| 01:11:00 |
Is that so?. |
| 01:11:02 |
Well, all the public |
| 01:11:05 |
and dance and wiggle your ass! |
| 01:11:06 |
Who do you think you are -- |
| 01:11:09 |
You wanna play Shakespeare?. |
| 01:11:11 |
You wanna play |
| 01:11:13 |
Not the Brothers. Grushenka. |
| 01:11:16 |
Huh?. |
| 01:11:18 |
She's a girl, Mr. Zanuck. |
| 01:11:22 |
All right. Let's defer this discussion. |
| 01:11:26 |
We'll talk about it after |
| 01:11:29 |
Well, now I think |
| 01:11:33 |
So that gives me more... |
| 01:11:35 |
What was that word |
| 01:11:39 |
I know...Leverage. |
| 01:11:50 |
We're here today with Marilyn Monroe, |
| 01:11:52 |
the first woman in the history of show |
| 01:11:54 |
business who successfully negotiate her |
| 01:11:58 |
I'm Sidney Skolsky and I love Hollywood |
| 01:12:01 |
Marilyn, I understand that under |
| 01:12:04 |
you'll be developing screen properties |
| 01:12:08 |
in New York. Now, uh... |
| 01:12:09 |
Why New York, Marilyn?. |
| 01:12:11 |
Well, Sidney, I believe |
| 01:12:12 |
it's a better atmosphere |
| 01:12:15 |
and for me to learn to use myself |
| 01:12:22 |
You will never find |
| 01:12:25 |
You cannot even recognize sincere love |
| 01:12:27 |
you ungrateful brat! |
| 01:12:31 |
I took you in when you were nothing. |
| 01:12:33 |
I breathed live into you! |
| 01:12:36 |
I made you into a star! |
| 01:12:37 |
Yeah, you and apparently everybody else |
| 01:12:40 |
You would have thrown away your career |
| 01:12:44 |
for a cretin! |
| 01:12:46 |
I am the one who saved you! |
| 01:12:47 |
Yeah, well, |
| 01:12:50 |
And neither are you! |
| 01:12:57 |
Make it real. Make it honest. |
| 01:12:59 |
You are angry. Juliette is angry. |
| 01:13:03 |
The nurse is dilatory. |
| 01:13:04 |
You want to yell. You want to scream. |
| 01:13:06 |
So...do it. Go ahead. Come on, yell. |
| 01:13:14 |
I can't. |
| 01:13:15 |
You can't?. Then get out of the business |
| 01:13:22 |
What are you feeling now?. |
| 01:13:23 |
You're frustrated now?. You're angry?. |
| 01:13:26 |
Then Yell, goddamn you! |
| 01:13:29 |
God, I'd die if he screamed at me |
| 01:13:33 |
That's better. Now... |
| 01:13:36 |
Listen if a doctor gives you good stuff |
| 01:13:38 |
you don't have to like him, do you?. |
| 01:13:41 |
This torture should be brought |
| 01:13:43 |
Did Romeo slay himself?. |
| 01:13:50 |
Mr. Strasberg?. |
| 01:13:53 |
I really enjoyed your class today. |
| 01:13:55 |
You're so brilliant with actors. |
| 01:14:00 |
I have... |
| 01:14:02 |
Well, I've been wanting to extend |
| 01:14:06 |
And I've always dreamed of studying |
| 01:14:18 |
It takes a lot of courage |
| 01:14:20 |
for those who are already functioning |
| 01:14:25 |
Unfortunately, |
| 01:14:25 |
you have already acquired |
| 01:14:30 |
which you now have to unlearn. |
| 01:14:34 |
I recommend private lessons |
| 01:14:41 |
You might even like to stay |
| 01:14:47 |
Thank you. |
| 01:15:06 |
We've met before. |
| 01:15:07 |
Elia Kazan introduced us years ago. |
| 01:15:11 |
I don't know if you remember. |
| 01:15:12 |
Why of course I remember, Art. |
| 01:15:14 |
I was just a very unimportant starlet |
| 01:15:17 |
the Pulitzer Prize |
| 01:15:21 |
I'm prepping a new play, uh... |
| 01:15:26 |
We open next month at the Coronet. |
| 01:15:28 |
Uh...perhaps you'd like to stop by |
| 01:15:36 |
maybe make a few suggestions. |
| 01:15:42 |
They'll say, |
| 01:15:44 |
she must be more intelligent |
| 01:15:47 |
She must have hidden dimensions |
| 01:15:50 |
They'll probably say, |
| 01:15:51 |
"If Arthur Miller's interested in her, |
| 01:15:55 |
Didn't you figure it out last time?. |
| 01:15:58 |
So now, instead of |
| 01:16:00 |
you're gonna try to make matzo balls... |
| 01:16:02 |
They're harder, you idiot! |
| 01:16:04 |
You're not meant for love |
| 01:16:06 |
Stick with what you're good at. |
| 01:16:08 |
Nothing if I listen to you! |
| 01:16:11 |
He's old enough to be your father! |
| 01:16:15 |
And then there's this voice in my head, |
| 01:16:23 |
It never ever stops. |
| 01:16:25 |
You know, some days... |
| 01:16:26 |
Well, a lot of days actually -- |
| 01:16:29 |
I uh, think I'm about one step away |
| 01:16:32 |
from becoming a raving shit throwing |
| 01:16:35 |
and my grandmother... You know?. |
| 01:16:37 |
'Cause it's in my blood. |
| 01:16:38 |
It's in my brain. |
| 01:16:43 |
I...I don't... |
| 01:16:49 |
I don't...I don't want to end up |
| 01:16:54 |
Iike some kind of |
| 01:17:00 |
See, every morning I wake up |
| 01:17:02 |
I'm gonna end up in some hospital, |
| 01:17:05 |
strapped to my bed and crapping |
| 01:17:13 |
Am I gonna end up like my mother, |
| 01:17:19 |
The science of the mind has progressed |
| 01:17:21 |
a great deal in the last twenty years, |
| 01:17:23 |
We are not as quick to hospitalize |
| 01:17:27 |
there are new therapies, |
| 01:17:33 |
Tell me something, Dr. Kris. |
| 01:17:36 |
What would you think if I became a Jew?. |
| 01:18:12 |
But I think it should be a serious name |
| 01:18:14 |
Like Isadora -- for your father. |
| 01:18:16 |
Isadora?. The kid'll probably hate us |
| 01:18:20 |
Oh, no. I know! |
| 01:18:21 |
What about Abe?. Abraham Miller. |
| 01:18:23 |
Well, what about Sarah, or Hanna... |
| 01:18:26 |
Oh, no, Papi. |
| 01:18:28 |
I got a boy in here... |
| 01:18:30 |
And I'm gonna paint his room blue |
| 01:18:33 |
more like a robin's egg blue. |
| 01:18:45 |
Oh, Papi, |
| 01:18:46 |
we're gonna be just like normal people, |
| 01:18:51 |
Oh, do you think |
| 01:18:53 |
he'll be as happy to see me |
| 01:19:01 |
Two guys dressed as women, |
| 01:19:04 |
It's been the basis of |
| 01:19:07 |
from Shakespeare to Feydeau. |
| 01:19:09 |
I think it's silly. |
| 01:19:10 |
Well, that's the point. |
| 01:19:13 |
Plus, he wants to shoot it |
| 01:19:15 |
My contract expressly guarantees that |
| 01:19:20 |
Then turn it down. |
| 01:19:22 |
Well, somebody has to bring |
| 01:19:25 |
So, I guess it might |
| 01:19:28 |
I can't count on you to do it. |
| 01:19:30 |
I seem to remember that |
| 01:19:32 |
So what have you written lately, Arthur |
| 01:19:36 |
You turned out to be a full time job. |
| 01:19:39 |
Well, that's right. |
| 01:19:40 |
Just get up and walk away |
| 01:19:44 |
Why don't you write |
| 01:19:53 |
Oh, Arthur...Arthur...Arthur. |
| 01:20:02 |
How are you?. |
| 01:20:04 |
Alive. Lucky me. |
| 01:20:10 |
There's something wrong inside me, |
| 01:20:13 |
Some defect...Some evil. |
| 01:20:17 |
God doesn't want me to have babies. |
| 01:20:23 |
We're gonna have lots of babies. |
| 01:20:27 |
We're gonna watch them grow big |
| 01:20:32 |
They better take after you. |
| 01:20:52 |
Sorry. |
| 01:20:53 |
I'll get the doctor. |
| 01:20:55 |
No. Pleaes don't go. Please. |
| 01:20:58 |
I'll be right back. |
| 01:21:00 |
Okay. |
| 01:21:11 |
Eh...Well, you must be very happy. |
| 01:21:15 |
No. |
| 01:21:16 |
Liar. Come on... |
| 01:21:19 |
Tell me how babies |
| 01:21:21 |
and make my tits tag. |
| 01:21:24 |
Go ahead, this is your chance. |
| 01:21:27 |
This is your opportunity. |
| 01:21:32 |
Tell me |
| 01:21:34 |
and flabbier than I am already. |
| 01:21:38 |
God, you're awful quiet today. |
| 01:21:41 |
Never when I want you to. |
| 01:21:44 |
What's the matter?. |
| 01:21:46 |
This is one of your greatest days. |
| 01:22:08 |
Don't you know I love you, Marilyn?. |
| 01:22:25 |
Action! |
| 01:22:35 |
Where is that... bon-bon?. |
| 01:22:39 |
Cut! |
| 01:22:48 |
And...Action! |
| 01:23:17 |
Cut. |
| 01:23:27 |
I have an aunt in Vienna -- |
| 01:23:31 |
I believe, is Mildered Lachenfarber. |
| 01:23:33 |
She always comes to the set on time, |
| 01:23:36 |
she never gives anyone |
| 01:23:39 |
And at the box office, |
| 01:23:42 |
You get my point. |
| 01:23:44 |
What good is being Marilyn Monroe if |
| 01:23:48 |
A family... |
| 01:23:49 |
I'd settle for just one baby. |
| 01:23:52 |
Why does everything have to turn out |
| 01:23:56 |
Maybe God |
| 01:23:58 |
I'd probably be a kooky mother, |
| 01:24:01 |
Stop it! Stop it! Stop it!!! |
| 01:24:05 |
Did you hear her?. That voice. |
| 01:24:08 |
That noise. |
| 01:24:12 |
It never goes away. |
| 01:24:14 |
Please make it stop, Dr. Kris. |
| 01:24:15 |
Oh, plese, just turn it off. |
| 01:24:17 |
I'm going to prescribe something |
| 01:24:26 |
Oh, go ahead. Eat the whole bottle -- |
| 01:24:32 |
Oh, go straight to hell. |
| 01:25:07 |
How can you have so little respect |
| 01:25:16 |
There. There we go. |
| 01:25:24 |
Papa?. How come you never talk to me |
| 01:25:28 |
in those beautiful flowery sentences |
| 01:25:34 |
When the movie's over, I'll be better. |
| 01:25:37 |
I'll be a good wife to you, Papa. |
| 01:25:40 |
Acting tears me up inside. |
| 01:25:45 |
The first time I ever saw you, |
| 01:25:48 |
you were so beautiful |
| 01:25:54 |
believe in God again. |
| 01:25:56 |
And now?. |
| 01:26:07 |
We're losin' the light Mr. Clift. |
| 01:26:13 |
I'm on my way. |
| 01:26:20 |
I hate you, Arthur. |
| 01:26:22 |
Really?. Why is that, Marilyn?. |
| 01:26:24 |
Well, you're so smart, |
| 01:26:29 |
You told me you were going to write me |
| 01:26:34 |
This is the best you could do?. |
| 01:26:37 |
The character is passive and stupid -- |
| 01:26:39 |
she just wonders around all day long |
| 01:26:42 |
Is this the way you see me?. |
| 01:26:44 |
Is this the way I inspire you?. |
| 01:26:50 |
"The Misfits!?. " |
| 01:26:52 |
You're the misfit, Arthur. |
| 01:26:55 |
You don't know |
| 01:26:59 |
And after all you've taught me. |
| 01:27:03 |
You're a lousy writer, Arthur! |
| 01:27:05 |
And you're a lousy husband! |
| 01:27:16 |
They need you in the bleachers now, |
| 01:27:18 |
And hey, kill that motor, will you?. |
| 01:27:21 |
No. Go on. Just drive. Go. Go! Just go! |
| 01:27:25 |
Just get outta here, goddamn it!!! |
| 01:27:26 |
Get out of here! |
| 01:27:38 |
Which is it, communism or freedom?. |
| 01:27:40 |
We'll triumph |
| 01:27:42 |
That's what should concern us. |
| 01:27:44 |
God, he's brilliant... |
| 01:27:46 |
Absolutely magnificent. |
| 01:27:49 |
I think he's gonna be another Lincoln. |
| 01:27:53 |
No, no, no. Don't do it that way. |
| 01:27:56 |
Wait. I'll show you. |
| 01:27:58 |
This works much faster, believe me. |
| 01:28:07 |
Weeeee! |
| 01:28:11 |
Sometimes, I open them up |
| 01:28:13 |
and I let the granules dissolve |
| 01:28:17 |
But mostly, I mix it with stuff. |
| 01:28:20 |
I like Nembutal with gin. |
| 01:28:22 |
But Dexamyl's good with champagne |
| 01:28:26 |
It's really the best combination. |
| 01:28:28 |
Unless you can get your hands |
| 01:28:32 |
I once almost lost a whole bottle of |
| 01:28:37 |
It happened a couple of years ago. |
| 01:28:39 |
I was flying to Louisville to shoot |
| 01:28:42 |
and I went to the john |
| 01:28:45 |
and fifty randy Mandies down |
| 01:28:50 |
What did you do?. |
| 01:28:52 |
Well, I had to go in and fish 'em out. |
| 01:28:59 |
My right arm turned...turned... |
| 01:29:05 |
It itched like a sonuva - |
| 01:29:11 |
Ohhh... |
| 01:29:14 |
You're the only one |
| 01:29:34 |
What?. |
| 01:29:37 |
Arthur's never coming back, is he?. |
| 01:29:47 |
Well then |
| 01:29:55 |
I haven't washed my hair in days. |
| 01:29:57 |
I haven't slept in a week. |
| 01:29:59 |
"Something's Got To Give" |
| 01:30:01 |
I have a wardrobe test on Monday, |
| 01:30:03 |
and I look like somebody |
| 01:30:09 |
So, what can you give me to bring me |
| 01:30:13 |
What do you usually take?. |
| 01:30:15 |
Nembutal, Seconal...Chloral Hydrate... |
| 01:30:22 |
Amytal, Dexamyl...Demerol sometimes. |
| 01:30:29 |
You take the Amytal |
| 01:30:33 |
Mmmmmm, usually. |
| 01:30:35 |
Self-administered?. |
| 01:30:37 |
I know some doctors... |
| 01:30:43 |
From now on, I'd like you |
| 01:30:49 |
For the time being, |
| 01:30:51 |
I'm going to allow |
| 01:30:54 |
it's fast acting and I think |
| 01:30:56 |
it's going to help to wean you off of |
| 01:30:59 |
But... |
| 01:31:01 |
...No more IV drugs. |
| 01:31:04 |
Now do you understand?. |
| 01:31:07 |
Party pooper. |
| 01:31:14 |
Thank you. |
| 01:31:17 |
Mmmmhmmm. Oh...Marilyn?. |
| 01:31:19 |
This is my son, Danny. |
| 01:31:21 |
Hi. |
| 01:31:24 |
Oh, go ahead. I'll see you tomorrow. |
| 01:31:27 |
Walk her out, Dan?. |
| 01:31:29 |
Oh, sure. |
| 01:31:35 |
Hey, Danny...What are you studying?. |
| 01:31:41 |
contemporary American Government. |
| 01:31:42 |
Really?. Can I ask you something?. |
| 01:31:48 |
Uh, I hope I can answer. |
| 01:31:50 |
If you were going to meet |
| 01:31:54 |
what would you talk about?. |
| 01:31:57 |
Of course, if you like sports, uh, |
| 01:32:00 |
touch football on Saturdays -- |
| 01:32:02 |
It is fun. |
| 01:32:03 |
Excellent Brandy. |
| 01:32:07 |
Mr. President?. |
| 01:32:09 |
Yes?. |
| 01:32:11 |
Isn't the massive build up of U.S. Aid |
| 01:32:13 |
and the dispatch of thousands of |
| 01:32:15 |
a direct violation |
| 01:32:21 |
Well, the uh trouble is we... |
| 01:32:25 |
Uh, not as much as North Vietnamese are |
| 01:32:32 |
So, whatever we do has to be done |
| 01:32:37 |
And of course |
| 01:32:40 |
danger in that, isn't there?. |
| 01:32:59 |
Thanks, Mr. President, |
| 01:33:08 |
Battles that you've won. |
| 01:33:11 |
The way you deal with... |
| 01:33:14 |
What's the matter, honey?. |
| 01:33:16 |
You're wearing my dress. |
| 01:33:18 |
That dress costs |
| 01:33:21 |
Is that the sort of language |
| 01:33:24 |
I don't think so. |
| 01:33:25 |
But first Ladies don't look like whores |
| 01:33:27 |
they don't act like whores |
| 01:33:31 |
Stop it! Stop it! |
| 01:33:34 |
Can't you see that |
| 01:33:36 |
if you go out there looking |
| 01:33:40 |
You have to wear something simple. |
| 01:33:42 |
Something elegant. |
| 01:33:43 |
Something befitting the wife |
| 01:33:46 |
Jack likes me to look sexy. |
| 01:33:49 |
He says it gets rid |
| 01:33:51 |
Yeah, right. |
| 01:33:53 |
This is better on me, anyway. |
| 01:33:55 |
You're too fat to wear it. |
| 01:33:57 |
Haven't you read, |
| 01:33:59 |
Oh, I'm sorry, I forgot. |
| 01:34:01 |
You only read Dostoyevski |
| 01:34:04 |
Can't you forget about Jackie?.! |
| 01:34:06 |
It's just a political marriage. |
| 01:34:07 |
He doesn't love her. |
| 01:34:08 |
He never sticks his band up her dress |
| 01:34:11 |
You think you are so grand. |
| 01:34:14 |
The President's whore! |
| 01:34:15 |
How many women do you think he has?. |
| 01:34:18 |
Isn't this what you wanted?. |
| 01:34:20 |
You're the one who wanted |
| 01:34:22 |
and the money and the power. |
| 01:34:23 |
I did this for you. |
| 01:34:24 |
Bullshit! |
| 01:34:26 |
You've never done anything for me. |
| 01:34:29 |
But I'm gonna do something for you... |
| 01:34:45 |
What the hell is going on here?. |
| 01:34:47 |
Marilyn, you were supposed |
| 01:34:52 |
What did you take?. |
| 01:34:56 |
What did you take!?. |
| 01:34:58 |
I didn't take anything, Peter. |
| 01:34:59 |
Nothing, I swear, that's the problem. |
| 01:35:05 |
Okay. |
| 01:35:08 |
I'll take care of it. |
| 01:35:12 |
Thank you! Oh, Happy Birthday, |
| 01:35:16 |
Happy Birhtday to you! |
| 01:35:29 |
Say, how'd you all like |
| 01:35:39 |
Honey, what on earth |
| 01:35:42 |
I've had to sew |
| 01:35:44 |
And it was plenty tight to begin with. |
| 01:35:46 |
You know, I may have to open up a slit |
| 01:35:51 |
I'm sorry, Hazel. |
| 01:35:53 |
I can't find Sidney Guilaroff anywhere. |
| 01:35:55 |
Somebody said he left |
| 01:35:57 |
He's probably half way |
| 01:35:59 |
The only hairstylist |
| 01:36:00 |
still hanging around back stage |
| 01:36:03 |
He's the guy who does the Kennedy's. |
| 01:36:06 |
Oooh, well, I sure |
| 01:36:09 |
You ask him to come in. |
| 01:36:13 |
Hey, you tell him |
| 01:36:21 |
In the history of show business, |
| 01:36:23 |
there has been no one female who |
| 01:36:29 |
who's done more...What?. |
| 01:36:44 |
Mr. President... |
| 01:36:48 |
The late Marilyn Monroe. |
| 01:37:38 |
Happy Birthday to you... |
| 01:37:45 |
Happy Birthday to you... |
| 01:37:55 |
Happy Birthday, Mr. President... |
| 01:38:04 |
Happy Birthday to you... |
| 01:38:18 |
The President's concerned. |
| 01:38:20 |
We're all concerned, |
| 01:38:25 |
your involvement with him |
| 01:38:26 |
has become a little too public |
| 01:38:30 |
Especially since your performance |
| 01:38:34 |
But you were the one who asked me |
| 01:38:37 |
And you...you telephone the President |
| 01:38:39 |
when other people are present. |
| 01:38:41 |
And you put these phone calls through |
| 01:38:45 |
Now, the family cannot, |
| 01:38:47 |
and will not tolerate this level |
| 01:38:53 |
He's going to marry me, Bobby. |
| 01:38:56 |
No. |
| 01:38:58 |
I don't believe |
| 01:38:59 |
the President ever gave you |
| 01:39:03 |
So now I have to ask you |
| 01:39:04 |
not to attempt to contact him |
| 01:39:09 |
Now, he believes |
| 01:39:12 |
and it's the best thing for America. |
| 01:39:26 |
And personally, I... |
| 01:39:37 |
Listen, I'd uh...I'd like to give you |
| 01:39:43 |
This'll put you right through |
| 01:39:51 |
But they can't fire me. |
| 01:39:53 |
I've never been fired before in my life |
| 01:39:55 |
I had to promise them |
| 01:39:57 |
that you'd be on the set on time |
| 01:40:01 |
Well, you've worked exactly four |
| 01:40:06 |
Every man woman and child in America |
| 01:40:09 |
saw you singing Happy Birthday |
| 01:40:11 |
when you to me you were home sick |
| 01:40:15 |
Ah, honey, you're all out of chances. |
| 01:40:18 |
But I was ill. You know know that I was |
| 01:40:22 |
So Liz Taylor can get sick and I can't, |
| 01:40:25 |
Every time she sneezes |
| 01:40:28 |
to break down the set |
| 01:40:31 |
And her arms are fat. |
| 01:40:34 |
Oh, Henry, her arms are so fat. |
| 01:40:41 |
I make millions for them |
| 01:40:44 |
Fucking Weinstein -- |
| 01:40:48 |
No, he's out to get me. |
| 01:40:50 |
They're all out to get me! |
| 01:40:51 |
Especially that stupid, no talent, |
| 01:40:55 |
What do you mean?. Of course you can! |
| 01:40:57 |
You're the Attorney General |
| 01:40:59 |
for chrissakes, |
| 01:41:02 |
No! You can! You can! |
| 01:41:04 |
No, you could! |
| 01:41:04 |
If you wanted to you could put them |
| 01:41:06 |
You...you could, |
| 01:41:09 |
you could deport them. |
| 01:41:10 |
You can have them assassinated! |
| 01:41:14 |
Oh, no. Oh...Bobby. Bobby...Oh... |
| 01:41:23 |
God, Eddie, wouldn't you know it, |
| 01:41:28 |
Uh...it's a beautiful house, Marilyn. |
| 01:41:31 |
I'm impressed. I am. |
| 01:41:32 |
Thanks. |
| 01:41:35 |
You know, I've been planning |
| 01:41:38 |
and furniture and stuff, |
| 01:41:42 |
It sounds great. |
| 01:41:44 |
Did I tell you?. |
| 01:41:45 |
I've been renegotiating my deal at FOX?. |
| 01:41:48 |
They're gonna hire me |
| 01:41:52 |
I don't even wanna ask. |
| 01:41:54 |
You know, Eddie... |
| 01:41:59 |
Rmember the Ambassador?. |
| 01:42:03 |
Yeah, I do. |
| 01:42:08 |
You used to love me then. |
| 01:42:19 |
You know, Eddie. |
| 01:42:21 |
When I was little, nobody loved me. |
| 01:42:29 |
Nobody at all. |
| 01:42:31 |
But then when I grew up, |
| 01:42:33 |
I learned that I could make anyone fall |
| 01:42:38 |
Just by taking off my dress. |
| 01:42:53 |
Well, I guess |
| 01:42:55 |
so...I'm gonna say goodnight. |
| 01:43:01 |
You're leaving Eddie?. |
| 01:43:06 |
Yeah, I have to get back. |
| 01:43:07 |
Hey, did I tell you?. |
| 01:43:09 |
I made a settlement with FOX. |
| 01:43:12 |
They're gonna pay me five times |
| 01:43:16 |
I'm gonna start to work next Thursday. |
| 01:43:19 |
What happened to Mexico?. |
| 01:43:22 |
After I get back from Mexico. |
| 01:43:28 |
Have a safe trip. |
| 01:43:32 |
There are eighty-eight tiles around |
| 01:43:34 |
There are three-hundred-sixty-seven |
| 01:43:37 |
There are one thousand, |
| 01:43:38 |
eight hundred seventy-four tiles... |
| 01:43:39 |
No! I told you, you have to walk |
| 01:43:45 |
There are eighty-eight tiles around |
| 01:43:47 |
There are three hundred sixty seven |
| 01:43:49 |
There are one thousand... |
| 01:43:51 |
Oh, yes! Yes! |
| 01:43:55 |
Aren't you happy?. |
| 01:43:57 |
Oh, yes, you are! |
| 01:44:00 |
You are. |
| 01:44:06 |
Robert Kennedy residence. |
| 01:44:09 |
Hi. It's Marilyn. |
| 01:44:12 |
Could I talk to Bobby, please?. |
| 01:44:15 |
Just a moment, Miss Monroe. |
| 01:44:23 |
Angel?. |
| 01:44:24 |
Mr. Kennedy's unavailable |
| 01:44:26 |
He is accepting no more calls |
| 01:44:28 |
Please, don't attempt to make contact. |
| 01:44:46 |
What are you doing?. |
| 01:44:50 |
Sometimes I have to hurt myself, |
| 01:44:57 |
Get out of my house! I hate you! |
| 01:45:01 |
It's all your fault. |
| 01:45:03 |
He dumped you as fast as he could |
| 01:45:08 |
You're ignorant and you have no class. |
| 01:45:10 |
No. That's you. I'm Marilyn. |
| 01:45:17 |
You're only good for one thing. |
| 01:45:19 |
That's why every man you've ever known |
| 01:45:22 |
They've all walked out on you. |
| 01:45:24 |
Even your daddy. |
| 01:45:25 |
Freddy, Johnny, Joe. |
| 01:45:30 |
Arthur, Bobby. Even your fans. |
| 01:45:40 |
We could have had it all! |
| 01:45:42 |
But you had to go and wreck it, |
| 01:45:49 |
I'll make you go away. |
| 01:45:57 |
Thirty-six years old |
| 01:45:57 |
and your tits are sagging faster |
| 01:46:02 |
No. I'll make you go... |
| 01:46:46 |
Your mind is gone. |
| 01:46:49 |
You're just a drunk and a pill head. |
| 01:46:56 |
No wonder everybody left you. |
| 01:47:04 |
It's too late. Everybody hates you. |
| 01:47:12 |
Never work again. |
| 01:47:16 |
The world will be better off |
| 01:47:45 |
Jesus loves me, this I know. |
| 01:47:51 |
For the Bible tells me so... |
